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The Creative Revolution: 1960-1969 - Cultural Forces Countercultural movements “Break the rules” 1950-1969 - Business Forces A New Breed of Agencies A New communication style Three Influential individuals...

The Creative Revolution:

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The Creative Revolution:. 1960-1969 - Cultural Forces Countercultural movements “Break the rules” 1950-1969 - Business Forces A New Breed of Agencies A New communication style Three Influential individuals. Three Key Individuals. Bill Bernbach, Doyle Dane Bernbach (DDB). - PowerPoint PPT Presentation

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Page 1: The Creative Revolution:

The Creative Revolution:

1960-1969 - Cultural Forces Countercultural movements

“Break the rules” 1950-1969 - Business Forces

A New Breed of Agencies A New communication style Three Influential individuals...

Page 2: The Creative Revolution:

Three Key Individuals Bill Bernbach, Doyle Dane Bernbach (DDB)

Page 3: The Creative Revolution:

Leo Burnett, Chicago, IL

Three Key Individuals

“If you reach for the stars, you might not get one, but you won’t come

up with a handful of

mud, either.”

Page 4: The Creative Revolution:

David Ogilvy

Three Key Individuals

Came from UK to start agency – Ogilvy & Mather

Wrote books about advertising

Page 5: The Creative Revolution:

Bill Bernbach Started as writer for head of World’s Fair

Meets Paul Rand at small ad agency

Moves to Grey - becomes Copy Chief

1949 - Starts “DDB” - Doyle Dane Bernbach

Page 6: The Creative Revolution:

The DDB Style: Ohrbach’s - their first account.

Page 7: The Creative Revolution:

The DDB Style: Ohrbach’s - their first account.

Page 8: The Creative Revolution:

The DDB Style: Ohrbach’s - their first account.

Page 9: The Creative Revolution:

The DDB Style: Ohrbach’s - their first account.

Levy’s - diversity w. “effective surprise”

Page 10: The Creative Revolution:

Polaroid - dramatic visual demonstration

The DDB Style: Ohrbach’s - their first account.

Levy’s - diversity w. “effective surprise”

Page 11: The Creative Revolution:

The DDB Style: Ohrbach’s - their first account.

Levy’s - diversity w. “effective surprise”

Polaroid - dramatic visual demonstration

Jamaica - one word and a visual...

Page 12: The Creative Revolution:

3 Key Campaigns:

The DDB Style (cont):

Mobil - “We Want You to Live”

Page 13: The Creative Revolution:

Avis - Helped inspire “Positioning”

3 Key Campaigns:

The DDB Style (cont):

Page 14: The Creative Revolution:

VW - Campaign of The Century

3 Key Campaigns:

The DDB Style (cont):

Page 15: The Creative Revolution:

A New Way of Creating Ads Writer/Art Director Team “The Concept”

A New Industry Standard - in every award show

“Ad Age” chose Bernbach as their “Ad Man of the Century”

The DDB Influence:

Page 16: The Creative Revolution:

The Burnett Style “Inherent Drama” Red meat on a red background

Leo believed you could find it in almost anything. After all, it was “inherent”

Leo believed you could find it in almost anything.

Page 17: The Creative Revolution:

The Burnett Style “Inherent Drama” Here’s how Leo’s agency captured the

wholesome personality of a Kellogg’s breakfast

Page 18: The Creative Revolution:

The Burnett Style “Inherent Drama” Powerful, instinctive,

and long-lasting imagery Powerful, instinctive

Page 19: The Creative Revolution:

The Burnett Style “Inherent Drama” The Lonely Maytag Repairman - a dramatic and engagingly human personification of reliability

The Lonely Maytag Repairman

Page 20: The Creative Revolution:

The Burnett Style “Inherent Drama” So, how do you give personality

to a can of refrigerated dough?

Page 21: The Creative Revolution:

The Burnett Style “Inherent Drama” OK, how about cans of peas

and corn?

OK then, how about new frozen vegetables?

Page 22: The Creative Revolution:

The Burnett Style “Inherent Drama” Tuna fish?

Sorry, Charlie, we just want tuna that tastes good.

Page 23: The Creative Revolution:

The Burnett Style “Inherent Drama” Cat food?

There’s a little bit of Morris in just about every cat owner’s cat.

Page 24: The Creative Revolution:

The Burnett Style “Inherent Drama” Cookies?

Made by elves who live in a hollow tree, and we almost believe it.

Made by elves who live in a hollow tree,

Page 25: The Creative Revolution:

The Burnett Style “Inherent Drama”

Time Magazine chose Leo Burnett as their “Ad Man of the Century”

It made Leo’s agency’s campaigns long-lasting and part of our culture “The glacier-like power of friendly familiarity.”

Page 26: The Creative Revolution:

The Ogilvy The Ogilvy ApproachApproach

Now, let’s look at some early work by David Ogilvy.

He took classic lessons on copywriting and added his own wit and style

The result was advertising that added an extra value for the brand…

image

Page 27: The Creative Revolution:

The Ogilvy The Ogilvy ApproachApproach

Craftsmanship Research - headline was from a British car magazine

Editing - all copy is tight and bright

Wit - upscale w/o being a snob

Rolls-Royce

Page 28: The Creative Revolution:

The Ogilvy The Ogilvy ApproachApproach Story Value

Imagery - one small device - the eye patch - adds interest

Hathaway Shirts

Page 29: The Creative Revolution:

The Ogilvy The Ogilvy ApproachApproach Story Value

Imagery - one small device - the eye patch - adds interest

Repetition - Ogilvy knew advertising takes time to build - this one device let him tell his story over and over.

Hathaway Shirts

Page 30: The Creative Revolution:

The Ogilvy The Ogilvy ApproachApproach “Rules”

Here, a similar but different approach for Schweppes - why?

Because Ogilvy believed you should

Find out what works - and repeat it.

Schweppes

Page 31: The Creative Revolution:

The Ogilvy The Ogilvy ApproachApproach

Ogilvy grew his agency into a world-class organization, with New generations of capable management

World-class clients Long-term relationships

Page 32: The Creative Revolution:

Today?

DDBLeo BurnettOgilvy & Mather