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THE MOTHER OF GOD
VISITS HELL
A Play in (Mostly) Iambic Pentameter
by
Daniel Guyton
Daniel Guyton
Page | 2
© 2009 by Daniel Guyton
ALL RIGHTS RESERVED
CAUTION: Professionals and amateurs are hereby warned that this play
is subject to royalty. The Mother of God Visits Hell is protected by Daniel
Guyton, and the copyright laws of the United States. All rights, including
professional, amateur, motion pictures, recitation, lecturing, public
reading, radio broadcasting, television, and the rights of translation into
foreign languages are strictly reserved.
The performance rights to The Mother of God Visits Hell are controlled by
Daniel Guyton, and royalty arrangements and licenses must be secured
well in advance of presentation. PLEASE NOTE that amateur royalty fees
are set upon application in accordance with your producing circumstances.
When applying for a royalty quotation and license please give the number
of performances intended, dates of production, your seating capacity and
admission fee. Royalties are payable with negotiation from Daniel
Guyton.
Royalty of the required amount must be paid whether the play is presented
for charity or gain and whether or not admission is charged. Particular
emphasis is laid on the question of amateur and/or professional readings,
permission and terms of which must be secured from the author through
direct contact. Copying from this book in whole or in part is strictly
forbidden by law, and the right of performance is non-transferable. Due
authorship credit must be given on all programs, printing and advertising
for these plays.
To contact author, please visit www.danguyton.com.
Cover design by William Steven Carroll
ISBN 978-0-557-06860-9
© 2009 by Daniel Guyton
The Mother of God Visits Hell
Page | 3
This play is dedicated to the Town and Gown Players of Athens,
GA, and to the memories of Tom Tanner, Ben Teague, and
Marie Bruce. May they rest in peace.
Daniel Guyton
Page | 4
THE MOTHER OF GOD VISITS HELL premiered at the Royal Theatre on board the
Queen Mary in Long Beach, CA in February, 2009 as part of the Cherry Poppin’ Play
Festival. It was produced by the Alive Theatre Company (Jeremy Aluma, Artistic
Director; Sunita Townsend, Production Manager). Play was directed by Sylvia Blush;
set design by Aja Bell; costume and prop design by Patricia Ramirez; and the stage
manager was Joseph Howells. The cast was as follows:
GOD – Eric Ruiter
MARY – Casey Gates
MICHAEL – Kelby LeNorman
SATAN – Paul Knox
URIEL – Rebecca Patrick
GABRIEL – Steve Meeks
AZRAEL/COBBLER – Jason Harris
MOLOCH – Scott Lennard
ABADDON – Gilbert Martinez
MARGARET/ANGEL – Jackie Riddle
SMITHEE/ANGEL – Calli Dunaway
SOUL 1 – Justin Jung
SOUL 2 – Steffan Muntsinger
SOUL 3 – Carina Clemente
ANGEL – Allison Taylor
THE MOTHER OF GOD VISITS HELL simultaneously premiered at the Athens
Community Theatre in Athens, GA in February, 2009. It was produced by the Town
and Gown Players (Marie Bruce, President). Play was directed by Patric Ryan; set
design by Tom Tanner, lighting design by Winston Murray, music composed by Mirla
Criste, costume design by Gabriele Topp, and the stage managers were Melanie Marty
and Emily Dawson. The cast was as follows:
GOD – Sean Polite
MARY – Amy Laine Dowdy
MICHAEL – Patric Ryan
SATAN – Sherelle Patisaul
URIEL – Katherine Walters
GABRIEL – Carson Cerney
AZRAEL – Robert M. Hall
ABADDON/COBBLER – Mitch Maxey
COBBLER’S WIFE– Carrie Jedlicka
MOLOCH/SMITHEE – Jeff Chen
CHERUBS – Grace Kee, Camryn Tanner, Elizabeth Raatz, Victoria Raatz
SOULS IN TORMENT – Matt Noller, Joanna Eldredge, Lèland Downs, Kylie
Lucchesi
The Mother of God Visits Hell
Page | 5
"… There is, for example, one little monastery poem (from the
Greek, of course): 'The Mother of God visits the Torments'… The
Mother of God visits hell and the Archangel Michael guides her
through 'the torments'. She sees sinners and their sufferings.
Among them, by the way, she sees a most amusing class of sinners
in a burning lake: some of them sink so far down into the lake that
they can no longer come up again, and 'these God forgets’ – an
expression of extraordinary depth and force – And so the Mother
of God, shocked and weeping, falls before the throne of God and
asks pardon for everyone in hell, everyone she has seen there,
without distinction. Her conversation with God is immensely
interesting. She pleads, she won’t go away, and when God points
out to her the nail-pierced hands and feet of her Son, and asks:
‘How can I forgive His tormentors?’ she bids all the saints, all the
martyrs, all the angels and archangels to fall down together with
her and plead for the pardon of all without discrimination…”
“The Brothers Karamazov” by Fyodor
Dostoyevsky [p. 247-8, translation by
Richard Pevear and Larissa Volok-
honsky, Vintage Press, 1991]
Daniel Guyton
Page | 6
DRAMATIS PERSONAE
GOD – all-knowing, the creator
MARY – his mother MICHAEL – archangel, highest of the Seraphim
SATAN – the devil
URIEL – the angel of song GABRIEL – archangel, a messenger
AZRAEL – the angel of hell, a gate-keeper ABADDON – a demon
MOLOCH – a demon
COBBLER – a shoemaker MARGARET – his wife
PENNY – his daughter
SMITHEE – a blacksmith MURDERER – a killer
VARIOUS SOULS in torment
Please double-cast as needed. Most of these characters may be of any
race or gender desired.
The Mother of God Visits Hell
Page | 7
SCENE I. GOD’S DESIGN
GOD enters, followed by his mother.
GOD. I must forbid it, Mother. ‘Tis too rash.
MARY. 'Tis rash to salve the wounds which We’ve inflicted?
GOD. No, ‘tis rash to salvage wounds which were
By worms inflicted. Say, what weight have We
With worms? With water bugs? With moping yellow
Maggots and decay? O nay, I say
We stay up here in Heaven safe, whilst they
Betray the flesh of sinful men. Thus, Thou
And I and Seraphim shalt play the harps
Divine, whilst vermin, scum and scavengers
Beneath the earth shall dine. I say again…
MARY. No need. I heard Thee fine the other time.
Thou bad’ Me not to go so I will stay.
GOD. Yea, ‘n haunt Me for eternity with guilt.
MARY. Well, I am a Jewish mother. So adye.1
GOD. Remain. Please. For I wish to speak with Thee.
Thou comest here with wringing hands and blurting
Nervously about a journey I
Must needs abhor. Wert Thy request a little
Less unorthodox, it would be done,
Thou canst be sure.
MARY. (Bowing) Aye, certainly it would.
And if I’ve inadvertently, somehow
Just now offended Thee, it wasn’t by
Intent. Thou art My Father, and My Soul
Divine. I aim to follow closely Thy Design.
GOD. What twist is this? Why call You Me
Thy Father? Come now, am I not Thy Son?
MARY. O aye, ‘tis true enough. On earth Thou wert
My Child. I raised Thee from a nursing babe
To one all men admired. But Ye conceived
Of Me full fifteen years ‘fore e’er I touched
1 Yiddish, means “good night.” Pronounced “ad-yeh.”
Daniel Guyton
Page | 8
MARY. (Cont’d) My womb to feel thee kick. In thus, Thou art
My Father, Son, and this be not a trick.
GOD. Ah, now Thou vexeth me. I long to see
Thee smile. So come, stand next to Me, and let
Us gaze upon the earth awhile. For ten
Millennia I’ve reigned, as God above
The men, with naught but cherubs to amuse
Me. Thus unsatisfied and full of pride,
Incapable of pity, cursing all
The blessèd fools who durst refused to bend
Their knees before Me so. And when I
Condescended to be Man, ‘twas in a blaze
Of fury! Lo, for how could I have known
The agony and groans of life in My
Creation, when I knew the beauty only
Of My Own design? I held such arrogance
And gumption then in My celestial
Presumption that all men were naught
But servants in My mind. ‘Tis true, the old
Adage, of power and corruption – although
I could scarce believe it of Myself.
‘Twas Thee who rescued Me, and all of man.
Thy motherly affections, and Thy soft
And tender hand, which taught Me love above
All other acts of Mine. “To err is human,
Yet forgiveness is divine.” “Judge not
Lest ye be judged.” Yes, all these passages
Were Thine. I felt such strong compassion when
I cradled in Thy arms, I could no longer
Punish as I once bethought I should.
‘Tis true I came to earth in anger, but
‘Twas Thee who gave Me strength. In thus, Thou art
My Mother, and the holiest of saints.
MARY. Thy words bring rivers to My eyes. Nay please,
Forgive My imposition. I’ll not ask
Thee anymore.
GOD. But stay, and ask Me more.
For anything Thou wisheth… Save for one.
The Mother of God Visits Hell
Page | 9
MARY. I’ve all a soul could ask for, in Thy Grace.
My throne upon the mantle made of gold.
I dream in shiny sparkles, and I swim
In silver lakes, and lay upon the surface
Of the clouds. My wont is not for riches,
Nor My own desires, but to witness
Those who suffer in the sepulcher
Of fire. To offer them compassion, though
They err. I wish this not for Me, but yet
For all humanity, for those who have
To wallow in the mire. ‘Tis true, all men
Have sin in them, and so, deserve to perish.
But those worms can only swallow them
If Thee they do not cherish. Now I know
My tongue is bothersome, so please, forgive
Me for My rants. But if Thou hast affection
Yet, so give My wish a second chance.
GOD. And what about temptation? How wilt Thou
Resist? The devil has a honey voice,
Yet venom on his lips. He’s known for his
Vexation of the holiest of wits.
MARY. Aye, Lucifer’s a troubled soul, and failed
At veneration. Whereas I was borne
An empty palette with no sinful inclinations.
Though his words be full of lies
And powerful libations, I’ll not drink
A drop of them to keep Me from salvation.
I’ll be well.
GOD. Alone in hell? And what
If he attacks?
MARY. Then send an angel. My
Protector. Thy most worthy bodyguard.
GOD. Whom?
MARY. Michael.
GOD. Hmm. I do not like this plan.
MARY. But Michael is as capable as any.
Daniel Guyton
Page | 10
GOD. Aye, and more. The heartiest of angels.
Yea, and surely he would place himself
‘Twixt Thee and any harm. But danger lurks
At ev’ry turn. The flames of hell are warm.
MARY. I’ll bring a fan.
GOD. No need. Thy head is cool.
And Michael’s sword is stronger than a thousand
Middling fools in all of Satan’s army.
But if something should go wrong…
MARY. Thou art
Omnipotent.
GOD. O aye, in My dominion.
But there’s little say have I inside
His walls. And then, if any harm befalls
Thee, it should start a war, with all the guards
Of Heaven shall with swords come swarming down!
My Cherubim shall arrows fling within
His minion’s scalded hearts. My Seraphim
Shall cease to sing…
MARY. Enough! I’ll not depart.
GOD. If this be Thy desire, Thou should’t go.
MARY. But I desire friendliness and love!
For peace betwixt the Hell beneath, and Heaven
Up above. My wont is not for massacres,
Nor war. Instead, to be ambassador
‘Twixt Thee and Purgatory. But,
If Ye bethinks it treacherous, I will
Not move an inch. I’ll stay within these Golden
Gates and linger in Thy Glory.
GOD. Sweet.
Give peace now, I implore Thee. (Loudly) Michael!
MICHAEL. (Entering) Aye,
My Lord?
GOD. Please guide My Mother safely through The darkened underworld. She longs to see
The suffering of souls.
The Mother of God Visits Hell
Page | 11
MICHAEL. ‘Tis dangerous.
GOD. I know.
MICHAEL. (To MARY) My Lady, take my hand.
MARY. My Son,
I cherish Thee.
GOD. (To MICHAEL) Just bring Her back as planned. (They exit) There’s no more certainty. At times like these,
I envy man. For whom have I to pray to?
Lights out. End of scene.
SCENE II. THE UNDERWORLD
A heavy door opens. MICHAEL and MARY enter into
SATAN’s lair. MICHAEL’s sword is out.
MARY. What ho? Hello? Is anybody here?
MICHAEL. Nay, stand behind me quickly, for I smell
Beelzebub is near.
SATAN. (Entering) Well! Speak the devil’s
Name, they say, and soon he will appear. (Bowing)
M’ Lady.
MICHAEL. (Aiming his sword) Stay! Vouchsafe to keep thy distance.
SATAN. What? And harm the Holy Virgin? Why,
I’d sooner sell my soul.
MARY. To whom?
SATAN. Myself,
Of course. Hmm hmm! (He laughs)
MARY. Why then, I pray thee gets
A bargain. For a soul as venerable
As thine, ‘twould be a shame to cheat thyself.
Don’t go below a dime.
Daniel Guyton
Page | 12
Daniel Guyton (Author) has won numerous awards for his plays and
screenplays, including two Kennedy Center/ACTF awards for his plays
Attic and Where’s Julie?, as well as the Best Horror Screenplay award
from the Los Angeles Film and Script Festival for A Woman’s Touch,
among others. He received his MFA in Dramatic Writing from the
University of Georgia. His plays have been produced worldwide,
including New York, London, LA, Chicago, Poland, Iceland, Canada,
Australia, and more. He has over 30 publications. For more information,
please visit: www.danguyton.com.
The Mother of God Visits Hell
Page | 13
For more plays by Daniel Guyton, please visit www.danguyton.com
Other titles include:
1) The Twisted Mind of Daniel Guyton (Poetry and Plays in the
Dark Comedy Vein) – an anthology of short plays and poems by
Daniel Guyton, all with a dark comedy bent. Features 13 plays and
14 poems. Published by Lulu.com. ISBN 9780557070138.
2) 52 Monologues for Grown-ups (And College Kids) – a
collection of funny, dark, and disturbing monologues by Daniel
Guyton. Perfect for actors, students, and actors pretending to be
students. Some monologues may not be suitable for children under
17. Published by Lulu.com. ISBN 9781105806155.
3) Where’s Julie? – a full-length play about a teenage girl who
runs away from home to escape her over-bearing mother, her
alcoholic father, and her autistic younger brother. When she
escapes, however, all she finds is a pot-smoking kleptomaniac
boyfriend, a religious zealot friend, and a selfish older sister. But
when she contemplates abortion, the play gets really funny.
Mature audiences only. Published by Lulu.com. ISBN
9780557082728.
4) I’m Not Gay! – a full-length play about a man so desperate to
prove how “not gay” he really is, he’d rather commit murder than
confront his sexuality. It’s a very dark comedy. Mature audiences
only. Published by Lulu.com. ISBN 9780557092475.