The Genealogy of Morals

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    THE GENEALOGY OF MORALS

    The contrast between nobleman and herd animal has been present in Nietzsche's

    writings from the very beginning. In the 1870s, Nietzsche began to understand the

    evolution of this dichotomy and began to understand the need of a thoroughgoing

    anthropological reconstruction of culture. Even in Zarathustra andBeyond Good and

    Evil, these concepts remained schematic, inspired insights, perhaps. However,

    in Genealogy of Morals, Nietzsche had grown far beyond; here he was able to trace

    the development of this contrast and the evolution of Christian culture and to support

    his thinking more systematically, by demonstrating the evolution of value-terms in

    language, from antiquity.

    Toward the end of his First Essay (#16), Nietzsche writes, in summary, "The

    two opposingvalues "good and bad," "good and evil" have been engaged in a fearful

    struggle on earth for thousands of years." The former of these value systems is that of

    the nobleman; the latter, Nietzsche associates with the herd animal and, especially, the

    spirit ofressentiment. Most of the essay develops the enormous differences between

    these, and there is little doubt where Nietzsche stands. Yet it is fair to ask whether

    Nietzsche would simply have condemned all of this out of existence, ruled it out of

    human history. At the end of #6 (First Essay), is a telling remark: "For with the

    priests everythingbecomes more dangerous, not only cures and remedies, but also

    arrogance, revenge, acuteness, profligacy, love, lust to rule, virtue, disease --- but it is

    only fair to add that it was on the soil of thisessentially dangerous form of human

    existence, the priestly form, that man first became an interesting animal, that only

    here did the human soul in a higher sense acquire depth and become evil--- and theseare the two basic respects in which man has hitherto been superior to the beasts!" In

    all of this, we have to observe that, while Nietzsche is very hard on the Jews for

    setting forth the path to "good and evil," he also has tremendous respect for what they

    actually achieved, in dividing human history from natural history.

    The value system of "good and bad" begins with the noblemen whose natural self-

    satisfaction is expressed in a language that evolves into words of praise. The good is a

    natural self-identification. In opposition to this, the noblemen look down at the lowly

    with pity or contempt; this, too, is expressed in various ways that eventually come to

    mean "bad." The system of values simply reflects a system of social stratification inwhich one group is obviously superior and represents the good, while the other group

    is obviously inferior and represents the bad. It is a system that can be seen throughout

    the animal kingdom; it can erupt into violence and conquest; but doubtless it does

    elevate the superior individuals, setting a "standard" of what is humanly possible.

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    The transformation to a system of good and evil was, in Nietzsche's mind, a "slave

    revolt." It "begins when ressentimentitself becomes creative and gives birth to values.

    . . slave morality from the outset says No to what is "outside," what is "different,"

    what is "not itself;" and this No is its creative deed." (#10) Nietzsche calls this an

    "inversion of the value-positing eye;" what it achieves is removal of tension from

    one's own attainments to an outward point of view and judgment. Rather than action,

    what we have is reaction. Value is placed in how we react (turning the other cheek)

    rather than how we act (as in doing something noble and exemplary). The noble is

    viewed with jealousy and hatred and eventually is reified as "the evil one." Thus, the

    value-system ofressentimentsets forth "creatively" by defining evil and, then, with

    self-satisfaction, resolving goodness in one's own (easy) humility. This is a system

    that tries to level everything rather than promote greatness; hence, the one who strives

    to reach beyond is always under suspicion, the evil one.

    In Nietzsche's mind, the cultural impact of this slave revolt has been devastating. It is

    action that makes life interesting, worthy. Reaction settles everything down to a

    passive fatality. A people who fear what man can become has lost the love of what

    man is. "The sight of man now makes us weary --- what is nihilism today if it is not

    that? --- We are weary of man." (#12)

    Nietzsche's Second Essay takes as its objective the discovery of the origins of bad

    conscience, or guilt. This essay can, and should, be read in close comparison with

    Freud's development of the concept of superego, the "brother clan," and the whole

    psychopathology ofthanatos (the death instinct) and self-hatred.

    We need to understand what guilt is. The essay begins with a recollection of the

    numerous and ghastly ways in which men have treated each other throughout time.

    Not only had Europeans invented unbelievably terrible, bloody, dismembering

    tortures and punishments for each other but, and this is the important part, they seem

    to genuinely enjoy these, even thrive on them. Something in the human psyche enjoys

    bloody punishments. This, in turn, Nietzsche connects with the creditor-debtor

    relationship and its own amazing history of debt-collection in dramatically physical,

    boody terms.

    As history passes and men become more sophisticated, the brute pleasures of this

    blood bath have to be rationalized and, of course, hidden from view. This was

    ultimately achieved neatly by making men "responsible." If a person's life can be

    successfully interpreted as an obligation, a responsibility, then the next step to

    promise-breaking, punishable lack of responsibility, is obvious and virtuous.

    Nevertheless, punishment, as such, has never historically promoted a feeling of guilt.

    Quite the opposite, being punished allows one the sense of "paying the debt," leaving

    nothing to feel guilty about.

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    At #16, then, Nietzsche announces his very interesting psychological theory of the

    evolution of "bad conscience." "I regard the bad conscience as the serious illness that

    man was bound to contract under the stress of the most fundamental change he ever

    experienced --- that change which occured when he found himself finally enclosed

    within the walls of society and of peace." And "all instincts that do not discharge

    themselves outwardly turn inward --- that is what I call the internalization of man:

    thus it was that man first developed what was later called his "soul." The entire inner

    world, originally as thin as if it were stretched between two membranes, expanded and

    extended itself, acquired depth, breadth, and height, in the same measure as outward

    discharge was inhibted." [Here we have Freud's basic theory of the conservation of

    psychic energy which leads to the crucial concepts of repression and sublimation.]

    So what is the origin of bad conscience and guilt and what do these mean? The whole

    overarching system of "social contract" --- that is, civil life --- established as it is by

    the powerful over the weak and thoroughly invested with a rationalized system of

    responsibility and debt-punishment has substantially wounded the-animal-man by

    confining him in a world that prohibits discharge of his natural instinctive pleasures.

    Sexuality and violence (eros and thanatos) are both prohibited in their instinctive

    forms; both are confined to highly sublimated forms (to use Freud's term). The loss of

    externalized sexuality leads to gluttony and other forms of decadence; the loss of

    externalized violence leads to inwardly directed violence, self-hatred --- in short, bad

    conscience and guilt. It is not a pretty picture and, obviously, Christianity fits right

    into this picture as a major accomplice. Why not develop a theology in which we are

    born guilty? Why not place guilt and self-hatred at a truly metaphysical level logically

    prior to the lessons of civic society?

    The Third (and final) Essay questions the meaning of what Nietzsche calls "the ascetic

    ideal" --- that is, the ideal of rigorous self-discipline, austerity, or self-denial and

    abstinence. The opening complaint about Wagner'sParisfalis, of course, prompted by

    Wagner's "adaptation of the myth to an orthodox Christian austerity in contrast to

    Wagner's own life, which was scarcely either austere or self-disciplined. The

    conclusion that there is probably little meaning to an artist's asceticism (because

    artist's are just functioning at the will of their publics) is a bit harsh and of little

    general value.

    Nietzsche moves on to philosophers and suggests, as a first approximation, that the

    philosopher "wants to gain release from a torture." (III, #6) Proceeding onward, he

    declares, "there unquestionably exists a peculiar philosphers' irritation at and rancor

    against sensuality." In view of this, "the philosopher abhors marriage. . . A married

    philosopher belongs in comedy." (III, #7) The torture, then, is everyday life, life in

    detail, as it were; the philosopher sees the ascetic ideal as the "optimum condition for

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    the highest and boldest spirituality." Nietzsche makes it clear that the philosopher's

    relation to the ascetic ideal is not out of any hatred of life but, rather, it is purely out of

    a love of life, the philosopher's own life. The philosopher, indeed, is possessed by a

    "maternal" mission, a "pregnancy," that requires full attention. But why have

    philosophers adopted the ascetic ideal as such in order to secure attention on their

    spiritual "children"? According to Nietzsche, the philosophical spirit has always been

    despised by the majority of men. And is it now different? Thus, philosophers were

    always forced "to use as a mask and cocoon thepreviously establishedtypes of the

    contemplative man --- priest, sorcerer, soothsayer, and in any case a religious type ---

    in order to be able to exist at all." (III, #10) Philosophers are no more advocates of

    asceticism than are artists, then; their embrace of asceticism is purely pragmatic.

    Thus, Nietzsche turns to the priestly type as the only true advocate for the ascetic

    ideal. And the priestly form of this ideal is no mere attempt to hide from life; rather it

    is an outright judgment about life. "The idea at issue here is the valuation the ascetic

    priest places on our life. . . The ascetic treats life as a wrong road." (III, #11) The

    ascetic priest achieves this valuation of life by juxtaposing against it an otherworldly

    "life" and the judgment that this is the only true form of life. It is a form of the whole

    movement ofressentiment. But, in fact, "the ascetic priest [is] the predestined savior,

    shepherd, and advocate of the sick herd. . .Dominion over the sufferingis his

    kingdom." (III, #15) Nietzsche uses the metaphor of a physician for the ascetic priest,

    in this role; but the priest is no benign practitioner. "Before he can act as a physician

    he first has to wound; when he then stills the pain of the wound he at the same time

    infects the wound --- for that is what he knows to do best of all." (III, #15) According

    to Nietzsche, the person ofressentimentis under the influence of a genuine"physiological depression," and the priest changes the direction ofressentimentby

    giving that depression a religious rationalization --- sin and guilt. "An even more

    highly valued means of combating depression is the prescribing of a petty

    pleasure that is easily attainable and can be made into a regular event." (#18). Worst

    of all, Christian asceticism overcomes depression and impotence with "orgies of

    feeling;" one can amply fill the time with orgies of self-doubt, self-incrimination, and

    self-inflicted punishment (guilt). "The ascetic priest has ruined psychical health

    wherever he has come to power; consequently he has also ruined taste in artibus et

    litteris (in arts and letters) --- he is still ruining it." (#22)

    But where does science stand on all of this? Isn't science an antagonist of the ascetic

    ideal? No, says Nietzsche, picking up, here, the critique of science that began as early

    as The Birth of Tragedy in conjunction with his critique of the Socratic ideal. Science

    also pursues an ascetic ideal through positing another (theoretical) reality; science also

    is thoroughly invested in a concept of truth and a denial of worldly realities. "They are

    all oblivious of how much the will to truth itself first requires justification; here there

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    is a lacuna in every philosophy --- how did this come about? Because the ascetic ideal

    has hitherto dominatedall philosophy, because truth was posited as being, as God, as

    the highest court of appeal --- because truth was notpermittedto be a problem at all

    --- Is this "permitted" understood? --- From the moment faith in the God of the ascetic

    ideal is denied, anew problem arises: that of the value of truth." (#24) [One should

    recall Book 3 of GS in this context.] Here we need to recognize that Nietzsche uses

    the word "science" for two purposes. There is theoretical science, the actual academic

    natural science of his age, and there is the "science" of The Gay Science, which is a

    heady, aggressively honest pursuit of truths about real life, not other-worldly realities.

    When Nietzsche asks whether we are brave enough to question realities, it is not a

    dialectic within an other-worldly theology or theoretical science that he is seeking, but

    rather he is asking whether we have the courage to accept the realities behind our own

    worldly value-positing. "A depreciation of the ascetic ideal unavoidably involves a

    depreciation of science: one must keep one's eyes and ears open to this fact!" (#25)

    In the end, Nietzsche returns to a favorite topic, art. "Art, in which precisely the lie is

    sanctified and the will to deception has a good conscience, is much more

    fundamentally opposed to the ascetic ideal than is science: this was instinctively

    sensed by Plato, the greatest enemy of art Europe has yet produced." The greatest

    enemy of the ascetic ideal is the comedian.

    But there is another "eneny," though unconsciously so, and that is Christianity's own

    "will to truth." The need to grasp truth, verily the morality of truth, in this sense, is

    ultimately Christianity's gravest danger. If Christianity had been content to remain a

    schematism it might still exist; but its will to absolute truth has undermined its

    credibility, especially in relation to its extravagant competition with science. As

    Nietzsche concludes, "In this way Christianity as a dogma was destroyed by its own

    morality; in the same way, Christianity as morality must now perish, too: we stand on

    the threshold ofthis event." (#27)

    copyright 1995 by Tad Beckman

    Source: http://www4.hmc.edu:8001/humanities/beckman/nietzsche/Genealogy.htm

    http://www4.hmc.edu:8001/humanities/beckman/nietzsche/Genealogy.htmhttp://www4.hmc.edu:8001/humanities/beckman/nietzsche/Genealogy.htm