THE OXFORD FINE SALE | Oxford | Tuesday 14 and …images1.bonhams.com/original?src=Images/live/2015-04/01/S-22677-0-1.pdfUnless you wish to use your own shipping company, please contact

THE OXFORD FINE SALETuesday 14 April 2015Wednesday 15 April 2015Oxford

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22677

Bonhams 1793 LimitedRegistered No. 4326560 Registered Office: Montpelier Galleries Montpelier Street, London SW7 1HH +44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax

Bonhams 1793 Ltd DirectorsRobert Brooks Co-Chairman,Malcolm Barber Co-Chairman, Colin Sheaf Deputy Chairman, Matthew Girling Global CEO, Patrick Meade Global CEO,Geoffrey Davies, Jonathan Horwich, James Knight, Caroline Oliphant, Hugh Watchorn.

Bonhams UK Ltd DirectorsColin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Matthew Bradbury, Lucinda Bredin, Harvey Cammell, Simon Cottle, Andrew Currie, Paul Davidson, Jean Ghika, Charles Graham-Campbell, Miranda Grant, Richard Harvey, Robin Hereford, Asaph Hyman, Charles Lanning, Sophie Law, Fergus Lyons, Gordon McFarlan,

Andrew McKenzie, Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, Giles Peppiatt, Peter Rees, Iain Rushbrook, John Sandon, Tim Schofield, Veronique Scorer, James Stratton, Roger Tappin, Ralph Taylor, Shahin Virani, David Williams, Michael Wynell-Mayow, Suzannah Yip.

THE OXFORD FINE SALESilver and PicturesTuesday 14 April 2015 at 10.00

Furniture, Clocks and Works of ArtWednesday 15 April 2015 at 10.00Oxford

BONHAMSBanbury RoadShipton on CherwellKidlingtonOxford OX5 1JHbonhams.com

VIEwINgSaturday 11 April 09.00 to 12.00Monday 13 April 09.00 to 17.00Tuesday 14 April 09.00 to 17.00Wednesday 15 April 09.00 to 10.00

BIDS+44 (0) 20 7447 7447+44 (0) 20 7447 7401 faxTo bid via the internet please visit bonhams.com

Please note that bids should be submitted no later than 24 hours prior to the sale.

TELEpHONE BIDDINgBidding by telephone will only be accepted on lots with a low estimate in excess of £500

New bidders must also provide proof of identity when submitting bids. Failure to do this may result in your bid not being processed.

Live online bidding is available for this salePlease email [email protected] with ‘live bidding’ in the subject line 48 hours before the auction to register for this service

ENquIRIES

Furniture, Carpets & Works of ArtMichael Wynell-Mayow [email protected]

Toby Messenger [email protected]

Frances Robinson [email protected]

Clocks Michael Welch [email protected]

Pictures Alicia Rogers [email protected]

Silver Michael Welch [email protected]

AntiquitiesSiobhan [email protected]

cuSTOMER SERVIcESMonday to Friday 8.30 to 18.00 +44 (0) 20 7447 7447

SALE NuMBER22677

cATALOguE£10

Please see page 2 for bidder information including after-sale collection and shipment

Please see back of catalogue for important notice to bidders

pLEASE NOTEWe reserve the right to refuse entry into the saleroom. No coats or bags will be allowed into the saleroom and are left at owners’ risk.

ILLuSTRATIONSFront cover: Lot 346Back cover: Lot 911Inside front cover: Lot 198Inside back cover: Lot 831

IMpORTANT NOTIcE TO ALL BuyERSPlease note in this catalogue there is no reference in the catalogue description of any presence of damage, repair or restoration. Condition reports on any lot with a low estimate of £500 or above are available by request from the department. In providing condition reports we do not guarantee or imply that there are no other defects present, which have not been mentioned. Please see the full conditions of sale printed in this catalogue.

IMpORTANT INFORMATIONThe United States Government has banned the import of ivory into the USA. Lots containing ivory are indicated by the symbol Ф printed beside the lot number in this catalogue.

Bids+44 (0) 20 7447 7447 +44 (0) 20 7447 7401 fax To bid via the internet please visit www.bonhams.com

PaymentsBuyers+44 (0) 20 7447 7447+44 (0) 20 7447 7401 fax

SellersPayment of sale proceeds+44 (0) 20 7447 7447+44 (0) 20 7447 7401 fax

Valuations, taxation and heritage+44 (0)20 7468 8340+44 (0)20 7468 5860 [email protected]

Catalogue subscriptionsTo obtain other catalogues or take out an annual subscription:Subscriptions Department+44 (0) 1666 502200+44 (0) 1666 505107 [email protected]

ShippingShipping Information (Excluding Book Sales)Unless you wish to use your own shipping company, please contact either of the below:

Mailboxes Etc. (Small Items Only)266 Banbury Road, Oxford, OX2 7DL+44 (0) 1865 514 655. [email protected]

Pack & Send3 Botley Road, Oxford, OX2 0AA+44 (0) 1865 260 [email protected]

SaleroomBanbury RoadShipton on CherwellKidlingtonOxford OX5 1JH

+44 (0) 1865 853 640 +44 (0) 1865 372 722 fax

Regional DirectorMichael Wynell-Mayow

Valuation EnquiriesAnna Pelly-FryCarol Knight

Furniture & Works of ArtToby MessengerFrances Robinson

Oak Vernacular Furniture & Related Works of Art David HoulstonMegan Wheeler

SilverMichael Welch

PicturesAlicia RogersLizzie Collins

BooksJohn Walwyn-Jones

JewelleryFrances Noble Louise Dennis

Condition Reports

We highly recommend thatpotential buyers make efforts to inspect the lots in Oxford inperson, during our public viewing.

We expect that there may be a large number of condition enquiries, and the effect will be that clients submitting long and elaborate requests are likely to be dealt with after those with short and specific requests.

SALE INFORMATION

By Rail: Oxford train station

Oxford Rd

Airfield

Banbury Rd

Upper

Cam

psfie

ld R

d

Shipton Rd

Oxford and A40A44

A4095

A4260Woodstock

Oxford

A409

5Bi

cest

er

Shipton on Cherwell

Kidlington

ANTIquE & MODERN SILVER, VERTu & METALwARESLots 1 - 172

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ANTIquE & MODERN SILVER, VERTu & METALwARES

1A SILVER cup AND cOVERby William Hutton & Sons, Birmingham 1929 Urn form with reeded border and loop handles; together with a toastrack, London 1916, a large jug, London 1887, two small milk jugs, and an Edwardian caster, height of cup and cover 25cm, weight 55oz. (6)

£500 - 600

2A wILLIAN IV pAIR OF SILVER cASTORSby John Fry II, London 1831 Of lobed baluster form with embossed and chased floral decoration, raised on a pedestal foot, the pull off covers with acorn finials, a George III silver castor, London 1768, of vase form, an Edwardian silver sugar castor, Birmingham 1905, together with a silver mustard pot, a salt pot and a pepper castor, weight of weighable silver 19oz. (7)

£500 - 600

3A gEORgE II SILVER gRAVy BOATby Robert Innes, London 1752 Of typical form with a wavy border, double scroll handle, raised on three shell capped feet, a William IV silver snuff box, by Francis Clarke, Birmingham 1832, of rectangular form, a Victorian silver chistening mug, London 1858, together with two silver cream jugs, two napkin rings and a salt pot with spoon, weight combined 26oz.

£800 - 1,000

4A gEORgE III SILVER pOuNcE pOTmakers mark indistinct, London 1817 With a reeded body, raised on a pedestal square foot, with a pierced pull-off lid, together with, a silver tea caddy, Birmingham 1918, of oval form with an applied gadrooned border, a silver stamp box, Sheffield 2000, with remaining silver wares, weight of weighable silver 20oz. (Qty)

£400 - 500

5AN EDwARDIAN SILVER SugAR SIFTERChester 1901 With repousse decoration to body and initialed ‘h’ to cover 19cm high; together with a silver sauce boat and a cased silver footed circular dish, 8.5cm high, weight 20oz.

£200 - 250

6A THREE-pIEcE cARVINg SETmarked HH With faux antler handles, with rams heads and beaded decoration to the end of the handle, cased, together with, a silver toastrack, Birmingham 1940, of conventional from, an electroplated pair of knife rests, composed of two fox heads and a riding crop, with remaining silver and plated wares, weight combined 16oz. (Qty)

£500 - 600

7A MIXED cOLLEcTION OF SILVER INcLuDINg: TwO-HANDLED TROpHy cupby George Nathan & Ridley Hayes, Birmingham 1904 Inscribed, raised on a turned wooden base, together with, an Edwardian silver inkwell, London 1906, the glass bottle encased within a plain cubic surround, a George III silver set of four Old English pattern table spoons, London 1796, crested, with remaining silver wares, weight of weighable silver 60oz. (Qty)

£500 - 700

8A SMALL quANTITy OF SILVERVarious Comprising a cased set of six silver tea spoons ans a pair of sugar tongs, a photo frame, a pair of small trumpet vases, two cigarette cases, a cigarette box, three napkin rings, two berry spoons, a berry sauce ladle, a continental goblet, a small jug and a small dish, weight 24oz. (qty)

£250 - 350

9A quANTITy OF SMALL ITEMS OF SILVERVarious Including: a pair photograph frames; a match box; a cigarette box; a jug; a tankard; a cased set of teaspoons; a cruet; a shoe horn; two button hooks; a sugar bowl; two napkin rings; a pair of berry spoons; etc.. (Qty)

£400 - 600

10A EDwARDIAN SILVER DRESSINg SETJames Dixon & Son, Sheffield, 1907 Comprising two hair brushes, two clothes brushes, a hand mirror, a comb, a powder box and two glass cut scent bottles. (9)

£200 - 300

11A SILVER MOuNTED pHOTOgRApH FRAMEBirmingham 1910 Of rectangular form with an applied ribbon surmount, 18 x 12.5cm,, a silver mounted photograph frame, Birmingham 1923, of circular form and a quantity of various silver mounted photograph frames, various dates, mainly contemporary. (18)

£500 - 600

12A pAIR OF gEORgE IV SILVER-gILT ‘VINE LEAF’ wINE LABELSby Charles Rawlings, London 1823-24 Realistically cast, pierced with the names ‘PORT’ & ‘MADEIRA’, on suspension chains, together with two further George III/IV examples; ‘WHISKY’ & ‘BRANDY’. (4)

£300 - 400

13A gEORgE III SILVER SNuFF BOXby Thomas Edwards, London 1819 Oblong form with curved sides and raised foliate thumbpiece, reeded sides, initialled, length 10cm, together with two further examples: one; George IV, by Thomas Newbold, Birmingham 1824, rectangular form with curved corners and raised foliate thumbpiece, length 6cm and a circular example. (3)

£500 - 600

14A NORTH AFRIcAN METALwARE AND BONE TORAH pOINTERunmarked Elongated tapering form chased with scrolling and flower motifs, with two turned bone sections, the pommel with hinged cover set with a central boss, length 54cm.

£300 - 400

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15A SMALL quANTITy OF SILVER BARwARE ITEMSThe following stamped Cartier, STERLING, a small jug, with broad lip, a small can, with twist spout, a small basket with ropetwist handle, with compressed sides, length 12.5cm, a leaf shaped dish, on ball feet, length 19.5cm, an ashtray and six small match box cases.

£200 - 300

16A VIcTORIAN SILVER pRESENTATION SNuFF BOXby Edward Edwards II, London 1839 Of rectangular form, with applied scroll borders and engine turned decoration, crested, inscribed to the gilt interior, together with, a William IV silver snuff box, Birmingham 1832, with an applied scroll thumb piece and reeded sides, inscribed, weight combined 7oz. (2)

£300 - 400

17A SMALL cONTINENTAL wHITE METAL ScENT BOTTLE AND A SILVER TOOTHpIck cASEToothpick case: Birmingham, 1789 The toothpick case later engraved ‘1827, Jubilee’, the cover mouted with a later marcasite cross. (2)

£100 - 150

18A LATE VIcTORIAN ELEcTROpLATED MOuNTED HORSES HOOF INkwELLthe naturalistic mount with foliate scroll decoration to the top and corresponding hinged circular cap with screw catch, the underside with simulated horseshoe mount, 9cm high

£300 - 400

19A cOLLEcTION OF ASSORTED SILVER BOXES, pROpELLINg pENcILS, FRuIT kNIVES, SEwINg AccESSORIES AND FuRTHER ITEMSTo include a George III oval silver nutmeg grater, by Thomas Wilmore, Birmingham 1797, a George III vinaigrette by Samuel Pemberton, Birmingham 1817, a snuff box by John Shaw, Birmingham 1810, a Victorian vinaigrette by Edward Smith, Birmingham 1858, further silver boxes, a propelling pencil by S Mordan & Co, modelled as a butter knife, assorted pencils, three mother of pearl handled fruit knives, sewing accessories and miscellaneous items.

£500 - 700

20TwO uNMARkED SILVER-pLATED MIRROR pLATEAuSTapering circular forms with circular mirrors, the first engraved with foliate scrolls and shield-cartouches, raised on three bracket feet, the second decorated with continuous floral festoons, raised on three scroll feet with foliate caps, diameter 36cm. (2)

£500 - 600

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A VIcTORIAN IVORy-MOuNTED ELEcTROpLATED TEA cADDyincuse stamped G.R to underside of base Upright oval form, domed hinged cover engraved with stylised floral and foliate scrolls, with a lobed disc-finial, the ivory body decorated with a continuous diamond-cut pattern, supported on a spreading collet foot with beaded decoration, height 11.5cm.

£400 - 600

22A LATE VIcTORIAN ELEcTROpLATED EpERgNE The central column issuing three arms terminating in circular holders, the trefoil base with dragon mounts and shell feet(lacking the glass dishes), height 53cm.

£300 - 500

23A SILVER HANOVERIAN RAT TAIL pART cANTEENpredominately by Walker & Hall, Sheffield 1911 Comprising; four table spoons, fiveteen dessert spoons, nine tea spoons, four table spoons, eight dessert forks, a butter knife and a sugar scoop spoon, initialled, weight 72gms.

£700 - 900

24A wILLIAM IV AND LATER SILVER quEENS pATTERN wITH HONEySuckLE HEEL cOMpOSITE cANTEEN FOR SIX pLAcE SETTINgSvarious makers and London dates 1831, 1832, 1852 and 1853 Comprising; table spoons, dessert spoons, tea spoons, table fork, dessert forks, crested, weight 74oz.

£600 - 800

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A quANTITy OF SILVER FLATwARETo include a Victorian sifter spoon, a butter knife, a George III sauce ladle, a pair of Scottish sugar tongs, another pair of sugar tongs other spoons and forks and Mexican metalware pickle forks and others. (Qty)

£500 - 600

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A VIcTORIAN SILVER MOuNTED TORTOISESHELL pAgE TuRNERby Horace Woodward & Co, London 1891, The waisted and scrolled silver handle embossed with foliate scrolls, plain tortoiseshell blade, length 47cm.

£200 - 300

27A 19TH cENTuRy SILVER FIDLE THREAD AND SHELL pATTERN MATcHED pART cANTEEN FOR SIX SETTINgSvarious dates and makers Comprising: table forks, table spoons, dessert spoons, dessert forks, teaspoons, two sauce ladles and two mustard spoons; to-gether with six similar silver handled table and side knives, a pair of sugar tongs and odd teaspoons (with a part fitted mahogany box), weight weight of weighable silver 82oz. (Qty)

£800 - 1,200

28A VIcTORIAN IRISH SILVER FIDDLE, THREAD AND SHELL pATTERN DOuBLE MARROw ScOOpby Peter Walsh, Dublin 1839 Crested, a George III silver double scoop, by the Batemans, London 1800, and three further George III silver examples, weight 8oz. (5)

£500 - 600

29A wILLIAM IV IRISH SILVER HOuR gLASS pATTERN FLATwARE SERVIcE FOR SIX SETTINgSby IE, Dublin 1845 Comprising; table forks, four table spoons, dessert forks, dessert spoons, two sauce ladles, crested, weight combined 59oz.

£500 - 600

30 Y Ф

A gEORgE III SILVER MEAT SkEwERmakers mark poorly struck, London 1811 With plain ring terminal, length 38cm, a Victorian silver fiddle pattern fish slice, London 1839, with a pierced and engraved blade, a George III silver and ivory handled dessert knives, Sheffield 1817, and a quantity of other flatware including a cased set of ivory handled table, dessert and carving service, weight of weighable silver 32oz.

£700 - 900

31A VIcTORIAN SILVER quEENS pATTERN wITH HONEySuckLE HEEL cANTEEN FOR TwELVE pLAcE SETTINgSvarious makers and London dates 1840, 1851 and 1852 Comprising; table spoons, dessert spoons, tea spoons, table forks and dessert forks, some crested and initialled, weight 145oz.

£1,200 - 1,500

32A gEORgE III SILVER SET OF SIX BOTTOM MARkED OLD ENgLISH pATTERN TABLE SpOONSby John Lamfert, London 1769 Initialled, together with three George III silver table spoons, weight 20oz.

£600 - 800

33ELEVEN VIcTORIAN SILVER FIDDLE pATTERN DESSERT FORkSby John Round & Son Ltd., Sheffield 1896 Crested, together with, twelve silver fiddle pattern table fork, various dates and makers, crested, seventeen silver fiddle pattern dessert spoons, various dates and makers, crested, three silver table spoons, various dates and makers, with remaining flatware, weight combined 92oz. (Qty)

£700 - 800

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34A MAppIN & wEBB SILVER FITTED gENTLEMAN’S gROOMINg kIT, A quANTITy OF gEORgIAN AND VIcTORIAN OLD ENgLISH pATTERN FLATwARE AND A cOLLEcTION OF SMALL SILVER ITEMSGrooming set: Birmingham, 1934 Comprising a set of 11 bright cut teapoons, 12 matched dessert forks, six dessert spoons, eight teaspoons and a pair of sugar tongs; a cruet set with three salts, a mustard and a pepper, Birmingham 1911; an engine turned cigarette box, and a silver pepper grinder, weighable silver 45oz (qty).

£300 - 500

35A SILVER pART kINgS pATTERN cANTEENvarious makers and dates And various English and Scottish silver flatware, weight approx 80oz.

£800 - 1,000

36A gEORgE III AND LATER SILVER cOMpOSITE FIDDLE pATTERN cANTEENvarious makers, assay offices and dates Comprising; six tablespoons, six dessert spoons, six tea spoons, one sauce ladle, one salt spoon, six table forks, seven dessert forks and a pair of sugar tongs, weight 52oz.

£500 - 600

37AN ASSEMBLED pART cANTEEN OF SILVER FIDDLE pATTERN FLATwAREmost by Elizabeth Eaton, London 1845, 1846 Comprising: six table forks, one by Charles Boyton, London 1835 , six dessert forks, six table spoons, six dessert spoons, five by James Beebe, London 1823, one by Elizabeth Eaton , London 1845, six teaspoons, four by Elizabeth Eaton , London 1845, two by William Eaton, London 1845 , and Six Hanovarian pattern teaspoons, Birmingham 1936, 1938,, weight 54oz. (42)

£500 - 800

38A METALwARE FILIgREE SpIcE TOwERmain body unmarked, each flag stamped 12 Tapering spire with ball finial, above a square caged box, surmounted with four flags, on a wire frame terminating on a filigree circular base, height 35.5cm.

£350 - 450

39A pOLISH SILVER pAIR OF SABBATH cANDLESTIckSstamped with the mark of ? KARLA, assay masters mark for O COCOKOBCKИЙ, Warsaw, circa 1890 Baluster knop columns and domed bases chased with bands of foliage, on fruiting-vine supports, height 34.5cm and 35cmcm, weight 23.5oz. (2)

£300 - 400

40A gERMAN SILVER pAIR OF TwO-HANDLED BOwLSby Gebruder Friedlander, Berlin, circa 1900 Of shaped circular form, embossed and chased with scroll and foliate decoration raised on four rose capped feet, length of handle to handle 26cm, diameter 19.5cm. (2)

£300 - 400

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41A SET OF THREE DuTcH SILVER NAVETTE-SHApED SALTS TOgETHER wITH A SMALL quANTITy OF SILVERVarious Each with twin handles and blue liners, together with a reeded mug, a set of twelve cased ‘sterling’ teapoons, a pair of Georgian sauce ladles and various other flatware. (qty).

£300 - 400

42A MID-19TH cENTuRy RuSSIAN SILVER AND NIELLO SNuFF BOXmaker’s mark distorted, Moscow 1857 Rectangular form with curved corners, the cover and underside decorated with village scenes within foliate scroll borders, length 6.5cm.

£200 - 300

43A RuSSIAN SILVER SIFTER LADLESt Petersburg, 1836 Together with other silver including a modern Stilton scoop, a caster, a snuff, a small George IV bowl, a circular taper box, a modern wine taster, a set of 12 fruit knives and forks, three berry spoons, an Indian bowl and cover, a pair of salad servers with Royal Crown Derby style ceramic handles, and various others (qty).

£700 - 900

44A pAIR OF SILVER pRIzE pRESENTATION OARS, HMS Hood Inscribed on the blades; Hood 1935 All Comers Whaler 1st. J.G.Mackie, Cpl. and Hood 1935 R.M.Whaler 1st. J.G.Mackie, Cpl Both by NAAFI, hallmarked 1934. 8ins.(20cm)long each. Together with a framed photograph of HMS Hood by Wright and Logan, Portsmouth. 7x11.5ins.(18x29cm) (3)

£300 - 500

The annual Fleet Regatta was held at Scapa flow in 1935. HMS Hood was the most successful vessel, winning the coveted “Cock” Trophy. In total she won 18 Firsts, 6 second and 5 third places, her crews pocketing over £70 in prize money. Hood beat HMS Rodney into second place for both these two Whaler races.

45A NOVELTy SILVER pIN cuSHIONby S & Co, Birmingham 1910 In the form of a donkey pulling a mother of pearl set cart, length 8.5cm, a novelty plated pepperette in the form of an owl, height 8.5cm, a Victorian silver trumps case, Chester assay, date letter unclear, a swizzle stick, four folding pocket knives, pair of early 19th Century cut-steel buckles and other small collectables.

£300 - 400

46A MIScELLANEOuS gROup OF SILVER AND OTHER ITEMSVarious Comprising: a Malaysian silver circular flowerholder, the sides embossed and textured with stiff leaves, 15.5cm diameter,; a Malaysian silver three piece cruet in similar style; a pair of hexagonal pepperettes; a Victorian silver cased open face pocket watch, hallmarked for London 1880, to a curb link watch chain; a guilloche enamelled gilt metal buckle; a small Japanese rectangular box, decorated with a water landscape, birds and flowers, 6cm,; and a Victorian steel corkscrew with wooden handle.

£200 - 300

47A cOLLEcTION OF cONTINENTAL SILVERVarious Comprising a lidded box with repousse decoration depicting a gentleman sketching two ladies in a garden, a rectangular shaped tray, a footed bon bon dish, a rectangular cigarette box with needlework sample within cover, a pair pauce ladles and a serving spoon (7).

£300 - 500

48A VIcTORIAN SILVER FRuIT BASkETby Alexander Macrae, London 1859 The wavy rims chased with c-scrolls and roses, the body with scroll piercing alternating with foliage and two vacant cartouches, swing handle, raised on an applied hexafoil base, diameter 28cm; together with four small dishes, by James Dixon & Sons, Sheffield 1925, circular from, gadroon rims above scroll pierced borders, plains bowls, raised on three scroll feet, diameter 10cm, weight 25.5oz. (5)

£700 - 900

49A quANTITy OF SILVER ITEMSvarying dates and maker’s Comprising: a silver bowl, London 1905, with ox-eye handles, and applied strap-work below an applied girdle, a flower vase, a pierced silver quatrefoil trinket box, by Goldsmiths & Silversmiths Co Ltd, London 1912, another trinket box, with silver mounted cover, two pepper mills, a silver lidded and glass toilet jar, three cased scissors, a match box cover, a pair of salad servers, two butters knives, two others knivesa server, together with a Russian silver strainer, in the form of a bucket, St Petersburg and a French silver wine taster, engraved ETIENNE LADOUE A NEUILLY.

£500 - 600

50A cASED MATcHED SILVER TEN-pIEcE cONDIMENT SETin a fitted box with six spoons, together with a cased set of twelve pairs of silver and mother of pearl fruit knives and forks, by James Dixon & Sons, Sheffield 1935, and a cased set of twelve pairs of electroplated fish knives and forks with a pair of fish servers, in a fitted wood box.

£600 - 800

51A gEORgE III SILVER BABy’S RATTLEJoseph Wilmore, Birmingham, 1833 Together with a Georgian bosun’s whistle, a heart shaped box a blue glass and silver topped miniature scent bottle, a continental small goblet and one other minature. (6).

£150 - 250

52A LATE VIcTORIAN SILVER BAcHELOR cOFFEE pOT By HEATH & MIDDLETON,London 1892 height 11.5cm, and a pear shape silver cream jug, by C J Vander, London 1962, weight combined 9oz. (2)

£100 - 150


53A VIcTORIAN DESk SILVER DESk STANDby Henry Wilkinson & Co, Sheffield 1839 Comprising two glass inkwells and taperstick on shaped-trefoil base; together with a matched pair of George III peppers London 1741 and 1747, a strawberry dish, London 1979 and a silver bowl, Sheffield 1977, weight excluding desk stand 26oz. (5)

£500 - 600

54A MATcHED SET OF SILVER FIDDLE AND SHELL pATTERN FLATwAREMostly George Adams, London, Various dates Comprising twelve table forks, twelve dessert forks, twelve dessert spoons, twelve teaspoons, ten serving spoons, 2 sauce ladles, twelve table knives, twelve smaller knives, weight 144 oz.

£1,200 - 1,500

55A gEORgE III SILVER SEVEN BOTTLE cRuET STAND,by George Burrows II, London 1822 of rounded rectangular form, with gadroon border and central carrying handle with silver support, wood base, on four cast floral, acanthus and claw feet, fitted seven glass condiment bottles two with contemporary silver mounts, initialled , height 23.5cm.

£500 - 600

56A VIcTORIAN TwO cOLOuR gOLD THIMBLEAnother gold thimble with scrollwork border, both with cases, a child’s miniature whistle and rattle with coral teether, a 9ct gold and enamel ‘The Incorporated London Academy of Music’ medal, a swizzle stick stamped ‘9ct’, and a 9ct gold cased propelling pencil. (8)

£300 - 400

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AN IRISH SILVER LADLEDublin, 1901 The bowl of shell form, together with a fiddle pattern gravy spoon and a set of twelve dessert knives and forks with ivory handles (qty).

£250 - 350

58A pAIR OF gEORgIAN STyLE SILVER cANDLESTIckSBarker Ellis Silver Co, Birmingham, 1971 Having baluster bodies, shell and scroll square bases, and removable drop pans,, height 29cm.

£500 - 700

59A SILVER cOFFEE pOTFrancis Howard, Sheffield, 1972 Of tall tapered form with fretwork mounts, height 28cm, weight 28oz.

£300 - 500

60A SILVER cHARLES AND DIANA pOT pOuRRI BOwL AND pIERcED cOVERMappin & Wedd, London, 1981 Of circular form on raised circular foot, the cover mounted with a Welsh dragon, , diameter 20cm, weight 35oz.

£400 - 600

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AN EARLy 19TH cENTuRy SILVER cOMpOSITE TEASETby S.H. London 1818/1838 Comprising teapot, hot water pot, sucrier and milk jug, 65 oz together with a Sheffield plate tray (5).

£600 - 900

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62A SILVER THREE pIEcE cAFE Au LAIT SETby Walker and Hall, Sheffield, 1937 of tapered cylindrical form with turned wood handles set at right angles to the spouts, and wooden knop finials, comprising, a coffee pot, hot milk pot , sugar bowl and pair of sugar tongs, and a Victorian silver card case, by Hilliard and Thomason, Birmingham 1851, engraved with flowers and scrolls on an engine turned ground, initialled , length 9cm, cased, weighable silver 27oz. (5)

£500 - 600

63A SILVER TwIN HANDLED OVAL TRAy,by Walker and Hall, Sheffield 1938 with cast Greek key and stylized shell border, with engraved presentation inscription, ‘ Presented to L. st. G. Wilkinson, Borough Engineer & surveyor, by the Mayor of the county Borough of Wallasey...’, length 44cm, weight 37oz.

£500 - 700

64A pRETTy SwISS SILVER gILT cASED STRuT TIMEpIEcEWith arched top, flowerhead and leafy scroll borders, the oval gilt dial with Arabic numerals and signed ‘Haas Neveux & Cie, Geneve’, within a purple guilloche enamel mask painted with ribbon tied swags of roses, height 11cm, in a fitted velvet lined leather case, together with two 19th Century fob watches and a pocket watch in gun metal cases and two open face pocket watches. (6)

£300 - 400

65A cyLINDRIcAL SILVER TEA cADDyby Charles S Green & Co, Birmingham 1918 With domed hinged cover, height 9cm, a Victorian sarcophagus shape silver tea caddy, Sheffield 1896, 8.5cm, another silver tea caddy, Birmingham 1907, height 10cm, Victorian navette shape silver dressing table box, Birmingham 1898, with remaining silver wares, weight weight of weighable silver 18oz.

£300 - 400

66A SILVER DISHby Garrard & Co, Birmingham 1955 In the De Lamerie pattern with cast shell and scroll border, 22cm, together with a reproduction silver strawberry bowl in the George I style by Garrard & Co, London 1968, 18cm, weight of weighable silver 32oz. (2)

£300 - 400

67A 9cT gOLD cOpy ARMARDA DISH By RIcHARD BuRBRIDgE,London 1961 Retailed through Harrods, London SW, 8cm diameter, 45gms and five matching silver examples by Richard Burbridge, London 1962, weight of weighable silver 6oz. (6)

£400 - 500

68A MATcHED EDwARDIAN SILVER DRESSINg SET AND AN ENAMELLED pOwDER BOXVarious The dressing set comprising seven various brushes, a mirror, two small trays and a larger rectangular tray; the powder box of circular form with blue enamelled hinged cover, Adie Brothers, Birmingham, 1932. (qty)..

£400 - 500

69A SILVER cHRISTENINg Mugby William Hutton & Sons, London 1910 Cylindrical, raised on three cast claw feet, another silver christening mug, both inscribed, a pair of silver candlesticks by James Deakin & Sons, Chester 1914, with concave sided tapering stems, height 23cm, with remaining small items of silver, weight of weighable silver 16oz also a pair of 9ct gold cufflinks, initialed ‘B’ in fitted case.

£300 - 400

70A gERMAN FLATwARE & cuTLERy SERVIcE, STERLINg STANDARDBruckman Comprising twelve table forks and knifes, twelve table spoons, eleven dessert forks, four butter knives, tweleve teaspoons, a pair of salad serves, a carving set, a cake knife and slice, a pair of tongs, a large soup ladle, a sauce ladle and a sauce ladle, stamped ‘Bruckman, 925, Sterling’, weight 93oz. (qty)

£1,000 - 1,200

71A SILVER cHALLENgE cup AND cOVER ‘BEN TRuMAN cup’by Goldsmiths & Silversmiths Company, London 1934 Two breakfast six division toast racks, Sheffield 1919 & 1907 and a silver pepper mill, 1924, weight of weighable silver 32oz.

£150 - 200

62


72A pAIR OF EDwARDIAN NEO-cLASSIcAL cANDLESTIckSWilliam Hutton & Sons Ltd, London, 1901 Each having tapered squared columns on square bases decorated with rams heads, ribbons and twin handled urns, height 31cm.

£900 - 1,000

73gEORgE III IRISH SILVER cREAM jug AND SucRIERprobably by John Daly, Dublin 1807 Reeded rims and handles, the bodies bright engraved with foliate border above a vacant cartouche, raised on four ball feet; together with another George III Irish sucrier, Dublin 1815, two George III cream jugs, and a sucrier, height of cream jug 10cm, weight 44oz. (6)

£500 - 800

74A VIcTORIAN SILVER gILT VINAIgRETTEby Frederick Marson, Birmingham 1861 Of shaped rectangular outline, the hinged cover engraved with the Albert Memorial, the sides and base with leafy scrolls around a vacant cartouche, 4.75cm.

£500 - 800

75A LATE VIcTORIAN SILVER SALVERSheffield, 1899 Of circular shaped form with gadrooned and moulded border, together with a silver dish with scalloped edge, London 1924, and a pedestal bon bon dish, Sheffield 1907, weight 38oz.

£500 - 600

76A VIcTORIAN SILVER TRIpOD BOwL OF wRyTHEN FORMLondon 1860 And a pair of white metal bon-bon dishes, a small silver sugar bowl and a three piece cruet on stand, weight of weighable silver 20oz.

£500 - 600

77A pAIR OF EDwARDIAN SILVER ENTREE DISHES AND cOVERSby Herbert Charles Lambert , London 1903, of rectangular form with gadrooned borders and reeded handles, length 28cm, weight 100oz, , and a silver salver, by Walker and Hall, Sheffield 1933, of shaped octagonal form with moulded border, , on four bun feet, inscribed with presentation inscription and facsimile signatures,, length 34cm, weight 36oz. (3)

£1,200 - 1,500

78AN EDwARDIAN SILVER FIVE LIgHT cANDELABRuMby Walker and Hall, Chester 1906 the fluted tapered column with vase shaped capitals and four reeded scroll arms, on an oval base with reeded borders, weight of branches 51oz, height 50cm.

£600 - 800

79AN ART NOuVEAu SILVER VASE,by James Deakin & Sons, Sheffield 1908 Of four handled trumpet form, height 28.5cm, three silver spill vases, Victorian silver scallop shell bon bon dish, a silver sugar bowl, three silver caddy spoons, including one by Joseph Willmore, London 1835, eleven various silver napkin rings, and other small items of silver also a cased set of eleven electroplated teaspoons and sugar tongs, weight of weighable silver 16oz.

£350 - 450

80A cOLLEcTION OF MIScELLANEOuS SILVERwARESvarious dates and makers including a Georgian style waiter, by Mappin & Webb, Sheffield, 1946; together with various dressing table pots, napkin rings, a cream jug, a hand mirror etc (14).

£300 - 500

81A SET OF SIX wILLIAM IV SILVER FIDDLE pATTERN TEASpOONSby Richard Britton, London 1836 and four others London 1844 A pair of silver grape shears, by Elkington & Co, Birmingham 1933, a set of ten silver coffee spoons, three cased sets of silver coffee spoons, a Victorian silver sifter spoon, a cased pair of spoons, London 1911, together with thirty six other various silver spoons, weight combined 44oz.

£500 - 600

82A SILVER cASED pROpELLINg pENcIL,by Samson Mordan & Co, London 1913 An Italian Montegrappa engine turned silver octagonal cased ball-point pen, stamped ‘925’, and two similar fountain pens, in plain octagonal and cylindrical silver cases, a collection of eight other various silver and electroplate cased pencils and a collection of eight vintage fountain pens including examples by Parker, Sheaffer and Golden Standard. (19)

£250 - 350

72

12 | BONHAMS

83AFTER D. gEENTy: A LATE 20TH cENTuRy SILVER OVER FILLED MODEL OF A HORSE AND jOckEyDated 84’ Signed to base ‘D. Geenty 84’’, height 21cm.

£500 - 700

84AN EDwARDIAN SILVER DRESSINg SETBirmingham 1907 Comprising two hair brushes, two clothes brushes, a hand mirror, a photo frame, four various boxes, two small dishes, a button hook, a shoe horn, a match box holder, a scent bottle and another silver cased glass bottle. (17)

£500 - 600

85AN EASTERN wHITE METAL BOwL, VIETNAMESEStamped to base Of circular form with shaped rim, decorated with intricate pierced panels of floral sprays and birds, diameter 15cm, weight 14oz.

£200 - 300

86AN EDwARDIAN SILVER THREE pIEcE TEA SERVIcESheffield, 1903 Of circular panelled form, raised on four scroll feet and repeating decoration to top rims, weight 22oz.

£300 - 400

87 Y Ф

A pAIR OF VIcTORIAN SILVER FISH SERVERSHoward & Hawksworth, Sheffield, 1868 Each with ivory monogrammed handles and engraved and fretwork blades.

£200 - 300

88 Y Ф

A VIcTORIAN SILVER FOuR pIEcE TEA SERVIcEMartin Hall & Co Ltd, London, 1876 With banded and repousse decoration, inscription to ‘Hanley Hutchinson’, ivory insulators, weight 72oz.

£600 - 700

89AN ELEcTROpLATED TABLE SERVINg cENTREpIEcE/wARMINg STANDEarly 20th Century Of circular form with three turned composition handles and gadrooned borders, the warming dish fitted with a central tureen, four vegetable dishes and covers, a pair of salts and pair of baluster peppers, , height 44cm, diameter 61.5cm.

£500 - 600

83

85

87

89


90 Y

A VIcTORIAN SILVER MOuNTED TORTOISESHELL pHOTOgRApH FRAME,Maker indistinct, London 1891 Rectangular with arched top , height 18cm, length 21cm.

£150 - 200

91A gEORgE III IRISH SILVER OLD ENgLISH STRAINER SpOONJohn Power, Dublin, 1801 With bright cut decoration to handle bearing initial ‘J’, weight 6oz.

£200 - 300

92 Y

A gROup OF SILVER AND OTHER ITEMSVarious Comprising: a pair of George III silver oval salts, on hoof feet; a silver cigarette box; two silver cigarette cases; various condiments and two spoons; a toddy ladle; two mirrors and two brushes; a cased set of six teaspoons and sugar tongs; and a set of six butter knives. (qty)

£600 - 800

93 Y Ф

A cASED SILVER DOuBLE cRuET SETby E S Barnsley & Co, Birmingham 1913 Late Victorian silver mustard pot and a salt cellar, Edwardian silver pepperete, an Art Deco silver engine turned playing cards box, by Haseler & Bill, Birmingham 1923, height 10cm, cased pair of silver napkin rings and an oval slab ivory cased etui, 2nd half 19th Century, the silver gilt fittings incomplete, 11.5cm, weight of weighable silver 13oz.

£200 - 300

94A cOLLEcTION OF SILVER ITEMSVarious Comprising: a small dish ring, by George Nathan & Ridley Hayes, Chester 1898; a three piece tea set with gadrooned rim, Sheffield 1930; a small planished carriage timepiece, cased; six Old English pattern table spoons and five matching table forks, 1916; a muffineer, 1908; and other odd items including flatware, weight of weighable silver 92oz. (Qty)

£1,000 - 2,000

95A pAIR OF SILVER ENTRE DISHES AND cOVERSby Goldsmiths and silversmiths, London 1930 Of plain rectangular form, weight 40oz.

£600 - 800

96ROyAL pRESENTATION: A LATE VIcTORIAN SILVER-MOuNTED cuT-gLASS INkwELLthe silver mount by Joseph Redfern, London 1893 The hinged cover decorated with a floral finial, opening up to reveal an engraved presentation inscription “V.P, From Grandmama VrI Xmas 1894” , height 7,5cm, together with a silver-mounted cut-glass ruler, by Grey & Co, Chester 1912, facetted silver mounts with globular finials, engraved with a presentation inscription “V.P From L.L”, length 29cm. (2)

£200 - 300

The inkwell was given by H.M. Queen Victoria, to her granddaughter Princess Victoria Patricia, Christmas 1894.

97FOuR VIcTORIAN SILVER TApERSTIckSby William Hutton & Sons Ltd, London 1898 The detachable drip-pans with reeded rims, the knopped and tapering stems embellished with acanthus leaves, raised on stepped square swirling flute bases, loaded, height 10cm. (4)

£300 - 400

98A wILLIAM IV SILVER FIDDLE pATTERN SOup LADLELondon 1837, makers mark unclear length 35cm, a pair of similar Victorian silver sauce ladles, by John & Henry Lias, London 1844, a George III silver ogee pepperette by R Peaston, London 1774, height 13.5cm, a pair of George III silver cauldron salt cellars, by Samuel Meritson, London 1762, with gadroon rims and a George III silver mustard pot, by I K & Co, Sheffield 1813, blue glass liners, and a silver salt spoon, weight combined 24oz.

£400 - 500

99A pAIR OF gEORgE III STyLE SILVER HELMET SAucE BOATSby Thomas Ducrow & Sons, Birmingham 1946 With gadroon borders, on shell headed hoof feet, another similar by Wier, Glasgow 1903, with cut edge, a Danish style long handled silver spoon, London 1979, weight combined 24ozs, also a pair of late Victorian oval electroplate bead edge entree dishes and an electroplate ice bucket.

£300 - 400

100No lot

101A THREE pIEcE SILVER cOFFEE SERVIcEby Roberts & Belk, Sheffield 1939 Octagonal tapering form, blondwood handle and lifts, coffe pot, water jug and sugar basin, coffee pot 20cm, weight of weighable silver 37oz.

£300 - 400

96

14 | BONHAMS

102A SILVER MOuNTED cuT gLASS SpIRIT DEcANTERby Mappin & Webb, London 1961 Together with a silver bottle tag enamelled ‘Scotch’, Birmingham 1968, a large silver engine turned cigarette case, Birmingham 1933, and a cedar lined cigarette box with presentation inscription, Birmingham 1964, 16 x 12cm.

£150 - 200

103A cANTEEN OF SILVER ‘MARIE’ pATTERN cuTLERyby Garrard & Co, London 1962, 63, 64 & 67 comprising:- 6 soup spoons, 6 dessert spoons, 6 supper forks, 6 dinner forks, 4 serving spoons, 2 sauce ladles, sugar tongs, 2 butter knives, 13 cake forks, 12 teaspoons, 6 supper knives, 6 dinner knives, weight of weighable silver 76oz.

£600 - 700

104A gOOD SET OF TwELVE gEORgE III kINgS pATTERN DINNER FORkS, By ELEy & FEARNE, LONDON, 1818/1819together with a set of twelve George III Kings pattern teaspoons by Josiah & George Piercy, London 1814, weight of weighable silver 53oz. (24)

£800 - 1,000

105AN ART NOuVEAu THREE pIEcE SILVER TEA SERVIcEby T Wilkinson, Birmingham 1904 Of bulbous angular square form, comprising teapot, sugar basin and milk jug, height of teapot 16cm, two shaped circular silver waiters, both inscribed, with remaining silver wares, weight combined 58oz.

£500 - 600

106A gEORgE IV SILVER TEApOTby Richard Pearce, London 1821 Of oval form, with flowerhead, leaf scroll and shell borders and bands of curved lobes and flutes, raised on flowerhead, leaf scroll and claw feet, engraved with a crest and monogram, height 17cm, a set of six George III Scottish silver tablespoons, by Patrick Robertson, Edinburgh 1788, of Old English pattern and a pair of silver helmet shape sauce boats, by Walker & Hall, Sheffield 1940, with gadroon borders, weight combined 43oz. (9)

£500 - 600

107A SILVER jEwELLERy BOX,makers mark rubbed, Birmingham 1911 In the form of a serpentine fronted cabinet, the hinged top enclosing a velvet lined interior, raised on cabriole legs, 9cm, a silver sovereign case, an Art Nouveau silver box and cover by Nathan & Hayes, Chester 1904, height 6.5cm, six George III/IV silver teaspoons, with remaining silver wares, weight of weighable silver 12oz.

£250 - 300

108A gEORgE III SILVER cHAMBER cANDLESTIckby Edward Wakelin, London 1762 The shaped circular base with gadroon edge, shell decorated scroll handle, spool shape sconce with detachable nozzle and snuffing hood, scratch weight 13=13, 16.5cm across.

£600 - 700

109A LATE VIcTORIAN SILVER Mugby Mappin & Webb, Sheffield 1899 Tapering cylindrical with bright cut decoration, initials and crest of Herbert Fitch, the base with photographic glass plate of his wife Jean Fitch, 13cm, weight 17oz.

£100 - 150

110 Y

A cIRcuLAR SILVER jEwELLERy BOXby Mappin & Webb, Birmingham 1919 With hinged slightly domed tortoiseshell and pique cover, velvet lined, 12cm diameter, an Art Nouveau spot hammered silver card case and aide memoir, by Harry Wright Atkin, London 1903, rectangular, scroll decorated, with fitted interior, a silver purse, by Deakin & Francis, Birmingham 1917, with remaining silver and electroplate.

£300 - 400

111A VIcTORIAN SILVER cHRISTENINg cANby George Unite, Birmingham 1855 Octagonal, leafy scroll engraved, a silver cigarette box London 1922, a pair of silver salad servers, London 1920, with remaining small items of silver, weight of weighable silver 14oz.

£250 - 350

112 Y

A cROcODILE DRESSINg cASE,the moire silk lined interior with tortoiseshell, silver mounted glass and crocodile fittings, by T & F Perry, London 1924, the case 37 x 29cm, with canvas foul weather cover, together with another dressing case by Mappin & Webb, the moire silk lined interior with silver mounted and glass fittings, London 1952 & 1953, the case 41 x 32cm, with canvas foul weather cover.

£500 - 600

113A FRENcH REcTANguLAR SILVER jEwELLERy cASkET, 2ND HALF 19TH cENTuRy with foliate borders, the hinged cover with a panel of putti representing the arts, the sides embossed with ribbon tied drapes and swags and flowers, interior bevel edge mirror and button down lined in silk, lock and key, 17 x 12.5cm.

£350 - 450

114A RuSSIAN SILVER gILT AND ENAMELLED SpOONby Nikolay Alekseyer, Moscow 1882-1899 The pear shape bowl and octagonal section handle enamelled with a butterfly amongst flowering branches, turquoise bead borders, length 18cm, weight 2oz.

£200 - 300

115A LATE VIcTORIAN SILVER MOuNTED EASEL BAck DRESSINg TABLE MIRRORSheffield 1900, Flowerhead and leafy scroll pierced and embossed, monogrammed in a cartouche, height 42.5cm, a rectangular silver mounted engine turned photograph frame, Birmingham 1970, sight size 19.75 x 14.5cm, another silver photograph frame, also a pair of Old Sheffield plate goblets, engraved with a crest and armorial, height 16cm. (5)

£250 - 350


116EIgHT SILVER OLD ENgLISH pATTERN SERVINg SpOONSby Jackson & Fullerton, London 1916 6 dessert spoons, and 2 sauce ladles, weight 32oz.

£300 - 400

117A cASED pAIR OF SILVER BuTTER SHELLS AND kNIVES By HARRISON BROS, SHEFFIELD 1903 A cased set of 6 teaspoons and tongs, Sheffield 1910, a caddy spoon and a cased set of 12 teaspoons, Mappin & Webb, Sheffield 1912, weight of weighable silver 13oz.

£200 - 300

118A EDwARDIAN SILVER EpERgNELondon, 1906 Lacking glass fittings, together with a navette shaped basket, a circular pierced footed bowl and a pair of pierced bon bon dishes, weight 47oz. (5)

£300 - 400

119A 20TH cENTuRy SILVER THREE pIEcE TEA SERVIcEby Horace Woodward & Co Ltd, London 1908 Oval form, gadroon rims and angular handles, demi-fluted bodies, the pot with hinge domed lid and wood finial, gilt interiors, monogramed; together with a pair of 20th century Polish candlesticks, 800 standard, detachable drip pans with gadroon rims, the stems formed as stylised-Corinthian columns, each raised on a rectangular plinth embellished with vacant reserves flanked by laurel fronds, beaded rims, raised on four scroll bracket feet, height of candlesticks 32cm, length of teapot 29cm, weight including teapot 54.5oz. (5)

£300 - 500

120A SILVER FLOwER VASE By wILLIAM cOMyNS,London 1903 Spot hammered with mask and ring handles, weighted, 22cm,; a silver faced rectangular easel photograph frame, William Comyns, London 1899, 17.5 x 13.5cm,; a cut glass scent bottle with silver stopper; two napkin rings and a small mustard pot. (6)

£200 - 300

121A quANTITy OF SILVER ITEMSComprising: a pierced two-handle bowl, by Elkington & Co, Birmingham 1938, panelled sides engraved and dated, with mythological fish scroll handles, length handle to handle 23.5cm, a George III style cream jug and sugar bowl, Chester 1901, a matched pair of salts, London 1807 and 1830, oblong bellied form, a cream jug, Birmingham 1916, an elongated cream jug, Birmingham 1936 and an Indian bowl, weight of weighable silver 37oz. (8)

£500 - 600

122SIX BOXES OF cASED FLATwAREComprising: six silver bean-end coffee spoons, six coffee spoons, by Viners, another five in a box, a set of six silver and enamelled coffee spoons, a pair of fruit serving spoons, and a spoon and fork.

£300 - 500

123A cIRcuLAR SILVER SALVERby William Hutton & Sons, Chester 1953, Circular with gadrooned rim on shell panel feet, 25cm, a pair of circular ashtrays, Garrard & Co, London 1967, a quaiche bowl and various flatware, weight of weighable silver 20oz.

£300 - 350

124SIX SILVER NApkIN RINgSby Garrard & Co, London 1965 Circular with bark effect finish, and six others matching with applied initials London 1964/65 and four octagonal shaped silver coasters London 1964, weight of weighable silver 34oz. (16)

£250 - 300

125AN EDwARDIAN SILVER BASkETby Daniel and John Wellby, London 1901 of oval twin handled form with beaded and shell border, chased with oval medallions and foliate festoons on a pierced lattice ground, with scroll base on four shell cast feet,, length 29cm, weight 30oz.

£500 - 600

126A BRITANNIA STANDARD SugAR cASTERby D & J Wellby Ltd., London 1931 Of conventional form, with a pierced bayonet cover, height 21.5cm, together with, a silver cigarette case, Chester 1917, initialled, a Victorian silver drum mustard pot, London 1871, with applied beaded border and blue glass liner, weight combined 20oz. (3)

£300 - 400

127A SET OF SIX MODERN SILVER gOBLETSby C. J. Vander Ltd., London 1972 The slightly flared bowls on knopped stems and circular bases, in fitted case, height 14.5cm, weight 39oz. (6)

£300 - 500

128A SILVER THREE-pIEcE TEA SERVIcESheffield, 1973 The teapot with composite handle and finial, teapot 27cm long; weight all in 38oz, and a similar silver coffe pot and hot milk pot, 18cm high, 29oz all in. (5)

£500 - 700

125

16 | BONHAMS

129A SET OF SIX SILVER BEAkERSBirmingham Mint 1978 and a sugar caster of the same date and maker, the beakers 7.5cm high, 38.5oz all in, and a boxed set of limited edition silver medallions ‘Great British Regiments’. (qty)

£600 - 800

130A 20TH cENTuRy SILVER MENORAHmarks rubbed, London with eight graduated arms issuing from a central tapering square column, surmounted with the star of David, on a domed octagonal base, height 30cm, weight 14.5oz.

£500 - 600

131A SILVER FOuR pIEcE TEA SERVIcEvarious dates Sheffield 1957, 1959 and 1960 Of oval polygonal form comprising: teapot, hot water jug, sugar bowl and cream jug, weight 54oz. (4)

£400 - 600

132A SILVER THREE pIEcE TEA SERVIcESheffield 1961 Of oval polygonal form and comprising: tea pot, sugar bowl and cream jug, weight 37oz. (3)

£280 - 350

133A SET OF SIX SILVER gOBLETS AND TwO yORk gOBLETSBirmingham 1971 and Barker Ellis Silver Company Ltd, Birmingham 1970 The six goblets engraved with floral swags, on turned stems, 14cm high; the ldt edition York goblets numbered 189 and 190 from an edition of 1900, with parcel gilt interiors,, height 11cm, weight 33oz. (8)

£300 - 400

134 Y

A cOLLEcTION OF SILVERwAREVarious Comprising: a pedestal cake dish, Birmingham 1940; two sugar casters; a George III milk jug; a George III punch ladle; a shell butter dish and knife, cased; a George III snuff box and other odd items, weight 40oz. (Qty)

£500 - 600

135A SILVER SHApED-cIRcuLAR SALVERby J B Chatterley & Sons Ltd, Birmingham 1974 on three leaf scroll feet (one broken), in a fitted box, diameter 41cm, weight 53oz.

£500 - 700

136 Ω

A FOuR-pIEcE SILVER TEA AND cOFFEE SERVIcEby Henry Matthews, Birmingham 1922 Each piece of dem-gadrooned form with flaring rims, the pots with angular ebonised wood handles and lobed finials, height of coffee pot 22cm, weight total 56oz. (4)

£500 - 600

137AN IRISH SILVER TRAy wITH pRESENTATION INScRIpTIONWest & Son, Dublin, 1923 Of octagonal form with twin handles and stylised Celtic pierced border, length 72cm, weight 151oz.

£800 - 1,200

138 Y

A SILVER AND TORTOISESHELL MATcHED DRESSINg TABLE SETby Henry Matthews, Birmingham 1928-1929 With ribbon and wreath decoration, comprising, two hair brushes, two clothes brushes and one hand mirror, cased. (5)

£300 - 400

139A MODERN SILVER THREE BRANcH cANDELABRA AND FIVE OTHER SILVER ITEMSVarious The candleabra on a navette shaped base (loaded) Sheffield 1962, 36cm high; a square shaped salver with re-entrant corners, 24cm square; a repousee decorated sugar bowl; a pair of sauce boats and a christening mug, weight weighable 46oz. (6)

£300 - 500

140AN IRISH SILVER quAIcH,Dublin 1943 With lobed sides, 16cm across, four silver egg cups, by Walker & Hall, Sheffield 1912, a pair of silver toast racks and a late Victorian silver dish, byJudah Rosenthal & Samuel Jacob, London 1883, embossed with figres ona terrace, weight combined 16oz. (8)

£200 - 250

141A MATcHED pAIR OF gEORgE III STyLE SILVER SNuFF BOXESby D.Bros, Birmingham 1968-69 Rectangular form with raised foliate thumbpieces, engine-turned and reeded bodies, length 9cm, together with a matched pair of modern silver circular dishes, 1957 & 1969, diameter 8cm, weight 14oz. (4)

£300 - 400

142AN EARLy 20TH SILVER cOFFEE pOTGeorge Hape, Sheffield, 1918 Of oval panelled tapered form, 25cm high ; together with a silver salver, Sheffield, 1910, diameter 21cm, weight 36oz.

£250 - 350


143A SILVER MOuNTED OAk TwO BOTTLE TANTALuSBy P.H., London 1987 The square hob nail cut glass decanters with silver collars, the oak frame with floral engraved silver mounts, together with a silver WHISKEY bottle label, height 32cm.

£800 - 1,000

144A SILVER cAFE Au LAIT SERVIcEby C.J.Vander, London 1969 Of plain tapering form with domed cover and vase finials, brown resin handles, height 23cm, and a silver hexagonal salver, by Garrards, London 1991, with an applied egg and dart border, raised on four feet, the underside inscribed, weight combined 79oz.

£800 - 1,000

145A SILVER TANkARD cONVERTED INTO A jugwith cancelled marks, incused stamped ‘LA0’ with case number ‘9054’, 2015 The tapering cylindrical body later embossed with foliate scrolls, stepped dome cover with ‘onslow’ style thumbpiece, hollow scroll handle, crested, height 19cm, together with an Edwardian pierced swing-handled basket, Birmingham 1900, weight total 34oz.

£250 - 300

146A wILLIAM IV SILVER MILk jug AND SugAR BOwLby Charles Fox, London 1836-1837 With chased wavy rims, two leaf capped handles, with applied and embossed scroll and foliate decoration, vacant cartouches raised on pedestal feet, weight combined 25oz. (2)

£500 - 600

147A gEORgE III SILVER MuSTARD pOTby Hester Bateman, London 1788 Oval form with beaded rims, the body pierced and bright-engraved with floral swags and acanthus bands, scroll handle and pierced shell thumbpiece, blue glass liner (cracked), height 8cm, together with a similar example, by William Abdy, London 1787, blue glass liner, both with matched mustard spoons, weight total 8oz. (4)

£300 - 400

148A VIcTORIAN SILVER TwO-HANDLED TRAyby James Dixon and Sons, Sheffield 1898 Of oval form with an applied beaded border, an engraved vacant cartouch to the centre with swag decoration, length handle to handle 58cm, weight 78oz.

£700 - 900

149A gEORgE III pROVINcIAL SILVER MOuNTED cOcONuT cupby John Langlands I & John Robertson I, Newcastle circa 1780, makers mark, lion passant and duty mark Of conventional form, the cup with a silver liner and rim, applied oval initailed disc, raised on a spreading foot, height 10.5cm.

£500 - 600

150 Y Ф

A VIcTORIAN SILVER THREE pIEcE TEASETRoberts & Hall, Sheffield, 1852 Of circular baluster form, with repousse and engraved decoration, raised on four scroll feet, ivory insulators, height of teapot 19cm cm, weight 53oz.

£500 - 700

149150

18 | BONHAMS

151 Y Ф

A wILLIAM IV SILVER TEA pOTby Edward, Edward junior, John & William Barnard, London 1835 Of squat melon form, with a pumpkin finial, to a scroll handle with ivory insulators, raised on four shell capped scroll feet, initialled, height 16cm, weight 26oz.

£400 - 500

152A pAIR OF VIcTORIAN SILVER cANDLESTIckSLondon 1894 Of fluted knopped square section, loaded bases, 17cm high, and a collection of assorted silver items including three sugar bowls, another with matching cream jug, a pair of repousse decorated muffineers, a christening mug, and other oddments.. (qty)

£400 - 500

153A gEORgE III ONSLOw pATTERN SILVER SOup LADLEby Soloman Hougham, London, 1793 With feathered edge bowl.

£300 - 500

154A gEORgE III SILVER LIDDED TANkARDby William Chatterton, London 1764 Of Baluster form with a reeded band, fraised on a spreading foot, the domed cover with scroll thumb piece to double scroll handle , height 20cm, weight 25oz.

£1,000 - 1,500

155A gEORgE III SNuFFER TRAyby William Cripps, London 1771 Of rectangular waisted form with shell and gadrooned border, scroll handle, raised on four ball and claw feet, crested, length 18.5cm, weight 7oz.

£600 - 800

156A gEORgE III SILVER SALVERby William Batemen, London 1817 Of circular form with an applied shell and floral border, raised on three shell and floral feet, diameter 23.5cm, crested and a George IV silver tea pot, by William Bateman, London 1824, of circular form with reeded decoration, fruitwood handle, weight 37oz.

£600 - 800

157 Y Ф

A gEORgE III SILVER THREE-pIEcE TEA SERVIcEby Joseph Angell I, London 1818 Of ovoid form, with gadroon decoration and an applied foliate rim, ivory insulators, comprising; tea pot, sugar bowl, milk jug, weight combined 38oz. (3)

£450 - 550

158 Y

A wILLIAM IV AND LATER THREE pIEcE SILVER TEA SERVIcELondon 1833, 1834 and 1850 Of compressed melon form with scroll handles, greyhound finial and raised on four scroll feet, copmrising tea pot, sugar bowl and milk jug, height of tea pot 13cm, weight 37oz.

£500 - 600

154155


159A gEORgE I SILVER BRANDy SAucEpANby William Fleming London 1725 Of usual form with ebonized turned wood handle, together with, a George III silver mustard pot, London 1805, oval with reeded edge and handle, with blue glass liner, a George III silver navette shaped mustard pot, London 1796, with bright engraved decoration, with blue glass liner, weight combined 11oz. (3)

£300 - 400

160 Y Ф

A VIcTORIAN SILVER cOFFEE pOTby John Angell II & George Angell, London 1847 Of tapered panelled form, each panel engraved with scroll decoration, the domed lid to a knopped finial, raised on a hexagonal skirted foot, ivory insulators, initialled and inscribed to handle, together with, a Victorian silver tea pot, London 1870, profusely engraved, height of coffee pot 30cm, weight combined 41oz. (2)

£700 - 900

161A SILVER cARRIAgE cLOckmaker W.C, London 1901 The white enamel dial inscribed ‘Barraud & Lunds, London’, the movement striking on a gong with push repeat, , height 12.5cm.

£800 - 1,200

162A SET OF FOuR VIcTORIAN SILVER SpOONSmaker CB, London 1880 With figural twist handles, in fitted presentation case; a Russian 19th Century Niello beaker, in leather case, and a collection of mixed silver items including two cream jugs, a sugar caster, a sugar bowl, various flatware and oddments, and a few plated items.. (qty)

£600 - 800

163 Y Ф

A VIcTORIAN SILVER TwIN HANDLED DISH, cOVER AND STANDmaker J.C.E, London 1846 The stand fitted with a removeable burner, engraved with scrolling foliage, and contained in the original mahogany box, retailer’s label for Gass & Sons, Regent St, with brass inset handle, width of stand 20.5cm, weight 25.5oz, and a George III silver teapot by Robert and Samuel Hennell, London 1808, having ivory knop, 27cm long, weight all in 23oz. (2)

£600 - 800

164A VIcTORIAN SILVER pAIR OF STANDS/BASESby James Dixon & Sons Ltd., Sheffield 1887 Elaborately decorated, the circular scroll embossed receiver to knopped stems with three rams heads to the central column, raised on three lion capped feet, loaded, height 17.5cm. (2)

£500 - 600

165A VIcTORIAN SILVER-gILT MATcHED SET OF SIX Egg cupS AND SpOONSby James Wakely & Frank Clarke Wheeler, London 1890-1891 Each cup engraved with scroll and foliate decoration, cased, weight combined 7oz. (12)

£200 - 220

159

161

164

20 | BONHAMS

166A SILVER LANTERN TIMEpIEcEBirmingham 1906 Of traditional form and having a circular dial with roman numerals and a French eight day movement, height 16cm.

£600 - 800

167A gEORgE II SILVER wAITERby William Peaston, London 1755 Circular shaped form with raised shell and scroll embellished rim, raised on three scrolling hoof feet, diameter 18.5cm, weight 9oz.

£500 - 700

168A VIcTORIAN SILVER TwO-HANDLED LIDDED TROpHy cupby Henry Wilkinson & Co., Sheffield 1856 Embossed with scroll and foliate decoration, raised on a wooden base, inscribed, height 35.5, together with, a silver trophy cup, Birmingham, date letter rubbed, with an applied shell and scroll rim, to an electroplated and wooden base, inscribed, height 19cm. (2)

£350 - 450

169 Ω

A quANTITy OF SILVERvarious dates and maker’s Comprising: a George IV Scottish silver teapot, Edinburgh 1824, a George III cream jug, a swing-handle basket, London 1784, with incuse duty, a pap boat, four Victorian salts, a small cream jug, two toast racks, a sauceboat, a trophy cups, a mug, a salt, a pair of knife rests, London 1833, seven napkin rings, and another swing-handle basket, weight of weighable silver 75oz. (Qty)

£600 - 800

170AN ART NOuVEAu SILVER BOwLby Liberty & Co, Birmingham 1913 With twin strapwork side handles, raised on a spreading circular foot, together with, a Victorian silver pair of dwarf candlesticks, Sheffield 1883, with stop fluted columns, on spreading square bases, crest, a silver pair of helmet shape sauce boats, Chester 1911, with gadroon borders, weight of weighable silver 17oz. (5)

£350 - 450

171A gEORgE III SILVER EwERGeorge Smith IV, London, 1779 Vase shape with waisted neck, bead borders and circular pedestal foot, handle terminating at either end in acanthus leaves, domed cover with urn finial, egraved coat of arms to body, height 31cm, weight 22oz.

£700 - 800

172A gEORgE III SILVER EwERLondon, 1774 Vase shape with waisted neck, bead borders and acanthus leaf decoration to lower body, domed cover with pineapple finial,, height 29.5cm, weight 24oz.

£700 - 800

168 172

pIcTuRESLots 173 - 421

22 | BONHAMS

19TH cENTuRy pIcTuRES

173THOMAS FALcON MARSHALL (BRITISH, 1818-1878)A visit to the shoemenders signed ‘T. F. MARSHALL’ (lower right), oil on canvas 48 x 41cm (18 7/8 x 16 1/8in).

£500 - 700

174EDwARD STOTT, ARA (BRITISH, 1859-1918)‘There was no room at the inn’ signed with initials ‘ES’ (lower right), also with a print of the final work attached verso, pastel 26 x 30cm (10 1/4 x 11 13/16in). with another by the same hand, the Adoration of the Shepherds, bears old label verso, pastel, 37 x 33cm (2).

£500 - 700

175HENRy jOHN BODDINgTON (BRITISH, 1811-1865)A quiet backwater signed ‘H.J.Boddington’ (lower left) oil on canvas 26.5 x 44.5cm (10 7/16 x 17 1/2in).

£800 - 1,200

176jOHN MuNDELL (BRITISH, 1818-1875)‘Summer on the Dart’ signed ‘J.Mundell’ (lower right), inscribed with title on artist’s label verso oil on canvas laid on to panel 17 x 53cm (6 11/16 x 20 7/8in).

£400 - 600

177ALFRED MONTAguE (BRITISH, 1832-1883)Figures and houses by a bridge oil on board, oval 21 x 29.5cm (8 1/4 x 11 5/8in).

£250 - 350

178cIRcLE OF ALFRED VIckERS SNR. (BRITISH, 1786-1868)Figure by a woodland gate oil on canvas 35.5 x 53.5cm (14 x 21 1/16in).

£600 - 800

179HELEN cORDELIA ANgELL (BRITISH, 1847-1884)Still life of flowers; and companion signed ‘H.C. Coleman’ (lower left) watercolour (a pair) 15.5 x 26.5cm (6 1/8 x 10 7/16in). (2)

£600 - 800

173

175

179179


180cONTINENTAL ScHOOL, 19TH cENTuRyThe nursery indistinctly signed (lower left) oil on panel 31 x 24cm (12 3/16 x 9 7/16in).

£600 - 800

181 Y Ф

cIRcLE OF SAMuEL LOVER, A.R.H. (IRISH, 1797-1868)Portrait of Ann Waterhouse, nee Rogers (1768-1823) watercolour on ivory 19 x 14.5cm (7 1/2 x 5 11/16in).

£300 - 400

182ENgLISH ScHOOL, 19TH cENTuRyHarvest landscape; and companion oil on metal (a pair) 21.5 x 32cm (8 7/16 x 12 5/8in). (2)

£500 - 700

183ENgLISH pROVINcIAL ScHOOL, 19TH cENTuRyTwo portraits of young boys (a pair) oil on canvas 44.5 x 35.5cm (17 1/2 x 14in). (2)

£500 - 700

184ALBERT MOuLTON FOwERAkER R.B.A. (BRITISH, 1873-1942)‘Moonlight, Malaga’ signed ‘AMFoweraker’ (lower left) also with label on the reverse and inscribed verso watercolour 26 x 35cm (10 1/4 x 13 3/4in).

£500 - 700

181

182

182

184

24 | BONHAMS

185ATTRIBuTED TO SIR EDwIN LANDSEER RA AND STuDIO (BRITISH, 1802-1873)Study of a Corgi oil on canvas 28 x 35.5cm (11 x 14in).

£2,000 - 3,000

186FRANk THOMAS cARTER (BRITISH, 1853-1934)‘Cheviot Moorland’ signed ‘Frank Carter’ (lower right); further signed and inscribed verso oil on board 36.5 x 53cm (14 3/8 x 20 7/8in).

£500 - 700

187 AR

cONRAD HEcTOR RAFAELE cARELLI (BRITISH, 1869-1956)Cottages with wisteria, possibly Knowle Farm Cottage, Uploders, Dorset signed ‘Conrad H.R. Carelli’ (lower right) watercolour 25.5 x 34.5cm (10 1/16 x 13 9/16in).

£300 - 500

188BENjAMIN wILLIAMS LEADER, RA (BRITISH, 1831-1923)‘A fine day, Capel Curig, North Wales’ signed ‘B.W. LEADER’ and dated 1886 (lower right) oil on canvas 29.5 x 44cm (11 5/8 x 17 5/16in).

£700 - 900

185

186

187

188


189 *

DuTcH ScHOOL, 19TH/20TH cENTuRyDutch town scenes both bear signature ‘A.V.d Woude’ (one lower left, the other lower right), oil on panel (a pair) 22 x 32cm (8 11/16 x 12 5/8in). (2)

£600 - 800

190guSTAVE DE BREANSkI (BRITISH, cIRcA 1856-1898)A fishing trawler entering harbour signed ‘Gustave de Breanski’ (lower left) oil on canvas 76.5 x 126.5cm (30 1/8 x 49 13/16in).

£500 - 700

191HENRy gARLAND (BRITISH, 1834-1913)‘A Drover’s Rest in Argyleshire’ signed and dated ‘H.Garland 1898’ (lower right), inscribed with title, further signed and dated verso oil on canvas 61 x 91cm (24 x 35 13/16in).

£700 - 900

192AMELIA, LADy FARNBOROugH LONg (BRITISH, 1772-1837)An album of sketches and watercolours some signed ‘Am. Long’ or initialed watercolour and pencil various sizes; album size 37 x 26.45cm.

£500 - 700

189 189

190

192

26 | BONHAMS

193ENgLISH ScHOOL, 19TH cENTuRyPortrait of a girl with a basket of strawberries oil on canvas 62.5 x 54.5cm (24 5/8 x 21 7/16in).

£500 - 700

194kAREL OOMS (FLEMISH, 1845-1900)Portrait of a girl signed ‘K. Ooms’ and dated 1891 (upper right) oil on panel 41 x 27.5cm (16 1/8 x 10 13/16in).

£1,000 - 1,500

195 AR

MARjORIE cOX (BRITISH, 1915-2003)‘Anna’; ‘Sue’; ‘Gina’; ‘Teide’; ‘Kyrstie and Jamie’; ‘Bonnie’: A set of six portraits of terriers each signed, inscribed and variously dated pastel 38 x 32cm (14 15/16 x 12 5/8in). (6)

£500 - 700

193

194

195


196EugENE MARTIAL SIMAS (FRENcH, 19TH/20TH cENTuRy)Portrait of a lady signed (lower left) oil on canvas 101.6 x 49.5cm (40 x 19 1/2in).

£600 - 800

197AFTER BARTOLOMé ESTEBAN MuRILLO, 19TH cENTuRyThe Madonna and Child oil on canvas 97.4 x 65cm (38 3/8 x 25 9/16in).

£1,000 - 1,500

The present composition is after Murillo’s original, now in Galleria Borghese, Rome.

198FOLLOwER OF THOMAS SIDNEy cOOpER, RA (BRITISH, 1803-1902)Cattle and sheep in a landscape bears signatrure, oil on canvas 80 x 64cm (31 1/2 x 25 3/16in).

£500 - 700

199jOHN HENRy DELL (BRITISH, 1830-1888)The guinea pig seller signed with monogram (lower left), further signed with monogram and dated 1858 (on bench) oil on panel 25 x 20cm (9 13/16 x 7 7/8in).

£600 - 800

196

198

199

28 | BONHAMS

200OLIVER cLARE (BRITISH, 1853-1927)Green grapes, plums and raspberries on a ledge signed ‘Oliver Clare’ (lower right) oil on card 17 x 13cm (6 11/16 x 5 1/8in).

£500 - 700

201cIRcLE OF ALFRED VIckERS SNR. (BRITISH, 1786-1868)Cattle by a watermill in a wood oil on board 23.5 x 34cm (9 1/4 x 13 3/8in).

£400 - 600

202wILLIAM cuRRIE (BRITISH, LATE 19TH/EARLy 20TH cENTuRy)A river valley signed ‘Wm. Currie’ (lower right) oil on canvas 44.5 x 60cm (17 1/2 x 23 5/8in).

£600 - 800

203cIRcLE OF ALFRED VIckERS SNR. (BRITISH, 1786-1868)Traveller and livestock by a cottage bears signature and indistinctly dated ‘A.Vickers 1862 oil on canvas 29 x 39cm (11 7/16 x 15 3/8in).

£400 - 600

204 AR

wILLIAM gEORgE SIMMONDS (BRITISH, 1876-1968)Scene from a Midsummer Night’s Dream signed and dated ‘W.G.Simmonds 1908’ (lower right) oil on canvas 101 x 71cm (39 3/4 x 27 15/16in).

£700 - 1,000

Provenance Walter Ernest Webster and thence by descent

205ADOLpHE wILLETTE (FRENcH, 1857-1926)Study of a female nude seated upon a Corinthian column signed ‘ Wilette’ (lower right) pencil and blue crayon 30 x 9cm (11 13/16 x 3 9/16in).

206ADRIEN jEAN MADIOL (DuTcH, 1845-1892)Interior scene with figures by a table signed ‘A.J. MADIOL’ and dated 1881 (lower left) oil on canvas 61 x 48cm (24 x 18 7/8in).

£1,000 - 1,500

201 202

206


207 * AR

SyDNEy pERcy kENDRIck (BRITISH, 1874-1955)By the fireside signed ‘Sydney Kendrick’ (lower left) oil on canvas 45.7 x 61.6cm (18 x 24 1/4in).

£500 - 700

208THOMAS SMyTHE (BRITISH, 1825-1906)Horses grazing beneath an oak tree signed ‘TSmythe’ (lower left) oil on canvas 30.5 x 40.5cm (12 x 15 15/16in).

£500 - 700

209cIRcLE OF wILLIAM jAMES MüLLER (BRITISH, 1812-1845)Resting at the window watercolour heightened with white 30 x 12.5cm (11 13/16 x 4 15/16in).

£300 - 400

210DEAN wOLSTENHOLME THE yOuNgER (BRITISH, 1798-1882)Horse and foal in a parkland setting oil on canvas 45.5 x 61cm (17 15/16 x 24in).

£600 - 800

207

208

209

210

30 | BONHAMS

211AFTER SIR jOSHuA REyNOLDS (BRITISH, 1723-1792)Portrait of a young girl; and companion pastel (a pair) 58 x 52cm (22 13/16 x 20 1/2in). (2)

£500 - 700

This lot was reputedly purchased from the descendants of the Earl of Carlisle.

212 AR

TIM THOMpSON (BORN HuLL, 1951)Under fire signed ‘Tim Thompson’ (lower left) oil on canvas 30 x 40.3cm (11 13/16 x 15 7/8in).

£300 - 400

213AFTER SIR ANTHONy VAN DyckPortrait of Charles I, half-length in an oval mezzotint by John Smith, on laid 34 x 24.5cm (13 3/8 x 9 5/8in).(I) and an engraved portrait of Henrietta Maria after Mytens (2)

£200 - 300

214ATTRIBuTED TO THOMAS MILES RIcHARDSON SEN. (BRITISH, 1784-1848)Tynemouth Priory and Lighthouse watercolour 22.5 x 34cm (8 7/8 x 13 3/8in). to be sold with another watercolour attributed to Edward Richardson (British, 1810-1874) ‘Near Dunkeld’ 22 x 34cm. (2)

£300 - 500

215MANNER OF SIR EDwIN HENRy LANDSEER, RAStudy of a donkey oil on paper laid down on board 37.5 x 43cm (14 3/4 x 16 15/16in).

£700 - 900

216cIRcLE OF cHARLES jONES, RcA (BRITISH, 1836-1892)Sheep grazing by a highland lake bears monogram (lower right), oil on canvas, 24.5 x 34cm (9 5/8 x 13 3/8in).

£300 - 500

217jAMES w. BARTHOLOMEw (BRITISH?), 19TH cENTuRyShipping off a pier signed ‘J W Bartholomew’ (lower left), oil on canvas 51 x 105cm (20 1/16 x 41 5/16in).

£400 - 600

212

214

215


218DuTcH ScHOOL, 19TH cENTuRyCattle and sheep resting in a landscape oil on panel 30.4 x 37.6cm (11 15/16 x 14 13/16in).

£1,000 - 1,500

219pERcy ROBERT cRAFT (BRITISH, 1856-1934)St Stephen’s Gate, Jerusalem signed ‘Percy Craft’ (lower right), oil on canvas, 44 x 33cm (17 5/16 x 13in). together with another by the same hand - A Druce of the Anti-Lebanon, signed, pastel, 23.5 x 36.5cm (2).

£700 - 1,000

220 AR

ADRIANuS jOHANNES gROENEwEgEN (DuTcH, 1874-1963)Horses ploughing signed ‘A.J.Groenewegen’ (lower left) watercolour 29 x 39cm (11 7/16 x 15 3/8in).

£500 - 700

221ENgLISH ScHOOL, 19TH cENTuRyPortrait of a gentleman oil on canvas 76.8 x 64.2cm (30 1/4 x 25 1/4in).

£400 - 600

222 AR

HENDRIk jAN wESSELINg (DuTcH, 1881-1950)Figure punting on a river signed ‘W.J.Wesseling’ (lower left) oil on board 23 x 29cm (9 1/16 x 11 7/16in).

£500 - 700

218

219

219

221

32 | BONHAMS

223OLIVER cLARE (BRITISH, 1853-1927)Plums, gooseberries, raspberries and a peach on a ledge signed ‘Oliver Clare’ (lower right) oil on board 32 x 26cm (12 5/8 x 10 1/4in).

£500 - 700

224EDwARD HOyER (BRITISH, 19TH cENTuRy)Steamer on a moonlit sea signed and dated ‘EDW: HOYER.79.’ (lower left) oil on canvas 50 x 76cm (19 11/16 x 29 15/16in).

£1,000 - 1,500

225wILLIAM THORNLEy (BRITISH, 1857-1898)Unloading the catch, with numerous figures on the shore; and companion signed ‘W. Thornley’ (lower left) oil on canvas (a pair) 23.5 x 38cm (9 1/4 x 14 15/16in). (2)

£800 - 1,200

226guSTAVE DE BREANSkI (BRITISH, cIRcA 1856-1898)Castle on a Scottish headland signed ‘Gustave de Breanski’ (lower left) oil on canvas 61 x 91.5cm (24 x 36in).

£600 - 800

227gEORgE STANFIELD wALTERS (BRITISH, 1838-1924)Sunset off the Dutch coast signed ‘G.S. Walters’ and dated 1887 (lower left) oil on canvas 25 x 37cm (9 13/16 x 14 9/16in).

£500 - 700

228A. DE LEEuwE, 19TH cENTuRyLeading the horses signed ‘A De Leuuwe’ (lower right) oil on canvas 92 x 61cm (36 1/4 x 24in).

£700 - 1,000

229THOMAS cRESwIck (BRITISH, 1811-1869)River landscape with angler signed ‘Creswick RA’ (lower right), oil on canvas, 30 x 60cm (11 13/16 x 23 5/8in).

£300 - 500

224

225 225

226


230EDMuND MORISON wIMpERIS, VpRI (BRITISH, 1835-1900)Moorland landscape with drover and sheep signed with initials ‘E.M.W’ (lower right) watercolour 50 x 75cm (19 11/16 x 29 1/2in).

£500 - 700

231ENgLISH ScHOOL, 19TH cENTuRyPortrait of Hannah Gaskell, bust-length, in a black coat oil on canvas 76.4 x 63.9cm (30 1/16 x 25 3/16in).

£800 - 1,200

Provenance The Milnes Gaskell family of Thornes House, Wakefield and thence by descent. Exhibited Heaton Hall, Manchester City Art Galleries

232HENRy ScHAFER (BRITISH, DIED cIRcA 1900)Figures in a market place with a cathedral in the distance; and companion signed with monogram and dated 1887 (lower left and lower right) oil on board (a pair) 24 x 18cm (9 7/16 x 7 1/16in).2 (2)

£1,000 - 1,500

233j** LESLIE (LATE 19TH cENTuRy)Sheep resting by a pond signed ‘J.Leslie’ (lower right) oil on canvas 30 x 45.5cm (11 13/16 x 17 15/16in).

£300 - 500

234S. SABATINFeeding Time, a peasant girl feeding poultry in a barn interior, inscribed on plaque on mount, oil on canvas, 66.5 x 53.5cm (26 3/16 x 21 1/16in). indistinctly inscribed on old label verso.

£500 - 700

231

232 232

234

34 | BONHAMS

235 AR

ROwLAND LANgMAID (BRITISH, 1897-1956)J Class yachts racing signed ‘Rowland Langmaid’ (lower left) oil on canvas 24 x 45cm (9 7/16 x 17 11/16in). together with a signed etching by the artist of the Royal Yacht Victoria and Albert reviewing the Fleet 16th July 1935 (2)

£600 - 800

236wILLIAM LIONEL wyLLIE (BRITISH, 1851-1931)London Bridge signed in pencil ‘W L Wyllie’ (in the margin, lower left) etching 19 x 35cm (7 1/2 x 13 3/4in).(PL)

£350 - 500

237ENgLISH ScHOOL, 19TH cENTuRyFishing boats in squally waters, indistinctly signed and dated 1870 (lower left), oil on board 24 x 45cm (9 7/16 x 17 11/16in).

£600 - 800

238FREDERIck gORDON cROSBy (BRITISH, 1885-1943)An anti-submarine ship, signed and dated ‘F.Gordon Crosby/3/6/40’ (lower left), monochrome wash and bodycolour, 46.5 x 73cm (18 5/16 x 28 3/4in).

£250 - 350

239FOLLOwER OF cHARLES LEIckERT (DuTcH, 1816-1907)Frozen river landscape with figures crossing a bridge oil on canvas 48.5 x 66.5cm (19 1/8 x 26 3/16in).

£600 - 800

240gEORgE ARMFIELD (BRITISH, 1810-1893)Four spaniels in an interior signed ‘Armfield’ (lower right) oil on canvas 41 x 51cm (16 1/8 x 20 1/16in).

£500 - 700

235236

239

240


241REgINALD ARTHuR BORSTEL (AuSTRALIAN, 1875-1922)portrait of the ‘Port Jackson’ to be sold together with a watercolour portrait of ‘Medway’ attributed to the same hand. signed and dated ‘R.A.Borstel 09’ (lower left); inscribed ‘The Adelaide photo co Syd NSW’ (lower right) oil on board 45.5 x 61cm (17 15/16 x 24in).(2)

£500 - 700

242 AR

BERTRAM pRIESTMAN (BRITISH, 1868-1951)The River Ferry signed with initials and dated ‘BP 12’ (lower right) oil oncanvas 24 x 34cm (9 7/16 x 13 3/8in).

£600 - 800

243HENRy H. pARkER (BRITISH, 1858-1930)Figures and a dog walking in a country landscape signed ‘Henry H. Parker’ (lower left) watercolour 23.5 x 29cm (9 1/4 x 11 7/16in).

£300 - 500

244 AR

FRANk O. SALISBuRy (BRITISH, 1874-1962)Glen Strathfarrar, Scotland signed ‘Frank O. Salisbury’ (lower right) oil on board 38.7 x 51.6cm (15 1/4 x 20 5/16in).

£800 - 1,200

245 AR

MARIO NORFINI (ITALIAN, 1870-1956)A Pointer putting up a woodcock signed ‘NORFINI’ (lower left) oil on canvas 98 x 78cm (38 9/16 x 30 11/16in).

£400 - 600

246STEpHEN jOHN BATcHELDER (BRITISH, 1849-1932)‘Horsey Mere’ signed ‘S.J.Batchelder’ (lower left) watercolour 22 x 48.5cm (8 11/16 x 19 1/8in).

£600 - 800

241 245

246

36 | BONHAMS

247jOSEpH THORS (BRITISH, cIRcA 1843-1898)Summer landscape signed ‘J Thors’ (lower left) oil on panel 24.5 x 34.5cm (9 5/8 x 13 9/16in).

£500 - 700

Provenance With Frost and Reed.

248THOMAS SkAIFE (BRITISH, AcTIVE cIRcA 1840-1852)Portrait of Miss Newby inscribed verso ‘Portrait of Miss Newby by Thomas Skaife, 26 Charlotte St, Fitzroy Square, Exhibited in Royal Academy 1846, presented to Mrs Newby with the artist’s best respects April 13th 1848’ watercolour 10 x 8cm (3 15/16 x 3 1/8in). and another 19th Century portrait by another hand. (2)

£300 - 500

249AFTER jAcOB VAN RuISDAEL, 19TH cENTuRyThe shore at Egmond-aan-Zee, oil on canvas, 45 x 59cm (17 11/16 x 23 1/4in).

£600 - 800

250MANNER OF wILLIAM SHAyER, SNR.Hauling timber oil on canvas 51 x 76cm (20 1/16 x 29 15/16in).

£400 - 600

247

248

249

250


251jOHN jAMES cHALON (BRITISH, 1778-1854)‘The Haywain’ signed ‘J.J.Chalon’ (lower right) and titled on frame oil on canvas 71 x 91cm (27 15/16 x 35 13/16in).

£700 - 1,000

Provenance with MacConnal-Mason & Son, London

252ATTRIBuTED TO HENRy jOHN BODDINgTON (BRITISH, 1811-1865)Highland landscape with a lady and her dog by a lake signed ‘H. J. Boddington’ (lower right) oil on canvas 24.5 x 42cm (9 5/8 x 16 9/16in).

£600 - 800

253gEORgE cLARE (BRITISH, 1835-1890)Plums in a basket, apples and strawberries against a mossy bank signed ‘George Clare’ (lower right), further signed and inscribed with artist’s address verso oil on canvas 31 x 25.5cm (12 3/16 x 10 1/16in).

£700 - 900

254MANNER OF DAVID TENIERS THE yOuNgERThe Apothecary oil on copper 15.5 x 20cm (6 1/8 x 7 7/8in).

£200 - 300

251

252

253

254

38 | BONHAMS

255jOHN ANTHONy puLLER (BRITISH, AcTIVE 1821-1867)The tinker’s visit signed ‘J.A.Puller’ (lower right) oil on canvas 25.5 x 20.5cm (10 1/16 x 8 1/16in).

£800 - 1,200

256cIRcLE OF ALFRED VIckERS SNR. (BRITISH, 1786-1868)Drover and cattle fording a river oil on canvas 51 x 76cm (20 1/16 x 29 15/16in).

£500 - 700

257ATTRIBuTED TO gEORgE M. SuTHERLAND‘Cascade du Latour, Canterets, Pyrenees’ watercolour heightened with bodycolour and white 95 x 65cm (37 3/8 x 25 9/16in).

£300 - 400

258EugENE cLAuDE (FRENcH, 1841-DIED cIRcA 1922)Still life with poppies signed ‘Eug. Claude’ and dedicated to his daughter Fernande (lower right) oil on canvas 65.5 x 48.5cm (25 13/16 x 19 1/8in).

£600 - 800

259gEORgE AuguSTuS FREEzOR (BRITISH, AcTIVE 1861-1879)A mother with her baby in a cottage interior signed ‘G.A. Freezor’ and dated 1866 (lower left) oil on canvas 60.5 x 49.5cm (23 13/16 x 19 1/2in).

£400 - 600

260HOpkINS HORSLEy HOBDAy HORSLEy (BRITISH, 1807-1890)River landscape with Italianate buildings, a stone viaduct and figures intialled and dated ‘H.H.H.H./1843’ (lower right), oil on canvas, 42 x 75cm (16 9/16 x 29 1/2in).

£700 - 900

261ENgLISH ScHOOL, 19TH cENTuRyPortrait of a gentleman oil on canvas 47 x 39cm (18 1/2 x 15 3/8in).

£300 - 400

262wILFRED wILLIAMS (wILFRID) BALL (BRITISH, 1853-1917)Venice signed and dated ‘Wilfred Ball 1904’ (lower left) watercolour 33 x 56cm (13 x 22 1/16in).

£500 - 700

255 259

260

261


263STuART HENRy BELL (BRITISH, 1823-1896)‘A Dutch Galliott’ signed, inscribed and dated 1868 (verso) oil on canvas 24 x 34cm (9 7/16 x 13 3/8in).

£400 - 600

264 AR

STuART ScOTT SOMERVILLE (BRITISH, 1908-1983)Still life with tulips and other spring flowers in a classical urn signed ‘Stuart Somerville’ (lower right) oil on canvas 39.5 x 29.5cm (15 9/16 x 11 5/8in).

£600 - 800

265MARIA gIANNI (ITALIAN, 19TH cENTuRy)An Italian terrace overlooking the sea; A view of the Italian lakes both signed ‘M.Gianni’ (lower left and lower right) gouaches (a pair) 30 x 47cm (11 13/16 x 18 1/2in). (2)

£250 - 350

266AFTER HENRy wILLIAM BuNBuRyOrigin of the Gout etching, handcoloured, trimmed to image, 220 x 320mm, and a further seventeen etchings and lithographs of medical subjects by and after H.Humphrey and other hands, including T.Williamson and William Strang (18)

£600 - 800

267ENgLISH ScHOOL, 19TH cENTuRyThe Brig ‘Isabella’ coming into Malta (Valetta) harbour, 1855 inscribed below ‘Brig Isabella & Dorothy Capt. Arnatt coming into Malta Harbour 1855’ ink and watercolour heightened with white 41.5 x 57cm (16 5/16 x 22 7/16in).

£400 - 600

268ATTRIBuTED TO pATRIck DOwNIE RSw (BRITISH, 1854-1945)Vessels at sea oil on canvas 45 x 65cm (17 11/16 x 25 9/16in).

£500 - 700

264

263

266

267

40 | BONHAMS

269wILLIAM MANNERS (BRITISH, 1860-1930)Cottages at Levens, near Kendal; Backbarrow Scaur, Long Steddall signed ‘W. MANNERS’ (lower left and right respectively) watercolour (a pair) 13 x 18cm (5 1/8 x 7 1/16in). (2)

£500 - 700

270MANNER OF jOHN cONSTABLE R.A.The Lock oil on canvas 37 x 49.5cm (14 9/16 x 19 1/2in).

£300 - 500

271HARRy SuTTON pALMER, R.I. (BRITISH, 1854-1933)‘Loch Marn’ signed ‘Sutton Palmer’ (lower right) watercolour 36 x 53cm (14 3/16 x 20 7/8in).

£700 - 900

272jOSEpH jOHN jENkINS (BRITISH, 1811-1885)‘The old ferry boat on the Blythe, Suffolk’ signed ‘Jos. J.Jenkins 1882’ (lower right); inscribed to an old label on the back watercolour 18 x 40.5cm (7 1/16 x 15 15/16in).

£500 - 700

273EVERT pIETERS (DuTcH, 1856-1932)Figures on the shore signed ‘E. Pieters’ (lower left) oil on panel 18.5 x 28.5cm (7 5/16 x 11 1/4in).

£800 - 1,200

269

271

272

273


274cIRcLE OF ARTHuR BOyD HOugHTON (BRITISH, 1836-1875)Portrait of a young girl with her doll and pet dog by a fire oil on canvas 24.5 x 19.5cm (9 5/8 x 7 11/16in).

£500 - 700

275ANDRE EDMOND ALFRED cLuySENAAR (BELgIAN, 1872-1939)Portrait of Hermina Constance Simpson signed ‘Andre Cluysenaar’ and dated 1919 (lower right) oil on panel 31.5 x 23cm (12 3/8 x 9 1/16in).

£800 - 1,200

Hermina Constance Simpson, nee Moritz, born 1903, daughter of Dr. K. A. Moritz of Kensington. This portrait was painted as payment for medical treatment by Dr. Moritz, and has been consigned to sale by the nephew of the sitter.

276gROSVENOR THOMAS (BRITISH, 1856-1923)Cottages by a river signed ‘GROSVENOR THOMAS’ (lower right) oil on board 24.5 x 34cm (9 5/8 x 13 3/8in).

£500 - 700

277 AR

wILLIAM THOMAS wOOD (BRITISH, 1877-1958)Still life of roses in a glass vase signed ‘William T. Wood’ (lower left) oil on canvas 44 x 39cm (17 5/16 x 15 3/8in).

£500 - 700

274 275

276

277

42 | BONHAMS

278ERNEST HENRI gRISET (FRENcH, 1844-1907)Study of a lion on rocky ground signed ‘Ernest Griset’ (lower left) charcoal and wash 50.5 x 72.5cm (19 7/8 x 28 9/16in).

£500 - 700

279AFTER SIR THOMAS LAwRENcE, pRAPortrait of John Abernethy F.R.S (1764-1831), standing three-quarter length by a table, together with a companion portrait of a lady, thought to be his wife, a pair, oil on board and oil on canvas, 42.5 x 35cm (16 3/4 x 13 3/4in).

£700 - 1,000

This composition of John Abernethy is a copy after the original in St Bartholomew’s Hospital.

280ATTRIBuTED TO EVERARD HOpkINS (BRITISH, 1860-1928)‘Prosperine’ pastel 74 x 40.5cm (29 1/8 x 15 15/16in).

£700 - 900

281wILLIAM pAyNE (BRITISH, 1760-1830)Fisherman in a cave signed ‘W Payne’ watercolour 7.5 x 11cm (2 15/16 x 4 5/16in). Together with William Douglas, a portrait of a child on a toy cart before a parkland, signed and dated 1808 26 x 21cm and William Hoare, a portrait of a lady wearing broad brimmed hat, pencil and red chalk 22 x 17cm (3).

£400 - 600

Provenance (Wm Payne) With Martyn Gregory, London.

278 279

280


282ROBERT FOwLER (BRITISH, 1853-1926)Impressionist landscape with figures by the lakeside signed ‘Robt Fowler’ (lower right) oil on canvas 61 x 41cm (24 x 16 1/8in).

£300 - 400

283MARIE wEgERStill life of chinese works of art signed ‘M.Weger’ (lower right) oil on board 28 x 38.5cm (11 x 15 3/16in). and a further seventeen works by and after various artists, including a book of poems (18)

£100 - 150

284gEORgE STANFIELD wALTERS (BRITISH, 1838-1924)A Dutch waterway signed and dated ‘G.S.Walters 1888’ (lower left), oil on canvas, 29.5 x 50cm (11 5/8 x 19 11/16in).

£800 - 1,200

285ENgLISH ScHOOL, cIRcA 1820Coastal scene with windmill and boats oil on board 15 x 19.5cm (5 7/8 x 7 11/16in).

£300 - 500

286jOHN MAcpHERSON (BRITISH, AcTIVE 1858-1884)Fisherfolk on the shore before Barnbougle Castle signed and dated ‘J.Macpherson.1864.’ (lower right) oil on canvas 22.8 x 45.7cm (9 x 18in).

£500 - 700

287ATTRIBuTED TO THOMAS ROwLANDSON (LONDON 1756-1827)The Alchemist pencil 13.2 x 19.2cm (5 3/16 x 7 9/16in).

£300 - 400

The present composition is a copy after David Teniers the Younger’s original painting, now in the Mauritshuis, The Hague.

288OLIVER cLARE (BRITISH, 1853-1927)Still life of a birds nest, eggs, flowers and rose hips; Still life of a birds nest, eggs and flowers, a pair the first signed ‘Oliver Clare’ (lower right) the second signed and dated ‘Oliver Clare 97’(lower right) oil on canvas, each 24 x 19cm (9 7/16 x 7 1/2in). (2)

£500 - 700

282

284

286

44 | BONHAMS

289LEwIS jOHN wOOD (BRITISH, 1813-1901)Market scene in front of a cathedral signed ‘L.J.Wood’ (lower right) watercolour 31 x 23cm (12 3/16 x 9 1/16in).

£500 - 700

290cIRcLE OF ALFRED MONTAguE (BRITISH, 1832-1883)Fishing boats off a harbour oil on canvas, 69 x 90cm (27 3/16 x 35 7/16in).

£700 - 900

291wILLIAM SIMpSON (BRITISH, 1823-1899)A view of Bombay grisaille watercolour 26.5 x 42cm (10 7/16 x 16 9/16in).

£300 - 500

Literature Mildred Archer, Visions of India, Sketchbooks of William Simpson, (Oxford 1986)

292cARL SIEgFRIED STOITzNER (AuSTRIAN, 1866-1943)Striking a deal signed ‘Stoitzner’ (upper right) oil on panel 33.5 x 44.5cm (13 3/16 x 17 1/2in).

£500 - 700

289 290

291

292


293STEpHEN jOHN BATcHELDER (BRITISH, 1849-1932)‘Calm and Quiet - Horning Church’ signed lower left watercolour 29 x 43.5cm (11 7/16 x 17 1/8in).

£500 - 700

294 AR

STuART ScOTT SOMERVILLE (BRITISH, 1908-1983)Mixed Spring flowers in a glass vase signed ‘Stuart Somerville’ and dated ‘50 (lower right) oil on board 44.5 x 59.5cm (17 1/2 x 23 7/16in).

£500 - 700

295 AR

juLIETTE gOuRy (FRENcH, 1878-1954)Begonias in a wicker basket signed ‘Juliette Goury’ (lower left) watercolour (oval) 52 x 64cm (20 1/2 x 25 3/16in).

£500 - 700

296ENgLISH ScHOOL, 19TH cENTuRyPortrait of a Lieutenant Colonel oil on canvas 54 x 46cm (21 1/4 x 18 1/8in).

£300 - 500

293

294

295

296

46 | BONHAMS

297ROBERT FOwLER (BRITISH, 1853-1926)‘Mistscape Dock Liverpool - Hazy morning’ signed ‘Robt Fowler (lower right), also inscribed on label von the reverse oil on canvas 41 x 56cm (16 1/8 x 22 1/16in). Together with another by the same hand a view across the Menai Strait towards Bangor signed ‘Robert Fowler’ with inscription verso oil on canvas 36 x 51cm (2).

£300 - 500

298MANNER OF jOHN FREDERIck HERRINg, jNR., LATE 20TH cENTuRyHorse and pigs; bull in a field, a pair oil on board 19 x 22cm (7 1/2 x 8 11/16in). (2)

£500 - 700

299 AR

ALBERT EDwARD VIcTOR LILLEy (BRITISH, 1868-1954)Barges at Sluys, Holland signed and dated ‘A.E.V.Lilley.02’ (lower left), further signed and inscribed ‘A canal in Holland’ verso oil on canvas 76 x 56cm (29 15/16 x 22 1/16in).

£600 - 800

Provenance By descent from the artist

300wILLIAM ANSLOw THORNLEy (BRITISH, 19TH cENTuRy)Steam boat and sailing vessels at sunset; and companion each signed with monogram (lower right and lower left) oil on panel 19.5 x 13.5cm (7 11/16 x 5 5/16in). (2)

£500 - 700

301HENRy HADFIELD cuBLEy (BRITISH, AcTIVE 1882-1904)An oatfield, Luss, Loch Lomond signed and dated ‘H Hadfield Cubley 1886’ (lower right) and inscribed verso ‘An oatfield, Luss Loch Lomond NB, Painted on the spot, H Hadfield Cubley 1886/87, Montpellier, Matlock-Bath 60 x 90cm (23 5/8 x 35 7/16in).

£800 - 1,200

302HENRy EDRIDgE (BRITISH, 1769-1821)Portrait of Sir Foster and Lady Cunliffe pencil and watercolour on paper 44.2 x 36.8cm (17 3/8 x 14 1/2in). together with two further portraits, identified by labels verso, of members of the Milnes Gaskell family(3)

£500 - 700


299 300 300

302


303cIRcLE OF ONORIO MARINARI (FLORENcE 1627-1715)The Penitent Magdalene oil on canvas 68.9 x 52.2cm (27 1/8 x 20 9/16in). unframed

£700 - 1,000

Provenance Poss. W.T Elder, Poss. sale, Christie’s, London 1/2/1862, lot 143 (to Fox)

304cHARLES DuDLEy (BRITISH, 19TH/20TH cENTuRy)Chickens and chicks in a farmyard, a pair signed ‘Chas Dudley’ (lower right) oil on canvas 38.5 x 29cm (15 3/16 x 11 7/16in).

£500 - 700

305H j wILSON, 19TH cENTuRy ScHOOLFigures in boats in a north European townscape; and companion signed ‘H.J. Wilson’ (lower right) oil on board (a pair) 39 x 20cm (15 5/16 x 7 13/16in). (2)

£600 - 800

306 AR

FRANk wATSON wOOD (BRITISH, 1862-1953)A view of Berwick-upon-Tweed signed ‘Frank Wood’ and dated 1906 (lower right) watercolour 40 x 80cm (15 11/16 x 31 7/16in).

£1,000 - 1,500

307j H BENTLEy (BRITISH, 19TH cENTuRy)Portrait of a young girl signed ‘J H Bentley’ (upper right) oil on canvas 104 x 65cm (40 15/16 x 25 9/16in).

£800 - 1,200

303 304 304

306

48 | BONHAMS

308BENjAMIN wILLIAMS LEADER, RA (BRITISH, 1831-1923)‘On the Severn, near Worcester’ signed ‘B.W. LEADER’ and dated 1899 (lower left) oil on board 19 x 29cm (7 1/2 x 11 7/16in).

£500 - 700

309HANS TEMpLE (AuSTRIAN, 1857-1931)Altar at Durnstein church, Austria signed ‘Temple’ and inscribed ‘Duernstein’ (lower right) oil on board 71 x 51cm (27 15/16 x 20 1/16in).

£300 - 500

310EDwIN FREDERIck HOLT (BRITISH, 1830-1912)Returning Home with the Hay; The Hay Cart back in the Barn, a pair both signed ‘E F Holt 1897’ (lower right) oil on canvas 39 x 60cm (15 3/8 x 23 5/8in). (2)

£600 - 800

311cONTINENTAL ScHOOL (LATE 19TH cENTuRy)Still life study of a bullfinch with fruit and a vase of flowers indistinctly signed and dated 1893 (lower left) oil on canvas, 52 x 66cm (20 1/2 x 26in).

£500 - 700

312FRANk DADD (BRITISH, 1851-1929)The Lights of Home signed and dated ‘Frank Dadd 1929’ (lower right) watercolour 35 x 53cm (13 3/4 x 20 7/8in).

£500 - 700

313RALpH TODD (BRITISH, 1856-1932)An old fisherman’s wife signed ‘Ralph Todd’ (upper right) watercolour 24.5 x 18cm (9 5/8 x 7 1/16in).

£500 - 700

308

309

313


314OLIVER cLARE (BRITISH, 1853-1927)Plums, apples and a strawberry on a ledge signed ‘Oliver Clare’ (lower right) oil on board 29 x 21cm (11 7/16 x 8 1/4in).

£500 - 700

315EDMuND gILL (BRITISH, 1820-1894)Near Betws-Y-Coed, North Wales, a pair one signed and dated ‘E Gill, 1880’ (lower left) oil on canvas 29 x 39.5cm (11 7/16 x 15 9/16in). (2)

£800 - 1,200

316DEAN wOLSTENHOLME THE yOuNgER (BRITISH, 1798-1882)Bay hunter before a parkland view signed and dated ‘Dean Wostenholme Jnr 1828’ (lower left) oil on canvas 46 x 61cm (18 1/8 x 24in).

£500 - 700

317EgRON SILLIF LuNDgREN (SwEDISH, 1815-1875)An exotic beauty, signed with initials ‘E.L.’ (centre right), watercolour, 51 x 36.5cm (20 1/16 x 14 3/8in).

£500 - 700

318kINIcHIRO ISHIkAwA (jApANESE, 1871-1945)Figure in a Japanese landscape signed ‘Kin-Ishikawa’ (lower right) watercolour 47.7 x 31cm (18 3/4 x 12 3/16in).

£500 - 700

319kINIcHIRO ISHIkAwA (jApANESE, 1871-1945)Figure in a Japanese landscape signed ‘Kin-Ishikawa’ (lower right) watercolour 47 x 29cm (18 1/2 x 11 7/16in).

£500 - 700

Provenance Universal Exhibition 1900, Paris (as per label verso)

316

318

319

50 | BONHAMS

320FRANk DILLON (BRITISH, 1823-1909)Figures in a Japanese landscape signed ‘F. Dillon’ (lower right) watercolour heightened with white 30.5 x 50.5cm (12 x 19 7/8in).

£500 - 700

It has been suggested that the present lot depicts Edo Palace (now the Imperial Palace) in Tokyo.

321gEORgE OySTON (BRITISH, 1861-1937)Harvest landscape signed ‘George Oyston’ and dated 1920 (lower right) watercolour 27 x 37cm (10 5/8 x 14 9/16in). and two further similar watercolours by the same hand. (3)

£500 - 600

322jAMES jAckSON cuRNOck (BRITISH, 1839-1891)Haymaking - The Langdale Pikes signed and dated ‘J.Jackson Curnock 1888’ (lower right), watercolour, 30 x 38cm (11 13/16 x 14 15/16in).

£500 - 700

323No lot

324jAMES cLARk (BRITISH, 1858-1943)The Runaway signed ‘J Clark & Son’ (lower right) oil on canvas 50.8 x 68.6cm (20 x 27in).

£500 - 700

325ROBERT ANTOINE MüLLER (BRITISH, 19TH cENTuRy)The story signed ‘R.A.Muller’ (lower right) oil on canvas 40.7 x 30.5cm (16 x 12in).

£500 - 700

320

321

322

325


326THOMAS wHITTLE SENIOR (AcTIVE 1840-1868)Sheep in a mountainous landscape; Moonlit mountainous landscape signed ‘T. Whittle 1863’ (lower right and lower left) oil on canvas (first) and oil on board (second) 20 x 29.5cm (7 7/8 x 11 5/8in). (2)

£500 - 700

327THOMAS R. HuSON (BRITISH, 1844-1920)Coastal scenes, a pair oil on board 14 x 21.5cm (5 1/2 x 8 7/16in). (2)

£600 - 800

328ENgLISH ScHOOL, 19TH cENTuRyPortrait of a lady in a blue dress oil on canvas, within a painted oval 75 x 63cm (29 1/2 x 24 13/16in).

£1,000 - 1,500

329gABRIEL MATHIEu (FRENcH, 1843-1921)Fishing on the Marne signed ‘Gabriel Mathieu’ (lower left) oil on canvas 47 x 63cm (18 1/2 x 24 13/16in).

£500 - 700

Provenance Possibly with Frost and Reed, remains of a gallery label verso

330FRANk HOLL (BRITISH, 1845-1888)‘Her First Born, Horsham churchyard (Funeral of the First Born)’, a study signed with initials ‘F. H. 17. 1874’ (lower right), with labels verso watercolour 22 x 33cm (8 11/16 x 13in).

£500 - 700

This watercolour is a study for the painting in the collection of Dundee Art Galleries and Museums.

326326

328

329

52 | BONHAMS

331 AR

SAMuEL jONH LAMORNA BIRcH (BRITISH, 1869-1955)A moorland river, with angler on the bank signed ‘S. J. Lamorna Birch’ (lower right) watercolour, unframed 24 x 34cm (9 7/16 x 13 3/8in).

£350 - 500

332 AR

TOM kEATINg (BRITISH, 1918-1984)A mystical landscape with travellers signed ‘Tom Keating’ (lower right) oil on canvas 61 x 91cm (24 x 35 13/16in).

£300 - 500

333THOMAS wALLEy (1817-1878)A double portrait of Ann Norman (1851-1934) and James Norman (1853-1902) as children, and another similar of Mary Norman (1856-1895) and John Norman, circular, a pair oil on canvas 61 cm (diameter). (2)

£600 - 800

334THOMAS wALLEy (1817-1878)A portrait of Catherine Norman (1818-1903), half length, on a terrace oil on canvas 76 x 62cm (29 15/16 x 24 7/16in). Together with another by the same artist, a portrait of Mary Anne Walley (1819-1843) inscribed verso, oil on board 32 x 26cm (2).

£500 - 700

The following twelve lots come from the estate of Walter Ernest Webster and are all that remained in his studio following his death in 1959. The paintings were originally archived by the artist’s widow and have descended through the family and appear here at auction for the very first time. Born in Manchester in 1878, Walter Ernest Webster attended the Royal College of Art in London before embarking on a successful career as a portraitist with a particular interest in ballet, theatre and the female nude, all of which can be seen in this exciting group of works. Webster exhibited widely, showing at the Royal Academy, Paris Salon and the Boston Museum to name but a few. His works can also be found in various public and private collections.

335 AR

wALTER ERNEST wEBSTER (BRITISH, 1878-1959)The China Ornaments, to be sold together with a collection of prints and two watercolour sketches by the same hand studio stamp bearing the artist’s wife’s signature to verify authenticity on the reverse oil on canvas 76 x 63.5cm (29 15/16 x 25in).unframed (9)

£500 - 700

336 AR

wALTER ERNEST wEBSTER (BRITISH, 1878-1959)Rae Reclining Nude fragment of artist’s studio label bearing address attached to the stretcher oil on canvas 102 x 76cm (40 3/16 x 29 15/16in).

£500 - 700

331 332

336


337 AR

wALTER ERNEST wEBSTER (BRITISH, 1878-1959)The Gown (Portrait of Rae three quarter length) fragment of artist’s studio label bearing title and address attached to the stretcher oil on canvas 102 x 76cm (40 3/16 x 29 15/16in).

£500 - 700

338 AR

wALTER ERNEST wEBSTER (BRITISH, 1878-1959)Portrait of a Young Lady in Floral Summer Dress to be sold together with a framed oil on canvas Portrait of a Young Lady Seated by the same hand studio stamp bearing the artist’s wife’s signature to verify authenticity on the reverse oil on canvas 102 x 76cm (40 3/16 x 29 15/16in).unframed (2)

£600 - 800

339 AR

wALTER ERNEST wEBSTER (BRITISH, 1878-1959)Portrait of a Young Lady in Floral Dress to be sold together with a oil on canvas portrait of a lady seated in a red cardigan by the same hand both signed ‘Webster’ (lower right) oil on canvas 90.5 x 71cm (35 5/8 x 27 15/16in).(2)

£500 - 700

340 AR

wALTER ERNEST wEBSTER (BRITISH, 1878-1959)Portrait of a Young Lady in White and another in Blue (a pair) both signed ‘Webster’ (lower left and lower right) oil on canvas 75.5 x 63.5cm (29 3/4 x 25in).

£500 - 700

341 AR

wALTER ERNEST wEBSTER (BRITISH, 1878-1959)Still Life with Gladioli to be sold together with a signed oil on canvas sketch of a girl in a red shawl signed ‘Webster’ (lower right) oil on canvas 40.5 x 51cm (15 15/16 x 20 1/16in).(2)

£500 - 700

342 AR

wALTER ERNEST wEBSTER (BRITISH, 1878-1959)The Green Shawl to be sold together with two nude oil sketches and another of a lady in white by the same hand studio stamp bearing the artist’s wife’s signature to verify authenticity on the reverse oil on canvas 75.5 x 63.5cm (29 3/4 x 25in).(4)

£500 - 700

343 AR

wALTER ERNEST wEBSTER (BRITISH, 1878-1959)Nude Studies (a pair) to be sold together with a oil on canvas portrait of a girl seated in red by the same hand studio stamp bearing the artist’s wife’s signature to verify authenticity on the reverse oil on canvas 50.5 x 40.5cm (19 7/8 x 15 15/16in).(3)

£500 - 700

344 AR

wALTER ERNEST wEBSTER (BRITISH, 1878-1959)The Red Dress, to be sold together with three further unframed oil on canvas sketches of seated young ladies by the same hand studio stamp bearing the artist’s wife’s signature to verify authenticity on the reverse oil on canvas 60.5 x 50.5cm (23 13/16 x 19 7/8in).(4)

£500 - 700

337 340

54 | BONHAMS

345 AR

wALTER ERNEST wEBSTER (BRITISH, 1878-1959)Nude Studies (a pair), to be sold together with two further oil on canvas nude sketches studio stamp bearing the artist’s wife’s signature to verify authenticity on the reverse oil on canvas 30 x 25cm (11 13/16 x 9 13/16in).(4)

£500 - 700

346 AR

wALTER ERNEST wEBSTER (BRITISH, 1878-1959)La Poupee, to be sold together with the below literature reference signed ‘Webster’ (upper left) oil on canvas 101 x 76cm (39 3/4 x 29 15/16in).

£2,000 - 4,000

Literature Ladies Home Journal, Bernice Brown, ‘The French Doll’, July 1929, illustrated

OLD MASTER pAINTINgS & DRAwINgS

347ATTRIBuTED TO jOHN RApHAEL SMITH (DERBy 1752-1812 DONcASTER)Portrait of a gentleman, traditionally identified as John Milnes of Wakefield, bust-length, in a black coat pastel on paper laid down on canvas 57.1 x 47cm (22 1/2 x 18 1/2in).

£500 - 700


348FOLLOwER OF jAcOpO DA pONTE, cALLED BASSANO (BASSANO cIRcA 1510-1592)Autumn; and Summer, a pair oil on canvas 59 x 75cm (23 1/4 x 29 1/2in). (2)

£2,000 - 3,000

The present pair are derived from Jacopo Bassano’s ‘The Four Seasons’ which are in the Kunsthistorisches Museum in Vienna.

346 347


349AFTER THOMAS HuDSON, 18TH cENTuRyPortrait of Edward Willes, Bishop of Wells, half-length, in clerical robes oil on canvas 75.6 x 56cm (29 3/4 x 22 1/16in).

£400 - 600

The present composition is after Thomas Hudson’s original, now in The Bishop’s Palace & Gardens, Wells, Somerset.

350FOLLOwER OF jEAN ANTOINE wATTEAu (VALENcIENNES 1684-1721 NOgENT-SuR-MARNE)Fête galante oil on canvas 35 x 30.4cm (13 3/4 x 11 15/16in).

£500 - 700

351FOLLOwER OF gERARD HOET (BOMMEL 1648-1733 THE HAguE)Finding of Moses oil on canvas, 26.5 x 21.5cm (10 7/16 x 8 7/16in).

£500 - 700

352FLORENTINE ScHOOL, 18TH cENTuRyBacchus and Ariadne oil on canvas 119.5 x 89.7cm (47 1/16 x 35 5/16in).

£2,000 - 3,000

348 348

350

352

56 | BONHAMS

353MANNER OF jAN VAN kESSEL THE ELDER, 19TH cENTuRyStill life of fruit and flowers, a pair oil on panel 17 x 26cm (6 11/16 x 10 1/4in). (2)

£1,500 - 2,500

354ENgLISH ScHOOL, 17TH cENTuRyPortrait of a lady, said to be Queen Anne bears inscription ‘ANNA D.G.ANGL*REGINA’ (upper right) oil on canvas 66.1 x 55.2cm (26 x 21 3/4in). together with a portrait of King Louis of Hungary (2)

£2,000 - 3,000

355 *

ITALIAN ScHOOL, 18TH cENTuRyA cockerel and a guinea pig oil on canvas 45.5 x 35.5cm (17 15/16 x 14in).

£600 - 800

356MARc ANTOINE BILcOq (pARIS 1755-1838)A kitchen interior with a young woman cleaning copper pans; and A kitchen interior with a young woman holding a basket a pair, oil on canvas 17.7 x 15cm (6 15/16 x 5 7/8in). (2)

£1,000 - 1,500

Provenance With Eric Turquin, May 1982

353 354

355

356

356


357gERMAN ScHOOL, 18TH cENTuRyConvolvulus, carnations, roses, sweet peas and poppies in a vase oil on canvas 38.5 x 33.5cm (15 3/16 x 13 3/16in).

£1,000 - 1,500

Provenance Sale, Sotheby’s, London, 9 October 1968, lot 69

358W

AFTER cARLO MARATTA, 17TH cENTuRyThe Marriage of the Virgin oil on canvas 134.1 x 92.9cm (52 13/16 x 36 9/16in). unframed

£1,000 - 1,500

The present composition is after Maratta’s original work, which was offered for sale at Christie’s, London, 11 April 1986, lot 71.

359FOLLOwER OF pHILIpS wOuwERMAN (HAARLEM 1619-1668)Figures outside an inn oil on panel 38.8 x 47.8cm (15 1/4 x 18 13/16in).

£1,000 - 1,500

Provenance With Frost and Reed, London (according to a label on the reverse)

357 358

359

58 | BONHAMS

360ITALIAN ScHOOL, 17TH cENTuRyAn extensive river landscape with drovers and their herd before a town oil on canvas 76.2 x 122.2cm (30 x 48 1/8in).

£800 - 1,200

361cIRcLE OF pIETER jAcOBSz. VAN LAER (HAARLEM cIRcA 1582-cIRcA 1642)Card players oil on canvas 34.5 x 28cm (13 9/16 x 11in).

£700 - 1,000

362ATTRIBuTED TO EgBERT VAN HEEMSkERck THE yOuNgER (HAARLEM cIRcA 1676-1744 LONDON)A hermit monk signed ‘E.H***ck’ (lower left) oil on canvas 25.8 x 31.1cm (10 3/16 x 12 1/4in). unframed

£500 - 700

363FOLLOwER OF cARLO MARATTA (ITALIAN, 1625-1713)The Virgin Reading oil on panel 20 x 12cm (7 7/8 x 4 3/4in).

£800 - 1,200

360 361

362

363


364FRENcH ScHOOL, 18TH cENTuRyPortrait of a lady opening a door bears intials ‘Jw.’ (lower left) oil on canvas 19.1 x 14.4cm (7 1/2 x 5 11/16in).

£600 - 900

365cIRcLE OF MIcHAEL DAHL (STOckHOLM 1659-1743 LONDON)Portrait of a Judge oil on canvas 123 x 100.5cm (48 7/16 x 39 9/16in).

£800 - 1,200

366AFTER MIcHEL DORIgNy, 17TH cENTuRyBacchanal of Children red chalk 20.5 x 16.5cm (8 1/16 x 6 1/2in).

£400 - 600

367ENgLISH ScHOOL, 18TH cENTuRyPortrait of a gentleman, tradionally identified as Prince James Francis Edward Stuart, bust-length, in armour and an ermine cloak, within a painted oval oil on canvas 28.1 x 36.1cm (11 1/16 x 14 3/16in).

£500 - 700

368AFTER SIR pETER pAuL RuBENS, 18TH cENTuRyDrunken Silenus held up by his companions oil on canvas 87 x 72cm (34 1/4 x 28 3/8in).

£500 - 700

364 365

366367

368

60 | BONHAMS

369 *

NEApOLITAN ScHOOL, 18TH cENTuRyFish on the bank of a river oil on canvas laid down on panel, a pair 20.2 x 25.7cm (7 15/16 x 10 1/8in). (2)

£700 - 1,000

370DEAN wOLSTENHOLME THE ELDER (BRITISH, 1757-1837)The Epping Hunt oil on canvas 33.5 x 64cm (13 3/16 x 25 3/16in).

£600 - 800

371ITALIAN ScHOOL, 19TH cENTuRyThe Madonna and Child with the Infant Saint John the Baptist oil on canvas 46.2 x 56.2cm (18 3/16 x 22 1/8in).

£500 - 700

372FLEMISH ScHOOL, 18TH cENTuRySaint Anthony in the Desert; and Saint Anthony Visitng Saint Paul the Hermit a pair, oil on canvas 20.6 x 32.2cm (8 1/8 x 12 11/16in). (2)

£500 - 700

373FOLLOwER OF cORNELIS VAN pOELENBuRgH (uTREcHT cIRcA 1586-1667)Nymphs surprised bathing oil on panel 20 x 27.5cm (7 7/8 x 10 13/16in).

£400 - 600

369369

371


374MANNER OF FRANcEScO guARDI, 20TH cENTuRyView of the Doge’s Palace, Venice oil on canvas 46.2 x 64.6cm (18 3/16 x 25 7/16in). together with a 20th Century View of The Rialto Bridge, Venice (2)

£2,000 - 3,000

375MANNER OF DAVID TENIERS THE yOuNgER, 19TH cENTuRyFigures in a kitchen interior oil on canvas 32.5 x 45cm (12 13/16 x 17 11/16in). (unframed)

£600 - 800

376cIRcLE OF SIR gODFREy kNELLER (BRITISH, 1646-1723)Portrait of a lady, three-quarter-length, in mourning oil on canvas laid down on board 122.5 x 96.8cm (48 1/4 x 38 1/8in).

£1,500 - 2,000

377ENgLISH ScHOOL, 18TH cENTuRyPortrait of a gentleman, bust length, wearing a long grey wig, brown jacket and fringed white cravat, framed oval oil on canvas 75 x 63cm (29 1/2 x 24 13/16in).

£300 - 500

374374

376377

62 | BONHAMS

378FOLLOwER OF FRANcIS BARLOw (BRITISH, 1626-1704)A duck and ducklings on the water oil on canvas 43 x 82cm (16 15/16 x 32 5/16in).

£500 - 700

379FLEMISH ScHOOL, 18TH cENTuRyFigures merrymaking outside a tavern oil on canvas 68.5 x 127.5cm (26 15/16 x 50 3/16in).

£1,000 - 2,000

380FOLLOwER OF pIETER VAN BLOEMEN, cALLED STANDARD (ANTwERp 1657-1720)Bandits attacking a coach party, on a country path oil on canvas 42.8 x 65.6cm (16 7/8 x 25 13/16in).

£700 - 900

381MANNER OF HANS HOLBEIN THE yOuNgER, 19TH cENTuRyPortrait of Henry Wyatt, half-length, seated with a cat and a bird oil on canvas 76.7 x 63.8cm (30 3/16 x 25 1/8in).

£500 - 700

The figure in the present composition is a direct copy of Holbein’s half-length portrait of Sir Henry Wyatt, now in the Musee du Louvre, Paris.

378

379

380

381


382cIRcLE OF pIERRE-pAuL pRuD’HON (cLuNy 1758-1823 pARIS)An Allegory of Love bears inscription in black chalk ‘Prud’hon’ (verso) black and white chalk on faded blue paper 22.5 x 16.2cm (8 7/8 x 6 3/8in).

£400 - 600

Provenance Sale, Paris, Hôtel Drouot, Jean-Marc Delvaux, 28 March 2001, lot 12.

383DuTcH ScHOOL, 17TH cENTuRyShipping in a stormy sea bears intitals ‘wvf’ (on spar, centre left) oil on panel 48.8 x 73.5cm (19 3/16 x 28 15/16in).

£600 - 800

384FIRMIN pERLIN (VERSAILLES 1747-1783 pARIS)Figures within an architectural setting signed and dated ‘F. Perlin 1771’ (on plinth, lower right) pencil, pen, brown ink and watercolour on paper, heightened with white 34.5 x 48.8cm (13 9/16 x 19 3/16in).

£500 - 700

385ITALIAN ScHOOL, 18TH cENTuRyArchangel Gabriel with the Christ Child oil on canvas 133 x 79.5cm (52 3/8 x 31 5/16in).

£800 - 1,200

382

383

384

385

64 | BONHAMS

386cIRcLE OF wILLIAM pAyNE (BRITISH, 1760-1830)View of a track beneath trees and lake to the right; Horse-drawn wagon on a track overlooked by a cottage bears signature ‘W.Payne’ (lower centre) watercolour 18 x 24cm (7 1/16 x 9 7/16in).(oval) (2)

£300 - 400

387FOLLOwER OF DAVID TENIERS THE yOuNgER (ANTwERp 1610-1690 BRuSSELS)Interior with a seated figure raising a carafe oil on panel 29.2 x 36.2cm (11 1/2 x 14 1/4in).

£300 - 400

388AFTER SIR pETER pAuL RuBENS, 18TH cENTuRyHero and Leander oil on canvas 83.2 x 110.2cm (32 3/4 x 43 3/8in).

£1,000 - 1,500

The present composition is after Rubens’ original, now in Gemäldegalerie Alte Meister, Dresden.

389AFTER gIOVANNI BATTISTA pIAzzETTA (ITALIAN, 1682-1754)After Giovanni Battista Piazzetta (Italian, 1682-1754) Four Mezzotint Portraits A man in a feather cap with a lupe, a young boy with a basket, a boy with a flag and an old woman with a necklace, engraved by Johann Lorenz Haid, c.1750s, published by Johann Christian Leopold, in the original ebonised and parcel gilt frames, 380 x 270mm (15 x 10 5/8in) (Plate) (4)

£400 - 600

390cIRcLE OF pIER FRANcEScO MOLA (cOLDRERIO 1612-1666 ROME)Pan and Syrinx, in a landscape oil on canvas 33.6 x 24.1cm (13 1/4 x 9 1/2in).

£1,000 - 1,500

391MANNER OF HENDRIk gOVAERTS, 18TH cENTuRyInterior scene with figures and musician oil on canvas 64 x 79cm (25 3/16 x 31 1/8in).

£500 - 700

392ATTRIBuTED TO THOMAS STOTHARD (BRITISH, 1755-1834)Othello and Desdemona oil on panel 25.2 x 35.3cm (9 15/16 x 13 7/8in).

£300 - 500

393MANNER OF ADRIAEN jANSz. VAN OSTADEFigures in an interior oil on panel 24.6 x 21cm (9 11/16 x 8 1/4in).

£500 - 700

388 389

390

393


394cIRcLE OF DIRk VAN BERgEN (HAARLEM cIRcA 1649-cIRcA 1690)A shepheress and a child resting by a river with her flock; and A drover resting by a river with his herd a pair, gouache on paper 23 x 29.2cm (9 1/16 x 11 1/2in). (2)

£600 - 800

395BOLOgNESE ScHOOL, 17TH cENTuRyFigures resting in an Arcadian landscape oil on canvas 40.7 x 50.2cm (16 x 19 3/4in). (unframed)

£1,000 - 1,500

396 *

THOMAS cLARkE ARSA (BRITISH, 1820-1876)A view of Brighton Beach with figures on the shoreline bears inscription and date ‘at Brighton 1825’ (lower right), possibly in the hand of a Constable family member pencil, black and white chalk with touches of pink and yellow chalks on blue paper 21.1 x 27.1cm (8 5/16 x 10 11/16in). in a carved frame together with another pencil landscape by a different hand (2)

£500 - 700

Provenance Eustace Constable (according to a label on the reverse)

397R. ScHRODER (AcTIVE gERMANy, 18TH cENTuRy)Moses with the Ten Commandments signed ‘R:Schroder. Pinxit.’ (on tablet, lower left) oil on panel 179.6 x 91.6cm (70 11/16 x 36 1/16in). unframed

£400 - 600

394 395

396

397

66 | BONHAMS

398cIRcLE OF ADRIAEN FRANS BOuDEwIjNS (BRuSSELS 1644-1711)Travellers in a landscape before a castle oil on panel 14.7 x 22.6cm (5 13/16 x 8 7/8in).

£400 - 600

399cIRcLE OF LOuIS LéOpOLD BOILLy (FRENcH, 1761-1845)Portrait of a boy, said to be Auguste, Marquis de Lamoignon, bust-length, in a blue coat oil on canvas, oval 21.5 x 17.4cm (8 7/16 x 6 7/8in).

£600 - 800

Provenance Sale, Christie’s, South Kensington, 14 April 1999, lot 247

400cIRcLE OF cORNELIS DuSART (HAARLEM 1660-1704)Topers smoking and drinking in an interior oil on panel 25.5 x 20.7cm (10 1/16 x 8 1/8in).

£500 - 700

Provenance Thellusson family, Aldeburgh Frederika Charlotte Louisa Rooke (1861-1954; née Thellusson and granddaughter of Frederick Vernon Wentworth (b.1795) of Wentworth Castle) and Mortimer Rooke (1854-1942) of The Ivy, Chippenham and thence by family descent to the present owners

401No lot

402DuTcH ScHOOL, 17TH cENTuRyFigures and a grey horse in a landscape oil on panel 27.2 x 32.5cm (10 11/16 x 12 13/16in).

£500 - 700

403cIRcLE OF NIcOLAS DE LARgILLIèRE (pARIS 1656-1746)Portrait of a gentleman, bust-length, in a red coat oil on canvas 82.7 x 64.8cm (32 9/16 x 25 1/2in).

£800 - 1,200

398399

400 402


404AFTER NIcOLAS pOuSSIN, cIRcA 1883The Nurture of Jupiter signed, inscribed and dated ‘Copied by H.D.Goodrich 1883’ watercolour 24 x 28.5cm (9 7/16 x 11 1/4in). in a late 19th Century carved giltwood pierced frame

£300 - 500

The present lot is a copy of a section of the Nurture of Jupiter by Poussin in the collection of the Dulwich Picture Gallery

405cIRcLE OF BENjAMIN gERRITSz. cuyp (DORDREcHT 1612-1652)Nativity scene oil on panel 36 x 46cm (14 3/16 x 18 1/8in).

£500 - 600

406AFTER cARLO MARATTAThe Madonna and Child oil on panel 77.5 x 69.5cm (30 1/2 x 27 3/8in).

£1,200 - 1,800

407FRANcIS wHEATLEy R.A. (LONDON 1747-1801)Youth and Old Age signed and dated ‘F Wheatley delt:/ 1799.’ (lower right) watercolour and pencil on paper 23.5 x 17cm (9 1/4 x 6 11/16in).

£400 - 600

408AFTER SIR pETER pAuL RuBENS, 19TH cENTuRyPortrait of the artist oil on canvas 83.6 x 62.3cm (32 15/16 x 24 1/2in).

£500 - 700

The present composition is after Ruben’s original, now in The National Gallery of Australia, Canberra.

403 406

407 408

68 | BONHAMS

409FOLLOwER OF FRANçOIS BOucHER (pARIS 1703-1770)Autumn oil on panel, shaped 36.7 x 51.1cm (14 7/16 x 20 1/8in).

£500 - 700

410pHILIpp pETER ROOS, cALLED ROSA DA TIVOLI (FRANkFuRT-AM-MAIN 1657-1706 ROME)A drover with his flocks before a town; A drover resting with his flock before a town oil on canvas, a pair 91.1 x 129.5cm (35 7/8 x 51in). (2)

£4,000 - 6,000

411cIRcLE OF LOuIS LéOpOLD BOILLy (FRENcH, 1761-1845)Portrait of an officer oil on canvas 20.5 x 15.5cm (8 1/16 x 6 1/8in).

£500 - 700

412ENgLISH ScHOOL, cIRcA 1800Portrait of an officer in a regimental tunic, half length, said to be Captain Robert Percival oil on canvas 63.5 x 51cm (25 x 20 1/16in).

£400 - 500

409

410

410

411


413cIRcLE OF wILLIAM ASHFORD (BIRMINgHAM 1746-1824 DuBLIN)A view of Berry Pomeroy Castle oil on canvas 87.5 x 121cm (34 7/16 x 47 5/8in). unframed

£2,000 - 3,000

414FOLLOwER OF THOMAS gAINSBOROugH (SuDBuRy 1727-1788 LONDON)Portrait of a lady, half-length, tondo oil on canvas 24.5cm (10in)(diameter)

£400 - 600

415FOLLOwER OF pIERRE gOBERT (FONTAINEBLEAu 1662-1744 pARIS)Portrait of a noblewoman, possibly Elisabeth-Charlotte de Baviere, half-length, in a white dress with a blue shawl oil on canvas 81.3 x 63.5cm (32 x 25in).

£1,500 - 2,000

416 *

DuTcH ScHOOL, 18TH cENTuRyThe Vegetable Seller; and The Fish Seller oil on canvas, a pair 32.9 x 26cm (12 15/16 x 10 1/4in). (2)

£2,000 - 3,000

413 415

416 416

70 | BONHAMS

417FRENcH pROVINcIAL ScHOOL, 17TH/18TH cENTuRyNaive portrait of a lady oil on canvas 32 x 25cm (12 5/8 x 9 13/16in).

£400 - 600

418ITALIAN ScHOOL, 18TH cENTuRyA male nude, seated, a staff leaning against his thigh inscribed ‘L.Tivoli’ (on the verso) black chalk, watermark a circled anchor 40.3 x 26.2cm (15 7/8 x 10 5/16in). together with five male nudes by various hands (5)

£500 - 700

419 *

cIRcLE OF wILLIAM HAMILTON (cHELSEA 1751-1801 LONDON)‘The Conspirators’ watercolour on paper 48.2 x 33.1cm (19 x 13 1/16in).

£400 - 600

420ANTHONy DEVIS (pRESTwOOD 1729-1816 ALBuRy)Cavenhope, near Plodden, Hereford pencil 13.5 x 20cm (5 5/16 x 7 7/8in). together with a watercolour and pencil work by another hand of The Old Kitchen, Abbey, Glastonbury (2)

£200 - 400

421cIRcLE OF FLAMINIO TORRI DEgLI ANcINELLI (BOLOgNA 1621-1661 MODENA)The Annunciation oil on canvas 104 x 79cm (40 15/16 x 31 1/8in). unframed

£1,500 - 2,000

The present painting is related to the autograph composition (oil on canvas, 87 x 67.9 cm.) which was offered by Sotheby’s, New York, 29 January 2009, lot 50.

419 421

wORkS OF ART AND FuRNITuRELots 422 - 956

72 | BONHAMS

ANTIquITIES

422A wESTERN ASIATIc cHLORITE BEAkER cIRcA MID-3RD MILLENNIuM B.c. With flat base and elongated tapering body with everted rim, decorated in shallow relief with a scales pattern, three incised lines at the base and below the rim, 13.5cm high

£700 - 900

Provenance Japanese art market, circa 1983.

423TwO MESOpOTAMIAN HARDSTONE cyLINDER SEALS cIRcA 1500-1000 B.c. Including a Kassite brown stone seal engraved with a standing figure wearing a long robe and an eight-line cuneiform inscription for the owner ‘Lusi-ana-nur-Ninurta’, the rest unintellegible, circa 1500-1300 B.C.; and a Middle Elamite red stone seal with a seated deity and a worshipper, a three-line cuneiform inscription ‘May the bearer of this seal have free access to the Palace, may things go well for him’, circa 1400-1000 B.C., 36mm-43mm long (2)

£500 - 700

Provenance UK private collection acquired in the 1980s. Each accompanied by a copy of a typewritten description and translation signed by Prof. Wilfred G. Lambert, one dated February 1992.

424SIX MESOpOTAMIAN HARDSTONE cyLINDER SEALS circa 2100-350 B.c. Including a black stone seal carved with a seated goddess facing a Lamma goddess and a male worshipper, inscribed for ‘the Scribe Ilum-bani’, Third Dynasty of Ur, circa 2100-2000 B.C.; two Old Babylonian haematite seals, with deities and worshippers, one inscribed for ‘the Sun God Shamash and his spouse Aya’, circa 1900-1600 B.C.; a Neo-Assyrian quartz seal with a contest scene, circa 900-600 B.C.; a Late Babylonian carnelian seal with a winged god fighting a monster, circa 600-400 B.C.; and an Achaemenid yellow stone seal with a Persian king, Iran, circa 500-350 B.C., 19mm-30mm long (6)

£1,500 - 2,000

Provenance UK private collection acquired in the 1980s. Each accompanied by a copy of a typewritten description and translation signed by Prof. Wilfred G. Lambert, some dated between August 1990 and August 1992.

422 423

424


425TwO MESOpOTAMIAN cyLINDER SEAL FRAgMENTS cIRcA 1900-750 B.c. An Old Babylonian hematite cylinder seal fragment, finely engraved with the goddess Ištar standing in the centre, resting her foot on a crouching lion, holding a mace and the lion’s lead in one hand and a scimitar in the other, flanked by a worshipper offering a kid, the remains of another figure on the other side, circa 1900-1700 B.C.; and a Neo-Assyrian chalcedony cylinder seal fragment drilled with a seated goddess facing a worshipper, a winged bearded genie behind, circa 900-750 B.C., 23mm-32mm long (2)

£500 - 700

Provenance UK private collection acquired in the 1980s. Each accompanied by a copy of a typewritten description and translation signed by Prof. Wilfred G. Lambert, dated February and March 1992.

426FIVE MESOpOTAMIAN HARDSTONE cyLINDER SEALS cIRcA 2600-500 B.c. Including a white marble cylinder seal with a contest scene of a hero with two animals, Early Dynastic, Mesopotamia or West Iran, circa 2600-2400 B.C.; an aragonite example with an eagle attacking two animals, circa 2400-2200 B.C.; an Akkadian black stone seal with a recumbent bull surmounted by a winged column and flanked by two worshippers, circa 2300-2200 B.C.; a Mitanni hematite seal with a bird and a row of a hand, a fish and a scorpion, circa 1400-1100 B.C.; and a Late Assyrian chalcedony seal engraved with a god wrestling two ibexes, circa 700-500 B.C., 29mm-32mm long (5)

£1,000 - 1,500

Provenance UK private collection acquired in the 1980s. Each cylinder seal accompanied by a copy of a typewritten description and translation signed by Prof. Wilfred G. Lambert, two dated between March and August 1992.

427A NORTH AFRIcAN MARBLE RELIEF cIRcA 1ST cENTuRy B.c./A.D. Carved in three registers, showing a procession of bulls, with upturned horns and small solar discs adorning their forehead, 29cm high

£1,000 - 1,500

Provenance French collection, acquired at auction from Blanchet, Paris, 6 December 2013. Previously Collection Cazanove de L’etang la Ville, acquired circa 1970.

425 426

427

74 | BONHAMS

428A SuMERIAN BLAck STONE cyLINDER SEAL THIRD DyNASTy OF uR, cIRcA 2100-2000 B.c. Finely engraved with an enthroned god holding a cup, facing a standing worshipped with shaved head and long robe and a Lamma goddess with horned headdress with both hands raised in adoration, with a two lines cuneiform inscription for the owner ‘Ishkur-dingirani [or possibly Adad-Andulli], son of Annake’, 27mm high

£1,500 - 2,000

Provenance UK private collection acquired in the 1980s. Accompanied by a copy of a typewritten description and translation signed by Prof. Wilfred G. Lambert.

429A pERSIAN FRAgMENTARy ANTHROpOMORpHIc pOTTERy jAR IRAN, cIRcA EARLy 2ND MILLENNIuM B.c. Probably from a tripod vessel, decorated in umber slip with bands of geometric patterns, the large male protome with stylised features, wearing a peaked helmet and large upturned pointy boots, the rest of the vessel reconstructed with modern restoration, 38cm high

£2,000 - 3,000

Provenance Christie’s, London, 25 October 2006, lot 30. UK collection acquired in the 1960s.

430FIFTEEN SASANIAN HARDSTONE SEALS IRAN, cIRcA 4TH-6TH cENTuRy A.D. All dome-shaped and pierced for suspension, of chalcedony, agate, green jasper, carnelian and other hardstones, variously engraved including various animals, three male profile portrait heads and two standing figures, 11mm-19mm long (15)

£1,200 - 1,500

Provenance UK private collection acquired in the 1970s.

428 429

430


431FIFTEEN SASANIAN HARDSTONE SEALS IRAN, cIRcA 4TH-6TH cENTuRy A.D. All dome-shaped and pierced for suspension, of chalcedony, agate, green jasper and other hardstones, variously engraved including winged human figures, a sphinx, and various animals, 9mm-19mm long; AND A HARDSTONE pLAquE, possibly Not Ancient (16)

£1,200 - 1,500


432A SuMERIAN TERRAcOTTA cuNEIFORM TABLET THIRD DyNASTy OF uR, cIRcA 2060-2025 B.c. An administrative document recording the receipt of wood from the official Ur-Silaluh, received by Ur-Shulpae, sealed by the scribe Agu, son of Lugalazida, dated to the year four of the reign of King Amar-Suen of Ur, 4.5cm long

£600 - 800

Provenance UK private collection, acquired in the 1980s.

433A gROup OF ANcIENT NEAR EASTERN TERRAcOTTA FIguRE FRAgMENTS cIRcA 2ND - EARLy 1ST MILLENNIuM B.c. Including a mould for the front a female figure holding a disc or tambour, and various other fragments of figures including heads, torsos and legs, some from Asmar, Iraq, and a shield-shaped attachment with pierced sides, 3.5cm-18cm high (18)

£500 - 600

Provenance Pauline Carson (1924-2012) Collection, thence by descent. Pauline Carson was an enthusiastic amateur archaeologist with a love of the Middle East. In 1961-1963 she had the opportunity to visit tells and sites in the Baghdad region, as her husband Derek Carson, served there as Assistant Military Attaché.

431 432

433

76 | BONHAMS

434 *

A SuMERIAN wHITE STONE AMuLET jEMDET NASR - EARLy DyNASTIc pERIOD, cIRcA 3RD MILLENNIuM B.c. In the form of a recumbent bull, pierced through the body for suspension, 2.8cm long

£500 - 700

Provenance Hayford Peirce (1885-1946) Collection, Paris and Bangor, Maine, formed in the 1910s-1930s, thence by descent. Published Ancient Art in American Private Collections, Fogg Art Museum, 1954/1955, cat. no. 103, p. 24.

435 *

A SuMERIAN wHITE STONE AMuLET SEAL jEMDET NASR pERIOD, cIRcA 3100-2900 B.c. In the form of a lion’s head in profile, pierced vertically through the head for suspension, the reverse with single or multiple drilled dots, 3.5cm diam

£800 - 1,200

Provenance Hayford Peirce (1885-1946) Collection, Paris and Bangor, Maine, formed in the 1910s-1930s, thence by descent. Published Ancient Art in American Private Collections, Fogg Art Museum, 1954/1955, cat. no. 102, p. 24.

434

435

435


436A MESOpOTAMIAN TERRAcOTTA BRIck FRAgMENT BAByLONIAN, cIRcA 605-562 B.c. Mentioning King Nebuchadnezzar II providing for the Ezida Temple, 11cm long; AND A MESOpOTAMIAN TERRAcOTTA cuNEIFORM TABLET unintelligible, possibly Neo-Babylonian, circa 900-600 B.C, 6.5cm long (2)

£500 - 700

Provenance Scottish private collection of Mr G.M., acquired in Scotland in the late 1970s. W.R. Matthewson Collection, acquired in Iraq circa 1917-1920. Accompanied by two handwritten labels mentioning the items and the dates in which they were acquired, one signed and dated 1945.

437NINE SASANIAN HARDSTONE SEALS IRAN, cIRcA 4TH-5TH cENTuRy A.D. All dome shaped, pierced for suspension, of banded agate, green jasper, chalcedony and mottled stone, all engraved with various animals and male profile portraits, some with Pahlavi inscriptions, 11mm-22mm long (9)

£2,000 - 3,000


438A MESOpOTAMIAN SERpENTINE cyLINDER SEAL OLD BAByLONIAN, cIRcA 1900-1700 B.c. Engraved with a Lamma goddess, standing, wearing a horned headdress and long robe, both hands raised in greeting, facing a male god wearing a hat and holding a mace, between them a star in the sky, with a three lines cuneiform inscription for the owner ‘Ubar-Shamash, son of Ludlul-Sîn, servant of the god Dagan’, 28mm high

£1,000 - 1,500

Provenance UK private collection acquired in the 1980s. Accompanied by a copy of a typewritten description and translation signed by Prof. Wilfred G. Lambert, dated August 1992.

436

437

438

78 | BONHAMS

439 *

A wESTERN ASIATIc BRONzE STAg cASpIAN REgION, cIRcA 2ND MILLENNIuM B.c. With stylised features, the thick neck and body resting on four thin legs, with pointy muzzle and short branched antlers, 8cm long; AND A ByzANTINE BRONzE TERMINAL in the shape of a bird, possibly an eagle, with incised details of the plumage, 4.5cm long (2)

£600 - 800

Provenance Hayford Peirce (1885-1946) Collection, Paris and Bangor, Maine, formed in the 1910s-1930s, thence by descent. The stag: accompanied by a copy of a black and white photograph.

440 *

A ROMAN BRONzE ROuNDEL OF EROS cIRcA 1ST-2ND cENTuRy A.D. The god depicted as a child wearing a tunic pinned over the left shoulder, the head turned left, with chubby cheeks and large round eyes, the curly locks tied in a top-knot over the forehead, emerging from a flat circular plaque, 14cm high

£1,500 - 2,000

Provenance Christie’s New York, The John W. Kluge Morven Collection, 16 December 2005, lot 421. John W. Kluge, Charlottesville, USA. With Royal-Athena Galleries, New York, 1991. With Robin Symes, London, 1980s. Published Royal Athena Galleries, New York, Art of the Ancient World, 1991, vol.VI, part 2, no.38.

441A ROMAN BRONzE AppLIqué cIRcA 2ND cENTuRy A.D. In the form of a bust of the goddess, possibly Artemis, her head turned to the left, the hair tied with a diadem and secured in a knot at the crown, a fawn skin falling over her right shoulder with a chiton beneath, 11cm high

£1,000 - 1,500

Provenance Austrian private collection, Vienna, acquired from Dr Alexander Atanasov in Munich in 1980.

439

440

441


442A ROMAN BRONzE AppLIqué OF A BOy cIRcA 1ST - 2ND cENTuRy A.D. Standing, nude, with his arms by his side, his face cast with deep set eyes and a delicate nose and mouth and his hair falling straight across his forehead, 13cm high

£1,500 - 2,000

Provenance UK private collection, acquired by the current owner in the 1950s or 1960s. Accompanied by a copy of a black and white photograph of the item on a mantelpiece, taken in the early 1960s.

443TwO ROMAN BRONzE RIgHT FEET cIRcA 2ND-3RD cENTuRy A.D. Both hollow cast, the details of the feet and thonged sandals delineated, with scrolling ornamentation around the ankles, each pierced at the top for attachment, 8cm long (2)

£1,000 - 1,500

Provenance French private collection, purchased at auction in Auxerre, 08 November 1987, lot 207. Accompanied by a copy of the catalogue pages. French private collection, formed before 1960.

444A ROMAN BRONzE OIL LAMp STAND cIRcA 2ND-3RD cENTuRy A.D. Formed from two sections, the upper section with central pricket and fluted baluster stem, the separate base of flared spool form, 33cm high

£500 - 700

Provenance American art market, 1990s. With Archaeologia Gallery, Montreal, Canada, 1980s.

442 443

444

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445A pAIR OF ETRuScAN BRONzE STAMNOS HANDLES cIRcA 5TH-4TH cENTuRy B.c. The attachment plates in the shape of lanceolate leaves and decorated with scrolling foliage, with ribbed arched handles, each 14cm wide (2)

£500 - 700

Provenance Acquired at auction from Dorotheum, Austria, 1994.

446A ROMAN gypSuM FIguRE OF EROS RIDINg A DOLpHIN cIRcA 2ND-3RD cENTuRy A.D.The youthful god depicted nude, with slender body and curly hair, riding a large dolphin, with large tear-shaped eyes, open mouth and dorsal fin,14.5cm high

£400-600

Provenance German private collection, formed in the 1970s. Literature The image of Eros riding a dolphin was very common in the Classical world, as decorative element in mosaic panels, statues and even a large variety of coins. There is a similar representation in bronze of Eros on a dolphin in the Ephesos Museum, Selcuk, Turkey, inv. 757. For a Hellenistic terracotta example of a winged Eros riding a dolphin, cf. Staten Island Museum, Ax56.30.45.

447A ROMAN FRAgMENTARy MARBLE cARVINg OF EROS cIRcA 2ND cENTuRy A.D. The plump body curved around a scrolling palmette, with remains of one feathered wing, 28cm high

£600 - 800

Provenance Private UK collection. Acquired on the London art market, circa 1996.

448 *

THREE ROMAN MARBLE FRAgMENTS cIRcA 1ST-3RD cENTuRy A.D. A marble fragment of a thigh and knee; an upper arm including the elbow; and a pair of feet from a fragmentary stele, 8cm-16cm high (3)

£500 - 700

Provenance A.G. Collection, Canada, acquired in 1976.

445 447

448


449 *

A ROMAN MARBLE FRAgMENT OF SLEEpINg EROS cIRcA 1ST-2ND cENTuRy A.D. Showing the round tummy with carved navel and chubby legs of the child god, probably resting on a rock, 17cm long

£500 - 700

Provenance Bonhams London, 1 May 2008, lot 407 (part).

450TwO cORINTHIAN TERRAcOTTA ARyBALLOI cIRcA 6TH cENTuRy B.c. A small aryballos decorated with two panthers facing each other on the obverse and a central duck on the reverse, 7cm high, another small aryballos decorated with encircling rings on the body and foot, 9.2cm high; AND AN EgypTIAN BEAD NEckLAcE restrung, composed of a large light and dark blue eye bead and various different glass, hardstone and glazed composition beads, some modern, on three strings conjoined with a modern clasp, Late Period to Islamic, 29.5cm long (3)

£500 - 700

Provenance Sir William Palin Elderton Collection (1877-1962), formed in the late 19th Century. A large part of this collection was also donated to the Fitzwilliam Museum, Cambridge in the 1930s and 1950s. Thence by descent.

451 *

TwO gREEk TERRAcOTTA FIguRES cIRcA 4TH-3RD cENTuRy B.c. A seated woman, her hair dressed in a melon coiffure, holding a mirror in her left hand, a himation draped around her shoulders and legs, and a seated naked boy, Boeotia, 14cm high and 9cm high; AND A SEATED TERRAcOTTA gODDESS, Rhodian style, Not Ancient, 12.5cm high (3)

£200 - 300

Provenance Swiss private family collection, acquired at Münzen und Medaillen, 1970s-1980s.

449 450

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452 *

TwO gREEk TERRAcOTTA FIguRES cIRcA 5TH cENTuRy B.c. A standing kouros and a seated goddess, 18.5cm and 14cm high (2)

£300 - 400

Provenance Swiss private family collection, acquired at Münzen und Medaillen, 1970s- 1980s.

453A cypRIOT RED pOLISHED wARE pOTTERy FLAgON BRONzE AgE, cIRcA 2000-1900 B.c. The cylindrical neck with flared rim, with single handle and ovoid body, 46cm high

£500 - 700

Provenance UK private collection, P. Adie, acquired in London circa 2000. Accompanied by a copy of Helios Gallery certificate of authenticity, dated 2000. Helios Gallery, acquired in the UK at provincial auction in the late 1990s.

454 *

TwO EgypTIAN TERRAcOTTA FuNERARy cONES NEw kINgDOM, cIRcA 1550-1070 B.c. One with circular face impressed with three columns of text for ‘the Astronomer of Amun and scribe Nakht and for his wife, a Chantress of Amun, called Tawy’, 20cm long; and another with three columns of text for ‘Heby, the Servant of Amun’, 26cm long (2)

£500 - 700

Provenance John Rilling Collection, Orange County, California, USA, acquired in the 1970s. Literature The cone for Nakht and Tawy: M.F. Laming Macadam (ed.), A Corpus of Inscribed Egyptian Funerary Cones, Part I, plates, Oxford, 1957, Macadam no 157, from Theban tomb 52. The cone for Heby: Macadam no 180. The famous Theban Tomb 52 is located in Sheikh Abd el-Qurna, opposite the city of Luxor and was recorded by Norman de Garis Davies around 1907-1910 for the Metropolitan Museum of Art. Its structure and style of decoration are typical examples of tombs of the 18th Dynasty and is one of the most visited sites by tourists in Egypt. For a discussion of the tomb, cf. B. Porter and R. Moss, Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Reliefs and Paintings. Volume I: The Theban Necropolis, Part I. Private Tombs, Griffith Institute, 1970, p. 99-102.

452 453

454


455AN EgypTIAN wOOD SARcOpHAguS MASk LATE pERIOD, cIRcA 664-332 B.c. With polychrome painted facial details, 23.2cm high

£400 - 600

Provenance Belgian private collection. Acquired by the vendor’s father, Bert Verstraete in circa 1970.

456 *

AN EgypTIAN-STyLE ALABASTER jAR With piriform body, flat base and wide disc rim, Not Ancient, 17.5cm high; AN EgypTIAN ALABASTER LID disc-shaped, with museum inventory number wrote in red ink, Late Period, circa 664-332 B.C., 7cm diam; AND AN EgypTIAN MuMMy BEAD NEckLAcE composed of glazed composition cylindrical and disc mummy beads and a glazed composition sow amulet, Late Period, circa 664-332 B.C., and some later carnelian multi-faceted beads, restrung, 94cm long (3)

£500 - 700

Provenance The jar and lid: Theodore Leavitt Collection, New York, acquired before 1950, thence by descent. Accompanied by a copy of a black and white photograph with a description and provenance of the item, ‘Vienna Museum, catalogue No. L.1277.51B’. The necklace: Hayford Peirce (1885-1946) Collection, Paris and Bangor, Maine, formed in the 1910s-1930s, thence by descent.

457 *

TwO ANcIENT NEAR EASTERN AMuLETS cIRcA 1ST MILLENNIuM B.c. Including a Levantine shell amulet in the form of a fish, with stylised eye and fins, the body decorated with drilled holes for now-missing inlays, 8cm long; and an Ancient Near Eastern haematite amulet or game-piece, in the shape of an obelisk, 3.8cm high (2)

£500 - 700

Provenance Hayford Peirce (1885-1946) Collection, Paris and Bangor, Maine, formed in the 1910s-1930s, thence by descent.

455 456

457

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458AN EgypTIAN BLuE gLAzED OVERSEER SHABTI THIRD INTERMEDIATE pERIOD, 21ST DyNASTy, cIRcA 1000 B.c. With details in black, wearing a striped tripartite wig and triangular apron, the right arm by the side and the left arm bent across the chest holding a whip, with a vertical column of text down the kilt for ‘the Osiris, Nestanebtawy’, 10cm high

£1,000 - 1,500

Provenance Scottish private collection of Mr G.M., acquired in an antique shop in Edinburgh in the 1970s. Literature This shabti is similar to those from the second Deir el-Bahri cache, c.f. G. Janes, Shabtis: A Private View, Paris, 2002, no.55, p.110 and Schneider II nos. 4.3.1.56-58, p.130-131, and L. Aubert, Les Statuettes Funeraire de la Deuxieme Cachette à Deir el-Bahri, pl.XI, cat.no. 28.

459AN EgypTIAN gREEN gLAzED cOMpOSITION SHABTI LATE pERIOD, cIRcA 664-332 B.c. Of typical form, holding a pick and adze and a seed bag, wearing a tripartite wig and false beard, with six bands of inscribed hieroglyphs of the shabti formula for ‘Horsiesemaw’, 15.2cm high

£500 - 700

Provenance Scottish private collection of Mr G.M., acquired in an antique shop in Fife in the late 1970s.

460A gROup OF EgypTIAN ANTIquITIES NEw kINgDOM - LATE pERIOD, cIRcA 1550-332 B.c. Including the upper section of a white glazed composition shabti with red glazed face and hands and black details, with a vertical column of hieroplyhs reading, ‘Revered before Anubis’, New Kingdom, 19th Dynasty, circa 1295-1070 B.C., 7cm high; a green glazed composition shabti for a general, possibly ‘Psamtek’, Late Period, circa 664-332 B.C., 11cm high, two glazed composition shabtis and two shabti fragments, Late Period, circa 664-332 B.C., 5cm-7.5cm high; and a bronze fragmentary figure of Osiris, Late Period, circa 664-332 B.C., 6cm high; AND TwO gLAzED cOMpOSITION SHABTIS possibly Not Ancient, 6cm-11cm high (9)

£500 - 700

Provenance Scottish private collection of Mr G.M. Acquired in Scotland in the late 1970s.

458 459

460


461AN EgypTIAN gREEN gLAzED cOMpOSITION SHABTI LATE pERIOD, cIRcA 664-332 B.c. Of typical form and uninscribed, 10cm high; AND AN EgypTIAN BRONzE FIguRE OF OSIRIS of typical shape, wearing the atef crown, Late Period, circa 664-332 B.C., 12.5cm high; AND TwO gLAzED cOMpOSITION SHABTIS, possibly Not Ancient (4)

£500 - 700


462AN EgypTIAN TuRquOISE gLAzED cOMpOSITION AMuLET OF TAuERET THIRD INTERMEDIATE pERIOD, cIRcA 1069-702 B.c. Of typical form, with the left leg advancing, a full stomach and pendulous breasts, the arms by the sides, with a hippopotamus head, the jaws open, wearing a striated wig, the crocodile tail extending down the back, a ridged loop for attachment behind, 6.7cm high

£500 - 600

Provenance UK private collection, acquired at Bonhams, 26 April 2007. Property of a private English collector, Mr F. of Surrey (1909-1984), acquired in the 1960s.

463 *

TwENTy-TwO EgypTIAN STEATITE ScARABS AND pLAquES MIDDLE kINgDOM - LATE pERIOD, cIRcA 2133-332 B.c. Including a rectangular plaque with convex top with cartouche of Amerophis III and Ptah on the other side, another convex-top plaque with cartouche of Tuthmosis III, five examples with animals including one with five uraei and another with three, one with a Horus falcon, a winged cobra with an owl, one with cartouche of Tuthmosis III with a vulture and shen sign, and other examples with good luck symbols, geometric motifs and divine figures, 10mm-20mm long (22)

£800 - 1,200

Provenance Ernest C. Freemark Collection (1882-1966), Elmore, Ohio. Each accompanied by a copy of the collector’s handwritten notes and by a copy of a letter from James Henry Breasted, Egyptologist at the University of Chicago, to Mr Freemark dated January 1916, mentioning some of the items in his collection.

461 462

463

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464 Y Ф

AN EgypTIAN IVORy cLAppER MIDDLE kINgDOM - NEw kINgDOM, cIRcA 1900-1300 B.c. In the form of a curved hand, with an incised banded bracelet, 21cm wide

£500 - 700

Provenance UK collection since before 2004. Earl Keefer Collection, Chicago, USA, formed in the 1960s-1980.

465AN EgypTIAN BRONzE FIguRE OF pTAH LATE pERIOD, cIRcA 664-332 B.c. The mummiform deity holding a multiple sceptre of a was and a djed pillar, wearing a close-fitting skull cap and a false beard, standing on a stepped dais, probably representing the mound of creation, 18.5cm high

£1,500 - 2,000

Provenance French private collection, M.B., acquired in the 1970s.

466 *

TwENTy-TwO EgypTIAN gLAzED cOMpOSITION AND HARDSTONE AMuLETS NEw kINgDOM - LATE pERIOD, cIRcA 1550-30 B.c. Including a carnelian poppy pod bead, a bright blue glazed composition scarab, a green glazed couchant jackal, a large green glazed composition Bes amulet, nine glazed composition udjat eye amulets, a quadruple udjat eye amulet, two fragments of large udjat eye amulets, a small plain shabti, five glazed composition flat beads with impressed crosses, 8mm-61mm long; THREE BEAD NEckLAcES including two Egyptian examples composed of tubular mummy beads, one with central glazed composition scarab, Late Period, circa 600 B.C., 40cm-44cm long; and a Roman glass bead necklace, circa 1st-3rd Century A.D., 25cm long; (25) AND AN ANcIENT NEAR EASTERN STONE AMuLET in the form of a stylised bust, circa 3rd Millennium B.C., 21mm long (26)

£800 - 1,200


464

465

466


467AN EgypTIAN LIMESTONE FRAgMENT wITH A cARTOucHE OF pEpy OLD kINgDOM, 6TH DyNASTy, 2345-2181 B.c. Carved in shallow relief with a partial cartouche of Pepy (either I or II), 11cm x 7cm

£500 - 600

Provenance UK private collection acquired from Charles Ede Ltd, November 2007, catalogue 178. Hugh Stanley Russell Collection, acquired circa 1950-1970.

468AN EgypTIAN wOOD cANOpIc jAR STOppER NEw kINgDOM-THIRD INTERMEDIATE pERIOD, cIRcA 1550-702 B.c. Carved in the form of a human head, possibly Imsety, with bitumen covered surface, 13.5cm high

£1,000 - 1,500

Provenance UK private collection, acquired at Bonhams, 13th April 2011, lot 510. Acquired at auction in Winchester on 20th July 1951 from the private museum at Avington Park in Hampshire, the home of Sir John Shelley-Rolls, High Sheriff of Hampshire, (1871-1951). Accompanied by a copy of the cover of the Avington Park catalogue.

469 *

TwENTy EgypTIAN STEATITE ScARABS AND pLAquES MIDDLE kINgDOM - LATE pERIOD, cIRcA 2133-332 B.c. Including five examples engraved with animals such as two frogs tête-bêche, a couchant ram, a bull, a duck and a sphinx, a king smiting a prisoner, a rectangular plaque, a scarab for Amenophis III, a scaraboid with udjat eye and another with a monkey, a large oval plaque with uraei, and other scarabs with geometric motifs and good luck signs including the formula ‘all steps [lead to] Karnak’, 9mm-24mm (20)

£800 - 1,200


467 468

469

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470AN EgypTIAN wHITE gLAzED cOMpOSITION SHABTI NEw kINgDOM, RAMESSIDE, 19TH DyNASTy, cIRcA 1295-1186 B.c. With the details added in brown glaze, wearing a tripartite wig and broad collar, holding two picks, a column of hieroglyphic text down the legs for ‘Osiris, scribe’, possibly followed by the name Tjaipanefer, 10.5cm high

£1,500 - 2,000

Provenance French private collection, acquired at Drouot, Paris, on 24 April 1989, lot 43. Accompanied by a copy of the 1989 invoice. French private collection, formed before 1980.

471AN EgypTIAN BLuE gLAzED cOMpOSITION OVERSEER SHABTI THIRD INTERMEDIATE pERIOD, 21ST-22ND DyNASTy, cIRcA 1069-715 B.c. Wearing a short triangular apron inscribed with a column of text, largely illegible, reading ‘Osiris Nesy’, holding two picks and wearing a tripartite wig, the details added in black, 12.5cm high

£1,200 - 1,500

Provenance French private collection, acquired at auction in Marseilles on 1st December 1985, lot 79, accompanied by a copy of the invoice. French private collection, formed before 1980.

472A ROMANO-EgypTIAN HARDSTONE BEAD NEckLAcE cIRcA 2ND-1ST cENTuRy B.c. Composed of round and biconical amethyst beads and two tubular banded agate beads at either side of a central amethyst pendant in the shape of a bird, restrung, 17cm diam

£1,000 - 1,500

Provenance Scottish private collection Mr G.M. Acquired in Scotland in the late 1970s.

473AN EgypTIAN BRONzE FIguRE OF MAAT LATE pERIOD, 664-332 B.c. Shown seated, with her knees pointing forwards and her arms resting on her thighs, wearing a tripartite wig, 6cm high

£1,200 - 1,500

Provenance French private collection, acquired at auction, Aubagne, France, 19 June 1983, lot 132. Accompanied by a copy of the 1983 invoice. French private collection, formed before 1980.

474 *

AN EgypTIAN-STyLE wOOD pTAH-SOkAR-OSIRIS Decorated with polychrome slip on gesso, the mummiform god standing on a rectangular plinth, wearing tripartite wig and broad collar, with a column of text on the front, ‘an offering which the king gives to Osiris for [...]’, Not Ancient, 42cm high

£200 - 300

Provenance American private collection, San Francisco, acquired in the 1970s.

470 471 472

473 474


475AN EgypTIAN pOLycHROME wOOD jAckAL AND A wOOD FALcON pTOLEMAIc pERIOD, cIRcA 332-30 B.c. Depicting the god Anubis, recumbent, painted black with red claws on a rectangular plinth; and a Horus falcon with traces of red and black pigment, 18cm and 19cm long (2)

£400 - 600

Provenance American private collection, Colorado, formed prior to 1983.

476 *

AN EgypTIAN gLAzED cOMpOSITION MuMMy BEAD AND STEATITE ScARAB NEckLAcE NEw kINgDOM, cIRcA 1550-1070 B.c. Composed of long tubular mummy beads interspersed with small disc spacer beads, with two steatite scarabs inscribed on the underside, and five other scarabs and a loose one, Not Ancient, restrung, 28cm long

£100 - 200

Provenance American private family collection, acquired prior to 1945.

477 Y Ф

EIgHT EgypTIAN ANTIquITIES NEw kINgDOM - LATE pERIOD, cIRcA 1550-332 B.c. Including an ivory handle fragment, in the shape of a nude female figure wearing a wig, with the left hand beneath her breast, New Kingdom, circa 1550-1070 B.C., 8.3cm high; a green glazed composition shabti and a green glazed composition amulet of Ptaikos, Late Period, circa 664-332 B.C., 2.5cm-9cm high; five bronze figures, including Osiris, Amun, a seated Harpokrates and a squatting example, a miniature coffin with lizard on top, Late Period, circa 664-332 B.C., 5cm-8.5cm high; AND SIX OTHER ITEMS Not Ancient (14)

£500 - 700

Please note that this lot contains ivory and is subject to CITIES regulations. The United States Government has banned the import of ivory into the USA. Provenance English private collection, acquired by the current owner’s grandfather, Henry Bond, while in Egypt with the Berkshire Yeomanry in 1918.

475 476 476

00

90 | BONHAMS

478 *

A ROMAN BONE pLAquE cIRcA 1ST-3RD cENTuRy A.D. Carved with a nude figure of Venus, with drapery flowing behind her, 10cm high

£500 - 700

Provenance Hayford Peirce (1885-1946) Collection, Paris and Bangor, Maine, formed in the 1910s-1930s, thence by descent.

479 *

AN EgypTIAN TERRAcOTTA FuNERARy cONE LATE pERIOD, SAITE, 26TH DyNASTy, cIRcA 664-525 B.c. Impressed with four columns of text for ‘the Priest of Amun-Re King of the Gods, Overseer of the priests of the Gods of the South, controller of all Upper Egypt, Chief Steward of the Divine Adoratrice, Pabasa’, 18.5cm long

£500 - 700

Provenance John Rilling Collection, Orange County, California, USA, acquired in the 1970s. Literature M.F. Laming Macadam (ed.), A Corpus of Inscribed Egyptian Funerary Cones, Part I, plates, Oxford, 1957, Macadam no 469, from Theban tomb 279. The tomb of Pabasa (TT279) is located at Asasif, just outside the entrance to Hatshepsut’s temple at Deir el-Bahri. He was a very important nobleman during the reign of the Saite king Psamtek I and was Chief Steward to the king’s daughter Nitocris I, Divine Adoratrice of Amun between 655-585 B.C. His tomb is a very popular tourist site and is decorated with beautifully painted reliefs with scenes of daily life including a rare representation of beekeeping.

480THREE EgypTIAN BEAD NEckLAcES AND SEVEN EgypTIAN AMuLETS NEw kINgDOM - LATE pERIOD, cIRcA 1550-32 B.c. One necklace composed of spherical carnelian beads, five other beads made of bone, amethyst and carnelian, with a modern carnelian amulet in the shape of a seated lion-headed goddess and modern spacer beads; another composed of glazed composition, glass, carnelian and amethyst beads with modern spacer beads; the third composed of cylindrical glazed composition beads and one spherical bead, all restrung, some elements Not Ancient, 38cm-48cm long; five steatite scarabs with incised decoration on the reverse, and a steatite plaque; and another glazed composition scaraboid, Not Ancient, 14mm-18mm (10)

£700 - 900

Provenance Inherited by the current owner from her stepmother, Madeleine Clifford Kocq van Breugel of Doorn, Holland, in the late 1970s.

478

479

480


481AN EgypTIAN wOOD SARcOpHAguS MASk LATE pERIOD, cIRcA 664-32 B.c. The layer of gesso painted in a dark green for the face, with black cosmetic lines, eyebrows and pupils, and white sclera, a wooden peg below the chin for the now-missing fake beard, 20cm long

£800 - 1,200

Provenance French private collection, acquired in the mid 1950s by the owner’s grandfather, P.B., a pharmacist in Roanne.

482AN EgypTIAN SANDSTONE RELIEF FRAgMENT NEw kINgDOM, cIRcA 1550 B.c.-1070 B.c. With a column of hieroglyphs in raised relief depicting three strokes for plurality, the hieroglyph for ‘to’, ‘for’ or ‘of’ and the top half of three storks as hieroglyphs for ‘ba’ with three plural strokes behind, possibly reading, ‘of/for the bas’ or ‘of/for the power’ with traces of polychrome remaining, 12cm x 12.5cm

£800 - 1,200

Provenance UK private collection, acquired from Fragments of Time, 28 October 2007. Hans F Dresel collection, Philadelphia, Pennsylvania. Richard v. James collection, Collingswood New Jersey, acquired before 1981.

483AN EgypTIAN gREEN ScHIST HEART ScARAB LATE pERIOD, cIRcA 664-32 B.c. Of flattened oval plaque form, pierced at the top and bottom, the underside with worn text in eight rows of hieroglyphs with chapter 30B of the Book of the Dead, ‘The Heart Scarab’ formula, the top row names the deceased with title before, he appears to have been a ‘Master of Secrets(?) of Amun’, called Kha, 6.5cm long

£800 - 1,200

Provenance UK private collection, acquired Goldberg Auctioneers, 5 November 2005, sale 33 Lot 897. James Breasted Collection (1865-1935), by gift from him to his niece, the late Isabella Breasted.

481 482

483

92 | BONHAMS

484 *

TwENTy EgypTIAN STEATITE ScARABS AND pLAquES MIDDLE kINgDOM - LATE pERIOD, cIRcA 2133-332 B.c. Including several examples with good luck signs, one showing a sphinx, two with the cartouche of Tuthmosis III, and others with geometric motifs, a plaque with two winged goddesses holding a cartouche for Ramses II, and one with a cartouche of Sobekhotep IV, 10mm-24mm long (20)

£800 - 1,200


485 *

TwENTy-ONE EgypTIAN STEATITE ScARABS AND pLAquES MIDDLE kINgDOM - LATE pERIOD, cIRcA 2133-332 B.c. Including four examples with the royal cartouche of Tuthmosis III, one with the squatting god Horus facing the goddess Maat, two with hunting scenes, two with a scarab and uraeus, a scarab for ‘the good god Sekhaenre’, a small plaque and a pendant composed of a small scarab and a glazed composition tubular mummy bead, and other scarabs with geometric motifs and good luck signs, 10mm-25mm (21)

£800 - 1,200


486THREE EgypTIAN TERRAcOTTA SHABTIS NEw kINgDOM, RAMESSIDE pERIOD, cIRcA 2195-1070 B.c. With added painted details, two shabtis with remains of yellow slip and added black details, with a column of text over the legs now unintelligible, and the upper fragment of a shabti painted in ochre slip with black details and a column of text for ‘Iry’, possibly a doorkeeper, 9cm-19cm high (3)

£600 - 800


484 485

486


487SIX EgypTIAN BEAD AND AMuLET NEckLAcES NEw kINgDOM TO ISLAMIc pERIOD All re-strung, composed of long tubular glazed composition beads and mummy beads of various colours, interspersed with melon beads, lotus bud beads, and Islamic glass bead and various glazed composition amulets including udjat eyes, a frog, cats, a phallic amulet, a hand and djed pillars, some beads modern, approx 48cm-120cm long (6)

£600 - 800

Provenance Scottish private collection of Mr G.M., acquired in Scotland in the late 1970s.

488A gROup OF TwENTy-FIVE EgypTIAN AMuLETS SEcOND INTERMEDIATE - LATE pERIOD, cIRcA 1650-332 B.c. Four hardstone amulets including two udjat eyes, a lapis lazuli scarab and a standing Isis; fourteen glazed composition amulets including a large Hapi son of Horus amulet, an Isis amulet, a scarab, three udjat eyes, three animals, a djed pillar, a shrine and three other beads; with a steatite scarab and two glass amulets, a Bes and a scarab; four other amulets, Not Ancient, 9mm-82mm (25)

£500 - 700

Provenance Scottish private collection of MR G.M., acquired in Scotland in the late 1970s.

489A EuROpEAN BRONzE SpIRAL BRAcELET BRONzE AgE, cIRcA 8TH-6TH cENTuRy B.c. The central flattened section with dot and circle decoration, the plain terminals of circular cross section, 6.5cm diam, 6cm high

£500 - 800

Provenance Purchased from John Cummings Ltd in 1994, with a copy of the invoice. Lord McAlpine Collection.

487 488

489

94 | BONHAMS

490A cELTIc cOppER ALLOy DAggER ScABBARD EARLy IRON AgE, LA TENE I, cIRcA 4TH cENTuRy B.c. Of long triangular shape with central ridge and raised edges, with two added horizontal bars decorated with pellets, the lower one fixing the round chape to the scabbard and securing the now-missing iron back, 28.7cm long

£800 - 1,200

Provenance English private collection, found in South London. Recorded with the Portable Antiquities Scheme as LON-0012B7.

491A TERRAcOTTA TRANSpORT AMpHORA With piriform body, long tapering neck, ear handles and now-missing spike at the bottom, covered in a pale slip, Not Ancient, 70cm high

£300 - 500

Provenance UK private collection Mr P. Payne, acquired in the mid-1990s.

492A cOpTIc BRONzE BOwL cIRcA 6TH cENTuRy A.D. The straight flaring sides set on a raised openwork ring foot, the body decorated with incised bands, a drop handle on either side resting through two loops attached to the rim, one handle sub-rectangular with inward sloping sides and a rounded knop at the two corners, the other handle, probably later, of horseshoe form, 35cm diam

£1,200 - 1,500

Provenance Bonhams, 8 November 2001, lot 458. UK private collection, found in England. Such bronze bowls of the Saxon Period are thought to be from Egypt and this type of bowl was common among the Coptic Christians. Examples such as ours have been found from the Rhine, indicating the route that would have been taken from Egypt. This type of bowl has been found relatively commonly in Kent, with three known from Faversham, one from Wingham and another from Sarre. Cf. R. A. Smith, British Museum Guide to Anglo-Saxon Antiquities 1923, Ipswich, 1993, p.77, fig.90.

490 490

491

492


493A pAIR OF ROMAN BONE BuSTS cIRcA 2ND cENTuRy A.D. Depicting a bearded male and a female with long wavy hair, both wearing a tunic with deep folds falling over the chest, 4.5cm high (2)

£800 - 1,200

Provenance English private collection, acquired in the mid-1970s.

494A MEDIEVAL SEATED SILVERED BRONzE LION cIRcA 12TH-15TH cENTuRy A.D. With long mane, curled tail and gaping mouth, the right paw raised, a suspension hoop behind the head, 7.5cm long

£300 - 500

Provenance English private collection, acquired at Ardingly Antiques & Collectors Fair, West Sussex, in the mid-2000s.

495 *

A BRONzE cAuLDRON AND DIppER pROBABLy NEAR EASTERN, 19TH cENTuRy A.D. With wide flat base and tapering body formed by different metal sheets fixed with rivets, with two added hands, the ladle with hemispherical bowl and curved handle to hang to the rim, Not Ancient, 24cm high,

£200 - 300

Provenance Deceased estate of Bess Myerson (1924-2014), California, mainly formed between the 1960s-1970s.

493

495

494

96 | BONHAMS

496TwO ROMAN HARDSTONE INTAgLIOS cIRcA 2ND-3RD cENTuRy A.D. The red jasper oval gem engraved with a gryllos composed of a bearded head in profile with insect’s legs and abdomen and a dog’s head flanked by a cornucopia at the top, 20mm high; and a carnelian gem engraved with the god Helios wearing the typical radiate crown, 15mm high (2)

£500 - 700

Provenance Austrian private collection, acquired on the German art market in the early 1990s.

497A gREEk BRONzE kOuROS ARcHAIc pERIOD, cIRcA 6TH cENTuRy B.c. A young athlete, standing nude, depicted in the act of throwing the discus, the long hair arranged in braids falling over the shoulders, on integral round plaque, 8.3cm high

£1,000 - 1,500

Provenance German private collection, Cologne, acquired in 1977 from Dr. Phil. Horst-Ulbo Bauer Kleinkunst der Antike, thence by descent. Accompanied by a copy of a handwritten note from the collector, dated 17 May 1977.

498A gROup OF gALLERy cATALOguES OF ANcIENT, MEDIEVAL, ORIENTAL AND cONTEMpORARy ART Including: ROYAL-ATHENA GALLERIES, twenty catalogues from 1988-2013; FINCH & CO, seventeen catalogues from 2002-2014; TOMASSO BROTHERS FINE ART, Scultura, and Scultura II (London, 2008-2009); GORDIAN WEBER KUNSTHANDEL, Antiken 5, 12, 13, 17 (2003-2013); SPINK, ten catalogues from 1995-1999; DANIEL KATZ LTD., European Sculpture 2003; CARSWELL, J., with a contribution of HENDERSON, J., Iznik. Pottery for the Ottoman Empire (Doha, 2003); A & J SPEELMAN, Chinese Sculpture and Works of Art (London, 2002) (approx 135)

£200 - 300

496 497

499


499TwO EgypTIAN BRONzE AMuLETS LATE pERIOD, cIRcA 664-332 B.c. One depicting the jackal-headed god Anubis, with silver inlaid eyes, 5.5cm high; the other with the winged goddess Isis embracing the mummiform god Osiris, 6.5cm high (2)

£500 - 700

Provenance Anubis amulet: Sotheby Parke Bernet, New York, 19 May 1979, lot 30. Isis and Osiris amulet: Sotheby Parke Bernet, New York, 19 May 1979, lot 238.

500 *

TwO cORINTHIAN pOTTERy ALABASTRA cIRcA 6TH cENTuRy B.c. Decorated with black and red slip and incised details, one example showing a lion facing a panther with rosette in the field, and the other one with two cockerels flanking a central double palmette, bands of tongues around the base and below the rim, both 7.5cm high (2)

£800 - 1,200


501A gROup OF ANTIquITIES AND TRIBAL ART AucTION cATALOguES Including six Sotheby’s catalogues: Antiquities, London 8/9 December 1986; Antiquities, London 18 May 1987; Antiquities and Islamic Art, New York, 2 December 1988; The Stansfeld Collection of Ancient Art, New York, 2 December 1988; Greek vases from the Hirschmann Collection, 9 December 1993; Tribal Art, New York, 24 December 1992; three Christie’s Antiquities catalogues: Fine Antiquities, London, 16 July 1986; Fine Antiquities, London, 10 December 1986; Fine Antiquities, London 11 December 1987; four Christies South Kensington Tribal Art Catalogues: 26 March 1985; 3 December 1985; 6October 1987; 1 December 1987; thirty eight Phillips London, Antiquities and Tribal Art catalogues: 25 October 1983; 19 December 1984; 12 March 1985; 2 July 1985; 24 September 1985; 12 December 1985; 3 April 1986; 10 July 1986; 1 October 1986; 4 December 1986; 5 March 1987; 18 June 1987; 3 December 1987; 10 March 1988; 7 July 1988; 15 December 1988; 6 July 1989; 5 October 1989; 11 December 1989; 6 July 1990; 11 December 1990; 13 March 1991; 3 July 1991; 4 July 1994; 3 July 1995; 11 December 1995; 1st July 1996; 9 December 1996; 9 June 1997; 27 November 1997; 25 June 1998; 27 November 1998; 23 April 1999; 7 December 1999; 10 April 2000; 4 December 2000; 11 April 2001; 25 October 2001; and five Bonhams Antiquities or Tribal art catalogues (a lot)

£50 - 80

502A NEAR EASTERN LIMESTONE HEAD The forehead incised with a rosette, the eyes with incised ridged rims and feathered eyebrows, with pronounced ‘apple’ cheeks, the mouth bared to show small teeth, the large stylised ears with pendant earrings, 16cm high

£500 - 800

Provenance Private UK collection, acquired by the vendor’s father, Sir Leonard Figg while posted with the Foreign and Commonwealth Office to Amman, Jordon. Exported from Jordan in 1959. Accompanied by a copy of the Christie, Manson and Woods, insurance valuation, dated 1973, no 100: Two Roman limestone heads.

500 502

98 | BONHAMS

503A MARBLE HEAD OF A MAN pROVINcIAL ROMAN-MEDIEVAL pERIOD Depicting a young man with a moustache, carved with large heavy rimmed eyes, 20cm high

£800 - 1,200

Provenance Private UK collection, acquired by the vendor’s father, Sir Leonard Figg while posted with the Foreign and Commonwealth Office to Amman, Jordon. Exported from Jordan in 1959. Accompanied by a copy of the Christie, Manson and Woods, insurance valuation, dated 1973, no 100: Two Roman limestone heads.

504 *

A cypRIOT LIMESTONE FEMALE FIguRE uppER FRAgMENT cIRcA 6TH cENTuRy B.c. With archaic features, large almond-shaped eyes and large ears, depicted holding a bird in her right hand, wearing a long headdress or wig and tight-fitting short sleeved tunic, with remains of red pigment, 9cm high

£500 - 700

Provenance Deceased estate of Bess Myerson (1924-2014), California, mainly formed between the 1960s-1970s. With a round sticker from Mathis Komor (d.1984), New York, with inv. no. E265.

505A ROMAN gOLD HORSESHOE pENDANT cIRcA 1ST-2ND cENTuRy A.D. The flat crescent-shaped section surmounted by a ring for attachment, decorated with gold granulation, 18mm wide

£500 - 700

Provenance English private collection, acquired from Colin Morris in Stow on the Wold in 2008, who found it in the Cotswolds earlier the same year.

506 *

AN EgypTIAN-STyLE pAINTED gESSO FRAgMENT Not Ancient, with the red outline of a duck, the hieroglyph ‘Sa’, filled with blue pigment, on a yellow background, with bands of pale blue and white bands with rows of red triangles above and below, 17cm high

£200 - 300


503 504

505

506


507A gROup OF MIScELLANEOuS ANTIquITIES cIRcA 1ST MILLENNIuM B.c. - 3RD cENTuRy A.D. Including a small Egyptian bronze of Harpokrates, 6cm high, Late Period, circa 600 B.C.; a Levantine oil lamp and a dish, circa 1st Millennium B.C.; a Cypriot terracotta male bust, 6.5cm high, and a limestone torso of a draped figure, 13cm high, circa 5th-3rd Century B.C.; a Corinthian kothon, 13.5cm diam, circa 6th Century B.C.; a South Italian miniature kylix, circa 4th Century B.C.; an Etruscan bucchero chalice, 8.5cm high, and a terracotta bull, 17cm long, circa 6th Century B.C.; a Roman bronze razor, circa 3rd Century A.D.; two Late Roman glass flasks, circa 4th-8th Century A.D.; a Byzantine oil lamp, circa 7th-8th Century A.D.; AND OTHER MIScELLANEOuS ITEMS including a Sierra Leone soapstone Nomoli figure, a small bronze and two Chinese items (16)

£500 - 700

Provenance Deceased estate of John L. Wilson, England, acquired between the 1970s and 1980s. Cypriot limestone torso: Charles Ede Ltd., London, in 1986 with copy of the invoice. Cypriot terracotta bust: Charles Ede Ltd., London, in 1981 with copy of the invoice. Etruscan terracotta bull: Charles Ede Ltd., London, in 1984 with copy of the invoice. Roman glass flask: Sheppard and Cooper, London, in 1976 with copy of the invoice.

508 *

A cypRIOT BIcHROME wARE AMpHORA IRON AgE, cIRcA 800-600 B.c. The body decorated with two bands of red and black, alternating with narrower multiple bands in black, the shoulder decorated between the handles with a central cross-hatched panel flanked by four-petalled rosettes, 20cm high

£1,000 - 1,500


507

507

508

100 | BONHAMS

509A gROup OF EgypTIAN ARTEFEcTS THIRD INTERMEDIATE- LATE pERIOD, 1069-30 B.c. Including a turquoise glazed composition shabti, the details in black including the frontal inscription, 21st-22nd Dynasty, 1069-715 B.C., 12cm high; two glazed composition shabtis and a bronze figure of Osiris, all Late Period; various glazed composition amulets and steatite and hardstone scarabs; THREE LARgE ScARABS, NOT ANcIENT; AND SOME ASHANTI BRASS gOLD wEIgHTS (a lot)

£700 - 900

Provenance J Kornbrot Collection, acquired in the UK before 1980.

510 *

A SyRIAN TERRAcOTTA FEMALE FIguRE cIRcA 1ST cENTuRy B.c./A.D. Depicted nude, seating while resting her hands on her knees, with black hair, large eyes and long slender nose, wearing a tight necklace with round pendants, the details added in black and yellow slip over the white pigment, 14cm high; AND AN ANATOLIAN pOTTERy SpOuTED jug with conical body, round shoulder, beaked projecting spout and overarching handle, circa 2nd Millennium B.C., 30cm high (2)

£500 - 700

Provenance Deceased estate of Bess Myerson (1924-2014), California, mainly formed between the 1960s-1970s. The vessel: purchased from Mathias Komor (d.1984), New York. With a Mathias Komor sticker.

511A ROMAN pALE gREEN gLASS BOTTLE cIRcA 1ST-2ND cENTuRy A.D. With a flaring mouth and an everted rim, broad square shoulders and cylindrical body with wide ribbon handle, 21cm high

£700 - 900

Provenance The John Towse (1914-2005) Collection, purchased from Howard Phillips, 23 March 1972.

509

510

511


512A ROMAN gREEN gLASS jug cIRcA 1ST-2ND cENTuRy A.D. The flaring mouth with irregular infolded rim, the neck expanding to sloping shoulders, the body tapering in towards the pushed in base with pontil mark, the thinly ribbed strap or ribbon handle with folded thumb rest above the rim, 25.5cm high

£1,000 - 1,500

Provenance UK private collection of C. Crabtree, acquired on the UK art market from 1970s-1980s.

513A ROMAN gREEN gLASS uNguENTARIuM cIRcA 2ND-3RD cENTuRy A.D. Of typical ‘candlestick’ form, with flattened bell-shaped body and concave base, the long neck nipped in where it joins the body, 20cm high

£100 - 200

Provenance Dutch private collection, acquired from the Amsterdam art market in the 1990s.

514A gREEk DARk RED cORE-FORMED gLASS ALABASTRON cIRcA MID 6TH - EARLy 4TH cENTuRy B.c. With turquoise decoration, the rim disc edged in turquoise, the cylindrical body with wide turquoise spiral trail combed into a zigzag pattern, with two looped trail brick red handles, 10cm high

£1,000 - 1,500


512 513

514

102 | BONHAMS

515THREE ROMAN cOLOuRED gLASS BOTTLES cIRcA 2ND-4TH cENTuRy A.D. A light blue unguentarium with small spherical body; a purple glass bottle with pear-shaped body; and an olive green unguentarium, 11cm-13.5cm high (3)

£300 - 400


516A ROMAN gREEN gLASS pRISMATIc BOTTLE cIRcA 1ST-2ND cENTuRy A.D. The infolded flat rim on cylindrical neck, with ribbed strap handle, the base moulded with three concentric raised circles and a raised boss in each corner, 21cm high

£400 - 600


517A ROMAN gREEN gLASS BEAkER cIRcA 3RD-4TH cENTuRy A.D. With flat base and slightly flaring mouth, below the ground rim a row of applied blue blobs, 7cm high

£500 - 700

Provenance English private collection, purchased at auction in Chichester circa 2000.

515 516

517


518THREE ROMAN gLASS VESSELS cIRcA 1ST-4TH cENTuRy A.D. Two green glass unguentaria with pear-shaped bodies and a green glass flask with piriform body, 15.5cm-17cm high; AND TwO OTHER gLASS VESSELS, Not Ancient (5)

£200 - 300


519A gROup OF MINIATuRE gLASS VESSELS ROMAN - ISLAMIc pERIOD Including a feeder flask; a prismatic bottle; a flask with indented sides; two bottles with pincered decoration and other bottles, 4cm-10cm high (14)

£300 - 400


520A ROMAN pALE gREEN gLASS BOTTLE cIRcA 1ST cENTuRy A.D. With folded collar rim, the neck expanding gently to the spherical body with slight concave base, 22cm high

£300 - 400


518

519

520

104 | BONHAMS

521A SASANIAN pALE gREEN gLASS BEAkER IRAN, cIRcA 4TH cENTuRy A.D. With an everted rim and pincered decoration, 13.3cm high, AND A ROMAN pALE gREEN FOOTED gOBLET, with a rounded rim, short stem and folded foot, circa 4th Century A.D., 7.5cm high (2)

£600 - 800

Provenance The John Towse (1914-2005) Collection. The goblet exhibited in the Charles Ede Ltd, January 1974, no. E372. The beaker: Acquired from Shepherd and Cooper purchased 19 March 1977. Literature For a similar decorative order to the beaker, see V. Arveiller-Dulong and M-D. Nenna, Les Verres Antiques du Museé du Louvre, Volume II, Paris, 2005, no.1058, p.392.

522A gROup OF wESTERN ASIATIc AND ROMAN jEwELLERy cIRcA 10TH cENTuRy B.c. - 2ND cENTuRy A.D. Including a Marlik gold open work pendant of prism form composed of spheres, Iran, 33mm long; an agate, rock crystal and garnet bead necklace composed of graduated irregular beads with some smaller modern beads towards the hook fastening, restrung; 43cm long; a Western Asiatic gold disc pendant with concentric repoussé roundel decoration, circa 7th-6th Century B.C., 35mm diam; a pair of earrings composed of spheres with modern hooks; a pair of Roman gold earrings with grape-shaped pendants, and a pair of Roman gold hoop earrings with glass cabochons and granular decoration (9)

£1,500 - 2,000

Provenance Elizabeth Jane Howard (1923-2014) Collection, formed 1960-1990s. The Marlik pendant acquired from Faustus Ancient Art and Jewellery in 1996. Accompanied by a copy of the invoice. The Roman earrings with glass cabochons also acquired from Faustus Ancient Art in 1995. With a copy of the invoice.

521 522

523

R. W. Cochran Patrick


523A ROMAN cARNELIAN INTAgLIO cIRcA 2ND-3RD cENTuRy A.D. The oval gem carved with a winged Eros holding a whip, driving a quadriga pulled by four horses, mounted on a modern ring, 15mm length of intaglio, finger size ‘N’

£500 - 700

Provenance R. W. Cochran Patrick Collection (1842-97), Under Secretary of State for Scotland and keen archaeologist and numismatist. Amongst many achievements, he was a Fellow of the Society of Antiquaries of Scotland and the Society of Antiquaries of London and co-founded the Ayrshire and Wigtownshire Archaeological Association in 1874. He was also responsible for several numismatic publications such as the ‘Catalogue of the Medals of Scotland’ (Edinburgh, 1884), which was the first comprehensive catalogue of all major and minor medals in the region. Thence by descent.

524A pAIR OF HELLENISTIc gOLD EARRINgS cIRcA 3RD-2ND cENTuRy B.c. The hoops composed of twisted gold wire, terminating with a hollow-cast bull’s head, the neck finely decorated with bands of filigree, with modern ear studs, both approx 13mm diam (2)

£800 - 1,200

Provenance English private collection, purchased at Christie’s London, 12 December 1989, lot 55. Property of the Hon. Tarquin Olivier.

525FIFTEEN EgypTIAN gLAzED cOMpOSITION AND gLASS BEADS NEw kINgDOM, AMARNA pERIOD, 18TH DyNASTy, cIRcA 1550-1295 B.c. Of elongated drop shape, of opaque red, pale blue and blue glass, and grey/green, turquoise, red and pale blue glazed composition, 20mm-47mm long (15)

£1,000 - 1,500

Provenance Swiss private collection, acquired in Europe in the 1970s.

526AN EgypTIAN STEATITE ScARAB NEw kINgDOM, cIRcA 1550-1070 B.c. In a modern gold swivel ring setting, with a ‘nefer’ sign, an upreared cobra and a wedjat-eye on the underside, 12mm long

£500 - 600

Provenance English private collection, purchased in Cairo in 1925. Accompanied by a copy of an invoice from Ali Sid Ahmed el Gabry, Cairo, dated 17 August 1925.

524 525

526

106 | BONHAMS

527THREE ANcIENT HARDSTONE INTAgLIOS cIRcA 1ST-6TH cENTuRy A.D. Including a Roman mottled jasper oval magical gem, carved with the dog-headed god Anubis holding a staff and the ankh symbol on one side and with a two lines magical inscription on the reverse, mounted on a modern pin, circa 1st-3rd Century A.D., 24mm length of intaglio; a carnelian Sasanian gem with two ibexes set in modern ring, Iran, circa 5th-6th Century A.D., 13mm length of intaglio, finger size ‘Q’; a carnelian Late Roman gem carved with a standing male figure holding a small altar, circa 3rd-4th Century A.D., 14mm length of intaglio, finger size ‘W’ (3)

£800 - 1,200

Provenance R. W. Cochran Patrick Collection (1842-97), Under Secretary of State for Scotland and keen archaeologist and numismatist. Amongst many achievements, he was a Fellow of the Society of Antiquaries of Scotland and the Society of Antiquaries of London and co-founded the Ayrshire and Wigtownshire Archaeological Association in 1874. He was also responsible for several numismatic publications such as the ‘Catalogue of the Medals of Scotland’ (Edinburgh, 1884), which was the first comprehensive catalogue of all major and minor medals in the region. Thence by descent.

528A pAIR OF ROMAN gOLD AND gARNET EARRINgS cIRcA 3RD cENTuRy A.D. With open gold framework and garnet bead to centre, undulating motif below with three gold suspensions set with small garnet beads, one earring with hook, each approx 3.7cm long; AND AN ISLAMIc cARNELIAN AND gOLD RINg the oval gem engraved with a kufic inscription for ‘Ali bin al-Husayn, Persia, Iran, circa 9th-10th Century A.D., finger size ‘P’ (3)

£800 - 1,200

Provenance Acquired by the present owner in London and the Home Counties between the 1960s and 1980.

527 528


EuROpEAN & ASIAN cERAMIcS & wORkS OF ART

529A gROup OF DERBy FIguRES, OTHER ENgLISH AND cONTINENTAL pORcELAIN AND A SwANSEA pENTRAyThe figures including Minerva, 27cm, a hunter, 15cm, a pair of Bloor period figures of a boy and girl, 15.5cm, three others, a Worcester chestnut basket, cover and stand later coloured, 25cm wide, a parian figure, a pair of Samson figures in the Derby style, a pearlware figure and five other pieces, the pentray with swan handles, 26.2cm wide (20)

£500 - 800

530FIVE DERBy FIguRESThe shepherdess holding a spray of flowers aloft, a sheep lying by her side, 18cm high; and four smaller figures, including one with a gun and one with a dog, all approx 13cm high. (5)

£200 - 300

531SIX MINTON AESTHETIc pLATES, cIRcA 1880Painted with panels of birds reserved on a panel shaped as a Japanese scroll, on a pink ground with gilt dentil border, 24cm diameter, impressed marks, one also with printed green mark (6)

£500 - 800

532A MINTON pARIAN wARE FIguRE AFTER cANOVACirca 1868 The maiden dressed in a blue and green gown , tiled on the base rim, stamped ‘Minton’ to base, 39cm high

£200 - 300

533A pAIR OF SAMSON pORcELAIN VASES AND cOVERS19th Century Of octagonal panelled baluster form, decorated in the Meissen style with Kakiemon flowers and foliage, mounted on gilt metal bases, 22cm, crossed SS marks concealed within the decoration (4)

£500 - 700

534No lot

535A pAIR OF MEISSEN SHApED cIRcuLAR pLATESPainted with bouquets and sprays of flowers, having moulded trellis borders, 24.5cm, and a further pair, centrally painted with romantic figure panels, 23.5cm. all with impressed and cancelled painted marks. (4)

£250 - 350

536A cOLLEcTION OF MEISSEN AND DRESDEN pORcELAINComprising a pair of silver shape blue and white candlesticks, 13cm, an onion pattern plate and a bullet shape teapot and cover, a two handled cup and saucer, an odd cup and saucer and a small rectangular box and cover. (9)

£300 - 400

537A cONTINENTAL MAjOLIcA BuSTOf a Renaissance nobleman, with cream glazed head and wearing a yellow and green scroll jerkin with fleur de lys painted sleeves, 30cm.

£500 - 600

531

533

108 | BONHAMS

538A gROup OF ROyAL cROwN DERByComprising a plaque painted by WEJ Dean, 15 x 19cm, framed, a globular vase and cover, 18cm high, and a pair of vases and covers, 14.5cm, all painted with shipping scenes, probably by WEJ Dean, seven Imari pattern miniature pieces and two sets of six Imari pattern coffee cups and saucers (27)

£500 - 700

539A pAIR OF 20TH cENTuRy BLANc DE cHINE FIguRES OF guANyINStanding holding a Ruyi sceptre mounted as table lamps, 46cm high, damages, together with a pair of 20th Century Chinese Sang de Beouf bottle vases, in a deep red glaze mounted as lamps, 30cm. (4)

£300 - 400

540A pAIR OF cHARLES pILLIVuyT & cO pARIS pORcELAIN DESSERT BASkETSSecond half 19th Century Compressed circular pale blue glazed, with gilded twin side handles and pierced galleried borders interspaced by two cartouches, monogrammed, each on four claw feet, 29cm across, printed and impressed marks.

£250 - 350

541A FRENcH LATE 19TH cENTuRy pORcELAIN MOuNTED gILT METAL cLOck SETThe clock with porcelain dial, jewel-bordered porcelain portrait medallions and a panel painted with a maiden in a garden, the side pieces as five branch candelabra with urn shaped bodies; 49cm high (3)

£700 - 800

542AN EDgE MALkIN & cO. ‘MAgDALENE cOLLEgE’ BLuE AND wHITE pLATTERPrinted with folk fishing on punts about the college roundel named for ‘W. Swannell’ printed and impressed marks 47cm wide; together with a matching circular dish 24cm diam and a similar tureen and cover. (4)

£300 - 400

543A jApANESE SATSuMA FIguRE OF A SAgE32cm high, and a stoneware figure of a warrior, 37cm. (2)

£300 - 500

544A pAIR OF cuT gLASS LuSTRESFirst half 19th Century With vase shape sconces, baluster stems and star cut circular bases, hung with later facet cut drops, 27cm a Napoleon III opaline glass baluster vase, with gilt twin side handles and bands, having an oval panel painted with a peasant girl, 26.5cm, a pair of George III style glass decanters with target stoppers and a Victorian electroplate mounted star cut glass claret jug. (6)

£500 - 600

545A cANTON EXpORT ‘FAMILLE ROSE’ BALuSTER VASEQing dynasty, late 19th Century Typically painted with alternating panels of figures on terraces, birds, butterflies and flowering and fruiting branches, 34cm, and a similar jardiniere and stand of hexagonal form, 32cm. (3)

£500 - 600

546AN 18TH cENTuRy DERBy pORcELAIN BOcAgE FIguREOf a standing cow and her calf before a flowering tree, 14.5cm, pad marks to base, another Derby bocage figure of a seated boy and his dog on a gilt and blue rococo base, 15cm, and a late 19th Century porcelain figure group after the 18th Century Meissen original, 10cm. (3)

£500 - 700

547A gROup OF pOTTERy pLAquES INcLuDINgA Royal Doulton ‘Children’s Ware’ oval plaque, 24cm, a pair of Dutch pottery plaques printed in blue with portraits, another pair painted with figures in Spanish costume, and two others decorated with fairies , six in oak frames. (7)

£300 - 500

548THREE ROyAL wORcESTER REcTANguLAR pLAquESPainted by Arthur Badham, water landscape scenes, two 12 x 17cm, the other 11.5 x 16.5cm, with certificates, all framed, a Harry Davis plate decorated with sheep admist trees, 27cm diameter, two Royal Worcester fruit painted match holders by Bill Roberts, a fruit painted miniature jug and bowl, a miniature blush ivory jug, a Moorcroft pomegranate jardiniere, 23cm diameter, and a small Walter Moorcroft vase. (14)

£300 - 500

549A pAIR OF gRAINgER & cO wORcESTER ScALE BLuE gROuND VASES AND cOVERSPainted with panels of exotic birds, 19.5cm, and another pair with reticulated rims, 11cm high, and another vase and cover with serpent handles, 21.5cm (8)

£300 - 500

550A RARE ROyAL DOuLTON FLAMBé MODEL ‘FOX cuRLED’ AND A pAIR OF ROyAL DOuLTON STONEwARE VASES, EARLy 20TH cENTuRyThe model designed by Charles Noke, 10.5cm wide, HN147D, the vases with tube-lined decoration, 35.5cm high (3)

£500 - 600


551DOuLTON BuRSLEM: ELLEN TERRy AS quEEN cATHERINE, A VELLuM FIguRE cIRcA 1893The standing figure wearing a pale green and buff-colored gown and standing on a stepped base, impressed ‘Noke’ to base, 32cm high

£500 - 600

552A cHINESE BLuE AND wHITE cELADON gROuND BALuSTER VASEPainted with a figural scene, rockwork, a phoenix and flaming pearls, 44cm, a Japanese Setoware blue and white inverted baluster vase, painted with birds and flowering trees, 79cm, and a Japanese baluster vase with crimped neck, the sides painted with two figure panels, the ground painted with flowering peony trees, 61cm. (3)

£300 - 500

553A pAIR OF 20TH cENTuRy cHINESE cLOISONNE jARS AND cOVERSDecorated with peony and birds on a red ground, carved wooden stand, 26cm.

£200 - 300

554A MOuLDED cREAMwARE SHADED BLuE gLAzED TEApOT AND cOVER19th Century After the Meissen model, 17cm.

£300 - 400

555A MEISSEN pORcELAIN cABINET cup AND SAucERThe brick red, purple and turquoise ground with classical borders of tooled and raised gilding, the panel painted with a classical figural and landscape scene, cancelled painted and impressed marks, a miniature Vienna pear shape vase, the bleu celeste ground with tooled and raised gilded classical emblems and musical trophies and painted with a portrait bust of Mirounda, 9cm, printed and painted marks and a Dresden porcelain cup, cover and saucer decorated in the Helena Wolfshon workshop, in typical style on a yellow ground. (6)

£250 - 350

556A ROyAL DOuLTON ‘THE THREE MuSkETEERS’ LOVINg cupLimited edition no. 281/600, 25.5cm, with certification, a pair of New Chelsea Staffs vases and covers, 15.5cm, a pair of New Chelsea Staffs gourd shape vases, 19cm, and a matching vase of Mei Ping form, painted in Dr Wall Worcester style, 18cm. (6)

£350 - 450

557A pAIR OF FRENcH RADISH TuREENS AND cOVERS wITH INTEgRAL STANDS, LATE 18TH cENTuRyThe tureens oval with flattened covers and handles, on canted rectangular stands, decorated wtih sprigs of cornflowers, 30cm wide (4)

558A MINTON pARIAN wARE FIguRAL gROupCirca 1851 Titled ‘Naomi and her daughters in law’ on oval base, 35cm high, cyper mark to underside of base.

£100 - 200

559A LARgE pAIR OF gLASS puNcH BOwLS, cOVERS AND STANDS, LATE 19TH cENTuRyWith extensively cut decoration including bands of finely cut leaf shaped motifs on a hobnail cut ground, the stands with fan cut rims, stands 31.5cm diameter, tureens 28cm diameter (6)

£500 - 700

560A gROup OF NINE VARIOuS DELFT pLATESComprising a pair of blue and white monogrammed plates dated 1687, a large extensively decorated blue and white plate, a pair of small floral polychrome plates and four others. (9) (a/f)

£300 - 500

561TwO cHINESE BLuE AND wHITE VASES, 20TH cENTuRyEach with floral sprays and flowering branches, 57cm (2)

£200 - 300

551

557

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562A cORAL-RED MONOcHROME FIguRE OF guANyINPresented in the ‘bearer of sons’ incarnation and holding a tiny baby in her arms, dressed in a typical hooded robe, standing on a lotus base, 31cm high

£200 - 300

563A pAIR OF LARgE BLAck-gROuND FAMILLE ROSE BOwLS, DAOguANg SIX-cHARAcTER SEAL MARkS, 20TH cENTuRyPainted to the interiors and exteriors with mythical beasts amongst flaming pearls and scattered precious objects, within ruyi motif and floral borders, 46.7cm diameter (2)

£300 - 400

564A gROup OF FOuR cHINESE FAMILLE ROSE pLATESOne painted with figures in a pavilion and walking in the grounds of the garden to the centre with gilt highlighted floral border, 23.5cm diam, another with butterflies and crysthanamum before a steam, and two others. (4)

£500 - 600

565A SET OF TwELVE cHINESE pITH pAINTINgS, LATE 19TH cENTuRyDecorated with figural scenes, in black lacquered frames, 6.5cm x 10cm excluding frame (12)

566 Y Ф

A SET OF TwENTy-THREE INDIAN IVORy pAINTED OVAL pORTRAIT MINIATuRESOn a green velvet mount, framed, 3.8cm to 5cm high

£500 - 800

567No lot

568A pAIR OF cANTONESE FAMILLE ROSE INVERTED BALuSTER VASES AND cOVERS19th Century Decorated with rectangular vignettes depicting manchu figures, reserved on a floral and insect strewn ground, the domed covers with Buddhistic lion finials (restored necks and covers).

£500 - 700

569A cHINESE STAINED pINE TwO DOOR STORAgE cABINETWith paneled doors enclosing two central drawers on plain square section legs

£500 - 700

570A cHINESE gILT LAcquERED BOX, 19TH cENTuRyOf canted bombe form, with four gilt metal paw feet and handles, ornately decorated with figural scenes, the interior fitted with two white-metal caddies and covers, 30cm wide

£200 - 300

562 565

570


571 Y Ф

A jApANESE LAcquERED REcTANguLAR pANELRelief moulded in bone, ivory and mother of pearl with a cockerel below flowering sprays and branches, 59.5cm x 35cm, in ebonised carved frame

£500 - 700

572THREE cHINESE REVERSE gLASS pAINTINgS, TwO 19TH cENTuRy, ONE 19TH/EARLy 20TH cENTuRyOne depicting a woman holding a fan, 49.5cm x 35cm, another of two figures seated in an interior, 49.5cm x 35cm, and one of a young girl with a child, 73cm x 48cm (3)

£500 - 700

573A LARgE kOREAN RETIcuLATED STONEwARE pEDESTAL, THREE kINgDOMS-kAyA pERIOD, 5TH OR 6TH cENTuRyThe domed body rising to a cylindrical neck with broad dish-shaped rim, decorated with horizontal bands, incised at intervals with linear apertures; a black and gold lacquer fubako decorated with scattered floral and foliate crests, 18th/19th century; a ribbed black and gold lacquer storage vessel, set on four legs, the cover decorated with a mountainous river landscape scene, Meiji Period; and a large black ground lacquer dish decorated with birds amongst flower sprays tied to bamboo canes. The pottery 53.5cm high; the lacquer dish 50.8cm diameter (5).Similar Korean stoneware pedestals may be found in the Honolulu Academy of Arts.

571 572

573

112 | BONHAMS

574 Y Ф

A jApANESE IVORy FIguRE, MEIjI pERIODThe male figure standing holding a basket of Pekinese puppies, another seated on his foot, 17cm, signed to a red tablet

£500 - 700

575 Y Ф

A jApANESE cARVED IVORy FIguRE OF A wOMAN AND cHILD, MEIjI pERIODThe woman holding a nest containing a bird, the child below holding a hobby horse, 17.5cm

£500 - 700

576A pAIR OF DOuTLON LAMBETH BOTTLE VASES By FLORENcE BARLOw AND A gEORgE TINwORTH EwERThe vases of tall baluster form with incised and applied stylised foliate decoration in blues, greens and browns, 34.5cm high, stamped and inscribed with initialed to underside; the ewer decorated in greens and browns and applied moulding, 23cm high, incised monogram to base rim. (3)

£200 - 300

577A wILLIAM MOORcROFT VASE wITH THE ‘18TH cENTuRy’ DESIgNThe ovoid body tube lined with swags of flowers, signature mark to base, printed, ‘made for Liberty & Co’, 15cm.

£300 - 400

578A VASE By HANNAH BARLOw FOR DOuLTON LAMBETH cIRcA 1884Of tall baluster form decorated with sgraffito depicting horses in a naturalistic landscape, 27cm high, together with a smaller Hannah Barlow vase decorated with dogs, 9.5cm high and a Doulton Faience ware vase 28.5cm high (3)

£500 - 700

574

575

576

578


579LIBERTy & cO.: A pEwTER AND gLASS DEcANTER wITH THREE LIquOR gLASSES, cIRcA 1900The mounts decorated with leaf motifs to the bottom and top, the body in green glass with hinged lid, together with three matching liquor glasses, decanter - 17.5cm high, stamped ‘English Pewter 0331’ (4)

£500 - 600

580ARcHIBALD kNOX FOR LIBERTy & cO.: A TuDRIc AND ENAMEL cLOck, cIRcA 1902of soft square form, inset with four blue cabochons, with fixed two-pronged back support, 10cm high, stamped ‘English Pewter Tudric Liberty & Co’ and ‘0482’

£300 - 400

581AN ARTS & cRAFTS, NEwLyN ScHOOL cOppER TRAyPlanished and with a relief decorated border of scallops and fish; 48x66cm (stamped Newlyn)

£300 - 400

582EMILLE gALLE: A cAMEO gLASS VASEOf inverted baluster form cut with trees in a landscape in sepia on a yellow ground, signed ‘Galle’ to body, 16cm high

£500 - 600

583AN AuSTRAL ISLANDS pADDLETypically carved with geometric patterns allover, the pommel finial carved as eight styluised dancing figures, 94cm long

£800 - 1,200

584AN EwE FETISH FIguRETogo Standing with arms free of the sides, applied sacrificial material and assemblages including cotton cloth, cowrie and snail shells, plastic rosary and knife, 28cm high

£250 - 350

585FIVE NAgA HAIR ORNAMENTSNortheast India/Burma each with tapering triangular mithun (bos frontalis) bone pin engraved and stained with geometric designs, surmounted with trimmed red and black dyed goat hair tuft and long plume, 23cm long (excluding plume) (5)

£250 - 350

586A DOgON IRON STAFFMali The vertical shaft with socket issuing four curved arms each suspending a ring with bell-shaped gong, the finial as a stylised human figure with upraised arms, slate base, 66cm high

£400 - 500

580579

582

114 | BONHAMS

587 *

A pOTTERy zOOMORpHIc OcARINO AND A gREENSTONE FIguRE 12.5cm long and 7cm high

£200 - 300


588A FIjI ‘pINEAppLE’ cLuB, TOTOkIAThe bulbous head with central tapering spur, tapering shaft, zigzag carved handle, 79cm long

£600 - 800

589A wAR cLuB, ‘AkAu TAuTonga the lenticular head above a transverse double collar tapering to a shaft of quadilateral section, carved allover with zigzag and arched bands in rectangular panels, 92.5cm (36.5ins) long

£500 - 700

590A NupE DOORNigeria composed of four narrow panels, each carved in relief with stylised animals, ritual symbols and objects, cut out hinges to right, one of the four panels a replacement, approx. 163cm high

£700 - 900

587

589

590


591cOLLEcTION OF RuSSIAN DEcORATIVE IRONwORk, DATED 1907 & 1908Comprising a dish intricately pierced with bands of interlaced roundels, cable and knot decoration, 44cm diameter; a smaller dish pierced with scrolling foliage, 21cm diameter; a pair of satyr mask candlesticks, 25cm high; an amusing oval dish modelled with two monkeys, one pulling the other’s tail; another of a devil hammering nails into a horseshoe, three vases with floral relief decoration and a vine leaf sweetmeat dish; (10), each with foundry mark and some dated

£500 - 700

592 Y Ф

TwO 19TH cENTuRy cANTON cARVED IVORy cARD cASESBoth finely carved with figures, trees and pavilion, 11cm high, and 7cm and another in sandlewood, 8.5cm high (3)

£600 - 800

593A pAIR OF gILT BRASS STORM LIgHTSCast with goat masks and floral garlands standing on three hoof feet, and two clear glass shades and a cast brass and iron dolphin door porter (3)

£150 - 200

594A MID-VIcTORIAN gILTMETAL gIRANDOLEThe oval frame cast with flowerheads and foliage and having a central three-nozzle candle branch flanked by single candle branches; 72cm high

£500 - 700

595 Y

AN EDwARDIAN SILVER MOuNTED TORTOISESHELL MANIcuRE BOXBy H A & C, retailed through Arnold, 61 Piccadilly, the hinged cover to reveal various implements and lift out tray, some items associated, 20 x 10cm

£200 - 300

596A pAIR OF cHARLES X BRONzE AND SIENNA MARBLE TAzzICast with lobes and flutes, on spiral fluted stems, on square pedestal and plinth bases, 21.5cm.

£300 - 500

597A pAIR OF jApANESE cARVED MOTHER OF pEARL SHELL DISHESEach shell well carved with birds on flowering branches, a Chinese carved hardstone group of two birds on a trunk carved wooden stand, 27cm, and a carved soapstone group of fruit and leaves with a butterfly on an oval dish, carved wooden stand, 25cm and 13cm (4)

£200 - 300

598 Y Ф

A REgENcy TORTOISESHELL AND IVORy TEA cADDySerpentine form, the domed hinged lid to reveal partitioned interior on four ivory bun feet, 20 x 13cm.

£200 - 250

599A 19TH cENTuRy cROSS STITcHED SAMpLERWorked by Anne Suffield Aged 10 Lymington 1836, worked with a house, trees, figures, plants and birds with framed strawberry border, in grained frame 43 x 31cm.

£200 - 250

600 Y Ф

A cANTONESE IVORy REcTANguLAR BOX19th Century The hinged cover and sides with shaped oval panels typically carved with scenes of figures, buildings and flowering trees in fenced landscapes, 25cm, a Cantonese carved ivory chess set, one half stained red, Kings 10cm high and a Cantonese carved ivory oval plaque, mounted in gold as a brooch, with foliate engraved border.

£500 - 600

601 Y

A SwISS cyLINDER MuSIcAL BOXSecond half 19th Century, the 24cm cylinder playing 8 airs as listed, with five bells, the rosewood and ebonised case boxwood and tulipwood banded and inlaid with birds and flowering branches, 51cm.

£400 - 600

591

116 | BONHAMS

602A VIcTORIAN FIguRED wALNuT AND gILT BRASS MOuNTED BOOk SLIDEThe hinged arched ends set with oval jasperware panels, 40cm, together with eight printed silhouette pictures, circa 1920’s, depicting fairies spirits and animals, 13cm x 24cm.

£250 - 350

603A pAIR OF EARLy 19TH cENTuRy MAHOgANy EBONy BANDED BRASS MOuNTED BOTTLE pORTERSOf rectangular form, with cast overhead carrying handles and four circular divisions, 44 x 39.5cm.

£800 - 1,200

604A pAIR OF FLORENTINE gILTwOOD wALL AppLIquECarved and pierced with fruiting vines, 73cm.

£300 - 500

605A DANISH SHIp’S TELL-TALE cOMpASSCast metal body, the rim decorated with crown and animals and a dolphin suspension ring, domed glass, engraved Dorothea Sonderburg, colour printed dry card, inscribed Nicolaes Pinnich Altona 1766, the compass 5ins (13cm) diam.

£200 - 300

606A LARgE DANISH SHIp’S TELLTALE cOMpASSMetal body in the form of a crown, with crucifix and orb suspension ring, domed glass inscribed Capt. Marinus Nielous Haabet af Horsens, printed dry compass card inscribed Iver Jensen Borger i Kiobenhavn, the compass 7ins. (18cm) diam.

£200 - 300

607A LATE 19TH cENTuRy ‘BRONzED’ pLASTER ELEcTROLLIERModelled as a robed classical figure holding a torch, 110cm.

£200 - 250

608A BuRMESE pARASOLBamboo stick with painted leaf the white metal handle decorated with panels of peacocks, 81cm, and three various silver mounted riding crops one with unusual animal hoof handle. (4)

£300 - 400

609 Y Ф

pETER TERESzczuk (AuSTRIAN, 1875 - 1963): A BRONzE AND IVORy FIguRE OF A yOuNg gIRLThe young girl standing reading in dress and bonnet mounted on a circular onyx plinth, signed in cast ‘P. Tereszczuk’ with foundary mark for Arthur Rubinstein, Vienna, 17cm high.

£500 - 700

610‘THE SEATED SApHO’ 19TH cENTuRy BRONzE FIguREAfter J. Pradier Modelled as a contemplative Sapho seated with a lyre resting against her back. Engraved ‘ PADIER’, and ‘SUSSE Bros’. 22cm high 8 1/2in high)

£500 - 600

611 Y Ф

A FRENcH gILT BRONzE AND IVORy FIguRE OF A gIRLWearing a frilled dress and tied bonnet, her face worked in ivory, mounted on a circular stepped marble base, 19cm high

£400 - 500

605 606

610


612MANNER OF kARL kAuBA (AuSTRIAN/AMERIcAN, 1885-1922)An Austrian patinated bronze of a Native American warrior rearing his mount, on green onyx plinth, base stamped, “Made in Austria, Real Bronze”, 14cm wide, 7cm deep, 19cm high (5 1/2in wide, 2 1/2in deep, 7in high)

£250 - 350

613A pATINATED BRONzE BuST OF A wOMAN AFTER A MODEL By gEORgE VAN DER STRAETENMounted on a square marble base, signed to reverse, stamped ‘Societe Des Bronzes De Paris’ to reverse, 21cm high

£350 - 450

614 Y Ф

A 19TH cENTuRy yEw wOOD TEA cADDy AND THREE OTHERSThe yew wood caddy of plain rectangular form with ivory escutcheon and fitted with two lidded compartments, 18.5cm wide; together with a rosewood caddy on four bun feet 30cm wide, a mahogany inlaid caddy with oval floral inlay to cover and raised on four claw feet, 20cm wide and another mahogany inlaid caddy. (4)

£400 - 600

615 Y Ф

A 19TH cENTuRy INDIAN pIERcED AND cARVED IVORy kNIFE HANDLEDecorated with figures, birds and scrolls, a George III ivory strung blond tortoiseshell tea caddy of octagonal domed form, 12cm, a papier mache snuff box the lid with a view of Worcester bridge, and a carved circular snuff box. (4)

£400 - 500

616A cOLLEcTION OF FIFTEEN cHINESE SOApSTONE cARVINgSMost incorporating monkeys, to include monkeys with vases and gourds, a teapot with animal finial and a group of flowers, foliage and a carp. (15)

£300 - 500

617A BuRMESE pAINTED wOOD FIguRE OF A wRESTLERStanding naked with one arm outstretched, long hair tuft, copper bangles, integral block base, 54cm high618A gEORgE III MAHOgANy AND EBONy STRuNg kNIFE BOX,the sloping top to reveal original interior, 40cm.

£200 - 250

619 Y Ф

AN INDIAN IVORy FIguRAL gROup OF A pALEquIN AND FOuR BEARERSOn a rectangular base, 6cm x 9.5cm

620 Y Ф

A MID 19TH cENTuRy ANgLO-INDIAN VIzAgApATAM NATuRAL AND gREEN STAINED IVORy AND HORN gAMINg BOXOf rectangular form with incised and blackened floriate borders and vertical reeded sides, one end fitted a frieze drawer, the sliding cribbage board top opening to sandalwood lined well containing a quantity of miniature dominoes, 9cm high, 24cm long, 10cm deep

£200 - 300

621AN EMpIRE STyLE gREEN AND gILT pAINTED wOOD wALL BRAckET TOgETHER wITH A RED AND gILT pAINTED wALL BRAckETThe first bracket with applied putto and anthemion decoration and acorn terminal, the other bracket of ogee shaped form with ball terminal and matched black marble top, 37cm and 40cm high approximately (2)

£200 - 300

620 621

118 | BONHAMS

622 Y Ф

A EuROpEAN cARVED IVORy MOuNTED cHEROOT cASEThe leather hinged case of rounded ended rectangular form with an ivory plaque to front and back, the front intricately carved with mountain goat in a naturalistic landscape, 14.5cm wide

£300 - 400

623A FRENcH LATE 18TH/EARLy 19TH cENTuRy cOLLAgE pANELDepicting Christ surrounded by the symbols of the passion, Saint James, Saint Peter, Saint John, Moses and another, worked in various textile fragments on an arched silk ground, 27cm x 20 cm.

£200 - 300

624L. gRAEFNER (gERMAN): A pAIR OF BRONzE FIguRES OF BLAckSMITHSBearing signature ‘Graefner’ to back, raised on marble plinth bases, 20cm in height (2)

£500 - 700

625A pAIR OF LATE 19TH cENTuRy LOuIS XVI STyLE MARBLE AND gILT METAL MOuNTED FIVE LIgHT cANDELABRAEach modelled as an urn raised on a fluted column, issuing five branches modelled as sprigs of roses, with rose cast nozzles, raised on stepped, square plinth bases above four toupie feet, the bases each surmounted by a figure of a winged putti, later fitted for electricity, 46.5cm high (2)

£300 - 500

626A SET OF TwELVE 19TH cENTuRy ENgRAVED AND LATER cOLOuRED pRINTS OF BIRDSTaken from ‘The History of Animated Nature’, later mounted within moulded, lacquered frames, 21cm x 30cm high overall (12)

£200 - 300

627A SET OF TwENTy FOuR LATE 19TH cENTuRy LATER cOLOuRED ENgRAVINgS OF SALTwATER FISHTwelve pictures facing right and twelve facing left, mounted within later blue and silver decorated frames, 21cm x 31cm overall (12) (24)

£300 - 500

622

625

626

627


628AN EARLy 20TH cENTuRy SpELTER ELEcTROLIER ‘LA NuIT’Modelled as a classical figure holding a torch aloft, an eagle at her feet, with flambeau glass shade, 71cm, excluding shade.

629A BLAck FOREST SOFT wOOD NOVELTy NuTcRAckERCarved as a terminal figure bearing carved bone teeth, on a turned wooden base, 35.5cm high

£600 - 800

630A 19TH cENTuRy STRAw wORk pIcTuRE OF VENIcEDepicting the busy canal scene with steps up onto St Mark’s square, 37cm x 53cm

£600 - 800

631A LARgE gENERAL cOLLEcTION OF pIpES AND SMOkINg EpHEMERACeramic, wood and horn to include a large brass Indian Hookah and several Japanese white metal examples; also tobacco tins, vesta cases, tobacco and snuff boxes and a general collection of tobacco related items. (Qty)

£500 - 600

632A LARgE cOLLEcTION OF cLAy pIpESMany with moulded human and grotesque mask bowls, and including pipes with the following themes: Boer War, Masonic, Military, Sports and Irish, Scots and Welsh, (200 approx)

£500 - 600

633A gROup OF gLASS pIpES, 19TH/20TH cENTuRyTo include a large brown examples with white rim to the bowl, 48cm approx; a Nailsea type with white trailed markings, 39cm, together with seven other smaller examples in coloured and plain glass (9)

£500 - 600

634A pAIR OF VIcTORIAN ORNATE gILTwOOD AND gESSO FOuR LIgHT wALL AppLIquEOf foliate design with moulded glass drip pans, later wired for electricity. 48cm.

£200 - 300

635A LARgE wOOD cARVINg OF XI wANgMuThe Daoist immortal carved with an elaborate chignon, holding a flower basket in her right hand, the left hand in a religious gesture, with an emaciated deer stood below her, 55cm

£200 - 300

636No lot

637A jAcOB pETIT pORcELAIN MANTEL cLOckMid 19th century, the waisted case moulded with scrolls and encrusted with brightly coloured flowers, on integral plinth with knurled feet, the movement with silk suspension and a brass dial with gothic chapter numerals; 35cm high 13 1/2in high)

£200 - 400

638 Y

A NApOLEON III STyLE EASEL DRESSINg MIRRORThe cushion frame with brass and pewter inlaid tortoiseshell, ebonised back with pierced brass strut 44 x 32cm, together with another late 19th Century, gilt gesso and painted frame, in the Neo-Classical taste with swags and tied reeded borders on a grey ground, 46 x 30cm. (2)

£300 - 500

629 635

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639A cOLLEcTION OF THREE gEROgIAN BLAck LAcquERED pAINTED SNuFF BOXES AND ANOTHERThe three painted examples of rectangular form with hinged covers, titled ‘To be delivered immediately’, ‘Don’t you wish you may get it’ and ‘Gratis’, largest 7.5cm wide; the other of plain form with serpentine front 8.5cm wide. (3)

£150 - 250

640A pAIR OF EARLy 19TH cENTuRy BRONzE AND ORMOLu cANDLESTIckSModelled as standing cranes supporting leafy sconces and standing on rockwork base, 38cm high (2)

£500 - 600

641A cONTINENTAL BRONzE FIguRE OF A wATER MAIDENmodelled seated on a rock holding a shell, unsigned, numbered 5343, 29cm high.

£250 - 350

642A VIcTORIAN wALNuT AND BRASS MOuNTED STATIONERy BOX wITH MATcHINg BLOTTERThe hinged lid with jasperware style circluar plaque to centre top, retailers plaque inscribed ‘PARKINS & GOTTO, Oxford St., LONDON’, 22cm wide, the blotter 30 x 21cm, together with a gilt brass and malachite inkwell. (3)

£300 - 400

643A gOOD SET OF THREE gEORgE III BRASS AND STEEL FIRE IRONSThe slender baluster handles with mushroom knops and with scrolling foliage, comprising tongs, poker and shovel with pierced waisted pan, shovel 79cm long (3)

£200 - 300

644 Y Ф

AN IVORy pApER kNIFE, A VIcTORIAN SILVER AND MOTHER O’ pEARL FRuIT kNIFE, BONE DRAugHTSMAN’S RuLE AND A cHINESE puzzLEThe paper knife with silver mount hallmarked for 1902; the folding rule engraved Army 7 Navy C S L;the folding fruit knife hallmarked for Sheffield 1853 and in red leather case;the puzzle pierce-carved with figures buildings and trees, 5.5cm square. (4)

645A pAIR OF gILT METAL THREE LIgHT wALL AppLIquEWith porcelain flowerheads, the foliate cast branches with cherub supporters, 53cm, and a Regency style girandole with circular bevel edge mirror, the giltwood and gesso frame with an eagle surmount and twin candle-holders, 69cm. (3)

£250 - 350

646A LATE 19TH cENTuRy gERMAN pATINATED BRONzE gROup OF TwO NuDE wRESTLERSAfter the antique, on a rectangular base, inscribed ‘H.S., Munchen’, and on a rectangular marble plinth, the bronze 46cm wide x 37cm high.

£1,000 - 1,500

640 642


647A 19TH cENTuRy FRENcH EMpIRE STyLE gILT BRONzE LAMpIn the form of a plinth mounted twin handled urn, decorated with embossed wing putti and neo-classical motifs, raised on Lion paw feet. Possibly a converted oil lamp. 62cm high 24in high)

£300 - 400

648A gILTwOOD AND pOLycHROME DEcORATED cApITAL17th/18th Century Of shaped outline carved with cherubs, flowering branches, scrollwork and fluting centred by heart shape cartouches, the compressed circular turned and lobed column on a stepped moulded canted corner base, 70cm high.

£500 - 800

649A cHINESE EXpORT LAcquER gAMINg BOXFitted with four small boxes and one large, eight gaming trays decorated with playing cards, the boxes containing a number of various mother of pearl gaming counters and two various sizes of Turkish metal disk gaming counters.

£700 - 900

650ScALE MODEL OF THE cLIppER “cuTTy SARk”Fully rigged and copper bottomed; 105cm long bowsprit to stern

£500 - 700

651 Y

AN EARLy 20TH cENTuRy OVAL TORTOISESHELL pRESENTATION BOX wITH SILVER MOuNTSThe domed and hinged lid with applied silver mounts,the plaque reads: Miss Janet Keir Scott, launch T.S.S.Monages, 15th July 1927,Palmer-Jarrow, 25cm wide; together with a silver and tortishell dressing table box raised on stick legs and a simulated box. (3)

£300 - 500

652A VIcTORIAN STyLE BRASS LAMpIn the form of an oil lamp, mounted on a polished marble and gilt fluted mounted column pedestal with stepped base, 132cm. (2)

£150 - 200

653A SET OF FOuR cARVED gILTwOOD TwO LIgHT wALL AppLIquéEach with scrolled branches, lyre, wreath and ribbon tied backplates, with tassel drops, 74cm and a pair of carved giltwood and mirror panelled two light wall appliqué, the tapering backplates carved with rams masks, bell-flower pendants and classical urn surmounts, 94cm (6)

£300 - 500

654A cHINESE BRONzE pRIckET TypE cANDLESTIck16th/17th Century With baluster columns and flowerhead shape drip pans, on a triform animal mask base, later adapted for electricity, 51cm.

£250 - 350

647

649

122 | BONHAMS

655A SET OF NINE ADAM STyLE BRASS TwIN LIgHT wALL AppLIquéWith reeded scrolling branches, the tapering backplates with draped urn surmounts, 36cm.

£300 - 500

656AN INDIAN SILVERED METAL TABLE OIL LAMpThe foliate decorated textured sides with panels of deities and on three kneeling figure supports, 36cm, and a silver-inlaid brass cairoware square box Egypt or Syria, early 20th century, 14.5cm. (2)

£300 - 500

657A cOLLEcTION OF 19TH cENTuRy pIpE SMOkINg ITEMSSix pipe smoking heads, one carved as a Negro with white glass bead eyes and two Meerschaum examples(6).

£500 - 600

658 Y Ф

A gEORgE III SARcOpHAguS SHApE TEA cADDyThe hinged cover enclosing two lidded compartments, ivory lozenge escutcheon, on gilt metal ball feet, 18.5cm, and a fan shape panel, decorated with an idyllic romantic figural scene in glazed carved frame, 40cm. (2)

£100 - 150

659A gOOD quALITy gILTwOOD FRAMED wALL MIRRORIn the George II style, the oval plate within a finely pierced and carved frame with ‘C’ scrolls and flowerheads, 101cm high x 54cm wide maximum.

£200 - 300

660A LATE REgENcy BuRR wALNuT EBONy BANDED SARcOpHAguS SHApE TEA cADDyThe hinged cover enclosing two lift-out caddies flanking a recess with glass mixing bowl, having ring side handles, on bun feet, 36cm.

£150 - 250

661A pAIR OF BRONzE FIguRAL TABLE LAMpSEmblematic of Autumn, the woman with basket of grapes, the man with a sheaf of corn, on circular gilt brass bases, 43cm overall height and a bronzed spelter figural table lamp modelled as a standing child holding a torch, gilt metal base, 38cm. (3)

£600 - 700

662A FRENcH EARLy 20TH cENTuRy gILT BRONzE, MARBLE AND pORcELAIN TRINkET BOXSusse Freres The box decorated with cast scrollwork around an oval floral painted porcelain cartouche, variegated green marble panels behind. Engraved ‘Susse Fres’ on lockplate. Together with a cast bronze effect casket shaped trinket box, in the rococo manner. (2) 15cm wide, 10cm deep, 8cm high (5 1/2in wide, 3 1/2in deep, 3in high)

£400 - 500

Susse Freres Foundry started producing bronze sculptures in 1839, later purchasing the models of Pierre Jules Mene and Auguste Cain in 1895. Around 1900 they opened a retail shop to sell their items which had expanded to include inkwells, trinket boxes, candelabras and clocks, as well as sculptures

663A VIcTORIAN TuLIpwOOD BANDED AND ORMOLu MOuNTED BuRR wALNuT jARDINIEREThe rectangular galleried top with removable panel to reveal lift-out liner, serpentine sides on four chamfered cabriole legs, 72 x 50cm.

£500 - 700

664By OMAR RAMSDEN: A REgIMENTAL pLANISHED SILVER DISHCentred with a cast Agnus Dei of the Queen’s Regiment and with motto “Pristinae Virtutis Memor”, with a presentation inscription border; London; 13.5cm diameter

£300 - 400

665A cOLLAgE pIcTuRE OF FAERIES IN A wOODLAND gLADEWatercolour and applie butterfly wings; 55x44cm

666A DuNHILL cHROME cOMET DESk LIgHTER16cm, together with a chrome car mascot of a horse and rider, 9cm. (2)

£150 - 250

667AN ITALIAN cARVED AND pAINTED wOOD wALL BRAckETModelled as a blackamoor figure looking beneath a fringed cloth. 48cm.

£150 - 250

668A cONTINENTAL SILVER MOuNTED NOVELTy RuBy gLASS cLARET jug, MODELLED AS AN OwLStamped ‘Freeman Spain, Sterling’, 28cm high, together with a large Royal Copenhagen porcelain model of an owl, a Ladro figure, a German porcelain figure of a boy with a violin, two miniature terracotta urns and a small white metal owl with hinged cover. (7)

£600 - 800

662


669ENgLISH ScHOOL, MID 19TH cENTuRy -A gentleman, full-length, profile to the left, wearing a black coat and trousers, also the companion, of his wife, full-length, profile to the right, watercolours on tinted paper, each 24 x 21.5cm, maple frames with gilt slips.

£250 - 350

670FRANz BERgMAN (AuSTRIAN, 1861-1936): A cOLD pAINTED BRONzE MODEL OF A gAME BIRDThe underside with the Bergman monogram and stamped GESCHUTZ, 6cm high

671 Y Ф

A VIcTORIAN cARVED IVORy HANDLED MALAccA wALkINg cANEThe handle carved as the head of a barking hound wearing a leather buckled collar, inset red glass eyes, above gilt copper collar, terminating in a brass ferrule, 90.5cm long

£300 - 500

672A 19TH cENTuRy SAILOR’S wOOLwORk SHIp pIcTuREDepicting H.M.S. Wolverine, within a glazed burr maple frame 15x21.7ins(38x55cm)framed.

£500 - 700

The vessel depicted does not bear any actual resemblance to the two HMS Wolverine of the mid-late 19th century.

673A FRENcH cASED VIOLIN TOgETHER wITH TwO BOwSCirca 1900 Bears label ‘Sarasate Artiste diapres, Nicolas Amatus Cremonen...’, 60cm long, bows unmarked (3)

£300 - 400

674AFTER pIERRE-juLES MENE (FRENcH, 1810-1879) A BRONzED METAL MODEL OF THE BARBARy STALLIONStanding before a fence, oval naturalistic base, bears signature and founday mark of Coalbrookdale Company 40cm wide x 29cm high

£300 - 500

670

671

672

674

124 | BONHAMS

675A cOLLEcTION OF THREE INLAID MAHOgANy TEA cADDIESOne of hexagonal form with fan inlays to front panels and cover, 15cm wide; the other two of square form, one with parquetry borders, largest 11cm wide. (3)

£300 - 500

676A REgENcy MAHOgANy kNIFE BOX, STRINg BOX AND DEcANTER BOXThe knife box with a single pull out drawer, the front inlaid with knife, fork and fish motifs, 34.5cm wide; the fruitwood string box of tall circular form with banded decoration, 19cm high; the decanter box inlaid with conche shell motifs and fitted with four gilt decorated glass bottles, 18cm wide (3)

£300 - 500

677 Y Ф

A 19TH cENTuRy VENEERED wALNuT, FRuITwOOD AND MApLE MARquETRy wORk BOXOf rectangular form with hinged cover, the sides and cover inlaid with stylised geometric designs, 30.5cm wide; together with a pollard oak tea caddy on four bun feet and swing handle to cover 26cm wide; and a stained sewing casket with floral inlaid style decoration and ivory escutcheon, 26cm wide (3)

£300 - 500

cLOckS & BAROMETERS

678TwO gEORgE II LONgcASE cLOck MOVEMENTSThomas Cartwright, “Principis Horologius”, London & Gregory Raby, Falmouth both with brass arched dials, the former with decoration of engraved scrolling foliage in the arch and partly deconstructed, the latter with Cronos automaton in the arch (2)

£500 - 800

679A FRENcH LATE 19TH cENTuRy BRASS cARRIAgE cLOckHowell & Co. Paris Having a signed 2 1/4” dial with Roman hours and moon hands; the two train movement with platform escapement, calling the half hours on a bell, backplate engrave ‘Howell & Co. Paris’; corniche case. 11cm ( 4 inches ) high excluding handle

£300 - 400

680TwO FRENcH BRASS cARRIAgE cLOckSBoth early 20th century, one with gong strike, push repeat and giltmetal surround to the swag decorated dial; the other a timepiece with scroll pierced giltmetal overlay surrounding the chapter ring; both in cases of serpentine outline. (2)

£500 - 600

681A LATE 19TH cENTuRy FRENcH BRASS AND cREAM cHAMpLEVE ENAMEL cLOck gARNITuRE, OF EASTERN INFLuENcEAnonymous Having a 3” dial with segmented Roman hours and decorative centre; the movement half hour gong strike; the shrine shaped case decorated with Persian style formal scrolling leaf work, the side pieces as twin branch candelabra; pendulum and winder. (5) 37cm (14 1/2 inches) high

£300 - 500

676

677

679


682TwO MID 18TH cENTuRy EIgHT DAy LONg cASE cLOck MOVEMENTSBaddeley, Tong and James Bush, London Both with brass dials, the former with tunnelled minute ring; 30cm (12 inches) square

£400 - 600

683A FRENcH BRASS cARRIAgE cLOck, cIRcA 1900The Anglaise type case with a ‘corrugated’ frieze above 3/4 doric angle columns,the lever movement with push repeat and half hour strike, with key; 16cm high (2)

£500 - 600

684A gILT METAL TIMEpIEcE AND SIX wATcHESThe clock of square section with silvered dial with Arabic numerals and signed ‘Mappin’, 7cm, a gun metal cased stop watch, a folding travelling watch in green and gilt morocco case, Avia: a gentleman’s 9ct gold cased wrist watch, the circular dial with Roman numerals, two lady’s 9ct gold cased wrist watches and a multi pocket watch key. (7)

£250 - 350

685A BLAck FOREST LINDEN wOOD cuckOO cLOck,Ssecond half 19th Century, carved with an eagle and fox amongst fruiting vines, 66cm.

£200 - 300

686A MID 19TH cENTuRy AND LATER gILT BRONzE AND MARBLE FIguRAL MATcHED cLOck gARNITuREThe movement stamped A.D. MOUGIN DEUX MEDAILLES The case modelled with a winged putto blowing a pipe and banding a drum, beside the drum case on a naturalistic base, raised on a white marble plinth above toupie feet, the later floral enamelled dial with Arabic numerals, the twin train movement with outside countwheel striking on a bell, the garniture candelabra with similar putti holding aloft branches of six candle nozzles, plinth bases, the clock 27.5cm, the candleabra 50cm high (3)

£500 - 700

687AN EARLy VIcTORIAN MAHOgANy wHEEL BAROMETERHarris,Witney Inset with small convex mirror plate; 107cm high

£100 - 150

688A FRENcH gILT METAL MANTEL cLOckModelled on a pendule d’officier, the dial with visible escapement and diamante set bezel, on paw feet, 25cm overall.

£250 - 350

689A FRENcH, LATE 19TH cENTuRy FOuR gLASS MANTEL cLOckWith gong strike and mercury filled pendulum, having decorative front angle columns; 28cm high

£600 - 800

683

686

126 | BONHAMS

690TwO cARTIER DESk TIMEpIEcES AND ANOTHER By FREDComprizing a Cartier timepiece with angled dial and case with maroon finish; another with easel support and an easel timepiece by Fred with ropetwist borders.(3)

£300 - 400

691AN EARLy 19TH cENTuRy MAHOgANy STIck BAROMETER,Dolland, London, with arched top, engraved brass scale 28-31”, the trunk with moulded edge and turned bulb cistern cover, 96cm.

£500 - 600

692A VIcTORIAN BAROgRApHJohn Perry & Co Ltd, Nottingham With two tier vacumn and vertical circular dial,the mahogany case with bevelled glass panels; 39cm.

£300 - 400

693A VIcTORIAN MAHOgANy cASED wALL TIMEpIEcEManning Steyning, the 12” painted dial with Roman numerals, brass bezel, fusee movement with anchor escapement, 37cm.

£400 - 600

694A gEORgE II STyLE wALNuT BRAckET cLOckThe rectangular case with caddy top, brass carrying handle and ogee feet, the silvered dial with brass chapter ring, slow/fast subsidiary, the 8 day movement striking on a gong, 32.5cm.

£250 - 350

695A FRENcH MID 19TH cENTuRy FRENcH BRASS cARRIAgE cLOckThe movement with lever escapement, half hour bell strike and alarm, the case and shaped handle engraved with scrollwork, the closed back with shuttered winding holes; with original key; 16cm high

£700 - 900

696A MuST DE cARTIER DESk OR BEDSIDE cLOck,With alarm the brass circular case with folding support; No 0529153; 8cm diameter; cased & with certificate

£200 - 300

697A 19TH cENTuRy OAk LONgcASE cLOck,Anonymous The 11” painted dial with floral spandrels, the crossbanded case with fluted corner pilasters, pendulum and weights, 199cm high

£250 - 300

698A LOuIS pHILIppE gILT BRONzE MANTEL cLOck,Le Roy et Fils, Horlogers du Roi The movement with silk suspension and silvered, engine turned dial, the case surmounted by two baccantes with wine cup and cast with bold ‘C’ scrolls, serpents and fruiting vine on a pounced ground and on dolphin feet; with pendulum 40cm high, formerly under glass dome

£600 - 700

699A LATE 19TH cENTuRy MARBLE & gILT METAL MANTEL cLOckThe 3.75” enamelled dial flanked on the left by an anvil, set square and book and on the right by a seated classical figure, emblematic of industry and labour, with a sledge hammer in her left hand and books at her feet, on a gilt metal mounted, stepped marble base, on toupie feet, with an 8 day French drum movement, striking on a bell, with pendulum and winder, 54cm x 20cm deep x 45cm high (3)

£250 - 350

700A gEORgE III, AND LATER, OAk LONgcASE cLOckThe dial signed Jno Inkpen, Horsham The hood with shallow door flanked by Doric columns, with twin brass ball and spire finials, the trunk with arched door on moulded base and plinth foot, the arched brass dial with dolphin and mask head spandrels, the signed foliate engraved centre with silvered Arabic subsidiary seconds dial below twelve and silvered calendar to the arch, the brass four pillar movement with anchor escapement striking on a bell, with single weight and pendulum, 223cm high

£300 - 400

701A gEORgE II OAk 30 HOuR LONgcASE cLOck,Edward Stead, Ludlow The 10” square brass dial with single hand, in composite oak case with dome top hood; 217cm high.

£600 - 700

695

700


702OLIVAuX MORIN A guERANDE: A 19TH cENTuRy FRENcH LONgcASE cLOck,The 9” enamelled circular dial with brass mask, in a grained pine pear shaped case, bearing decorators signature, large brass harp pendulum, 229cm high.

£150 - 250

703AN EARLy 18TH gREEN gROuND gILT cHINOISERIE LONgcASE cLOckJohn Hawkins, Southampton, the square hood with a moulded cornice, the long trunk door with a glazed circular aperture, the 12” brass dial with silvered chapter ring, subsidiary seconds and date aperture, ringed winding holes, the twin train movement striking on a bell, 196cm.

£1,000 - 1,200

704A SMALL FRENcH BRASS cARRIAgE TIMEpIEcEOf architectural form, with an arched pediment and a turned angle pillars, on an ogee base, in leather travelling case and with winding key (3) 8cm high

£300 - 400

705A LATE 19TH/EARLy 20TH cENTuRy LANTERN cLOckThe eight day movement with ting tang quarter strike on bells, backplate stamped ‘1061’, with pendulum and winder; 23cm high (3)

£300 - 350

706A 19TH cENTuRy MAHOgANy BRAckET TIMEpIEcE ON ASSOcIATED BRAckET,Anonymous, The movement with anchor escapement, 7” silvered square dial and bell strike,, the case with caddy top and lancet side grilles, the bracket pierce-carved with scrolling foliage bracket; clock 38cm; with bracket 69cm (2)

£300 - 400

707AN EARLy gEORgIAN OAk LONgcASE cLOckMaddock, Leek With 30hour posted movement, the brass square dial with single hand, decorative half hour markers and with scroll engraved centre and spandrels, the case of plain design; 184cm high

£500 - 700

708A gEORgE II OAk LONgcASE cLOckFrancis Bayley, Uttoxeter the 30hour movement with brass square dial with single hand and decorative half hour markers,the case of plain design; 210cm high

£500 - 700

709A MID-VIcTORIAN MAHOgANy LONgcASE cLOckT & Rhodes, Kendal The eight day movement with painted square dial, the broad case with swan neck pediment and flame veneered door and plinth; 220cm high

£250 - 300

710A LATE 19TH cENTuRy MAHOgANy LONg cASE cLOck,Anonymous The eight day movement having a brass 13” circular dial with floral engraving to the centre;the case with broken swan neck pediment and decorated with blind fretwork friezes, chamfered angles and dial mask; 218cm high

£500 - 600

703 707 708

128 | BONHAMS

711A gEORgE III OAk LONgcASE cLOckAdam Cleak. Luppit. The 30 hour posted movement with 11”square brass dial with applied signed cartouche, the moulded cornice with fretwork frieze; 189cm (74 inches) high, accompanied by a folder of research conducted by the owner

£200 - 300

Loomes’ Watchmakers and Clockmakers of the World 21st century edition lists; Cleake. Adam. b. 1732 Churchanston (Devon) mar. at Luppitt (Dorset) 1757, then again 1772, then to Upportery (Devon), then c.1782 to West Street Bridport (Dorset), retired c.1804 to Upportery where d. 1809. Succ. by son, John Cleak(e), q.v.

712A gEORgE II OAk LONgcASE cLOckJohn Redshaw, Newcastle (under Lyme) The eight day movement with brass square dial, the case with walnut crossbanded trunk door; 211cm high

£500 - 700

713AN EARLy 19TH cENTuRy MAHOgANy LONgcASE cLOck,F.l.Feuvre, Jersey The eight day movement with painted arched dial incorporating moon phases, the case with swan neck pediment and shaped top to the trunk door with bone inlay; 232cm (91 inches) high

£500 - 600

714A LATE 19TH cENTuRy MAHOgANy 8 DAy LONg cASE cLOckDavis. Shiffinal (sic) The unusual 12” square silvered dial with strike/silent lever above XII and with leaf engraved spandrels, the case with triple arch top to the trunk door and with circular fielded panel decorating the plinth; with pendulum, weights, case key and winder. 323cm ( 127 inches ) high

£500 - 700

Loomes’ ‘Watchmakers and Clockmakers of the World 21st Century Edition lists a number of ‘Davis’ in Shiffnal, the earliest one of which is; Davis. William. Shiffnal (Shropshire) (b.1764.) 1798-d.1842

715A gEORgE II OAk LONgcASE cLOckThomas Carter, Bishop Auckland The eight day, five pillar movement with brass arched dial, the case with moulded cornice beneath an ogee top with brass spires 223cm high

£500 - 800

716A FRENcH LATE 19TH cENTuRy pORcELAIN MOuNTED gILTMETAL MANTEL cLOck,dial inscribed Roblin a Paris, Surmounted by two putti gathering grapes, the porcelain dial and three subsidiary panels painted with putti,themovement with bell strike; 37cm high

£500 - 600

717AN EDwARDIAN LANcET TOp MAHOgANy MANTEL cLOckJohn Carter, 28 St Swithins Lane, London, E.C. Having a signed 5” round dial with Arabic hours, quarter minutes and moon hands; the two train French movement with adjustable pendulum, calling the half hours on a coiled gong, backplate stamped ‘Vincent & Ci, Medaille D’Argent 1858’ within a roundel, numbered 2577-52; the figured mahogany lancet topped case with banded sides and satinwood inlay, cast bronze side handles and ogee bracket feet. With winder and pendulum. 29cm (11 inches) high

£500 - 600

718A LATE 19TH cENTuRy FRENcH BRASS MANTEL cLOck,The square section case ornately decorated with stylised foliage and applied cast masks and having a eagle finial, the movement with gong strike 50cm high

£300 - 400

719A FRENcH FOuR gLASS LARgE MANTEL cLOckthe movement, by S Marti & Cie, with visible escapement and mercury filled pendulum, in gilt brass moulded case of plain design; 48cm high

£400 - 500

713 715


720A FRENcH 19TH cENTuRy gILT BRONzE MANTEL cLOck, wITH OwL FINIALSMovement signed Charles Vone Having a 3 1/3 inch silvered dial with Roman hours and engine turned centre; the two train movement calling the hours on a bell, backplate and pendulum stamped ‘Ch. Vone 1203’ and numbered 58; the architectural case with domed top and four owls surrounding a turned finial, four corner columns surrounding engraved panels, raised on a stepped plinth supported on inverted bottle feet. With pendulum and winder. 43cm (16 1/2 inches) high formerly under glass dome

£500 - 800

721A FRENcH 19TH cENTuRy gILTMETAL MOuNTED ONyX MANTEL cLOck,The case with urn finial, the movement by Japy Freres with enamelled dial and bell strike, on giltwood and ebonised double plinth and under glass dome,winder and pendulum; 40cm ( 15 1/2 inches) highexcluding plinth and dome

£800 - 1,200

722A FRENcH 19TH cENTuRy cOMpENDIuM MANTEL cLOck, wITH OpEN BROcOT TypE EScApEMENTAnonymous Having a 4 1/2” dial with Roman hours and moon hands, the recessed centre with open Brocot escapement; the two train movement calling the half hours on a bell, backplate numbered 5 & 72; secondary dial below with seven prediction barometer and 20-120 degrees Fahrenheit barometer; the slate arch top case with engraved front panels and applied gilt bronze mouldings, raised on a rectangular plinth. With adjustable pendulum. 40cm ( 15 1/2 inches) high

£300 - 500

723A gEORgIAN MAHOgANy TwIN FuSEE MANTEL cLOckAnonymous Having an 8” round dial with Roman hours and spade hands; the twin fusee movement calling the hours on a bell; case with urn finial surmounts on a stepped and chamfered top, dial with applied carved leaf work mouldings (two detached but present), side carrying handles and fish scale pierced fretwork sound panels, the base having a recessed panel with beaded edge, the plain plinth raised on turned supports. With pendulum and winder. 60cm ( 23 1/2 inches ) high

£300 - 400

724A 19TH cENTuRy FRENcH gILT METAL MANTEL cLOckHaving a 3 1/2” segmented dial with Roman hours and moon hands; the movement, by Japy Freres, with bell strike, the architectural case with urn surmount above fawn headed caryatid corner supports, the whole with polished bronze relief panels, Stamped 29239. With pendulum. 56cm ( 22 inches ) high

£300 - 400

725AN ENgLISH SkELETON cLOckAnonymous With silvered skeleton chapter ring, the single fusee movement with passing strike, on mahogany plinth under a glass dome, with adjustable pendulum, 29cm ( 11 inches ) high excluding plinth

£300 - 400

726A 19TH cENTuRy RAILwAy OFFIcE DIAL TIMEpIEcE,John Walker, 1 South Molton Street, London Having a 11 /12 inch signed painted dial with Roman hours and red Arabic 24 hours; the single fusee movement with anchor escapement and adjustable pendulum; in a black moulded wooden frame within a deep bronze bezel, the case mahogany veneered. With pendulum. 35cm (14 inches) high

£600 - 800

720 721

130 | BONHAMS

727AN EARLy 20TH cENTuRy RAILwAy OFFIcE DIAL TIMEpIEcEJohn Walker. 1 South Molton Street. Having a signed 11 1/2” painted dial with Roman hours and Arabic 24 hours, numbered 1068 S.E.; the single fusee movement with anchor escapement, back plate engraved ‘G & B’ and ‘S E & C Ry’ within ovals, numbered 3235; within an oak dial with brass bezel, veneered back box. With pendulum. 49cm (19 inches) high

£600 - 800

728AN EARLy 19TH cENTuRy MAHOgANy BRAckET cLOckRichard Webster, Cornhill, London With bell strike and circular enamelled dial, the case with arch top, boxwood stringing and lion mask handles above brass side grilles; 39cm high

£600 - 900

729A 19TH cENTuRy FRENcH BRASS AND cHAMpLEVE ENAMEL cARRIAgE cLOck,Retailed by Howell & James, Regent Street Having a 2” signed circular ivorine dial with Roman hours and moon hands, within a mask sleeved with gilt scrolling foliage, having lever escapement and half hour gong strike with push repeat; the Anglaise riche case with bird and flower enamelled decoration on a turquoise ground, winder; 14cm (5 1/2 inches) high excluding handle

£800 - 1,200

Howell James & Company were based in Regent Street in London, operating between 1819 and 1911

730A g.w.R. MAHOgANy wALL TIMEpIEcEWith fusee movement and (re-painted) dial initialled GWR, having a moulded mahogany bezel, the side with ivorine label numbered 56; 44cm diameter

731A FRENcH gILT BRONzE MANTEL cLOckThe movement, by Marti & Cie, with brass dial with enamelled chapter numerals, the case with swag draped urn finial, the shaped base decorated with boldly cast scrolling foliage; 43cm high

£400 - 600

732NELSON INTEREST: AN EARLy 19TH cENTuRy MAHOgANy LONgcASE cLOckL Abraham, Yeovil The painted arched dial with a representation of the admiral and British Lion on the deck of a ship of the line, the spandrels painted with portraits of captains of his fleet, each within a laurel wreath, the case with swan neck pediment and ogee arch trunk door centred with an inlaid shell; 220cm high

£900 - 1,200

733 Y

A BOuLLE MANTEL cLOckLeroy a Paris Second half 19th century, the waisted case with giltmetal cherub finial and with mounts of scrolling foliage, having a glazed panel beneath the circular enamelled dial; 42cm high

£500 - 700

734 Y

A LOuIS pHILIppE BRASS AND MOTHER O’ pEARL INLAID ROSEwOOD pORTIcO cLOckGuyerdet Jne a Paris The drum movement with enamelled dial, suspended between four solomonic columns, on rectangular plinth; 51cm high

£350 - 450

735A LATE 19TH cENTuRy pERSIAN INFLuENcE MANTEL cLOck,Retailed by Maple & Co, Paris The square case with onion dome, decorated all over with figures amidst formal scrolling foliage in low relief, the movement, by Vincenti & cie, with lever escapement, ting tang quarter strike on gongs and with circular enamelled dial; 25cm high

£500 - 700

736A LATE 19TH cENTuRy OAk MANTEL cLOck,Retailed by Depree, Raeburn & Young, Exeter The three train movement by Winterhalter & Hofmeier striking and chiming on gongs and with scroll engraved, silvered, square dial, the case with architectural pediment and corinthian column pilasters, the moulded base with presentation dated 1901; 41cm high

£500 - 700

737NOVELTy NIgHT LIgHT TIMEpIEcEthe drum movement mounted horizontally on a brass knopped column, the platform top fitted with an hour marker which engages with the annular chapter ring on the opalescent glass globular shade; 25cm high

£200 - 300

738A FRENcH gILTMETAL MANTEL cLOck,Last quarter, 19th century, with urn finial and applied with cast scrollwork, foliage and masks, the movement by Japy Freres with gong strike and porcelain chapter ring; 54cm high

£400 - 600

739 Y Ф

A VIcTORIAN MAHOgANy STIck BAROMETERAnonymous With ivorine scale and arched top 90cm high.

£300 - 500

732


740AN EARLy 19TH cENTuRy MAHOgANy wHEEL BAROMETERS Stopani & Co, Oxford With shell and floret inlay; 98cm high

£200 - 300

741AN EARLy 19TH cENTuRy EBONISED TwIN FuSEE MANTEL cLOck, wITH puLL REpEAT AND ORIgINAL BRAckETAnonymous Having a 7” round enamel dial with Roman hours and Arabic minutes; the twin fuse movement calling the half hours on a bell, engraved backplate and adjustable pendulum; the ebonised case with caddy and finial surmount and side handles, pedestal with applied bronze sunburst and mask plaque with laurel and ribbon decoration, on a stepped and arched plinth raised on bronze ogee bracket feet. With bracket, two case keys, winder and pendulum. 53cm (20 1/2 inches) high

£800 - 1,200

742A 19TH cENTuRy wALNuT STIck BAROMETER,Rowell, Oxford With architectural broken pediment and silvered scale; 100cm high

£400 - 500

743 Y Ф

A 19TH cENTuRy MAHOgANy STIck BAROMETERAbraham Optician Cheltenham With signed 3 1/4” ivory scale; 94cm ( 37 inches ) high

£300 - 400

cARpETS & RugS

744A SARAB RuNNER,4.4m x 78cm, with original ‘Liberty, Regent Street, London’ label attched and two other rugs. (3)

£400 - 500

745TwO TABRIz RugSThe first with central medallion and similar spandrels on a palmette and tendril decorated ivory field, 206 x 150cm; the other, a runner with an ivory field having triple medallions in a main palmette border, 308 x 85cm (3)

£500 - 700

746TwO ISFAHAN RugSOne with central medallion on a bird and tendril decorated indigo ground, in a deep red palmette border, 168 x 106cm; the other rug similarly decorated, 173 x 109cm (2)

£500 - 700

747A kASHAN pIcTORIAL RugThe field depicting a landscape with houses and with deer in the foreground, 210 x 132cm

£300 - 500

748A gHOM Rug AND TwO OTHERSThe Ghom with an indigo field decorated with flowering trees, birds and animals in a rust ground animal decorated border, 210 x 145cm; a Pakistan small mat 135 x 81cm; and a similar runner, 294 x 83cm (3)

£300 - 500

749A gHOM Rug,1.48 x 1.03m, and two other rugs. (3)

£400 - 500

FuRNITuRE

750AN ARTS AND cRAFTS OAk wRITINg DESk OF upRIgHT FORMafter a design by Leonard Wyburd for Liberty With fall front and bookshelves on pierced end supports 104cm wide and a similar period small oak sideboard, after a design by Leonard Wyburd for Liberty, on bobbin turned legs 94cm wide (2)

£700 - 1,000

751A wILLIAM & MARy gILTwOOD FRAME upRIgHT wALL MIRRORCarved with trailing branches of oak leaves and acorns and scrollwork, surmounted by a cartouche with entwined monogram ‘WM’ late cresting and elements lacking, 64 x 48cm.

£400 - 600

741 750

132 | BONHAMS

752A gEORgE III AND LATER BRASS, STEEL AND cAST IRON FIRE gRATEThe vertically railed bowed basket front flanked by ball finials above a roundel and pierced apron supported by two knopped tapering turned colums with corresponding ball finials raised on twin cabriole supports and scroll feet, 58cm high, 85cm wide, 45cm deep

£400 - 600

753AN ARTS & cRAFTS HAMMERED cOppER AND BRASS FIRE kERBWith embossed ‘spade’ motifs, 144cm, a pair of dolphin pattern brass fire dogs and a fan shaped fire screen

£150 - 200

754A REpRODucTION SATINwOOD INLAID MAHOgANy wATERFALL BOOkcASEThe graduated open shelves on cupboard base with frieze drawer on swept bracket feet, 60cm.

£150 - 200

755A cAST LEAD gARDEN FIguREModelled as a boy piper, 99cm, together with a cast lead shell shaped bird bath surmounted by a cherub, on reconstituted stone column,36cm diameter. (2)

£150 - 200

756A 19TH cENTuRy MAHOgANy SEcRETAIRE BOOkcASEWith glazed barred doors above a cross banded fitted frieze drawer with a further three graduated drawers below on swept bracket feet 120cm wide

£300 - 400

757A FRENcH 19TH cENTuRy MARquETRy cOMMODEIn the Transitional style The Rouge Griotte marble top (broken) above two drawers inlaid sans traverse with flower filled and swagged urns, on keeled cabriole front legs, 88cm wide x 47cm deep x 83cm high, (34 1/2in wide x 18 1/2in deep x 32 1/2in high)

£100 - 150

758A LATE 19TH cENTuRy EBONISED AND gILT FRAMED REcTANguLAR MARgINAL wALL MIRRORWith pierced cresting and egg and dart moulding 92cm wide x 126cm high

£300 - 500

759A gEORgE III STyLE MAHOgANy BOwFRONT SERVINg TABLEWith three frieze drawers on turned tapering reeded legs 137cm wide

£600 - 800

760AN 18TH cENTuRy STyLE ITALIAN wALNuT REFEcTORy TABLEWith single plank top on six shaped scrolled legs and center stretcher 266cm x 67cm

£500 - 800

761A gEORgE III MAHOgANy BRASS BOuND OcTAgONAL wINE cOOLERThe moulded hinged top enclosing a compartmented lead-lined interior, drop side handles, the projecting stand with a fluted frieze, on moulded square chamfered legs, 51cm.

£600 - 900

752

757


762 Y

A pARTIAL FOuR pIEcE SuITE OF AuSTRO-HuNgARIAN 19TH cENTuRy gILT METAL MOuNTED ROSEwOOD FuRNITuREIn the Louis XV style Comprising a pair of jardinieres and a pair of side chairs, each jardiniere of shaped form, with a lid enclosing a pull-out metal liner above a shaped frieze carved to the centre with opposing C-scrolls, flowers and rocaille, on slender cabriole legs, each jardiniere: 61cm wide x 42cm deep x 81cm high, (24in wide x 16 1/2in deep x 31 1/2in high) each chair: 56cm wide, (4)

£600 - 800

763A MATcHED SET OF TwELVE LADDER BAck AND RuSH SEATED DININg cHAIRSComprizing two matched sets of six chairs and including a pair of elbow chairs. (12)

£500 - 700

764 Y

A 19TH cENTuRy FRENcH METAL MOuNTED AND INLAID wRITINg TABLEThe rosewood banded floral inlaid top with three quarter gallery over three small drawers on cabriole legs united by an undertier 49cm x 36cm.

£400 - 500

765 Y

A pAIR OF LATE 18TH cENTuRy REcTANguLAR SATINwOOD AND BANDED cARD TABLESThe rosewood crossbanded hinged fold over tops above concealed drawers, on square tapered legs and castors, 86.5cm.

£1,000 - 1,500

766A HARDwOOD AND AppLIED BRASS zANzIBAR TypE cHESTWith interior box, brass carrying handles and on brass claw feet 118cm wide, a similar smaller example on brass claw feet 84cm wide and a further example on turned carved feet 78cm wide (3)

£500 - 700

767A VIcTORIAN cHEMIST’S SIgNGlass panel lettered ‘Chemist by examination’ in carved and molded mahogany frame 218cm wide (86in wide)

£200 - 300

768A gEORgE III MAHOgANy OpEN ARMcHAIRThe moulded square back and seat with cane panels on leaf and paterea carved reeded legs, Norman Adams label.

£300 - 500

769A VIcTORIAN FOuR-FOLD ScRAp ScREENThe rectangular panels with numerous 19th Century and later coloured scraps, 184cm maximum open x 184cm high.

£250 - 300

770AN 18TH cENTuRy MAHOgANy uRN STANDThe square top over pieced apron sides with reeded panels on square fluted legs and leather barrel castors, top 30cm x 30cm x 69cm high

£300 - 400

762

767

134 | BONHAMS

771A FIguRED wALNuT AND pARcEL gILT LINEN pRESSIn mid 18th Century style, the moulded cornice above sliding trays enclosed by a pair of carved, moulded and shaped panel doors between canted corners, the projecting base with three short and three long drawers on stump cabriole legs, 129cm.

£600 - 800

772A 19TH cENTuRy BRASS AND MAHOgANy wINE cOOLERThe circular frame on four ring turned legs united by an undertier, brass liner and swing handle. 34cm diameter.

£300 - 400

773A BLAck gROuND gILT cHINOISERIE DEcORATED cABINETFirst half 20th Century, in late 17th Century style, enclosed by a pair of doors, the projecting carved giltwood stand with a scallop shell, bell-flower and foliate scroll carved shaped apron and cabriole legs with hairy claw feet, 73cm.

£600 - 800

774A REgENcy MAHOgANy SOFA TABLEThe moulded edge top with hinged drop leaves, two frieze drawers, on dual ring turned faux bamboo end standards and downswept legs with cast brass claw caps and castors, 92cm.

£500 - 600

775 Y

A cHINESE ROSEwOOD DISpLAy cABINET20th Century, with a pierced key-pattern cornice, fitted with shelves enclosed by glazed sides, the stand on cabriole legs with pierced key-pattern aprons, 77cm.

£600 - 800

776 Y

A cHINESE ROSEwOOD LOw TABLEThe panelled rectangular top above moulded shaped aprons, on cabriole legs with claw and ball feet, 76.5 x 42cm.

£400 - 600

777A VIcTORIAN THREE pART cONVERSATION SETTEEWith button back chairs, on turned walnut legs and castors.

£300 - 400

778 Y

A LATE 19TH cENTuRy FRENcH EBONIzED AND TORTOISESHELL BOuLLE MARquETRy INLAID SEMAINIER TypE cHESTWith inset white marble top above a frieze drawer, triple faux drawer fronted cupboard and two base drawers 50cm wide x 100cm high

£500 - 700

779A MATcHED SET OF EIgHT BEEcH AND ELM wINDSOR wHEELBAck DININg cHAIRSWith shaped seats on turned legs, two elbow chairs (8)

£800 - 1,000

780A 17TH cENTuRy STyLE OAk REFEcTORy TABLEThe twin plank top on leaf carved bulbous end supports united by a stretcher, 213 x 83cm

£500 - 600

781A pAIR OF FRENcH BERgERES AND A pAIR OF cHAISESThe bergeres oval and double caned, the salon chairs in Louis XV taste with moulded frames and upholstered and buttoned backs and seats. (4)

£200 - 250

782A cHINESE ELM TwO DOOR STORAgE cupBOARDWith interior shelves and drawers, back boards cut, on plain supports 107cm wide x 188cm high

£300 - 350

779

780


783A SMALL 17TH cENTuRy OAk gATE LEg TABLEWith end drawer on turned column legs and plain stretchers 77cm wide

£500 - 600

784A VIcTORIAN MAHOgANy EXTENDINg DININg TABLEThe moulded edge top on turned and fluted legs and castors, with two extra leaves, 343 x 122cm extended

£250 - 300

785A LATE gEORgE III MAHOgANy SIDEBOARDCrossbanded and strung and with shaped serpentine front, with a central drawer flanked by a cupboard and a cellarette drawer, on tapering legs with spade feet; 154cm wide(60 1/2in wide

£600 - 700

786TEN gEORgE IV MAHOgANy DININg cHAIRSA set of six and four matched chairs, all with bar toprails, horizontal splats and stuff-over seats, on turned legs. (10)

£750 - 900

787A VIcTORIAN cAMpHOR wOOD AND BRASS BOuND TwIN SEcTION MILITARy cHESTWith two short and three long drawers, recessed brass handles on turned feet,makers label of Army and Navy 99cm wide

£600 - 800

788A REgENcy MAHOgANy SEcRETAIRE cHEST IN THE MANNER OF gILLOwSWith tray top above a deep fitted frieze drawer and cupboard under enclosing two banks of four drawers flanked by fluted pilasters on gadrooned bun feet 107cm wide

£800 - 1,200

789 Y

A FRENcH ROSEwOOD BOXwOOD STRuNg AND FOLIATE INLAID pART SALON SuITE,Comprising a set of three chairs with arched upholstered backs and seats on scroll legs and a matching open scroll armchair. (4)

£400 - 500

790AN 18TH cENTuRy STyLE BuRR wALNuT VENEERED cHEST OF DRAwERSWith two short and two long drawers on bracket feet 105cm wide

£500 - 700

791A gEORgE III MAHOgANy ARcHITEcT’S TABLEThe fitted frieze drawer with slide on square section split front legs 82cm wide

£400 - 600

783

788

791

136 | BONHAMS

792A REgENcy MAHOgANy EBONy BANDED DRuM TOp LIBRARy TABLE,With four frieze drawers, on a baluster turned pillar and downswept tripod base with brass caps and castors, 105cm diameter.

£600 - 900

793A pAIR OF REgENcy MAHOgANy HALL cHAIRS,The shaped and panelled scroll carved backs with central roundels carved with a crest, the solid seats, on sabre legs.

£500 - 700

794A gEORgE I wALNuT cROSS AND FEATHERBANDED cHEST,The moulded rectangular quarter veneered top above two short and three long drawers, on shaped apron stand, 82.5cm.

£1,500 - 2,000

795AN EARLy 18TH cENTuRy wALNuT cROSS AND FEATHERBANDED kNEEHOLE DESk,The moulded rectangular quarter veneered top above a long frieze and six short pedestal drawers flanking a recessed kneehole cupboard, on later bracket feet, 78cm.

£600 - 800

796A DuTcH wALNuT AND MARquETRy DISpLAy cABINET ON cHESTFitted with a single glazed door enclosing shelves above a bombe chest fitted with four long drawers, on bracket feet 87cm wide x 190cm high

£700 - 900

797A VIcTORIAN BREAkFAST OR cENTRE TABLEThe circular tip-up top with segmental flame veneers, on turned column and tripod base; 120cm diameter

£200 - 300

798AN OAk DRESSER, THE BASE cONSTRucTED FROM OLD TIMBERHaving a shelved rack with two small cupboards, the base fitted with three drawers on baluster turned legs united by a stretcher, 218cmcm wide x 52cmcm deep x 195cmcm high, (85 1/2in wide x 20in deep x 76 1/2in high)

£800 - 1,200

799A 20TH cENTuRy ScARLET LAcquER cHINOISERIE DEcORATED cOckTAIL cABINETOn a silvered-wood stand, in 18th Century style with gilt metal mounts, with a carved shaped apron on slender cabriole legs 92cm wide x 157cm high

£500 - 700

800AN ITALIAN EMpIRE gILTwOOD FRAME OpEN ARMcHAIR,The scroll carved arched surmount above a paterae top rail and with sphere finials, the divided padded upholstered back centred by three spheres, the moulded arms on palmetee carved lotus supports, the padded seat above a fluted and palmette seat rail, on lobed and fluted and stiff leaf carved collared round tapering legs

£400 - 600

801 Y Ф

A SyRIAN TORTOISESHELL, MOTHER OF pEARL AND IVORy VENEERED TABLE cABINETFitted with nine various drawers to the top section and nine uniform drawers to the bottom, 33cm wide

£300 - 400

802A pAIR OF VIcTORIAN cAST IRON TERRAcE uRNS,By Briggs, white painted, of campana form, the sides with a lower band of palmettes, on square plinth bases 61cm high, 49cm diameter.

£500 - 700

803A cHINESE cARVED HARDwOOD uRN STAND,Inset circular marble top on pierced and craved apron sides on four cross stretchered cabriole legs, 60cm high.

£250 - 300

804A HOwARD & SONS upHOLSTERED BuTTON BAck ARMcHAIRWith loose cushion, on short turned walnut legs and brass castors, stamped with makers name on back leg and castors.

£400 - 600

798


805A LATE 16TH / EARLy 17TH cENTuRy STyLE OAk DRAw-LEAF DININg TABLEOn carved, bulbous end supports, united by a central stretcher; 305cm extended

£300 - 400

806A 19TH cENTuRy MAHOgANy REcTANguLAR SNAp TOp BREAkFAST TABLEWith reeded edge on turned coloum and quadruple supports, brass capped casters 150cm x 80cm807AN 18TH cENTuRy OAk gATELEg TABLEOn turned legs of square section; 116cm across

£200 - 250

808A wILLIAM IV MAHOgANy DAVENpORT DESkWith leather inset slope, barley twist front supports and four side drawers with turned knobs, the satinwood veneered interior with cedar lined small drawers; 66cm wide(25 1/2in wide

£400 - 600

809 Y

A wILLIAM IV ROSEwOOD SEwINg TABLEWith chamfered rectangular hinged top, turned column and concave sided platform base with downswept feet.

£250 - 300

810A cHINESE HARDwOOD uRN STAND,The shaped marble inset top with flower and scroll pierced sides on four cabriole legs, 46cm high.

£150 - 200

811A gEORgE III MAHOgANy BuREAu OF TRADITIONAL FORMWith plain interior above four long drawers on bracket feet 100cm wide

£200 - 300

812A gEORgE III OAk LINEN pRESSWith a pair of fielded panel doors above two base drawers on stile supports 162cm wide x 188cm high

£400 - 600

813A SET OF EIgHT EDwARDIAN MAHOgANy cHIppENDALE STyLE DININg cHAIRSWith pierced splat backs, distressed hide upholstered seats on moulded square section legs, two armchairs (8)

£300 - 400

814A gEORgE III MAHOgANy REcTANguLAR FOLD OVER TEA TABLEWith carved edge on square moulded legs 92cm wide

£200 - 400

815A gEORgE III MAHOgANy SIDE BOARDWith cross-banded top above two central drawers flanked by a deep cellarette drawer and cupboard on square tapering legs 149cm wide

£200 - 300

816A VIcTORIAN cARVED OAk TRIpLE pANEL cOFFERProffusley decorated on stile supports 133cm wide

£300 - 400

817AN EARLy 19TH cENTuRy OAk wELSH DRESSERWith three tier boarded rack above three frieze drawers, a central bank of dumbie drawers flanked by end panelled cupboards 168cm wide

£1,000 - 1,200

818AN EARLy 19TH cENTuRy MAHOgANy STANDINg cORNER cupBOARDThe upper section with glazed barred door enclosing three shaped shelves on bracket feet 98cm wide x 210cm high

£300 - 400

819A gEORgE III MAHOgANy cHEST,of two short and three long drawers with fluted corner pilasters on ogee bracket feet, 116cm.

£250 - 300

817

138 | BONHAMS

820A HARDwOOD AND AppLIED BRASS zANzIBAR TypE cHESTWith interior box and heavy brass carrying handles on turned feet 134cm wide and a small example on cut bracket feet 56cm wide (2)

£500 - 700

821A LARgE MAHOgANy wALL MIRROR,In the George II style, fret top with gilt bird with cushion framed bevelled plate, 118 x 75cm.

£150 - 200

822AN 18TH cENTuRy DuTcH INLAID MAHOgANy pEMBROkE TEA TABLE,The oval double drop leaf top on square tapered legs, 104cm.

£250 - 300

823A DuTcH DISpLAy cABINET,The arched top with astragal glazed doors enclosing shelves on a double door base, on bun feet, 48cm wide x 227cm high

£1,000 - 1,500

824A VIcTORIAN EBONISED AND pORcELAIN pLAquE MOuNTED pIER cABINETwith glazed door enclosing shelves, raised on a plinth base 76cm wide x 32cm deep x 106cm high, (29 1/2in wide x 12 1/2in deep x 41 1/2in high)

£300 - 500

825A pAIR OF VIcTORIAN gILTwOOD pIER MIRRORSEach with shield and swag cresting, with arched rectangular plate and three shelved tiers between turned uprights, 106cm wide x 16cm deep x 50cm high, (41 1/2in wide x 6in deep x 19 1/2in high) (2)

£400 - 600

826AN uNuSuAL MID VIcTORIAN, BuRR wALNuT VENEERED OFFIcE cOMpENDIuMThe narrow fold-over top revealing a green morocco leather inset writing surface, above four tiers of folding document or letter pockets (flush-fitting when hinged closed), on turned double end supports of square section, the top with brass inset monogramme E R; 125cm high, 66cm wide. (The property of Lieut Commander Albert Stone RN, Chief Accountant to the Queen’s Privy Purse, resident at Hawthorn Lodge, Bushey Park (a grace & favour house); thence by descent.)

£500 - 600

827A LATE VIcTORIAN wALNuT SuTHERLAND TEA TABLE,with deep hinged drop leaves, on ring turned end standards, moulded downswept legs and castors, 89cm.

£250 - 300

828A gEORgE III MAHOgANy wATcH MAkER’S cHESTWith tray top above two banks of ten graduated narrow drawers and four long drawers, 46cm wide x 60cm high

£500 - 600

829A LATE 17TH cENTuRy FRuITwOOD gATE LEg TABLEWith end drawer on turned legs and plain strechers 106cm wide

£300 - 350

830A gEORgE III MAHOgANy HALL cHAIRThe circular panel back with central painted crest, bow fronted dish panel seat on square tapering legs and spade feet

£300 - 500

826

829


831A gEORgE III STyLE MAHOgANy AND BRASS BOuND OVAL wINE cOOLER ON STANDWith lions mask handles on square section moulded legs and casters 60cm wide

£300 - 500

832A gEORgE III MAHOgANy cHEST OF FOuR LONg DRAwERSWith moulded edge one piece top, original brass carrying handles on bracket feet 89cm wide

£500 - 700

833A SMALL 17TH cENTuRy ELM BOARDED cHESTWith interior candle box on shaped end supports 90cm wide

£300 - 500

834AN OAk gLOBE wERNIckE FOuR TIER BOOkcASEWith leaded glazed doors above a base drawer, interior makers label 86cm wide x 147cm high

£200 - 300

835A pAIR OF cHINESE ELBOw cHAIRS,The open backs with carved central splats, having open outswept arms, sunk panelled seats, on square section legs, united by stretchers, height 122cm.

£500 - 700

836A cHINESE wOVEN SILk ScREENThe mahogany plain frame containing panels depicting dragons amidst clouds chasing flaming pearls; panels 180x75cm

£200 - 300

837 Y

A REgENcy ROSEwOOD SOFA TABLECrossbanded and strung, the frieze applied with gilt brass anthemion motifs and fitted with two drawers, on turned double end supports and downswept legs with brass paw cappings; 153cm wide(60in wide

£1,000 - 1,200

838A gILT gESSO cONSOLE TABLE AND pIER gLASSThe table with marble top and double ‘C’ scroll legs; the mirror with scallop and scroll crested arch top; table 85cm wide, overall height 250cm

£500 - 600

839A SET OF SIX VIcTORIAN cARVED wALNuT DININg cHAIRS,The oval pierced backs on serpentine stuff-over seats and cabriole legs, together with a matching button back armchair and salon chair en suite. (8)

£400 - 600

831 832

837

140 | BONHAMS

840A VIcTORIAN INLAID wALNuT cOMBINED gAMES cARD TABLE,The fold-over top to reveal chess and backgammon, on carved multi column base and four cabriole legs, 90cm.

£400 - 500

841A gEORgE II wALNuT AND pARcEL gILT MIRRORWith outset angles, egg and dark border and applied carved oak leaf and acorn decoration; 90cm high

£1,200 - 1,400

842A gEORgE III MAHOgANy cHEST ON cHESTOf two short and six long graduated, brass handled drawers, with checkered stringing and rococo keyplates on bracket feet 100cm wide

£300 - 400

843IN THE MANNER OF gEORgE wALTONAn Abingdon Chair, mid 20th century in African walnut 92cm high

£350 - 450

844A gEORgE III MAHOgANy TALLBOy cHEST,The pendant cornice over three short and three graduated drawers within chamfered fluted corners, on a four drawer graduated base and bracket feet, 112cm wide.

£500 - 700

845A VIcTORIAN MAHOgANy wELLINgTON cHEST,With eight graduated drawers and side locking bar, on plinth base, 62cm.

£400 - 600

846A VIcTORIAN MAHOgANy kNEEHOLE DESk,The inset top with three frieze drawers on two three drawer pedestals and plinth base, 121cm.

£500 - 700

847A VIcTORIAN BANDED wALNuT TABLE TOp wELLINgTON cHEST,The graduated nine drawers with locking bar and carved cupboards on plinth base, 40cm wide x 62cm high.

£300 - 400

848A cHINESE cARVED cAMpHOR wOOD cHESTThe top and front decorated with figures on horseback within a landscape 94cm wide

£100 - 150

849A 17TH cENTuRy cARVED OAk TRIpLE pANELLED OAk cOFFER,With circle and leaf carving and moulded uprights, later fall front, 127cm.

£250 - 300

850AN OAk REpRODucTION LOw DRESSERFitted with two geometrically moulded drawers on turned legs united by stretchers, 182cm wide

£500 - 700

851 Y

A REpRODucTION BRASS INLAID ROSEwOOD BREAkFRONT SIDE cABINET,The two brass grille doors flanked by gilt metal Egyptian masks on a plinth base, 130cm.

£500 - 600

841

843


852A gORDON RuSSELL OAk REcTANguLAR TABLE, cIRcA 1927With original paper label verso, on twin octagonal end supports tied by a center stretcher 145cm x 83cm

£500 - 700

853A LATE 17TH cENTuRy OAk pANELLED AND BOARDED SMALL cOFFERWith three panel front below a nulled frieze on stile supports 100cm wide

£300 - 350

854 Y

A cHINESE ROSEwOOD LOw REcTANguLAR TABLE,The panelled top above a rounded projecting frieze on cabriole legs with scroll feet, 125 x 60cm.

£500 - 600

855AN OAk REFEcTORy DININg TABLEOn chamfered end supports with sledge feet; 229cm long,91cm wide

£400 - 500

856A gEORgE I wALNuT FEATHER BANDED cHEST,The crossbanded rectangular top above two short and three long drawers, on a later shaped apron stand, 95.5cm.

£600 - 800

857FIVE LATE 17TH/EARLy 18TH cENTuRy OAk AND wALNuT cHAIRSWith vertical rail backs, solid seats on block and turned legs (5)

£200 - 250

858A 20TH cENTuRy OcTAgONAL gILT BRASS AND IRON OccASIONAL TABLE,With specimen marble inlaid top centred by a chessboard, 63cm, together with a similar table with circular specimen marble inlaid top 51cm diameter. (2)

£300 - 400

859A cROSS BANDED AND LINE INLAID MAHOgANy OcTAgONAL TOp OccASIONAL TABLE,With two frieze drawers on turned column and tapered legs, 48cm, together with a pair of satinwood banded mahogany oval top wine tables, 42 x 32cm. (3)

£200 - 300

860A REgENcy EBONISED ‘ROMAN’ OpEN ARMcHAIR,The arched curved back with a solid splat, having scrolled arms, upholstered stuff over seat, on sabre legs and castors, painted with anthemions and rosettes and centred by a lozenge medallion

£400 - 600

861A 20TH cENTuRy gILT METAL MOuNTED AND MAHOgANy DRINkS cABINET,In the Louis XVI taste, the galleried marble top over fall front revealing an illuminated interior and frieze drawer on fluted legs untied by an undertier, labelled ‘Simon Loscertailes Bona Zaragoza Spain’ 96cm.

£400 - 500

862A 19TH cENTuRy MAHOgANy SMALL BOwFRONT cHEST OF DRAwERSWith crossbanded and ebony strung top above four long graduated drawers with brass handles, on bracket feet, 95cm wide x 52cm deep x 85cm high, (37in wide x 20in deep x 33in high)

£350 - 450

863A gEORgE III SATINwOOD AND STRuNg BERgERE,With upholstered rectangular padded back, sides and seat and loose squab, having baluster turned arm supports, on square tapered legs and castors

£500 - 800

864A cONTEMpORARy BRASS FRAME LOw cENTRE TABLE,Circa 1960’s-70’s, the rectangular marble top centred by a chequer board within verde antico marble borders, on square section legs united by stretchers, 114 x 68cm, together with another similar table, with verde antico marble bordered rectangular top, on square section legs united by a slatted undertier, 128 x 51cm. (2)

£600 - 900

857

142 | BONHAMS

865A LOuIS XV STyLE kINgwOOD FLORAL MARquETRy gILT METAL MOuNTED pETITE cOMMODE,late 19th Century, of serpentine outline, the moulded edge veined marble top above three long drawers, on splayed legs, 75cm.

£1,000 - 1,500

866A LATE 19TH cENTuRy OVAL INLAID wALNuT TwO TIER TABLE A OuVRAgEOn gilt metal mounted cabriole legs 42cm wide

£400 - 600

867A quEEN ANNE wALNuT AND cROSSBANDED LOwBOy,The moulded rectangular top above a frieze drawer and wavy arched apron, on squared cabriole legs with pointed feet, 80cm.

£500 - 700

868A gEORgE III MAHOgANy AND cROSSBANDED TRIpOD BREAkFAST TABLEThe circular tilt-action top with broad satinwood crossbanded border, on associated turned baluster column and three splayed legs with boxwood stringing, brass caps and castors, 109cm diam.

£200 - 300

869TwO SETS OF 19TH cENTuRy pINE LIBRARy STEpSOne set painted black with evidence of red beneath, both approx 212cm high (2)

£300 - 500

870A gEORgE III MAHOgANy MuLE cHEST, LANcASHIRE, cIRcA 1760Of good colour and well figured, the characteristic form with the wavy back gallery above a hinged, moulded, solid mahogany top, over two dummy drawers with 4 short, working drawers below, all with original gilded brass rococo style escutcheons and moulded swan-neck handles and ovolo lip-moulds, flanked on each side by 1/4 fluted pillars, the ends with stopped chamfered panels, on ogee bracket feet 172cm wide x 56cm deep x 121cm high, (67 1/2in wide x 22in deep x 47 1/2in high)

£500 - 600

871A LATE 17TH cENTuRy wALNuT AND cROSSBANDED cHEST,The moulded cornice above three short and three long drawers, on a projecting stand of later date with a single long drawer, on cabriole legs with pointed pad feet, 99cm.

£800 - 1,200

872AN EARLy 19TH cENTuRy gILT MIRROR,The broken arched pediment centred with a lion and coronet above masonic insignia, the frieze also applied with masonic symbols, the mirror plate flanked by sphere-topped corinthian column pilasters; 75 x 56cm.

£300 - 400

873A SET OF cHINESE EXpORT HARDSTONE MOuNTED BLAck AND gILT LAcquER cOFFEE TABLESOf circular form with four triangular occasional tables under on cabriole legs and carved claw feet (5) 80cm diameter

874A gEORgE III MAHOgANy BEDSIDE cOMMODEThe tray top over a cupboard door, with lower slide, on square section legs, 49cm wide

£300 - 350

875A gOOD AND DIMINuTIVE REgENcy FIguRED MAHOgANy SIDEBOARDThe stepped top with moulded edge, above a frieze drawer with raised sectional panels, the base with a pair of panelled doors flanked by spiral fluted half columns, raised on inverted tulip shaped bottle feet. 93cm wide x 50cm deep x 97cm high, (36 1/2in wide x 19 1/2in deep x 38in high)

£300 - 400

873

875


876AN 18TH cENTuRy OAk pOT BOARD DRESSERWith two tier rack above three frieze drawers on shaped bracket feet 153cm wide

£300 - 400

877A gEORgE III OAk ENcLOSED SIDEBOARDFitted with an arrangement of seven drawers flanked by panelled cupboards, 182cm wide x 47cm deep x 82cm high, (71 1/2in wide x 18 1/2in deep x 32in high)

£400 - 500

878A pAIR OF 19TH cENTuRy BEIDERMIER MARBLE TOppED BIRDS EyE MApLE BEDSIDE cABINETSeach with frieze drawer and enclosed by a cupboard door below, 42cm wide. (2)

£250 - 300

879AN 18TH cENTuRy OAk cHEST ON STANDFitted with an array of small and long drawers on reduced base 108cm wide

£200 - 300

880AN EARLy 19TH cENTuRy OAk DRESSER BASEWith three frieze drawers on later turned legs 197cm wide

£250 - 300

881AN EARLy 20TH cENTuRy cONTINENTAL kARELIAN BIRcH AND wALNuT cENTRE TABLEIn the Succesionest style, the circular top on four cabriole legs with moulded ‘X’ stretcher united by stylised carved flowers, 80cm.

£200 - 300

882A gEORgE II MAHOgANy DROpLEAF DININg TABLEWith eliptical leaves on plain turned tapered legs and pad feet, 121cm wide x 135cm deep x 70cm high, (47 1/2in wide x 53in deep x 27 1/2in high)

883A 19TH cENTuRy FRENcH ORMOLu MANTEL cLOckThe stepped top surmounted by a cherub seated on a stool, the upright rectangular case with foliate ornament on a stepped plinth base with turned feet, the dial with engine turned centre signed on the white enamel chapter ring Moinet Aine a Paris, the movement with silk suspension and outside countwheel striking on a bell, 41.5cm high

£250 - 300

876

878

880

144 | BONHAMS

884A 20TH cENTuRy ITALIAN SMALL SERpENTINE pALISANDER AND MARquETRy cOMMODEThe marbled top above four drawers on cabriole legs 49cm wide.

£500 - 800

885 Y

A pAIR OF LOuIS XVI STyLE AMARANTH, MAHOgANy AND ROSEwOOD BRASS-INLAID DEMI-LuNE cARD TABLESWith fold over tops on square tapering legs (2) 80cm wide.

£400 - 600

886A 19TH cENTuRy ITALIAN cARVED wALNuT FRAMED OpEN ARM cHAIROn square section legs united by platform stretcher and a pair of Biedermeier style walnut side chairs (3)

£150 - 200

887A pAIR OF EARLy 20TH cENTuRy ITALIAN cARVED wALNuT SIDE cHAIRSWith padded backs and seats on cabriole legs (2)

£150 - 200

888A LATE 18TH cENTuRy NORTH ITALIAN wALNuT AND INLAID BuREAuWith interior shelf and three long exterior drawers on shaped bracket supports122cm wide.

£200 - 300

889AN ITALIAN wALNuT AND pARquETRy TwO TIER cIRcuLAR pETIT TABLEOf Transitional-style, with frieze drawer on cabriole legs 50cm diameter.

£200 - 300

890AN EARLy 19TH cENTuRy NORTH ITALIAN wALNuT BuREAuThe fall front revealing six small drawers above three long exterior drawers on square section supports110cm wide.

£150 - 200

891A 20TH cENTuRy EMpIRE STyLE MAHOgANy BEDSIDE cupBOARD wITH gREy MARBLE TOpWith faux drawer fronted cupboard on square tapering feet56cm wide.

£200 - 300

892A LOuIS XV STyLE kINgwOOD AND pARquETRy SécRETAIRE ROLL-TOp DESkWith three small drawers and slide to the interior above three frieze drawers on cabriole legs 71cm wide.

£400 - 600

884

885

892


893 Y

A pAIR OF ITALIAN ROSEwOOD, TuLIpwOOD, SycAMORE AND MARquETRy INLAID BEDSIDE cABINETSWith frieze drawer and cupboard on square tapering legs (2)50cm wide.

£400 - 600

894A 19TH cENTuRy EMpIRE STyLE ITALIAN FRuITwOOD SEcRETAIRE à ABATTANTWith frieze drawer above a fall front enclosing a galleried niche and six drawers above two long drawers

£400 - 600

895A 20TH cENTuRy ITALIAN kINgwOOD AND MARquETRy BOMBE cOMMODINOWith shaped marble top above two drawers on cabriole legs102cm wide.

£400 - 600

896A 20TH cENTuRy gREEN pAINTED AND pARcEL gILT SIDE TABLEWith green marble top on cylindrical tapering fluted legs 122cm wide.

£200 - 300

897A REcTANguLAR RED pAINTED BOMBé BEDSIDE cupBOARDDecorated with butterflies with frieze drawer and cupboard under on cabriole feet, 60cm wide

£150 - 200

898A ScARLET LAcquERED wARDROBE OF cHINESE STyLE, 20TH cENTuRyDecorated with scenes of figures raised on bun feet150cm wide.

£250 - 350

899A 20TH cENTuRy ITALIAN gREEN-pAINTED AND gILDED cONSOLE TABLEWith putti supports and associated verde antico marble top and similar plinth base122cm wide.

£150 - 200

893895

896

146 | BONHAMS

900A 20TH cENTuRy ITALIAN cREAM pAINTED AND gILDED MARBLE TOppED cENTRE TABLEWith rectangular rouge marble slab top on acanthus carved end supports182cm x 62cm.

£500 - 700

901AN EARLy 20TH cENTuRy NORTH ITALIAN pROVINcIAL wALNuT BuREAuWith three small interior drawers and two long exterior drawers flaked by turned pilasters on square section supports113cm wide.

£250 - 350

902A 20TH cENTuRy wALNuT FRAMED BERgèRE à OREILLESUpholstered in blue suede on cabriole legs

£150 - 200

903A gOOD 19TH cENTuRy MAHOgANy cANTILEVER AcTION FOLD OVER TEA TABLEThe hinged rectangular top with moulded edge, above a shaped frieze, supported on turned reeded and stopped fluted legs with carved leaf work frieze corners, cantilever action released by a wooden button. 76cm wide x 42cm deep x 71cm high, (29 1/2in wide x 16 1/2in deep x 27 1/2in high)

£150 - 200

904A REgENcy MAHOgANy BREAkFRONT LIBRARy BOOkcASEThe central section with arched glazed barred doors above two frieze drawers flanked by plain glazed barred doors and reeded pilasters, cupboard base on turned feet 192cm wide x 206cm high

£1,200 - 1,800

900

901

903

904


905A 19TH cENTuRy cHINESE LAcquERED SOFTwOOD SIDE TABLEWith three frieze drawers having carved foliate panels on rounded square section legs 149 cm wide 61 cm deep

£2,000 - 3,000

906A REgENcy INLAID MAHOgANy BOw FRONT SIDEBOARDWith three frieze drawers, on six square tapering legs and spade feet, 150cm wide.

£500 - 700

907A SMALL 18TH cENTuRy OAk SIDE TABLE wITH TRAy TOpAbove frieze drawer on turned legs and stretchers 59cm wide

£300 - 500

908A gEORgE III BOw-FRONTED ScARLET LAcquERED cORNER cupBOARDWith fluted cornice and mouldings above a pair of glazed barred doors and cupboard below, flanked by fluted stiles, 105cm wide x 198cm high

£700 - 1,000

909A gEORgE III FRuITwOOD cIRcuLAR DISH TOp TRIpOD TABLEWith bird cage action on turned column support 52cm diameter

£250 - 350

905

908

148 | BONHAMS

910A VIcTORIAN MAHOgANy BREAkFRONT BOOkcASEWith plain cornice above four rectangular glazed panel doors and cupboard base on turned feet 152cm wide x 218cm high

£400 - 600

911AN IMpRESSIVE EARLy 19TH cENTuRy cARVED gILTwOOD cONVEX FOuR BRANcH gRIANDOLEWith eagle surmount on rockwork perch above foilate cresting and apron 75cm diameter x 135cm high

£700 - 1,000

912AN ARTS AND cRAFTS OAk pEDESTAL cupBOARD OF pANELED DESIgNWith copper plate top above a single door with small painted portrait, on square section legs 37cm wide x 113cm high, a stained pine pot cupboard in the manner of William Burges 44cm wide and a small mahogany side cupboard after a design by William Birch, with detachable tray top 60cm wide (3)

£700 - 1,000

913A gEORgE II MAHOgANy FOLD OVER REcTANguLAR TEA TABLEWith frieze drawer on cabriole legs, ball and claw feet 84cm wide

£500 - 700

914 Y

AN EARLy VIcTORIAN ROSEwOOD cIRcuLAR pEDESTAL DININg TABLEThe figured top with rounded edge above a recessed frieze, octagonal pedestal on a trefoil platform base, raised on scrollwork feet. 130cm wide72cm high, (51in wide28in high)

£300 - 350

910

911

913

914


915A FINE pAIR OF SIgNED LATE 18TH cENTuRy MAHOgANy ARMcHAIRSSigned J. COOMBS Having fluted back rails with central ovals inlaid with ebony and satinwood stringing, gently out swept arms supported on turned and fluted columns, overstuffed seats on turned and tapering fluted front legs and out swept rears.(2) 51cm wide x 46cm deep x 82cm high, (20in wide x 18in deep x 32in high)

£500 - 800

916A LATE VIcTORIAN gESSO OTTOMAN STyLE OVERMANTELOf arched form with Islamic panels and three beveled glass mirrors between upright palm tree pilasters, 153 x 163cm

£500 - 600

917A FINE 19TH cENTuRy cOROMONDEL VENEERED TABLE TOp DRINkS cABINETby Asprey & Son The hinged top and doors opening to reveal a satinwood and velvet lined fitted interior with decanters, glasses and a circular mirror backed tray. Some later interior replacements. Some damage and slight losses to exterior veneers 33cm wide x 24cm deep x 30cm high, (12 1/2in wide x 9in deep x 11 1/2in high)

£250 - 300

918A VIcTORIAN cARVED OAk cOuRT cupBOARD,Dated 1879 With lozenge frieze and uprights, the upper section with a pair of doors and centre panel carved with leaves and flowers and centred with Star-of-David or circular framed monograms and date, bobbin turned columns, the lower section with quarter paneled doors carved with different flowers and plants, the sides with fleur-de-lis and floret panels, brass hinges and locks, stile feet, 141cm wide x 55cm deep x 163.8cm high, (55 1/2in wide x 21 1/2in deep x 64in high)

£150 - 200

919A NEAR pAIR OF cHARLES II wALNuT OpEN ARMcHAIRSWith incised carved decoration to seat and back rails with cane seats and backs on barley twist supports and two similar smaller chairs (4)

£800 - 1,200

920THREE uNuSuAL LATE 16TH/EARLy 17TH cENTuRy cARVED OAk FIguRAL TERMS, ENgLISH, cIRcA 1600 - 1640The first boldly carved with a male figure with his arms crossed, a leaf between a pair of rosettes atop a pedestal carved with a large stylised lion mask, 9cm wide x 49cm high, the second modelled as a bearded man wearing a ruff and armour, 11cm wide x 48cm high, and the third a woman with wild hair, her hands clasped around a hole through the centre of her chest, the pedestal forming a foliate skirt, 10.5cm wide x 48cm high, (3)

£300 - 500

921AN OAk cHILD’S HIgH cHAIRIn the mid-17th century manner, English Incorporating some period elements, having a plain back-panel below a double-scroll outlined and carved cresting, a hole through the end of each arm formerly for a restraint bar, 41.5cm wide x 34.5cm deep x 116cm high, (16in wide x 13 1/2in deep x 45 1/2in high)

£300 - 400

915

920

921

150 | BONHAMS

922A SMALL 17TH cENTuRy OAk gATELEg TABLEWith end drawer on bobbin turned legs and plain stretchers 99cm wide

£300 - 400

923A gEORgE III OAk cHEST ON STANDWith two short and three long crossbanded drawers all with original engraved brass handles, three small drawers to base above shaped apron on cabriole legs 98cm wide x 162cm high

£600 - 800

924A LATE 17TH cENTuRy cARVED OAk cOFFERWith a plain quadruple panel lid above a carved triple panel front and carved stile supports 137cm wide

£300 - 500

925AN EARLy 19TH cENTuRy OAk gLAzED HANgINg cupBOARDWith fretwork pediment above a single glazed and barred door and two small drawers 66cm wide

£300 - 500

926A SET OF SIX 17TH cENTuRy ITALIAN wALNuT AND BONE INLAID HALL cHAIRSWith tapering panel backs and seats above fret work front stretchers on plain square section legs (6)

£1,500 - 2,500

927A cHARLES II, AND LATER, OAk BAckSTOOL, NORTH cHESHIREWith pierced cresting above carved panel back on tuned legs and plain strechers

£200 - 250

923

926

927


928AN EARLy 18TH cENTuRy OAk DRESSER BASEWith four moulded front drawers on five turned front legs 192cm wide

£600 - 800

929A SET OF SIX EARLy 19TH cENTuRy yORkSHIRE ALDER SpINDLE BAck cHAIRS,With rush seats on turned cylindrical tapering legs (6)

£500 - 700

930A 16TH cENTuRy ITALIAN cARVED wALNuT cASSONEWith single plank top above twin panel frieze and central crest escutcheon, deep foilate carved apron on claw feet 158cm wide

£800 - 1,200

931A 17TH cENTuRy STyLE OAk gATELEg TABLEOn fruitwood bobbin turned legs and stretchers 143cm wide

£400 - 500

932A LATE gEORgE III OAk HIgH DRESSER, NORTH wEST/wEST MIDLANDS, cIRcA 1800-20The open rack with three central shelves, flanked to either side by a boarded and mahogany crossbanded cupboard door headed by a serpentine-shaped niche-shelf below a pointed-ogee shaped frieze, the lower-section with three cockbeaded and mahogany crossbanded frieze drawers, on square-section tapering legs terminating in spade feet, restorations, 190cm wide x 50cm deep x 201cm high, (74 1/2in wide x 19 1/2in deep x 79in high)

£300 - 500

933AN OAk gEOMETRIc cHEST OF DRAwERS, ENgLISHIn the Charles II manner With four raised mitre-moulded long drawers and split-bobbin mouldings, incorporating period timbers, 108cm wide x 63cm deep x 100cm high, (42 1/2in wide x 24 1/2in deep x 39in high)

£500 - 700

934A SMALL quEEN ANNE OAk SIDE TABLEWith planked top above frieze drawer on octagonal tapering legs and bun feet 90cm wide

£300 - 500

935A gEORgE III OAk cENTRE TABLE wITH THREE DROp LEAVESOf triangular form on cylindrical legs and pad feet 70cm wide

£300 - 500

928

932

933

152 | BONHAMS

936AN EARLy 19TH cENTuRy OAk SwANSEA DRESSERWith three tier boarded rack above an arrangement of five drawers and potboard on later octagonal feet 131cm wide x 181cm high

£700 - 1,000

937AN 18TH/19TH cENTuRy wROugHT IRON STANDINg RuSHNIp, pROBABLy IRISHWith rectangular jaws, plain stem tapering at its top and ‘U’-shaped arm with vestigial socket counterweight, raised on a cruciform base of iron straps, 81cm high, together with an 18th/19th century wrought iron double candleholder, French, the square-section stem terminating in a candle-socket, with spring holder to one side, the stem splitting to form three downswept supports, 46cm high, (2)

£200 - 300

Literature: The strapwork cruciform base to the standing rushlight - which has probably lost its feet and therefore some height - is indicative of manufacture in Ireland. See R. Ashley, The Rushlight & Related Holders: A Regional View (2010), p. 271, Photo 243, for a similar plain example attributed to Co. Galway. For similar French candleholders, see ibid., p. 297, Photo 264, where it is noted that these types of holder were made in France and Scotland in particular, but that ‘the candlesocket terminating the stem is usually associated with French examples’.

938A wILLIAM AND MARy OAk DRESSER, cIRcA 1690Fitted with three drawers above a pair of cupboard doors and fixed panels, all with mitre-moulded decoration, restorations, 187cm wide x 48cm deep x 82cm high, (73 1/2in wide x 18 1/2in deep x 32in high)

£1,200 - 1,800

936

938


939A gROup OF EIgHT LATE 17TH cENTuRy OAk BAckSTOOLS, MOSTLy cHESHIRE / DERBySHIRE, cIRcA 1670 - 90Including a near pair, mostly with fielded back-panel, various scroll-cut and shaped crestings, including one pierced and one carved example, mixture of boarded and panelled seats, variety of baluster and spiral-turned front stretchers, (8)

£1,000 - 1,500

940AN EARLy 17TH cENTuRy cARVED OAk pANEL, FLEMISH, JuditH witH tHe Head of HolofernesJudith, with flaming hair and sword in hand, putting Holofernes’ head in a cloth held by a servant, his headless body visible behind Judith in his tent, with foliate scroll edges, later backed, 24.5cm wide x 25cm high, together with an Elizabeth I and later carved oak panel, centred by a guilloche-edged oval sunken cabochon, upon a scroll-edged cartouche, 24.5cm wide x 29.5cm high, and a 16th century ‘Romayne’-type panel, French, centred by the portrait of a man wearing a martial helmet, amidst grotesque scrolls, 31cm wide x 24.5cm high, (3)

£250 - 350

941A gROup OF DOMESTIc METALwARETo include a late 17th/early 18th century brass and iron warming pan, Dutch, circa 1700, with embossed cover, iron handle and brass ferrule, 29cm diameter x 108cm high, a wrought iron utensil rack, of convex form, and with four hooks, 55.5cm wide, two 18th century brass and wrought iron skimmers, Dutch, the larger 80cm high; the smaller 57.5cm high, an 18th century wrought iron pot hook, of trammel-type, with nine positions, 142cm high at greatest extent, and a cast iron cauldron, of typical form and with bail handle, 33cm high, (6)

£200 - 300

942AN 18TH cENTuRy gERMAN OAk BuREAu cABINET,With arched pediment enclosing an open void above small central cupboard flanked by niches and three small drawers under, the fall with fitted interior, three long serpentine base drawers, heavy brass side carrying handles on cut bracket feet 108cm wide x 214cm high

£1,000 - 2,000

943A gEORgE II OAk BIRDcAgE-AcTION TRIpOD TABLE, cIRcA 1750With circular boarded tilt-top, pillar support and baluster-silhouette downswept legs, 59.5cm diameter x 7cm high

£300 - 400

944AN EBONIzED OAk AND upHOLSTERED STOOL, cIRcA 1690 AND LATERThe cut-corner rectangular-shaped top upholstered in crimson floral velvet with tassel fringe, raised on carved S-scroll legs joined by a conforming X-form stretcher and centred by an urn finial, 49cm wide x 40cm deep x 40.5cm high, (19in wide x 15 1/2in deep x 15 1/2in high)

£300 - 400

939

944

154 | BONHAMS

945A gEORgE III OAk cHEST ON cHESTWith two short and six long mahogany crossbanded drawers, original swan neck handles, flanked by fluted corners on bracket feet 102cm wide x 172cm high

£400 - 600

946A cHARLES I OAk jOINT STOOL, ENgLISH, cIRcA 1630 - 40The heavily worn top with double-reeded edge, the rails with delicate run-mouldings, elegant baluster and reel-turned legs, joined by plain stretchers, 45.5cm wide x 27.5cm deep x 51.5cm high, (17 1/2in wide x 10 1/2in deep x 20in high)

£300 - 400

947A gEORgE III OAk LOw DRESSER, NORTH wEST / wEST MIDLANDS, cIRcA 1790 AND LATERWith two thin top boards, each frieze drawer with mahogany crossbanding and cockbeading, 189.5cm wide x 53cm deep x 77.5cm high, (74 1/2in wide x 20 1/2in deep x 30 1/2in high)

£500 - 700

948A 19TH cENTuRy ELM kITcHEN TABLEWith triple planked top on square tapering legs 210cm x 83cm

£400 - 600

949A cHARLES II STyLE OAk SIDETABLEWith moulded front frieze drawer on bobbin turned legs and H stretcher 87cm wide

£600 - 800

945

947

949


950A gOTHIc REVIVAL cARVED OAk cANOpy cupBOARDElements late 15th/early 16th Century The canopy fitted with a pair of curving flowerhead-carved panels, above a pair of tracery panelled doors, the lower part with two drawers above a pot board, 109cm wide

£700 - 800

951AN EARLy VIcTORIAN wALNuT, cALAMANDER, pALMwOOD BANDED AND FRuITwOOD MARquETRy TRIpOD TABLEThe circular tilt-top inlaid to the centre with flowers and a butterfly, on a turned column with a cabochon embedded baluster knop, terminating in scrolled downswept legs, 60cm wide x 61cm deep x 68cm high, (23 1/2in wide x 24in deep x 26 1/2in high)

£300 - 400

952A 19TH cENTuRy MAHOgANy HANgINg cupBOARDWith panel doors above base drawer on turned feet 114cm wide x 210cm high

£700 - 1,000

953 Y

A REgENcy ROSEwOOD wORkBOX ON STANDOf sarcophagus form on lyre support, platform base and quadruple splayed legs, brass capped casters

£200 - 400

954A 1920’S jApANESE pAgODA SHApED SHODANA STyLE LAcquERED TABLE cABINETThe top with moulded edges above a series of doors and drawers around a central shelved cupboard; decorated with scenes of landscapes, birds and flowers, bronze fruit shaped handles, with key. 34 x 16 x 46cm

£300 - 500

955A TIBETAN cARVED pAINTED AND DEcORATED cupBOARDOf panelled construction enclosed by two pairs of doors, 129 x 42 x 123cm.

£300 - 500

956A pAIR OF ‘SAXONy’ REcTANguLAR wROugHT METAL cONSOLE TABLES,With inset plate glass tops, 124 x 42 x 85cm. (2)

£300 - 500

Purchased Andrew Martin 2002

END OF SALE

950

951

954

OXF/MAIN/03.15

This notice is addressed by Bonhams to any person who may be interested in a Lot, including Bidders and potential Bidders (including any eventual Buyer of the Lot). For ease of reference we refer to such persons as “Bidders” or “you”. Our List of Definitions and Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 at the back of the Catalogue. Where words and phrases are used in this notice which are in the List of Definitions, they are printed in italics.

IMPORTANT: Additional information applicable to the Sale may be set out in the Catalogue for the Sale, in an insert in the Catalogue and/or in a notice displayed at the Sale venue and you should read them as well. Announcements affecting the Sale may also be given out orally before and during the Sale without prior written notice. You should be alert to the possibility of changes and ask in advance of bidding if there have been any.

1. OUR ROLE

In its role as Auctioneer of Lots, Bonhams acts solely for and in the interests of the Seller. Bonhams’ job is to sell the Lot at the highest price obtainable at the Sale to a Bidder. Bonhams does not act for Buyers or Bidders in this role and does not give advice to Buyers or Bidders. When it or its staff make statements about a Lot or, if Bonhams provides a Condition Report on a Lot it is doing that on behalf of the Seller of the Lot. Bidders and Buyers who are themselves not expert in the Lots are strongly advised to seek and obtain independent advice on the Lots and their value before bidding for them. The Seller has authorised Bonhams to sell the Lot as its agent on its behalf and, save where we expressly make it clear to the contrary, Bonhams acts only as agent for the Seller. Any statement or representation we make in respect of a Lot is made on the Seller’s behalf and, unless Bonhams sells a Lot as principal, not on our behalf and any Contract for Sale is between the Buyer and the Seller and not with us. If Bonhams sells a Lot as principal this will either be stated in the Catalogue or an announcement to that effect will be made by the Auctioneer, or it will be stated in a notice at the Sale or an insert in the Catalogue.

Bonhams does not owe or undertake or agree to any duty or responsibility to you in contract or tort (whether direct, collateral, express, implied or otherwise). If you successfully bid for a Lot and buy it, at that stage Bonhams does enter into an agreement with the Buyer. The terms of that contract are set out in our Buyer’s Agreement, which you will find at Appendix 2 at the back of the Catalogue. This will govern Bonhams’ relationship with the Buyer.

2. LOTS

Subject to the Contractual Description printed in bold letters in the Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are sold to the Buyer on an “as is” basis, with all faults and imperfections. Illustrations and photographs contained in the Catalogue (other than photographs forming part of the Contractual Description) or elsewhere of any Lots are for identification purposes only. They may not reveal the true condition of the Lot. A photograph or illustration may not reflect an accurate reproduction of the colour(s) of the Lot. Lots are available for inspection prior to the Sale and it is for you to satisfy yourself as to each and every aspect of a Lot, including its authorship, attribution, condition, provenance, history, background, authenticity, style, period, age, suitability, quality, roadworthiness (if relevant), origin, value and estimated selling price (including the Hammer Price). It is your responsibility to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as good as that indicated by its outward appearance. In particular, parts may have been replaced or renewed and Lots may not be authentic or of satisfactory quality; the inside of a Lot may not be visible and may not be original or may be damaged, as for example where it is covered by upholstery or material. Given the age of many Lots they may have been damaged and/or repaired and you should not assume that a Lot is in good condition. Electronic or mechanical parts may not operate or may not comply with current statutory requirements. You should not assume that electrical items designed to operate on mains electricity will be suitable for connection to the mains electricity supply and you should obtain a report from

a qualified electrician on their status before doing so. Such items which are unsuitable for connection are sold as items of interest for display purposes only. If you yourself do not have expertise regarding a Lot, you should consult someone who does to advise you. We can assist in arranging facilities for you to carry out or have carried out more detailed inspections and tests. Please ask our staff for details.

Any person who damages a Lot will be held liable for the loss caused.

3. DESCRIPTIONS OF LOTS AND ESTIMATES

Contractual Description of a Lot The Catalogue contains an Entry about each Lot. Each Lot is sold by its respective Seller to the Buyer of the Lot as corresponding only with that part of the Entry which is printed in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot in the Catalogue. The remainder of the Entry, which is not printed in bold letters, represents Bonhams’ opinion (given on behalf of the Seller) about the Lot only and is not part of the Contractual Description in accordance with which the Lot is sold by the Seller.

Estimates In most cases, an Estimate is printed beside the Entry. Estimates are only an expression of Bonhams’ opinion made on behalf of the Seller of the range where Bonhams thinks the Hammer Price for the Lot is likely to fall; it is not an Estimate of value. It does not take into account any VAT or Buyer’s Premium payable. Lots can in fact sell for Hammer Prices below and above the Estimate. Any Estimate should not be relied on as an indication of the actual selling price or value of a Lot. Estimates are in the currency of the Sale.

Condition Reports In respect of most Lots, you may ask for a Condition Report on its physical condition from Bonhams. If you do so, this will be provided by Bonhams on behalf of the Seller free of charge. Bonhams is not entering into a contract with you in respect of the Condition Report and accordingly does not assume responsibility to you in respect of it. Nor does the Seller owe or agree to owe you as a Bidder any obligation or duty in respect of this free report about a Lot, which is available for your own inspection or for inspection by an expert instructed by you. However, any written Description of the physical condition of the Lot contained in a Condition Report will form part of the Contractual Description of the Lot under which it is sold to any Buyer.

The Seller’s responsibility to you The Seller does not make or agree to make any representation of fact or contractual promise, Guarantee or warranty and undertakes no obligation or duty, whether in contract or in tort (other than to the eventual Buyer as set out above), in respect of the accuracy or completeness of any statement or representation made by him or on his behalf, which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. Other than as set out above, no statement or representation in any way descriptive of a Lot or any Estimate is incorporated into any Contract for Sale between a Seller and a Buyer.

Bonhams’ responsibility to you You have the opportunity of examining the Lot if you want to and the Contract for Sale for a Lot is with the Seller and not with Bonhams; Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot as principal).

Bonhams undertakes no obligation to you to examine, investigate or carry out any tests, either in sufficient depth or at all, on each Lot to establish the accuracy or otherwise of any Descriptions or opinions given by Bonhams, or by any person on Bonhams’ behalf, whether in the Catalogue or elsewhere.

You should not suppose that such examinations, investigations or tests have occurred.

Bonhams does not make or agree to make any representation of fact, and undertakes no obligation or duty (whether in contract or tort) in respect of the accuracy or completeness of any statement or representation made by Bonhams or on

Bonhams’ behalf which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. No statement or representation by Bonhams or on its behalf in any way descriptive of any Lot or any Estimate is incorporated into our Buyer’s Agreement.

Alterations Descriptions and Estimates may be amended at Bonhams’ discretion from time to time by notice given orally or in writing before or during a Sale.

THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR BEHALF BEFORE THE SALE.

4. CONDUCT OF THE SALE

Our Sales are public auctions which persons may attend and you should take the opportunity to do so. We do reserve the right at our sole discretion to refuse admission to our premises or to any Sale without stating a reason. We have complete discretion as to whether the Sale proceeds, whether any Lot is included in the Sale, the manner in which the Sale is conducted and we may offer Lots for Sale in any order we choose notwithstanding the numbers given to Lots in the Catalogue. You should therefore check the date and starting time of the Sale, whether there have been any withdrawals or late entries. Remember that withdrawals and late entries may affect the time at which a Lot you are interested in is put up for Sale. We have complete discretion to refuse any bid, to nominate any bidding increment we consider appropriate, to divide any Lot, to combine two or more Lots, to withdraw any Lot from a Sale and, before the Sale has been closed, to put up any Lot for auction again. Auction speeds can exceed 100 Lots to the hour and bidding increments are generally about 10%. However these do vary from Sale to Sale and from Auctioneer to Auctioneer. Please check with the department organising the Sale for advice on this. Where a Reserve has been applied to a Lot, the Auctioneer may, in his absolute discretion, place bids (up to an amount not equalling or exceeding such Reserve) on behalf of the Seller. We are not responsible to you in respect of the presence or absence of any Reserve in respect of any Lot. If there is a Reserve it will normally be no higher than the lower figure for any Estimate in the Catalogue, assuming that the currency of the Reserve has not fluctuated adversely against the currency of the Estimate. The Buyer will be the Bidder who makes the highest bid acceptable to the Auctioneer for any Lot (subject to any applicable Reserve) to whom the Lot is knocked down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by the Auctioneer in his absolute discretion. All bids tendered will relate to the actual Lot number announced by the Auctioneer. An electronic currency converter may be used at the Sale. This equipment is provided as a general guide as to the equivalent amount in certain currencies of a given bid. We do not accept any responsibility for any errors which may occur in the use of the currency converter. We may use video cameras to record the Sale and may record telephone calls for reasons of security and to assist in solving any disputes which may arise in relation to bids made at the Sale. At some Sales, for example, jewellery Sales, we may use screens on which images of the Lots will be projected. This service is provided to assist viewing at the Sale. The image on the screen should be treated as an indication only of the current Lot. It should be noted that all bids tendered will relate to the actual Lot number announced by the Auctioneer. We do not accept any responsibility for any errors which may occur in the use of the screen.

5. BIDDING

We do not accept bids from any person who has not completed and delivered to us one of our Bidding Forms, either our Bidder Registration Form, Absentee Bidding Form or Telephone Bidding Form. You will be asked for proof of identity, residence and references, which, when asked for, you must supply if your bids are to be accepted by us. Please bring your passport, driving licence (or similar photographic proof of identity) and proof of address. We may request a deposit from you before allowing you to bid. We may refuse entry to a Sale to any person even if that person has completed a Bidding Form.

NOTICE TO BIDDERS

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Bidding in person You should come to our Bidder registration desk at the Sale venue and fill out a Bidder Registration Form on (or, if possible, before) the day of the Sale. The bidding number system is sometimes referred to as “paddle bidding”. You will be issued with a large card (a “paddle”) with a printed number on it. This will be attributed to you for the purposes of the Sale. Should you be a successful Bidder you will need to ensure that your number can be clearly seen by the Auctioneer and that it is your number which is identified as the Buyer’s. You should not let anyone else use your paddle as all Lots will be invoiced to the name and address given on your Bidder Registration Form. Once an invoice is issued it will not be changed. If there is any doubt as to the Hammer Price of, or whether you are the successful Bidder of, a particular Lot, you must draw this to the attention of the Auctioneer before the next Lot is offered for Sale. At the end of the Sale, or when you have finished bidding please return your paddle to the Bidder registration desk.

Bidding by telephone If you wish to bid at the Sale by telephone, please complete a Telephone Bidding Form, which is available from our offices or in the Catalogue. Please then return it to the office responsible for the Sale at least 24 hours in advance of the Sale. It is your responsibility to check with our Bids Office that your bid has been received. Telephone calls will be recorded. The telephone bidding facility is a discretionary service and may not be available in relation to all Lots. We will not be responsible for bidding on your behalf if you are unavailable at the time of the Sale or if the telephone connection is interrupted during bidding. Please contact us for further details.

Bidding by post or fax Absentee Bidding Forms can be found in the back of this Catalogue and should be completed and sent to the office responsible for the Sale. It is in your interests to return your form as soon as possible, as if two or more Bidders submit identical bids for a Lot, the first bid received takes preference. In any event, all bids should be received at least 24 hours before the start of the Sale. Please check your Absentee Bidding Form carefully before returning it to us, fully completed and signed by you. It is your responsibility to check with our Bids Office that your bid has been received. This additional service is complimentary and is confidential. Such bids are made at your own risk and we cannot accept liability for our failure to receive and/or place any such bids. All bids made on your behalf will be made at the lowest level possible subject to Reserves and other bids made for the Lot. Where appropriate your bids will be rounded down to the nearest amount consistent with the Auctioneer’s bidding increments. New Bidders must also provide proof of identity and address when submitting bids. Failure to do this will result in your bid not being placed.

Bidding via the internet Please visit our Website at http://www.bonhams.com for details of how to bid via the internet.

Bidding through an agent Bids will be accepted as placed on behalf of the person named as the principal on the Bidding Form although we may refuse to accept bids from an agent on behalf of a principal and will require written confirmation from the principal confirming the agent’s authority to bid. Nevertheless, as the Bidding Form explains, any person placing a bid as agent on behalf of another (whether or not he has disclosed that fact or the identity of his principal) will be jointly and severally liable with the principal to the Seller and to Bonhams under any contract resulting from the acceptance of a bid. Subject to the above, please let us know if you are acting on behalf of another person when bidding for Lots at the Sale.

Equally, please let us know if you intend to nominate another person to bid on your behalf at the Sale unless this is to be carried out by us pursuant to a Telephone or Absentee Bidding Form that you have completed. If we do not approve the agency arrangements in writing before the Sale, we are entitled to assume that the person bidding at the Sale is bidding on his own behalf. Accordingly, the person bidding at the Sale will be the Buyer and will be liable to pay the Hammer Price and Buyer’s Premium and associated charges. If we approve the identity of your client in advance, we will be in a position to

address the invoice to your principal rather than you. We will require proof of the agent’s client’s identity and residence in advance of any bids made by the agent on his behalf. Please refer to our Conditions of Business and contact our Customer Services Department for further details.

6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE BUYER AND BONHAMS

On the Lot being knocked down to the Buyer, a Contract for Sale of the Lot will be entered into between the Seller and the Buyer on the terms of the Contract for Sale set out in Appendix 1 at the back of the Catalogue. You will be liable to pay the Purchase Price, which is the Hammer Price plus any applicable VAT. At the same time, a separate contract is also entered into between us as Auctioneers and the Buyer. This is our Buyer’s Agreement, the terms of which are set out in Appendix 2 at the back of the Catalogue. Please read the terms of the Contract for Sale and our Buyer’s Agreement contained in the Catalogue in case you are the successful Bidder. We may change the terms of either or both of these agreements in advance of their being entered into, by setting out different terms in the Catalogue and/or by placing an insert in the Catalogue and/or by notices at the Sale venue and/or by oral announcements before and during the Sale. You should be alert to this possibility of changes and ask if there have been any.

7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY THE BUYER

Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payable to us by the Buyer in accordance with the terms of the Buyer’s Agreement and at rates set out below, calculated by reference to the Hammer Price and payable in addition to it. Storage charges and Expenses are also payable by the Buyer as set out in the Buyer’s Agreement. All the sums payable to us by the Buyer are subject to VAT. For this Sale the following rates of Buyer’s Premium will be payable by Buyers of Lots:

25% up to £50,000 of the Hammer Price20% from £50,001 to £1,000,000 of the Hammer Price12% from £1,000,001 of the Hammer Price

On certain Lots, which will be marked “AR” in the Catalogue and which are sold for a Hammer Price of €1,000 or greater (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale), the Additional Premium will be payable to us by the Buyer to cover our Expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006. The Additional Premium will be a percentage of the amount of the Hammer Price calculated in accordance with the table below, and shall not exceed €12,500 (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale).

Hammer Price Percentage amount From €0 to €50,000 4%From €50,000.01 to €200,000 3%From €200,000.01 to €350,000 1%From €350,000.01 to €500,000 0.5%Exceeding €500,000 0.25%

8. VAT

The prevailing rate of VAT at the time of going to press is 20%, but this is subject to government change and the rate payable will be the rate in force on the date of the Sale.

The following symbols are used to denote that VAT is due on the Hammer Price and Buyer’s Premium:† VAT at the prevailing rate on Hammer Price and Buyer’s

PremiumΩ VAT on imported items at the prevailing rate on Hammer

Price and Buyer’s Premium* VAT on imported items at a preferential rate of 5% on

Hammer Price and the prevailing rate on Buyer’s Premium

G Gold bullion exempt from VAT on the Hammer Price and subject to VAT at the prevailing rate on the Buyer’s Premium

• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer’s Premium

a Buyers from within the EU: VAT is payable at the prevailing rate on just the Buyer’s Premium (NOT the Hammer Price). Buyers from outside the EU: VAT is payable at the prevailing rate on both Hammer Price and Buyer’s Premium. If a Buyer, having registered under a non-EU address, decides that the item is not to be exported from the EU, then he should advise Bonhams immediately.

In all other instances no VAT will be charged on the Hammer Price, but VAT at the prevailing rate will be added to Buyer’s Premium which will be invoiced on a VAT inclusive basis.

9. PAYMENT

It is of critical importance that you ensure that you have readily available funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and any other charges and Expenses to us) in full before making a bid for the Lot. If you are a successful Bidder, payment will be due to us by 4.30 pm on the second working day after the Sale so that all sums are cleared by the eighth working day after the Sale. Unless agreed by us in advance payments made by anyone other than the registered Buyer will not be accepted. Payment will have to be by one of the following methods (all cheques should be made payable to Bonhams 1793 Limited). Bonhams reserves the right to vary the terms of payment at any time.

Sterling personal cheque drawn on a UK branch of a bank or building society: all cheques must be cleared before you can collect your purchases;

Bankers draft/building society cheque: if you can provide suitable proof of identity and we are satisfied as to the genuineness of the draft or cheque, and that the funds have originated from your own account, we will allow you to collect your purchases immediately;

Cash: you may pay for Lots purchased by you at this Sale with notes, coins or travellers cheques in the currency in which the Sale is conducted (but not any other currency) provided that the total amount payable by you in respect of all Lots purchased by you at the Sale does not exceed £3,000, or the equivalent in the currency in which the Sale is conducted, at the time when payment is made. If the amount payable by you for Lots exceeds that sum, the balance must be paid otherwise than in coins, notes or travellers cheques;

Bank transfer: you may electronically transfer funds to our Trust Account. If you do so, please quote your paddle number and invoice number as the reference. Our Trust Account details are as follows:

Bank: National Westminster Bank PlcAddress: PO Box 4RY250 Regent StreetLondon W1A 4RYAccount Name: Bonhams 1793 Limited Trust AccountAccount Number: 25563009Sort Code: 56-00-27IBAN Number: GB 33 NWBK 560027 25563009

If paying by bank transfer, the amount received after the deduction of any bank fees and/or conversion of the currency of payment to pounds sterling must not be less than the sterling amount payable, as set out on the invoice.

Debit cards: there is no additional charge for purchases made with personal debit cards, issued by a UK bank. Debit cards issued by an overseas bank, deferred and company debit cards and all credit cards will be subject to a 2% surcharge;

OXF/MAIN/03.15

This notice is addressed by Bonhams to any person who may be interested in a Lot, including Bidders and potential Bidders (including any eventual Buyer of the Lot). For ease of reference we refer to such persons as “Bidders” or “you”. Our List of Definitions and Glossary is incorporated into this Notice to Bidders. It is at Appendix 3 at the back of the Catalogue. Where words and phrases are used in this notice which are in the List of Definitions, they are printed in italics.

IMPORTANT: Additional information applicable to the Sale may be set out in the Catalogue for the Sale, in an insert in the Catalogue and/or in a notice displayed at the Sale venue and you should read them as well. Announcements affecting the Sale may also be given out orally before and during the Sale without prior written notice. You should be alert to the possibility of changes and ask in advance of bidding if there have been any.

1. OUR ROLE

In its role as Auctioneer of Lots, Bonhams acts solely for and in the interests of the Seller. Bonhams’ job is to sell the Lot at the highest price obtainable at the Sale to a Bidder. Bonhams does not act for Buyers or Bidders in this role and does not give advice to Buyers or Bidders. When it or its staff make statements about a Lot or, if Bonhams provides a Condition Report on a Lot it is doing that on behalf of the Seller of the Lot. Bidders and Buyers who are themselves not expert in the Lots are strongly advised to seek and obtain independent advice on the Lots and their value before bidding for them. The Seller has authorised Bonhams to sell the Lot as its agent on its behalf and, save where we expressly make it clear to the contrary, Bonhams acts only as agent for the Seller. Any statement or representation we make in respect of a Lot is made on the Seller’s behalf and, unless Bonhams sells a Lot as principal, not on our behalf and any Contract for Sale is between the Buyer and the Seller and not with us. If Bonhams sells a Lot as principal this will either be stated in the Catalogue or an announcement to that effect will be made by the Auctioneer, or it will be stated in a notice at the Sale or an insert in the Catalogue.

Bonhams does not owe or undertake or agree to any duty or responsibility to you in contract or tort (whether direct, collateral, express, implied or otherwise). If you successfully bid for a Lot and buy it, at that stage Bonhams does enter into an agreement with the Buyer. The terms of that contract are set out in our Buyer’s Agreement, which you will find at Appendix 2 at the back of the Catalogue. This will govern Bonhams’ relationship with the Buyer.

2. LOTS

Subject to the Contractual Description printed in bold letters in the Entry about the Lot in the Catalogue (see paragraph 3 below), Lots are sold to the Buyer on an “as is” basis, with all faults and imperfections. Illustrations and photographs contained in the Catalogue (other than photographs forming part of the Contractual Description) or elsewhere of any Lots are for identification purposes only. They may not reveal the true condition of the Lot. A photograph or illustration may not reflect an accurate reproduction of the colour(s) of the Lot. Lots are available for inspection prior to the Sale and it is for you to satisfy yourself as to each and every aspect of a Lot, including its authorship, attribution, condition, provenance, history, background, authenticity, style, period, age, suitability, quality, roadworthiness (if relevant), origin, value and estimated selling price (including the Hammer Price). It is your responsibility to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as good as that indicated by its outward appearance. In particular, parts may have been replaced or renewed and Lots may not be authentic or of satisfactory quality; the inside of a Lot may not be visible and may not be original or may be damaged, as for example where it is covered by upholstery or material. Given the age of many Lots they may have been damaged and/or repaired and you should not assume that a Lot is in good condition. Electronic or mechanical parts may not operate or may not comply with current statutory requirements. You should not assume that electrical items designed to operate on mains electricity will be suitable for connection to the mains electricity supply and you should obtain a report from

a qualified electrician on their status before doing so. Such items which are unsuitable for connection are sold as items of interest for display purposes only. If you yourself do not have expertise regarding a Lot, you should consult someone who does to advise you. We can assist in arranging facilities for you to carry out or have carried out more detailed inspections and tests. Please ask our staff for details.

Any person who damages a Lot will be held liable for the loss caused.

3. DESCRIPTIONS OF LOTS AND ESTIMATES

Contractual Description of a Lot The Catalogue contains an Entry about each Lot. Each Lot is sold by its respective Seller to the Buyer of the Lot as corresponding only with that part of the Entry which is printed in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot in the Catalogue. The remainder of the Entry, which is not printed in bold letters, represents Bonhams’ opinion (given on behalf of the Seller) about the Lot only and is not part of the Contractual Description in accordance with which the Lot is sold by the Seller.

Estimates In most cases, an Estimate is printed beside the Entry. Estimates are only an expression of Bonhams’ opinion made on behalf of the Seller of the range where Bonhams thinks the Hammer Price for the Lot is likely to fall; it is not an Estimate of value. It does not take into account any VAT or Buyer’s Premium payable. Lots can in fact sell for Hammer Prices below and above the Estimate. Any Estimate should not be relied on as an indication of the actual selling price or value of a Lot. Estimates are in the currency of the Sale.

Condition Reports In respect of most Lots, you may ask for a Condition Report on its physical condition from Bonhams. If you do so, this will be provided by Bonhams on behalf of the Seller free of charge. Bonhams is not entering into a contract with you in respect of the Condition Report and accordingly does not assume responsibility to you in respect of it. Nor does the Seller owe or agree to owe you as a Bidder any obligation or duty in respect of this free report about a Lot, which is available for your own inspection or for inspection by an expert instructed by you. However, any written Description of the physical condition of the Lot contained in a Condition Report will form part of the Contractual Description of the Lot under which it is sold to any Buyer.

The Seller’s responsibility to you The Seller does not make or agree to make any representation of fact or contractual promise, Guarantee or warranty and undertakes no obligation or duty, whether in contract or in tort (other than to the eventual Buyer as set out above), in respect of the accuracy or completeness of any statement or representation made by him or on his behalf, which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. Other than as set out above, no statement or representation in any way descriptive of a Lot or any Estimate is incorporated into any Contract for Sale between a Seller and a Buyer.

Bonhams’ responsibility to you You have the opportunity of examining the Lot if you want to and the Contract for Sale for a Lot is with the Seller and not with Bonhams; Bonhams acts as the Seller’s agent only (unless Bonhams sells the Lot as principal).

Bonhams undertakes no obligation to you to examine, investigate or carry out any tests, either in sufficient depth or at all, on each Lot to establish the accuracy or otherwise of any Descriptions or opinions given by Bonhams, or by any person on Bonhams’ behalf, whether in the Catalogue or elsewhere.

You should not suppose that such examinations, investigations or tests have occurred.

Bonhams does not make or agree to make any representation of fact, and undertakes no obligation or duty (whether in contract or tort) in respect of the accuracy or completeness of any statement or representation made by Bonhams or on

Bonhams’ behalf which is in any way descriptive of any Lot or as to the anticipated or likely selling price of any Lot. No statement or representation by Bonhams or on its behalf in any way descriptive of any Lot or any Estimate is incorporated into our Buyer’s Agreement.

Alterations Descriptions and Estimates may be amended at Bonhams’ discretion from time to time by notice given orally or in writing before or during a Sale.

THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT EXAMINED ON YOUR BEHALF BEFORE THE SALE.

4. CONDUCT OF THE SALE

Our Sales are public auctions which persons may attend and you should take the opportunity to do so. We do reserve the right at our sole discretion to refuse admission to our premises or to any Sale without stating a reason. We have complete discretion as to whether the Sale proceeds, whether any Lot is included in the Sale, the manner in which the Sale is conducted and we may offer Lots for Sale in any order we choose notwithstanding the numbers given to Lots in the Catalogue. You should therefore check the date and starting time of the Sale, whether there have been any withdrawals or late entries. Remember that withdrawals and late entries may affect the time at which a Lot you are interested in is put up for Sale. We have complete discretion to refuse any bid, to nominate any bidding increment we consider appropriate, to divide any Lot, to combine two or more Lots, to withdraw any Lot from a Sale and, before the Sale has been closed, to put up any Lot for auction again. Auction speeds can exceed 100 Lots to the hour and bidding increments are generally about 10%. However these do vary from Sale to Sale and from Auctioneer to Auctioneer. Please check with the department organising the Sale for advice on this. Where a Reserve has been applied to a Lot, the Auctioneer may, in his absolute discretion, place bids (up to an amount not equalling or exceeding such Reserve) on behalf of the Seller. We are not responsible to you in respect of the presence or absence of any Reserve in respect of any Lot. If there is a Reserve it will normally be no higher than the lower figure for any Estimate in the Catalogue, assuming that the currency of the Reserve has not fluctuated adversely against the currency of the Estimate. The Buyer will be the Bidder who makes the highest bid acceptable to the Auctioneer for any Lot (subject to any applicable Reserve) to whom the Lot is knocked down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by the Auctioneer in his absolute discretion. All bids tendered will relate to the actual Lot number announced by the Auctioneer. An electronic currency converter may be used at the Sale. This equipment is provided as a general guide as to the equivalent amount in certain currencies of a given bid. We do not accept any responsibility for any errors which may occur in the use of the currency converter. We may use video cameras to record the Sale and may record telephone calls for reasons of security and to assist in solving any disputes which may arise in relation to bids made at the Sale. At some Sales, for example, jewellery Sales, we may use screens on which images of the Lots will be projected. This service is provided to assist viewing at the Sale. The image on the screen should be treated as an indication only of the current Lot. It should be noted that all bids tendered will relate to the actual Lot number announced by the Auctioneer. We do not accept any responsibility for any errors which may occur in the use of the screen.

5. BIDDING

We do not accept bids from any person who has not completed and delivered to us one of our Bidding Forms, either our Bidder Registration Form, Absentee Bidding Form or Telephone Bidding Form. You will be asked for proof of identity, residence and references, which, when asked for, you must supply if your bids are to be accepted by us. Please bring your passport, driving licence (or similar photographic proof of identity) and proof of address. We may request a deposit from you before allowing you to bid. We may refuse entry to a Sale to any person even if that person has completed a Bidding Form.

NOTICE TO BIDDERS

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Bidding in person You should come to our Bidder registration desk at the Sale venue and fill out a Bidder Registration Form on (or, if possible, before) the day of the Sale. The bidding number system is sometimes referred to as “paddle bidding”. You will be issued with a large card (a “paddle”) with a printed number on it. This will be attributed to you for the purposes of the Sale. Should you be a successful Bidder you will need to ensure that your number can be clearly seen by the Auctioneer and that it is your number which is identified as the Buyer’s. You should not let anyone else use your paddle as all Lots will be invoiced to the name and address given on your Bidder Registration Form. Once an invoice is issued it will not be changed. If there is any doubt as to the Hammer Price of, or whether you are the successful Bidder of, a particular Lot, you must draw this to the attention of the Auctioneer before the next Lot is offered for Sale. At the end of the Sale, or when you have finished bidding please return your paddle to the Bidder registration desk.

Bidding by telephone If you wish to bid at the Sale by telephone, please complete a Telephone Bidding Form, which is available from our offices or in the Catalogue. Please then return it to the office responsible for the Sale at least 24 hours in advance of the Sale. It is your responsibility to check with our Bids Office that your bid has been received. Telephone calls will be recorded. The telephone bidding facility is a discretionary service and may not be available in relation to all Lots. We will not be responsible for bidding on your behalf if you are unavailable at the time of the Sale or if the telephone connection is interrupted during bidding. Please contact us for further details.

Bidding by post or fax Absentee Bidding Forms can be found in the back of this Catalogue and should be completed and sent to the office responsible for the Sale. It is in your interests to return your form as soon as possible, as if two or more Bidders submit identical bids for a Lot, the first bid received takes preference. In any event, all bids should be received at least 24 hours before the start of the Sale. Please check your Absentee Bidding Form carefully before returning it to us, fully completed and signed by you. It is your responsibility to check with our Bids Office that your bid has been received. This additional service is complimentary and is confidential. Such bids are made at your own risk and we cannot accept liability for our failure to receive and/or place any such bids. All bids made on your behalf will be made at the lowest level possible subject to Reserves and other bids made for the Lot. Where appropriate your bids will be rounded down to the nearest amount consistent with the Auctioneer’s bidding increments. New Bidders must also provide proof of identity and address when submitting bids. Failure to do this will result in your bid not being placed.

Bidding via the internet Please visit our Website at http://www.bonhams.com for details of how to bid via the internet.

Bidding through an agent Bids will be accepted as placed on behalf of the person named as the principal on the Bidding Form although we may refuse to accept bids from an agent on behalf of a principal and will require written confirmation from the principal confirming the agent’s authority to bid. Nevertheless, as the Bidding Form explains, any person placing a bid as agent on behalf of another (whether or not he has disclosed that fact or the identity of his principal) will be jointly and severally liable with the principal to the Seller and to Bonhams under any contract resulting from the acceptance of a bid. Subject to the above, please let us know if you are acting on behalf of another person when bidding for Lots at the Sale.

Equally, please let us know if you intend to nominate another person to bid on your behalf at the Sale unless this is to be carried out by us pursuant to a Telephone or Absentee Bidding Form that you have completed. If we do not approve the agency arrangements in writing before the Sale, we are entitled to assume that the person bidding at the Sale is bidding on his own behalf. Accordingly, the person bidding at the Sale will be the Buyer and will be liable to pay the Hammer Price and Buyer’s Premium and associated charges. If we approve the identity of your client in advance, we will be in a position to

address the invoice to your principal rather than you. We will require proof of the agent’s client’s identity and residence in advance of any bids made by the agent on his behalf. Please refer to our Conditions of Business and contact our Customer Services Department for further details.

6. CONTRACTS BETWEEN THE BUYER AND SELLER AND THE BUYER AND BONHAMS

On the Lot being knocked down to the Buyer, a Contract for Sale of the Lot will be entered into between the Seller and the Buyer on the terms of the Contract for Sale set out in Appendix 1 at the back of the Catalogue. You will be liable to pay the Purchase Price, which is the Hammer Price plus any applicable VAT. At the same time, a separate contract is also entered into between us as Auctioneers and the Buyer. This is our Buyer’s Agreement, the terms of which are set out in Appendix 2 at the back of the Catalogue. Please read the terms of the Contract for Sale and our Buyer’s Agreement contained in the Catalogue in case you are the successful Bidder. We may change the terms of either or both of these agreements in advance of their being entered into, by setting out different terms in the Catalogue and/or by placing an insert in the Catalogue and/or by notices at the Sale venue and/or by oral announcements before and during the Sale. You should be alert to this possibility of changes and ask if there have been any.

7. BUYER’S PREMIUM AND OTHER CHARGES PAYABLE BY THE BUYER

Under the Buyer’s Agreement, a premium (the Buyer’s Premium) is payable to us by the Buyer in accordance with the terms of the Buyer’s Agreement and at rates set out below, calculated by reference to the Hammer Price and payable in addition to it. Storage charges and Expenses are also payable by the Buyer as set out in the Buyer’s Agreement. All the sums payable to us by the Buyer are subject to VAT. For this Sale the following rates of Buyer’s Premium will be payable by Buyers of Lots:

25% up to £50,000 of the Hammer Price20% from £50,001 to £1,000,000 of the Hammer Price12% from £1,000,001 of the Hammer Price

On certain Lots, which will be marked “AR” in the Catalogue and which are sold for a Hammer Price of €1,000 or greater (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale), the Additional Premium will be payable to us by the Buyer to cover our Expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006. The Additional Premium will be a percentage of the amount of the Hammer Price calculated in accordance with the table below, and shall not exceed €12,500 (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale).

Hammer Price Percentage amount From €0 to €50,000 4%From €50,000.01 to €200,000 3%From €200,000.01 to €350,000 1%From €350,000.01 to €500,000 0.5%Exceeding €500,000 0.25%

8. VAT

The prevailing rate of VAT at the time of going to press is 20%, but this is subject to government change and the rate payable will be the rate in force on the date of the Sale.

The following symbols are used to denote that VAT is due on the Hammer Price and Buyer’s Premium:† VAT at the prevailing rate on Hammer Price and Buyer’s

PremiumΩ VAT on imported items at the prevailing rate on Hammer

Price and Buyer’s Premium* VAT on imported items at a preferential rate of 5% on

Hammer Price and the prevailing rate on Buyer’s Premium

G Gold bullion exempt from VAT on the Hammer Price and subject to VAT at the prevailing rate on the Buyer’s Premium

• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer’s Premium

a Buyers from within the EU: VAT is payable at the prevailing rate on just the Buyer’s Premium (NOT the Hammer Price). Buyers from outside the EU: VAT is payable at the prevailing rate on both Hammer Price and Buyer’s Premium. If a Buyer, having registered under a non-EU address, decides that the item is not to be exported from the EU, then he should advise Bonhams immediately.

In all other instances no VAT will be charged on the Hammer Price, but VAT at the prevailing rate will be added to Buyer’s Premium which will be invoiced on a VAT inclusive basis.

9. PAYMENT

It is of critical importance that you ensure that you have readily available funds to pay the Purchase Price and the Buyer’s Premium (plus VAT and any other charges and Expenses to us) in full before making a bid for the Lot. If you are a successful Bidder, payment will be due to us by 4.30 pm on the second working day after the Sale so that all sums are cleared by the eighth working day after the Sale. Unless agreed by us in advance payments made by anyone other than the registered Buyer will not be accepted. Payment will have to be by one of the following methods (all cheques should be made payable to Bonhams 1793 Limited). Bonhams reserves the right to vary the terms of payment at any time.

Sterling personal cheque drawn on a UK branch of a bank or building society: all cheques must be cleared before you can collect your purchases;

Bankers draft/building society cheque: if you can provide suitable proof of identity and we are satisfied as to the genuineness of the draft or cheque, and that the funds have originated from your own account, we will allow you to collect your purchases immediately;

Cash: you may pay for Lots purchased by you at this Sale with notes, coins or travellers cheques in the currency in which the Sale is conducted (but not any other currency) provided that the total amount payable by you in respect of all Lots purchased by you at the Sale does not exceed £3,000, or the equivalent in the currency in which the Sale is conducted, at the time when payment is made. If the amount payable by you for Lots exceeds that sum, the balance must be paid otherwise than in coins, notes or travellers cheques;

Bank transfer: you may electronically transfer funds to our Trust Account. If you do so, please quote your paddle number and invoice number as the reference. Our Trust Account details are as follows:

Bank: National Westminster Bank PlcAddress: PO Box 4RY250 Regent StreetLondon W1A 4RYAccount Name: Bonhams 1793 Limited Trust AccountAccount Number: 25563009Sort Code: 56-00-27IBAN Number: GB 33 NWBK 560027 25563009

If paying by bank transfer, the amount received after the deduction of any bank fees and/or conversion of the currency of payment to pounds sterling must not be less than the sterling amount payable, as set out on the invoice.

Debit cards: there is no additional charge for purchases made with personal debit cards, issued by a UK bank. Debit cards issued by an overseas bank, deferred and company debit cards and all credit cards will be subject to a 2% surcharge;

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Credit cards: Visa and Mastercard only. Please note there is a 2% surcharge on the total invoice value when payments are made using credit cards. It may be advisable to notify your card provider of your intended purchase in advance to reduce delays caused by us having to seek authority when you come to pay. If you have any questions with regard to payment, please contact our Customer Services Department.

10. COLLECTION AND STORAGE

The Buyer of a Lot will not be allowed to collect it until payment in full and in cleared funds has been made (unless we have made a special arrangement with the Buyer). For collection and removal of purchased Lots, please refer to Sale Information at the front of the Catalogue. Our offices are open 9.00am – 5pm Monday to Friday. Details relating to the collection of a Lot, the storage of a Lot and our Storage Contractor after the Sale are set out in the Catalogue.

11. SHIPPING

Please refer all enquiries to our shipping department on:Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 Email: [email protected]

12. EXPORT/TRADE RESTRICTIONS

It is your sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licence(s). Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. The detailed provisions of the export licencing arrangements can be found on the ACE website http://www.artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/export-controls/export-licensing/ or by phoning ACE on +44 (0)20 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions. The refusal of any import or export licence(s) or any delay in obtaining such licence(s) shall not permit the rescission of any Sale nor allow any delay in making full payment for the Lot. Generally, please contact our shipping department before the Sale if you require assistance in relation to export regulations.

13. CITES REGULATIONS

Please be aware that all Lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be requested from:

Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife LicencingFloor 1, Zone 17, Temple Quay House2 The Square, Temple QuayBRISTOL BS1 6EBTel: +44 (0) 117 372 8774

14. THE SELLERS AND/OR BONHAMS’ LIABILITY

Other than any liability of the Seller to the Buyer of a Lot under the Contract for Sale, neither we nor the Seller are liable (whether in negligence or otherwise) for any error or misdescription or omission in any Description of a Lot or any Estimate in respect of it, whether contained in the Catalogue or otherwise, whether given orally or in writing and whether given before or during the Sale. Neither we nor the Seller will be liable for any loss of Business, profits, revenue or income, or for loss of reputation, or for disruption to Business or wasted time on the part of management or staff, or for indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract (if any) or statutory duty, restitutionary claim or otherwise. In any circumstances where we and/or the Seller are liable in relation to any Lot or any Description or Estimate made of any Lot, or the conduct of any Sale in relation to any Lot, whether in damages, for an indemnity or contribution, or for a restitutionary remedy or otherwise, our and/or the Seller’s liability (combined, if both we and the Seller are liable) will be limited to payment of a

sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from any negligence, other tort, breach of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) our liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or by the negligence of any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law or (v) our undertakings under paragraphs 9 (in relation to specialist Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same applies in respect of the Seller, as if references to us in this paragraph were substituted with references to the Seller.

15. BOOKS

As stated above, all Lots are sold on an “as is” basis, subject to all faults, imperfections and errors of Description save as set out below. However, you will be entitled to reject a Book in the circumstances set out in paragraph 11 of the Buyers Agreement. Please note that Lots comprising printed Books, unframed maps and bound manuscripts are not liable to VAT on the Buyer’s Premium.

16. CLOCKS AND WATCHES

All Lots are sold “as is”, and the absence of any reference to the condition of a clock or watch does not imply that the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Furthermore, Bonhams makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Bidders should be aware that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches may not be shipped to the USA and can only be imported personally.

17. FIREARMS – PROOF, CONDITION AND CERTIFICATION

Proof of Firearms The term “proof exemption” indicates that a firearm has been examined at a Proof House, but not proved, as either (a) it was deemed of interest and not intended for use, or (b) ammunition was not available. In either case, the firearm must be regarded as unsafe to fire unless subsequently proved. Firearms proved for Black Powder should not be used with smokeless ammunition.

The term “Certificate of Unprovability” indicates that a firearm has been examined at a Proof House and is deemed both unsuitable for proof and use. Reproof is required before any such firearm is to be used.

Guns Sold as Parts Barrels of guns sold as parts will only be made available for sleeving and measurements once rendered unserviceable according to the Gun Barrel Proof Act of 1968 to 1978 and the Rules of Proof.

Condition of Firearms Comment in this Catalogue is restricted, in general, to exceptional condition and to those defects that might affect the immediate safety of a firearm in normal use. An intending Bidder unable to make technical examinations and assessments is recommended to seek advice from a gunmaker or from a modern firearms specialist. All prospective Bidders are advised to consult the ˚ of bore and wall-thickness measurements posted in the saleroom and available from the department. Bidders should note that guns are stripped only where there is a strong indication of a mechanical malfunction. Stripping is not, otherwise, undertaken. Guns intended for use should be stripped and cleaned beforehand. Hammer guns should have their rebound mechanisms checked before use. The safety mechanisms of all guns must be tested before use. All measurements are approximate.

Original Gun Specifications Derived from Gunmakers The Sporting Gun Department endeavours to confirm a gun’s original specification and date of manufacture with makers who hold their original records.

Licensing Requirements Firearms Act 1968 as amended Bonhams is constantly reviewing its procedures and would remind you that, in the case of firearms or shotguns subject to certification, to conform with current legislation, Bonhams is required to see, as appropriate, your original registered firearms dealer’s certificate / shot gun certificate / firearm certificate / museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for instance Crown servant status) for the firearm(s) you have purchased prior to taking full payment of the amount shown on your invoice. Should you not already be in possession of such an authority or exemption, you are required to initially pay a deposit of 95% of the total invoice with the balance of 5% payable on presentation of your valid certificate or licence showing your authority to hold the firearm(s) concerned.

Please be advised that if a successful Bidder is then unable to produce the correct paperwork, the Lot(s) will be reoffered by Bonhams in the next appropriate Sale, on standard terms for Sellers, and you will be responsible for any loss incurred by Bonhams on the original Sale to you.

In the case of RFD certificates and Section 5 authorities, we wish to keep an up-to-date copy on file. Please supply us with a Fax or photocopy. It would be helpful if you could send us an updated copy whenever your certificate or authority is renewed or changed.

Lots marked ‘S1´ and bearing red labels are Section 1 firearms and require a valid British Firearms certificate, RFD Licence or import licence.

Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and require a valid British Shotgun certificate, RFD licence or import licence.

Lots marked ‘S5´ and bearing specially marked red labels are Section 5 prohibited firearms and require a valid Section 5 Authority or import licence.

Lots marked with a ‘S58´ and bearing yellow labels are for obsolete calibres and no licence is required unless ammunition is held.

Unmarked Lots require no licence.

Please do not hesitate to contact the Modern Sporting Gun Department should you have any queries.

Taxidermy and Related Items As a Seller of these articles, Bonhams undertakes to comply fully with Cites and DEFRA regulations. Buyers are advised to inform themselves of all such regulations and should expect the exportation of items to take some time to arrange.

18. FURNITURE

Upholstered Furniture Whilst we take every care in cataloguing furniture which has been upholstered we offer no Guarantee as to the originality of the wood covered by fabric or upholstery.

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19. JEWELLERY

˜ Ruby and Jadeite Ruby and jadeite gemstones of Burmese (Myanmar) origin may not be imported into the US. Rubies and jadeite of non–Burmese origin require certification before import into the US and it is the Buyer’s responsibility to obtain all relevant and required export/import licences, certificates and documentation before shipping. Failure by the Buyer to successfully import goods into the US does not constitute grounds for non payment or cancellation of Sale. Bonhams will not be responsible for any additional costs in this regard howsoever incurred.

Gemstones Historically many gemstones have been subjected to a variety of treatments to enhance their appearance. Sapphires and rubies are routinely heat treated to improve their colour and clarity, similarly emeralds are frequently treated with oils or resin for the same purpose. Other treatments such as staining, irradiation or coating may have been used on other gemstones. These treatments may be permanent, whilst others may need special care or re-treatment over the years to retain their appearance. Bidders should be aware that Estimates assume that gemstones may have been subjected to such treatments. A number of laboratories issue certificates that give more detailed Descriptions of gemstones. However there may not be consensus between different laboratories on the degrees, or types of treatment for any particular gemstone. In the event that Bonhams has been given or has obtained certificates for any Lot in the Sale these certificates will be disclosed in the Catalogue. Although, as a matter of policy, Bonhams endeavours to provide certificates from recognised laboratories for certain gemstones, it is not feasible to obtain certificates for each Lot. In the event that no certificate is published in the Catalogue, Bidders should assume that the gemstones may have been treated. Neither Bonhams nor the Seller accepts any liability for contradictions or differing certificates obtained by Buyers on any Lots subsequent to the Sale.

Estimated Weights If a stone(s) weight appears within the body of the Description in capital letters, the stone(s) has been unmounted and weighed by Bonhams. If the weight of the stone(s) is stated to be approximate and does not appear in capital letters, the stone(s) has been assessed by us within its/their settings, and the stated weight is a statement of our opinion only. This information is given as a guide and Bidders should satisfy themselves with regard to this information as to its accuracy.

Signatures 1. A diamond brooch, by Kutchinsky When the maker’s name appears in the title, in Bonhams’ opinion the piece is by that maker.

2. A diamond brooch, signed Kutchinsky Has a signature that, in Bonhams’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered.

3. A diamond brooch, mounted by Kutchinsky Has been created by the jeweller, in Bonhams’ opinion, but using stones or designs supplied by the client.

20. PHOTOGRAPHS

Explanation of Catalogue Terms• “Bill Brandt”: in our opinion a work by the artist.• “Attributed to Bill Brandt”: in our opinion probably a work

by the artist, but less certainty to authorship is expressed than in the preceding category.

• “Signed and/or titled and/or dated and/or inscribed”: in our opinion the signature and/or title and/or date and/or inscription are in the artist’s hand.

• “Signed and/or titled and/or dated and/or inscribed in another hand”: in our opinion the signature and/or title and/or date and/or inscription have been added by another hand.

• The date given is that of the image (negative). Where no further date is given, this indicates that the photographic print is vintage (the term “vintage” may also be included in the Lot Description). A vintage photograph is one which was made within approximately 5-10 years of the negative. Where a second, later date appears, this refers to the date of printing. Where the exact printing date is not known, but understood to be later, “printed later” will appear in the Lot Description.

• Unless otherwise specified, dimensions given are those of the piece of paper on which the image is printed, including any margins. Some photographs may appear in the Catalogue without margins illustrated.

• All photographs are sold unframed unless stated in the Lot Description.

21. PICTURES

Explanation of Catalogue Terms The following terms used in the Catalogue have the following meanings but are subject to the general provisions relating to Descriptions contained in the Contract for Sale:• “Jacopo Bassano”: in our opinion a work by the artist.

When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named;

• “Attributed to Jacopo Bassano”: in our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category;

• “Studio/Workshop of Jacopo Bassano”: in our opinion a work by an unknown hand in a studio of the artist which may or may not have been executed under the artist’s direction;

• “Circle of Jacopo Bassano”: in our opinion a work by a hand closely associated with a named artist but not necessarily his pupil;

• “Follower of Jacopo Bassano”: in our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil;

• “Manner of Jacopo Bassano”: in our opinion a work in the style of the artist and of a later date;

• “After Jacopo Bassano”: in our opinion, a copy of a known work of the artist;

• “Signed and/or dated and/or inscribed”: in our opinion the signature and/or date and/or inscription are from the hand of the artist;

• “Bears a signature and/or date and/or inscription”: in our opinion the signature and/or date and/or inscription have been added by another hand.

22. PORCELAIN AND GLASS

Damage and Restoration For your guidance, in our Catalogues we detail, as far as practicable, recorded all significant defects, cracks and restoration. Such practicable Descriptions of damage cannot be definitive, and in providing Condition Reports, we cannot Guarantee that there are no other defects present which have not been mentioned. Bidders should satisfy themselves by inspection, as to the condition of each Lot. Please see the Contract for Sale printed in this Catalogue. Because of the difficulty in determining whether an item of glass has been repolished, in our Catalogues reference is only made to visible chips and cracks. No mention is made of repolishing, severe or otherwise.

23. VEHICLES

The Veteran Car Club of Great Britain Dating Plates and Certificates When mention is made of a Veteran Car Club Dating Plate or Dating Certificate in this Catalogue, it should be borne in mind that the Veteran Car Club of Great Britain using the services of Veteran Car Company Ltd, does from time to time, review cars already dated and, in some instances, where fresh evidence becomes available, the review can result in an alteration of date. Whilst the Club and Veteran Car Company Ltd make every effort to ensure accuracy, the date shown on the Dating Plate or Dating Certificate cannot be guaranteed as correct and intending purchasers should make their own enquiries as to the date of the car.

24. WINE

Lots which are lying under Bond and those liable to VAT may not be available for immediate collection.

Examining the wines It is occasionally possible to provide a pre-Sale tasting for larger parcels (as defined below). This is generally limited to more recent and everyday drinking wines. Please contact the department for details.

It is not our policy to inspect every unopened case. In the case of wines older than 20 years the boxes will usually have been opened and levels and appearance noted in the Catalogue where necessary. You should make proper allowance for variations in ullage levels and conditions of corks, capsules and labels.

Corks and Ullages Ullage refers to the space between the base of the cork and the wine. Ullage levels for Bordeaux shaped bottles are only normally noted when below the neck and for Burgundy, Alsace, German and Cognac shaped bottles when greater than 4 centimetres (cm). Acceptable ullage levels increase with age; generally acceptable levels are as follows:

Under 15 years old – into neck or less than 4cm15 to 30 years old – top shoulder (ts) or up to 5cmOver 30 years old – high shoulder (hs) or up to 6cm

It should be noted that ullages may change between publication of the Catalogue and the Sale and that corks may fail as a result of transporting the wine. We will only accept responsibility for Descriptions of condition at the time of publication of the Catalogue and cannot accept responsibility for any loss resulting from failure of corks either before or after this point.

Options to buy parcels A parcel is a number of Lots of identical size of the same wine, bottle size and Description. The Buyer of any of these Lots has the option to accept some or all of the remaining Lots in the parcel at the same price, although such options will be at the Auctioneer’s sole discretion. Absentee Bidders are, therefore, advised to bid on the first Lot in a parcel.

Wines in Bond Wines lying in Bond are marked Δ and VAT is payable by the purchaser, at the standard rate, on the Hammer Price, unless the wines are to remain under Bond. Buyers requiring their wine to remain in Bond must notify Bonhams at the time of the Sale. The Buyer is then himself responsible for all duty, clearance VAT and other charges that may be payable thereon. All such Lots must be transferred or collected within two weeks of the Sale.

Buyers outside the UK must be aware that any forwarding agent appointed to export their purchases must have a movement certificate for Lots to be released under Bond.

Bottling Details and Case Terms The following terms used in the Catalogue have the following meanings:CB – Château bottled DB – Domaine bottledEstB – Estate bottled BB – Bordeaux bottledBE – Belgian bottledFB – French bottledGB – German bottledOB – Oporto bottledUK – United Kingdom bottledowc – original wooden caseiwc – individual wooden caseoc – original carton

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Credit cards: Visa and Mastercard only. Please note there is a 2% surcharge on the total invoice value when payments are made using credit cards. It may be advisable to notify your card provider of your intended purchase in advance to reduce delays caused by us having to seek authority when you come to pay. If you have any questions with regard to payment, please contact our Customer Services Department.

10. COLLECTION AND STORAGE

The Buyer of a Lot will not be allowed to collect it until payment in full and in cleared funds has been made (unless we have made a special arrangement with the Buyer). For collection and removal of purchased Lots, please refer to Sale Information at the front of the Catalogue. Our offices are open 9.00am – 5pm Monday to Friday. Details relating to the collection of a Lot, the storage of a Lot and our Storage Contractor after the Sale are set out in the Catalogue.

11. SHIPPING

Please refer all enquiries to our shipping department on:Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 Email: [email protected]

12. EXPORT/TRADE RESTRICTIONS

It is your sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licence(s). Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. The detailed provisions of the export licencing arrangements can be found on the ACE website http://www.artscouncil.org.uk/what-we-do/supporting-museums/cultural-property/export-controls/export-licensing/ or by phoning ACE on +44 (0)20 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions. The refusal of any import or export licence(s) or any delay in obtaining such licence(s) shall not permit the rescission of any Sale nor allow any delay in making full payment for the Lot. Generally, please contact our shipping department before the Sale if you require assistance in relation to export regulations.

13. CITES REGULATIONS

Please be aware that all Lots marked with the symbol Y are subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may be requested from:

Animal Health and Veterinary Laboratories Agency (AHVLA) Wildlife LicencingFloor 1, Zone 17, Temple Quay House2 The Square, Temple QuayBRISTOL BS1 6EBTel: +44 (0) 117 372 8774

14. THE SELLERS AND/OR BONHAMS’ LIABILITY

Other than any liability of the Seller to the Buyer of a Lot under the Contract for Sale, neither we nor the Seller are liable (whether in negligence or otherwise) for any error or misdescription or omission in any Description of a Lot or any Estimate in respect of it, whether contained in the Catalogue or otherwise, whether given orally or in writing and whether given before or during the Sale. Neither we nor the Seller will be liable for any loss of Business, profits, revenue or income, or for loss of reputation, or for disruption to Business or wasted time on the part of management or staff, or for indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract (if any) or statutory duty, restitutionary claim or otherwise. In any circumstances where we and/or the Seller are liable in relation to any Lot or any Description or Estimate made of any Lot, or the conduct of any Sale in relation to any Lot, whether in damages, for an indemnity or contribution, or for a restitutionary remedy or otherwise, our and/or the Seller’s liability (combined, if both we and the Seller are liable) will be limited to payment of a

sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from any negligence, other tort, breach of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) our liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or by the negligence of any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law or (v) our undertakings under paragraphs 9 (in relation to specialist Stamp or Book Sales only) and 10 of the Buyer’s Agreement. The same applies in respect of the Seller, as if references to us in this paragraph were substituted with references to the Seller.

15. BOOKS

As stated above, all Lots are sold on an “as is” basis, subject to all faults, imperfections and errors of Description save as set out below. However, you will be entitled to reject a Book in the circumstances set out in paragraph 11 of the Buyers Agreement. Please note that Lots comprising printed Books, unframed maps and bound manuscripts are not liable to VAT on the Buyer’s Premium.

16. CLOCKS AND WATCHES

All Lots are sold “as is”, and the absence of any reference to the condition of a clock or watch does not imply that the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Furthermore, Bonhams makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary. Bidders should be aware that the importation of watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches may not be shipped to the USA and can only be imported personally.

17. FIREARMS – PROOF, CONDITION AND CERTIFICATION

Proof of Firearms The term “proof exemption” indicates that a firearm has been examined at a Proof House, but not proved, as either (a) it was deemed of interest and not intended for use, or (b) ammunition was not available. In either case, the firearm must be regarded as unsafe to fire unless subsequently proved. Firearms proved for Black Powder should not be used with smokeless ammunition.

The term “Certificate of Unprovability” indicates that a firearm has been examined at a Proof House and is deemed both unsuitable for proof and use. Reproof is required before any such firearm is to be used.

Guns Sold as Parts Barrels of guns sold as parts will only be made available for sleeving and measurements once rendered unserviceable according to the Gun Barrel Proof Act of 1968 to 1978 and the Rules of Proof.

Condition of Firearms Comment in this Catalogue is restricted, in general, to exceptional condition and to those defects that might affect the immediate safety of a firearm in normal use. An intending Bidder unable to make technical examinations and assessments is recommended to seek advice from a gunmaker or from a modern firearms specialist. All prospective Bidders are advised to consult the ˚ of bore and wall-thickness measurements posted in the saleroom and available from the department. Bidders should note that guns are stripped only where there is a strong indication of a mechanical malfunction. Stripping is not, otherwise, undertaken. Guns intended for use should be stripped and cleaned beforehand. Hammer guns should have their rebound mechanisms checked before use. The safety mechanisms of all guns must be tested before use. All measurements are approximate.

Original Gun Specifications Derived from Gunmakers The Sporting Gun Department endeavours to confirm a gun’s original specification and date of manufacture with makers who hold their original records.

Licensing Requirements Firearms Act 1968 as amended Bonhams is constantly reviewing its procedures and would remind you that, in the case of firearms or shotguns subject to certification, to conform with current legislation, Bonhams is required to see, as appropriate, your original registered firearms dealer’s certificate / shot gun certificate / firearm certificate / museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for instance Crown servant status) for the firearm(s) you have purchased prior to taking full payment of the amount shown on your invoice. Should you not already be in possession of such an authority or exemption, you are required to initially pay a deposit of 95% of the total invoice with the balance of 5% payable on presentation of your valid certificate or licence showing your authority to hold the firearm(s) concerned.

Please be advised that if a successful Bidder is then unable to produce the correct paperwork, the Lot(s) will be reoffered by Bonhams in the next appropriate Sale, on standard terms for Sellers, and you will be responsible for any loss incurred by Bonhams on the original Sale to you.

In the case of RFD certificates and Section 5 authorities, we wish to keep an up-to-date copy on file. Please supply us with a Fax or photocopy. It would be helpful if you could send us an updated copy whenever your certificate or authority is renewed or changed.

Lots marked ‘S1´ and bearing red labels are Section 1 firearms and require a valid British Firearms certificate, RFD Licence or import licence.

Lots marked ‘S2’ and bearing blue labels are Section 2 firearms and require a valid British Shotgun certificate, RFD licence or import licence.

Lots marked ‘S5´ and bearing specially marked red labels are Section 5 prohibited firearms and require a valid Section 5 Authority or import licence.

Lots marked with a ‘S58´ and bearing yellow labels are for obsolete calibres and no licence is required unless ammunition is held.

Unmarked Lots require no licence.

Please do not hesitate to contact the Modern Sporting Gun Department should you have any queries.

Taxidermy and Related Items As a Seller of these articles, Bonhams undertakes to comply fully with Cites and DEFRA regulations. Buyers are advised to inform themselves of all such regulations and should expect the exportation of items to take some time to arrange.

18. FURNITURE

Upholstered Furniture Whilst we take every care in cataloguing furniture which has been upholstered we offer no Guarantee as to the originality of the wood covered by fabric or upholstery.

OXF/MAIN/03.15

19. JEWELLERY

˜ Ruby and Jadeite Ruby and jadeite gemstones of Burmese (Myanmar) origin may not be imported into the US. Rubies and jadeite of non–Burmese origin require certification before import into the US and it is the Buyer’s responsibility to obtain all relevant and required export/import licences, certificates and documentation before shipping. Failure by the Buyer to successfully import goods into the US does not constitute grounds for non payment or cancellation of Sale. Bonhams will not be responsible for any additional costs in this regard howsoever incurred.

Gemstones Historically many gemstones have been subjected to a variety of treatments to enhance their appearance. Sapphires and rubies are routinely heat treated to improve their colour and clarity, similarly emeralds are frequently treated with oils or resin for the same purpose. Other treatments such as staining, irradiation or coating may have been used on other gemstones. These treatments may be permanent, whilst others may need special care or re-treatment over the years to retain their appearance. Bidders should be aware that Estimates assume that gemstones may have been subjected to such treatments. A number of laboratories issue certificates that give more detailed Descriptions of gemstones. However there may not be consensus between different laboratories on the degrees, or types of treatment for any particular gemstone. In the event that Bonhams has been given or has obtained certificates for any Lot in the Sale these certificates will be disclosed in the Catalogue. Although, as a matter of policy, Bonhams endeavours to provide certificates from recognised laboratories for certain gemstones, it is not feasible to obtain certificates for each Lot. In the event that no certificate is published in the Catalogue, Bidders should assume that the gemstones may have been treated. Neither Bonhams nor the Seller accepts any liability for contradictions or differing certificates obtained by Buyers on any Lots subsequent to the Sale.

Estimated Weights If a stone(s) weight appears within the body of the Description in capital letters, the stone(s) has been unmounted and weighed by Bonhams. If the weight of the stone(s) is stated to be approximate and does not appear in capital letters, the stone(s) has been assessed by us within its/their settings, and the stated weight is a statement of our opinion only. This information is given as a guide and Bidders should satisfy themselves with regard to this information as to its accuracy.

Signatures 1. A diamond brooch, by Kutchinsky When the maker’s name appears in the title, in Bonhams’ opinion the piece is by that maker.

2. A diamond brooch, signed Kutchinsky Has a signature that, in Bonhams’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered.

3. A diamond brooch, mounted by Kutchinsky Has been created by the jeweller, in Bonhams’ opinion, but using stones or designs supplied by the client.

20. PHOTOGRAPHS

Explanation of Catalogue Terms• “Bill Brandt”: in our opinion a work by the artist.• “Attributed to Bill Brandt”: in our opinion probably a work

by the artist, but less certainty to authorship is expressed than in the preceding category.

• “Signed and/or titled and/or dated and/or inscribed”: in our opinion the signature and/or title and/or date and/or inscription are in the artist’s hand.

• “Signed and/or titled and/or dated and/or inscribed in another hand”: in our opinion the signature and/or title and/or date and/or inscription have been added by another hand.

• The date given is that of the image (negative). Where no further date is given, this indicates that the photographic print is vintage (the term “vintage” may also be included in the Lot Description). A vintage photograph is one which was made within approximately 5-10 years of the negative. Where a second, later date appears, this refers to the date of printing. Where the exact printing date is not known, but understood to be later, “printed later” will appear in the Lot Description.

• Unless otherwise specified, dimensions given are those of the piece of paper on which the image is printed, including any margins. Some photographs may appear in the Catalogue without margins illustrated.

• All photographs are sold unframed unless stated in the Lot Description.

21. PICTURES

Explanation of Catalogue Terms The following terms used in the Catalogue have the following meanings but are subject to the general provisions relating to Descriptions contained in the Contract for Sale:• “Jacopo Bassano”: in our opinion a work by the artist.

When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named;

• “Attributed to Jacopo Bassano”: in our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category;

• “Studio/Workshop of Jacopo Bassano”: in our opinion a work by an unknown hand in a studio of the artist which may or may not have been executed under the artist’s direction;

• “Circle of Jacopo Bassano”: in our opinion a work by a hand closely associated with a named artist but not necessarily his pupil;

• “Follower of Jacopo Bassano”: in our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil;

• “Manner of Jacopo Bassano”: in our opinion a work in the style of the artist and of a later date;

• “After Jacopo Bassano”: in our opinion, a copy of a known work of the artist;

• “Signed and/or dated and/or inscribed”: in our opinion the signature and/or date and/or inscription are from the hand of the artist;

• “Bears a signature and/or date and/or inscription”: in our opinion the signature and/or date and/or inscription have been added by another hand.

22. PORCELAIN AND GLASS

Damage and Restoration For your guidance, in our Catalogues we detail, as far as practicable, recorded all significant defects, cracks and restoration. Such practicable Descriptions of damage cannot be definitive, and in providing Condition Reports, we cannot Guarantee that there are no other defects present which have not been mentioned. Bidders should satisfy themselves by inspection, as to the condition of each Lot. Please see the Contract for Sale printed in this Catalogue. Because of the difficulty in determining whether an item of glass has been repolished, in our Catalogues reference is only made to visible chips and cracks. No mention is made of repolishing, severe or otherwise.

23. VEHICLES

The Veteran Car Club of Great Britain Dating Plates and Certificates When mention is made of a Veteran Car Club Dating Plate or Dating Certificate in this Catalogue, it should be borne in mind that the Veteran Car Club of Great Britain using the services of Veteran Car Company Ltd, does from time to time, review cars already dated and, in some instances, where fresh evidence becomes available, the review can result in an alteration of date. Whilst the Club and Veteran Car Company Ltd make every effort to ensure accuracy, the date shown on the Dating Plate or Dating Certificate cannot be guaranteed as correct and intending purchasers should make their own enquiries as to the date of the car.

24. WINE

Lots which are lying under Bond and those liable to VAT may not be available for immediate collection.

Examining the wines It is occasionally possible to provide a pre-Sale tasting for larger parcels (as defined below). This is generally limited to more recent and everyday drinking wines. Please contact the department for details.

It is not our policy to inspect every unopened case. In the case of wines older than 20 years the boxes will usually have been opened and levels and appearance noted in the Catalogue where necessary. You should make proper allowance for variations in ullage levels and conditions of corks, capsules and labels.

Corks and Ullages Ullage refers to the space between the base of the cork and the wine. Ullage levels for Bordeaux shaped bottles are only normally noted when below the neck and for Burgundy, Alsace, German and Cognac shaped bottles when greater than 4 centimetres (cm). Acceptable ullage levels increase with age; generally acceptable levels are as follows:

Under 15 years old – into neck or less than 4cm15 to 30 years old – top shoulder (ts) or up to 5cmOver 30 years old – high shoulder (hs) or up to 6cm

It should be noted that ullages may change between publication of the Catalogue and the Sale and that corks may fail as a result of transporting the wine. We will only accept responsibility for Descriptions of condition at the time of publication of the Catalogue and cannot accept responsibility for any loss resulting from failure of corks either before or after this point.

Options to buy parcels A parcel is a number of Lots of identical size of the same wine, bottle size and Description. The Buyer of any of these Lots has the option to accept some or all of the remaining Lots in the parcel at the same price, although such options will be at the Auctioneer’s sole discretion. Absentee Bidders are, therefore, advised to bid on the first Lot in a parcel.

Wines in Bond Wines lying in Bond are marked Δ and VAT is payable by the purchaser, at the standard rate, on the Hammer Price, unless the wines are to remain under Bond. Buyers requiring their wine to remain in Bond must notify Bonhams at the time of the Sale. The Buyer is then himself responsible for all duty, clearance VAT and other charges that may be payable thereon. All such Lots must be transferred or collected within two weeks of the Sale.

Buyers outside the UK must be aware that any forwarding agent appointed to export their purchases must have a movement certificate for Lots to be released under Bond.

Bottling Details and Case Terms The following terms used in the Catalogue have the following meanings:CB – Château bottled DB – Domaine bottledEstB – Estate bottled BB – Bordeaux bottledBE – Belgian bottledFB – French bottledGB – German bottledOB – Oporto bottledUK – United Kingdom bottledowc – original wooden caseiwc – individual wooden caseoc – original carton

SYMBOLS

THE FOLLOWING SYMBOLS ARE USED TO DENOTE

Y Subject to CITES regulations when exporting these items outside the EU, see clause 13.

W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for collection from this location.

≈ Please note that as a result of recent legislation ruby and jadeite gem stones of Burmese (Myanmar) origin may not be imported into the US. Rubies and jadeite of non-Burmese origin require certification before import into the US.

Δ Wines lying in Bond.AR An Additional Premium will be payable to us by the Buyer

to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See clause 7 for details.

The Seller has been guaranteed a minimum price for the Lot, either by Bonhams or a third party. This may take the form of an irrevocable bid by a third party, who may make a financial gain on a successful Sale or a financial loss if unsuccessful.

Bonhams owns the Lot either wholly or partially or may otherwise have an economic interest.

Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into

the USA.

•, †, *, G, Ω, a see clause 8, VAT, for details.

DATA PROTECTION – USE OF YOUR INFORMATION

Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London, W1S 1SR or by email from [email protected]

APPENDIX 1

CONTRACT FOR SALE

IMPORTANT: These terms may be changed in advance of the Sale of the Lot to you, by the setting out of different terms in the Catalogue for the Sale and/or by placing an insert in the Catalogue and/or by notices at the Sale venue and/or by oral announcements before and during the Sale at the Sale venue. You should be alert to this possibility of changes and ask in advance of bidding if there have been any.

Under this contract the Seller’s liability in respect of the quality of the Lot, it’s fitness for any purpose and its conformity with any Description is limited. You are strongly advised to examine the Lot for yourself and/or obtain an independent examination of it before you buy it.

1 THE CONTRACT

1.1 These terms govern the Contract for Sale of the Lot by the Seller to the Buyer.

1.2 The Definitions and Glossary contained in Appendix 3 in the Catalogue are incorporated into this Contract for Sale and a separate copy can also be provided by Bonhams on request. Where words and phrases are used which are in the List of Definitions, they are printed in italics.

1.3 The Seller sells the Lot as the principal to the Contract for Sale, such contract being made between the Seller and you through Bonhams which acts in the sole capacity as the Seller’s agent and not as an additional principal. However, if the Catalogue states that Bonhams sells the Lot as principal, or such a statement is made by an announcement by the Auctioneer, or by a notice at the Sale, or an insert in the Catalogue, then Bonhams is the Seller for the purposes of this agreement.

1.4 The contract is made on the fall of the Auctioneer’s hammer in respect of the Lot when it is knocked down to you.

2 SELLER’S UNDERTAKINGS

2.1 The Seller undertakes to you that:

2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the Lot by the owner;

2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the Seller sells the Lot with full title guarantee or, where the Seller is an executor, trustee, liquidator, receiver or administrator, with whatever right, title or interest he may have in the Lot;

2.1.3 except where the Sale is by an executor, trustee, liquidator, receiver or administrator the Seller is both legally entitled to sell the Lot, and legally capable of conferring on you quiet possession of the Lot and that the Sale conforms in every respect with the terms implied by the Sale of Goods Act 1979, Sections 12(1) and 12(2) (see the Definitions and Glossary);

2.1.4 the Seller has complied with all requirements, legal or otherwise, relating to any export or import of the Lot, and all duties and taxes in respect of the export or import of the Lot have (unless stated to the contrary in the Catalogue or announced by the Auctioneer) been paid and, so far as the Seller is aware, all third parties have complied with such requirements in the past;

2.1.5 subject to any alterations expressly identified as such made by announcement or notice at the Sale venue or by the Notice to Bidders or by an insert in the Catalogue, the Lot corresponds with the Contractual Description of the Lot, being that part of the Entry about the Lot in the Catalogue which is in bold letters and (except for colour) with any photograph of the Lot in the Catalogue and the contents of any Condition Report which has been provided to the Buyer.

3 DESCRIPTIONS OF THE LOT

3.1 Paragraph 2.1.5 sets out what is the Contractual Description of the Lot. In particular, the Lot is not sold as corresponding with that part of the Entry in the Catalogue which is not printed in bold letters, which merely sets out (on the Seller’s behalf) Bonhams’ opinion about the Lot and which is not part of the Contractual Description upon which the Lot is sold. Any statement or representation other than that part of the Entry referred to in paragraph 2.1.5 (together with any express alteration to it as referred to in paragraph 2.1.5), including any Description or Estimate, whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise, and whether by or on behalf of the Seller or Bonhams and whether made prior to or during the Sale, is not part of the Contractual Description upon which the Lot is sold.

3.2 Except as provided in paragraph 2.1.5, the Seller does not make or give and does not agree to make or give any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact, or undertake any duty of care, in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by or on behalf of the Seller including by Bonhams. No such Description or Estimate is incorporated into this Contract for Sale.

4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY

4.1 The Seller does not make and does not agree to make any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact in relation to the satisfactory quality of the Lot or its fitness for any purpose.

4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose.

5 RISK, PROPERTY AND TITLE

5.1 Risk in the Lot passes to you when it is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot. The Seller will not be responsible thereafter for the Lot prior to you collecting it from Bonhams or the Storage Contractor, with whom you have separate contract(s) as Buyer. You will indemnify the Seller and keep the Seller fully indemnified from and against all claims, proceedings, costs, expenses and losses arising in respect of any injury, loss and damage caused to the Lot after the fall of the Auctioneer’s hammer until you obtain full title to it.

5.2 Title to the Lot remains in and is retained by the Seller until the Purchase Price and all other sums payable by you to Bonhams in relation to the Lot have been paid in full to, and received in cleared funds by, Bonhams.

6 PAYMENT

6.1 Your obligation to pay the Purchase Price arises when the Lot is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot.

6.2 Time will be of the essence in relation to payment of the Purchase Price and all other sums payable by you to Bonhams. Unless agreed in writing with you by Bonhams on the Seller’s behalf (in which case you must comply with the terms of that agreement), all such sums must be paid to Bonhams by you in the currency in which the Sale was conducted by not later than 4.30pm on the second working day following the Sale and you must ensure that the funds are cleared by the seventh working day after the Sale. Payment must be made to Bonhams by one of the methods stated in the Notice to Bidders unless otherwise agreed with you in writing by Bonhams. If you do not pay any sums due in accordance with this paragraph, the Seller will have the rights set out in paragraph 8 below.

7 COLLECTION OF THE LOT

7.1 Unless otherwise agreed in writing with you by Bonhams, the Lot will be released to you or to your order only when Bonhams has received cleared funds to the amount of the full Purchase Price and all other sums owed by you to the Seller and to Bonhams.

7.2 The Seller is entitled to withhold possession from you of any other Lot he has sold to you at the same or at any other Sale and whether currently in Bonhams’ possession or not until payment in full and in cleared funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot.

7.3 You will collect and remove the Lot at your own expense from Bonhams’ custody and/ or control or from the Storage Contractor’s custody in accordance with Bonhams’ instructions or requirements.

7.4 You will be wholly responsible for packing, handling and transport of the Lot on collection and for complying with all import or export regulations in connection with the Lot.

7.5 You will be wholly responsible for any removal, storage or other charges or Expenses incurred by the Seller if you do not remove the Lot in accordance with this paragraph 7 and will indemnify the Seller against all charges, costs, including any legal costs and fees, Expenses and losses suffered by the Seller by reason of your failure to remove the Lot including any charges due under any Storage Contract. All such sums due to the Seller will be payable on demand.

OXF/MAIN/03.15 OXF/MAIN/03.15

8 FAILURE TO PAY FOR THE LOT

8.1 If the Purchase Price for a Lot is not paid to Bonhams in full in accordance with the Contract for Sale the Seller will be entitled, with the prior written agreement of Bonhams but without further notice to you, to exercise one or more of the following rights (whether through Bonhams or otherwise):

8.1.1 to terminate immediately the Contract for Sale of the Lot for your breach of contract;

8.1.2 to resell the Lot by auction, private treaty or any other means on giving seven days’ written notice to you of the intention to resell;

8.1.3 to retain possession of the Lot;

8.1.4 to remove and store the Lot at your expense;

8.1.5 to take legal proceedings against you for any sum due under the Contract for Sale and/or damages for breach of contract;

8.1.6 to be paid interest on any monies due (after as well as before judgement or order) at the annual rate of 5% per annum above the base rate of National Westminster Bank Plc from time to time to be calculated on a daily basis from the date upon which such monies become payable until the date of actual payment;

8.1.7 to repossess the Lot (or any part thereof) which has not become your property, and for this purpose (unless the Buyer buys the Lot as a Consumer from the Seller selling in the course of a Business) you hereby grant an irrevocable licence to the Seller by himself and to his servants or agents to enter upon all or any of your premises (with or without vehicles) during normal Business hours to take possession of the Lot or part thereof;

8.1.8 to retain possession of any other property sold to you by the Seller at the Sale or any other auction or by private treaty until all sums due under the Contract for Sale shall have been paid in full in cleared funds;

8.1.9 to retain possession of, and on three months’ written notice to sell, Without Reserve, any of your other property in the possession of the Seller and/or of Bonhams (as bailee for the Seller) for any purpose (including, without limitation, other goods sold to you) and to apply any monies due to you as a result of such Sale in satisfaction or part satisfaction of any amounts owed to the Seller or to Bonhams; and

8.1.10 so long as such goods remain in the possession of the Seller or Bonhams as its bailee, to rescind the contract for the Sale of any other goods sold to you by the Seller at the Sale or at any other auction or by private treaty and apply any monies received from you in respect of such goods in part or full satisfaction of any amounts owed to the Seller or to Bonhams by you.

8.2 You agree to indemnify the Seller against all legal and other costs of enforcement, all losses and other Expenses and costs (including any monies payable to Bonhams in order to obtain the release of the Lot) incurred by the Seller (whether or not court proceedings will have been issued) as a result of Bonhams taking steps under this paragraph 8 on a full indemnity basis together with interest thereon (after as well as before judgement or order) at the rate specified in paragraph 8.1.6 from the date upon which the Seller becomes liable to pay the same until payment by you.

8.3 On any resale of the Lot under paragraph 8.1.2, the Seller will account to you in respect of any balance remaining from any monies received by him or on his behalf in respect of the Lot, after the payment of all sums due to the Seller and to Bonhams, within 28 days of receipt of such monies by him or on his behalf.

9 THE SELLER’S LIABILITY

9.1 The Seller will not be liable for any injury, loss or damage caused by the Lot after the fall of the Auctioneer’s hammer in respect of the Lot.

9.2 Subject to paragraph 9.3 below, except for breach of the express undertaking provided in paragraph 2.1.5, the Seller will not be liable for any breach of any term that the Lot will correspond with any Description applied to it by or on behalf of the Seller, whether implied by the Sale of Goods Act 1979 or otherwise.

9.3 Unless the Seller sells the Lot in the course of a Business and the Buyer buys it as a Consumer,

9.3.1 the Seller will not be liable (whether in negligence, other tort, breach of contract or statutory duty or in restitution or under the Misrepresentation Act 1967, or in any other way) for any lack of conformity with, or inaccuracy, error, misdescription or omission in any Description of the Lot or any Entry or Estimate in relation to the Lot made by or on behalf of the Seller (whether made in writing, including in the Catalogue, or on the Website, or orally, or by conduct or otherwise) and whether made before or after this agreement or prior to or during the Sale;

9.3.2 the Seller will not be liable for any loss of Business, Business profits or revenue or income or for loss of reputation or for disruption to Business or wasted time on the part of the Buyer or of the Buyer’s management or staff or, for any indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract, statutory duty, restitutionary claim or otherwise;

9.3.3 in any circumstances where the Seller is liable to you in respect of the Lot, or any act, omission, statement, or representation in respect of it, or this agreement or its performance, and whether in damages, for an indemnity or contribution or for a restitutionary remedy or in any way whatsoever, the Seller’s liability will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from any negligence, other tort, breach of contract, statutory duty, bailee’s duty, restitutionary claim or otherwise.

9.4 Nothing set out in paragraphs 9.1 to 9.3 above will be construed as excluding or restricting (whether directly or indirectly) any person’s liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by the Seller’s negligence (or any person under the Seller’s control or for whom the Seller is legally responsible), or (iii) acts or omissions for which the Seller is liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law.

10 MISCELLANEOUS

10.1 You may not assign either the benefit or burden of the Contract for Sale.

10.2 The Seller’s failure or delay in enforcing or exercising any power or right under the Contract for Sale will not operate or be deemed to operate as a waiver of his rights under it except to the extent of any express waiver given to you in writing. Any such waiver will not affect the Seller’s ability subsequently to enforce any right arising under the Contract for Sale.

10.3 If either party to the Contract for Sale is prevented from performing that party’s respective obligations under the Contract for Sale by circumstances beyond its reasonable control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, that party will not, for so long as such circumstances prevail, be required to perform such obligations. This paragraph does not apply to the obligations imposed on you by paragraph 6.

10.4 Any notice or other communication to be given under the Contract for Sale must be in writing and may be delivered by hand or sent by first class post or air mail or fax transmission, if to the Seller, addressed c/o Bonhams at its address or fax number in the Catalogue (marked for the attention of the Company Secretary), and if to you to the address or fax number of the Buyer given in the Bidding Form (unless notice of any change of address is given in writing). It is the responsibility of the sender of the notice or communication to ensure that it is received in a legible form within any applicable time period.

10.5 If any term or any part of any term of the Contract for Sale is held to be unenforceable or invalid, such unenforceability or invalidity will not affect the enforceability and validity of the remaining terms or the remainder of the relevant term.

10.6 References in the Contract for Sale to Bonhams will, where appropriate, include reference to Bonhams’ officers, employees and agents.

10.7 The headings used in the Contract for Sale are for convenience only and will not affect its interpretation.

10.8 In the Contract for Sale “including” means “including, without limitation”.

10.9 References to the singular will include reference to the plural (and vice versa) and reference to any one gender will include reference to the other genders.

10.10 Reference to a numbered paragraph is to a paragraph of the Contract for Sale.

10.11 Save as expressly provided in paragraph 10.12 nothing in the Contract for Sale confers (or purports to confer) on any person who is not a party to the Contract for Sale any benefit conferred by, or the right to enforce any term of, the Contract for Sale.

10.12 Where the Contract for Sale confers an immunity from, and/or an exclusion or restriction of, the responsibility and/or liability of the Seller, it will also operate in favour and for the benefit of Bonhams, Bonhams’ holding company and the subsidiaries of such holding company and the successors and assigns of Bonhams and of such companies and of any officer, employee and agent of Bonhams and such companies, each of whom will be entitled to rely on the relevant immunity and/or exclusion and/or restriction within and for the purposes of Contracts (Rights of Third Parties) Act 1999, which enables the benefit of a contract to be extended to a person who is not a party to the contract, and generally at law.

11 GOVERNING LAW

All transactions to which the Contract for Sale applies and all connected matters will be governed by and construed in accordance with the laws of that part of the United Kingdom where the Sale takes place and the Seller and you each submit to the exclusive jurisdiction of the courts of that part of the United Kingdom, save that the Seller may bring proceedings against you in any other court of competent jurisdiction to the extent permitted by the laws of the relevant jurisdiction. Bonhams has a complaints procedure in place.

SYMBOLS

THE FOLLOWING SYMBOLS ARE USED TO DENOTE

Y Subject to CITES regulations when exporting these items outside the EU, see clause 13.

W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for collection from this location.

≈ Please note that as a result of recent legislation ruby and jadeite gem stones of Burmese (Myanmar) origin may not be imported into the US. Rubies and jadeite of non-Burmese origin require certification before import into the US.

Δ Wines lying in Bond.AR An Additional Premium will be payable to us by the Buyer

to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See clause 7 for details.

The Seller has been guaranteed a minimum price for the Lot, either by Bonhams or a third party. This may take the form of an irrevocable bid by a third party, who may make a financial gain on a successful Sale or a financial loss if unsuccessful.

Bonhams owns the Lot either wholly or partially or may otherwise have an economic interest.

Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into

the USA.

•, †, *, G, Ω, a see clause 8, VAT, for details.


Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London, W1S 1SR or by email from [email protected]

APPENDIX 1

CONTRACT FOR SALE


Under this contract the Seller’s liability in respect of the quality of the Lot, it’s fitness for any purpose and its conformity with any Description is limited. You are strongly advised to examine the Lot for yourself and/or obtain an independent examination of it before you buy it.

1 THE CONTRACT

1.1 These terms govern the Contract for Sale of the Lot by the Seller to the Buyer.

1.2 The Definitions and Glossary contained in Appendix 3 in the Catalogue are incorporated into this Contract for Sale and a separate copy can also be provided by Bonhams on request. Where words and phrases are used which are in the List of Definitions, they are printed in italics.

1.3 The Seller sells the Lot as the principal to the Contract for Sale, such contract being made between the Seller and you through Bonhams which acts in the sole capacity as the Seller’s agent and not as an additional principal. However, if the Catalogue states that Bonhams sells the Lot as principal, or such a statement is made by an announcement by the Auctioneer, or by a notice at the Sale, or an insert in the Catalogue, then Bonhams is the Seller for the purposes of this agreement.

1.4 The contract is made on the fall of the Auctioneer’s hammer in respect of the Lot when it is knocked down to you.

2 SELLER’S UNDERTAKINGS

2.1 The Seller undertakes to you that:

2.1.1 the Seller is the owner of the Lot or is duly authorised to sell the Lot by the owner;

2.1.2 save as disclosed in the Entry for the Lot in the Catalogue, the Seller sells the Lot with full title guarantee or, where the Seller is an executor, trustee, liquidator, receiver or administrator, with whatever right, title or interest he may have in the Lot;

2.1.3 except where the Sale is by an executor, trustee, liquidator, receiver or administrator the Seller is both legally entitled to sell the Lot, and legally capable of conferring on you quiet possession of the Lot and that the Sale conforms in every respect with the terms implied by the Sale of Goods Act 1979, Sections 12(1) and 12(2) (see the Definitions and Glossary);

2.1.4 the Seller has complied with all requirements, legal or otherwise, relating to any export or import of the Lot, and all duties and taxes in respect of the export or import of the Lot have (unless stated to the contrary in the Catalogue or announced by the Auctioneer) been paid and, so far as the Seller is aware, all third parties have complied with such requirements in the past;

2.1.5 subject to any alterations expressly identified as such made by announcement or notice at the Sale venue or by the Notice to Bidders or by an insert in the Catalogue, the Lot corresponds with the Contractual Description of the Lot, being that part of the Entry about the Lot in the Catalogue which is in bold letters and (except for colour) with any photograph of the Lot in the Catalogue and the contents of any Condition Report which has been provided to the Buyer.

3 DESCRIPTIONS OF THE LOT

3.1 Paragraph 2.1.5 sets out what is the Contractual Description of the Lot. In particular, the Lot is not sold as corresponding with that part of the Entry in the Catalogue which is not printed in bold letters, which merely sets out (on the Seller’s behalf) Bonhams’ opinion about the Lot and which is not part of the Contractual Description upon which the Lot is sold. Any statement or representation other than that part of the Entry referred to in paragraph 2.1.5 (together with any express alteration to it as referred to in paragraph 2.1.5), including any Description or Estimate, whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise, and whether by or on behalf of the Seller or Bonhams and whether made prior to or during the Sale, is not part of the Contractual Description upon which the Lot is sold.

3.2 Except as provided in paragraph 2.1.5, the Seller does not make or give and does not agree to make or give any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact, or undertake any duty of care, in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by or on behalf of the Seller including by Bonhams. No such Description or Estimate is incorporated into this Contract for Sale.

4 FITNESS FOR PURPOSE AND SATISFACTORY QUALITY

4.1 The Seller does not make and does not agree to make any contractual promise, undertaking, obligation, guarantee, warranty, or representation of fact in relation to the satisfactory quality of the Lot or its fitness for any purpose.

4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose.

5 RISK, PROPERTY AND TITLE

5.1 Risk in the Lot passes to you when it is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot. The Seller will not be responsible thereafter for the Lot prior to you collecting it from Bonhams or the Storage Contractor, with whom you have separate contract(s) as Buyer. You will indemnify the Seller and keep the Seller fully indemnified from and against all claims, proceedings, costs, expenses and losses arising in respect of any injury, loss and damage caused to the Lot after the fall of the Auctioneer’s hammer until you obtain full title to it.

5.2 Title to the Lot remains in and is retained by the Seller until the Purchase Price and all other sums payable by you to Bonhams in relation to the Lot have been paid in full to, and received in cleared funds by, Bonhams.

6 PAYMENT

6.1 Your obligation to pay the Purchase Price arises when the Lot is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot.

6.2 Time will be of the essence in relation to payment of the Purchase Price and all other sums payable by you to Bonhams. Unless agreed in writing with you by Bonhams on the Seller’s behalf (in which case you must comply with the terms of that agreement), all such sums must be paid to Bonhams by you in the currency in which the Sale was conducted by not later than 4.30pm on the second working day following the Sale and you must ensure that the funds are cleared by the seventh working day after the Sale. Payment must be made to Bonhams by one of the methods stated in the Notice to Bidders unless otherwise agreed with you in writing by Bonhams. If you do not pay any sums due in accordance with this paragraph, the Seller will have the rights set out in paragraph 8 below.


7.1 Unless otherwise agreed in writing with you by Bonhams, the Lot will be released to you or to your order only when Bonhams has received cleared funds to the amount of the full Purchase Price and all other sums owed by you to the Seller and to Bonhams.

7.2 The Seller is entitled to withhold possession from you of any other Lot he has sold to you at the same or at any other Sale and whether currently in Bonhams’ possession or not until payment in full and in cleared funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot.

7.3 You will collect and remove the Lot at your own expense from Bonhams’ custody and/ or control or from the Storage Contractor’s custody in accordance with Bonhams’ instructions or requirements.


7.5 You will be wholly responsible for any removal, storage or other charges or Expenses incurred by the Seller if you do not remove the Lot in accordance with this paragraph 7 and will indemnify the Seller against all charges, costs, including any legal costs and fees, Expenses and losses suffered by the Seller by reason of your failure to remove the Lot including any charges due under any Storage Contract. All such sums due to the Seller will be payable on demand.

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8 FAILURE TO PAY FOR THE LOT

8.1 If the Purchase Price for a Lot is not paid to Bonhams in full in accordance with the Contract for Sale the Seller will be entitled, with the prior written agreement of Bonhams but without further notice to you, to exercise one or more of the following rights (whether through Bonhams or otherwise):

8.1.1 to terminate immediately the Contract for Sale of the Lot for your breach of contract;

8.1.2 to resell the Lot by auction, private treaty or any other means on giving seven days’ written notice to you of the intention to resell;


8.1.4 to remove and store the Lot at your expense;

8.1.5 to take legal proceedings against you for any sum due under the Contract for Sale and/or damages for breach of contract;

8.1.6 to be paid interest on any monies due (after as well as before judgement or order) at the annual rate of 5% per annum above the base rate of National Westminster Bank Plc from time to time to be calculated on a daily basis from the date upon which such monies become payable until the date of actual payment;

8.1.7 to repossess the Lot (or any part thereof) which has not become your property, and for this purpose (unless the Buyer buys the Lot as a Consumer from the Seller selling in the course of a Business) you hereby grant an irrevocable licence to the Seller by himself and to his servants or agents to enter upon all or any of your premises (with or without vehicles) during normal Business hours to take possession of the Lot or part thereof;

8.1.8 to retain possession of any other property sold to you by the Seller at the Sale or any other auction or by private treaty until all sums due under the Contract for Sale shall have been paid in full in cleared funds;

8.1.9 to retain possession of, and on three months’ written notice to sell, Without Reserve, any of your other property in the possession of the Seller and/or of Bonhams (as bailee for the Seller) for any purpose (including, without limitation, other goods sold to you) and to apply any monies due to you as a result of such Sale in satisfaction or part satisfaction of any amounts owed to the Seller or to Bonhams; and

8.1.10 so long as such goods remain in the possession of the Seller or Bonhams as its bailee, to rescind the contract for the Sale of any other goods sold to you by the Seller at the Sale or at any other auction or by private treaty and apply any monies received from you in respect of such goods in part or full satisfaction of any amounts owed to the Seller or to Bonhams by you.

8.2 You agree to indemnify the Seller against all legal and other costs of enforcement, all losses and other Expenses and costs (including any monies payable to Bonhams in order to obtain the release of the Lot) incurred by the Seller (whether or not court proceedings will have been issued) as a result of Bonhams taking steps under this paragraph 8 on a full indemnity basis together with interest thereon (after as well as before judgement or order) at the rate specified in paragraph 8.1.6 from the date upon which the Seller becomes liable to pay the same until payment by you.

8.3 On any resale of the Lot under paragraph 8.1.2, the Seller will account to you in respect of any balance remaining from any monies received by him or on his behalf in respect of the Lot, after the payment of all sums due to the Seller and to Bonhams, within 28 days of receipt of such monies by him or on his behalf.

9 THE SELLER’S LIABILITY

9.1 The Seller will not be liable for any injury, loss or damage caused by the Lot after the fall of the Auctioneer’s hammer in respect of the Lot.

9.2 Subject to paragraph 9.3 below, except for breach of the express undertaking provided in paragraph 2.1.5, the Seller will not be liable for any breach of any term that the Lot will correspond with any Description applied to it by or on behalf of the Seller, whether implied by the Sale of Goods Act 1979 or otherwise.

9.3 Unless the Seller sells the Lot in the course of a Business and the Buyer buys it as a Consumer,

9.3.1 the Seller will not be liable (whether in negligence, other tort, breach of contract or statutory duty or in restitution or under the Misrepresentation Act 1967, or in any other way) for any lack of conformity with, or inaccuracy, error, misdescription or omission in any Description of the Lot or any Entry or Estimate in relation to the Lot made by or on behalf of the Seller (whether made in writing, including in the Catalogue, or on the Website, or orally, or by conduct or otherwise) and whether made before or after this agreement or prior to or during the Sale;

9.3.2 the Seller will not be liable for any loss of Business, Business profits or revenue or income or for loss of reputation or for disruption to Business or wasted time on the part of the Buyer or of the Buyer’s management or staff or, for any indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract, statutory duty, restitutionary claim or otherwise;

9.3.3 in any circumstances where the Seller is liable to you in respect of the Lot, or any act, omission, statement, or representation in respect of it, or this agreement or its performance, and whether in damages, for an indemnity or contribution or for a restitutionary remedy or in any way whatsoever, the Seller’s liability will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from any negligence, other tort, breach of contract, statutory duty, bailee’s duty, restitutionary claim or otherwise.

9.4 Nothing set out in paragraphs 9.1 to 9.3 above will be construed as excluding or restricting (whether directly or indirectly) any person’s liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by the Seller’s negligence (or any person under the Seller’s control or for whom the Seller is legally responsible), or (iii) acts or omissions for which the Seller is liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law.

10 MISCELLANEOUS

10.1 You may not assign either the benefit or burden of the Contract for Sale.

10.2 The Seller’s failure or delay in enforcing or exercising any power or right under the Contract for Sale will not operate or be deemed to operate as a waiver of his rights under it except to the extent of any express waiver given to you in writing. Any such waiver will not affect the Seller’s ability subsequently to enforce any right arising under the Contract for Sale.

10.3 If either party to the Contract for Sale is prevented from performing that party’s respective obligations under the Contract for Sale by circumstances beyond its reasonable control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, that party will not, for so long as such circumstances prevail, be required to perform such obligations. This paragraph does not apply to the obligations imposed on you by paragraph 6.

10.4 Any notice or other communication to be given under the Contract for Sale must be in writing and may be delivered by hand or sent by first class post or air mail or fax transmission, if to the Seller, addressed c/o Bonhams at its address or fax number in the Catalogue (marked for the attention of the Company Secretary), and if to you to the address or fax number of the Buyer given in the Bidding Form (unless notice of any change of address is given in writing). It is the responsibility of the sender of the notice or communication to ensure that it is received in a legible form within any applicable time period.

10.5 If any term or any part of any term of the Contract for Sale is held to be unenforceable or invalid, such unenforceability or invalidity will not affect the enforceability and validity of the remaining terms or the remainder of the relevant term.

10.6 References in the Contract for Sale to Bonhams will, where appropriate, include reference to Bonhams’ officers, employees and agents.

10.7 The headings used in the Contract for Sale are for convenience only and will not affect its interpretation.

10.8 In the Contract for Sale “including” means “including, without limitation”.


10.10 Reference to a numbered paragraph is to a paragraph of the Contract for Sale.

10.11 Save as expressly provided in paragraph 10.12 nothing in the Contract for Sale confers (or purports to confer) on any person who is not a party to the Contract for Sale any benefit conferred by, or the right to enforce any term of, the Contract for Sale.

10.12 Where the Contract for Sale confers an immunity from, and/or an exclusion or restriction of, the responsibility and/or liability of the Seller, it will also operate in favour and for the benefit of Bonhams, Bonhams’ holding company and the subsidiaries of such holding company and the successors and assigns of Bonhams and of such companies and of any officer, employee and agent of Bonhams and such companies, each of whom will be entitled to rely on the relevant immunity and/or exclusion and/or restriction within and for the purposes of Contracts (Rights of Third Parties) Act 1999, which enables the benefit of a contract to be extended to a person who is not a party to the contract, and generally at law.

11 GOVERNING LAW

All transactions to which the Contract for Sale applies and all connected matters will be governed by and construed in accordance with the laws of that part of the United Kingdom where the Sale takes place and the Seller and you each submit to the exclusive jurisdiction of the courts of that part of the United Kingdom, save that the Seller may bring proceedings against you in any other court of competent jurisdiction to the extent permitted by the laws of the relevant jurisdiction. Bonhams has a complaints procedure in place.

OXF/MAIN/03.15

APPENDIX 2

BUYER’S AGREEMENT


1 THE CONTRACT

1.1 These terms govern the contract between Bonhams personally and the Buyer, being the person to whom a Lot has been knocked down by the Auctioneer.

1.2 The Definitions and Glossary contained in Appendix 3 to the Catalogue for the Sale are incorporated into this agreement and a separate copy can also be provided by us on request. Where words and phrases which are defined in the List of Definitions are used in this agreement, they are printed in italics. Reference is made in this agreement to information printed in the Notice to Bidders, printed in the Catalogue for the Sale, and where such information is referred to it is incorporated into this agreement.

1.3 Except as specified in paragraph 4 of the Notice to Bidders the Contract for Sale of the Lot between you and the Seller is made on the fall of the Auctioneer’s hammer in respect of the Lot, when it is knocked down to you. At that moment a separate contract is also made between you and Bonhams on the terms in this Buyer’s Agreement.

1.4 We act as agents for the Seller and are not answerable or personally responsible to you for any breach of contract or other default by the Seller, unless Bonhams sells the Lot as principal.

1.5 Our personal obligations to you are governed by this agreement and we agree, subject to the terms below, to the following obligations:

1.5.1 we will, until the date and time specified in the Notice to Bidders or otherwise notified to you, store the Lot in accordance with paragraph 5;

1.5.2 subject to any power of the Seller or us to refuse to release the Lot to you, we will release the Lot to you in accordance with paragraph 4 once you have paid to us, in cleared funds, everything due to us and the Seller;

1.5.3 we will provide guarantees in the terms set out in paragraphs 9 and 10.

1.6 We do not make or give and do not agree to make or give any contractual promise, undertaking, obligation, Guarantee, warranty, representation of fact in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by us or on our behalf or by or on behalf of the Seller (whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise), and whether made before or after this agreement or prior to or during the Sale. No such Description or Estimate is incorporated into this agreement between you and us. Any such Description or Estimate, if made by us or on our behalf, was (unless Bonhams itself sells the Lot as principal) made as agent on behalf of the Seller.

2 PERFORMANCE OF THE CONTRACT FOR SALE

You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

3 PAYMENT

3.1 Unless agreed in writing between you and us or as otherwise set out in the Notice to Bidders, you must pay to us by not later than 4.30pm on the second working day following the Sale:

3.1.1 the Purchase Price for the Lot;

3.1.2 a Buyer’s Premium in accordance with the rates set out in the Notice to Bidders, and

3.1.3 if the Lot is marked [AR], an Additional Premium which is calculated and payable in accordance with the Notice to Bidders together with VAT on that sum if applicable so that all sums due to us are cleared funds by the seventh working day after the Sale.

3.2 You must also pay us on demand any Expenses payable pursuant to this agreement.

3.3 All payments to us must be made in the currency in which the Sale was conducted, using, unless otherwise agreed by us in writing, one of the methods of payment set out in the Notice to Bidders. Our invoices will only be addressed to the registered Bidder unless the Bidder is acting as an agent for a named principal and we have approved that arrangement, in which case we will address the invoice to the principal.

3.4 Unless otherwise stated in this agreement all sums payable to us will be subject to VAT at the appropriate rate and VAT will be payable by you on all such sums.

3.5 We may deduct and retain for our own benefit from the monies paid by you to us the Buyer’s Premium, the Commission payable by the Seller in respect of the Lot, any Expenses and VAT and any interest earned and/or incurred until payment to the Seller.

3.6 Time will be of the essence in relation to any payment payable to us. If you do not pay the Purchase Price, or any other sum due to us in accordance with this paragraph 3, we will have the rights set out in paragraph 7 below.

3.7 Where a number of Lots have been knocked down to you, any monies we receive from you will be applied firstly pro-rata to pay the Purchase Price of each Lot and secondly pro-rata to pay all amounts due to Bonhams.


4.1 Subject to any power of the Seller or us to refuse to release the Lot to you, once you have paid to us, in cleared funds, everything due to the Seller and to us, we will release the Lot to you or as you may direct us in writing. The Lot will only be released on production of a buyer collection document, obtained from our cashier’s office.

4.2 You must collect and remove the Lot at your own expense by the date and time specified in the Notice to Bidders, or if no date is specified, by 4.30pm on the seventh day after the Sale.

4.3 For the period referred to in paragraph 4.2, the Lot can be collected from the address referred to in the Notice to Bidders for collection on the days and times specified in the Notice to Bidders. Thereafter, the Lot may be removed elsewhere for storage and you must enquire from us as to when and where you can collect it, although this information will usually be set out in the Notice to Bidders.

4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, acting as your agent and on your behalf, to enter into a contract (the “Storage Contract”) with the Storage Contractor for the storage of the Lot on the then current standard terms and conditions agreed between Bonhams and the Storage Contractor (copies of which are available on request). If the Lot is stored at our premises storage fees at our current daily rates (currently a minimum of £3 plus VAT per Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage fees form part of our Expenses.

4.5 Until you have paid the Purchase Price and any Expenses in full the Lot will either be held by us as agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and ourselves on the terms contained in the Storage Contract.

4.6 You undertake to comply with the terms of any Storage Contract and in particular to pay the charges (and all costs of moving the Lot into storage) due under any Storage Contract. You acknowledge and agree that you will not be able to collect the Lot from the Storage Contractor’s premises until you have paid the Purchase Price, any Expenses and all charges due under the Storage Contract.


4.8 You will be wholly responsible for any removal, storage, or other charges for any Lot not removed in accordance with paragraph 4.2, payable at our current rates, and any Expenses we incur (including any charges due under the Storage Contract), all of which must be paid by you on demand and in any event before any collection of the Lot by you or on your behalf.

5 STORING THE LOT

We agree to store the Lot until the earlier of your removal of the Lot or until the time and date set out in the Notice to Bidders, on the Sale Information Page or at the back of the catalogue (or if no date is specified, by 4.30pm on the seventh day after the Sale) and, subject to paragraphs 6 and 10, to be responsible as bailee to you for damage to or the loss or destruction of the Lot (notwithstanding that it is not your property before payment of the Purchase Price). If you do not collect the Lot before the time and date set out in the Notice to Bidders (or if no date is specified, by 4.30pm on the seventh day after the Sale) we may remove the Lot to another location, the details of which will usually be set out in the relevant section of the Catalogue. If you have not paid for the Lot in accordance with paragraph 3, and the Lot is moved to any third party’s premises, the Lot will be held by such third party strictly to Bonhams’ order and we will retain our lien over the Lot until we have been paid in full in accordance with paragraph 3.

6 RESPONSIBILITY FOR THE LOT

6.1 Only on the payment of the Purchase Price to us will title in the Lot pass to you. However under the Contract for Sale, the risk in the Lot passed to you when it was knocked down to you.

6.2 You are advised to obtain insurance in respect of the Lot as soon as possible after the Sale.

OXF/MAIN/03.15

7 FAILURE TO PAY OR TO REMOVE THE LOT AND PART PAYMENTS

7.1 If all sums payable to us are not so paid in full at the time they are due and/or the Lot is not removed in accordance with this agreement, we will without further notice to you be entitled to exercise one or more of the following rights (without prejudice to any rights we may exercise on behalf of the Seller):

7.1.1 to terminate this agreement immediately for your breach of contract;


7.1.3 to remove, and/or store the Lot at your expense;

7.1.4 to take legal proceedings against you for payment of any sums payable to us by you (including the Purchase Price) and/or damages for breach of contract;

7.1.5 to be paid interest on any monies due to us (after as well as before judgement or order) at the annual rate of 5% per annum above the base lending rate of National Westminster Bank Plc from time to time to be calculated on a daily basis from the date upon which such monies become payable until the date of actual payment;

7.1.6 to repossess the Lot (or any part thereof) which has not become your property, and for this purpose (unless you buy the Lot as a Consumer) you hereby grant an irrevocable licence to us, by ourselves, our servants or agents, to enter upon all or any of your premises (with or without vehicles) during normal business hours to take possession of any Lot or part thereof;

7.1.7 to sell the Lot Without Reserve by auction, private treaty or any other means on giving you three months’ written notice of our intention to do so;

7.1.8 to retain possession of any of your other property in our possession for any purpose (including, without limitation, other goods sold to you or with us for Sale) until all sums due to us have been paid in full;

7.1.9 to apply any monies received from you for any purpose whether at the time of your default or at any time thereafter in payment or part payment of any sums due to us by you under this agreement;

7.1.10 on three months’ written notice to sell, Without Reserve, any of your other property in our possession or under our control for any purpose (including other goods sold to you or with us for Sale) and to apply any monies due to you as a result of such Sale in payment or part payment of any amounts owed to us;

7.1.11 refuse to allow you to register for a future Sale or to reject a bid from you at any future Sale or to require you to pay a deposit before any bid is accepted by us at any future Sale in which case we will be entitled to apply such deposit in payment or part payment, as the case may be, of the Purchase Price of any Lot of which you are the Buyer.

7.2 You agree to indemnify us against all legal and other costs, all losses and all other Expenses (whether or not court proceedings will have been issued) incurred by us as a result of our taking steps under this paragraph 7 on a full indemnity basis together with interest thereon (after as well as before judgement or order) at the rate specified in paragraph 7.1.5 from the date upon which we become liable to pay the same until payment by you.

7.3 If you pay us only part of the sums due to us such payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than one Lot pro-rata towards the Purchase Price of each Lot) and secondly to the Buyer’s Premium (or where you have purchased more than one Lot pro-rata to the Buyer’s Premium on each Lot) and thirdly to any other sums due to us.

7.4 We will account to you in respect of any balance we hold remaining from any monies received by us in respect of any Sale of the Lot under our rights under this paragraph 7 after the payment of all sums due to us and/or the Seller within 28 days of receipt by us of all such sums paid to us.

8 CLAIMS BY OTHER PERSONS IN RESPECT OF THE LOT

8.1 Whenever it becomes apparent to us that the Lot is the subject of a claim by someone other than you and other than the Seller (or that such a claim can reasonably be expected to be made), we may, at our absolute discretion, deal with the Lot in any manner which appears to us to recognise the legitimate interests of ourselves and the other parties involved and lawfully to protect our position and our legitimate interests. Without prejudice to the generality of the discretion and by way of example, we may:

8.1.1 retain the Lot to investigate any question raised or reasonably expected by us to be raised in relation to the Lot; and/or

8.1.2 deliver the Lot to a person other than you; and/or

8.1.3 commence interpleader proceedings or seek any other order of any court, mediator, arbitrator or government body; and/or

8.1.4 require an indemnity and/or security from you in return for pursuing a course of action agreed to by you.

8.2 The discretion referred to in paragraph 8.1:

8.2.1 may be exercised at any time during which we have actual or constructive possession of the Lot, or at any time after such possession, where the cessation of such possession has occurred by reason of any decision, order or ruling of any court, mediator, arbitrator or government body; and

8.2.2 will not be exercised unless we believe that there exists a serious prospect of a good arguable case in favour of the claim.

9 FORGERIES

9.1 We undertake a personal responsibility for any Forgery in accordance with the terms of this paragraph 9.

9.2 Paragraph 9 applies only if:

9.2.1 your name appears as the named person to whom the original invoice was made out by us in respect of the Lot and that invoice has been paid; and

9.2.2 you notify us in writing as soon as reasonably practicable after you have become aware that the Lot is or may be a Forgery, and in any event within one year after the Sale, that the Lot is a Forgery; and

9.2.3 within one month after such notification has been given, you return the Lot to us in the same condition as it was at the time of the Sale, accompanied by written evidence that the Lot is a Forgery and details of the Sale and Lot number sufficient to identify the Lot.

9.3 Paragraph 9 will not apply in respect of a Forgery if:

9.3.1 the Entry in relation to the Lot contained in the Catalogue reflected the then accepted general opinion of scholars and experts or fairly indicated that there was a conflict of such opinion or reflected the then current opinion of an expert acknowledged to be a leading expert in the relevant field; or

9.3.2 it can be established that the Lot is a Forgery only by means of a process not generally accepted for use until after the date on which the Catalogue was published or by means of a process which it was unreasonable in all the circumstances for us to have employed.

9.4 You authorise us to carry out such processes and tests on the Lot as we in our absolute discretion consider necessary to satisfy ourselves that the Lot is or is not a Forgery.

9.5 If we are satisfied that a Lot is a Forgery we will (as principal) purchase the Lot from you and you will transfer the title to the Lot in question to us, with full title guarantee, free from any liens, charges, encumbrances and adverse claims, in accordance with the provisions of Sections 12(1) and 12(2) of the Sale of Goods Act 1979 and we will pay to you an amount equal to the sum of the Purchase Price, Buyer’s Premium, VAT and Expenses paid by you in respect of the Lot.

9.6 The benefit of paragraph 9 is personal to, and incapable of assignment by, you.

9.7 If you sell or otherwise dispose of your interest in the Lot, all rights and benefits under this paragraph will cease.

9.8 Paragraph 9 does not apply to a Lot made up of or including a Chinese painting or Chinese paintings, a motor vehicle or motor vehicles, a Stamp or Stamps or a Book or Books.

10 OUR LIABILITY

10.1 We will not be liable whether in negligence, other tort, breach of contract or statutory duty or in restitution or under the Misrepresentation Act 1967 or in any other way for lack of conformity with or any inaccuracy, error, misdescription or omission in any Description of the Lot or any Entry or Estimate in respect of it, made by us or on our behalf or by or on behalf of the Seller (whether made in writing, including in the Catalogue, or on the Bonhams’ Website, or orally, or by conduct or otherwise) and whether made before or after this agreement or prior to or during the Sale.

10.2 Our duty to you while the Lot is at your risk and/or your property and in our custody and/or control is to exercise reasonable care in relation to it, but we will not be responsible for damage to the Lot or to other persons or things caused by:

10.2.1 handling the Lot if it was affected at the time of Sale to you by woodworm and any damage is caused as a result of it being affected by woodworm; or

10.2.2 changes in atmospheric pressure; nor will we be liable for:

10.2.3 damage to tension stringed musical instruments; or

10.2.4 damage to gilded picture frames, plaster picture frames or picture frame glass; and if the Lot is or becomes dangerous, we may dispose of it without notice to you in advance in any manner we think fit and we will be under no liability to you for doing so.

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APPENDIX 2

BUYER’S AGREEMENT


1 THE CONTRACT

1.1 These terms govern the contract between Bonhams personally and the Buyer, being the person to whom a Lot has been knocked down by the Auctioneer.

1.2 The Definitions and Glossary contained in Appendix 3 to the Catalogue for the Sale are incorporated into this agreement and a separate copy can also be provided by us on request. Where words and phrases which are defined in the List of Definitions are used in this agreement, they are printed in italics. Reference is made in this agreement to information printed in the Notice to Bidders, printed in the Catalogue for the Sale, and where such information is referred to it is incorporated into this agreement.

1.3 Except as specified in paragraph 4 of the Notice to Bidders the Contract for Sale of the Lot between you and the Seller is made on the fall of the Auctioneer’s hammer in respect of the Lot, when it is knocked down to you. At that moment a separate contract is also made between you and Bonhams on the terms in this Buyer’s Agreement.

1.4 We act as agents for the Seller and are not answerable or personally responsible to you for any breach of contract or other default by the Seller, unless Bonhams sells the Lot as principal.

1.5 Our personal obligations to you are governed by this agreement and we agree, subject to the terms below, to the following obligations:

1.5.1 we will, until the date and time specified in the Notice to Bidders or otherwise notified to you, store the Lot in accordance with paragraph 5;

1.5.2 subject to any power of the Seller or us to refuse to release the Lot to you, we will release the Lot to you in accordance with paragraph 4 once you have paid to us, in cleared funds, everything due to us and the Seller;

1.5.3 we will provide guarantees in the terms set out in paragraphs 9 and 10.

1.6 We do not make or give and do not agree to make or give any contractual promise, undertaking, obligation, Guarantee, warranty, representation of fact in relation to any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any Description or Estimate which may have been made by us or on our behalf or by or on behalf of the Seller (whether made orally or in writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise), and whether made before or after this agreement or prior to or during the Sale. No such Description or Estimate is incorporated into this agreement between you and us. Any such Description or Estimate, if made by us or on our behalf, was (unless Bonhams itself sells the Lot as principal) made as agent on behalf of the Seller.

2 PERFORMANCE OF THE CONTRACT FOR SALE

You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

3 PAYMENT

3.1 Unless agreed in writing between you and us or as otherwise set out in the Notice to Bidders, you must pay to us by not later than 4.30pm on the second working day following the Sale:

3.1.1 the Purchase Price for the Lot;

3.1.2 a Buyer’s Premium in accordance with the rates set out in the Notice to Bidders, and

3.1.3 if the Lot is marked [AR], an Additional Premium which is calculated and payable in accordance with the Notice to Bidders together with VAT on that sum if applicable so that all sums due to us are cleared funds by the seventh working day after the Sale.

3.2 You must also pay us on demand any Expenses payable pursuant to this agreement.

3.3 All payments to us must be made in the currency in which the Sale was conducted, using, unless otherwise agreed by us in writing, one of the methods of payment set out in the Notice to Bidders. Our invoices will only be addressed to the registered Bidder unless the Bidder is acting as an agent for a named principal and we have approved that arrangement, in which case we will address the invoice to the principal.

3.4 Unless otherwise stated in this agreement all sums payable to us will be subject to VAT at the appropriate rate and VAT will be payable by you on all such sums.

3.5 We may deduct and retain for our own benefit from the monies paid by you to us the Buyer’s Premium, the Commission payable by the Seller in respect of the Lot, any Expenses and VAT and any interest earned and/or incurred until payment to the Seller.

3.6 Time will be of the essence in relation to any payment payable to us. If you do not pay the Purchase Price, or any other sum due to us in accordance with this paragraph 3, we will have the rights set out in paragraph 7 below.

3.7 Where a number of Lots have been knocked down to you, any monies we receive from you will be applied firstly pro-rata to pay the Purchase Price of each Lot and secondly pro-rata to pay all amounts due to Bonhams.


4.1 Subject to any power of the Seller or us to refuse to release the Lot to you, once you have paid to us, in cleared funds, everything due to the Seller and to us, we will release the Lot to you or as you may direct us in writing. The Lot will only be released on production of a buyer collection document, obtained from our cashier’s office.

4.2 You must collect and remove the Lot at your own expense by the date and time specified in the Notice to Bidders, or if no date is specified, by 4.30pm on the seventh day after the Sale.

4.3 For the period referred to in paragraph 4.2, the Lot can be collected from the address referred to in the Notice to Bidders for collection on the days and times specified in the Notice to Bidders. Thereafter, the Lot may be removed elsewhere for storage and you must enquire from us as to when and where you can collect it, although this information will usually be set out in the Notice to Bidders.

4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, acting as your agent and on your behalf, to enter into a contract (the “Storage Contract”) with the Storage Contractor for the storage of the Lot on the then current standard terms and conditions agreed between Bonhams and the Storage Contractor (copies of which are available on request). If the Lot is stored at our premises storage fees at our current daily rates (currently a minimum of £3 plus VAT per Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage fees form part of our Expenses.

4.5 Until you have paid the Purchase Price and any Expenses in full the Lot will either be held by us as agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and ourselves on the terms contained in the Storage Contract.

4.6 You undertake to comply with the terms of any Storage Contract and in particular to pay the charges (and all costs of moving the Lot into storage) due under any Storage Contract. You acknowledge and agree that you will not be able to collect the Lot from the Storage Contractor’s premises until you have paid the Purchase Price, any Expenses and all charges due under the Storage Contract.


4.8 You will be wholly responsible for any removal, storage, or other charges for any Lot not removed in accordance with paragraph 4.2, payable at our current rates, and any Expenses we incur (including any charges due under the Storage Contract), all of which must be paid by you on demand and in any event before any collection of the Lot by you or on your behalf.

5 STORING THE LOT

We agree to store the Lot until the earlier of your removal of the Lot or until the time and date set out in the Notice to Bidders, on the Sale Information Page or at the back of the catalogue (or if no date is specified, by 4.30pm on the seventh day after the Sale) and, subject to paragraphs 6 and 10, to be responsible as bailee to you for damage to or the loss or destruction of the Lot (notwithstanding that it is not your property before payment of the Purchase Price). If you do not collect the Lot before the time and date set out in the Notice to Bidders (or if no date is specified, by 4.30pm on the seventh day after the Sale) we may remove the Lot to another location, the details of which will usually be set out in the relevant section of the Catalogue. If you have not paid for the Lot in accordance with paragraph 3, and the Lot is moved to any third party’s premises, the Lot will be held by such third party strictly to Bonhams’ order and we will retain our lien over the Lot until we have been paid in full in accordance with paragraph 3.

6 RESPONSIBILITY FOR THE LOT

6.1 Only on the payment of the Purchase Price to us will title in the Lot pass to you. However under the Contract for Sale, the risk in the Lot passed to you when it was knocked down to you.

6.2 You are advised to obtain insurance in respect of the Lot as soon as possible after the Sale.

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7 FAILURE TO PAY OR TO REMOVE THE LOT AND PART PAYMENTS

7.1 If all sums payable to us are not so paid in full at the time they are due and/or the Lot is not removed in accordance with this agreement, we will without further notice to you be entitled to exercise one or more of the following rights (without prejudice to any rights we may exercise on behalf of the Seller):

7.1.1 to terminate this agreement immediately for your breach of contract;


7.1.3 to remove, and/or store the Lot at your expense;

7.1.4 to take legal proceedings against you for payment of any sums payable to us by you (including the Purchase Price) and/or damages for breach of contract;

7.1.5 to be paid interest on any monies due to us (after as well as before judgement or order) at the annual rate of 5% per annum above the base lending rate of National Westminster Bank Plc from time to time to be calculated on a daily basis from the date upon which such monies become payable until the date of actual payment;

7.1.6 to repossess the Lot (or any part thereof) which has not become your property, and for this purpose (unless you buy the Lot as a Consumer) you hereby grant an irrevocable licence to us, by ourselves, our servants or agents, to enter upon all or any of your premises (with or without vehicles) during normal business hours to take possession of any Lot or part thereof;

7.1.7 to sell the Lot Without Reserve by auction, private treaty or any other means on giving you three months’ written notice of our intention to do so;

7.1.8 to retain possession of any of your other property in our possession for any purpose (including, without limitation, other goods sold to you or with us for Sale) until all sums due to us have been paid in full;

7.1.9 to apply any monies received from you for any purpose whether at the time of your default or at any time thereafter in payment or part payment of any sums due to us by you under this agreement;

7.1.10 on three months’ written notice to sell, Without Reserve, any of your other property in our possession or under our control for any purpose (including other goods sold to you or with us for Sale) and to apply any monies due to you as a result of such Sale in payment or part payment of any amounts owed to us;

7.1.11 refuse to allow you to register for a future Sale or to reject a bid from you at any future Sale or to require you to pay a deposit before any bid is accepted by us at any future Sale in which case we will be entitled to apply such deposit in payment or part payment, as the case may be, of the Purchase Price of any Lot of which you are the Buyer.

7.2 You agree to indemnify us against all legal and other costs, all losses and all other Expenses (whether or not court proceedings will have been issued) incurred by us as a result of our taking steps under this paragraph 7 on a full indemnity basis together with interest thereon (after as well as before judgement or order) at the rate specified in paragraph 7.1.5 from the date upon which we become liable to pay the same until payment by you.

7.3 If you pay us only part of the sums due to us such payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than one Lot pro-rata towards the Purchase Price of each Lot) and secondly to the Buyer’s Premium (or where you have purchased more than one Lot pro-rata to the Buyer’s Premium on each Lot) and thirdly to any other sums due to us.

7.4 We will account to you in respect of any balance we hold remaining from any monies received by us in respect of any Sale of the Lot under our rights under this paragraph 7 after the payment of all sums due to us and/or the Seller within 28 days of receipt by us of all such sums paid to us.

8 CLAIMS BY OTHER PERSONS IN RESPECT OF THE LOT

8.1 Whenever it becomes apparent to us that the Lot is the subject of a claim by someone other than you and other than the Seller (or that such a claim can reasonably be expected to be made), we may, at our absolute discretion, deal with the Lot in any manner which appears to us to recognise the legitimate interests of ourselves and the other parties involved and lawfully to protect our position and our legitimate interests. Without prejudice to the generality of the discretion and by way of example, we may:

8.1.1 retain the Lot to investigate any question raised or reasonably expected by us to be raised in relation to the Lot; and/or

8.1.2 deliver the Lot to a person other than you; and/or

8.1.3 commence interpleader proceedings or seek any other order of any court, mediator, arbitrator or government body; and/or

8.1.4 require an indemnity and/or security from you in return for pursuing a course of action agreed to by you.

8.2 The discretion referred to in paragraph 8.1:

8.2.1 may be exercised at any time during which we have actual or constructive possession of the Lot, or at any time after such possession, where the cessation of such possession has occurred by reason of any decision, order or ruling of any court, mediator, arbitrator or government body; and

8.2.2 will not be exercised unless we believe that there exists a serious prospect of a good arguable case in favour of the claim.

9 FORGERIES

9.1 We undertake a personal responsibility for any Forgery in accordance with the terms of this paragraph 9.

9.2 Paragraph 9 applies only if:

9.2.1 your name appears as the named person to whom the original invoice was made out by us in respect of the Lot and that invoice has been paid; and

9.2.2 you notify us in writing as soon as reasonably practicable after you have become aware that the Lot is or may be a Forgery, and in any event within one year after the Sale, that the Lot is a Forgery; and

9.2.3 within one month after such notification has been given, you return the Lot to us in the same condition as it was at the time of the Sale, accompanied by written evidence that the Lot is a Forgery and details of the Sale and Lot number sufficient to identify the Lot.

9.3 Paragraph 9 will not apply in respect of a Forgery if:

9.3.1 the Entry in relation to the Lot contained in the Catalogue reflected the then accepted general opinion of scholars and experts or fairly indicated that there was a conflict of such opinion or reflected the then current opinion of an expert acknowledged to be a leading expert in the relevant field; or

9.3.2 it can be established that the Lot is a Forgery only by means of a process not generally accepted for use until after the date on which the Catalogue was published or by means of a process which it was unreasonable in all the circumstances for us to have employed.

9.4 You authorise us to carry out such processes and tests on the Lot as we in our absolute discretion consider necessary to satisfy ourselves that the Lot is or is not a Forgery.

9.5 If we are satisfied that a Lot is a Forgery we will (as principal) purchase the Lot from you and you will transfer the title to the Lot in question to us, with full title guarantee, free from any liens, charges, encumbrances and adverse claims, in accordance with the provisions of Sections 12(1) and 12(2) of the Sale of Goods Act 1979 and we will pay to you an amount equal to the sum of the Purchase Price, Buyer’s Premium, VAT and Expenses paid by you in respect of the Lot.

9.6 The benefit of paragraph 9 is personal to, and incapable of assignment by, you.

9.7 If you sell or otherwise dispose of your interest in the Lot, all rights and benefits under this paragraph will cease.

9.8 Paragraph 9 does not apply to a Lot made up of or including a Chinese painting or Chinese paintings, a motor vehicle or motor vehicles, a Stamp or Stamps or a Book or Books.

10 OUR LIABILITY

10.1 We will not be liable whether in negligence, other tort, breach of contract or statutory duty or in restitution or under the Misrepresentation Act 1967 or in any other way for lack of conformity with or any inaccuracy, error, misdescription or omission in any Description of the Lot or any Entry or Estimate in respect of it, made by us or on our behalf or by or on behalf of the Seller (whether made in writing, including in the Catalogue, or on the Bonhams’ Website, or orally, or by conduct or otherwise) and whether made before or after this agreement or prior to or during the Sale.

10.2 Our duty to you while the Lot is at your risk and/or your property and in our custody and/or control is to exercise reasonable care in relation to it, but we will not be responsible for damage to the Lot or to other persons or things caused by:

10.2.1 handling the Lot if it was affected at the time of Sale to you by woodworm and any damage is caused as a result of it being affected by woodworm; or

10.2.2 changes in atmospheric pressure; nor will we be liable for:

10.2.3 damage to tension stringed musical instruments; or

10.2.4 damage to gilded picture frames, plaster picture frames or picture frame glass; and if the Lot is or becomes dangerous, we may dispose of it without notice to you in advance in any manner we think fit and we will be under no liability to you for doing so.

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10.3.1 We will not be liable to you for any loss of Business, Business profits, revenue or income or for loss of Business reputation or for disruption to Business or wasted time on the part of the Buyer’s management or staff or, if you are buying the Lot in the course of a Business, for any indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

10.3.2 Unless you buy the Lot as a Consumer, in any circumstances where we are liable to you in respect of a Lot, or any act, omission, statement, representation in respect of it, or this agreement or its performance, and whether in damages, for an indemnity or contribution or for a restitutionary remedy or in any way whatsoever, our liability will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot plus Buyer’s Premium (less any sum you may be entitled to recover from the Seller) irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

You may wish to protect yourself against loss by obtaining insurance.

10.4 Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) any person’s liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law, or (v) under our undertaking in paragraph 9 of these conditions.

11 BOOKS MISSING TEXT OR ILLUSTRATIONS

Where the Lot is made up wholly of a Book or Books and any Book does not contain text or illustrations (in either case referred to as a “non-conforming Lot”), we undertake a personal responsibility for such a non-conforming Lot in accordance with the terms of this paragraph, if:

the original invoice was made out by us to you in respect of the Lot and that invoice has been paid; and

you notify us in writing as soon as reasonably practicable after you have become aware that the Lot is or may be a non-conforming Lot, and in any event within 20 days after the Sale (or such longer period as we may agree in writing) that the Lot is a non-conforming Lot; and

within 20 days of the date of the relevant Sale (or such longer period as we may agree in writing) you return the Lot to us in the same condition as it was at the time of the Sale, accompanied by written evidence that the Lot is a non-conforming Lot and details of the Sale and Lot number sufficient to identify the Lot.

but not if:

the Entry in the Catalogue in respect of the Lot indicates that the rights given by this paragraph do not apply to it; or

the Entry in the Catalogue in respect of the Lot reflected the then accepted general opinion of scholars and experts or fairly indicated that there was a conflict of such opinion; or

it can be established that the Lot is a non-conforming Lot only by means of a process not generally accepted for use until after the date on which the Catalogue was published or by means of a process which it was unreasonable in all the circumstances for us to have employed; or

the Lot comprises atlases, maps, autographs, manuscripts, extra illustrated books, music or periodical publications; or

the Lot was listed in the Catalogue under “collections” or “collections and various” or the Lot was stated in the Catalogue to comprise or contain a collection, issue or Books which are undescribed or the missing text or illustrations are referred to or the relevant parts of the Book contain blanks, half titles or advertisements.

If we are reasonably satisfied that a Lot is a non- conforming Lot, we will (as principal) purchase the Lot from you and you will transfer the title to the Lot in question to us, with full title guarantee, free from any liens, charges, encumbrances and adverse claims and we will pay to you an amount equal to the sum of the Purchase Price and Buyer’s Premium paid by you in respect of the Lot.

The benefit of paragraph 10 is personal to, and incapable of assignment by, you and if you sell or otherwise dispose of your interest in the Lot, all rights and benefits under this paragraph will cease.

12 MISCELLANEOUS

12.1 You may not assign either the benefit or burden of this agreement.

12.2 Our failure or delay in enforcing or exercising any power or right under this agreement will not operate or be deemed to operate as a waiver of our rights under it except to the extent of any express waiver given to you in writing. Any such waiver will not affect our ability subsequently to enforce any right arising under this agreement.

12.3 If either party to this agreement is prevented from performing that party’s respective obligations under this agreement by circumstances beyond its reasonable control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, that party will not, for so long as such circumstances prevail, be required to perform such obligations. This paragraph does not apply to the obligations imposed on you by paragraph 3.

12.4 Any notice or other communication to be given under this agreement must be in writing and may be delivered by hand or sent by first class post or air mail or fax transmission (if to Bonhams marked for the attention of the Company Secretary), to the address or fax number of the relevant party given in the Contract Form (unless notice of any change of address is given in writing). It is the responsibility of the sender of the notice or communication to ensure that it is received in a legible form within any applicable time period.

12.5 If any term or any part of any term of this agreement is held to be unenforceable or invalid, such unenforceability or invalidity will not affect the enforceability and validity of the remaining terms or the remainder of the relevant term.

12.6 References in this agreement to Bonhams will, where appropriate, include reference to Bonhams’ officers, employees and agents.

12.7 The headings used in this agreement are for convenience only and will not affect its interpretation.

12.8 In this agreement “including” means “including, without limitation”.


12.10 Reference to a numbered paragraph is to a paragraph of this agreement.

12.11 Save as expressly provided in paragraph 12.12 nothing in this agreement confers (or purports to confer) on any person who is not a party to this agreement any benefit conferred by, or the right to enforce any term of, this agreement.

12.12 Where this agreement confers an immunity from, and/or an exclusion or restriction of, the responsibility and/or liability of Bonhams, it will also operate in favour and for the benefit of Bonhams’ holding company and the subsidiaries of such holding company and the successors and assigns of Bonhams and of such companies and of any officer, employee and agent of Bonhams and such companies, each of whom will be entitled to rely on the relevant immunity and/or exclusion and/or restriction within and for the purposes of Contracts (Rights of Third Parties) Act 1999, which enables the benefit of a contract to be extended to a person who is not a party to the contract, and generally at law.

13 GOVERNING LAW

All transactions to which this agreement applies and all connected matters will be governed by and construed in accordance with the laws of that part of the United Kingdom where the Sale takes (or is to take) place and we and you each submit to the exclusive jurisdiction of the courts of that part of the United Kingdom, save that we may bring proceedings against you in any other court of competent jurisdiction to the extent permitted by the laws of the relevant jurisdiction. Bonhams has a complaints procedure in place.


Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London W1S 1SR, United Kingdom or by email from [email protected].

APPENDIX 3

DEFINITIONS AND GLOSSARY

Where these Definitions and Glossary are incorporated, the following words and phrases used have (unless the context otherwise requires) the meanings given to them below. The Glossary is to assist you to understand words and phrases which have a specific legal meaning with which you may not be familiar.

LIST OF DEFINITIONS

“Additional Premium” a premium, calculated in accordance with the Notice to Bidders, to cover Bonhams’ Expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006 which is payable by the Buyer to Bonhams on any Lot marked [AR] which sells for a Hammer Price which together with the Buyer’s Premium (but excluding any VAT) equals or exceeds 1000 euros (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale).“Auctioneer” the representative of Bonhams conducting the Sale.

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“Bidder” a person who has completed a Bidding Form. “Bidding Form” our Bidding Registration Form, our Absentee Bidding Form or our Telephone Bidding Form. “Bonhams” Bonhams 1793 Limited or its successors or assigns. Bonhams is also referred to in the Buyer’s Agreement, the Conditions of Business and the Notice to Bidders by the words “we”, “us” and “our”.“Book” a printed Book offered for Sale at a specialist Book Sale.“Business” includes any trade, Business and profession.“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to in the Contract for Sale and the Buyer’s Agreement by the words “you” and “your”.“Buyer’s Agreement” the contract entered into by Bonhams with the Buyer (see Appendix 2 in the Catalogue). “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in the Notice to Bidders. “Catalogue” the Catalogue relating to the relevant Sale, including any representation of the Catalogue published on our Website.“Commission” the Commission payable by the Seller to Bonhams calculated at the rates stated in the Contract Form.“Condition Report” a report on the physical condition of a Lot provided to a Bidder or potential Bidder by Bonhams on behalf of the Seller.“Conditions of Sale” the Notice to Bidders, Contract for Sale, Buyer’s Agreement and Definitions and Glossary. “Consignment Fee” a fee payable to Bonhams by the Seller calculated at rates set out in the Conditions of Business.“Consumer” a natural person who is acting for the relevant purpose outside his trade, Business or profession. “Contract Form” the Contract Form, or vehicle Entry form, as applicable, signed by or on behalf of the Seller listing the Lots to be offered for Sale by Bonhams. “Contract for Sale” the Sale contract entered into by the Seller with the Buyer (see Appendix 1 in the Catalogue). “Contractual Description” the only Description of the Lot (being that part of the Entry about the Lot in the Catalogue which is in bold letters, any photograph (except for the colour) and the contents of any Condition Report) to which the Seller undertakes in the Contract of Sale the Lot corresponds.“Description” any statement or representation in any way descriptive of the Lot, including any statement or representation relating to its authorship, attribution, condition, provenance, authenticity, style, period, age, suitability, quality, origin, value, estimated selling price (including the Hammer Price).“Entry” a written statement in the Catalogue identifying the Lot and its Lot number which may contain a Description and illustration(s) relating to the Lot.“Estimate” a statement of our opinion of the range within which the hammer is likely to fall.“Expenses” charges and Expenses paid or payable by Bonhams in respect of the Lot including legal Expenses, banking charges and Expenses incurred as a result of an electronic transfer of money, charges and Expenses for loss and damage cover, insurance, Catalogue and other reproductions and illustrations, any customs duties, advertising, packing or shipping costs, reproductions rights’ fees, taxes, levies, costs of testing, searches or enquiries, preparation of the Lot for Sale, storage charges, removal charges, removal charges or costs of collection from the Seller as the Seller’s agents or from a defaulting Buyer, plus VAT if applicable.“Forgery” an imitation intended by the maker or any other person to deceive as to authorship, attribution, origin, authenticity, style, date, age, period, provenance, culture, source or composition, which at the date of the Sale had a value materially less than it would have had if the Lot had not been such an imitation, and which is not stated to be such an imitation in any description of the Lot. A Lot will not be a Forgery by reason of any damage to, and/or restoration and/ or modification work (including repainting or over painting) having been carried out on the Lot, where that damage,restoration or modification work (as the case may be) does not substantially affect the identity of the Lot as one conforming to the Description of the Lot.“Guarantee” the obligation undertaken personally by Bonhams to the Buyer in respect of any Forgery and, in the case of specialist Stamp Sales and/or specialist Book Sales, a Lot made up of a Stamp or Stamps or a Book or Books as set out in the Buyer’s Agreement.“Hammer Price” the price in the currency in which the Sale is conducted at which a Lot is knocked down by the Auctioneer.

“Loss and Damage Warranty” means the warranty described in paragraph 8.2 of the Conditions of Business. “Loss and Damage Warranty Fee” means the fee described in paragraph 8.2.3 of the Conditions of Business.“Lot” any item consigned to Bonhams with a view to its Sale at auction or by private treaty (and reference to any Lot will include, unless the context otherwise requires, reference to individual items comprised in a group of two or more items offered for Sale as one Lot).“Motoring Catalogue Fee” a fee payable by the Seller to Bonhams in consideration of the additional work undertaken by Bonhams in respect of the cataloguing of motor vehicles and in respect of the promotion of Sales of motor vehicles.“New Bond Street” means Bonhams’ saleroom at 101 New Bond Street, London W1S 1SR.“Notional Charges” the amount of Commission and VAT which would have been payable if the Lot had been sold at the Notional Price.“Notional Fee” the sum on which the Consignment Fee payable to Bonhams by the Seller is based and which is calculated according to the formula set out in the Conditions of Business.“Notional Price” the latest in time of the average of the high and low Estimates given by us to you or stated in the Catalogue or, if no such Estimates have been given or stated, the Reserve applicable to the Lot.“Notice to Bidders” the notice printed at the back or front of our Catalogues.“Purchase Price” the aggregate of the Hammer Price and VAT on the Hammer Price (where applicable), the Buyer’s Premium and VAT on the Buyer’s Premium and any Expenses.“Reserve” the minimum price at which a Lot may be sold (whether at auction or by private treaty).“Sale” the auction Sale at which a Lot is to be offered for Sale by Bonhams.“Sale Proceeds” the net amount due to the Seller from the Sale of a Lot, being the Hammer Price less the Commission, any VAT chargeable thereon, Expenses and any other amount due to us in whatever capacity and howsoever arising.“Seller” the person who offers the Lot for Sale named on the Contract Form. Where the person so named identifies on the form another person as acting as his agent, or where the person named on the Contract Form acts as an agent for a principal (whether such agency is disclosed to Bonhams or not), “Seller” includes both the agent and the principal who shall be jointly and severally liable as such. The Seller is also referred to in the Conditions of Business by the words “you” and “your”.“Specialist Examination” a visual examination of a Lot by a specialist on the Lot.“Stamp” means a postage Stamp offered for Sale at a Specialist Stamp Sale.“Standard Examination” a visual examination of a Lot by a non-specialist member of Bonhams’ staff. “Storage Contract” means the contract described in paragraph 8.3.3 of the Conditions of Business or paragraph 4.4 of the Buyer’s Agreement (as appropriate). “Storage Contractor” means the company identified as such in the Catalogue.“Terrorism” means any act or threatened act of terrorism, whether any person is acting alone or on behalf of or in connection with any organisation(s) and/or government(s), committed for political, religious or ideological or similar purposes including, but not limited to, the intention to influence any government and/or put the public or any section of the public into fear.“Trust Account” the bank account of Bonhams into which all sums received in respect of the Purchase Price of anyLot will be paid, such account to be a distinct and separate account to Bonhams’ normal business bank account. “VAT” value added tax at the prevailing rate at the date of the Sale in the United Kingdom.“Website” Bonhams Website at www.bonhams.com “Withdrawal Notice” the Seller’s written notice to Bonhams revoking Bonhams’ instructions to sell a Lot. “Without Reserve” where there is no minimum price at which a Lot may be sold (whether at auction or by private treaty).

GLOSSARY

The following expressions have specific legal meanings with which you may not be familiar. The following glossary is intended to give you an understanding of those expressions but is not intended to limit their legal meanings:

“artist’s resale right”: the right of the creator of a work of art to receive a payment on Sales of that work subsequent to the original Sale of that work by the creator of it as set out in the Artists Resale Right Regulations 2006. “bailee”: a person to whom goods are entrusted. “indemnity”: an obligation to put the person who has the benefit of the indemnity in the same position in which he would have been, had the circumstances giving rise to the indemnity not arisen and the expression “indemnify” is construed accordingly.“interpleader proceedings”: proceedings in the Courts to determine ownership or rights over a Lot.“knocked down”: when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.“lien”: a right for the person who has possession of the Lot to retain possession of it.“risk”: the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value. “title”: the legal and equitable right to the ownership of a Lot.“tort”: a legal wrong done to someone to whom the wrong doer has a duty of care.

SALE OF GOODS ACT 1979

The following is an extract from the Sale of Goods Act 1979:

“Section 12 Implied terms about title, etc

(1) In a contract of sale, other than one to which subsection (3) below applies, there is an implied term on the part of the seller that in the case of a sale he has a right to sell the goods, and in the case of an agreement to sell he will have such a right at the time when the property is to pass.

(2) In a contract of sale, other than one to which subsection (3) below applies, there is also an implied term that-

(a) the goods are free, and will remain free until the time when the property is to pass, from any charge or encumbrance not disclosed or known to the buyer before the contract is made, and

(b) the buyer will enjoy quiet possession of the goods except in so far as it may be disturbed by the owner or other person entitled to the benefit of any charge or encumbrance so disclosed or known.

(3) This subsection applies to a contract of sale in the case of which there appears from the contract or is to be inferred from its circumstances an intention that the seller should transfer only such title as he or a third person may have.

(4) In a contract to which subsection (3) above applies there is an implied term that all charges or encumbrances known to the seller and not known to the buyer have been disclosed to the buyer before the contract is made.

(5) In a contract to which subsection (3) above applies there is also an implied term that none of the following will disturb the buyer’s quiet possession of the goods, namely:

(a) the seller;

(b) in a case where the parties to the contract intend that the seller should transfer only such title as a third person may have, that person;

(c) anyone claiming through or under the seller or that third person otherwise than under a charge or encumbrance disclosed or known to the buyer before the contract is made.

(5A) As regards England and Wales and Northern Ireland, the term implied by subsection (1) above is a condition and the terms implied by subsections (2), (4) and (5) above are warranties.”

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10.3.1 We will not be liable to you for any loss of Business, Business profits, revenue or income or for loss of Business reputation or for disruption to Business or wasted time on the part of the Buyer’s management or staff or, if you are buying the Lot in the course of a Business, for any indirect losses or consequential damages of any kind, irrespective in any case of the nature, volume or source of the loss or damage alleged to be suffered, and irrespective of whether the said loss or damage is caused by or claimed in respect of any negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

10.3.2 Unless you buy the Lot as a Consumer, in any circumstances where we are liable to you in respect of a Lot, or any act, omission, statement, representation in respect of it, or this agreement or its performance, and whether in damages, for an indemnity or contribution or for a restitutionary remedy or in any way whatsoever, our liability will be limited to payment of a sum which will not exceed by way of maximum the amount of the Purchase Price of the Lot plus Buyer’s Premium (less any sum you may be entitled to recover from the Seller) irrespective in any case of the nature, volume or source of any loss or damage alleged to be suffered or sum claimed as due, and irrespective of whether the liability arises from negligence, other tort, breach of contract, statutory duty, bailee’s duty, a restitutionary claim or otherwise.

You may wish to protect yourself against loss by obtaining insurance.

10.4 Nothing set out above will be construed as excluding or restricting (whether directly or indirectly) any person’s liability or excluding or restricting any person’s rights or remedies in respect of (i) fraud, or (ii) death or personal injury caused by our negligence (or any person under our control or for whom we are legally responsible), or (iii) acts or omissions for which we are liable under the Occupiers Liability Act 1957, or (iv) any other liability to the extent the same may not be excluded or restricted as a matter of law, or (v) under our undertaking in paragraph 9 of these conditions.

11 BOOKS MISSING TEXT OR ILLUSTRATIONS

Where the Lot is made up wholly of a Book or Books and any Book does not contain text or illustrations (in either case referred to as a “non-conforming Lot”), we undertake a personal responsibility for such a non-conforming Lot in accordance with the terms of this paragraph, if:

the original invoice was made out by us to you in respect of the Lot and that invoice has been paid; and

you notify us in writing as soon as reasonably practicable after you have become aware that the Lot is or may be a non-conforming Lot, and in any event within 20 days after the Sale (or such longer period as we may agree in writing) that the Lot is a non-conforming Lot; and

within 20 days of the date of the relevant Sale (or such longer period as we may agree in writing) you return the Lot to us in the same condition as it was at the time of the Sale, accompanied by written evidence that the Lot is a non-conforming Lot and details of the Sale and Lot number sufficient to identify the Lot.

but not if:

the Entry in the Catalogue in respect of the Lot indicates that the rights given by this paragraph do not apply to it; or

the Entry in the Catalogue in respect of the Lot reflected the then accepted general opinion of scholars and experts or fairly indicated that there was a conflict of such opinion; or

it can be established that the Lot is a non-conforming Lot only by means of a process not generally accepted for use until after the date on which the Catalogue was published or by means of a process which it was unreasonable in all the circumstances for us to have employed; or

the Lot comprises atlases, maps, autographs, manuscripts, extra illustrated books, music or periodical publications; or

the Lot was listed in the Catalogue under “collections” or “collections and various” or the Lot was stated in the Catalogue to comprise or contain a collection, issue or Books which are undescribed or the missing text or illustrations are referred to or the relevant parts of the Book contain blanks, half titles or advertisements.

If we are reasonably satisfied that a Lot is a non- conforming Lot, we will (as principal) purchase the Lot from you and you will transfer the title to the Lot in question to us, with full title guarantee, free from any liens, charges, encumbrances and adverse claims and we will pay to you an amount equal to the sum of the Purchase Price and Buyer’s Premium paid by you in respect of the Lot.

The benefit of paragraph 10 is personal to, and incapable of assignment by, you and if you sell or otherwise dispose of your interest in the Lot, all rights and benefits under this paragraph will cease.

12 MISCELLANEOUS

12.1 You may not assign either the benefit or burden of this agreement.

12.2 Our failure or delay in enforcing or exercising any power or right under this agreement will not operate or be deemed to operate as a waiver of our rights under it except to the extent of any express waiver given to you in writing. Any such waiver will not affect our ability subsequently to enforce any right arising under this agreement.

12.3 If either party to this agreement is prevented from performing that party’s respective obligations under this agreement by circumstances beyond its reasonable control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, that party will not, for so long as such circumstances prevail, be required to perform such obligations. This paragraph does not apply to the obligations imposed on you by paragraph 3.

12.4 Any notice or other communication to be given under this agreement must be in writing and may be delivered by hand or sent by first class post or air mail or fax transmission (if to Bonhams marked for the attention of the Company Secretary), to the address or fax number of the relevant party given in the Contract Form (unless notice of any change of address is given in writing). It is the responsibility of the sender of the notice or communication to ensure that it is received in a legible form within any applicable time period.

12.5 If any term or any part of any term of this agreement is held to be unenforceable or invalid, such unenforceability or invalidity will not affect the enforceability and validity of the remaining terms or the remainder of the relevant term.

12.6 References in this agreement to Bonhams will, where appropriate, include reference to Bonhams’ officers, employees and agents.

12.7 The headings used in this agreement are for convenience only and will not affect its interpretation.

12.8 In this agreement “including” means “including, without limitation”.


12.10 Reference to a numbered paragraph is to a paragraph of this agreement.

12.11 Save as expressly provided in paragraph 12.12 nothing in this agreement confers (or purports to confer) on any person who is not a party to this agreement any benefit conferred by, or the right to enforce any term of, this agreement.

12.12 Where this agreement confers an immunity from, and/or an exclusion or restriction of, the responsibility and/or liability of Bonhams, it will also operate in favour and for the benefit of Bonhams’ holding company and the subsidiaries of such holding company and the successors and assigns of Bonhams and of such companies and of any officer, employee and agent of Bonhams and such companies, each of whom will be entitled to rely on the relevant immunity and/or exclusion and/or restriction within and for the purposes of Contracts (Rights of Third Parties) Act 1999, which enables the benefit of a contract to be extended to a person who is not a party to the contract, and generally at law.

13 GOVERNING LAW

All transactions to which this agreement applies and all connected matters will be governed by and construed in accordance with the laws of that part of the United Kingdom where the Sale takes (or is to take) place and we and you each submit to the exclusive jurisdiction of the courts of that part of the United Kingdom, save that we may bring proceedings against you in any other court of competent jurisdiction to the extent permitted by the laws of the relevant jurisdiction. Bonhams has a complaints procedure in place.


Where we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our Website www.bonhams.com or requested by post from Customer Services Department, 101 New Bond Street, London W1S 1SR, United Kingdom or by email from [email protected].

APPENDIX 3

DEFINITIONS AND GLOSSARY

Where these Definitions and Glossary are incorporated, the following words and phrases used have (unless the context otherwise requires) the meanings given to them below. The Glossary is to assist you to understand words and phrases which have a specific legal meaning with which you may not be familiar.

LIST OF DEFINITIONS

“Additional Premium” a premium, calculated in accordance with the Notice to Bidders, to cover Bonhams’ Expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006 which is payable by the Buyer to Bonhams on any Lot marked [AR] which sells for a Hammer Price which together with the Buyer’s Premium (but excluding any VAT) equals or exceeds 1000 euros (converted into the currency of the Sale using the European Central Bank Reference rate prevailing on the date of the Sale).“Auctioneer” the representative of Bonhams conducting the Sale.

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“Bidder” a person who has completed a Bidding Form. “Bidding Form” our Bidding Registration Form, our Absentee Bidding Form or our Telephone Bidding Form. “Bonhams” Bonhams 1793 Limited or its successors or assigns. Bonhams is also referred to in the Buyer’s Agreement, the Conditions of Business and the Notice to Bidders by the words “we”, “us” and “our”.“Book” a printed Book offered for Sale at a specialist Book Sale.“Business” includes any trade, Business and profession.“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to in the Contract for Sale and the Buyer’s Agreement by the words “you” and “your”.“Buyer’s Agreement” the contract entered into by Bonhams with the Buyer (see Appendix 2 in the Catalogue). “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in the Notice to Bidders. “Catalogue” the Catalogue relating to the relevant Sale, including any representation of the Catalogue published on our Website.“Commission” the Commission payable by the Seller to Bonhams calculated at the rates stated in the Contract Form.“Condition Report” a report on the physical condition of a Lot provided to a Bidder or potential Bidder by Bonhams on behalf of the Seller.“Conditions of Sale” the Notice to Bidders, Contract for Sale, Buyer’s Agreement and Definitions and Glossary. “Consignment Fee” a fee payable to Bonhams by the Seller calculated at rates set out in the Conditions of Business.“Consumer” a natural person who is acting for the relevant purpose outside his trade, Business or profession. “Contract Form” the Contract Form, or vehicle Entry form, as applicable, signed by or on behalf of the Seller listing the Lots to be offered for Sale by Bonhams. “Contract for Sale” the Sale contract entered into by the Seller with the Buyer (see Appendix 1 in the Catalogue). “Contractual Description” the only Description of the Lot (being that part of the Entry about the Lot in the Catalogue which is in bold letters, any photograph (except for the colour) and the contents of any Condition Report) to which the Seller undertakes in the Contract of Sale the Lot corresponds.“Description” any statement or representation in any way descriptive of the Lot, including any statement or representation relating to its authorship, attribution, condition, provenance, authenticity, style, period, age, suitability, quality, origin, value, estimated selling price (including the Hammer Price).“Entry” a written statement in the Catalogue identifying the Lot and its Lot number which may contain a Description and illustration(s) relating to the Lot.“Estimate” a statement of our opinion of the range within which the hammer is likely to fall.“Expenses” charges and Expenses paid or payable by Bonhams in respect of the Lot including legal Expenses, banking charges and Expenses incurred as a result of an electronic transfer of money, charges and Expenses for loss and damage cover, insurance, Catalogue and other reproductions and illustrations, any customs duties, advertising, packing or shipping costs, reproductions rights’ fees, taxes, levies, costs of testing, searches or enquiries, preparation of the Lot for Sale, storage charges, removal charges, removal charges or costs of collection from the Seller as the Seller’s agents or from a defaulting Buyer, plus VAT if applicable.“Forgery” an imitation intended by the maker or any other person to deceive as to authorship, attribution, origin, authenticity, style, date, age, period, provenance, culture, source or composition, which at the date of the Sale had a value materially less than it would have had if the Lot had not been such an imitation, and which is not stated to be such an imitation in any description of the Lot. A Lot will not be a Forgery by reason of any damage to, and/or restoration and/ or modification work (including repainting or over painting) having been carried out on the Lot, where that damage,restoration or modification work (as the case may be) does not substantially affect the identity of the Lot as one conforming to the Description of the Lot.“Guarantee” the obligation undertaken personally by Bonhams to the Buyer in respect of any Forgery and, in the case of specialist Stamp Sales and/or specialist Book Sales, a Lot made up of a Stamp or Stamps or a Book or Books as set out in the Buyer’s Agreement.“Hammer Price” the price in the currency in which the Sale is conducted at which a Lot is knocked down by the Auctioneer.

“Loss and Damage Warranty” means the warranty described in paragraph 8.2 of the Conditions of Business. “Loss and Damage Warranty Fee” means the fee described in paragraph 8.2.3 of the Conditions of Business.“Lot” any item consigned to Bonhams with a view to its Sale at auction or by private treaty (and reference to any Lot will include, unless the context otherwise requires, reference to individual items comprised in a group of two or more items offered for Sale as one Lot).“Motoring Catalogue Fee” a fee payable by the Seller to Bonhams in consideration of the additional work undertaken by Bonhams in respect of the cataloguing of motor vehicles and in respect of the promotion of Sales of motor vehicles.“New Bond Street” means Bonhams’ saleroom at 101 New Bond Street, London W1S 1SR.“Notional Charges” the amount of Commission and VAT which would have been payable if the Lot had been sold at the Notional Price.“Notional Fee” the sum on which the Consignment Fee payable to Bonhams by the Seller is based and which is calculated according to the formula set out in the Conditions of Business.“Notional Price” the latest in time of the average of the high and low Estimates given by us to you or stated in the Catalogue or, if no such Estimates have been given or stated, the Reserve applicable to the Lot.“Notice to Bidders” the notice printed at the back or front of our Catalogues.“Purchase Price” the aggregate of the Hammer Price and VAT on the Hammer Price (where applicable), the Buyer’s Premium and VAT on the Buyer’s Premium and any Expenses.“Reserve” the minimum price at which a Lot may be sold (whether at auction or by private treaty).“Sale” the auction Sale at which a Lot is to be offered for Sale by Bonhams.“Sale Proceeds” the net amount due to the Seller from the Sale of a Lot, being the Hammer Price less the Commission, any VAT chargeable thereon, Expenses and any other amount due to us in whatever capacity and howsoever arising.“Seller” the person who offers the Lot for Sale named on the Contract Form. Where the person so named identifies on the form another person as acting as his agent, or where the person named on the Contract Form acts as an agent for a principal (whether such agency is disclosed to Bonhams or not), “Seller” includes both the agent and the principal who shall be jointly and severally liable as such. The Seller is also referred to in the Conditions of Business by the words “you” and “your”.“Specialist Examination” a visual examination of a Lot by a specialist on the Lot.“Stamp” means a postage Stamp offered for Sale at a Specialist Stamp Sale.“Standard Examination” a visual examination of a Lot by a non-specialist member of Bonhams’ staff. “Storage Contract” means the contract described in paragraph 8.3.3 of the Conditions of Business or paragraph 4.4 of the Buyer’s Agreement (as appropriate). “Storage Contractor” means the company identified as such in the Catalogue.“Terrorism” means any act or threatened act of terrorism, whether any person is acting alone or on behalf of or in connection with any organisation(s) and/or government(s), committed for political, religious or ideological or similar purposes including, but not limited to, the intention to influence any government and/or put the public or any section of the public into fear.“Trust Account” the bank account of Bonhams into which all sums received in respect of the Purchase Price of anyLot will be paid, such account to be a distinct and separate account to Bonhams’ normal business bank account. “VAT” value added tax at the prevailing rate at the date of the Sale in the United Kingdom.“Website” Bonhams Website at www.bonhams.com “Withdrawal Notice” the Seller’s written notice to Bonhams revoking Bonhams’ instructions to sell a Lot. “Without Reserve” where there is no minimum price at which a Lot may be sold (whether at auction or by private treaty).

GLOSSARY

The following expressions have specific legal meanings with which you may not be familiar. The following glossary is intended to give you an understanding of those expressions but is not intended to limit their legal meanings:

“artist’s resale right”: the right of the creator of a work of art to receive a payment on Sales of that work subsequent to the original Sale of that work by the creator of it as set out in the Artists Resale Right Regulations 2006. “bailee”: a person to whom goods are entrusted. “indemnity”: an obligation to put the person who has the benefit of the indemnity in the same position in which he would have been, had the circumstances giving rise to the indemnity not arisen and the expression “indemnify” is construed accordingly.“interpleader proceedings”: proceedings in the Courts to determine ownership or rights over a Lot.“knocked down”: when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.“lien”: a right for the person who has possession of the Lot to retain possession of it.“risk”: the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value. “title”: the legal and equitable right to the ownership of a Lot.“tort”: a legal wrong done to someone to whom the wrong doer has a duty of care.

SALE OF GOODS ACT 1979

The following is an extract from the Sale of Goods Act 1979:

“Section 12 Implied terms about title, etc

(1) In a contract of sale, other than one to which subsection (3) below applies, there is an implied term on the part of the seller that in the case of a sale he has a right to sell the goods, and in the case of an agreement to sell he will have such a right at the time when the property is to pass.

(2) In a contract of sale, other than one to which subsection (3) below applies, there is also an implied term that-

(a) the goods are free, and will remain free until the time when the property is to pass, from any charge or encumbrance not disclosed or known to the buyer before the contract is made, and

(b) the buyer will enjoy quiet possession of the goods except in so far as it may be disturbed by the owner or other person entitled to the benefit of any charge or encumbrance so disclosed or known.

(3) This subsection applies to a contract of sale in the case of which there appears from the contract or is to be inferred from its circumstances an intention that the seller should transfer only such title as he or a third person may have.

(4) In a contract to which subsection (3) above applies there is an implied term that all charges or encumbrances known to the seller and not known to the buyer have been disclosed to the buyer before the contract is made.

(5) In a contract to which subsection (3) above applies there is also an implied term that none of the following will disturb the buyer’s quiet possession of the goods, namely:

(a) the seller;

(b) in a case where the parties to the contract intend that the seller should transfer only such title as a third person may have, that person;

(c) anyone claiming through or under the seller or that third person otherwise than under a charge or encumbrance disclosed or known to the buyer before the contract is made.

(5A) As regards England and Wales and Northern Ireland, the term implied by subsection (1) above is a condition and the terms implied by subsections (2), (4) and (5) above are warranties.”

Bonhams Specialist Departments 19th Century PaintingsUKCharles O’ Brien+44 20 7468 8360U.S.AMadalina Lazen+1 212 644 9108

20th Century British ArtMatthew Bradbury+44 20 7468 8295

Aboriginal ArtFrancesca Cavazzini+61 2 8412 2222

African, Oceanic & Pre-Columbian Art UKPhilip Keith+44 2920 727 980U.S.AFredric Backlar+1 323 436 5416

American PaintingsAlan Fausel+1 212 644 9039

AntiquitiesMadeleine Perridge+44 20 7468 8226

Antique Arms & Armour UKDavid Williams+44 20 7393 3807U.S.APaul Carella+1 415 503 3360

Art Collections, Estates & ValuationsHarvey Cammell+44 (0) 20 7468 8340

Art Nouveau & Decorative Art & DesignUKMark Oliver+44 20 7393 3856U.S.AFrank Maraschiello+1 212 644 9059

Australian ArtMerryn Schriever+61 2 8412 2222Alex Clark+61 3 8640 4088

Australian Colonial Furniture and Australiana+1 415 861 7500

Books, Maps & Manuscripts UKMatthew Haley+44 20 7393 3817U.S.AChristina Geiger+1 212 644 9094

British & European GlassUKSimon Cottle+44 20 7468 8383U.S.A.Suzy Pai+1 415 503 3343

British & European Porcelain & Pottery UKJohn Sandon+44 20 7468 8244U.S.APeter Scott+1 415 503 3326

California & American PaintingsScot Levitt+1 323 436 5425

CarpetsUKMark Dance+44 8700 27361U.S.A.Hadji Rahimipour+1 415 503 3392

Chinese & Asian ArtUKAsaph Hyman+44 20 7468 5888U.S.ADessa Goddard+1 415 503 3333HONG KONG +852 3607 0010AUSTRALIAYvett Klein+61 2 8412 2222

ClocksUKJames Stratton+44 20 7468 8364U.S.AJonathan Snellenburg+1 212 461 6530

Coins & MedalsUKJohn Millensted+44 20 7393 3914U.S.APaul Song+1 323 436 5455

Contemporary Art UKRalph Taylor+44 20 7447 7403U.S.AJeremy Goldsmith+1 917 206 1656

Costume & TextilesClaire Browne+44 1564 732969

Entertainment MemorabiliaUK+44 20 7393 3844U.S.A Catherine Williamson+1 323 436 5442

Furniture & Works of ArtUKFergus Lyons+44 20 7468 8221U.S.AJeffrey Smith+1 415 503 3413

Greek ArtOlympia Pappa+44 20 7468 8314

Golf Sporting MemorabiliaKevin Mcgimpsey+44 1244 353123

Irish ArtPenny Day+44 20 7468 8366

Impressionist & Modern ArtUKIndia Phillips+44 20 7468 8328U.S.ATanya Wells+1 917 206 1685

Islamic & Indian ArtClaire Penhallurick+44 20 7468 8249

Japanese ArtUKSuzannah Yip+44 20 7468 8368U.S.AJeff Olson+1 212 461 6516

JewelleryUKJean Ghika+44 20 7468 8282U.S.ASusan Abeles+1 212 461 6525AUSTRALIAAnellie Manolas+61 2 8412 2222HONG KONGGraeme Thompson+852 3607 0006

Marine ArtUKVeronique Scorer+44 20 7393 3962U.S.AGregg Dietrich+1 917 206 1697

Mechanical MusicJon Baddeley+44 20 7393 3872

Modern, Contemporary & Latin American ArtU.S.AAlexis Chompaisal+1 323 436 5469

Modern DesignGareth Williams+44 20 7468 5879

Motor CarsUKTim Schofield+44 20 7468 5804U.S.AMark Osborne+1 415 503 3353EUROPEPhilip Kantor+32 476 879 471

AutomobiliaUKToby Wilson+44 8700 273 619U.S.AKurt Forry+1 415 391 4000

MotorcyclesBen Walker+44 8700 273616AutomobiliaAdrian Pipiros+44 8700 273621

Musical InstrumentsPhilip Scott+44 20 7393 3855

Native American ArtJim Haas+1 415 503 3294

Natural HistoryU.S.AClaudia Florian+1 323 436 5437

Old Master PicturesUKAndrew Mckenzie+44 20 7468 8261U.S.AMark Fisher+1 323 436 5488

Orientalist ArtCharles O’Brien+44 20 7468 8360

PhotographyU.S.AJudith Eurich+1 415 503 3259

Portrait MiniaturesUK+44 20 7393 3986

Prints and MultiplesUKRupert Worrall+44 20 7468 8262U.S.AJudith Eurich+1 415 503 3259

Russian ArtUKSophie Law+44 20 7468 8334U.S.AYelena Harbick+1 212 644 9136

Scientific InstrumentsJon Baddeley+44 20 7393 3872U.S.A.Jonathan Snellenburg+1 212 461 6530

Scottish PicturesChris Brickley+44 131 240 2297

Silver & Gold BoxesUKMichael Moorcroft+44 20 7468 8241U.S.AAileen Ward+1 800 223 5463

South African ArtGiles Peppiatt+44 20 7468 8355

Sporting GunsPatrick Hawes+44 20 7393 3815

Toys & DollsLeigh Gotch+44 20 8963 2839

Travel PicturesVeronique Scorer+44 20 7393 3962

Urban ArtGareth Williams+44 20 7468 5879

Watches & WristwatchesUK+44 20 7447 7412U.S.A.Jonathan Snellenburg+1 212 461 6530HONG KONGNick Biebuyck+852 2918 4321

WhiskyUKMartin Green+44 1292 520000U.S.AJoseph Hyman+1 917 206 1661HONG KONGDaniel Lam+852 3607 0004

WineUKRichard Harvey+44 (0) 20 7468 5811U.S.ADoug Davidson+1 415 503 3363HONG KONGDaniel Lam+852 3607 0004

To e-mail any of the below use the first name dot second name @bonhams.com eg. [email protected]

SD10/2/15

UNITED KINGDOM

London101 New Bond Street •London W1S 1SR+44 20 7447 7447+44 20 7447 7400 fax

Montpelier Street •London SW7 1HH+44 20 7393 3900+44 20 7393 3905 fax

South East England

Brighton & Hove19 Palmeira SquareHove, East SussexBN3 2JN+44 1273 220 000+44 1273 220 335 fax

Guildford Millmead,Guildford,Surrey GU2 4BE+44 1483 504 030+44 1483 450 205 fax

Isle of Wight+44 1273 220 000

Representative:KentGeorge Dawes+44 1483 504 030

West Sussex+44 (0) 1273 220 000

South WestEngland

Bath Queen Square HouseCharlotte StreetBath BA1 2LL+44 1225 788 988+44 1225 446 675 fax

Cornwall – Truro 36 Lemon StreetTruroCornwallTR1 2NR+44 1872 250 170+44 1872 250 179 fax

ExeterThe LodgeSouthernhay West Exeter, DevonEX1 1JG+44 1392 425 264 +44 1392 494 561 fax

WinchesterThe Red HouseHyde StreetWinchesterHants SO23 7DX+44 1962 862 515+44 1962 865 166 fax

Tetbury22a Long StreetTetburyGloucestershireGL8 8AQ+44 1666 502 200+44 1666 505 107 fax

Representatives:DorsetBill Allan+44 1935 815 271

East Anglia

Bury St. Edmunds21 Churchgate StreetBury St EdmundsSuffolk IP33 1RG+44 1284 716 190+44 1284 755 844 fax

NorfolkThe Market PlaceReephamNorfolk NR10 4JJ+44 1603 871 443+44 1603 872 973 fax

Midlands

Knowle The Old HouseStation RoadKnowle, SolihullWest MidlandsB93 0HT+44 1564 776 151+44 1564 778 069 fax

Oxford •Banbury RoadShipton on CherwellKidlington OX5 1JH+44 1865 853 640+44 1865 372 722 fax

Yorkshire & North East England

Leeds 30 Park Square West Leeds LS1 2PF+44 113 234 5755+44 113 244 3910 fax

North West England

Chester 2 St Johns Court,Vicars Lane,Chester,Ch1 1QE+44 1244 313 936+44 1244 340 028 fax

ManchesterThe Stables213 Ashley RoadHale WA15 9TB+44 161 927 3822+44 161 927 3824 fax

Channel Islands

JerseyLa ChasseLa Rue de la ValleeSt MaryJersey JE3 3DL+44 1534 722 441+44 1534 759 354 fax

Representative:Guernsey+44 1481 722 448

Scotland

Edinburgh •22 Queen StreetEdinburghEH2 1JX+44 131 225 2266+44 131 220 2547 fax

Glasgow176 St. Vincent Street,GlasgowG2 5SG+44 141 223 8866+44 141 223 8868 fax

Representatives:Wine & SpiritsTom Gilbey+44 1382 330 256

Wales

Cardiff7-8 Park Place,Cardiff CF10 3DP+44 2920 727 980+44 2920 727 989 fax

EUROPE

Austria - ViennaTuchlauben 81010 ViennaAustria+43 (0)1 403 00 [email protected]

Belgium - BrusselsBoulevard Saint-Michel 1011040 Brussels+32 (0)2 736 5076+32 (0)2 732 5501 [email protected]

France - Paris4 rue de la Paix 75002 Paris +33 (0)1 42 61 1010 +33 (0)1 42 61 1015 [email protected]

Germany - CologneAlbertusstrasse 2650667 Cologne+49 (0)221 2779 9650+49 (0)221 2779 9652 [email protected]

Germany - MunichMaximilianstrasse 5280538 Munich+49 (0) 89 2420 5812+49 (0) 89 2420 7523 [email protected]

Greece - Athens7 Neofytou Vamva Street10674 Athens+30 (0) 210 3636 [email protected]

Ireland - Dublin31 Molesworth StreetDublin 2+353 (0)1 602 [email protected]

Italy - MilanVia Boccaccio 2220123 Milano+39 02 4953 9020+39 02 4953 9021 [email protected]

Italy - RomeVia Sicilia 5000187 Roma+39 06 485 900+39 06 482 0479 [email protected]

Netherlands - AmsterdamDe Lairessestraat 1541075 HL Amsterdam+31 20 67 09 701+31 20 67 09 702 [email protected]

Spain - MadridNuñez de Balboa no.4 - 1AMadrid28001+34 91 578 17 [email protected]

Switzerland - GenevaRue Etienne-Dumont 101204 GenevaSwitzerland +41 (0) 22 300 3160+41 (0) 22 300 3174 [email protected]

Representatives: DenmarkHenning Thomsen+45 4178 [email protected]

PortugalFilipa Rebelo de Andrade+351 91 921 [email protected]

Russia - Moscow Anastasia Vinokurova+7 964 562 [email protected]

Russia - St PetersburgMarina Jacobson+7 921 555 [email protected]

Spain – BarcelonaTeresa Ybarra+34 680 347 [email protected]

Spain - MarbellaJames Roberts+34 952 90 62 [email protected]

MIDDLE EASTDubaiDeborah Najar+971 (0)56 113 [email protected]

IsraelJoslynne Halibard+972 (0)54 553 [email protected]

NORTH AMERICAUSA

San Francisco •220 San Bruno AvenueSan FranciscoCA 94103+1 (415) 861 7500+1 (415) 861 8951 fax

Los Angeles •7601 W. Sunset BoulevardLos AngelesCA 90046+1 (323) 850 7500+1 (323) 850 6090 fax

New York •580 Madison AvenueNew York, NY10022+1 (212) 644 9001+1 (212) 644 9007 fax

Representatives: Arizona Terri Adrian-Hardy+1 (480) 994 5362

CaliforniaCentral ValleyDavid Daniel+1 (916) 364 1645

Southern CaliforniaChristine Eisenberg+1 (949) 646 6560

ColoradoJulie Segraves+1 (720) 355 3737

FloridaPalm Beach +1 (561) 651 7876Miami +1 (305) 228 6600Ft. Lauderdale +1 (954) 566 1630

GeorgiaMary Moore Bethea+1 (404) 842 1500

IllinoisRicki Blumberg Harris+1 (312) 475 3922+1 (773) 267 3300

MassachusettsBoston/New EnglandAmy Corcoran+1 (617) 742 0909

NevadaDavid Daniel+1 (775) 831 0330

New MexicoLeslie Trilling+1 (505) 820 0701

OregonSheryl Acheson+1(503) 312 6023

PennsylvaniaMargaret Tierney+1 (610) 644 1199

TexasAmy Lawch+1 (713) 621 5988

Washington Heather O’Mahony+1 (206) 218 5011

Washington DCMid-Atlantic RegionMartin Gammon+1 (202) 333 1696

CANADA

Toronto, Ontario • Jack Kerr-Wilson20 Hazelton AvenueToronto, ONTM5R 2E2+1 (416) 462 [email protected]

Montreal, QuebecDavid Kelsey+1 (514) 341 [email protected]

SOUTH AMERICAArgentinaDaniel Claramunt+54 11 479 37600

Brazil+55 11 3031 4444+55 11 3031 4444 fax

ASIAHong Kong • Suite 2001One Pacific Place88 QueenswayAdmiraltyHong Kong+852 2918 4321+852 2918 4320 [email protected]

BeijingHongyu YuSuite 511Chang An Club10 East Chang An AvenueBeijing 100006+86(0) 10 6528 0922+86(0) 10 6528 0933 [email protected]

JapanAkiko TsuchidaLevel 14 Hibiya Central Building1-2-9 Nishi-ShimbashiMinato-kuTokyo 105-0003+81 (0) 3 5532 8636+81 (0) 3 5532 8637 [email protected]

SingaporeBernadette Rankine11th Floor, Wisma Atria435 Orchard RoadSingapore 238877+65 (0) 6701 8038+65 (0) 6701 8001 [email protected]

TaiwanSummer Fang37th Floor, Taipei 101 TowerNor 7 Xinyi Road, Section 5Taipei, 100+886 2 8758 2898+886 2 8757 2897 [email protected]

AUSTRALIASydney76 Paddington StreetPaddington NSW 2021Australia+61 (0) 2 8412 2222+61 (0) 2 9475 4110 [email protected]

MelbourneComo HouseComo AvenueSouth Yarra Melbourne VIC 3141+61 (0) 3 8640 4088+61 (0) 2 9475 4110 [email protected]

AFRICANigeriaNeil Coventry+234 (0)7065 888 [email protected]

South Africa - JohannesburgPenny Culverwell+27 (0)71 342 [email protected]

International Salerooms, Offices and Associated Companies (• Indicates Saleroom)

G-NET25/3/15

Bonhams Specialist Departments 19th Century PaintingsUKCharles O’ Brien+44 20 7468 8360U.S.AMadalina Lazen+1 212 644 9108

20th Century British ArtMatthew Bradbury+44 20 7468 8295

Aboriginal ArtFrancesca Cavazzini+61 2 8412 2222

African, Oceanic & Pre-Columbian Art UKPhilip Keith+44 2920 727 980U.S.AFredric Backlar+1 323 436 5416

American PaintingsAlan Fausel+1 212 644 9039

AntiquitiesMadeleine Perridge+44 20 7468 8226

Antique Arms & Armour UKDavid Williams+44 20 7393 3807U.S.APaul Carella+1 415 503 3360

Art Collections, Estates & ValuationsHarvey Cammell+44 (0) 20 7468 8340

Art Nouveau & Decorative Art & DesignUKMark Oliver+44 20 7393 3856U.S.AFrank Maraschiello+1 212 644 9059

Australian ArtMerryn Schriever+61 2 8412 2222Alex Clark+61 3 8640 4088

Australian Colonial Furniture and Australiana+1 415 861 7500

Books, Maps & Manuscripts UKMatthew Haley+44 20 7393 3817U.S.AChristina Geiger+1 212 644 9094

British & European GlassUKSimon Cottle+44 20 7468 8383U.S.A.Suzy Pai+1 415 503 3343

British & European Porcelain & Pottery UKJohn Sandon+44 20 7468 8244U.S.APeter Scott+1 415 503 3326

California & American PaintingsScot Levitt+1 323 436 5425

CarpetsUKMark Dance+44 8700 27361U.S.A.Hadji Rahimipour+1 415 503 3392

Chinese & Asian ArtUKAsaph Hyman+44 20 7468 5888U.S.ADessa Goddard+1 415 503 3333HONG KONG +852 3607 0010AUSTRALIAYvett Klein+61 2 8412 2222

ClocksUKJames Stratton+44 20 7468 8364U.S.AJonathan Snellenburg+1 212 461 6530

Coins & MedalsUKJohn Millensted+44 20 7393 3914U.S.APaul Song+1 323 436 5455

Contemporary Art UKRalph Taylor+44 20 7447 7403U.S.AJeremy Goldsmith+1 917 206 1656

Costume & TextilesClaire Browne+44 1564 732969

Entertainment MemorabiliaUK+44 20 7393 3844U.S.A Catherine Williamson+1 323 436 5442

Furniture & Works of ArtUKFergus Lyons+44 20 7468 8221U.S.AJeffrey Smith+1 415 503 3413

Greek ArtOlympia Pappa+44 20 7468 8314

Golf Sporting MemorabiliaKevin Mcgimpsey+44 1244 353123

Irish ArtPenny Day+44 20 7468 8366

Impressionist & Modern ArtUKIndia Phillips+44 20 7468 8328U.S.ATanya Wells+1 917 206 1685

Islamic & Indian ArtClaire Penhallurick+44 20 7468 8249

Japanese ArtUKSuzannah Yip+44 20 7468 8368U.S.AJeff Olson+1 212 461 6516

JewelleryUKJean Ghika+44 20 7468 8282U.S.ASusan Abeles+1 212 461 6525AUSTRALIAAnellie Manolas+61 2 8412 2222HONG KONGGraeme Thompson+852 3607 0006

Marine ArtUKVeronique Scorer+44 20 7393 3962U.S.AGregg Dietrich+1 917 206 1697

Mechanical MusicJon Baddeley+44 20 7393 3872

Modern, Contemporary & Latin American ArtU.S.AAlexis Chompaisal+1 323 436 5469

Modern DesignGareth Williams+44 20 7468 5879

Motor CarsUKTim Schofield+44 20 7468 5804U.S.AMark Osborne+1 415 503 3353EUROPEPhilip Kantor+32 476 879 471

AutomobiliaUKToby Wilson+44 8700 273 619U.S.AKurt Forry+1 415 391 4000

MotorcyclesBen Walker+44 8700 273616AutomobiliaAdrian Pipiros+44 8700 273621

Musical InstrumentsPhilip Scott+44 20 7393 3855

Native American ArtJim Haas+1 415 503 3294

Natural HistoryU.S.AClaudia Florian+1 323 436 5437

Old Master PicturesUKAndrew Mckenzie+44 20 7468 8261U.S.AMark Fisher+1 323 436 5488

Orientalist ArtCharles O’Brien+44 20 7468 8360

PhotographyU.S.AJudith Eurich+1 415 503 3259

Portrait MiniaturesUK+44 20 7393 3986

Prints and MultiplesUKRupert Worrall+44 20 7468 8262U.S.AJudith Eurich+1 415 503 3259

Russian ArtUKSophie Law+44 20 7468 8334U.S.AYelena Harbick+1 212 644 9136

Scientific InstrumentsJon Baddeley+44 20 7393 3872U.S.A.Jonathan Snellenburg+1 212 461 6530

Scottish PicturesChris Brickley+44 131 240 2297

Silver & Gold BoxesUKMichael Moorcroft+44 20 7468 8241U.S.AAileen Ward+1 800 223 5463

South African ArtGiles Peppiatt+44 20 7468 8355

Sporting GunsPatrick Hawes+44 20 7393 3815

Toys & DollsLeigh Gotch+44 20 8963 2839

Travel PicturesVeronique Scorer+44 20 7393 3962

Urban ArtGareth Williams+44 20 7468 5879

Watches & WristwatchesUK+44 20 7447 7412U.S.A.Jonathan Snellenburg+1 212 461 6530HONG KONGNick Biebuyck+852 2918 4321

WhiskyUKMartin Green+44 1292 520000U.S.AJoseph Hyman+1 917 206 1661HONG KONGDaniel Lam+852 3607 0004

WineUKRichard Harvey+44 (0) 20 7468 5811U.S.ADoug Davidson+1 415 503 3363HONG KONGDaniel Lam+852 3607 0004

To e-mail any of the below use the first name dot second name @bonhams.com eg. [email protected]

SD10/2/15

UNITED KINGDOM

London101 New Bond Street •London W1S 1SR+44 20 7447 7447+44 20 7447 7400 fax

Montpelier Street •London SW7 1HH+44 20 7393 3900+44 20 7393 3905 fax

South East England

Brighton & Hove19 Palmeira SquareHove, East SussexBN3 2JN+44 1273 220 000+44 1273 220 335 fax

Guildford Millmead,Guildford,Surrey GU2 4BE+44 1483 504 030+44 1483 450 205 fax

Isle of Wight+44 1273 220 000

Representative:KentGeorge Dawes+44 1483 504 030

West Sussex+44 (0) 1273 220 000

South WestEngland

Bath Queen Square HouseCharlotte StreetBath BA1 2LL+44 1225 788 988+44 1225 446 675 fax

Cornwall – Truro 36 Lemon StreetTruroCornwallTR1 2NR+44 1872 250 170+44 1872 250 179 fax

ExeterThe LodgeSouthernhay West Exeter, DevonEX1 1JG+44 1392 425 264 +44 1392 494 561 fax

WinchesterThe Red HouseHyde StreetWinchesterHants SO23 7DX+44 1962 862 515+44 1962 865 166 fax

Tetbury22a Long StreetTetburyGloucestershireGL8 8AQ+44 1666 502 200+44 1666 505 107 fax

Representatives:DorsetBill Allan+44 1935 815 271

East Anglia

Bury St. Edmunds21 Churchgate StreetBury St EdmundsSuffolk IP33 1RG+44 1284 716 190+44 1284 755 844 fax

NorfolkThe Market PlaceReephamNorfolk NR10 4JJ+44 1603 871 443+44 1603 872 973 fax

Midlands

Knowle The Old HouseStation RoadKnowle, SolihullWest MidlandsB93 0HT+44 1564 776 151+44 1564 778 069 fax

Oxford •Banbury RoadShipton on CherwellKidlington OX5 1JH+44 1865 853 640+44 1865 372 722 fax

Yorkshire & North East England

Leeds 30 Park Square West Leeds LS1 2PF+44 113 234 5755+44 113 244 3910 fax

North West England

Chester 2 St Johns Court,Vicars Lane,Chester,Ch1 1QE+44 1244 313 936+44 1244 340 028 fax

ManchesterThe Stables213 Ashley RoadHale WA15 9TB+44 161 927 3822+44 161 927 3824 fax

Channel Islands

JerseyLa ChasseLa Rue de la ValleeSt MaryJersey JE3 3DL+44 1534 722 441+44 1534 759 354 fax

Representative:Guernsey+44 1481 722 448

Scotland

Edinburgh •22 Queen StreetEdinburghEH2 1JX+44 131 225 2266+44 131 220 2547 fax

Glasgow176 St. Vincent Street,GlasgowG2 5SG+44 141 223 8866+44 141 223 8868 fax

Representatives:Wine & SpiritsTom Gilbey+44 1382 330 256

Wales

Cardiff7-8 Park Place,Cardiff CF10 3DP+44 2920 727 980+44 2920 727 989 fax

EUROPE

Austria - ViennaTuchlauben 81010 ViennaAustria+43 (0)1 403 00 [email protected]

Belgium - BrusselsBoulevard Saint-Michel 1011040 Brussels+32 (0)2 736 5076+32 (0)2 732 5501 [email protected]

France - Paris4 rue de la Paix 75002 Paris +33 (0)1 42 61 1010 +33 (0)1 42 61 1015 [email protected]

Germany - CologneAlbertusstrasse 2650667 Cologne+49 (0)221 2779 9650+49 (0)221 2779 9652 [email protected]

Germany - MunichMaximilianstrasse 5280538 Munich+49 (0) 89 2420 5812+49 (0) 89 2420 7523 [email protected]

Greece - Athens7 Neofytou Vamva Street10674 Athens+30 (0) 210 3636 [email protected]

Ireland - Dublin31 Molesworth StreetDublin 2+353 (0)1 602 [email protected]

Italy - MilanVia Boccaccio 2220123 Milano+39 02 4953 9020+39 02 4953 9021 [email protected]

Italy - RomeVia Sicilia 5000187 Roma+39 06 485 900+39 06 482 0479 [email protected]

Netherlands - AmsterdamDe Lairessestraat 1541075 HL Amsterdam+31 20 67 09 701+31 20 67 09 702 [email protected]

Spain - MadridNuñez de Balboa no.4 - 1AMadrid28001+34 91 578 17 [email protected]

Switzerland - GenevaRue Etienne-Dumont 101204 GenevaSwitzerland +41 (0) 22 300 3160+41 (0) 22 300 3174 [email protected]

Representatives: DenmarkHenning Thomsen+45 4178 [email protected]

PortugalFilipa Rebelo de Andrade+351 91 921 [email protected]

Russia - Moscow Anastasia Vinokurova+7 964 562 [email protected]

Russia - St PetersburgMarina Jacobson+7 921 555 [email protected]

Spain – BarcelonaTeresa Ybarra+34 680 347 [email protected]

Spain - MarbellaJames Roberts+34 952 90 62 [email protected]

MIDDLE EASTDubaiDeborah Najar+971 (0)56 113 [email protected]

IsraelJoslynne Halibard+972 (0)54 553 [email protected]

NORTH AMERICAUSA

San Francisco •220 San Bruno AvenueSan FranciscoCA 94103+1 (415) 861 7500+1 (415) 861 8951 fax

Los Angeles •7601 W. Sunset BoulevardLos AngelesCA 90046+1 (323) 850 7500+1 (323) 850 6090 fax

New York •580 Madison AvenueNew York, NY10022+1 (212) 644 9001+1 (212) 644 9007 fax

Representatives: Arizona Terri Adrian-Hardy+1 (480) 994 5362

CaliforniaCentral ValleyDavid Daniel+1 (916) 364 1645

Southern CaliforniaChristine Eisenberg+1 (949) 646 6560

ColoradoJulie Segraves+1 (720) 355 3737

FloridaPalm Beach +1 (561) 651 7876Miami +1 (305) 228 6600Ft. Lauderdale +1 (954) 566 1630

GeorgiaMary Moore Bethea+1 (404) 842 1500

IllinoisRicki Blumberg Harris+1 (312) 475 3922+1 (773) 267 3300

MassachusettsBoston/New EnglandAmy Corcoran+1 (617) 742 0909

NevadaDavid Daniel+1 (775) 831 0330

New MexicoLeslie Trilling+1 (505) 820 0701

OregonSheryl Acheson+1(503) 312 6023

PennsylvaniaMargaret Tierney+1 (610) 644 1199

TexasAmy Lawch+1 (713) 621 5988

Washington Heather O’Mahony+1 (206) 218 5011

Washington DCMid-Atlantic RegionMartin Gammon+1 (202) 333 1696

CANADA

Toronto, Ontario • Jack Kerr-Wilson20 Hazelton AvenueToronto, ONTM5R 2E2+1 (416) 462 [email protected]

Montreal, QuebecDavid Kelsey+1 (514) 341 [email protected]

SOUTH AMERICAArgentinaDaniel Claramunt+54 11 479 37600

Brazil+55 11 3031 4444+55 11 3031 4444 fax

ASIAHong Kong • Suite 2001One Pacific Place88 QueenswayAdmiraltyHong Kong+852 2918 4321+852 2918 4320 [email protected]

BeijingHongyu YuSuite 511Chang An Club10 East Chang An AvenueBeijing 100006+86(0) 10 6528 0922+86(0) 10 6528 0933 [email protected]

JapanAkiko TsuchidaLevel 14 Hibiya Central Building1-2-9 Nishi-ShimbashiMinato-kuTokyo 105-0003+81 (0) 3 5532 8636+81 (0) 3 5532 8637 [email protected]

SingaporeBernadette Rankine11th Floor, Wisma Atria435 Orchard RoadSingapore 238877+65 (0) 6701 8038+65 (0) 6701 8001 [email protected]

TaiwanSummer Fang37th Floor, Taipei 101 TowerNor 7 Xinyi Road, Section 5Taipei, 100+886 2 8758 2898+886 2 8757 2897 [email protected]

AUSTRALIASydney76 Paddington StreetPaddington NSW 2021Australia+61 (0) 2 8412 2222+61 (0) 2 9475 4110 [email protected]

MelbourneComo HouseComo AvenueSouth Yarra Melbourne VIC 3141+61 (0) 3 8640 4088+61 (0) 2 9475 4110 [email protected]

AFRICANigeriaNeil Coventry+234 (0)7065 888 [email protected]

South Africa - JohannesburgPenny Culverwell+27 (0)71 342 [email protected]

International Salerooms, Offices and Associated Companies (• Indicates Saleroom)

G-NET25/3/15

Sale title: Sale date:

Sale no. Sale venue:

Customer Number Title

First Name Last Name

Company name (to be invoiced if applicable)

Address

City County / State

Post / Zip code Country

Telephone mobile Telephone daytime

Telephone evening Fax

Preferred number(s) in order for Telephone Bidding (inc. country code)

E-mail (in capitals)

I am registering to bid as a private client I am registering to bid as a trade client

If registered for VAT in the EU please enter your registration here:

/ - -

This sale will be conducted in accordance with Bonhams’ Conditions of Sale and bidding and buying at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with the Sale Information relating to this Sale which sets out the charges payable by you on the purchases you make and other terms relating to bidding and buying at the Sale. You should ask any questions you have about the Conditions before signing this form. These Conditions also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to bidders and buyers.

Data protection – use of your informationWhere we obtain any personal information about you, we shall only use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected].

Credit and Debit Card Payments There is no surcharge for payments made by debit cards issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price.

Notice to Bidders.Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bank reference.

If successful

I will collect the purchases myself

Please contact me with a shipping quote (if applicable)

Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding)Please circle your bidding method above.

Paddle number (for office use only)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

Please indicate Telephone or Absentee (T / A)

NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form.Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560.

If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids.

General Bid Increments:£10 - 200 .....................by 10s£200 - 500 ...................by 20 / 50 / 80s£500 - 1,000 ................by 50s£1,000 - 2,000 .............by 100s£2,000 - 5,000 .............by 200 / 500 / 800s£5,000 - 10,000 ...........by 500s

£10,000 - 20,000 .........by 1,000s£20,000 - 50,000 .........by 2,000 / 5,000 / 8,000s£50,000 - 100,000 .......by 5,000s£100,000 - 200,000 .....by 10,000sabove £200,000 ...........at the auctioneer’s discretion

Telephone or Absentee (T / A) Lot no. Brief description

MAX bid in GBP (excluding premium & VAT)

Covering bid*

The auctioneer has discretion to split any bid at any time.

Please note that all telephone calls are recorded.

FOR WINE SALES ONLY

Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding.

UK/05/14

Please tick if you have registered with us before

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The Oxford Fine SaleTuesday 14 Aprl 2015Wednesday 15 April 2015

22677 Oxford

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International Auctioneers and Valuers – bonhams.com

BonhamsBanbury RoadShipton on CherwellKidlingtonOxford OX5 1JH +44 (0) 1865 853 640 +44 (0) 1865 372 722 (fax)

Documents

THE OXFORD FINE SALE | Oxford | Tuesday 14 and …images1.bonhams.com/original?src=Images/live/2015-04/01/S-22677-0-1.pdfUnless you wish to use your own shipping company, please contact