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Halloween Spooktacular III October 28 Symphony Under the Sea March 8 Fables, Fantasy and Folklore May 12
Citation preview
S E V E R A N C E H A L L
Family ConCerts
Pre-Concert Activities begin 1 hour prior to each performance.
Symphony Under the SeaFriday march 8 at 7 p.m.
haLLoWeen SpooKtaCULar IIISunday october 28 at 2 p.m.
T H E C L E V E L A N D O R C H E S T R AF R A N Z W E L S E R - M ö S T M U S I C D I R E C T O R
FaBLeS, FantaSy,and FoLKLoreSunday may 12 at 2 p.m.
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SEASON
� The Cleveland Orchestra
4600_OAC_Ad_5x8 7/18/08 8:52 AM Page 1
�Severance Hall 2012-13
T H E C l e v e l a n d O R C H E S T R A F R A N Z W E L S E R - M ö S T M U S I C D I R E C T O R
t a b l e o f C o n t e n t s
3 TheClevelandOrchestra Table of Contents . . . . . . . . . . . . . . . . . . . . 3 Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 The Cleveland Orchestra . . . . . . . . . . . . 6-7 Roster of Musicians . . . . . . . . . . . . . . . . 8-9 PNC Musical Rainbows . . . . . . . . . . . . . . . 15 Musical Glossary . . . . . . . . . . . . . . . . . . . . 19 Family of Instruments . . . . . . . . . . . . . . . 22 Student Ticket Programs . . . . . . . . . . . . . 23 Unscramble . . . . . . . . . . . . . . . . . . . . . . . . 24 Education Programs . . . . . . . . . . . . . . 25-27 Musical Arts Association . . . . . . . . . . . . . 28 Performing Opportunities . . . . . . . . . . . . 29 Severance Hall . . . . . . . . . . . . . . . . . . . . . . 30
13 HalloweenSpooktacularIII
October 28 . . . . . . . . . . . . . . . . . . . . . . . 13 Conductor: Kelly Corcoran . . . . . . . . . . . 12 Pre-Concert Activities . . . . . . . . . . . . . . . . 11
17 SymphonyUndertheSea
March 8 . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Conductor: Robert Franz . . . . . . . . . . . . 16 The Singing Angels . . . . . . . . . . . . . . . . . 18
21 Fables,Fantasy,andFolklore
May 12 . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Conductor: Michael Butterman . . . . . . . . 20
ClevelandOrchestraprogrambooksareprinted with EcoSmart certified inks, con-tainingtwicethevegetable-basedmaterialandone-tenththepetroleumoilcontentofstandard inks, and producing one-tenth of thevolatileorganiccompounds.
Table of Contents
Family ConCerts
Copyright©2012-13 by The Cleveland Orchestra and the Musical Arts Association
EricSellen, Program Book Editor e-mail: [email protected]
Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members.
The Musical Arts Association is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture.
The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio.
The Cleveland Orchestra’s home, Severance Hall, is located on the campus of Case Western Reserve University, with whom it has a long history of col-laboration and partnership.
1213
SEASON
� The Cleveland Orchestra
PHOTO COURTESY OF CLEVELAND PUBLIC ART, RYAN DIVITA PHOTOGRAPHER
WWW.CACGRANTS.ORG 216 515 8303
CUYAHOGA ARTS & CULTURE IS PROUD TO SUPPORT APOLLO'S FIRE BAYARTS BECK CENTER FOR THE ARTS CHAGRIN VALLEY LITTLE THEATRE CLEVELAND
BOTANICAL GARDEN CLEVELAND INTERNATIONAL FILM FESTIVAL CLEVELAND JAZZ ORCHESTRA
CLEVELAND MUSEUM OF ART CLEVELAND MUSEUM OF NATURAL HISTORY THE CLEVELAND ORCHESTRA
CLEVELAND PLAY HOUSE CLEVELAND PUBLIC THEATRE DANCECLEVELAND GREAT LAKES SCIENCE
CENTER GREAT LAKES THEATER GROUNDWORKS DANCETHEATER HEIGHTS YOUTH THEATRE IDEASTREAM
KARAMU HOUSE MALTZ MUSEUM OF JEWISH HERITAGE MUSEUM OF CONTEMPORARY ART NATURE
CENTER AT SHAKER LAKES PLAYHOUSESQUARE ROCK AND ROLL HALL OF FAME AND MUSEUM SPACES
WESTERN RESERVE HISTORICAL SOCIETY & MANY OTHERS
PH
OTO
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AS
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�Severance Hall 2012-13
W e l C o m e
Dear Families,
Welcome to Severance Hall and the 42nd season of Cleveland Orchestra Family Concerts! Whether this is your first time or you are a return visitor, we know you’ll enjoy these entertaining and engaging orchestra concerts in awesome Severance Hall. The first Family Concerts were performed in 1970 and were originally called “Key Concerts” because they “opened the door” to classical music for young people and families.
Our season begins with Halloween Spooktacular III on October 28, a new Fam-ily Concert tradition. Our program of “Tales and Terrors” features some of the most deliciously spooky music ever composed — just right for little ghouls and goblins! The afternoon starts with Halloween-themed pre-concert activities including a Costume Contest, the Thriller Dancers, and Instrument Discovery (where kids can try out different instruments and discover their inner musician!). Best-costume prizes will be awarded onstage during the concert to audience members and orchestra musicians!
The Family Concert season continues on Friday evening, March 8, at 7 p.m., with Symphony Under the Sea. Submerge yourself in wet, watery, and wonderful music — including Disney’s beloved theme to The Little Mermaid, Handel’s Water Music, and more — as we go under the sea with The Cleveland Orchestra! Cleveland’s wonderful Singing Angels will join the Orchestra for a musical family night to remember. In addi-tion, young orchestra students from the El Sistema@Rainey program provide a pre-con-cert performance at 6:00 pm.
On Sunday afternoon, May 12, at 2 p.m., discover how composers use music to bring characters and plots to life in Fables, Fantasy, and Folklore and help us create a new musical story with your imagination and the help of The Cleveland Orchestra! This highly interactive concert includes such classics as Rimsky-Korsakov’s Scheherazade (based on Tales from the Arabian Nights) and Grieg’s “In the Hall of the Mountain King.” Bring your family and your imagination to this fun-filled musical afternoon.
After each concert this season, stop by the Cleveland Orchestra Store to check out the terrific collection of books and CDs, gift items, and logo-wear for kids and adults — and pick up a special souvenir courtesy of series sponsor, The Giant Eagle Foundation.
We are delighted to welcome your family to Severance Hall throughout this season as you create new traditions and enduring family memories. Remember to make mu-sic a part of your life every day!
Joan Katz Napoli, Director Education & Community Programs The Cleveland Orchestra
Welcome
1213SEASON
U n d e r T H e l e a d e r S H I p of Music Di-rector Franz Welser-Möst, The Cleveland Orchestra has become one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blos-som Festival, in residencies from Miami to Vienna, and on tour around the world, The Cleveland Orchestra sets standards of artistic excellence, creative programming, and community engagement. The part-nership with Franz Welser-Möst, now in its eleventh season — and with a commit-ment to the Orchestra’s centennial in 2018
— has moved the ensemble forward with a series of new and ongoing initiatives, including:
the establishment of residencies around the world, fostering creative ar-tistic growth and an expanded financial base, including an ongoing residency at the Vienna Musikverein (the first of its kind by an American orchestra);
expansion of education and commu-nity programs in Northeast Ohio to make music an integral and regular part of everyday life for more people; the
THeClevelandOrCHeSTra
�Severance Hall 2012-13 The Cleveland Orchestra
2012-13 season includes the launch of an annual Neighborhood Residency pro-gram that will bring The Cleveland Or-chestra to neighborhoods throughout the region for an intensive week of special activities and performances. First stop: the Gordon Square District in Cleveland’s Detroit/Shoreway neighborhood;
an ongoing residency in Florida, under the name Cleveland Orchestra Miami, involving an annual series of concerts and community activities, coupled with an expansive set of educational presenta-tions and collaborations (based on suc-cessful educational programs pioneered at home in Cleveland);
creative new artistic collaborations, in-cluding staged works and chamber mu-sic performances, with arts institutions in Northeast Ohio and in Miami;
an array of new concert offerings (in-cluding Fridays@7 and Celebrity Se-ries at Severance Hall as well as movie, themed, and family presentations at Blossom) to make a wider variety of concerts more available and affordable;
a concentrated and ongoing effort to develop future generations of audienc-es for Cleveland Orchestra concerts in Northeast Ohio, through research, tar-geted discounts, social media offers and promotion, and student ticket programs;
concert tours from coast to coast in the United States, including annual appear-ances at Carnegie Hall;
regular concert tours to Europe (in-cluding residencies at the Lucerne Festi-val) and Asia;
ongoing recording activities, includ-ing new releases under the direction of Franz Welser-Möst, Mitsuko Uchida, and Pierre Boulez, as well as a series of DVD concert presentations of sympho-nies by Anton Bruckner;
continuing and expanded educational partnerships with schools, colleges, and universities across Northeast Ohio and in the Miami-Dade community;
additional new residencies at Indiana University and at New York’s Lincoln Center Festival;
the return of ballet as a regular part of the Orchestra’s presentations, featuring performances by The Joffrey Ballet; the 2012-13 season includes the Orchestra’s first fully staged performances of Tchai-kovsky’s The Nutcracker.
The Cleveland Orchestra was found-ed in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s ranks of major sympho-ny orchestras. Over the ensuing decades, the Orchestra quickly grew from a fine regional organization to being one of the most admired symphony orchestras in the world. The opening in 1931 of Severance Hall as the Orchestra’s home brought a spe-cial pride to the ensemble and its home-town, as well as providing an enviable and intimate acoustic environment in which to develop and refine the Orchestra’s artistry. Year-round performances became a real-ity in 1968 with the opening of Blossom Music Center, one of the most beautiful and acoustically admired outdoor concert facilities in the United States.
T h E C l e v e l a n d O R C h E S T R a
� The Cleveland OrchestraThe Orchestra
FIRST VIOLINSWilliam PreucilCONCERTMASTER
Blossom-Lee ChairYoko MooreASSISTANT CONCERTMASTER
Clara G. and George P. Bickford Chair
Peter ottoFIRST ASSOCIATE CONCERTMASTER
Jung-Min amy leeASSOCIATE CONCERTMASTER
Gretchen D. and Ward Smith Chair
takako MasamePaul and Lucille Jones Chair
Wei-fang GuDrs. Paul M. and Renate H. Duchesneau Chair
Kim GomezElizabeth and Leslie Kondorossy Chair
Chul-In ParkHarriet T. and David L.Simon Chair
Miho HashizumeTheodore Rautenberg Chair
Jeanne Preucil RoseDr. Larry J.B. and Barbara S. Robinson Chair
alicia KoelzOswald and Phyllis Lerner Gilroy Chair
Yu YuanPatty and John Collinson Chair
Isabel trautweinTrevor and Jennie Jones Chair
Mark dummGladys B. Goetz Chair
alexandra PreucilKatherine bormannYing fu
SECOND VIOLINSstephen Rose*
Alfred M. and Clara T. Rankin Chair
emilio llinas 2
James and Donna Reid Chaireli Matthews 1
Patricia M. Kozerefski and Richard J. Bogomolny Chair
elayna duitmanIoana MissitsCarolyn Gadiel Warnerstephen Warnersae shiragamivladimir deninzonsonja braaten Molloyscott WeberKathleen Collinsbeth Woodsideemma shookJeffrey Zehngut
VIOLASRobert vernon*
Chaillé H. and Richard B. Tullis Chair
lynne Ramsey1
Charles M. and Janet G. Kimball Chair
stanley Konopka 2
Mark JackobsJean Wall Bennett Chair
arthur KlimaRichard Waughlisa boykolembi veskimetseliesha nelsonJoanna Patterson ZakanyPatrick Connolly
CELLOSMark Kosower*
Louis D. Beaumont ChairRichard Weiss1
The GAR Foundation ChairCharles bernard2
Helen Weil Ross Chairbryan dumm
Muriel and Noah Butkin Chairtanya ellRalph Currybrian thorntondavid alan HarrellPaul KushiousMartha baldwinthomas Mansbacher
BASSESMaximilian dimoff *
Clarence T. Reinberger ChairKevin switalski 2
scott Haigh1
Mary E. and F. Joseph Callahan Chair
Mark athertonthomas sperlHenry Peyrebrune
Charles Barr Memorial ChairCharles Carletonscott dixonderek Zadinsky
HARPtrina struble*
Alice Chalifoux Chair
fRanZ WelseR-MÖst Music DirectorKelvin Smith Family Chair
JaMes feddeCK ASSISTANT CONDUCTOR Elizabeth Ring and William Gwinn Mather Chair
RobeRt PoRCo DIRECTOR OF CHORUSES Frances P. and Chester C. Bolton Chair
1213
SEASONT h E C l e v e l a n d O R C h E S T R a
�Severance Hall 2012-13 The Orchestra
FLUTESJoshua smith*
Elizabeth M. andWilliam C. Treuhaft Chair
saeran st. ChristopherMarisela sager 2
Austin B. and Ellen W. Chinn ChairMary Kay fink
PICCOLOMary Kay fink
Anne M. and M. Roger Clapp Chair
OBOESfrank Rosenwein*
Edith S. Taplin ChairMary lynchJeffrey Rathbun 2
Everett D. and Eugenia S. McCurdy Chair
Robert Walters
ENgLISH HORNRobert Walters
Samuel C. and Bernette K. Jaffe Chair
CLARINETSfranklin Cohen*
Robert Marcellus ChairRobert Woolfreydaniel McKelway 2
Robert R. and Vilma L. Kohn Chairlinnea nereim
E-FLAT CLARINETdaniel McKelway
Stanley L. and Eloise M. Morgan Chair
BASS CLARINETlinnea nereim
BASSOONSJohn Clouser *
Louise Harkness Ingalls ChairWiliiam Hestand*barrick stees2
Sandra L. Haslinger ChairJonathan sherwin
CONTRABASSOONJonathan sherwin
HORNSRichard King *
George Szell Memorial ChairMichael Mayhew §
Knight Foundation ChairJesse McCormickHans ClebschRichard solisalan deMattia
TRUMPETSMichael sachs*
Robert and Eunice Podis Weiskopf Chair
Jack suttelyle steelman2
James P. and Dolores D. Storer Chair
Michael Miller
CORNETSMichael sachs*
Mary Elizabeth and G. Robert Klein Chair
Michael Miller
TROMBONESMassimo la Rosa*
Gilbert W. and Louise I. Humphrey Chair
Richard stoutAlexander andMarianna C. McAfee Chair
shachar Israel2
BASS TROMBONEthomas Klaber
EUPHONIUM AND BASS TRUMPETRichard stout
TUBAYasuhito sugiyama*
Nathalie C. Spence and Nathalie S. Boswell Chair
TIMPANIPaul Yancich*
Otto G. and Corinne T. Voss Chairtom freer 2
PERCUSSIONJacob nissly*
Margaret Allen Ireland Chairdonald Millertom freerMarc damoulakis
kEyBOARD INSTRUMENTSJoela Jones*
Rudolf Serkin ChairCarolyn Gadiel Warner
Marjory and Marc L. Swartzbaugh Chair
LIBRARIANSRobert o’briendonald Miller
ORCHESTRA PERSONNELCarol lee IottDIRECTOR
Karyn GarvinMANAGER
*Principal § Associate Principal 1 First Assistant Principal 2 Assistant Principal
ENDOWED CHAIRS CURRENTLy UNOCCUPIEDASSISTANT CONCERTMASTER
Dr. Jeanette Grasselli Brownand Dr. Glenn R. Brown Chair
ASSISTANT PRINCIPAl HARPSunshine Chair
*Mr. Hestand joins the Orchestra on November 19.
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11Severance Hall 2012-13
pre-ConcertSpooktacularIIIOctober28Pre-concert activities for the “Halloween Spooktacular!” concert include:
HalloweenSpooktacularIIICostumeContest (Reinberger Chamber Hall, ground floor)
To enter the contest, join the line at Reinberger Chamber Hall. Five prizes, including a Grand Prize, will be awarded, with con-sideration given to “most original” and “spookiest” costumes. Judging begins in Reinberger Chamber Hall at 1:00 p.m. Final-ists will be announced at 1:45 p.m. Contestants must be present to be eligible to win. Prizes will be awarded onstage during the “Halloween Spooktacular III” concert. Hosted by Dianne Palmer.
THrIllerdanCerSfromthedanceCentrebyHeidiGlynias (Bogomolny-Kozerefski Grand Foyer) Audiences are welcome to join in with these young spooky dancers as Michael Jackson’s Thriller Dance comes to Severance Hall for the first time!
InSTrUmenTdISCOverywithroyaltonmusicCenter (Smith Lobby, ground floor) Kids can discover their “inner musician” by trying out orchestral instruments with the assistance of Royalton Music Center staff.
TerenceCranendonkTerence Cranendonk is an actor, director, and playwright who has appeared at Severance Hall with The Cleveland Orchestra in several previous concert presentations. His Cleveland area per-formances include engagements at Cleveland Play House, Kenne-dy’s at PlayhouseSquare, Cleveland Public Theatre, and Theatre Ninjas. He was a member of the New World Performance Labo-
ratory (1992-99), with whom he toured and performed throughout the Midwest, Europe, and South America. Mr. Cranendonk has performed Off Broadway and regionally at venues including the Kennedy Center in Washington D.C., New York’s Public Theatre, Home for Contemporary Theatre, and Target Margin. He received a bachelor’s degree in theater from Yale University, and his master’s degree from the University of Akron. He also studied acting with the Polish Laboratory Theatre’s Ryszard Cieslak, as well as at the Michael Chekhov Studio, and is a graduate of the Dell’Arte School of Physical Theatre.
Halloween Spooktacular III
1� The Cleveland Orchestra
The 2012-13 season marks Kelly Corco-ran’s sixth season as associate conduc-tor with the Nashville Symphony. She is making her Cleveland Orchestra debut with this afternoon’s concert. During her time with the Nashville Symphony, Ms. Corcoran has conducted a variety of programs, including concerts on the Symphony’s Classical Series and Pops Series, and has served as the prima-ry conductor for the orchestra’s education and community engagement performanc-es. She also conducted the Nashville Symphony’s recording collaboration with Riders in the Sky, titled Lassoed Live, at the Schermerhorn Symphony Center. As a guest conductor, Ms. Corco-ran has led major orchestras throughout the United States, including perfor-mances with the orchestras of Atlanta, Colorado, Charlotte, Detroit, Hous-ton, Louisville, Memphis, Milwaukee, Naples, Utah, and Washington D.C. In 2009, she made her South American debut with the Orquesta Sinfónica UNCuyo in Mendoza, Argentina, and has subsequently returned to lead mul-tiple subscription programs. Awarded an honorable mention as part of the Taki Concordia Conducting Fellowship program, Kelly Corcoran studied with Marin Alsop and shared performances with her and the Colo-
rado Symphony and the Bournemouth Symphony in the United Kingdom. Prior to her position in Nashville, she completed three seasons as assistant conductor for the Canton Symphony Orchestra in Ohio and as music director of the Canton Youth Symphony and the Cleveland-area Heights Chamber Or-chestra. She has held additional posts as assistant music director of the Nashville Opera, and founder and music director of the Nashville Philharmonic Orches-tra. She was also a fellow with the New World Symphony, working with Michael Tilson Thomas. Originally from Massachusetts, Ms. Corcoran was a member of the Tan-glewood Festival Chorus for over a de-cade. She received a bachelor of music degree in vocal performance from the Boston Conservatory and a master of music in instrumental conducting from Indiana University. She currently serves as a member of the conducting faculty at the New York Summer Music Festival. For more information, please visit www.kellycorcoran.net.
KellyCorcoran
Conductor
1�Severance Hall 2012-13
Family Concert No. 1 HallOWeenSpOOKTaCUlarIII Sunday October 28 at 2:00 p.m.
TheClevelandOrchestraKellyCorcoran, conductorwith TerenceCranendonk, actor
1213SEASON
“Witch’sride”from Hansel and Gretel by engelbert humperdinck
ToccataandFuguein D minor, BWV565 by johann sebastian bach (orchestral arrangement by leopold stokowski) organ solo: JoelaJones
Babayaga, Opus 56 by anatoli liadov
dansemacabre, Opus 40 by camille saint-saËns
nightonBaldmountain by modest mussorgsky (arranged by nikolai rimsky-korsakov)
“InfernaldanceofKingKastcheï”from The Firebird by igor stravinsky
The Family Concert Series is sponsored by TheGianteagleFoundation.
The concert runs approximately one hour.
Family Concert: October ��
P R E S E N T S
Nov 29-30 and Dec 1-2
with The Joff rey Balletand The Cleveland Orchestra
conducted by Tito Muñoz
TICKETS playhousesquare.org | 216-241-6000 | 866-546-1353
at
PnC musical rainbowsT H E C L E V E L A N D O R C H E S T R A
1213
SEASON
These bite-sized, fun-filled concerts introduce children in preschool to grade 1 to the sights and sounds of the orchestra, one instrument at a time. During each 30-minute program, energetic host Maryann Nagel gets kids sing-ing, clapping and moving to the music while Cleveland Orchestra musicians perform kid-friendly tunes and short solo selections. With Laura Silverman, piano. Sponsored by PNC. Sponsored by PNC. Endowed by the Pysht Fund.
The Vivacious ViolaLisa Boyko, viola Friday November 30 at 10 a.m. Saturday December 1 at 10 a.m. and 11 a.m.
The Fabulous FluteMarisela Sager, flute Friday March 22 at 10 a.m. Saturday March 23 at 10 a.m. and 11 a.m.
The Virtuoso ViolinBeth Woodside, violin Friday April 26 at 10 a.m. Saturday April 27 at 10 a.m. and 11 a.m.
The Happy HornHans Clebsch, horn Friday May 24 at 10 a.m. Saturday May 25 at 10 a.m. and 11 a.m.
PN C H O LIDAY R AIN BOWS
The Music of Chanukah Friday December 7 at 10 a.m. at The Temple-Tifereth Israel Saturday December 9 at 12:30 p.m. at The Temple-Tifereth Israel
A Celebration of Kwanzaa Thursday December 13 at 10 a.m. at Karamu House
Christmas Brass Quintet Friday December 14 at 10 a.m. at Severance Hall Saturday December 15 at 11 a.m. at Severance Hall
Tickets are just $7 each. Availa’ble through the Severance Hall Ticket Office or online at clevelandorchestra.com.
PNC Musical RainbowsSeverance Hall 2012-13
16 The Cleveland Orchestra
Robert Franz is currently music director of the Boise Philharmonic and associate conductor of the Houston Symphony. He is making his Cleveland Orchestra debut this week. As music director of the Boise Philharmonic since 2008, Mr. Franz has increased community programming and collaborations, featuring both guest art-ists and a range of solo performances by the orchestra’s principal players and en-sembles. The Idaho Education Commit-tee recognized Franz’s passion for music education in March 2012 when they asked him to address the Idaho Legisla-ture on the importance of music in edu-cation. This season, the Philharmonic is celebrating its 50th anniversary, includ-ing Mr. Franz conducting world pre-mieres by composers Jake Heggie and David Earnest. A champion of new mu-sic, Mr. Franz has led world premieres and works by many living composers. During his tenure in Boise, Jennifer Higdon, Shulamit Ran, and Lawrence Dillon have served as composer-in-resi-dence with the Philharmonic. As associate conductor of the Hous-ton Symphony, Robert Franz leads the orchestra in a broad range of creative
educational and family concerts. ASCAP has recognized Mr. Franz on two occa-sions for his advocacy in arts education. As a guest conductor, Mr. Franz has led performances of many orches-tras across the United States, and, in addition to his current posts, he served as the music director of the Mansfield Symphony in Ohio (2003-10), resident conductor of the Buffalo Philharmonic (2005-09), and associate conductor of the Louisville Orchestra (1997-2006). He also continues to serve as mu-sic director emeritus of the Carolina Chamber Symphony, an orchestra that he founded, and provides educational programming workshops at the Na-tional Repertory Orchestra during the summer. During his tenure, both the Buffalo Philharmonic Orchestra in 2008 and the Louisville Orchestra in 2001 were awarded the Leonard Bernstein Award for Educational Programming. Robert Franz received bachelor’s and master’s degrees in music from the North Carolina School of the Arts. For more information, please visit www.robertfranz.com.
Conductor
robertFranz
1�Severance Hall 2012-13
Family Concert No. 2 SympHOnyUnderTHeSEA Friday March 8 at 7:00 p.m.
TheClevelandOrchestrarobertFranz, conductorwith special guests the Singingangels
1213SEASON
“Hornpipe”from Water Music by george Frideric handel
“russianSailor’sdance”from The Red Poppy by reinhold glière
Overtureto The Flying Dutchman by richard wagner
“row,row,rowyourBoat” (arranged by lucas richman)
“SeaStorm”from the opera Peter Grimes by benjamin britten
March: HandsacrosstheSea by john philip sousa
Selectionsfrom The Little Mermaid music by alan menken, lyrics by howard ashman 1. “Part of Your World” 2. “Under the Sea” 3. “Kiss the Girl” 4. “Happy Ending”
See the program insert for more about today’s performance and pre-concert activities.
Family Concert: March �
The Family Concert Series is sponsored by TheGianteagleFoundation.
The concert runs approximately one hour; musical selections subject to change.
1� The Cleveland Orchestra
The Singing Angels, founded in 1964, is dedicated to youth development through the highest level of achieve-ment in the performing arts. Since the group’s inception, the chorus has per-formed in over thirty countries, includ-ing five trips to the White House and three performances at the Vatican. In 2012, they performed by invitation in the St. Patrick’s Cathedral Guest Choir Series and received a Silver Diploma in the World Choir Games. They have performed with Celine Dion, Eartha Kitt, Kenny Rogers, Nancy Sinatra,
Peabo Bryson, Jim Brickman, the Five Browns, and the U.S. Army Band. The Singing Angels perform in over 100 programs annually. They pres-ent two self-produced concerts each season, the Spring Benefit and a Holiday Spectacular, at the historically-renovated theaters of PlayhouseSquare — featur-ing a repertoire of Broadway show tunes, patriotic songs, spirituals, contemporary pop, and barbershop harmony. For more information, please visit www.singingangels.org.
TheSingingangels WilliamC.Boehm, founding director
Symphony Under the Sea
1�Severance Hall 2012-13
We know that some musical terms may be new to you and your family. This glossary of words can help you talk about the music you hear at each Cleveland Orchestra Family Concert.
Can you locate each instrument family on stage? Brass — instruments whose sound is produced by blowing into a cup-shaped mouthpiece Percussion — instruments whose sound is produced by shaking, striking together, or hitting with hands or mallets Strings — instruments whose sound is produced by plucking or by pulling a bow
across stretched strings; this is the largest family in the orchestra Woodwinds — instruments whose sound is produced by a vibrating column of
air enclosed in a pipe or tube; except for the flute and piccolo, the vibration is produced by blowing against a single or double “reed”
Can you hear when these different dynamics occur during the performance? Dynamics — variations in how loud or soft the music is
Here are some Italian words commonly used to describe different dynamics: Crescendo — gradually louder Diminuendo — gradually softer Forte — loud Fortissimo — very loud Piano — soft Pianissimo — very soft
Can you pick out the following musical elements in each piece? Rhythm — a combination of notes of varying lengths Beat — the pulse in music (when you tap your foot to music, you are “feeling the beat”) Meter — the organization of beats into repeating patterns, such as double (ONE two ONE two) or triple (ONE two three ONE two three) groupings or “measures” Syncopation — a shift of accent from the first beat of a measure to a beat that is not normally accented; this rhythm technique gives energy and excitement to the music Tempo — indicates how fast (or slow) the music is going; the speed of the beat Accelerando — getting faster; the word “accelerate” comes from this Italian word Adagio — slow, relaxed in tempo Allegro — fast, brisk Ritardando — slowing down the music Staccato — detached, very short sounds
Musical Words: A Glossary
A Musical glossary
�0 The Cleveland Orchestra
Michael Butterman is music director of the Boulder Philharmonic Orchestra and the Shreveport Symphony Orchestra, and is also serving as resident conductor with the Jacksonville Symphony Orchestra. He is in his thirteenth season as principal conductor for education with the Rochester Philharmonic Orchestra (the first position of its kind in the United States). He first conducted The Cleveland Orchestra in May 2012. In addition, Mr. Butterman appears as a guest conductor throughout the United States, including recent engagements with the orchestras of Detroit, Houston, Colorado, Oregon, Kansas City, Louisiana, and Hartford, and with Pensacola Opera. His summer appearances have included concerts at Tanglewood, Bravo! Vail Valley Festival, and the Wintergreen Music Festival. Michael Butterman gained international attention as a diploma laureate in the Prokofiev International Conducting Competition and as a finalist in the prestigious Besançon International Conducting Competition. As the 1999 recipient of the Seiji Ozawa Fellowship, he studied at Tanglewood with Ozawa, Robert Spano, and Jorma Panula, and shared the podium with Ozawa to lead the season’s opening concert.
Mr. Butterman was associate conductor with the Jacksonville Symphony 2000-07 and for six seasons was music director of Opera Southwest in Albuquer-que. He had previously served as director of orchestral studies at the Louisiana State University School of Music and principal conductor of the LSU Opera Theater. For two seasons, he was associate music director of Ohio Light Opera, conducting over thirty-five performances each summer. Mr. Butterman also served as served as music director of the Chamber Opera, Studio Opera, and Opera Workshop at the Indiana University School of Music. While there, he conducted an acclaimed production of Leonard Bernstein’s little-known musical 1600 Pennsylvania Avenue in a series of performances at the Kennedy Center in Washington D.C. He was subsequently invited to New York at the request of the Bernstein estate to prepare a performance of a revised version of the work. For more information, please visit www. michaelbutterman.com.
michaelButterman
Conductor
�1Severance Hall 2012-13
Family Concert No. 3 FaBleS,FanTaSy,andFOlKlOre Sunday May 12 at 2:00 p.m.
TheClevelandOrchestramichaelButterman, conductor
1213SEASON
“IntheHallofthemountainKing”from Peer Gynt by edvard grieg
“TheSeaandSinbad’sShip”from Scheherazade by nikolai rimsky-korsakov
Overtureto William Tell by gioacchino rossini
“mambo”from West Side Story by leonard bernstein
“aragonaise”from the opera Carmen by georges bizet
“Themoldau,”a tale about a river, from Má Vlast [My Country] by bedr
v
ich smetana
“dreamofaWitches’Sabbath”from Symphonie fantastique by hector berlioz
See the program insert for more about today’s performance and pre-concert activities.
Family Concert: May 1�
The Family Concert Series is sponsored by TheGianteagleFoundation.
The concert runs approximately one hour; musical selections subject to change.
STRINGS
WOOdWINdS
bRASS
peRCuSSION
�� The Cleveland OrchestraFamilies of the Orchestra
StudentTicketprograms“Under 18s Free,” Student Advantage membership, and Student Frequent FanCard offer affordable access to Cleveland Orchestra concerts all season long
��Severance Hall 2012-13
The Cleveland Orchestra is committed to developing one of the youngest audiences of any orchestra in the country. With the help of generous contributors, the Orchestra has expanded its discounted ticket offerings through several new programs.
STUdenTadvanTaGeprOGram The Orchestra’s ongoing Student Advantage Program provides opportunities for students to attend Orchestra concerts at Severance Hall through discounted ticket offers. Membership in the Student Advantage Program is free. A new Student Frequent FanCard was introduced this season. Priced at $50, the FanCard offers students unlimited single tickets (one per FanCard holder) to weekly Classical Subscription Concerts all season long.
“Under18sFree ” Introduced for Blossom Festival concerts two summers ago, the “Under 18s Free” program now includes select Cleveland Orchestra concerts at Severance Hall each season. This program offers free tickets (one per regular-priced adult paid ad-mission) to young people ages 7-17 to the Orchestra’s Fridays@7, Friday Morning at 11, and Sunday Afternoon at 3 concerts. All of these programs are supported by The Cleveland Orchestra’s Center for Future Audiences and the Alexander and Sarah Cutler Fund for Student Audiences. The Center for Future Audiences was created with a $20 million lead endowment gift from the Maltz Family Foundation to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio. In the opening two months of the current Severance Hall season, nearly 20% of the audience was students attend-ing Cleveland Orchestra concerts through these various programs and offers.
Student Ticket Programs
�� The Cleveland Orchestra
IGRSNTS _______________________________________________ OLIVA _______________________________________________ IVINLO _______________________________________________ ASBS _______________________________________________ PAHR _______________________________________________ ELLOC _______________________________________________
SIPCSUOREN _____________________________________________BLMCASY ________________________________________________RTBNEAIMOU _____________________________________________IIPTNAM _________________________________________________SCHMIE __________________________________________________EELTCAS _________________________________________________NOGG ___________________________________________________EGIALTNR ________________________________________________ACRMSAA ________________________________________________NPHLYXOOE ______________________________________________NAPIO ___________________________________________________ASNRE MRDU _____________________________________________SSTTCNAAE ______________________________________________SABS MURD ______________________________________________
SaRbS __________________________________________ CHFNER RONH __________________________________________ BTUA __________________________________________ MUTRETP __________________________________________ MOTORBEN __________________________________________
SODDWWINO ____________________________________________TRANCLIE ________________________________________________LUTFE ___________________________________________________GHEISNL RNHO ___________________________________________SOSABON ________________________________________________OHOXNPAES _____________________________________________BOOE ___________________________________________________ARNTCOSSBONOA ________________________________________COOCPIL ________________________________________________
All in the Families!Unscramble the letters to name the four families of instruments, then unscramble each instrument in the family.
Unscramble the Words
STRINGSviolaviolinbassharpcello
PERCUSSIONcymbalstambourinetimpanichimescelestagongtriangle
maracasxylophonepianosnare drumcastanetsbass drum
BRASSFrench horntubatrumpettrombone
WOODWINDSclarinetfluteenglish hornbassoonsaxophoneoboecontrabassoonpiccolo
Education & Community
TheClevelandOrchestra:educatingtheFuture The Cleveland Orchestra draws together traditional and new programs to deepen connections with young audiences across Northeast Ohio
FamIlyCOnCerT S are just one part of a broad array of educational programs presented by The Cleveland Orchestra to nurture a love of music for a lifetime! Other programs include PNC Musical Rainbows, introducing the in-struments of the orchestra to preschoolers; the PNC Grow Up Great program, using music to support school readiness skills in inner-city preschools; Cleveland Orchestra Education Concerts, which bring more than 17,000 school children to historic Severance Hall each year; Cleveland Orchestra In-School Performances annually in area high schools, Music Mentors and Music Masters, supporting area school music programs through coachings, clinics, and masterclasses; the Learn-ing Through Music school partnership program, integrating music across the curriculum; and performance ensembles to nurture aspiring young musicians. For more information, please call the Orchestra’s Department of Education and Community Programs at 216-231-7355, or visit clevelandorchestra.com.
Franz Welser-Möst leads a concert at John Hay High School. Through such In-School Perfor-mances and Education Concerts at Severance Hall, The Cleveland Orchestra introduced more than 4 million young people to symphonic music over the past nine decades.
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Education & Community
T h E C L E V E L A N D O R C h E S T R a
Cleveland Orchestra bassist Mark Atherton with classroom students at Cleveland’s Mayfair Elementary School, part of the Learning Through Music program that fosters the use of music and the arts to support general classroom learning.
El Sistema@Rainey performing at Severance Hall. The initiative is an intensive after-school orchestral music program launched in September 2011 by Cleveland Orchestra violinist Isabel Trautwein and Cleveland’s Rainey Institute. Modeled after the national Venezuelan program El Sistema (“the system”), the initiative emphasizes community-based orchestra training from a young age, with a focus on making music fun and inspiring young musicians with a passion for music and for life. The Cleveland Orchestra and education partner Conn-Selmer are the official providers of instruments for the El Sistema@Rainey program, with instrument support from Royalton Music for El Sistema@Rainey Summer Camp.
Through the PNC Musical Rainbows series at Severance Hall, Cleveland Orchestra musicians introduce nearly 10,000 preschoolers each year to the instruments of the orchestra.
�6 The Cleveland Orchestra
T h E C L E V E L A N D O R C h E S T R a
Education & Community
More than 1,200 talented young musicians have performed as members of the Cleve- land Orchestra Youth Orchestra in the quarter century since its founding in 1986.
T H A N K Y O UThe Cleveland Orchestra’s Education programs are made possible
by many generous individuals, foundations, and corporations, including:
PROGRAM FUNDERSThe Abington Foundation
The Eva L. and Joseph M. Bruening FoundationCleveland Clinic
The Cleveland FoundationConn-Selmer, Inc.
Cuyahoga Arts & CultureDominion Foundation
The Giant Eagle FoundationMuna & Basem Hishmeh Foundation
Invacare CorporationMartha Holden Jennings Foundation
The Laub FoundationThe Lincoln Electric Foundation
The Lubrizol CorporationThe Nord Family Foundation
Ohio Arts CouncilPNC
The Reinberger FoundationAlbert G. & Olive H. Schlink Foundation
The Sherwin-Williams FoundationThe South Waite Foundation
Surdna FoundationThomas H. White Foundation, a KeyBank Trust
The Edward & Ruth Wilkof Foundation
ENDOWMENT FUNDS AND FUNDERSHope and Stanley I. Adelstein
AnonymousKathleen L. BarberMr. Roger G. Berk
In memory of Anna B. BodyIsabelle and Ronald Brown
Dr. Jeanette Grasselli Brown and Dr. Glenn R. BrownRoberta R. Calderwood
Alice B. Cull Memorial FundMr. and Mrs. Charles B. Emrick, Jr.
Charles and Marguerite C. GalanieMr. David J. Golden
The George Gund FoundationDorothy Humel Hovorka
Mr. James J. HummerFrank and Margaret Hyncik
Walter and Jean Kalberer FoundationAlfred Lerner In-School Performance Fund
Mr. and Mrs. Stanley A. MeiselChristine Gitlin Miles
Mr. and Mrs. David T. MorganthalerMorley Fund for Pre-school Education
Pysht FundThe Ratner, Miller, and Shafran Families
and Forest City Enterprises, Inc.In memory of Georg Solti
The William N. Skirball EndowmentJules and Ruth Vinney Youth Orchestra Touring Fund
Cleveland Orchestra flutist Marisela Sager working with pre-school students as part of PNC Grow Up Great, a program utilizing music to support pre-literacy and school readiness skills.
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Musical Arts Association
ThE MusICal aRts aSSOCIaTIOn as of September 2012
operating The Cleveland Orchestra, Severance Hall, and Blossom Festival
ThE Cleveland ORChESTRaFranzWelser-Möst, Music Director GaryHanson, Executive Director
nOn-reSIdenTTrUSTeeS Virginia Nord Barbato (NY) Wolfgang C . Berndt (Austria) laurel Blossom (SC)
Richard C . Gridley (SC) George Gund III (CA) loren W . Hershey (DC)
Herbert Kloiber (Germany)ludwig Scharinger (Austria)
TrUSTeeSex-OFFICIO Faye A . Heston, President, Volunteer Council of The Cleveland Orchestra Beth Schreibman Gehring, President, Women’s Committee of The Cleveland Orchestra Ruth Ann Krutz, State Chair, Blossom Women’s Committee
Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee Dr . lester lefton, President, Kent State University Barbara R . Snyder, President, Case Western Reserve University
paSTpreSIdenTS D . Z . Norton 1915-21 John l . Severance 1921-36 Dudley S . Blossom 1936-38 Thomas l . Sidlo 1939-53
Percy W . Brown 1953-55 Frank E . Taplin, Jr . 1955-57 Frank E . Joseph 1957-68 Alfred M . Rankin 1968-83
Ward Smith 1983-95Richard J . Bogomolny 1995-2002, 2008-09James D . Ireland III 2002-08
HOnOraryTrUSTeeSFOrlIFe Gay Cull Addicott Francis J . Callahan Mrs . Webb Chamberlain Oliver F . Emerson
Allen H . FordRobert W . GillespieDorothy Humel HovorkaRobert F . Meyerson
TrUSTeeSemerITI Clifford J . Isroff Samuel H . Miller David l . Simon
reSIdenTTrUSTeeS George N . Aronoff Dr . Ronald H . Bell Richard J . Bogomolny Charles P . Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G . Clark Owen M . Colligan Robert D . Conrad Matthew V . Crawford Alexander M . Cutler Terrance C . Z . Egger Hiroyuki Fujita Paul G . Greig Robert K . Gudbranson Iris Harvie Jeffrey A . Healy Stephen H . Hoffman David J . Hooker Michael J . Horvitz Marguerite B . Humphrey David P . Hunt
Christopher Hyland James D . Ireland III Trevor O . Jones Betsy Juliano Jean C . Kalberer Nancy F . Keithley Douglas A . Kern John D . Koch S . lee Kohrman Charlotte R . Kramer Dennis W . laBarre Norma lerner Virginia M . lindseth Alex Machaskee Robert P . Madison Nancy W . McCann Thomas F . McKee Beth E . Mooney John C . Morley Donald W . Morrison Meg Fulton Mueller Gary A . Oatey Katherine T . O’Neill
The Honorable John D . Onglarry Pollock Alfred M . Rankin, Jr . Clara T . RankinAudrey Gilbert Ratner Charles A . RatnerJames S . Reid, Jr .Barbara S . Robinson Paul RoseSteven M . RossRaymond T . Sawyerluci ScheyNeil SethiHewitt B . Shaw, Jr . Richard K . SmuckerR . Thomas StantonThomas A . WaltermireGeraldine B . WarnerPaul E . Westlake Jr .David A . Wolfort
OFFICerSandexeCUTIveCOmmITTee Dennis W . laBarre, President Richard J . Bogomolny, Chairman The Honorable John D . Ong, Vice President
Norma lerner, Honorary Chair Raymond T . Sawyer, Secretary Beth E . Mooney, Treasurer
Jeanette Grasselli Brown Alexander M . Cutler Matthew V . Crawford Michael J . Horvitz Douglas A . Kern
Virginia M . lindseth Alex Machaskee Nancy W . McCann John C . Morley larry Pollock
Alfred M . Rankin, Jr .Audrey Gilbert RatnerBarbara S . Robinson
�� The Cleveland Orchestra
THeClevel andOrCHe STrabelieves in the power of music to transform lives. The Orchestra sponsors several ensembles for student singers or instrumentalists look-ing to pursue their interest in music. Students selected through auditions have the unparalleled opportunity to work closely week in and week out with professional musi-cians and conductors, who immerse them in the high standards and traditions of ar-tistic excellence of a world-class orchestra. In addition to significant skill-building and beautiful music-making — and the academic and developmental benefits that come with rigorous music study — participants forge lifelong friendships and come to regard Severance Hall as their musical home.
Founded in 1986, the Cleveland Orchestra Youth Orchestra provides a unique pre-professional experience for musicians in grades 7-12. Players rehearse weekly and perform in Severance Hall, are directed by a member of The Cleveland Orchestra’s conducting staff, and receive coaching from Cleveland Orchestra musicians. Membership is by competitive auditions held in May. For information, please call the Cleveland Orchestra Youth Orchestra at 216-231-7352 or visit www.ClevelandOrchestraYouthOrchestra.com.
The Cleveland Orchestra Youth Chorus was founded in 1991 to help raise awareness of choral music-making in the schools of Northeast Ohio and to encourage more students to continue their choral activities through college and into adulthood. Members of the Youth Chorus have the oppor-tunity to perform concerts in the greater Cleveland community as well as onstage at Severance Hall alongside their colleagues in the Youth Orchestra. Members of the Youth Chorus are chosen through auditions. For more information, please call the Chorus Office at 216-231-7374 or email [email protected].
The Cleveland Orchestra Children’s Cho-rus was founded in 1967 and is comprised of students in grades 6-9. The group per-forms regularly with The Cleveland Orchestra and Cleveland Orchestra Chorus. The Children’s Preparatory Chorus is comprised of students in grades 5-8 and collabo-rates with the Children’s Chorus in two concerts each season. Participation in each ensemble helps students develop their leadership skills through music and works to strengthen their abilities for future musical experiences. For more information, please call the Chorus Office at 216-231-7374 or email [email protected].
Opportunitiestoperform
C L E V E L A N D O R C h E S T R a
Youth Orchestra J a M e s f e d d e C K . M U S I C D I R E C T O R
C L E V E L A N D O R C h E S T R a
Youth ChorusL i s a W O N G . D I R E C T O R
C L E V E L A N D O R C h E S T R a
CH I LDREN’S CHORUSa N N u s h e r . D I R E C T O R
Student Performance Ensembles ��Severance Hall 2012-13
�0 The Cleveland Orchestra
H a I l e d a S O n e of the world’s most beau-tiful concert halls, Severance Hall has been home to The Cleveland Orchestra since its opening on February 5, 1931. After that first concert, a Cleveland newspaper edito-rial stated: “We believe that Mr. Severance intended to build a temple to music, and not a temple to wealth; and we believe it is his intention that all music lovers should be welcome there.” John Long Severance (president of the Musical Arts Associa-tion, 1921-1936) and his wife, Elisabeth, donated the funds necessary to erect this magnificent building. Designed by Walker & Weeks, its elegant Georgian exterior was constructed to harmonize with the classi-cal architecture of other prominent build-ings in the University Circle area. The interior of the building reflects a combina-tion of design styles, including Art Deco, Egyptian Revival, Classicism, and Mod-ernism. An extensive renovation, restoration, and expansion of the facility was completed in January 2000.
laTeSeaTInGAs a courtesy to the audience members and musicians in the hall, late-arriving patrons are asked to wait quietly until the first convenient break in the program, when ushers will help you to your seats. These seating breaks are at the discretion of the House Manager in consultation with the performing artists.
paGerS,CellpHOneS,andWrISTWaTCHalarmSAll electronic and mechanical devices — including pagers, cellular telephones, and wristwatch alarms — must be turned off while in the concert hall.
pHOTOGrapHy,vIdeOGrapHy,andreCOrdInGAt all times, cameras and tape recorders must be kept outside the concert hall. For the safety of guests and performers, photography and videography are strictly prohibited.
InTHeevenTOFanemerGenCyContact an usher or a member of house staff if you require medical assistance. Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency.
aGereSTrICTIOnSRegardless of age, each person must have a ticket and be able to sit quietly in a seat throughout the performance. Season subscription concerts are not recommended for children under the age of 8. However, there are several age-appropriate series designed specifically for children and youth, including: Musical Rainbows, (recommended for children 3 to 6 years old), and Family Concerts (for ages 7 and older).
CryInGCHIld?We understand that sometimes young children cannot sit quietly through a one-hour concert and need to get up and move or talk freely. For the
listening enjoyment of those around you, we respectfully ask that you and your active child step out of the concert hall to stretch your legs (and baby’s lungs). An usher will gladly help you return to your seat at an appropriate break.
Severance Hall
11001 euclid Avenuecleveland, ohio 44106C l e v e l a n d o R C H e s t R a . C o M
I cannot write in verse, for I am no poet. I cannot arrange the parts of speech with such art as to produce effects of light and shade, for I am no painter. Even by signs and gestures I cannot express my thoughts and feelings, for I am no dancer. But I can do so by means of sound, for I am a musician.
—W. A. Mozart, November 1777
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a portrait of Wolfgang amadè Mozart, painted in 1819 by barbara Kraft, based on paintings created during the composer’s lifetime
11001 Euclid Avenue, Cleveland, Ohio 44106AdministrativeOffices: (216) 231-7300
TicketOffice: (216) 231-1111 or 800-686-1141
C L E v E L A N d O R C H E S T R A . C O M
THE CLEVELAND ORCHESTRA franz Welser-Möst,MusicDirector James feddeck,AssistantConductor Gary Hanson,ExecutiveDirector
DEpARTmENT Of EDUCATION AND COmmUNITY pROgRAmS Joan Katz napoli,Director sandra Jones,Manager,EducationandFamilyConcerts Meaghan Heinrich,Manager,LearningProgramsandCommunityEngagement ashley smith,Manager,ClevelandOrchestraYouthOrchestra erika Richter,EducationandCommunityProgramsCoordinator