The Enemy Inside - Dream Theater

Intro Moderately fast q = 144

The Enemy InsideMusic by John Petrucci, Jordan Rudess, John Myung, James LaBrie and Mike Mangini

Lyrics by John Petrucci

2013 WB MUSIC CORP., YTSE JAMS, INC., WARNER-TAMERLANE PUBLISHING CORP. and KEY WIZ MUSIC All Rights on behalf of itself and YTSE JAMS, INC. Administered by WB MUSIC CORP.

All Rights on behalf of itself and KEY WIZ MUSIC Administered by WARNER-TAMERLANE PUBLISHING CORP. Used by Permission of ALFRED MUSIC

All Rights Reserved

*Gtr. 1 (7-str. elec.)

**

slight P.M. on 7th string throughoutw/ dist.f

(E5)

*Doubled throughout

**Chord symbols reflect overall harmony.

5 0 58

5 0 5 0 57

5 0 6 5 3 0 5 0 5 8 5 0 5 0 57

5 0 8 7 5 0

Play 4 times

(B5)

*

7 0 710

7 0 7 0 78

7 0 10 8 7 0 7 0 7 10 7 0 7 0*4th time, end slight P.M.

78

7 0 8 7 5 0

(E5)

(F#5)

(C5)

(B5)

(G5)

(D#5)

(F#5) (E5)

(F#5)

(C5)

(Bb5)

(B5)

(F5)

(D5)

5

7 7 1 0

3

42 0 2

3

1

2

13

E5

F#5

C5

B5

G5

D#5

F#5 E5

F#5

C5

Bb5

B5

G5

F#5

02

24

13

02 3

5

46 2

402

24

810

68

79

35

24

1

(B5addb9)

0

45

0

45

3 25 1 0

45

0 5 3 1 0

45

0

45

3 22

5 1

(C)

(B7)

E5

0 1 53

3 22 5 3

42 0

22

Gtr. 1

022


Riff A

w/ dist.f

End Riff A

P.M.

*Doubled throughout

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Gtr. 1

Gtr. 2: w/ Riff A (3 times)

022

Gtr. 2

Gtr. 1 tacet

C/E

E5

C/E

Em

Am/E

Em

F#/E

P.M.

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

2

Em

P.M. (F#5)

(C5)

(B5) C/E

E5

C/E

Em

P.M. 0 0 0 0

00

7 7 1

0

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

D#7

B

P.M. (B7)

4 4 4 4 4 4 4 4 0 1 4

23 2

2 5 34

O

Verse

1.

C/Ever-

and

E5

o

ver-

a gain,

C/E

-

I

E5

re

live

- the

3mo

G/B ment.

B5

-

P.M. P.M. P.M. P.M. P.M. P.M. P.M.

710

710

7 7 79

7 7 7 7 7 7 710

710

7 7 79

7 7 79

7 2 25

25

2 2 24

2 2 2 2 2 2

Em/B

B

Im bear

C5

ing-

the

C(b5)

bur

den-

with in,

C5

-

C(b5)

o

C5

pen-

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. 25

25

2 2 24

2 2 24

2 3 35

35

3 3 34

3 3 3 3 3 3 35

35

3 3 34

3 3 35

3 4

wounds

A/C#

hid

den

A7/C#

- un

der

- my

3skin.

A/C#

Dsus4 DPain

C/E as real

E5

as

a

P.M. P.M. P.M.

P.M. P.M. 47

47

4 4 45

4 4 4 4 4 4 47

0 0 55

54

5 710

710

7 7 79

7 7 7 7 7 7

3

cut

C/E

that

bleeds,

Em

the face

D/F#

I

see

ev

ry- time

I try

to

sleep

P.M.

P.M.

P.M.

P.M.

P.M. P.M. P.M. P.M.

710

710

7 7 79

7 7 79

7 9 912

912

9 9 912

9 9 9 9 9 X25

2 2 25

2 2 25 0 0

Am

Asus2

Am

star

B7/D#

ing- at

B/D#

me

B7b9/D#

cry

E5

in.

Esus4

-

Em

P.M. P.M. P.M. P.M. P.M. P.M.

P.M. P.M. P.M.

010

010

0 0 09

0 0 07

0 0 67

6 6 69

6 6 610

6 6 79

7 7 77

7 7 75

5 2

B

Bsus4

B5

Im run

Chorus

Cmaj7

ning

- from

the en

Am(add9)

e

- my-

in

side.

-


w/ slight dist. & chorus

Rhy. Fig. 1A

mf let ring

End Rhy. Fig. 1A

let ring *Doubled throughout

3

0

0

0

Gtr. 2

Rhy. Fig. 1 End Rhy. Fig. 1

21

22

24

133

577

4

Gtr. 2: w/ Riff AGtr. 3 tacet

Em

(From

the en

e

- my-

in

side.-

Look

Cmaj7

ing

- for

the life

F#m7b5

I

left

be

hind.

-

Gtr. 3

let ring

let ring

3

0

2

4

Gtr. 2

P.M.

133

0 02

P.H.

Pitch: E

2


Em

The life

I left

beThese

hind.)-

suf

Gtr. 2: w/ Rhy. Fig. 1Gtr. 3: w/ Rhy. Fig. 1A

Cmaj7

fo

- cat-

ing

- mem

Am(add9)

ries-

are

etched

Emup on-

my

mind,

D6sus2 and

Gtr. 2

P.M. 0 0 0 0 0 0 0 0 0 0 0 0

3 3 3 3 3 3 3 3 3 3 3 0

5

CTo oda

I

C#m7b5

cant es cape

- from the en

Gtr. 3 tacet

F#m7b5 e- my

-

B in

side.-

Gtr. 3

let ring 4

0

Gtr. 2

2 2X4

0 0 12

02

Interlude

Em Esus2 Em Dsus4 D Am

*Gtr. 4 (acous.)

mp

Rhy. Fig. 2

*Doubled throughout

79987

79987

79987

79987

79987

79977

79977

79977

79977

79977

79987

XXX

XXX

0233

02 2

32

02 0

00

02210

02210

02210

02210

02210

02210

02210

XXX

XXX

Gtr. 2

Riff B

P.M.

P.M. P.M. P.M. P.M.

5 5 5 5 5 5 5 5 0 0 3 3 35 5 5 5 7 5 3 5

7

C#m7b5

Cmaj7

B5

C

Bm

Am

Em/G

424

424

424

424

424

324

324

324

324

004

2X4

XXX

XXX

109

0 097

0 075

0 054

XX

XX

P.M. P.M. P.M. P.M. 2 2 2 0 1 1 1 0 0 0

8 8 8 7 7 7 5 5 58 7

6

Em

Esus2

Em

Dsus4

D Am

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79987

79987

79987

79987

79977

79977

79977

79977

79977

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XXX

XXX

0233

02 2

32

02 0

00

02210

02210

02210

02210

02210

02210

02210

XXX

XXX

P.M.

P.M. P.M. P.M.

5 5 5 5 5 5 5 5 0 0 3 3 3 35 5 5 5 7 5 3 5

7

C#m7b5

D%

Em

C

Bm

Am

G

F#

Em

End Rhy. Fig. 2D

C

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79987

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79987

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77777

77777

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77777

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XXX

XXX

109

0 097

075

75

0 054

075

75

54

42

20

P.M. P.M. P.M. End Riff B

2 2 2 2 3 3 3 5 0 08 8 8 7 7 5 5 5 3 3 3 2

5 3 1


(E5)

I2.

sev

Verse

C/E

er-

my

E5

self

- from

the world

C/E

and

E5

shut

down

com plete

G/B

- ly,

B5

-

Gtr. 2 Rhy. Fig. 3

P.M. P.M. P.M.


710

7 7 7 7 79

7 7 7 7 79

7 7 710

7 7 7 7 79

7 7 7 7 79

0 0 25

2 2 2 2 24

2 2 2 2 24

2 2

7

Em/B

B

all

a lone

C5

- in

my

3C(b5)

own

liv

C5

ing

3- hell,

C(b5) o

C5

ver

3- -

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

25

2 2 2 2 24

2 2 2 2 24

2 3 35

3 3 3 3 34

3 3 3 3 35

3 3 35

3 3 3 3 34

3 3 3 3 35

3 4

come

A/C#

with

ir

A7/C#

ra

- tion- al

A/C#

- fear.

Dsus4 DUn

Double-time feelC/E

der-

the

E5

weight

of

the

P.M. P.M.

End Rhy. Fig. 3

P.M. P.M.

P.M. P.M. P.M.

47

4 4 4 4 45

4 4 4 4 47

4 4 47

4 4 4 5 55

54

00 7

107 7 7 7 7

97 7 7 7 7

97 7

world

C/E

on

my

Em

chest,

I buck

D/F#

le

- and

3break

as

I

3try

to catch

my

breath.

P.M.

P.M. P.M.

P.M.

P.M. P.M.

P.M. P.M. P.M. 710

7 7 7 7 79

7 7 7 7 79

7 9 912

9 9 9 9 912

9 9 9 9 912

0 0 25

2 2 2 2 25

2 2 2 2 25 0 0

Am

Asus2 AmTell

B7/D#

me Im

B/D#

not

B7b9/D#

dy

E5

in.

Esus4

-

End double-time feel

Em


P.M. P.M. P.M.

010

0 0 0 0 09

0 0 0 0 07

0 0 67

6 6 6 6 69

6 6 6 6 610

6 6 79

7 7 7 7 77

7 7 7 7 75

5 2

8

D.S. al Coda Coda

B

Bsus4

B5

Im

Interlude(E5) (F#5) (C5) (B5) (G5) (D#5) (F#5)

P.M. P.M. P.M.

Gtr. 2

21

2 2 2 2 22

2 2 2 2 24

2 20 2

1

0

34

2

(E5)

(F#5)

(C5)

(Bb5)

(B5)

(F5)

(D5) E5

F#5

C5

B5

G5

D#5

F#5

0 2

3

1

2

13

02

24

13

02 3

5

46 2

4

E5

F#5 C5 Bb5

B5 G5 F#5

Bridge Half-time feelEm

Im

a bur

den,- Im

a

let ring

02

24

810

68

79

35

24

022

45

0

trav

F#/C#es

- ty.

F#

-

Am

Im

a pris

F#7 ner- of

B7/D# re gret.-

P.M.

2 2

2

3 2

2 3

02

03 2

4

9

Em

End half-time feel

C

Bsus4 Em

Be tween

- the flash

backs

- and

the

P.M.

P.M. P.M. P.M. P.M.

022

1 0

14

02

0 02

0 0 0 0 02

0 0 0 02

0 0 0 0 02

0 0

vi

G7 lent

- dreams,

F#7 FI

am hang

-

P.M.

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

34

3 34

3 3 3 34

0 0 24

2 24

2 2 2 2 24

0 0 13

1 13

1 1 1 13

0 0

B7/D#

- ing on

B/D# the

B7/D#

edge.

Em Half-time feelC

Dis as

- ter- lurks

P.M. P.M. P.M.

45

4 4 47

4 4 45

0 002

2

3 7

0 0 1

33

a round-

the bend.

Em Par

a- dise

-

Gm came

to

an end,

D/A and

133

133

022

355

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

10

no

Fm/Ab mag

ic

- pill

C/G End half-time feel

can

bring

F#7

it

back

B7/D#a gain.

-

P.M.

P.M. P.M.

4X6

4X6

4X6

4X6

4X6

4X6

4X6

4X6

3 3

55

3 3 3

55

0 0 24

Interlude

Gtr. 2: w/ Riff BGtr. 4: w/ Rhy. Fig. 2

Em Esus2 Em Dsus4 D Am

Gtrs. 5 & 6 (7-str. elec.)

w/ dist.f

3

10 12 10 8 7 8 1011

7 8 79

912 11 9

10

12

99

12 10 12 9

Gtr. 5

C#m7b5 Cmaj7

B5

C

Bm Am Em/G 10 12 10 8 7 8 10 10 12 13

1012 14 10

1310

12 10

Gtr. 6

10 12 10 8 7 8 10 7 8 107

8 10 7

107

8 7

Gtrs. 5 & 6

Em Esus2

Em

Dsus4

D

Am

3

10 12 10 8 7 8 1011

7 8 79

912 11 9

10

12

99

12 10 12 9

11

Gtr. 6

C#m7b5 D% Em

C

Bm

Am G

12 10 1212

12 10 8 79

7 87 12 0 12 14 10 0 0 8 0 8 0 10 7 0 5 0

Gtr. 5

12 10 1212

12 10 8 79

7 87 8 0 8 10 7 0 0 5 0 5 0 7 3 0 2 0

F# Em D

CGtrs. 5 & 6

w/ wah-wah

(A5)

(B5)

(C5)

(D5)

12 0 10 0 8 0 7 0 0 1 35

3 1 0 3 57

5 3 0 5 78

0 7 810

(cont. on upper staff)

Gtr. 2 7 0 5 0 3 0 1 0

5 7 85

(E5)

(F#5)

(G5)

(A5)

8va loco

(B5)

loco(C5)

8va loco(D5)

8va 8va

0 8 1012

10 8 0 10 1214

12 10 0 12 1315

0 13 1517

0 15 1719

17 15 0 17 1920

19 17 0 19 2022

0 2 3 5

2 3 5

12

loco

(E5)

8va loco

(C5)

8va

loco

(D5)

8va loco(B5)

8va loco

(G5)

8va

loco

(A5)

8va

0 20 2224

22 20 0 20 2224

22 20 0 20 2224

0 20 2224

22 20 0 20 2224

22 20 0 20 2224

7 3 5

7 3 5

loco

(F#5)

loco

(E5)8va loco

(C5)

8va 8va loco(B5)

0 20 2224

22 20 0 20 2224

22 20 0 20 2224

0 10 1214

0 10 1214

0 10 1214

0 10 1214

2 01 0 0 0 0

Gtr. 2

InterludeGtrs. 5 & 6 tacet

E5

P.M. (C#5)

(Am)

Em

P.M. (F#/A#)

(Am)

02

5 5 5 202

2 2 2 6

9 57

7 35

5 1

*w/ wah-wah

E5

+

(C#5)

+ +

(Am/C)

+

B+

+

C#+/A

+

D#+/G

+

F+

+

G+/D#

+

G#+/D

+

A+/C#

+

A#+/C

* = open (toe up); + = closed (toe down)5 5 5 5 5 5 5 5 5 5 5 2 2 2 2 2 1 7 5 8 6 4 3 2 113

(B5addb9)

+

+

+

+

+

+

+ +

0

45

0

45

3 25 1 0

45

0 5 3 1 0

45

0

45

3 22

5 1

+ +

(C)

+ + +

(B7)

+

*Gtr. 2: w/ Riff A

(E5)

Gtr. 7 (7-str. elec.)

**w/ dist. & delay

f

0 1 53

3 22 5 3

4*wah-wah off

2

**Stereo delay set for sixteenth-note pre-delay, quarter-note & dotted-quarter-note regeneration w/ 2 repeats each.

1617

Guitar SoloGtr. 2: w/ Rhy Fig. 3

C/E

E5 C/E

loco

E5

8va G/B

B5 loco 8va

steadygliss.

19

20 17

17 12 0

19 20 19 1517 15

17 1616 17 19

15 17 18 19

15 19

16

16

steadygliss.

Em/B

B C5

C(b5)

C

1119 20 19 15

16 1417 16

14 1514 17

14 16 17 16 0 14 12 0 16 14 0 12 11 0 14 12 0 11

C5

C(b5)

C5

A/C#

8va loco

A7/C#

A/C#6 6

9 0 12 11 0 9 7 0 11 12 1412 13 15

1712 13 15

12 14 15

1

1714 14

14

14

Gtr. 7

Dsus4

D

Half-time feelE5

3

8va

12 14 16

12 14 16 14 1214

12 14 16

T

12 15 17 21 17 15 12 15

24 24

10 12

Gtr. 2

P.M. P.M. P.M.

47

4 4 4 4 4 4 55

54

00

02

0 0 0 02

0 0 0 0

loco 8va

D/F#

6 6 6 6

22 20 19 20 22 19 1619 20 19 17 19 17 17 17 19 15 15 1713

1417 15 13 12 15 12

1 1414 14 12 14

P.M. P.M. P.M. P.M.

02

0 0 0 02

0 0 0 0 25

2 2 2 25

2 2 2 2

Am

3 3

5

6

14 21 17 11 12 1114 12 10

15 13 1214 12

15 14 1215 17 13

1414

15

12 12

12 14 1512 14 15 14 12 14 15 17

P.M. P.M. P.M.

25

2 2 2 25

2 2 2 2 57

5 5 5 57

57

00

15

B/D#

Em

6

6 56

3

8va

14 16 17 16 14 16 17 1916 17 19 17 16 17 19

17 19 20 19 19 20 2219

20

2020

17 19 20 22

1

P.M. P.M. P.M.

47

4 4 4 47

47

00

57

5 5 5 57

57

0 0

B

Im run

ChorusCmaj7

ning

- from

the en

Am(add9)

e

- my-

in

side.

-

Gtr. 7

grad. release

8va 3 3

2419 20 22

1

24 24 24 24

Gtr. 4

w/ reverb & chorusmf let ring

let ring

35

0

02

0

Gtr. 3

let ring

let ring

35

0

02

0

Gtr. 2

022

133

577

16

Gtr. 7 tacet

Em

(From

the en

e

- my-

in

side.-

Look

Cmaj7

ing

- for

the life

F#m7b5add11

I

left

be

hind.

-

Gtr. 4

let ring

let ring

let ring

02

0

02

0

35

0

2

4

0

Gtr. 3

let ring

let ring

let ring

02

0

02

0

35

0

2

4

0

Gtr. 2

let ring 022

45

133

2X4

Em

The life

I left

beThese

hind.)-

suf

Cmaj7

fo

- cat-

ing

- mem

Am(add9)

ries-

are

let ring

let ring

let ring

02

0

02

0

35

0

02

0

let ring

let ring

let ring

02

0

02

0

35

0

02

0

let ring

022

45

133

577

17

etched

Emup on-

my

mind,

D6sus2

and I

C#m7b5

cant es cape

End half-time feel

- from the en

Gtrs. 3 & 4 tacet

Am/C

e- my

-

E5 in

side.-

let ring

let ring let ring

79

0

57

0

42

0

let ring

let ring

let ring

02

0

3

0

0

2

4

0

022

3X5

2X4

1 3 52

Outro

E5

Gtr. 2

*

slight P.M.

*7th string only5 0 5

85 0 5 0 5

75 0 8 7 5 0 5 0 5

85 0 5 0 5

75 0 8 7 5 0 5 0 5

85 0 5 0 5

75 0 8 7 5 0

(E5)

slight P.M.

E5

P.M.

5 0 58

5 0 5 0 57

5 0 8 7 5 00 0 0 0 0 0 0 0 0 0 0

799

799

18

Documents

The Enemy Inside - Dream Theater