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February 2019 Making Music in the Middle of America Volume IX, Issue 3
The Chordnator
Keep the Whole World Singing!
Website: kearneychous.com
Singing Valentines Part
of February Calendar
Singing Valentines are on the schedule in Febru-
ary for the 1733 Barbershop Chorus. Quartets
from the chapter travel throughout the area to
provide singing surprises to all sweethearts.
This annual occurrence is offered by various
quartets that are made up for the occasion from
members, or perhaps those quartets active in the
chorus such as Habitat 4 Harmony, Just 4 Fun,
and others.
Recipients are given a song or two, a flower and
card from their honey. Pictures may be taken as
well. Songs most often heard include ‘Heart of
Heart”, “Let Me Call You Sweetheart”, “My Wild
Irish Rose”, or any love song known by the quar-
tet that fits the moment.
Headquar-
ters for the
activity are
at Jim Ber-
glund’s
furniture
store in
downtown
Kearney.
The chorus
charges $25
for each
stop. Con-
tact a cho-
rus member
to schedule
a song.
THE KEARNEY AREA 1733 BARBERSHOP CHORUS has been attract-
ing new members by the family recently. These are the Bogus children who
sang on the Christmas concert. The boys sang with the chorus as well as
in this family quartet. Their sister is Kayla, and the boys are (l-r) Seth,
Joshua and Blake. (Photo by John Moore)
HAPPY
VALENTINE’S
DAY!
Songs Announced for 2019 Show Here is the list of songs for the spring show “Cool Water”: “Dear Hearts and Gen-
tle People”, “Bridge Over Troubled Water”, “King of the Road”, “Cool Water”,
“Galway Bay”, “Danny Boy”, “Irish Blessing”, “Loch Lomond”, “Heute’kommt
der Has zu mir (Oberammergau)”, “From the First Hello to the Last Goodbye” and
“Keep the Whole World Singing”. Learning tracks are available as well as sheet
music. Jim Sanks is show chairman.
VISION STATEMENT
The vision of the 1733 Kearney Area Barbershop Chorus is to be
recognized as a quality men's choral group, bound by a love of
four-part barbershop harmony. Our aim is to have ordinary men
produce extraordinary music, with every member encouraged to
actively participate in the chorus and its related events.
Page 2 Volume IX, Issue 3 The Chordnator February 2019
An official publication of the
Kearney Area 1733 Barbershop Chorus
Board of Directors and Officers of the Kearney Area 1733 Barbershop Chorus
Musical Director
Fran Wilson, [email protected], 308/234-5376
Assistant Directors
Monty McCollough, John Moore, Gary Davis
President
Gary Helms, [email protected], 308/236-7472
Secretary
Ron Morris, [email protected]
Treasurer
James Berglund, [email protected], 308/627-6416
VP Membership & Chapter Development
John Moore
VP Music & Performance
Monty McCollough, [email protected],
308/238-3423
Director of Pubic Relations
Terry Hofaker
Chapter Hospitality & Sunshine Chairman
Allen Krohn
Chapter Historian
Mitch O’Neill, [email protected],
308/440-3330
Harmony Foundation Chairman
Mitch O’Neill
Board Member at Large
James Sanks, [email protected], 308/237-7136
Bulletin Editor Web Site Administrator
John Moore, 308/325-5430 [email protected]
Shared By
Chorus
Comic
Bruce Beitler
Weekly meetings at
Countryside Christian
Church, (west of Har-
mon Park) 3203 8th
Ave. in Kearney at 7:30
p.m. on Mondays (except
holidays). Please use the
south entrance and south
parking area.
Moth goes to a podiatrist.
The podiatrist says, "Come on in. How can I help
you "
The moth says, "Well, I've been kind of depressed
lately. The missus and I aren't getting along and I don't see much point
in going on."
The podiatrist says, "Well, you need a psychiatrist, I'm a foot doctor.
You don't even have feet, why do you come to me?"
The moth says, "Well, I was passing by and your light was on."
Two good ol' boys in a Alabama trailer park were sitting around talk-
ing one afternoon over a cold beer after getting off work at the local
Nissan plant. After a while the first guy says to the second,
"If'n I was to sneak over to your trailer Saturday and make love to
your wife while you was off huntin' and she got pregnant and had a
baby, would that make us kin?"
The second guy crooked his head sideways for a minute, scratched his
head and squinted his eyes thinking real hard about the question.
Finally, he says,
"Well, I don't know about kin, but it would make us even!"
When the Light
Comes On
mailto:%[email protected]
The Chordnator February 2019 Volume IX, Issue 3 Page 3
I don’t recall how often I have used
the “It’s Your Chapter” graphic that is
on the front page of this issue, it has
been often.
I try to put that and other hints out
there for you every time the newsletter
goes out. Then, this month, Fran Wil-
son, among his emails, sent one about
how he had been on the Barbershop
Harmony Society’s web site and no-
ticed that as a chorus we are lacking in
attracting new members.
Not that we haven’t tried. I know Gary
Helms has offered numerous ideas for
years. We have seen new and younger
faces the past two years on our Christ-
mas concert due to the push during
that season to have singers jump
aboard. In fact, we have been growing
by families and friends with the
Hofakers and others from Holdrege
last year, and the Bogus boys this year
(and their sister on the Christmas con-
cert.
Still, Fran makes a point that we too
often ignore: each
one could bring
one. I am not any
better than the
rest of you on this.
My main area of contacts are from
Lexington so Don Lif and I offer to
help with transportation to Kearney as
well as promoting the harmony.
I don’t think singing ability is as much
of an issue as we sometimes make it.
We have put together a community
mixed chorus for Christmas in Lexing-
ton for more than 10 years now. So I
think we can assume there is time in-
volvement—commitment.
That commitment starts the last week
of September and ends with the con-
certs in early December.
Let’s Try Something Different
So along with working out details for
the upcoming annual show in April,
Jim Sanks has devised a written pro-
posal that sets up ways to attract new
members.
He either heard
some of us conver-
sationally mention-
ing how we can
attract singers by
offering some
monetary attrac-
tion, or came up
with it on his own.
Regardless, it’s a
way of trying
something differ-
ent.
By the time I am
writing this, you
may have already
heard what the board
of directors has ap-
proved. We have
several levels of
Valeencouragement for young
and old, student and grownup.
We are also in that historic peri-
od of al-
lowing
inclusion
by male and female.
So there are now scholarships, sti-
pends, gifts, or whatever works for
you to call them ,may be offered to
someone you wish would join us. We
are contacting music teachers who
may nominate their students. And we
continue to work UNK’s music depart-
ment.
The most important element in all this
of course is all of us or “You” as it
were. I think there’s a real concern
among many barbershoppers that our
chorus continues to grow older and the
hobby is fading.
In case you haven’t read it, the “It’s
Your Chapter” ad also has words be-
low it of “imagine, inspire, influence”.
That also is up to each of us.
Knowing Your Music
We are heading into the part of the
calendar when we need to learn music.
It’s not only important in terms of just
knowing, there are all those other de-
tails, like choreography, to name one.
I received a bushel basket of learning
tracks from Fran this week, so I am
assuming all of you on the Internet got
something as well to help you.
If you want those and haven’t received
them be sure to let one of us know. I
will also try to put as much of that on
kearneychorus.com too.
High achievement
always takes place in
the framework of high
expectation.
- Charles F. Kettering
Here’s the Pitch
By jpm Membership Means You
THE MAELSTROM QUARTET will be the headliners for the 2019 show April 6. Members include: (l-r) Kevin Mey-
er, Seth Fetzer, Tyler Wigginton and Wes Short.
(Photo courtesy Maelstrom Quartet)
Volume IX, Issue 3 Page 4 The Chordnator February 2019
Fran Wilson and Jim Berglund are heading for the Leadership
Academy and HEP School slated for February 8-9 in St. Jo-
seph, MO. Be sure to check with chapter treasurer Berglund if
wish to join them.
The two have said they are planning on driving down on Friday
and returning home Saturday.
Classes will be held at Missouri Western State University.
Registration will be at the Red Lion Hotel at 102 S 3rd St in St.
Joseph.
Registration will be on Friday evening where there will tag
singing and social time at the hotel. Further registration will
begin Saturday morning at 7:15 in the Spratt Hall Lobby at the
university.
Classes begin at 9:00 with numerous breakout sessions. Your
chapter leaders encourage you to attend.
Two Chorus Members Attending
Leadership Academy at St. Joe
Down and Dirty
Woodshedding Tips
MITCH O’NEILL GETS advice from Nebras-
ka District President Ron Flock of Fremont
during the installation of the leadership team
in December. Mitch is Harmony Foundation
chairman as well as the 1733’chapter histori-
an. Bob Wagner is sitting in front of them.
(Photo by John Moore)
Woodshedding isn’t done by more than
four singers at a time, except during a
group learning process. Woodshedding
isn’t faking a four part along with three
singers who are singing an existing
written barbershop arrangement.
Woodshedding isn’t trying to sing s
song you’ve never heard (at least
once). And woodshedding isn’t singing
Polecats or tags.
Authentic woodshedding is defined as
a bass, bari, and tenor “discovering
harmonies by ear” around a lead sung
melody without reference to a familiar
or written barbershop arrangement. In
woodshedding there are no wrong
notes. But some notes
are better than others.
The bass part is not
always as low as you might think. Stay
on a note until you are forced to move
(good advice for all parts really). Most-
ly you sing the root and fifth of the
scale.
Baris singing woodshed most often
know what they are doing anyhow. But
many beginners tend to sing too high.
One rule is that if the melody is going
up the bari is most likely going down,
and vice-versa.
The tenor part is not always as high as
one might be tempted to sing it. The
tenor will usually have success in har-
monizing in thirds above the melody.
Stick close to the lead. Try to irritate
the baritone who wants to steal the
“7th” every once in a while. He’ll fig-
ure something out.
Leads should know that the purpose of
woodshedding is trying to ring chords.
Leads will sing more slowly than at a
concert environment. He will may have
to hold some melody notes for as long
as it takes to find a feasible chord.
It’s The
M U S I C
Editor’s note: I have always thought
this was part of the heart of barber-
shopping. I have even used the tone off
the heat register as a pitch. Try this for
fun!