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February 2019 Making Music in the Middle of America Volume IX, Issue 3 The Chordnator Keep the Whole World Singing! Website: kearneychous.com Singing Valentines Part of February Calendar Singing Valentines are on the schedule in Febru- ary for the 1733 Barbershop Chorus. Quartets from the chapter travel throughout the area to provide singing surprises to all sweethearts. This annual occurrence is offered by various quartets that are made up for the occasion from members, or perhaps those quartets active in the chorus such as Habitat 4 Harmony, Just 4 Fun, and others. Recipients are given a song or two, a flower and card from their honey. Pictures may be taken as well. Songs most often heard include ‘Heart of Heart”, “Let Me Call You Sweetheart”, “My Wild Irish Rose”, or any love song known by the quar- tet that fits the moment. Headquar- ters for the activity are at Jim Ber- glund’s furniture store in downtown Kearney. The chorus charges $25 for each stop. Con- tact a cho- rus member to schedule a song. THE KEARNEY AREA 1733 BARBERSHOP CHORUS has been attract- ing new members by the family recently. These are the Bogus children who sang on the Christmas concert. The boys sang with the chorus as well as in this family quartet. Their sister is Kayla, and the boys are (l-r) Seth, Joshua and Blake. (Photo by John Moore) HAPPY VALENTINE’S DAY! Songs Announced for 2019 Show Here is the list of songs for the spring show “Cool Water”: “Dear Hearts and Gen- tle People”, “Bridge Over Troubled Water”, “King of the Road”, “Cool Water”, “Galway Bay”, “Danny Boy”, “Irish Blessing”, “Loch Lomond”, “Heute’kommt der Has zu mir (Oberammergau)”, “From the First Hello to the Last Goodbye” and “Keep the Whole World Singing”. Learning tracks are available as well as sheet music. Jim Sanks is show chairman.

The Chordnator Website: kearneychous › sites › kearneychorus.com...written barbershop arrangement. Woodshedding isn’t trying to sing s song you’ve never heard (at least once)

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  • February 2019 Making Music in the Middle of America Volume IX, Issue 3

    The Chordnator

    Keep the Whole World Singing!

    Website: kearneychous.com

    Singing Valentines Part

    of February Calendar

    Singing Valentines are on the schedule in Febru-

    ary for the 1733 Barbershop Chorus. Quartets

    from the chapter travel throughout the area to

    provide singing surprises to all sweethearts.

    This annual occurrence is offered by various

    quartets that are made up for the occasion from

    members, or perhaps those quartets active in the

    chorus such as Habitat 4 Harmony, Just 4 Fun,

    and others.

    Recipients are given a song or two, a flower and

    card from their honey. Pictures may be taken as

    well. Songs most often heard include ‘Heart of

    Heart”, “Let Me Call You Sweetheart”, “My Wild

    Irish Rose”, or any love song known by the quar-

    tet that fits the moment.

    Headquar-

    ters for the

    activity are

    at Jim Ber-

    glund’s

    furniture

    store in

    downtown

    Kearney.

    The chorus

    charges $25

    for each

    stop. Con-

    tact a cho-

    rus member

    to schedule

    a song.

    THE KEARNEY AREA 1733 BARBERSHOP CHORUS has been attract-

    ing new members by the family recently. These are the Bogus children who

    sang on the Christmas concert. The boys sang with the chorus as well as

    in this family quartet. Their sister is Kayla, and the boys are (l-r) Seth,

    Joshua and Blake. (Photo by John Moore)

    HAPPY

    VALENTINE’S

    DAY!

    Songs Announced for 2019 Show Here is the list of songs for the spring show “Cool Water”: “Dear Hearts and Gen-

    tle People”, “Bridge Over Troubled Water”, “King of the Road”, “Cool Water”,

    “Galway Bay”, “Danny Boy”, “Irish Blessing”, “Loch Lomond”, “Heute’kommt

    der Has zu mir (Oberammergau)”, “From the First Hello to the Last Goodbye” and

    “Keep the Whole World Singing”. Learning tracks are available as well as sheet

    music. Jim Sanks is show chairman.

  • VISION STATEMENT

    The vision of the 1733 Kearney Area Barbershop Chorus is to be

    recognized as a quality men's choral group, bound by a love of

    four-part barbershop harmony. Our aim is to have ordinary men

    produce extraordinary music, with every member encouraged to

    actively participate in the chorus and its related events.

    Page 2 Volume IX, Issue 3 The Chordnator February 2019

    An official publication of the

    Kearney Area 1733 Barbershop Chorus

    Board of Directors and Officers of the Kearney Area 1733 Barbershop Chorus

    Musical Director

    Fran Wilson, [email protected], 308/234-5376

    Assistant Directors

    Monty McCollough, John Moore, Gary Davis

    President

    Gary Helms, [email protected], 308/236-7472

    Secretary

    Ron Morris, [email protected]

    Treasurer

    James Berglund, [email protected], 308/627-6416

    VP Membership & Chapter Development

    John Moore

    VP Music & Performance

    Monty McCollough, [email protected],

    308/238-3423

    Director of Pubic Relations

    Terry Hofaker

    Chapter Hospitality & Sunshine Chairman

    Allen Krohn

    Chapter Historian

    Mitch O’Neill, [email protected],

    308/440-3330

    Harmony Foundation Chairman

    Mitch O’Neill

    Board Member at Large

    James Sanks, [email protected], 308/237-7136

    Bulletin Editor Web Site Administrator

    John Moore, 308/325-5430 [email protected]

    Shared By

    Chorus

    Comic

    Bruce Beitler

    Weekly meetings at

    Countryside Christian

    Church, (west of Har-

    mon Park) 3203 8th

    Ave. in Kearney at 7:30

    p.m. on Mondays (except

    holidays). Please use the

    south entrance and south

    parking area.

    Moth goes to a podiatrist.

    The podiatrist says, "Come on in. How can I help

    you "

    The moth says, "Well, I've been kind of depressed

    lately. The missus and I aren't getting along and I don't see much point

    in going on."

    The podiatrist says, "Well, you need a psychiatrist, I'm a foot doctor.

    You don't even have feet, why do you come to me?"

    The moth says, "Well, I was passing by and your light was on."

    Two good ol' boys in a Alabama trailer park were sitting around talk-

    ing one afternoon over a cold beer after getting off work at the local

    Nissan plant. After a while the first guy says to the second,

    "If'n I was to sneak over to your trailer Saturday and make love to

    your wife while you was off huntin' and she got pregnant and had a

    baby, would that make us kin?"

    The second guy crooked his head sideways for a minute, scratched his

    head and squinted his eyes thinking real hard about the question.

    Finally, he says,

    "Well, I don't know about kin, but it would make us even!"

    When the Light

    Comes On

    mailto:%[email protected]

  • The Chordnator February 2019 Volume IX, Issue 3 Page 3

    I don’t recall how often I have used

    the “It’s Your Chapter” graphic that is

    on the front page of this issue, it has

    been often.

    I try to put that and other hints out

    there for you every time the newsletter

    goes out. Then, this month, Fran Wil-

    son, among his emails, sent one about

    how he had been on the Barbershop

    Harmony Society’s web site and no-

    ticed that as a chorus we are lacking in

    attracting new members.

    Not that we haven’t tried. I know Gary

    Helms has offered numerous ideas for

    years. We have seen new and younger

    faces the past two years on our Christ-

    mas concert due to the push during

    that season to have singers jump

    aboard. In fact, we have been growing

    by families and friends with the

    Hofakers and others from Holdrege

    last year, and the Bogus boys this year

    (and their sister on the Christmas con-

    cert.

    Still, Fran makes a point that we too

    often ignore: each

    one could bring

    one. I am not any

    better than the

    rest of you on this.

    My main area of contacts are from

    Lexington so Don Lif and I offer to

    help with transportation to Kearney as

    well as promoting the harmony.

    I don’t think singing ability is as much

    of an issue as we sometimes make it.

    We have put together a community

    mixed chorus for Christmas in Lexing-

    ton for more than 10 years now. So I

    think we can assume there is time in-

    volvement—commitment.

    That commitment starts the last week

    of September and ends with the con-

    certs in early December.

    Let’s Try Something Different

    So along with working out details for

    the upcoming annual show in April,

    Jim Sanks has devised a written pro-

    posal that sets up ways to attract new

    members.

    He either heard

    some of us conver-

    sationally mention-

    ing how we can

    attract singers by

    offering some

    monetary attrac-

    tion, or came up

    with it on his own.

    Regardless, it’s a

    way of trying

    something differ-

    ent.

    By the time I am

    writing this, you

    may have already

    heard what the board

    of directors has ap-

    proved. We have

    several levels of

    Valeencouragement for young

    and old, student and grownup.

    We are also in that historic peri-

    od of al-

    lowing

    inclusion

    by male and female.

    So there are now scholarships, sti-

    pends, gifts, or whatever works for

    you to call them ,may be offered to

    someone you wish would join us. We

    are contacting music teachers who

    may nominate their students. And we

    continue to work UNK’s music depart-

    ment.

    The most important element in all this

    of course is all of us or “You” as it

    were. I think there’s a real concern

    among many barbershoppers that our

    chorus continues to grow older and the

    hobby is fading.

    In case you haven’t read it, the “It’s

    Your Chapter” ad also has words be-

    low it of “imagine, inspire, influence”.

    That also is up to each of us.

    Knowing Your Music

    We are heading into the part of the

    calendar when we need to learn music.

    It’s not only important in terms of just

    knowing, there are all those other de-

    tails, like choreography, to name one.

    I received a bushel basket of learning

    tracks from Fran this week, so I am

    assuming all of you on the Internet got

    something as well to help you.

    If you want those and haven’t received

    them be sure to let one of us know. I

    will also try to put as much of that on

    kearneychorus.com too.

    High achievement

    always takes place in

    the framework of high

    expectation.

    - Charles F. Kettering

    Here’s the Pitch

    By jpm Membership Means You

    THE MAELSTROM QUARTET will be the headliners for the 2019 show April 6. Members include: (l-r) Kevin Mey-

    er, Seth Fetzer, Tyler Wigginton and Wes Short.

    (Photo courtesy Maelstrom Quartet)

  • Volume IX, Issue 3 Page 4 The Chordnator February 2019

    Fran Wilson and Jim Berglund are heading for the Leadership

    Academy and HEP School slated for February 8-9 in St. Jo-

    seph, MO. Be sure to check with chapter treasurer Berglund if

    wish to join them.

    The two have said they are planning on driving down on Friday

    and returning home Saturday.

    Classes will be held at Missouri Western State University.

    Registration will be at the Red Lion Hotel at 102 S 3rd St in St.

    Joseph.

    Registration will be on Friday evening where there will tag

    singing and social time at the hotel. Further registration will

    begin Saturday morning at 7:15 in the Spratt Hall Lobby at the

    university.

    Classes begin at 9:00 with numerous breakout sessions. Your

    chapter leaders encourage you to attend.

    Two Chorus Members Attending

    Leadership Academy at St. Joe

    Down and Dirty

    Woodshedding Tips

    MITCH O’NEILL GETS advice from Nebras-

    ka District President Ron Flock of Fremont

    during the installation of the leadership team

    in December. Mitch is Harmony Foundation

    chairman as well as the 1733’chapter histori-

    an. Bob Wagner is sitting in front of them.

    (Photo by John Moore)

    Woodshedding isn’t done by more than

    four singers at a time, except during a

    group learning process. Woodshedding

    isn’t faking a four part along with three

    singers who are singing an existing

    written barbershop arrangement.

    Woodshedding isn’t trying to sing s

    song you’ve never heard (at least

    once). And woodshedding isn’t singing

    Polecats or tags.

    Authentic woodshedding is defined as

    a bass, bari, and tenor “discovering

    harmonies by ear” around a lead sung

    melody without reference to a familiar

    or written barbershop arrangement. In

    woodshedding there are no wrong

    notes. But some notes

    are better than others.

    The bass part is not

    always as low as you might think. Stay

    on a note until you are forced to move

    (good advice for all parts really). Most-

    ly you sing the root and fifth of the

    scale.

    Baris singing woodshed most often

    know what they are doing anyhow. But

    many beginners tend to sing too high.

    One rule is that if the melody is going

    up the bari is most likely going down,

    and vice-versa.

    The tenor part is not always as high as

    one might be tempted to sing it. The

    tenor will usually have success in har-

    monizing in thirds above the melody.

    Stick close to the lead. Try to irritate

    the baritone who wants to steal the

    “7th” every once in a while. He’ll fig-

    ure something out.

    Leads should know that the purpose of

    woodshedding is trying to ring chords.

    Leads will sing more slowly than at a

    concert environment. He will may have

    to hold some melody notes for as long

    as it takes to find a feasible chord.

    It’s The

    M U S I C

    Editor’s note: I have always thought

    this was part of the heart of barber-

    shopping. I have even used the tone off

    the heat register as a pitch. Try this for

    fun!