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www.istd.org | © Copyright ISTD 2014 All Rights Reserved Page 1
THE CLUB DANCE FACULTY
Throughout its history, the ISTD Dance
Examinations Board has been known
for innovation. As such, it has kept
abreast with the new styles of dance which
have grown in popularity with the public
and subsequently, with the demand for high
quality teaching and learning. It was this
principle that led to the formation of a new
sub-committee of the Ballroom Teachers’
Committee. This original group consisted of
Anne Lingard, Carol MacRaild, Nicky Miles, Ralf
Schiller, Thomas Smith and Julie Tomkins. It
was their task to research and bring the latest
dances to the attention of the membership.
On 23rd February 1997 the first Alternative
Rhythms Lecture Day and Showcase was
held at the Victory Services Club, Seymour
Street, London. Flamenco, Texas Two-Step,
Salsa, Argentine Tango and West Coast Swing
were presented to the members. Due to the
popularity of the event, in October of the
same year the committee held the second
Alternative Rhythms Workshop Day. On this
occasion, Disco-Fox, Merengue, Nightclub
Two-Step and Mambo were presented. A third
seminar took place in February 1998.
In September 1999 the Alternative Rhythms
Faculty, as it was then known, became the fifth
Established in 1904 the Imperial Society of Teachers
of Dancing (ISTD) is one of the world’s oldest and
most influential dance examination boards. Ever since
its inception the ISTD has developed new styles and
dance genres, and today with 12 faculties, no other
dance examination board has the breadth of genres
that the ISTD offers.
Our mission is to educate the public in the art of
dancing in all its forms, to promote the knowledge
of dance, to provide up-to-date techniques, and to
maintain and improve teaching standards across the
globe. The ISTD is always moving with the times to
keep pace with the latest developments in dance.
We regularly update our syllabi and introduce new
faculties to respond to changes in the world of dance.
Above: ISTD archive photograph
of Richard Marcel in action,
demonstrating Lindy Hop at
the ISTD Theatre Faculties
Congress at Laban in 2008.
www.istd.org | © Copyright ISTD 2014 All Rights Reserved Page 2
Faculty of the Dancesport Faculties Board.
Anne Lingard and Nicky Miles jointly chaired
the committee, which by the end of 1999 had
produced syllabi, notes and a video for medal
tests in Salsa and Argentine Tango. This was
largely due to Richard Marcel who wrote the
original Salsa technique and Ralf Schiller who
wrote the Argentine Tango. The committee also
became responsible for the Mambo syllabus
produced by the Latin American Faculty.
In 2002, they embarked on a new project
and began writing a Lindy Hop syllabus. They
were later joined by Lindy Hop expert Julie
Oram as an adviser and the work was published
in 2008.
In 2004 the committee decided to change
their name and in 2005 they became the
Club Dance Faculty. This name now better
represents the dances for which the committee
is responsible. The word ‘alternative’ had
caused confusion in the past and the new
name arose from where Salsa, Argentine Tango
and Lindy Hop classes were largely taking place
– in bars, cafes and clubs.
In 2008, with the growing popularity of
Salsa, Susana Montero was invited to join the
committee and they began writing the new
Salsa syllabus which was presented at the ISTD
Dancesport Faculties Spring Congress in 2013.
Ian Postle later came on board as an adviser on
the Cuban Salsa. This groundbreaking, unique
and comprehensive syllabus covers all aspects
of Salsa music and dance whilst delivering
authentic and creative techniques. It includes
the five main styles currently being danced,
performed and taught around the world. These
are: LA, based on the Salsa Brave style; New
York on the Eddie Torres style; Puerto Rican
on Fellipe Polanco, Tito Ortes & Tamara Livolsi
styles; Cuban on the authentic style of Casino
de la Rueda and Colombian on Pachanga and
Boogaloo footwork.
Today the Club Dance Faculty, of which
Charles Richman became Interim Chair in 2012,
is responsible for three dance genres. Currently,
these are: Salsa (L.A, Cuban, New York, Puerto
Rican and Colombian) and Mambo; Argentine
Tango (Argentine Tango, Tango Valse and
Milonga) and the Lindy Hop.
The Club Dance Faculty was originally
formed to bring new dances to the attention
of the ISTD membership. Its remit is therefore
flexible and on-going, for as the club and social
dance scene changes the committee has to be
alert to the new possibilities this presents for
the Faculty and the ISTD itself.
Charles Richman
Top: Nicky Miles
Above centre: Anne Lingard
Above: ISTD archive photograph
of Ralf Schiller, demonstrating
Argentine Tango at ISTD Dancesport
Faculties Congress at Worthing
in 2007.
Top left: Dancers demonstrating the
new ISTD Salsa syllabus