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The Medicine Wheel & Art Therapy: Indigenous research methodology Richard Campbell, BFA, DKATI, art therapist and drug and alcohol clinician is a recognized knowledge keeper and elder from the Nlakap’amux nation and has created a large stone medicine wheel 100’ in diameter. His film ‘Not Broken’ shows his work with the integration of art therapy and the Medicine Wheel. [email protected] Monica Carpendale, BFA, DVATI, RCAT, HLM, BCATR, founder and academic dean of the Kutenai Art Therapy Institute, is an art therapist, educator, supervisor, author and filmmaker. She has written 2 books: Essence and Praxis in the Art Therapy Studio (2009) and A Traveler’s Guide to Art Therapy Supervision (2011). She has also written articles in the Canadian Art Therapy Association Journal. She has also developed therapeutic communication games in both board and digital formats. (www.auxiliumhorizons.com) [email protected] www.kutenaiarttherapy.com Benefits of the Medicine Wheel and Art Therapy approach provides best practices in creating cultural safety and humility addresses cultural disruption and historical and current issues stemming from oppression and trauma utilizes traditional healing to bring cultural safety to address many current issues o of alcohol and substance use o of loss and grief o of restorative justice o of depression and suicidal ideation supports Indigenous individuals, families and communities in healing promotes coming into balance and respectful relationship with “all my relations” o addresses issues of physical and mental health and promotes spiritual health and well being restores health and well-being in community provides support for professionals to listen to their heart. World view of the Medicine Wheel “A traditional understanding of healing implies more that an understanding of holistic health. It flows from knowledge of the inter-relatedness of everything. Health arises from all aspects of life being in right relationship. Sickness arises from disruption, or imbalance. Any method or technique that ignores the foundation of respectful, balance with all aspects of life will have limited benefit.” (Wabigon & Wenger-Wabigon, 2012, p. 51)

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Page 1: The Medicine Wheel & Art Therapy: Indigenous research

The Medicine Wheel & Art Therapy: Indigenous research methodology

Richard Campbell, BFA, DKATI, art therapist and drug and alcohol clinician is a

recognized knowledge keeper and elder from the Nlakap’amux nation and has created a

large stone medicine wheel 100’ in diameter. His film ‘Not Broken’ shows his work with

the integration of art therapy and the Medicine Wheel. [email protected]

Monica Carpendale, BFA, DVATI, RCAT, HLM, BCATR, founder and academic dean of

the Kutenai Art Therapy Institute, is an art therapist, educator, supervisor, author and

filmmaker. She has written 2 books: Essence and Praxis in the Art Therapy Studio (2009)

and A Traveler’s Guide to Art Therapy Supervision (2011). She has also written articles in

the Canadian Art Therapy Association Journal. She has also developed therapeutic

communication games in both board and digital formats. (www.auxiliumhorizons.com)

[email protected] www.kutenaiarttherapy.com

Benefits of the Medicine Wheel and Art Therapy approach

• provides best practices in creating cultural safety and humility • addresses cultural disruption and historical and current issues stemming from

oppression and trauma • utilizes traditional healing to bring cultural safety to address many current issues

o of alcohol and substance use o of loss and grief o of restorative justice o of depression and suicidal ideation

• supports Indigenous individuals, families and communities in healing

• promotes coming into balance and respectful relationship with “all my relations”

o addresses issues of physical and mental health and promotes spiritual health and well being

• restores health and well-being in community • provides support for professionals to listen to their heart.

World view of the Medicine Wheel

“A traditional understanding of healing implies more that an understanding of holistic health. It flows from knowledge of the inter-relatedness of everything. Health arises from all aspects of life being in right relationship. Sickness arises from disruption, or imbalance. Any method or technique that ignores the foundation of respectful, balance with all aspects of life will have limited benefit.” (Wabigon & Wenger-Wabigon, 2012, p. 51)

Page 2: The Medicine Wheel & Art Therapy: Indigenous research

The North American Medicine Wheel

Quadrants

1. East, yellow, physical, air, new beginnings, illumination, child and adolescent

2. South, red, emotional, water, love, growth, adolescent and young adult

3. West, black, mental, fire, twilight, maturity, strength, adult

4. North white, spiritual, purity, earth, elders and new born

Page 3: The Medicine Wheel & Art Therapy: Indigenous research

Medicine Wheel Spirit Paths With each of the spirit path rocks one can reflect on how the value / concepts affects you or your

client (spiritually, physically, emotionally or mentally).

North – spirit path “The gift of Waboose, the white buffalo, is the gift of healing our physical being and our way of

relating to the world. This the healing that allows us to let go of disease and accept health.” (Sun

Bear, 1991, p. 48).

Spirit path rock # 25 Cleansing

Spirit path rock # 26 Renewal

Spirit path rock # 27 Purity

East – spirit path “The gift of Wabun, the golden eagle …. is healing the mental being …. that allows us to see the

truth and to let go of the lies we have been told and have accepted in our own minds.” (Sun Bear,

1991, P. 49)

Spirit path rock # 28 Clarity

Spirit path rock # 29 Wisdom

Spirit path rock #30 Illumination

South – spirit path South is the direction to go when “you want to receive healing of your heart. It is the direction to

go to give thanks for the relationships or to ask for help with relationships. (Sun Bear, 1991, p.

51)

Spirit path rock #31 Growth

Spirit path rock # 32 Trust

Spirit path rock #33 Love

West – spirit path The west is the path for healing on the spiritual aspects of life. It shows what is sacred to you and

the universe. It is the place to go for knowledge about ceremony and the sacred. (Sun Bear,

1991)

Spirit path rock # 34 Experience

Spirit path rock #35 Introspection

Spirit path rock # 36 Strength

Page 4: The Medicine Wheel & Art Therapy: Indigenous research
Page 5: The Medicine Wheel & Art Therapy: Indigenous research

Axiology Ontology Epistemology Methodology What is the nature of ethical behavior?

What is the nature of existence or how do we see reality?

What is the nature of knowledge? How do we see the relation between knower & would-be-known?

What is the approach to systematic inquiry?

Community rapport & reciprocity

Multiple Social constructed

Interactive link between researcher & participant

Qualitative Subjective / lived Interpretive / dialectical

Balanced representation of views Promotion of human experience

Social positioning Some versions of reality might be privileged and have consequences

Co-created Socially and historically situated

Descriptive Contextualized

Promotion of social justice

Address issues of power & trust

Process oriented Dialogic

Indigenous research methodologies

Research is ceremony Everything is relational “all my relations”

Based on a set of relationships; Systems of knowledge are all in context, in relationships

The researcher is inseparable from the subject of the research.

Maintaining relational accountability & reciprocity

Process of relationships to form a mutual reality -multiple realities

Relational Respect Reciprocity Responsibility Relational accountability and methodology

Interpretation must be respectful; one must build relationship and there is vested interest in the integrity of the methodology

Obligations and meaning forms in the research relationship and one must be accountable to your relations

“Our ontology is the relationships”

Will the results be useful to the indigenous community?

Page 6: The Medicine Wheel & Art Therapy: Indigenous research

Stones of the Medicine Wheel

Stone Sacred Element Totem Animals Sacred Mineral

1. Creator stone All elements Any & all animals Any and all minerals

2. Earth Mother earth Tortoise clay

3. Father sun Fire & air Lizard geode

4. Grandmother moon Water Loon Moonstone

5. Turtle clan Earth Turtle Petrified wood

6. Frog clan Water Frog River rock

7. Thunderbird clan Fire Thunderbird Lava rock

8. Butterfly clan Air Butterfly Azurite 9. Spirit keeper: north Earth White buffalo Alabaster 10. Spirit keeper: east Air Eagle Pipestone 11. Spirit keeper: south Water Coyote Serpentine 12. Spirit keeper: west Fire Grizzly bear Soapstone 13. Earth renewal moon Turtle clan Snow goose Quartz 14. Rest & cleansing moon Butterfly clan Otter Silver 15. Big winds moon Frog clan Cougar Turquoise

16. Budding trees moon Thunderbird clan Red-hawk Fire Opal

17. Frogs return moon Turtle clan Beaver Chrysocolla

18. Corn planting moon Butterfly clan Deer Agate

19. Strong sun moon Frog clan Flicker Carnelian Agate

20. Ripe berries moon Thunderbird clan Sturgeon Garnet & iron

21. Harvest moon Turtle clan Brown bear Amethyst

22. Ducks fly moon Butterfly clan Raven Jasper

23. Freeze up moon Frog clan Snake Copper & malachite

24. Long snows moon Thunderbird clan Elk Obsidian

25. Cleansing stone Spirit path Raccoon Sodalite

26. Renewal stone Spirit path Earthworm Peridot

27. Purity stone Spirit path Dolphin Herkimer diamond

28. Clarity stone Spirit path Hummingbird Mica

29. Wisdom stone Spirit path Owl Jade

30. Illumination stone Spirit path Firefly Calcite

31. Growth stone Spirit path Rabbit Fluorite

32. Trust stone Spirit path Salmon Lepidolite

33. Love stone Spirit path Wolf Rose quartz

34. Experience stone Spirit path Whale hematite

35. Introspection stone Spirit path Mouse Lapis lazuli

36. Strength stone Spirit path Ant Amber

Page 7: The Medicine Wheel & Art Therapy: Indigenous research

Resources and reference

Absolon, K. (2011). Kaandossiwin: how we come to know. Winnipeg: Fernwood

Publishing Press. Brokenleg, M., Brend, L, & Vanbockem, S. (2002) Reclaiming youth at risk: our hope for the

future. Revised edition.

Carpendale, Monica. (2009) Essence and praxis in the art therapy studio. Victoria: Trafford Pub.

Carpendale, Monica. (2011) A Traveler’s guide to art therapy supervision. Victoria, BC:

Trafford Pub.

Capous-Desyllas, Moshoula. & Morgaine, Karen. (2018) Creating social change through

creativity: anti-oppressive arts-based research methodologies. Switzerland: Palgrave

Macmillan.

Farris-Dufrene, Garrett, (1998) in Hiscox, Anna R., Calisch, Abby C. ed. (1998) Tapestry of

cultural Issues in art therapy. London: Jessica Kingsley Pub.

Ferrara, Nadia. (2004) Healing through art: ritualized space and Cree identity. Montreal:

McGill-Queen’s University Press.

Graveline, Fyre, Jean. (1998) Circle works: transforming eurocentric consciousness. Halifax:

Fernwood Pub.

Kapitan, Lynn. (2018 2nd edition) Introduction to art therapy research. New York: Routledge.

Nabigon, Herbert., Wenger-Nabigon, Annie. (2012) “Wise Practices”: integrating traditional

teachings with mainstream treatment approaches. Native Social Work Journal: Vol. 8, pp.

43-55.

McGregor, Deborah., Restoule, Jean-Paul., Johston, Rochelle. Editors. (2018) Indigenous

research: theories, practices and relationships. Toronto, Ontario: Canadian Scholars.

Kovach, M. (2009). Indigenous methodologies: Characteristics, conversations, and contexts.

Toronto, Ontario: University of Toronto Press

Schnekeveld, Taylor. (2017) The Seven Sacred Teachings and Art Therapy: an Indigenous

Adolescent’s Cultural Journey. Kutenai Art Therapy Institute thesis.

Sun Bear, Wabun Wind, Mulligan, C. (1991) Dancing with the Wheel. New York: a fireside

book, Simon & Schuster.

Tuhiwai Smith, L. (1999, 2012) Decolonizing Methodologies; research and indigenous peoples.

London: Zed books.

Wilson, Shawn. (2008) Research is Ceremony: Indigenous research methods. Halifax:

Fernwood.

Page 8: The Medicine Wheel & Art Therapy: Indigenous research

Indigenous Research Methods

RICK CAMPBELL & MONICA CARPENDALE

KANSAS CITY AATA 2019

Page 9: The Medicine Wheel & Art Therapy: Indigenous research

Research is Ceremony

“Research is all about unanswered questions , but it also reveals our unquestioned answers.” ◦ (Wilson, 2008, p. 6)

Page 10: The Medicine Wheel & Art Therapy: Indigenous research

Key conceptsRelationality – shared aspect of Indigenous ontology and epistemology

Accountability to relationships –pertains to indigenous methodology and axiology

Practice of accountability and relationality

Page 11: The Medicine Wheel & Art Therapy: Indigenous research

“Indigenous epistemology is all about ideas developing through the formation of relationships. “ (Wilson, 2008, p. 8)

Page 12: The Medicine Wheel & Art Therapy: Indigenous research

Definition of terms(Wilson, 2008, p. 33-35)

Research paradigms – sets of assumptions, frameworks and principles to base research on –value laden and based on theory.

Ontology- “theory of the nature of existence, or the nature of reality” “what is real?”

Epistemology – “the study of the nature of thinking or knowing” –how we know that we know or come to know. “How do I know what is real?”

Page 13: The Medicine Wheel & Art Therapy: Indigenous research

Glossary of termsMethodology – how knowledge is gained; how “reality” is examined

Axiology- ethics and morals that guide the search for knowledge and judge what knowledge is worthy of searching for.

Indigenous- people who identify as original inhabitants of land

Dominant – European descended culture, euro-centric, Christian, heterosexist, male-dominated.

Page 14: The Medicine Wheel & Art Therapy: Indigenous research

Axiology Ontology Epistemology MethodologyWhat is the nature of ethical behavior?

What is the nature of existence or how do we see reality?

What is the nature of knowledge? How do we see the relation between knower & would-be-known?

What is the approach to systematic inquiry?

Community rapport & reciprocity

MultipleSocial constructed

Interactive link between researcher & participant

QualitativeSubjective / livedInterpretive / dialectical

Balanced representation of viewsPromotion of human experience

Social positioningSome versions of reality might be privileged and have consequences

Co-createdSocially and historically situated

DescriptiveContextualized

Promotion of social justice

Address issues of power & trust

Process orientedDialogic

Page 15: The Medicine Wheel & Art Therapy: Indigenous research

Axiology Ontology Epistemology MethodologyIndigenous research methodologies

Research is ceremonyEverything is relational“all my relations”

Based on a set of relationships;Systems of knowledge are all in context, in relationships

The researcher is inseparable from the subject of the research.

Maintaining relational accountability & reciprocity

Process of relationships to form a mutual reality-multiple realities

RelationalRespectReciprocityResponsibilityRelational accountability and methodology

Interpretation must be respectful; one must build relationship and there is vested interest in the integrity of the methodology

Obligations and meaning forms in the research relationship and one must be accountable to your relations

“Our ontology is the relationships”

Will the results be useful to the indigenous community?

Page 16: The Medicine Wheel & Art Therapy: Indigenous research

The SELF – the individualMeasuring and categorizing

In western philosophy and religion – the individual is the basic building block – in the social movement from feudalism to capitalism – there is the relationship between individuals and groups.

Rousseau and Gauguin – idealized and romanticized the view of indigenous people ‘noble savage’ – set in idyllic nature.

19th century – social Darwinism – questioned whether indigenous people were capable of thought – and developing ‘simple’ ideas about religion. (Smith, 1988)

Page 17: The Medicine Wheel & Art Therapy: Indigenous research

How do ideas become real?

Through systems of knowledge

Culture formations

Relationships of power

Page 18: The Medicine Wheel & Art Therapy: Indigenous research

Research assumptionsWestern view privileges the fundamental nature of western ideas – with innate superiority; ◦ Implications and desire to bring progress

◦ Spirituality

◦ Socially

◦ Intellectually

◦ Economically

Page 19: The Medicine Wheel & Art Therapy: Indigenous research

Imperialism & colonialismRaw materials

Military strength

Knowledge and culture

Relationships between peoples

Imperialism and colonialism: west comes to – SEE; NAME; know.

Page 20: The Medicine Wheel & Art Therapy: Indigenous research

Principle of UncertaintyTofoya (1995, cited in Wilson, 2008) – you can’t know the context and the definition of an idea at the same time. The closer you get to defining something the more you lose its context.

Heisenberg, physicist, theory of uncertainty –impossible to know both the velocity and the location of an electron at the same time. (Wilson, 2008, p. 8)

In an oral tradition – the storyteller and the listener shape the content and the process. (Wilson, 2008, p. 9)

Page 21: The Medicine Wheel & Art Therapy: Indigenous research

Chronology of Aboriginal Research

Terra Nullius phase (1770-1900)

•New world /empty land

•Observations of colonizers

•Aboriginals viewed as barely human

•Focus on control of the land – clearing, etc

•Focus on plants and animals and natural resources.

Page 22: The Medicine Wheel & Art Therapy: Indigenous research

Traditional Phase (1900-1940) Invasion of lands

Dispossession of people

Research was colonial designs

Research was never brought back and shared with the people

There was a focus to record cultures that would be lost. (to traditionalize the people)

Page 23: The Medicine Wheel & Art Therapy: Indigenous research

Assimilation phase (1940-1970)

Non-aboriginal people became experts on aboriginal people.

Dominate culture – white society – took on guardianship and protector roles:

❑60’s scoop

❑Residential schools

❑Removal from cultural influences

❑Australian “stolen generation”

Page 24: The Medicine Wheel & Art Therapy: Indigenous research

Early Aboriginal Research Phase (1970-1990)◦ Still being researched

◦ Being interpreted

◦ Perspective of seeing an ‘exotic culture and beliefs’

◦ Felt like the most researched population on earth.

Page 25: The Medicine Wheel & Art Therapy: Indigenous research

Recent Aboriginal Research Phase(1990-2000)Recent Aboriginal Research Phase◦ challenge to government

◦ Call for a redress of wrongs

◦ Beginning of the Indigenous voice

◦ Indigenous scholars

Page 26: The Medicine Wheel & Art Therapy: Indigenous research

Development of an Indigenous Paradigm(Steinhauer, 2001, cited in Wilson, 2008)

1st stage – situated in a western framework; indigenous scholars separated academic lives from Indigenous world view

2nd stage –maintains western influences to avoid marginalization; struggles to be accepted

3rd stage – focus on decolonization –Linda Tuhiwai Smith (1999) – process of indigenizing western methodologies, but still doesn’t focus on what Indigenous methodologies are.◦ Key factors – awareness of colonization and firm belief in

Indigenous worldviews.

Page 27: The Medicine Wheel & Art Therapy: Indigenous research

4th Stage in anIndigenous Paradigm4th stage- conducting own research with an Indigenous paradigm – challenge is to articulate Indigenous research methods (Wilson, 2008, p. 54)◦ Honours and explicates own world views

◦ Own approaches; own data collection methods, based on aboriginal ethical knowledge.

Page 28: The Medicine Wheel & Art Therapy: Indigenous research

"If research doesn’t change you as a person, then you haven’t done it right."(Wilson, 2008)

Page 29: The Medicine Wheel & Art Therapy: Indigenous research

Indigenous peoplesAwareness of similarities of experience worldwide

No longer need to use tribally specific or local terms

Indigenous – refers to the original peoples of the world –knowledge bases.

Indigenous scholars are in the process of redefining research and ethical protocols – to find culturally congruent methods.

Indigenous people – approach knowledge and learning through senses and intuition. (Wilson, 2008)

Page 30: The Medicine Wheel & Art Therapy: Indigenous research

Key difference in the dominant paradigm and indigenous

Knowledge is individual and can be sought and gained.

Knowledge is relational and a shared cosmos –people are answerable to animals, plants, and people “all my relations”

Page 31: The Medicine Wheel & Art Therapy: Indigenous research

3 R’s in researchRESPECT: listening, gifts, honour, behaviour, kindness and courtesy

RECIPROCITY

RELATIONALITY

Page 32: The Medicine Wheel & Art Therapy: Indigenous research

Principles for Indigenous research (Atkinson, 2001, cited in Wilson, 2008, p. 59)

Indigenous people must approve the research and research methods.

Knowledge of community and individual diversity.

Relationships in community must be built with the principles of reciprocity and responsibility.

Confidentiality, being and feeling safe is central for participants.

Page 33: The Medicine Wheel & Art Therapy: Indigenous research

Principles cont…

Observation is to be non-intrusive, done with quiet awareness.

Deep listening and intuitive presence.

Reflective and non-judgmental consideration.

Responsibility to act with fidelity to what has been learned.

Page 34: The Medicine Wheel & Art Therapy: Indigenous research

continued:

Awareness of connections between mind – logic and heart – feelings.

Self-reflective and listening and observing of self in relationship to others.

Acknowledgement of the subjectivity of the researcher.

Awareness of relationships and interconnectivity between all living things.

Page 35: The Medicine Wheel & Art Therapy: Indigenous research

Principles for indigenous research

Check your heart – for clear motives to benefit everyone involved.

“The foundation of Indigenous research lies within the reality of the lived Indigenous experience.” (Wilson, 2008, p. 60)

Theories developed or proposed must be based on Indigenous forms of epistemology.

Languages and cultures of Indigenous people are living processes.

Page 36: The Medicine Wheel & Art Therapy: Indigenous research

Research is ceremonyCeremony starts long before the event.

Ceremony “is the voice from our ancestors that tell us when it is right and when it is not”

◦ (Wilson, 2008, p. 61)

Page 37: The Medicine Wheel & Art Therapy: Indigenous research

4 waysChoosing topics to research

Methods to collect data and/or build relationships

Method of analyzing what is being learned

Presentation of outcomes of research◦ Accountability to community

All aspects require relational accountability: to move in a circle.

Page 38: The Medicine Wheel & Art Therapy: Indigenous research

Purpose of research◦ “relationship that pulls things together”

◦ “researching the negative focuses on and gives power to disharmony.”

◦ “important that research leads to positive change in the community.” (Wilson, 2008, p. 110)

Page 39: The Medicine Wheel & Art Therapy: Indigenous research

How do we choose what to study?❖Doing research WITH Indigenous people not ON them.

❖Key to having a community relationship.

❖Community needs to lead the research – and to decide what is being researched.

❖Important to look at health not ill health.

❖Important to support well-being, a sense of place and ceremony.

Page 40: The Medicine Wheel & Art Therapy: Indigenous research

Methods for collecting data and gathering info

Empirical data – from senses

From intuition and inspiration

Like medicine – needs different ways

What is Indigenous research methodologies

Sharing info in a circle to include different vantage points

Page 41: The Medicine Wheel & Art Therapy: Indigenous research

Data collection“I think that we need to talk in metaphor. Cause our language is built like metaphor. One word is like a zip file, zip disk the crunches all this information into it.” (Lewis, cited in Wilson, 2008, p. 112)

Sleep on thoughts and dream

If knowledge is formed in relationship it can’t be owned (Wilson, 2008, p.114)

Page 42: The Medicine Wheel & Art Therapy: Indigenous research

Methodology for data collectionIdeas belong to the cosmos and all relationships –you have to build a relationship with an idea – with knowledge

Research is like Columbus – he didn’t discover anything – it was already there.

When knowledge is used out of context it is cultural appropriation.

There is guardianship of sacred knowledge and places.

Page 43: The Medicine Wheel & Art Therapy: Indigenous research

Talking circle as method

Story telling

Personal narrative

Relationship between the storyteller and the analyzer

Page 44: The Medicine Wheel & Art Therapy: Indigenous research

“Research does not have to be formal. It is a ceremony for improving your relationship with an idea. It takes place everyday and has taken place throughout our history.”(Stein cited in Wilson, 2008, p.110)

“Research isn’t just like a ceremony, it is a ceremony.”(Wilson, 2008, p. 124)

Page 45: The Medicine Wheel & Art Therapy: Indigenous research

Rights of Passage

Research is about being changed by the experience on the inside and on the outside.

Peter (Wilson, 2008. p. 125) “the ceremony is about a story, and for all of those, you just have to let if flow, because its built on relationships. And when you use a story, your own or others, its claiming a voice and establishing relationships.”

Page 46: The Medicine Wheel & Art Therapy: Indigenous research

Qualitative researchParticipatory action research – fits well as a constructivist paradigm works

Hermeneutics – encircled within relationships – the hermeneutic circle

Phenomenology: description and being-in-the-world

Ceremony: climax of ceremony when it all comes together and all the connections are made.

Ceremony is about strengthening the connections.

Page 47: The Medicine Wheel & Art Therapy: Indigenous research

Presentation of researchCeremony is also about the presentation of knowledge.

Indigenous cultures may have problems with the written form and refer the oral tradition. A written form will have the ideas in a linear form and may lose its “life” taken out of context.

Relational accountability – includes the researcher to be true to yourself and bring forth your TRUE VOICE.

Page 48: The Medicine Wheel & Art Therapy: Indigenous research

Ethical reviewDominant system – not allowed to name participants

Indigenous – unethical and dishonouring not to name them – it would be like not citing a source of knowledge, a reference. Participants are passing on knowledge. It is important to consider the nature of the knowledge and if the Elder wants his or her name used.

Page 49: The Medicine Wheel & Art Therapy: Indigenous research

Analysis of dataIntuitive logic, descriptive phenomenology

Build a relationship with the ideas in multiple ways until you reach a higher state of understanding [grounded theory]

Heuristic – to discover the learning – not to be given answers but to be taken to a place where understanding occurs.

Importance of relationship

Page 50: The Medicine Wheel & Art Therapy: Indigenous research

AnalysisWestern analysis breaks info down into small pieces and then puts them together in a logical order.

Indigenous – you would be destroying all the relationships and you have to look at it as a whole.

Elders often teach by providing small bits of knowledge so that over time the ‘student’ comes to their own understanding. (Wilson, 2008, p. 120)

Page 51: The Medicine Wheel & Art Therapy: Indigenous research

MetaphorsCircular fishing net – one needs to examine all the knots and strings for it to make any sense.

Indigenous ways of thinking about reality starts with synthesis – which is collaboratively analyzed

Knowledge is a collective development – a construction – not individually owned.

Page 52: The Medicine Wheel & Art Therapy: Indigenous research

Paradigms

Dominant paradigms – concept of the individual as a source & owner of knowledge.

Indigenous world view – relationships are essential. Knowledge is not owned or discovered – it is a set of relationships which are given a visual / visible form.

Page 53: The Medicine Wheel & Art Therapy: Indigenous research

Accountability of an oral tradition – storytellers & witnessesHave to be responsible – to who you share information with

Appropriate time and place

Active listeners receive the story

Listen with an open heart and mind.

Passing on the story – you take on responsibilities.

Page 54: The Medicine Wheel & Art Therapy: Indigenous research

Storyteller “For the storyteller to explain too much is not honouring you as the listener. It is removing all responsibility from you to do any learning. The main point of Indigenous discourse is to provide a foundation of platform from which to grow, without putting a ceiling of limit on the amount or direction of that growth. It is your responsibility as a listener to learn and to grow, as you too are accountable to all our relations.” (Wilson, 2008, p. 135)

Page 55: The Medicine Wheel & Art Therapy: Indigenous research

ReferencesGraveline, Fyre, Jean. (1998) Circle works: transforming eurocentricconsciousness. Halifax: Fernwood Pub.

Smith, Linda Tuhiwai. (1999) Decolonizing Methodologies: research and indigenous peoples. London: Zed Books.

Wilson, Shawn. (2008) Research is Ceremony: Indigenous research methods. Halifax: Fernwood Pub.