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The only Line dance magazine that’s packed with everything for today’s dance enthusiasts … • National and international news • Celebrity interviews • Choreographer and teacher guides • Music reviews • Dance event reports • Music and dance charts • DJ Playlists • Pull-out dance script supplement PLUS all magazine subscribers have full, unrestricted access to our extensive website which has over 11 million page views a year and a database of over 25,000 dance scripts and dance videos Agency discount: 10% Series discounts: 3 months 10%; 6 months 15% Advertising Deadlines Details are subject to change without notice Issue Cover date Copy deadline Delivered 186 October 2011 23 Sep 11 7 Oct 11 187 November 21 Oct 11 4 Nov 11 188 December 18 Nov 11 2 Dec 11 189 January 2012 23 Dec 11 6 Jan 12 190 February 20 Jan 12 3 Feb 12 191 March 17 Feb 12 2 Mar 12 192 April 22 Mar 12 5 Apr 12 193 May 20 Apr 12 4 May 12 194 June 19 May 12 1 Jun 12 195 July 22 Jun 12 6 Jul 12 196 August 20 Jul 12 3 Aug 12 197 September 24 Aug 12 7 Sep 12 198 October 21 Sep 12 5 Oct 12 199 November 19 Oct 12 2 Nov 12 200 December 23 Nov 12 7 Dec 12 201 January 2013 21 Dec 12 4 Jan 13 202 February 18 Jan 13 1 Feb 13 203 March 15 Feb 13 1 Mar 13 204 April 21 Mar 13 5 Apr 13 205 May 19 Apr 13 3 May 13 206 June 24 May 13 7 Jun 13 207 July 21 Jun 13 5 Jul 13 208 August 19 Jul 13 2 Aug 13 209 September 23 Aug 13 6 Sep 13 210 October 20 Sep 13 4 Oct 13 211 November 18 Oct 11 1 Nov 13 212 December 22 Nov 11 6 Dec 13 Let Linedancer work for your business today DIRECTION ACTUAL FOOTWORK STEPS CALLING SUGGESTION Choreographed by: Paul McAdam (UK) November 2010 Choreographed to: ‘Say Hey (I Love You)’ by Michael Franti & Spearhead (94 bpm) from CD Single; also available as download from amazon.co.uk or iTunes (16 count intro from start of beat) STEPPINOFF THEPage www.linedancermagazine.com Approved by: 4 WALL – 32 COUNTS – IMPROVER Section 1 Rocking Chair, 1/4 Turn Rocking Chair, Forward Shuffle, Step, 1/4 Turn, Cross 1 & 2 & Rock left heel forward. Recover onto right. Rock back on left. Recover onto right. Rocking Chair On the spot 3 & Make 1/4 turn left and rock forward on left heel. Recover onto right. Rock Turn Turning left 4 & Rock back on left. Recover onto right. Back Rock On the spot 5 & 6 Step left forward. Close right beside left. Step left forward. Left Shuffle Forward 7 & 8 Step right forward. Pivot 1/4 turn left. Cross right over left. Step Turn Cross Turning left Section 2 Samba Basic x 2, Walk x 2, Forward Shuffle 1 a 2 Step left to left side. Quick rock back on right. Recover onto left. Left Samba On the spot 3 a 4 Step right to right side. Quick rock back on left. Recover onto right. Right Samba 5 – 6 Walk forward left. Walk forward right. Walk Walk Forward 7 & 8 Step left forward. Close right beside left. Step left forward. Left Shuffle Section 3 Step, Pivot 1/2, Step, Mambo Step, Step Lock Full Turn Around 1 & 2 Step right forward. Pivot 1/2 turn left. Step right forward. Step Pivot Step Turning left 3 & 4 Rock forward on left. Rock back on right. Step left back. Mambo Step On the spot Note The following 4 counts are danced as a full turn right in a circle, stepping: 5&6&7&8 Step-lock-step-lock-step-lock-step (right, left, right, left, right, left, right). Step Lock Turn Turning right Section 4 Side Rock Cross, Rock 1/4 Step, Step 1/2 Turn Back, Step 1/2 Turn Forward 1 & 2 Rock left to left side. Recover onto right. Cross left over right. Side Rock Cross Right 3 & 4 Rock right to right side. Make 1/4 turn left and recover onto left. Step right forward. Rock Turn Step Turning left Restart Wall 7: At this point Restart dance from the beginning (ie omit last 4 counts). 5 & 6 Step left forward. Make 1/2 turn left and step right back. Step left back. Step Turn Back 7 & 8 Step right back. Make 1/2 turn left and step left forward. Step right forward. Back Turn Step Say Hey Samba A video clip of this dance is available at www.linedancermagazine.com 38 • December 2010 www.linedancermagazine.com 26/11/2010 13:41 www.linedancermagazine.com September 2011 • 5 September 2011 Page 20 - 21 Tim Matthews visits Kate Sala, choreographer of X Cuse Me? to find out more about this up and coming Line dancer. Page 23 Linedancer takes a look at the career of Dave Doyle who is retiring from the Line dancing world. He plans to go to the Emerald Isle and take up property developing, fishing and golfing! Page 27 - 29 We interview Jan ‘Stray Cat’ Brookfield who is one of Britain’s most popular Line dance instructors. Based in the West Midlands her events are always well attended and are often featured in Grapevine. She started out as a language teacher in secondary schools but soon decided to take the plunge and hang up her cap and gown for Line dancing! Page 34 - 35 Tim Matthews chats to Ken and Jean Bridgeman who have been married for twenty-five years after meeting in a club in Formby. They have been dance teachers for decades and in 1996 set up Arrowhead LDC, paying particular attention to beginner’s dances. Page 43 - 45 Dance instructor Lynne Breakwell tells us about her experience swimming with dolphins while on holiday in Malta. She also chats about her Line dance club the Rolls Royce Social Club in Derby and how she keeps teaching dancing interesting. Page 56 – 57 Linedancer magazine keeps an eye on the young talent emerging in the Line dance world and this month came across Danny Last. A big name in the competition world and very popular on the social scene, the young Liverpudlian has big ambitions for the future. This month … 26 Festival of Festivals How Steve Healy made his mark at one of Europe’s largest festivals 32 A Life of Line Dance Benny Ray updates us on his dancing career and personal life 70 Raise Your Glass Rachael McEnaney is 30… Maureen Jessop retraces her amazing career so far Favourites … 7 Grapevine 35 Steppin’ Off The Page 59 The Charts 36 Trust Me! 37 Going To Memphis 38 Baby Sister 39 Good Day To Run 40 Somewhere In My Heart 41 Walking In The Sunshine 42 Honeysuckle 43 Mambo 89 44 We Can Help U With That 45 Alabama Slammin’ 46 La Luna 47 Move A Like 48 The Stomp 49 Devotion This month’s Dance Scripts 26/08/2011 09:16 www.linedancermagazine.com September 2011 • 17 If anyone should be convinced that Line dance is a serious dance genre that can be part of someone’s career, then point them in the direction of George Blick. This handsome young man of just 21 years of age has a golden future assured and Line dance has played a big part in it. Laurent finds out more from this future dance star… George Blick was born in 1990 in the small Welsh town of Cowbridge. He says: “I started Line dance very young. My grandfather had to pick my Nan up from her Line dance class in Llantwit, so I went along to sit and watch.” As young George watched the dancers he thought to himself “I can do this” and he says: “That’s when it all went wrong because people started turning and changed walls as well as free styling! Yikes!” As he had joined in by then, he caused havoc on the dance floor. However the instructor, Stephanie Harris taught an easy dance ‘Ruby, Ruby’. This was the true beginning for George. “I picked it up and she could see I was interested. She then asked me if I wanted to start a children’s class and I said yes.” The class was a hit as 30 children turned up and George has been on dance floors ever since. George! BY bygeorge.indd 2 www.linedancermagazine.com September 2011 • 23 In this occasional series we are going to try and find out about some of your favourite choreographers. Dawn Middleton spoke with Alan Birchall. What is the first memory of dance in your life? Ooooh, that’s tough, it’s way back in my childhood, I must have been about eight. I can remember family gatherings of aunts, uncles and cousins at Christmas etc.... Their favourite ‘game’ was to get in a circle, children in the middle (so we couldn’t escape) put a pop tune on the radiogram (remember them?), Freddie and The Dreamers, Cliff Richard, Frank Ifield – even Tommy Steele’s Little White Bull and we all had to dance while they watched! That was probably the first and last time I ever actually danced before Line dance. Unless of course when in a nappy I would ‘bob’ up and down to music as babies do but if I did I have no recollection of it. Before you got into Line dance what was your favourite genre? Before Line dance, well there was nothing dance wise apart from the standard teenage boy things at disco’s, the obligatory ‘handbag steps’. I was very much into the music of the era and live bands, so my heroes were The Beatles, The Rolling Stones, Jethro Tull, Led Zeppelin, Pink Floyd and Deep Purple and many others of that ilk. In fact, music and good lyrics are very much a key element in determining what I listen to and write to. These days my listening choices are vast, covering every genre, I put that down to my parents as there was always music in the house of every style. My Grandfather played the piano, he played by ear in the local pubs (he couldn’t use his hands!) My mother also played piano but I have no recollection of her playing in public. I play guitar and keyboard, both probably very badly now as I haven’t played either properly for years. When did you discover Line dance? I would have been in my early to middle 40’s. The neighbours where all raving about it but the local class was on a Thursday night and the ‘Vicar Of Dibley’ had just appeared on our TV screens, so no chance of me taking it up! However the series finished and I toddled off to the class, the rest is history. What did it bring to you that other dance genres had not? That one is hard to say, really, as in my case, there was no other dance genres to compare it to, I’d seen dancing on TV with The Young Generation, Pan’s People and Hot Gossip, etc. 26/08/2011 09:48 32 • September 2011 www.linedancermagazine.com In June 2008, Linedancer Magazine featured a profile on Danish Line dancer and choreographer Benny Ray. Since then, a lot of things have happened in his life... A l i f e o f L i n e D a n ce 26/08/2011 10:20 26 • September 2011 www.linedancermagazine.com Once again, this latest festival has been a true success for its 2011 edition. Five days of fiesta, dance and happiness. Happiness in finding each other again, happiness in meeting new faces, happiness of discovery, pure fun and simply happiness in being there. This was the last year that this festival was going to be in its original position as 2012 will be in the new and huge Sun Stadium with an incredibly large space dedicated to dancers. I have tried to get a sneak preview of it but it is all top secret so you will have to unfortunately make do with my report on what we did get up to this year. Every day, a tribute was paid to Robert Wanstreet, the original dancer of Country and Western in France who sadly died a few months ago. The most important event with Robert in mind in Mirande was the Flashmob. That had been Robert’s idea to start with, the idea being for a crowd to dance a simpler version of his choreography ‘Go Grease’. A terrible storm tried to sabotage our efforts but a large number of dancers who were extremely well motivated ran towards the covered Espace Danse (dance area). There, we all were treated to a fantastic spectacle of dancers in red, looking terrific with huge smiles and dancing together, hand in hand. At last, the festival could start! Steve Healy from Linedancer was with us and this was the first time he had Festival Of Festivals The festival of Mirande in France is an annual event that no Country music lover wants to miss. Dozens of concerts, hours of dancing, thousands of visitors make Mirande, one of the best of its kind. Michèle Godard gives us the low down on the 2011 vintage. mirande.indd 1 www.linedancermagazine.com September 2011 • 51 Franck Boucheraud, whose responsibilities are numerous* has once again been to one of Nashville’s most prestigious events and sent us this great report. *Talent Buyer of the Canadian Country Music Night in the Country Bike Festival in Tours in France, Press conference leader in one of the biggest country festivals in Craponne. A lot of things have changed for the better since the first Fan Fair in 1972 held at the Ryman Auditorium in Nashville but its original spirit lives on. The original idea was to create a unique link between music makers, stars and their fans. Today the CMA festival is visited by 65,000 fans, each day. So this report is not about giving you a minute by minute account of what went on but rather to describe the atmosphere and even speak about those moments that made it special for me. The Music city, aka Nashville, straight away from my arrival gave me a typical surprise. I witnessed the shooting of the new music video of Lady Antebellum ‘Just A Kiss’ at the hotel Union Station. Whilst many will argue at the term Country applying to Lady Antebellum, they are nevertheless a talented band who got the award of Best Group of the Year in 2010 at the CMA. 26/08/2011 11:56 Baby News On November 7th, Danish Line dancer and choreographer Benny Ray was blessed with a second daughter. At birth she weighed 3980g (8.7 lb) and was 53 centimetres long. Proud parents, Benny and Lykke told us: “Mum is doing fine and big sister Lea, who is now four years old, is very proud. The name of the new baby has not been decided yet.” grapevine Tell us what you’re up to. Send us your news. Grapevine Linedancer Magazine Southport PR9 0QA [email protected] www.linedancermagazine.com December 2010 • 7 Here’s To The Happy Couple Sandy Keys and her Line dance friends would like to congratulate Tom and Sue on their marriage. “Please give them our very best wishes. Tom and Sue attend The Oakland Mavericks run by Nick and Alison on the Wirral. I previously wrote to you about Sue winning the last prize at our Christmas raffle last year and the prize was an engagement ring from Tom. They are a lovely couple and it is a joy to see the fun they have when they are Line dancing. We had a wonderful evening of Line dance to celebrate their marriage in October. Good dancing, good food and good company what more do you need. Please give them our thanks.” Home From Home Earlier this year Craig Bennett held an all day charity event at the Alford Sports & Social Club in Warrington, Cheshire in aid of Ronald McDonald House charity which aims to provide free ‘home away from home’ accommodation at hospitals across the UK, enabling families to stay close to their child and maintain a degree of normal family life. With the help of Dee Musk, Shaz Walton, Pat Stott, Alan Birchall, Kim Ray, DJ’S Dave Baycroft and Andrew Palmer they managed to raise a fantastic £2,300. All the choreographers and DJ’s gave their time and effort for free which meant more money for the charity and the raffle prizes were donated by Derek Birley. thecharts Linedancer Top Ten Bubbling under Welcome to the most comprehensive and reflective dance chart published. To ensure this chart is meaningful, independent and accurate we rely entirely on charts supplied by dancers. Send us your ten favourite dances in order of preference. It does not matter how old the dance is or to what track of music you dance it to. Providing you include your membership number, name and address for verification, your chart is entered into a database where, along with all the others, it is sorted, ranked and finally counted. The computer produces the results. Nothing is left out, nothing is edited. Linedancer Charts, Linedancer Magazine, Southport PR9 0QA charts@ linedancermagazine.com Name of dance Choreographer Music track and artist 1 2 3 4 5 6 7 8 9 10 Membership Number Your Name Address Telephone no: Fax no: E-mail: 1 Drip Droppin ADV Kate Sala Start Without You Alexandra Burke 2 I Run To You INT Rachael McEnaney I Run To You Lady Antebellum 3 Unpredictable INT R. McGowan Hickie/K-H Winson Two More Lonely People Miley Cyrus 4 Make You Sweat IMP Ria Vos Uhh La La La Chi Hua Hua 5 Everything I Do INT Rachael McEnaney Everything I Do Brandy 6 Snap Your Fingers ADV Rachael McEnaney Snap Your Fingers Ronnie Milsap 7 Blue Night Cha BEG Kim Ray Blue Night Michael Learns To Rock 8 Nightshift INT Kath Dickens Nightshift Dr Victor And The Rasta Rebels 9 Quarter After One INT Levi J. Hubbard Need You Now Lady Antebellum 10 Yolanda IMP K. Sala/R. McGowan Hickie Yolanda Joe Merrick Knee Deep You’re Amazing For The Lovers Rhyme Or Reason We Belong www.linedancermagazine.com December 2010 • 59 DANCE LEVEL CHOREOGRAPHER MUSIC TRACK MUSIC ARTIST thecharts Reviews Watch & Learn Video clips available now at www.linedancermagazine.com www.linedancermagazine.com December 2010 • 63 The Pulse Knee Deep Homeward Bound 64 Count Four Wall Intermediate Choreographer Kate Sala Music Track And Artist Who Owns My Heart - Miley Cyrus A great dance, a bit of a work out but I thoroughly enjoy it. James Wilson A brilliant dance, I love the music. The restart is very easy. There are some different steps in there. The 1/2 turn cross 1/2 turn caused a few problems but overall a definite hit. Denise Nicholls The cross 1/2 turns that swing one way and then the other are my favourite part of the dance. It’s fast but the steps aren’t too hard, so if you struggle to keep up, try taking smaller steps. David Spencer This took a couple of walkthroughs to master but well worth it. A great feeling of satisfaction for dancers of this level when you ‘have it’! The step patterns challenge you and it is written to a great track. Joy Ashton 64 Count Four Wall Improver Choreographer Yvonne Anderson Music Track And Artist Knee Deep - Zac Brown Band Brilliant, I love this dance, it goes well to the music, easyish steps for our Improvers class. The Beginner+ are struggling a bit but getting there. Intermediate class loved it. It’s great to get a nice easy dance to great country music. W. Mathieson I taught this recently and it is fantastic! A great dance to great music. It was very well received indeed. I hope it is a huge success for you Yvonne, well done! Robert Lindsay I taught this Improvers and they loved it. A very catchy tune and easy enough steps. I hope it manages to stay around for a while. Heather Wilson I was taught this dance at a recent event. It is fantastic. The dance fits the music so well. It was so good that I want my dance teachers to teach it at all my classes. Well done Yvonne. Lorraine Easdon 64 Count Four Wall Improver Choreographer Karla And Paul Dornstedt Music Track And Artist Take Me Home - Tol And Tol What a lovely little dance and the music is brilliant, really catchy. Hope this one is a big hit, it deserves to be. M. Garner A super little dance. I did this and had a lot of fun with it. I hope it catches on. It’s about time the fun was put back into Line dancing! Pamela Stevenson A brilliant dance. I love the music. I hope this stays around for a while. Roz Chaplin A great dance! It’s lots of fun. We love it here it Australia. Vicki O’Connor What a super little dance, I love the music and had never even heard of Tol and Tol. Thanks! L. Chinniah Homeward Bound Knee Deep The Pulse We Belong You’re Amazing It’s not easy to pin down Rachael McEnaney. She always seems to be on the move! Reading her Facebook page can make you envious of her jet setter life, York today, New York tomorrow passing through France, Japan, or the rest of the US. How does she do it? How does she look so good on it? How does she stay so approachable and natural? I managed to catch up with Rachael at the City of Light festival in Paris, ten minutes before she was due to fly off somewhere else after a weekend of teaching six of her latest dances as well as MCing in English at the Saturday night Show. Rachael is teaching more and more workshops in France these days and she is greatly appreciated, not only for her dances and teaching style, which is technically exact and fun, but also for the fact that she teaches in fluent French. ‘I love coming to France’ she tells me, adding that she has seen some tremendous developments over the last three years. Rachael first came to Paris with Pedro Machado when she was 17, her potential then was very obvious and with the help of people such as Pedro and Rob Fowler she went on to become Female Superstar in Edmonton 2001. She has never looked back. Rachael feels that she was in the right place at the right time in the development of country western dance and thanks to her natural talent has been able to make her mark. I likened her to Jo Thompson, a compliment which many other people have also paid her. The same dance talent, the same ability to produce well constructed dances, the same enthusiasm and ability to communicate and beauty to boot. I asked her how she approaches her choreographies. “It’s the music first of all. Music has to strike me”. She has a database of tunes that appeal to her and often will not use a song immediately but will keep some pieces for up to a year before using them. Sometimes urgency creeps in as she knows there will be a danger of someone else using the track before her. This was the case with Toes. When listening to the music she will pick out key words such as ‘kick’ or ‘turn’ and will then place these steps in the appropriate place. 70 • September 2011 www.linedancermagazine.com Rachael McEnaney has had an amazing career so far and this year is a very special one as she celebrates her 30th birthday. Maureen Jessop speaks to the golden girl of Line dance and looks at why Rachael is truly a national treasure and an international name. Raise Y 26/08/2011 10:58 www.linedancermagazine.com September 2011 • 71 YourGlass However, Rachel is not only a former champion Line dancer, she is also an accomplished couples dancer and especially in West Coast Swing. She competes regularly on the swing dance circuit in the States dancing with various partners. She also performs solo medley spotlights at festivals or events such as the CBA. She has won many, many awards for her choreographies, teaching skills and personality being acknowledged both by the profession and the public. Her dances usually go straight to the top of the charts. As well as her travel, she also teaches a regular class in her hometown of York and has added to her programme the new craze of Zumba. “I love it but can only teach it for an hour because I get totally exhausted.” Zumba is a fitness programme to music and the routines have to be choreographed, another task that Rachael undertakes with pleasure. In addition to all her dance accomplishments, she would make an excellent business executive. Two years ago I witnessed her working at a Masters In Line event near Marseilles when she undertook the organisation of the event at the last moment as well as having to teach workshops and perform in the Saturday night show. Such is the nature of this young woman that she wanted to share her 30th birthday with the dance community and has organised a Birthday Bash the weekend of 30th August in her home town of York. At the time of writing these lines, it promised to be a fun filled weekend with virtually non- stop dancing, instruction by the very best in international choreographers as well as outings to the York hot spots. Rachael told me that at 17 her father wanted her to go to University, she replied that if she hadn’t made it in the dance world before she was 30 she’d go. Well, I guess she can tear up that application form, safe in the knowledge that not only she has made it, but has become an International name, all throughout the dance world. 26/08/2011 10:58 20 • September 2011 www.linedancermagazine.com My full name is Graciela Futten, most people call me Grace, my husband’s name is Manuel Santolaya. In Spain we do not change the name when we get married and on the marriage documents we are obliged to use both family names, mother and father as we have to decide which one is going to be used first. My husband and I met in Kinshasa, ex Republique du Zaire, now Congo. Manuel is a dentist and I had to pay him a visit because I had very bad toothache and as they say, the rest is history. We got married in Spain in 1978. I was born in Argentina and my husband is from La Rioja, the wine region in the north of Spain. We came to live in Andalucía, Spain’s most southerly region, in 1979 and now both of us love it! We like the weather, the people, the way of life. Here people celebrate life and they minimise the less important things, the people are fun-loving and family-orientated. We both like all kinds of music and we love to dance Latin, including Salsa, Bachata and Merengue. My husband very much enjoys Zarzuela, which is a Spanish lyric-drama genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular song, as well as dance. I love Bach, Mozart, Beethoven... but most of all we both love to dance. I had heard about Line dance but I saw it for the first time in Benalmádena, near to where we live. A patient of Manuel’s invited us one Saturday evening to the pub where he was working. We danced and there were some people singing and suddenly a group appeared dancing all together and having such fun. I asked our friend about them and he told me they were here on holiday from the UK. So I began to look for any information in the English newspapers in this area and I discovered our club, the Mississipi Coasters. The Mississipi Coasters was founded 12 years ago and we are the first Spanish to join. There are Argentinians, Belgians, Dutch, French Canadians, etc. We also receive a lot of holiday visitors because we appear in your magazine in the ‘Where 2 dance’ section. Graciela Futten, joined the Mississipi Coasters Line dance club in Spain, three years ago. She has such a good time and has met some wonderful friends that she wanted to tell other Linedancer readers about it. Mississippi Coasters mississippi coasters.indd 1 www.linedancermagazine.com September 2011 • 21 In the first months the club was run by a couple but they went back to the UK and Bob Horan, a fantastic dancer, took over with the help of his wife Pauline. Bob runs and teaches and his wife Pauline does the organising and the social side of the club. We often go out for lunches and dinners with dancing included. We have great fun! The last outing took place in a ‘venta’, a typical Spanish countryside restaurant. We have also been invited by the Town Hall of Mijas to do a demonstration and at various festivals. We dance three times a week in different places in the area. During December and August we close because Bob and Pauline go to the UK to visit their family. We have made good friends through the club and we often meet up and visit at each others houses, which is very nice. There are people in our club who like mainly country, others likes latin but the main thing is all of us love to dance, to have fun and we always have a very nice atmosphere, if we make mistakes we laugh... and we leave our problems at the door! Well I think this gives you an idea of who we are and we would love you to come and visit and join us to dance. i s mississippi coasters.indd 2 Back in the year 2000 the late John Peel, on reviewing Laura Cantrell’s debut album, commented, “This is my favourite album of the last ten years and possibly my life.” The name of the album was ‘Not The Tremblin’ Kind’. I too thought it pretty darn good. Laura went on to record five separate sessions for Peel’s radio show and in 2005 dedicated ‘Humming By The Flowered Vine ‘ to his memory. Her second album ‘When The Roses Bloom Again’ came my way in 2002. For me it proved even better. She was definitely an artist to watch out for. In 2009 the Country Music Hall of Fame in Nashville invited Laura to do a show to link up with an exhibition dedicated to Country music singer, Kitty Wells. The climax of the show had the audience singing along with Laura Cantrell to the song that will always be associated with Kitty Wells, ‘It Wasn’t God Who Made Honky Tonk Angels’. Selecting and performing those songs touched the artist’s heart and left a lasting impression, so much so that Laura decided to dedicate an album to the great lady. Now that the album is available in Europe, Laura visited the United Kingdom to tour and promote it. We met in London and Laura turned out to be a gentle and charming person. However, Laura knows which direction she wants her life to go. I asked, “Many artists who wish to make it in Country music head for Nashville and yet you were born and grew up in Nashville and live in New York.” She replied: “I live in Jackson Heights in Queens. I came to New York to get to school. I went to college and decided to stay. I found there was a great community there that embraced many different kinds of music and a great, healthy, Country music scene. I thought it would be easier to grow up in that scene in New York where in Nashville if you are getting a local audience you are quickly on display. The industry is so small and close knit it can feel that there is a kind of intimacy. In New York I was able to evolve and grow up faster but not under the radar of the Country music business itself.” I understand Laura wanting a certain anonymity to be able to grow in whatever Richard Kirk speaks to Laura Cantrell about her latest album and finds out more from an intriguing singer in an exclusive Linedancer magazine interview. 32 • August 2011 www.linedancermagazine.com KITTY W e LLS DR e SS e S 28/07/2011 11:42 www.linedancermagazine.com August 2011 • 33 genre she can excel at. When I ask what genre she thinks is best suited to her, her reply is very straightforward. “To me my music is Country. That’s where I come from, especially when I was growing up. The older Country music was still being played on the radio. People like Kitty Wells, Hank Williams, Lefty Frizzell, Webb Pierce and those artists of that generation made huge impacts on me. They certainly were not the contemporary artists of the day and all those names were still all around except for Hank. In my house we also played a lot of Johnny Cash.” She explains why her new album, ‘Kitty Wells Dresses: Songs of the Queen of Country Music’ is an important one to her. “When I first started to play guitar I found that some of Kitty Wells’ tunes were simple enough to play so that I could accompany myself. So back then, I did ‘I Don’t Claim To Be An Angel’ and ‘I Gave My Wedding Dress Away’. This material was really familiar to me when I decided to record her songs and do you know what, there are still enough songs to record another album! I think it would be great for another artist to record them. My friend, Amy Allison and I wrote the title song of the album, ‘Kitty Wells Dresses’ as our tribute to Kitty. I think most people would say this music is pure, classic Country but there are many, many listeners who will keep discovering and re-discovering it just as I did.” Laura feels strongly about this style of music. “How Country music comes out on a commercial level we cannot control. I loved making this album. The young guys who backed me do a lot of work on Lower Street in Nashville. It gave me joy to see them perform. You know, as long as people are still learning to play the traditional it’s not going to die out.” THE ALBUM: Laura Cantrell Kitty Wells Dresses: Songs of the Queen of Country Music Label: Shoeshine Records Unlike the present day, in the late 1940’s into the ‘50’s Country music was male dominated. Kitty Wells signed with Decca in 1952 and recorded ‘It Wasn’t God Who Made Honky Tonk Angels’ an ‘answer’ song to Hank Thompson’s ‘The Wild Side of Life’. It caused a sensation with Kitty being the first female to have a Number One in the Country charts. Hit followed hit into the mid ‘60’s setting the scene for the new ladies such as Tammy Wynette, Loretta Lynn and Connie Smith. Kitty Wells truly was the first Queen of Country Music. It is my belief that Laura Cantrell deserves an award for keeping the history of traditional Country music alive and well. 28/07/2011 11:42 thecharts This month’s DJ Playlist is courtesy of DJ Bernard of Berntres Line Dancers DJ Playlist Club Charts 1 Rhyme Or Reason Rachael McEnaney It Happens Sugarland 2 The Lemon Tree Kim Ray Lemon Tree Fool’s Garden 3 Tennessee Waltz SurpriseAndy Chumbley Tennessee Waltz Ireen Sheer 4 Quarter After One Levi J. Hubbard Need You Now Lady Antebellum 5 Lamtarra Rhumba Tony Chapman Coco Jamboo Mr President 6 Out & Jump Rep Ghazali Jump Into My Bed Lou Bega 7 Wishful Thinking Jim O’Neill Lovin’ All Night Rodney Crowell 8 Father & Daughter Karen Hadley I Loved Her First Heartland 9 Bobbi With An I Rachael McEnaney Bobbi With An I Phil Vassar 10 For The Lovers Craig Bennett All The Lovers Kylie Minogue 11 Louisiana Swing K. Sala/R. McGowan Hickie Home To Louisiana Ann Tayler 12 I Run To You Rachael McEnaney I Run To You Lady Antebellum 13 Shakatak Kate Sala Ciega, Sordomunda Shakira 14 White Rose Gaye Teather White Rose Toby Keith 15 Undercover Robbie McGowan Hickie What’s Your Name Cosmo4 16 Broken Heels Jo & John Kinser/Mark Furnell Broken Heels Alexandra Burke 17 Drip Droppin Kate Sala Start Without You Alexandra Burke 18 Walk The Line Unknown Raining Men Geri Halliwell 19 Into The Arena Michael Vera-Lobos Now I Can Dance Tina Arena 20 Snap Your Fingers Rachael McEnaney Snap Your Fingers Ronnie Milsap 21 Black Horse Kate Sala Black Horse And The Cherry Tree KT Tunstall 22 Somebody Like You Alan Birchall Somebody Like You Keith Urban 23 Poker Face Craig Bennett Poker Face Lady GaGa 24 Can’t Stop Loving You Andy Skidmore Shout It To The World Lionel Ritchie 25 It Hurts Kathy Chang/Sue Hsu It Hurts Lena Philipsson 26 Walk With Me Rob Fowler Would You Go With Me Josh Turner 27 Yolanda K. Sala/ R. McGowan Hickie Yolanda Joe Merrick 28 Keep It Burning Craig Bennett/John Robinson Keep This Fire Burning Beverley Knight 29 Sister Kate Ria Vos Sister Kate The Ditty Bops 30 Smokey Places Ronnie McDowell Equador Sash Centrum Line Dance Odense, Denmark Contact: [email protected] 1 Fiesta Ben Kavanagh Summer Of Love Steps 2 Tipperary Girls Chris Hodgson Tipperary Girl Billy O’Dwyer Bob 3 Wakira Maggie Gallagher Waka Waka Shakira 4 Rhyme Or Reason Rachael McEnaney It Happens Sugarland 5 Walking In The Rain Maggie Gallagher Walking In The Rain Alex Swings Oscar Sings 6 Mexicali Robbie McGowan Hickie Mexico Tobias Rene 7 Amame Robbie McGowan Hickie Amame Belle Perez 8 Make You Sweat Ria Vos Uhh La La La Chi Hua Hua 9 Jig It Up (09) Maggie Gallagher Toss The Feathers The Corrs 10 Three Little Words Gary Lafferty I Just Called To Say I Love You Jason Allen Country Kickers Newtownabbey, Northern Ireland Contact: www.chaslynnscountrycorner.co.uk 1 Beautiful Lady Theresa Needham Beautiful Lady Warren Smyth 2 Feel Like Crying Amanda Harvey-Tench Cry To Me Ronnie McDowell 3 Greystone Rob Fowler/Ed Lawton Angel Of No Mercy Collin Raye 4 Quarter After One Levi J. Hubbard Need You Now Lady Antebellum 5 People Are Crazy Gaye Teather People Are Crazy Billy Currington 6 Rock N Love Peter And Alison Bleeding Love The Baseballs 7 Rhyme Or Reason Rachael McEnaney It Happens Sugarland 8 San Francisco Kath Dickens San Francisco The Olson Brothers 9 Speak With Your Heart Peter And Alison Don’t Tell Me You’re Not In Love Collin Ray 10 Yolanda K. Sala/R. McGowan Hickie Yolanda Joe Merrick Sneakers ‘n’ Spurs Warren, Ohio, USA Contact: [email protected] 1 Butterfly Waltz Peggy Cole Last Cheater’s Waltz T. G. Sheppard 2 Covered With Kisses Michelle Burton/Michael Barr I Gotta Get To You George Strait 3 Jailhouse Creole Double Trouble Jailhouse Rock/King Creole Billy Swan 4 Jersey Girls Cha Rosie Multari Jersey Girl Bacon Brothers 5 Magic Moon Robbie McGowan Hickie Mr. Man In The Moon Patty Loveless 6 Only You John Robinson Only You Captain Jack 7 Quarter After One Levi J. Hubbard Need You Now Lady Antebellum 8 So Sexxy John Robinson You’re So Sexy Marlee Scott 9 Tennessee Waltz SurpriseAndy Chumbley Tennessee Waltz Ireen Sheer 10 Under The Mango TreeCato Larsen Under The Mango Tree Tim Tim www.linedancermagazine.com December 2010 • 61 DANCE CHOREOGRAPHER MUSIC TRACK MUSIC ARTIST DANCE CHOREOGRAPHER MUSIC TRACK MUSIC ARTIST DANCE CHOREOGRAPHER MUSIC TRACK MUSIC ARTIST DANCE CHOREOGRAPHER MUSIC TRACK MUSIC ARTIST DIRECTION ACTUAL FOOTWORK STEPS CALLING SUGGESTION Choreographed by: Marie Sorensen (DK) November 2010 Choreographed to: ‘Love Done Gone’ by Billy Currington (128 pm) from CD Enjoy Yourself; also available as download from amazon.co.uk or iTunes (32 count intro) Choreographer’s note: This dance was specially choreographed for JoAnn from Arizona STEPPINOFF THEPage www.linedancermagazine.com Approved by: 4 WALL – 32 COUNTS – BEGINNER Section 1 Side, Touch, Side, Touch, Grapevine With Touch 1 – 2 Step right to right side. Touch left beside right and snap fingers. Side Touch Right 3 – 4 Step left to left side. Touch right beside left and snap fingers. Side Touch Left 5 – 6 Step right to right side. Cross left behind right. Side Behind Right 7 – 8 Step right to right side. Touch left beside right. Side Touch Section 2 Side, Touch, Side, Touch, Grapevine 1/4 Turn With Scuff 1 – 2 Step left to left side. Touch right beside left and snap fingers. Side Touch Left 3 – 4 Step right to right side. Touch left beside right and snap fingers. Side Touch Right 5 – 6 Stp left to left side. Cross right behind left. Side Behind Left 7 – 8 Make 1/4 turn left and step left forward. Scuff right. (9:00) Turn Scuff Turning left Section 3 Step, Tap, Back, 1/4 Turn, Step, Tap, Back 1/4 Turn 1 – 2 Step right forward. Tap left toe behind right. Step Tap Forward 3 – 4 Step left back. Make 1/4 turn right and step right forward. (12:00) Back Turn Turning right 5 – 6 Step left forward. Tap right toe behind left. Step Tap Forward 7 – 8 Step right back. Make 1/4 turn left and step left forward. (9:00) Back Turn Turning left Section 4 Lock Step Forward, Walk Back x 3, Touch 1 – 2 Step right forward. Lock left behind right. Step Lock Forward 3 – 4 Step right forward. Touch left beside right. Step Touch 5 – 6 Walk back left. Walk back right. Left Right Back 7 – 8 Walk back left. Touch right beside left. Left Touch Love, JoAnn A video clip of this dance is available at www.linedancermagazine.com www.linedancermagazine.com December 2010 • 37 26/11/2010 13:39 DIRECTION ACTUAL FOOTWORK STEPS CALLING SUGGESTION Choreographed by: Ann Wood (UK) January 2003 Choreographed to: ‘I Love To Boogie’ by T Rex (180 bpm) from CD Very Best Of T Rex, Pop Goes The Seventies, or Billy Elliot soundtrack (start on vocals) Music suggestions: ‘Dreaming With My Eyes Open’ by Clay Walker from CD Greatest Hits; ‘Cherokee Boogie’ by BR5-49 BLAST FROM THEPast www.linedancermagazine.com 4 WALL – 48 COUNTS – INTERMEDIATE Section 1 Toe Heel x 2, Side Rock Cross, Left, Touch, Right, Touch, Chasse 1& Touch right toe to left instep. Touch right heel to left instep. Heel Toe On the spot 2& Touch right toe to left instep. Touch right heel to left instep. Heel Toe 3&4 Rock right to right side. Recover onto left. Cross right over left. Rock & Cross 5& Step left to left side. Touch right beside left. Left Touch Left 6& Step right to right side. Touch left beside right. Right Touch Right 7&8 Step left to left side. Close right beside left. Step left to left side. Side Close Side Left Section 2 Toe Heel x 2, Side Rock Cross, Strut, Cross Strut, Rock 1/4 Turn, Step 1& Touch right toe to left instep. Touch right heel to left instep. Heel Toe On the spot 2& Touch right toe to left instep. Touch right heel to left instep. Heel Toe 3&4 Rock right to right side. Recover onto left. Cross right over left. Rock & Cross 5& Step left toe to left side. Drop left heel taking weight. Left Strut Left 6& Cross right toe over left. Drop right heel taking weight. Cross Strut 7&8 Rock left to left side. Rock onto right making 1/4 turn right. Step left forward. Rock Turn Step Turning right Section 3 Walk Forward x 2, Run Forward x 3, Forward Touch, Back Touch, Back Shuffle 1–2 Step right forward. Step left forward. Right Left Forward 3&4 Step right forward. Step left forward. Step right forward. Run Run Run 5& Step left forward. Touch right beside left. Forward Touch 6& Step right back. Touch left beside right. Back Touch Back 7&8 Step left back. Close right beside left. Step left back. Back Shuffle Section 4 Back Mambo, Step Pivot 1/2 Step x 2, Forward Lock Step 1&2 Rock back on right. Rock forward on left. Step right forward. Back Mambo On the spot 3&4 Step left forward. Pivot 1/2 turn right. Step left forward. Step Pivot Step Turning right 5&6 Step right forward. Pivot 1/2 turn left. Step right forward. Step Pivot Step Turning left 7&8 Step left forward. Lock right behind left. Step left forward. Left Lock Left Forward Section 5 Forward Step Touch x 4, Walks Back With Hitch x 2 1& Step right forward. Touch left beside right. Right Touch Forward 2& Step left forward. Touch right beside left. Left Touch 3& Step right forward. Touch left beside right. Right Touch 4& Step left forward. Touch right beside left. Left Touch 5&6& Walk back - right, left, right. Hitch left. Back 2 3 Hitch Back 7&8& Walk back - left, right, left. Hitch right. Back 2 3 Hitch Section 6 Side Rock Cross x 2, Extended Grapevine 1&2 Rock right to right side. Recover onto left. Cross right over left. Right Rock Cross On the spot 3&4 Rock left to left side. Recover onto right. Cross left over right. Left Rock Cross 5& Step right to right side. Cross left behind right. Side Behind Right 6& Step right to right side. Cross left over right. Side Cross 7& Step right to right side. Cross left behind right. Side Behind 8& Step right to right side. Cross left over right. Side Cross Elliot’s Dream A video clip of this dance is available at www.linedancermagazine.com 34 • December 2010 www.linedancermagazine.com 26/11/2010 13:36 DIRECTION ACTUAL FOOTWORK STEPS CALLING SUGGESTION Choreographed by: Ross Brown (UK) October 2010 Choreographed to: ‘ABBA Medley (Fast)’ by Abbacadabra (136 bpm) from CD Almighty Presents: We Love ABBA; also available as download from amazon.co.uk or iTunes Music suggestion: ‘ABBA Medley (Slow) by Abbacadabra (132 bpm) from CD Almighty Presents: We Love ABBA (or amazon.co.uk or iTunes) STEPPINOFF THEPage www.linedancermagazine.com Approved by: 2 WALL – 32 COUNTS – ABSOLUTE BEGINNER Section 1 Grapevine With Touch, x 2 1 – 2 Step right to right side. Cross step left behind right. Side Behind Right 3 – 4 Step right to right side. Touch left beside right. Side Touch 5 – 6 Step left to left side. Cross step right behind left. Side Behind Left 7 – 8 Step left to left side. Touch right beside left. Side Touch Section 2 Diagonal Step Touches: Forward Forward, Back Back 1 – 2 Step right forward on right diagonal. Touch left beside right. Step Touch Forward 3 – 4 Step left forward on left diagonal. Touch right beside left. Step Touch 5 – 6 Step right back on right diagonal. Touch left beside right. Back Touch Back 7 – 8 Step left back on left diagonal. Touch right beside left. Back Touch Section 3 Kicking Charleston Step, Step, 1/4 Hitch Turn, Back, Touch 1 – 2 Step right forward. Kick left forward. Step Kick Forward 3 – 4 Step left back. Touch right toe back. Back Touch Back 5 – 6 Step right forward. Make 1/4 turn right hitching left knee. Step Turn Turning right 7 – 8 Step left back. Touch right toe beside left. (3:00) Back Touch Back Section 4 Kicking Charleston Step, Step, 1/4 Hitch Turn, Back, Touch 1 – 2 Step right forward. Kick left forward. Step Kick Forward 3 – 4 Step left back. Touch right toe back. Back Touch Back 5 – 6 Step right forward. Make 1/4 turn right hitching left knee. Step Turn Turning right 7 – 8 Step left back. Touch right toe beside left. (6:00) Back Touch Back ABBAcadabra A video clip of this dance is available at www.linedancermagazine.com www.linedancermagazine.com December 2010 • 35 26/11/2010 13:29 DIRECTION ACTUAL FOOTWORK STEPS CALLING SUGGESTION Choreographed by: Juliet Lam (US) October 2010 Choreographed to: ‘It’s Now Or Never’ by Elvis Presley (126 bpm) from various compilation albums; also available as download from amazon.co.uk or iTunes (Begin on word ‘Never’ - approx 13 secs into track) Choreographer’s note: Music slows towards the end, just keep dancing at regular beat STEPPINOFF THEPage www.linedancermagazine.com Approved by: 4 WALL – 32 COUNTS – BEGINNER Section 1 Rumba Box 1 – 2 Step left to left side. Step right beside left. Left Together Left 3 – 4 Step left forward. Hold. Step Hold Forward 5 – 6 Step right to right side. Step left beside right. Right Together Right 7 – 8 Step right back. Hold. Back Hold Back Section 2 Side, Together, Side, Hold, Cross Rock, 1/4 Turn, Hold 1 – 2 Step left to left side. Step right beside left. Left Together Left 3 – 4 Step left to left side. Hold. Left Hold 5 – 6 Cross rock right over left. Recover onto left. Cross Rock On the spot 7 – 8 Make 1/4 turn right stepping right forward. Hold. (3:00) Turn Hold Turning right Section 3 Cross, Side, Behind, Sweep, Behind, Side, Cross, Sweep 1 – 2 Cross left over right. Step right to right side. Cross Side Right 3 – 4 Cross left behind right. Sweep right out and around from front to back. Behind Sweep 5 – 6 Cross right behind left. Step left to left side. Behind Side Left 7 – 8 Cross right over left. Sweep left out and around from back to front. Cross Sweep Section 4 Forward Rock, Rock 1/2 Turn With Hitch, Forward Rock, Rock, Hold 1 – 2 Rock forward on left. Recover onto right. Forward Rock On the spot 3 – 4 Rock forward on left. Make 1/2 turn left, hitching right. (9:00) Rock Turn Turning left 5– 6 Rock forward on right. Recover onto left. Forward Rock On the spot 7 – 8 Rock forward on right. Hold. Rock Hold A video clip of this dance is available at www.linedancermagazine.com A Touch Of Rumba 36 • December 2010 www.linedancermagazine.com 26/11/2010 13:30 www.linedancermagazine.com December 2010 • 33 Linedancer Magazine Clare House, 166 Lord Street Southport, PR9 0QA Tel: 01704 392 300 DANCE SCRIPTS Your 16 page pull-out script section November 2010 CONTENTS BLAST FROM THE PAST: Elliot’s Dream NEW THIS MONTH: ABBAcadabra A Touch Of Rumba Love, JoAnn Say Hey Samba Maggie McCall Homeward Bound Jig About Boogie Fever Carousel Crazy Day Job What If? Dog-Gone Blues Chicken And Gravy CBA VOTING FORM INSIDE 26/11/2010 10:23 9 771366 650031 04 Blake Shelton LOADED WITH COUNTRY HITS The monthly magazine dedicated to Line dancing April 2011 Issue 180 • £3 PULL-OUT INSIDE • 14 GREAT DANCE SCRIPTS INCLUDING: OPEN BOOK • COLD COLD HEART • NEXT TO ME • BITTERSWEET MEMORY 9 771366 650031 05 Photo courtesy of Didier Lalliot Robert Wanstreet A DANCE LEGACY The monthly magazine dedicated to Line dancing May 2011 Issue 181 • £3 PULL-OUT INSIDE • 14 GREAT DANCE SCRIPTS INCLUDING: A LOVE DANCE • YOU ARE THE ONE • DIG IT • GAMBLING MAN 9 771366 650031 06 Ria Vos SOMETHING OR OTHER HERE The monthly magazine dedicated to Line dancing June 2011 Issue 182 • £3 PULL-OUT INSIDE • 14 GREAT DANCE SCRIPTS INCLUDING: 9 771366 650031 07 Anton and Ann SHALL WE DANCE? The monthly magazine dedicated to Line dancing July 2011 Issue 183 • £3 PULL-OUT INSIDE • 14 GREAT DANCE SCRIPTS INCLUDING: THIS LIFE • LIFE COULD BE A DREAM • THE FLUTE • DON’T YOU REMEMBER? 9 771366 650031 08 Kim Ray AS GOOD AS IT GETS The monthly magazine dedicated to Line dancing August 2011 Issue 184 • £3 PULL-OUT INSIDE • 14 GREAT DANCE SCRIPTS INCLUDING: HELLO! HELLO AGAIN! • IT’S A SUMMER THING • CRYING OVER YOU • NO SCANDAL 9 771366 650031 09 George Blick IN LINE FOR STARDOM The monthly magazine dedicated to Line dancing September 2011 Issue 185 • £3 PULL-OUT INSIDE • 14 GREAT DANCE SCRIPTS INCLUDING: BABY SISTER • HONEYSUCKLE • ALABAMA SLAMMIN’ • DEVOTION The biggest selling Line dance magazine in the world www. linedancer magazine.com 20 % DISCOUNT FOR MAGAZINE & WEB COMBOS

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Page 1: The biggest selling Line dance magazine in the worldripassetseu.s3.amazonaws.com/...12/...LD_mediapack.pdf · The only Line dance magazine that’s packed with everything for today’s

The only Line dance magazine that’s packed with everything for today’s dance enthusiasts …

• National and international news

• Celebrity interviews

• Choreographer and teacher guides

• Music reviews

• Dance event reports

• Music and dance charts

• DJ Playlists

• Pull-out dance script supplement

PLus all magazine subscribers have full, unrestricted access to our extensive website which has over 11 million page views a year and a database of over 25,000 dance scripts and dance videos

Agency discount: 10%series discounts: 3 months 10%; 6 months 15%

Advertising Deadlines Details are subject to change without notice

Issue Cover date Copy deadline Delivered

186 October 2011 23 Sep 11 7 Oct 11187 November 21 Oct 11 4 Nov 11188 December 18 Nov 11 2 Dec 11189 January 2012 23 Dec 11 6 Jan 12190 February 20 Jan 12 3 Feb 12191 March 17 Feb 12 2 Mar 12192 April 22 Mar 12 5 Apr 12193 May 20 Apr 12 4 May 12194 June 19 May 12 1 Jun 12195 July 22 Jun 12 6 Jul 12196 August 20 Jul 12 3 Aug 12197 september 24 Aug 12 7 Sep 12198 October 21 Sep 12 5 Oct 12199 November 19 Oct 12 2 Nov 12200 December 23 Nov 12 7 Dec 12201 January 2013 21 Dec 12 4 Jan 13202 February 18 Jan 13 1 Feb 13203 March 15 Feb 13 1 Mar 13204 April 21 Mar 13 5 Apr 13205 May 19 Apr 13 3 May 13206 June 24 May 13 7 Jun 13207 July 21 Jun 13 5 Jul 13208 August 19 Jul 13 2 Aug 13209 september 23 Aug 13 6 Sep 13210 October 20 Sep 13 4 Oct 13211 November 18 Oct 11 1 Nov 13212 December 22 Nov 11 6 Dec 13

Let Linedancer work for your business today

DIRECTION

ACTUAL FOOTWORKSTEPS

CALLING

SUGGESTION

Choreographed by: Paul McAdam (UK) November 2010

Choreographed to: ‘Say Hey (I Love You)’ by Michael Franti & Spearhead (94 bpm)

from CD Single; also available as download from amazon.co.uk or iTunes

(16 count intro from start of beat)

STEPPIN’OFFTHEPage www.linedancermagazine.com

Approved by:

4 WALL – 32 COUNTS – IMPROVER

Section 1 Rocking Chair, 1/4 Turn Rocking Chair, Forward Shuffle, Step, 1/4 Turn, Cross

1 & 2 & Rock left heel forward. Recover onto right. Rock back on left. Recover onto right. Rocking Chair On the spot

3 & Make 1/4 turn left and rock forward on left heel. Recover onto right. Rock Turn

Turning left

4 & Rock back on left. Recover onto right.

Back Rock On the spot

5 & 6 Step left forward. Close right beside left. Step left forward. Left Shuffle

Forward

7 & 8 Step right forward. Pivot 1/4 turn left. Cross right over left. Step Turn Cross Turning left

Section 2 Samba Basic x 2, Walk x 2, Forward Shuffle

1 a 2 Step left to left side. Quick rock back on right. Recover onto left. Left Samba

On the spot

3 a 4 Step right to right side. Quick rock back on left. Recover onto right. Right Samba

5 – 6 Walk forward left. Walk forward right.

Walk Walk Forward

7 & 8 Step left forward. Close right beside left. Step left forward. Left Shuffle

Section 3 Step, Pivot 1/2, Step, Mambo Step, Step Lock Full Turn Around

1 & 2 Step right forward. Pivot 1/2 turn left. Step right forward. Step Pivot Step Turning left

3 & 4 Rock forward on left. Rock back on right. Step left back. Mambo Step On the spot

Note The following 4 counts are danced as a full turn right in a circle, stepping:

5&6&7&8 Step-lock-step-lock-step-lock-step (right, left, right, left, right, left, right). Step Lock Turn Turning right

Section 4 Side Rock Cross, Rock 1/4 Step, Step 1/2 Turn Back, Step 1/2 Turn Forward

1 & 2 Rock left to left side. Recover onto right. Cross left over right. Side Rock Cross Right

3 & 4 Rock right to right side. Make 1/4 turn left and recover onto left. Step right forward. Rock Turn Step Turning left

Restart Wall 7: At this point Restart dance from the beginning (ie omit last 4 counts).

5 & 6 Step left forward. Make 1/2 turn left and step right back. Step left back. Step Turn Back

7 & 8 Step right back. Make 1/2 turn left and step left forward. Step right forward. Back Turn Step

Say Hey Samba

A video clip of this

dance is available at

www.linedancermagazine.com

38 • December 2010

www.linedancermagazine.com

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www.linedancermagazine.com

September 2011 • 5

September 2011

Page 20 - 21

Tim Matthews visits Kate Sala,

choreographer of X Cuse Me? to

find out more about this up and

coming Line dancer.

Page 23

Linedancer takes a look at the

career of Dave Doyle who is retiring

from the Line dancing world. He plans to go to the Emerald

Isle and take up property developing, fishing and golfing!

Page 27 - 29

We interview Jan ‘Stray Cat’ Brookfield who is one of

Britain’s most popular Line dance instructors. Based in the

West Midlands her events are always well attended and are

often featured in Grapevine. She started out as a language

teacher in secondary schools but soon decided to take the

plunge and hang up her cap and gown for Line dancing!

Page 34 - 35

Tim Matthews chats to Ken and Jean Bridgeman who have

been married for twenty-five years after meeting in a club in

Formby. They have been dance teachers for decades and

in 1996 set up Arrowhead LDC, paying particular attention

to beginner’s dances.

Page 43 - 45

Dance instructor Lynne Breakwell tells us about her

experience swimming with dolphins while on holiday in

Malta. She also chats about her Line dance club the Rolls

Royce Social Club in Derby and how she keeps teaching

dancing interesting.

Page 56 – 57

Linedancer magazine keeps an eye on the young talent

emerging in the Line dance world and this month came

across Danny Last. A big name in the competition

world and very popular on the social scene, the young

Liverpudlian has big ambitions for the future.

This month …

26Festival of FestivalsHow Steve Healy made his mark at one of

Europe’s largest festivals

32A Life of Line

DanceBenny Ray updates us on his dancing

career and personal life

70Raise YourGlassRachael McEnaney is 30… Maureen

Jessop retraces her amazing career so far

Favourites …

7 Grapevine

35 Steppin’ Off The Page

59 The Charts

36 Trust Me!

37 Going To Memphis

38 Baby Sister

39 Good Day To Run

40 Somewhere In My Heart

41 Walking In The Sunshine

42 Honeysuckle

43 Mambo 89

44 We Can Help U With That

45 Alabama Slammin’

46 La Luna

47 Move A Like

48 The Stomp

49 Devotion

This month’s

Dance Scripts

contents.indd 1

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September 2011 • 17

If anyone should be convinced that Line dance is a serious dance genre that can be part of someone’s career, then point them in the direction of George Blick. This handsome young man of just 21 years of age has a golden future assured and Line dance has played a big part in it. Laurent fi nds out more from this future dance star…

George Blick was born in 1990 in the small Welsh town of Cowbridge. He says: “I started Line dance very young. My grandfather had to pick my Nan up from her Line dance class in Llantwit, so I went along to sit and watch.” As young George watched the dancers he thought to himself “I can do this” and he says: “That’s when it all went wrong because people started turning and changed walls as well as free styling! Yikes!” As he had joined in by then, he caused havoc on the dance fl oor. However the instructor, Stephanie Harris taught an easy dance ‘Ruby, Ruby’. This was the true beginning for George. “I picked it up and she could see I was interested. She then asked me if I wanted to start a children’s class and I said yes.” The class was a hit as 30 children turned up and George has been on dance fl oors ever since.

George!BY

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September 2011 • 23

In this occasional

series we are going

to try and fi nd

out about some

of your favourite

choreographers.

Dawn Middleton spoke

with Alan Birchall.

Alan Alan Alan Alan Alan Alan Alan Alan Alan BirchallBirchallBirchallBirchallBirchallBirchall

What is the fi rst memory of dance in

your life?

Ooooh, that’s tough, it’s way back in my

childhood, I must have been about eight.

I can remember family gatherings of

aunts, uncles and cousins at Christmas

etc.... Their favourite ‘game’ was to get

in a circle, children in the middle (so we

couldn’t escape) put a pop tune on the

radiogram (remember them?), Freddie

and The Dreamers, Cliff Richard, Frank

Ifi eld – even Tommy Steele’s Little White

Bull and we all had to dance while they

watched! That was probably the fi rst and

last time I ever actually danced before

Line dance. Unless of course when in

a nappy I would ‘bob’ up and down to

music as babies do but if I did I have no

recollection of it.

Before you got into Line dance what

was your favourite genre?

Before Line dance, well there was

nothing dance wise apart from the

standard teenage boy things at disco’s,

the obligatory ‘handbag steps’. I was very

much into the music of the era and live

bands, so my heroes were The Beatles,

The Rolling Stones, Jethro Tull, Led

Zeppelin, Pink Floyd and Deep Purple and

many others of that ilk. In fact, music and

good lyrics are very much a key element

in determining what I listen to and write to.

These days my listening choices are vast,

covering every genre, I put that down to

my parents as there was always music in

the house of every style. My Grandfather

played the piano, he played by ear in the

local pubs (he couldn’t use his hands!)

My mother also played piano but I have

no recollection of her playing in public. I

play guitar and keyboard, both probably

very badly now as I haven’t played either

properly for years.

When did you discover Line dance?

I would have been in my early to middle

40’s. The neighbours where all raving

about it but the local class was on a

Thursday night and the ‘Vicar Of Dibley’

had just appeared on our TV screens, so

no chance of me taking it up! However

the series fi nished and I toddled off to the

class, the rest is history.

What did it bring to you that other

dance genres had not?

That one is hard to say, really, as in my

case, there was no other dance genres

to compare it to, I’d seen dancing on TV

with The Young Generation, Pan’s People

and Hot Gossip, etc.

tell me more alan birchall.indd 2

26/08/2011 09:48

32 • September 2011

www.linedancermagazine.com

In June 2008,

Linedancer Magazine

featured a profi le on

Danish Line dancer

and choreographer

Benny Ray. Since then,

a lot of things have

happened in his life...

A life of Line Dance

benny ray.indd 1

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26 • September 2011

www.linedancermagazine.com

Once again, this latest festival has been a true success for its 2011 edition. Five days of fi esta, dance and happiness. Happiness in fi nding each other again, happiness in meeting new faces, happiness of discovery, pure fun and simply happiness in being there.This was the last year that this festival was going to be in its original position as 2012 will be in the new and huge Sun Stadium with an incredibly large space dedicated to dancers. I have tried to get a sneak preview of it but it is all top secret so you will have to unfortunately make do with my report on what we did get up to this year.

Every day, a tribute was paid to Robert Wanstreet, the original dancer of Country and Western in France who sadly died a few months ago. The most important event with Robert in mind in Mirande was the Flashmob. That had been Robert’s idea to start with, the idea being for a crowd to dance a simpler version of his choreography ‘Go Grease’. A terrible storm tried to sabotage our efforts but a large number of dancers who were extremely well motivated ran towards the covered Espace Danse (dance area). There, we all were treated to a fantastic spectacle of dancers in red, looking terrifi c with huge smiles and dancing together, hand in hand. At last, the festival could start!

Steve Healy from Linedancer was with us and this was the fi rst time he had

Festival Of Festivals

The festival of Mirande in France is an annual event that no Country music lover wants to miss. Dozens of concerts, hours of dancing, thousands of visitors make Mirande, one of the best of its kind. Michèle Godard gives us the low down on the 2011 vintage.

mirande.indd 1

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September 2011 • 51

Franck Boucheraud, whose responsibilities

are numerous* has once again been to one

of Nashville’s most prestigious events and

sent us this great report.

*Talent Buyer of the Canadian Country Music Night in the

Country Bike Festival in Tours in France, Press conference

leader in one of the biggest country festivals in

Craponne.

A lot of things have changed for the better since

the fi rst Fan Fair in 1972 held at the Ryman

Auditorium in Nashville but its original spirit

lives on. The original idea was to create a

unique link between music makers, stars

and their fans.

Today the CMA festival is visited by

65,000 fans, each day. So this report is

not about giving you a minute by minute

account of what went on but rather to

describe the atmosphere and even

speak about those moments that

made it special for me.

The Music city, aka Nashville,

straight away from my arrival

gave me a typical surprise.

I witnessed the shooting

of the new music video

of Lady Antebellum

‘Just A Kiss’ at the hotel

Union Station. Whilst

many will argue at the

term Country applying to

Lady Antebellum, they are

nevertheless a talented

band who got the award

of Best Group of the

Year in 2010 at the

CMA.

40yearsofcountry.indd 2

26/08/2011 11:56

Baby NewsOn November 7th, Danish Line dancer

and choreographer Benny Ray was

blessed with a second daughter. At birth

she weighed 3980g (8.7 lb) and was 53

centimetres long. Proud parents, Benny

and Lykke told us: “Mum is doing fine and

big sister Lea, who is now four years old, is

very proud. The name of the new baby has

not been decided yet.”

grapevineTell us what you’re up to.

Send us your news.

GrapevineLinedancer Magazine

Southport PR9 0QA

[email protected]

www.linedancermagazine.com

December 2010 • 7

Here’s To The

Happy Couple

Sandy Keys and her Line dance friends

would like to congratulate Tom and Sue

on their marriage. “Please give them our

very best wishes. Tom and Sue attend

The Oakland Mavericks run by Nick and

Alison on the Wirral. I previously wrote to

you about Sue winning the last prize at our

Christmas raffle last year and the prize was

an engagement ring from Tom. They are a

lovely couple and it is a joy to see the fun

they have when they are Line dancing. We

had a wonderful evening of Line dance to

celebrate their marriage in October. Good

dancing, good food and good company

what more do you need. Please give them

our thanks.”

Home From HomeEarlier this year Craig Bennett held an

all day charity event at the Alford Sports

& Social Club in Warrington, Cheshire in

aid of Ronald McDonald House charity

which aims to provide free

‘home away from home’

accommodation at hospitals

across the UK, enabling

families to stay close to their

child and maintain a degree of

normal family life. With the help

of Dee Musk, Shaz Walton,

Pat Stott, Alan Birchall, Kim

Ray, DJ’S Dave Baycroft and

Andrew Palmer they managed

to raise a fantastic £2,300. All

the choreographers and DJ’s gave their

time and effort for free which meant more

money for the charity and the raffle prizes

were donated by Derek Birley.

grapevine etc.indd 1

26/11/2010 09:21

thechartsLinedancer

Top Ten

Bubbling under

Welcome to the most

comprehensive and refl ective

dance chart published.

To ensure this chart is meaningful,

independent and accurate we rely entirely

on charts supplied by dancers.

Send us your ten favourite dances in

order of preference. It does not matter

how old the dance is or to what track of

music you dance it to.

Providing you include your membership

number, name and address for

verifi cation, your chart is entered into a

database where, along with all the others,

it is sorted, ranked and fi nally counted.

The computer produces the results.

Nothing is left out, nothing is edited.

Linedancer Charts,

Linedancer Magazine,

Southport PR9 0QA

[email protected]

Name of dance Choreographer Music track and artist

1 2 3 4 5 6 7 8 9 10Membership Number

Your Name

Address

Telephone no:

Fax no:

E-mail:

1 Drip Droppin ADV Kate Sala StartWithoutYou AlexandraBurke

2 I Run To You INT Rachael McEnaney IRunToYou LadyAntebellum

3 Unpredictable INT R. McGowan Hickie/K-H Winson TwoMoreLonelyPeople MileyCyrus

4 Make You Sweat IMP Ria VosUhhLaLaLa ChiHuaHua

5 Everything I Do INT Rachael McEnaney EverythingIDoBrandy

6 Snap Your Fingers ADV Rachael McEnaney SnapYourFingers RonnieMilsap

7 Blue Night Cha BEG Kim RayBlueNight MichaelLearnsToRock

8 Nightshift INT Kath DickensNightshift DrVictorAndTheRastaRebels

9 Quarter After One INT Levi J. Hubbard NeedYouNow LadyAntebellum

10 Yolanda IMP K. Sala/R. McGowan Hickie YolandaJoeMerrick

KneeDeep

You’reAmazing

ForTheLovers

RhymeOrReason

WeBelong

www.linedancermagazine.com

December2010•59

DANCELEVEL CHOREOGRAPHER

MUSICTRACKMUSICARTIST

Charts Issue 176.indd 1

26/11/2010 11:04

thechartsDance

Linedancer magazine has always valued reviews from

anyone – instructors, of course, but dancers too.

If you dance, we know you will have opinions and

favourites. We know that your reviews are a helpful tool

to other dancers.

Please take a moment or two to help us to help you.

Share them with us and you may soon see your name

in print ...

Go to www.linedancermagazine.com, log in and tell us

your favourites and why.

A couple of lines is more than enough … please don’t

forget!

thechartsReviews

Watch & LearnVideo clips available now at

www.linedancermagazine.com

www.linedancermagazine.com

December2010•63

ThePulse KneeDeep HomewardBound

64Count

FourWall

Intermediate

Choreographer

KateSala

MusicTrackAndArtist

WhoOwnsMyHeart-

MileyCyrus

A great dance, a bit of a work out

but I thoroughly enjoy it.

James Wilson

A brilliant dance, I love the music.

The restart is very easy. There are

some different steps in there. The

1/2 turn cross 1/2 turn caused a few

problems but overall a definite hit.

Denise Nicholls

The cross 1/2 turns that swing one

way and then the other are my

favourite part of the dance. It’s fast

but the steps aren’t too hard, so if

you struggle to keep up, try taking

smaller steps.

David Spencer

This took a couple of walkthroughs

to master but well worth it. A great

feeling of satisfaction for dancers of

this level when you ‘have it’! The

step patterns challenge you and it

is written to a great track.

Joy Ashton

64Count

FourWall

Improver

Choreographer

YvonneAnderson

MusicTrackAndArtist

KneeDeep-

ZacBrownBand

Brilliant, I love this dance, it goes

well to the music, easyish steps

for our Improvers class. The

Beginner+ are struggling a bit but

getting there. Intermediate class

loved it. It’s great to get a nice easy

dance to great country music.

W. Mathieson

I taught this recently and it is

fantastic! A great dance to great

music. It was very well received

indeed. I hope it is a huge success

for you Yvonne, well done!

Robert Lindsay

I taught this Improvers and they

loved it. A very catchy tune and easy

enough steps. I hope it manages to

stay around for a while.

Heather Wilson

I was taught this dance at a recent

event. It is fantastic. The dance fits

the music so well. It was so good

that I want my dance teachers to

teach it at all my classes. Well done

Yvonne.

Lorraine Easdon

64Count

FourWall

Improver

Choreographer

KarlaAndPaul

Dornstedt

MusicTrackAndArtist

TakeMeHome-

TolAndTol

What a lovely little dance and the

music is brilliant, really catchy.

Hope this one is a big hit, it

deserves to be.

M. Garner

A super little dance. I did this and

had a lot of fun with it. I hope it

catches on. It’s about time the fun

was put back into Line dancing!

Pamela Stevenson

A brilliant dance. I love the music. I

hope this stays around for a while.

Roz Chaplin

A great dance! It’s lots of fun. We

love it here it Australia.

Vicki O’Connor

What a super little dance, I love the

music and had never even heard of

Tol and Tol. Thanks!

L. Chinniah

Homeward Bound

Knee Deep

The Pulse

We Belong

You’re Amazing

Charts Issue 176.indd 5

26/11/2010 11:08

It’s not easy to pin down Rachael

McEnaney. She always seems to be on

the move! Reading her Facebook page

can make you envious of her jet setter life,

York today, New York tomorrow passing

through France, Japan, or the rest of the

US. How does she do it? How does she

look so good on it? How does she stay so

approachable and natural?

I managed to catch up with Rachael

at the City of Light festival in Paris, ten

minutes before she was due to fl y off

somewhere else after a weekend of

teaching six of her latest dances as well

as MCing in English at the Saturday night

Show. Rachael is teaching more and

more workshops in France these days

and she is greatly appreciated, not only

for her dances and teaching style, which

is technically exact and fun, but also for

the fact that she teaches in fl uent French.

‘I love coming to France’ she tells

me, adding that she has seen some

tremendous developments over the last

three years. Rachael fi rst came to Paris

with Pedro Machado when she was 17,

her potential then was very obvious and

with the help of people such as Pedro

and Rob Fowler she went on to become

Female Superstar in Edmonton 2001.

She has never looked back.

Rachael feels that she was in the right

place at the right time in the development

of country western dance and thanks to

her natural talent has been able to make

her mark. I likened her to Jo Thompson,

a compliment which many other people

have also paid her. The same dance

talent, the same ability to produce

well constructed dances, the same

enthusiasm and ability to communicate

and beauty to boot.

I asked her how she approaches her

choreographies. “It’s the music fi rst of

all. Music has to strike me”. She has a

database of tunes that appeal to her and

often will not use a song immediately but

will keep some pieces for up to a year

before using them. Sometimes urgency

creeps in as she knows there will be a

danger of someone else using the track

before her. This was the case with Toes.

When listening to the music she will pick

out key words such as ‘kick’ or ‘turn’

and will then place these steps in the

appropriate place.

70 • September 2011

www.linedancermagazine.com

Rachael McEnaney

has had an amazing

career so far and

this year is a very

special one as she

celebrates her 30th

birthday. Maureen

Jessop speaks to the

golden girl of Line

dance and looks at

why Rachael is truly a

national treasure and

an international name.

Raise YourGlass

raiseyourglass.indd 1

26/08/2011 10:58

www.linedancermagazine.com

September 2011 • 71

Raise YourGlassHowever, Rachel is not only a former

champion Line dancer, she is also an

accomplished couples dancer and especially

in West Coast Swing. She competes regularly

on the swing dance circuit in the States

dancing with various partners. She also

performs solo medley spotlights at festivals

or events such as the CBA. She has won

many, many awards for her choreographies,

teaching skills and personality being

acknowledged both by the profession and

the public. Her dances usually go straight to

the top of the charts.

As well as her travel, she also teaches a

regular class in her hometown of York and

has added to her programme the new craze

of Zumba. “I love it but can only teach it for

an hour because I get totally exhausted.”

Zumba is a fi tness programme to music

and the routines have to be choreographed,

another task that Rachael undertakes with

pleasure.

In addition to all her dance

accomplishments, she would make an

excellent business executive. Two years

ago I witnessed her working at a Masters

In Line event near Marseilles when she

undertook the organisation of the event at

the last moment as well as having to teach

workshops and perform in the Saturday

night show. Such is the nature of this young

woman that she wanted to share her 30th

birthday with the dance community and has

organised a Birthday Bash the weekend of

30th August in her home town of York. At

the time of writing these lines, it promised

to be a fun fi lled weekend with virtually non-

stop dancing, instruction by the very best

in international choreographers as well as

outings to the York hot spots.

Rachael told me that at 17 her father

wanted her to go to University, she replied

that if she hadn’t made it in the dance world

before she was 30 she’d go. Well, I guess

she can tear up that application form, safe in

the knowledge that not only she has made

it, but has become an International name, all

throughout the dance world.

raiseyourglass.indd 2

26/08/2011 10:58

20 • September 2011

www.linedancermagazine.com

My full name is Graciela Futten, most people call me Grace, my husband’s name is Manuel Santolaya. In Spain we do not change the name when we get married and on the marriage documents we are obliged to use both family names, mother and father as we have to decide which one is going to be used fi rst. My husband and I met in Kinshasa, ex Republique du Zaire, now Congo. Manuel is a dentist and I had to pay him a visit because I had very bad toothache and as they say, the rest is history. We got married in Spain in 1978. I was born in Argentina and my husband is from La Rioja, the wine region in the north of Spain. We came to live in Andalucía, Spain’s most southerly region, in 1979 and now both of us love it! We like the weather, the people, the way of life. Here people celebrate life and they minimise the less important things, the people are fun-loving and family-orientated.

We both like all kinds of music and we love to dance Latin, including Salsa, Bachata and Merengue. My husband very much enjoys Zarzuela, which is a

Spanish lyric-drama genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular song, as well as dance. I love Bach, Mozart, Beethoven... but most of all we both love to dance.

I had heard about Line dance but I saw it for the fi rst time in Benalmádena, near to where we live. A patient of Manuel’s invited us one Saturday evening to the pub where he was working. We danced and there were some people singing and suddenly a group appeared dancing all together and having such fun. I asked our friend about them and he told me they were here on holiday from the UK. So I began to look for any information in the English newspapers in this area and I discovered our club, the Mississipi Coasters.

The Mississipi Coasters was founded 12 years ago and we are the fi rst Spanish to join. There are Argentinians, Belgians, Dutch, French Canadians, etc. We also receive a lot of holiday visitors because we appear in your magazine in the ‘Where 2 dance’ section.

Graciela Futten, joined the Mississipi Coasters Line dance club in Spain, three years ago. She has such a good time and has met some wonderful friends that she wanted to tell other Linedancer readers about it.

Mississippi Coasters

mississippi coasters.indd 1

26/08/2011 09:45

www.linedancermagazine.com

September 2011 • 21

In the fi rst months the club was run by a couple but they went back to the UK and Bob Horan, a fantastic dancer, took over with the help of his wife Pauline.Bob runs and teaches and his wife Pauline does the organising and the social side of the club. We often go out for lunches and dinners with dancing included. We have great fun! The last outing took place in a ‘venta’, a typical Spanish countryside restaurant. We have also been invited by the Town Hall of Mijas to do a demonstration and at various festivals. We dance three times a week in different places in the area. During December and August we close because Bob and Pauline go to the UK to visit their family.

We have made good friends through the club and we often meet up and visit at each others houses, which is very nice. There are people in our club who like mainly country, others likes latin but the main thing is all of us love to dance, to have fun and we always have a very nice atmosphere, if we make mistakes we laugh... and we leave our problems at the door! Well I think this gives you an idea of who we are and we would love you to come and visit and join us to dance.

Mississippi Coasters

mississippi coasters.indd 2

26/08/2011 09:46

Back in the year 2000 the late John

Peel, on reviewing Laura Cantrell’s debut

album, commented, “This is my favourite

album of the last ten years and possibly

my life.” The name of the album was ‘Not

The Tremblin’ Kind’. I too thought it pretty

darn good. Laura went on to record fi ve

separate sessions for Peel’s radio show

and in 2005 dedicated ‘Humming By

The Flowered Vine ‘ to his memory.

Her second album ‘When The Roses

Bloom Again’ came my way in 2002.

For me it proved even better. She was

defi nitely an artist to watch out for.

In 2009 the Country Music Hall of Fame

in Nashville invited Laura to do a show to

link up with an exhibition dedicated to

Country music singer, Kitty Wells. The

climax of the show had the audience

singing along with Laura Cantrell to the

song that will always be associated

with Kitty Wells, ‘It Wasn’t God Who

Made Honky Tonk Angels’. Selecting

and performing those songs touched the

artist’s heart and left a lasting impression,

so much so that Laura decided to

dedicate an album to the great lady.

Now that the album is available in

Europe, Laura visited the United Kingdom

to tour and promote it. We met in London

and Laura turned out to be a gentle and

charming person. However, Laura knows

which direction she wants her life to go.

I asked, “Many artists who wish to make

it in Country music head for Nashville

and yet you were born and grew up in

Nashville and live in New York.” She

replied: “I live in Jackson Heights in

Queens. I came to New York to get to

school. I went to college and decided to

stay. I found there was a great community

there that embraced many different kinds

of music and a great, healthy, Country

music scene. I thought it would be easier

to grow up in that scene in New York

where in Nashville if you are getting a

local audience you are quickly on display.

The industry is so small and close knit it

can feel that there is a kind of intimacy. In

New York I was able to evolve and grow

up faster but not under the radar of the

Country music business itself.”

I understand Laura wanting a certain

anonymity to be able to grow in whatever

Richard Kirk speaks to Laura Cantrell about her latest

album and fi nds out more from an intriguing singer in

an exclusive Linedancer magazine interview.

32 • August 2011

www.linedancermagazine.com

KITTY WeLLS DReSSeS

Richard Kirk speaks to Laura Cantrell about her latest

KITTY WKITTY WeKITTY WeKITTY WKITTY WeKITTY WKITTY WeKITTY WeLLSLLSDRDReeSSSSeeeeSS

laura cantrell.indd 1

28/07/2011 11:42

www.linedancermagazine.com

August 2011 • 33

genre she can excel at. When I ask what

genre she thinks is best suited to her, her

reply is very straightforward. “To me my

music is Country. That’s where I come

from, especially when I was growing up.

The older Country music was still being

played on the radio. People like Kitty

Wells, Hank Williams, Lefty Frizzell, Webb

Pierce and those artists of that generation

made huge impacts on me. They certainly

were not the contemporary artists of the

day and all those names were still all

around except for Hank. In my house we

also played a lot of Johnny Cash.”

She explains why her new album, ‘Kitty

Wells Dresses: Songs of the Queen of

Country Music’ is an important one to

her. “When I fi rst started to play guitar I

found that some of Kitty Wells’ tunes

were simple enough to play so that I

could accompany myself. So back then,

I did ‘I Don’t Claim To Be An Angel’ and

‘I Gave My Wedding Dress Away’. This

material was really familiar to me when I

decided to record her songs and do you

know what, there are still enough songs

to record another album! I think it would

be great for another artist to record them.

My friend, Amy Allison and I wrote

the title song of the album, ‘Kitty Wells

Dresses’ as our tribute to Kitty. I think

most people would say this music is

pure, classic Country but there are many,

many listeners who will keep discovering

and re-discovering it just as I did.”

Laura feels strongly about this style

of music. “How Country music comes

out on a commercial level we cannot

control. I loved making this album. The

young guys who backed me do a lot

of work on Lower Street in Nashville.

It gave me joy to see them perform.

You know, as long as people are still

learning to play the traditional it’s not

going to die out.”

THE ALBUM: Laura

CantrellKitty Wells Dresses:

Songs of the Queen of

Country Music

Label: Shoeshine

Records

Unlike the present day,

in the late 1940’s into the ‘50’s Country

music was male dominated. Kitty Wells

signed with Decca in 1952 and recorded

‘It Wasn’t God Who Made Honky Tonk

Angels’ an ‘answer’ song to Hank

Thompson’s ‘The Wild Side of Life’.

It caused a sensation with Kitty being

the fi rst female to have a Number One in

the Country charts. Hit followed hit into

the mid ‘60’s setting the scene for the new

ladies such as Tammy Wynette, Loretta

Lynn and Connie Smith. Kitty Wells truly

was the fi rst Queen of Country Music.

It is my belief that Laura Cantrell

deserves an award for keeping the

history of traditional Country music alive

and well.

laura cantrell.indd 2

28/07/2011 11:42

thecharts Dance LevelsYour vote is essential – PLEASE VOTE TODAY

Go to: www.linedancermagazine.com/myprofi le

Your vote is essential – PLEASE VOTE TODAY

Go to: www.linedancermagazine.com/myprofi le

Your vote is essential – PLEASE VOTE TODAY

Go to: www.linedancermagazine.com/myprofi le

Your vote is essential – PLEASE VOTE TODAY

Go to: www.linedancermagazine.com/myprofi le

thechartsThis month’s DJ Playlist is courtesy of

DJ Bernard

of Berntres Line Dancers

DJ PlaylistClub Charts

1 RhymeOrReason Rachael McEnaney It Happens Sugarland

2 TheLemonTree Kim Ray Lemon Tree Fool’s Garden

3 TennesseeWaltzSurprise Andy Chumbley Tennessee Waltz Ireen Sheer

4 QuarterAfterOne Levi J. Hubbard Need You Now Lady Antebellum

5 LamtarraRhumba Tony Chapman Coco Jamboo Mr President

6 Out&Jump Rep Ghazali Jump Into My Bed Lou Bega

7 WishfulThinking Jim O’Neill Lovin’ All Night Rodney Crowell

8 Father&Daughter Karen Hadley I Loved Her First Heartland

9 BobbiWithAnI Rachael McEnaney Bobbi With An I Phil Vassar

10 ForTheLovers Craig Bennett All The Lovers Kylie Minogue

11 LouisianaSwing K. Sala/R. McGowan Hickie Home To Louisiana Ann Tayler

12 IRunToYou Rachael McEnaney I Run To You Lady Antebellum

13 Shakatak Kate Sala Ciega, Sordomunda Shakira

14 WhiteRose Gaye Teather White Rose Toby Keith

15 Undercover Robbie McGowan Hickie What’s Your Name Cosmo4

16 BrokenHeels Jo & John Kinser/Mark Furnell Broken Heels Alexandra Burke

17 DripDroppin Kate Sala Start Without You Alexandra Burke

18 WalkTheLine Unknown Raining Men Geri Halliwell

19 IntoTheArena Michael Vera-Lobos Now I Can Dance Tina Arena

20 SnapYourFingers Rachael McEnaney Snap Your Fingers Ronnie Milsap

21 BlackHorse Kate Sala Black Horse And The Cherry Tree KT Tunstall

22 SomebodyLikeYou Alan Birchall Somebody Like You Keith Urban

23 PokerFace Craig Bennett Poker Face Lady GaGa

24 Can’tStopLovingYou Andy Skidmore Shout It To The World Lionel Ritchie

25 ItHurts Kathy Chang/Sue Hsu It Hurts Lena Philipsson

26 WalkWithMe Rob Fowler Would You Go With Me Josh Turner

27 Yolanda K. Sala/ R. McGowan Hickie Yolanda Joe Merrick

28 KeepItBurning Craig Bennett/John Robinson Keep This Fire Burning Beverley Knight

29 SisterKate Ria Vos Sister Kate The Ditty Bops

30 SmokeyPlaces Ronnie McDowell Equador Sash

Centrum Line Dance Odense, DenmarkContact: [email protected]

1 Fiesta Ben Kavanagh Summer Of Love Steps

2 TipperaryGirls Chris Hodgson Tipperary Girl Billy O’Dwyer Bob

3 Wakira Maggie Gallagher Waka Waka Shakira

4 RhymeOrReason Rachael McEnaney It Happens Sugarland

5 WalkingInTheRain Maggie Gallagher Walking In The Rain Alex Swings Oscar Sings

6 Mexicali Robbie McGowan Hickie Mexico Tobias Rene

7 Amame Robbie McGowan Hickie Amame Belle Perez

8 MakeYouSweat Ria Vos Uhh La La La Chi Hua Hua

9 JigItUp(09) Maggie Gallagher Toss The Feathers The Corrs

10 ThreeLittleWords Gary Lafferty I Just Called To Say I Love You Jason Allen

Country KickersNewtownabbey, Northern Ireland

Contact: www.chaslynnscountrycorner.co.uk

1 BeautifulLady Theresa Needham Beautiful Lady Warren Smyth

2 FeelLikeCrying Amanda Harvey-Tench Cry To Me Ronnie McDowell

3 Greystone Rob Fowler/Ed Lawton Angel Of No Mercy Collin Raye

4 QuarterAfterOne Levi J. Hubbard Need You Now Lady Antebellum

5 PeopleAreCrazy Gaye Teather People Are Crazy Billy Currington

6 RockNLove Peter And Alison Bleeding Love The Baseballs

7 RhymeOrReason Rachael McEnaney It Happens Sugarland

8 SanFrancisco Kath Dickens San Francisco The Olson Brothers

9 SpeakWithYourHeart Peter And Alison Don’t Tell Me You’re Not In Love Collin Ray

10 Yolanda K. Sala/R. McGowan Hickie Yolanda Joe Merrick

Sneakers ‘n’ Spurs Warren, Ohio, USAContact: [email protected]

1 ButterflyWaltz Peggy Cole Last Cheater’s Waltz T. G. Sheppard

2 CoveredWithKisses Michelle Burton/Michael Barr I Gotta Get To You George Strait

3 JailhouseCreole Double Trouble Jailhouse Rock/King Creole Billy Swan

4 JerseyGirlsCha Rosie Multari Jersey Girl Bacon Brothers

5 MagicMoon Robbie McGowan Hickie Mr. Man In The Moon Patty Loveless

6 OnlyYou John Robinson Only You Captain Jack

7 QuarterAfterOne Levi J. Hubbard Need You Now Lady Antebellum

8 SoSexxy John Robinson You’re So Sexy Marlee Scott

9 TennesseeWaltzSurprise Andy Chumbley Tennessee Waltz Ireen Sheer

10 UnderTheMangoTree Cato Larsen Under The Mango Tree Tim Tim

www.linedancermagazine.com

December 2010 • 61

DANCECHOREOGRAPHER MUSICTRACK

MUSICARTIST

DANCECHOREOGRAPHER MUSICTRACK MUSICARTIST

DANCECHOREOGRAPHER MUSICTRACK MUSICARTIST

DANCECHOREOGRAPHER MUSICTRACK MUSICARTIST

Charts Issue 176.indd 3

26/11/2010 11:05

Direction

ActuAl FootworkStepS

cAlling

SuggeStion

Choreographed by: Marie Sorensen (DK) November 2010

Choreographed to: ‘Love Done Gone’ by Billy Currington (128 pm) from CD Enjoy Yourself;

also available as download from amazon.co.uk or iTunes

(32 count intro)

Choreographer’s note: This dance was specially choreographed for JoAnn from Arizona

Steppin’offTHEPage www.linedancermagazine.com

Approved by:

4 WAll – 32 Counts – beginner

section 1 side, touch, side, touch, grapevine With touch

1 – 2 Step right to right side. Touch left beside right and snap fingers. Side Touch

Right

3 – 4 Step left to left side. Touch right beside left and snap fingers. Side Touch

Left

5 – 6 Step right to right side. Cross left behind right. Side Behind

Right

7 – 8 Step right to right side. Touch left beside right. Side Touch

section 2 side, touch, side, touch, grapevine 1/4 turn With scuff

1 – 2 Step left to left side. Touch right beside left and snap fingers. Side Touch

Left

3 – 4 Step right to right side. Touch left beside right and snap fingers. Side Touch

Right

5 – 6 Stp left to left side. Cross right behind left.

Side Behind Left

7 – 8 Make 1/4 turn left and step left forward. Scuff right. (9:00) Turn Scuff

Turning left

section 3 step, tap, back, 1/4 turn, step, tap, back 1/4 turn

1 – 2 Step right forward. Tap left toe behind right.

Step Tap Forward

3 – 4 Step left back. Make 1/4 turn right and step right forward. (12:00) Back Turn

Turning right

5 – 6 Step left forward. Tap right toe behind left.

Step Tap Forward

7 – 8 Step right back. Make 1/4 turn left and step left forward. (9:00) Back Turn

Turning left

section 4 lock step Forward, Walk back x 3, touch

1 – 2 Step right forward. Lock left behind right.

Step Lock Forward

3 – 4 Step right forward. Touch left beside right.

Step Touch

5 – 6 Walk back left. Walk back right.

Left Right Back

7 – 8 Walk back left. Touch right beside left.

Left Touch

Love,JoAnn

A video clip of this

dance is available at

www.linedancermagazine.com

www.linedancermagazine.com

December2010•37

Love,JoAnn.indd 1

26/11/2010 13:39

Direction

ActuAl FootworkStepS

cAlling

SuggeStion

Choreographed by: AnnWood(UK)January2003

Choreographed to: ‘ILoveToBoogie’byTRex(180bpm)fromCDVeryBestOfTRex,

PopGoesTheSeventies,orBillyElliotsoundtrack(startonvocals)

Music suggestions: ‘DreamingWithMyEyesOpen’byClayWalkerfromCDGreatestHits;

‘CherokeeBoogie’byBR5-49

blast fromTHEPast www.linedancermagazine.com

4 Wall – 48 Counts – InterMedIate

section 1 toe Heel x 2, side rock Cross, left, touch, right, touch, Chasse

1& Touchrighttoetoleftinstep.Touchrightheeltoleftinstep.HeelToe

Onthespot

2& Touchrighttoetoleftinstep.Touchrightheeltoleftinstep.HeelToe

3&4 Rockrighttorightside.Recoverontoleft.Crossrightoverleft.Rock&Cross

5& Steplefttoleftside.Touchrightbesideleft.

LeftTouchLeft

6& Steprighttorightside.Touchleftbesideright.RightTouch

Right

7&8 Steplefttoleftside.Closerightbesideleft.Steplefttoleftside.SideCloseSide Left

section 2 toe Heel x 2, side rock Cross, strut, Cross strut, rock 1/4 turn, step

1& Touchrighttoetoleftinstep.Touchrightheeltoleftinstep.HeelToe

Onthespot

2& Touchrighttoetoleftinstep.Touchrightheeltoleftinstep.HeelToe

3&4 Rockrighttorightside.Recoverontoleft.Crossrightoverleft.Rock&Cross

5& Steplefttoetoleftside.Dropleftheeltakingweight.LeftStrut

Left

6& Crossrighttoeoverleft.Droprightheeltakingweight.CrossStrut

7&8 Rocklefttoleftside.Rockontorightmaking1/4turnright.Stepleftforward. RockTurnStep Turningright

section 3 Walk Forward x 2, run Forward x 3, Forward touch, Back touch, Back shuffle

1–2 Steprightforward.Stepleftforward.

RightLeftForward

3&4 Steprightforward.Stepleftforward.Steprightforward.RunRunRun

5& Stepleftforward.Touchrightbesideleft.

ForwardTouch

6& Steprightback.Touchleftbesideright.

BackTouchBack

7&8 Stepleftback.Closerightbesideleft.Stepleftback.BackShuffle

section 4 Back Mambo, step Pivot 1/2 step x 2, Forward lock step

1&2 Rockbackonright.Rockforwardonleft.Steprightforward.BackMambo Onthespot

3&4 Stepleftforward.Pivot1/2turnright.Stepleftforward.StepPivotStep Turningright

5&6 Steprightforward.Pivot1/2turnleft.Steprightforward.StepPivotStep Turningleft

7&8 Stepleftforward.Lockrightbehindleft.Stepleftforward.LeftLockLeft Forward

section 5 Forward step touch x 4, Walks Back With Hitch x 2

1& Steprightforward.Touchleftbesideright.

RightTouchForward

2& Stepleftforward.Touchrightbesideleft.

LeftTouch

3& Steprightforward.Touchleftbesideright.

RightTouch

4& Stepleftforward.Touchrightbesideleft.

LeftTouch

5&6& Walkback-right,left,right.Hitchleft.

Back23Hitch Back

7&8& Walkback-left,right,left.Hitchright.

Back23Hitch

section 6 side rock Cross x 2, extended Grapevine

1&2 Rockrighttorightside.Recoverontoleft.Crossrightoverleft.RightRockCross Onthespot

3&4 Rocklefttoleftside.Recoverontoright.Crossleftoverright.LeftRockCross

5& Steprighttorightside.Crossleftbehindright.SideBehind

Right

6& Steprighttorightside.Crossleftoverright.

SideCross

7& Steprighttorightside.Crossleftbehindright.SideBehind

8& Steprighttorightside.Crossleftoverright.

SideCross

Elliot’sDream

a video clip of this

dance is available at

www.linedancermagazine.com

34•December2010

www.linedancermagazine.com

ElliotsDream.indd 1

26/11/2010 13:36

Direction

ActuAl FootworkStepS

cAlling

SuggeStion

Choreographed by: Ross Brown (UK) October 2010

Choreographed to: ‘ABBA Medley (Fast)’ by Abbacadabra (136 bpm) from

CD Almighty Presents: We Love ABBA;

also available as download from amazon.co.uk or iTunes

Music suggestion: ‘ABBA Medley (Slow) by Abbacadabra (132 bpm) from

CD Almighty Presents: We Love ABBA (or amazon.co.uk or iTunes)

Steppin’offTHEPage www.linedancermagazine.com

Approved by:

2 WAll – 32 Counts – Absolute beginner

section 1 grapevine With touch, x 2

1 – 2 Step right to right side. Cross step left behind right. Side Behind

Right

3 – 4 Step right to right side. Touch left beside right. Side Touch

5 – 6 Step left to left side. Cross step right behind left. Side Behind

Left

7 – 8 Step left to left side. Touch right beside left.

Side Touch

section 2 Diagonal step touches: Forward Forward, back back

1 – 2 Step right forward on right diagonal. Touch left beside right. Step Touch

Forward

3 – 4 Step left forward on left diagonal. Touch right beside left. Step Touch

5 – 6 Step right back on right diagonal. Touch left beside right. Back Touch

Back

7 – 8 Step left back on left diagonal. Touch right beside left. Back Touch

section 3 Kicking Charleston step, step, 1/4 Hitch turn, back, touch

1 – 2 Step right forward. Kick left forward.

Step Kick Forward

3 – 4 Step left back. Touch right toe back.

Back Touch Back

5 – 6 Step right forward. Make 1/4 turn right hitching left knee. Step Turn

Turning right

7 – 8 Step left back. Touch right toe beside left. (3:00) Back Touch

Back

section 4 Kicking Charleston step, step, 1/4 Hitch turn, back, touch

1 – 2 Step right forward. Kick left forward.

Step Kick Forward

3 – 4 Step left back. Touch right toe back.

Back Touch Back

5 – 6 Step right forward. Make 1/4 turn right hitching left knee. Step Turn

Turning right

7 – 8 Step left back. Touch right toe beside left. (6:00) Back Touch

Back

ABBAcadabra

A video clip of this

dance is available at

www.linedancermagazine.com

www.linedancermagazine.com

December2010•35

ABBAcadabra.indd 1

26/11/2010 13:29

Direction

ActuAl FootworkStepS

cAlling

SuggeStion

Choreographed by: Juliet Lam (US) October 2010

Choreographed to: ‘It’s Now Or Never’ by Elvis Presley (126 bpm) from various compilation

albums; also available as download from amazon.co.uk or iTunes

(Begin on word ‘Never’ - approx 13 secs into track)

Choreographer’s note: Music slows towards the end, just keep dancing at regular beat

Steppin’offTHEPage www.linedancermagazine.com

Approved by:

4 WAll – 32 Counts – beginner

section 1 rumba box

1 – 2 Step left to left side. Step right beside left.

Left Together Left

3 – 4 Step left forward. Hold.

Step Hold Forward

5 – 6 Step right to right side. Step left beside right.

Right Together Right

7 – 8 Step right back. Hold.

Back Hold Back

section 2 side, together, side, Hold, Cross rock, 1/4 turn, Hold

1 – 2 Step left to left side. Step right beside left.

Left Together Left

3 – 4 Step left to left side. Hold.

Left Hold

5 – 6 Cross rock right over left. Recover onto left.

Cross Rock On the spot

7 – 8 Make 1/4 turn right stepping right forward. Hold. (3:00) Turn Hold

Turning right

section 3 Cross, side, behind, sweep, behind, side, Cross, sweep

1 – 2 Cross left over right. Step right to right side.

Cross Side Right

3 – 4 Cross left behind right. Sweep right out and around from front to back. Behind Sweep

5 – 6 Cross right behind left. Step left to left side.

Behind Side Left

7 – 8 Cross right over left. Sweep left out and around from back to front. Cross Sweep

section 4 Forward rock, rock 1/2 turn With Hitch, Forward rock, rock, Hold

1 – 2 Rock forward on left. Recover onto right.

Forward Rock On the spot

3 – 4 Rock forward on left. Make 1/2 turn left, hitching right. (9:00) Rock Turn

Turning left

5– 6 Rock forward on right. Recover onto left.

Forward Rock On the spot

7 – 8 Rock forward on right. Hold.

Rock Hold

A video clip of this

dance is available at

www.linedancermagazine.com

ATouchOfRumba

36•December2010

www.linedancermagazine.com

ATouchOfRumba.indd 1

26/11/2010 13:30www.linedancermagazine.com

December 2010 • 33

Linedancer Magazine

Clare House, 166 Lord Street

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Tel: 01704 392 300

DANCE SCRIPTS Your 16 page pull-out script section

November 2010

CONTENTS

BLAST FROM THE PAST:

Elliot’s Dream

NEW THIS MONTH:

ABBAcadabra

A Touch Of Rumba

Love, JoAnn

Say Hey Samba

Maggie McCall

Homeward Bound

Jig About

Boogie Fever

Carousel

Crazy Day Job

What If?

Dog-Gone Blues

Chicken And Gravy

CBA VOTING FORM

INSIDE

dance intro 33.indd 1

26/11/2010 10:23

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Blake SheltonLOADED WITH COUNTRY HITS

The monthly

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April 2011

Issue 180 • £3

PULL-OUT INSIDE • 14 GREAT DANCE SCRIPTS

INCLUDING: OPEN BOOK • COLD COLD HEART • NEXT TO ME • BITTERSWEET MEMORY

cover180 v2.indd 1

01/04/2011 09:03

9 771366 650031

0 5

Pho

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Robert WanstreetA DANCE LEGACY

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May 2011

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Ria VosSOMETHING OR OTHER HERE

The monthly

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June 2011

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Anton and AnnSHALL WE DANCE?

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July 2011

Issue 183 • £3

PULL-OUT INSIDE • 14 GREAT DANCE SCRIPTS

INCLUDING: THIS LIFE • LIFE COULD BE A DREAM • THE FLUTE • DON’T YOU REMEMBER?

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27/09/2011 8:55AM

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0 8

Kim RayAS GOOD AS IT GETS

The monthly

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August 2011

Issue 184 • £3

PULL-OUT INSIDE • 14 GREAT DANCE SCRIPTS

INCLUDING: HELLO! HELLO AGAIN! • IT’S A SUMMER THING • CRYING OVER YOU • NO SCANDAL

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28/07/2011 11:16

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George BlickIN LINE FOR STARDOM

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September 2011

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INCLUDING: BABY SISTER • HONEYSUCKLE • ALABAMA SLAMMIN’ • DEVOTION

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26/08/2011 09:12

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