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1 92 nd season, Issue 5 January 2015 PREZ SAYS New Year’s Greengs This edion of The Prompter was created and compiled by your new newsleer team Randy Gilchrist, Michael A. Gravame & Tania L. Velinsky. Please send all newsworthy arcles, pictures and items to anyone in the new team. Randy—[email protected] ◊ Michael— [email protected] ◊ Tania—[email protected] Happy New Year, all! I'm wondering if you do what I do at this me of year; recall last year, smiling about all the good mes and bemoaning all the misses. We've been debang why our first two shows, which were so wonderfully loaded with talent, just didn't get the audiences. Was it because they're new and people weren't ready to take a chance? Was it because there is so much compeon for our entertainment dollars? Was it because we aren't hing enough people with all our markeng? Or was it a combinaon of all those things. As we get ready to give the play reading commiee our direcon for 2016-2017, we would love to hear from you. What would you like to see on the stage? What would ence you to buy ckets for your friends to join you? What promoons do you think would work to grow our audiences? I'd love to hear from you so send me an email with your suggesons. I promise we'll discuss all ideas in our board meengs and report back. Write to [email protected]. I wish all of you a healthy, happy, safe, and prosperous 2015. We're looking forward to an excing second half. Get your ckets for Brighton Beach Memoirs now as we expect a sell out! The Prompter

The Prompter - The Village Players of Birmingham | Nearly ......2015/01/01  · event very skillfully and was hilarious as the emcee.” Audience member were each given a raffle ticket

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    92nd season, Issue 5 January 2015

    PREZ SAYS New Year’s Greetings

    This edition of The Prompter was created and compiled by your new newsletter team Randy Gilchrist, Michael A. Gravame & Tania L. Velinsky. Please send all newsworthy articles, pictures and items to anyone in the new team.

    Randy—[email protected] ◊ Michael— [email protected] ◊ Tania—[email protected]

    Happy New Year, all! I'm wondering if you do what I do at this time of year; recall last year, smiling about all the good times and bemoaning all the misses. We've been debating why our first two shows, which were so wonderfully loaded with talent, just didn't get the audiences. Was it because they're new and people weren't ready to take a chance? Was it because there is so much competition for our entertainment dollars? Was it because we aren't hitting enough people with all our marketing? Or was it a combination of all those things.

    As we get ready to give the play reading committee our direction for 2016-2017, we would love to hear from you. What would you like to see on the stage? What would entice you to buy tickets for your friends to join you? What promotions do you think would work to grow our audiences?

    I'd love to hear from you so send me an email with your suggestions. I promise we'll discuss all ideas in our board meetings and report back. Write to [email protected].

    I wish all of you a healthy, happy, safe, and prosperous 2015. We're looking forward to an exciting second half. Get your tickets for Brighton Beach Memoirs now as we expect a sell out!

    The Prompter

    mailto:[email protected]

  • 2 The Prompter January 2015

    Preparing for Brighton Beach Memoirs

    The cast and crew of Brighton Beach Memoirs have been hard at work over this holiday season preparing

    for their premiere on January 16. The cast has been rehearsing since the middle of November, not only

    learning their lines and their blocking, but also working on their Brooklyn accents and developing their

    relationships as an extended family. The semi-autobiographical play by Neil Simon revolves around the

    Jerome family; a Jewish-American family as seen through the eyes of a 15-year-old boy, Eugene Morris

    Jerome. All the characters in the play are related, so director Michael A. Gravame has spent time during

    the rehearsal period helping the actors develop a family relationship and familiarity. Assistant Director

    Sue Chekaway has also worked with the actors helping them develop authentic Brooklyn accents, and

    making sure they all sound as if they belong to the same family.

    The set crew has been hard at work for the past few weeks creating the two-story Jerome house. Mike

    Dundas has utilized every single platform at Village Players, filling the entire stage with the Jerome’s

    living and dining room, as well as two upstairs bedrooms and a bathroom. The painters have blitz-

    painted the set, and Leo Babcock is turning the painted walls into period wallpaper with the use of sten-

    cils. Michael Gravame himself has been working on the show intensely for over a year, visiting antiques

    stores and fairs all over Michigan as well as in Ohio and Illinois, to find authentic furniture, set dressing,

    and props. He has also visited costume departments, vintage clothing stores and rental companies

    throughout the state to clothe the Jerome's in appropriate period attire. Tania Velinsky is preparing for

    marathon cooking and dishwashing sessions as properties master for this show that contains two full

    family dinners for seven that are eaten every performance.

    Excitement is building among the entire cast and crew as opening night approaches. Each new set piece,

    costume, and prop is greeted with enthusiasm as the show is taking shape, and promises to be a very spe-

    cial experience for all those involved, as well as the audience who will share in this funny, yet touching,

    portrait of a family and their relationships.

    Starring in the show are Antonia Cipriano as Eugene, Janie Minchella as Kate, Salvatore Sbrocca as

    Stanley, Cathie Badalamenti as Blanche, Tony Amato as Jack, Kate Dickinson as Nora, and Noel Stanley

    as Laurie.

    Brighton Beach Memoirs opens January 16 and runs through February 1. Curtain time for Friday and

    Saturday performances is 8:00 p.m. Sunday performances begin at 2:00 p.m. Tickets are available now

    at www.birminghamvillageplayers.com or at the box office. Call 248.644.2075.

    http://www.birminghamvillageplayers.com

  • 3

    Celebrating the Holidays in Song…and Dance

    Village Players hosted “Sing in the Season” on December 21. This is the second year in which such an event took place. There was a lot of variety, including dancers, youth singers, solos, and choral music. The Village Player Youth Singers, along with some of their alumnae, serenaded the audience. The Twelfth night singers, several of whom are also Village Players members, also sang. Member Sofia Malynowskyj and others from the Arthur Murray studio entertained with some ballroom dancing. According to Jude Purcell, “the event went exceptionally well. Diane D'Agostino kept the flow of the event very skillfully and was hilarious as the emcee.” Audience member were each given a raffle ticket and throughout the event donated items were raffled. Special thanks for the donations goes to the Village Players, Kathleen Leitz, St. Dunstan’s Theatre Guild, and Jude Purcell.

    The event would not have been possible without the efforts of Cathie Badalamenti, the Village Youth Singers, Susie Gardiner, Kathleen Leitz, Deb Dworkin, Rudy Vuckov, Bryan Conroy, Kevin Cristbrook, Diane D'Agostino, and Jude Purcell.

    Sometime Village Player actor Tom Arwady had this to say about the event: “Thanks for the wonderful show today! I brought my mom and she loved it. Since my dad died in 2002, she misses him more around the holidays. She said this helped cheer her up and put us in the Christmas spirit. Merry Christmas and Happy New Year!”

    The Prompter January 2015

  • 4

    The Prompter January 2015

    Looking Back: The History of Village Players By Tania Velinsky

    When I became a member of The Prompter editing team, my first

    idea was to begin a regular column delving into the 90-plus year

    history of The Village Players, the members, and the community

    at large. As a theatre family as well as an organization, I think it

    is important for us to know where we come from, and who and

    what contributed to allowing us to become the group that we are

    today.

    To start, I am reprinting the story of the founding of The Village

    Players and the original building of the playhouse that was written

    by Bill Haycook for the 90th anniversary memory book. Here is

    the story of how it all began…

    According to local lore, Jack Gafill, a recent Birmingham High School graduate, suggested the idea of a local

    drama club in 1923. His parents, along with eight others, met, sketched out the idea of a private drama club,

    wrote a set of bylaws and adopted a constitution – all in a matter of a few months.

    The Village Players staged their first production in early 1924 at the original Birmingham Community

    House, an old farmhouse located at the corner of Maple and Bates, two blocks north of the current

    Community House location. They moved the pool table, strung a wire on which to hang a curtain, and built

    sets consisting of wood frames covered in paper and then painted. Footlights were fashioned from metal

    wash tubs. There was no room for dressing rooms or makeup tables so these were housed across the street at

    a member’s house.

    The first ever Village Players production was a melodrama called The Maker of Dreams and it was

    performed for one night only. A framed copy of the script from this show hangs in our front lobby near the

    front door.

    From this point things moved even faster. The growing membership signed pledges to guarantee a bank loan

    from the First National Bank, property was purchased for $1800 at the corner of Chestnut and Woodward,

    the world-famous architect Wallace Frost produced design plans, and just two years after their first

    production, The Village Players opened their new theatre on November 27, 1926. It is disappointing to note

    that an original program does not exist for this premier occasion, but a newsletter in our archives confirms

    that it was a double bill featuring Booth Tarkington’s The Travelers and The Camberley Triangle by A.A.

    Milne.

    In keeping with the volunteer notion of The Village Players, a hallmark of our continuing success, members

    contributed much more than financial pledges. Members donated the maple wood floor of the auditorium,

    the stage rigging, and the original grand curtain that remained in place until 1958, to name a few. Mr. and

    Mrs. Charles Shain, Village Players members and leading citizens of Birmingham, contributed the large

    fireplace on the west wall around which endless hours of conversation took place, holiday carols were sung,

    rivers of alcohol were consumed, and countless dreams were hatched.

    This unique architectural feature and the many times members gathered around it reflect another hallmark of

    The Village Players; a sense that we are all family. This feeling of family is ever-present and remains an

    essential part of the heart and soul of The Village Players.

    The front entrance to the original theatre, the only remaining part of the original playhouse, serves as the

    current entrance from the lobby into the auditorium. This original entrance wall is also a reminder that over

    the years many changes have been made to our beloved theatre, but the doors still welcome us in to our

    theatre home.

  • 5 The Prompter January 2015

    Virginia Woolf Cast and Crew Announced

    The cast and crew for the Village Players’ production of Who’s Afraid of Virginia Woolf have been announced. Alan Canning and Sue Chekaway will play George and Martha. Nick and Honey will be portrayed by Ross Grossman and Erica Shubin.

    Rehearsals have begun on Edward Albee’s classic award-wining masterpiece “Who’s Afraid of Virginia Woolf,” which portrays one man’s struggle to avoid living his marriage in a world of illusion, and his efforts to bring some sense of reality back into that marriage. Albee notes that to some extent, we all live with “the big bad wolf,” representing our private illusions (allowing us to cope with the realities of our own lives), and the anguish which is caused by our efforts to move beyond illusion to reality. Strong words as well as material objects are flung at each other, as George and Martha go to war over the conflict between illusion and reality.

    Tim Wittlinger will direct the show, assisted by Kathleen Duffy. The show will be produced by Bryan Conroy and Carol Aaron will be the stage manager.

    The show opens on March 6, running through March 22. Tickets are on sale now.

    A New Stage Door

    If you attended the 2014 Annual meeting of the Board of Trustees this past October, or read the minutes of that meeting, you know that, although we are pledged to operate on a balanced budget, we started 2014 nearly $10,000 in the red.

    As building owners we are faced with the continual duty to maintain and upgrade our facilities and equipment. We remember how brutal winter 2013-2014 was. Our roof sprung multiple leaks on several occasions. The double stage door near the backstage restrooms as well as the gutters and fascia on the north edge of the building needed to be replaced.

    For these needs we are, in a very real sense and to paraphrase Tennessee Williams, “dependent on the kindness of members”. The Trustees depend on donations to our capital reserve fund to keep up with building maintenance needs. When the Board of Trustees prepared to send out the year end request for donations, Tim Wittlinger stepped forward and volunteered to "sponsor" the replacement of the stage door.

    Many thanks to Tim and Diane Wittlinger for their generous donation. The new door has been installed and dedicated. It shall forever be known as the Wittlinger Stage Door.

    Not to worry; there is much more to be done and your generous contributions are most welcome.

  • 6 The Prompter January 2015

    VP Members on Other Stages

    Several Village Players members will lend their talents to the Ridgedale Players One

    -Act Festival, taking place later this month. Art Tucker, Steve Sussman, and

    Laura Bradshaw are directing, and Diane D'Agostino will be an assistant director

    for the event. Works by Art Tucker, Barbara Schmitt, Laura Bradshaw, and Ann

    Forsaith are on the bill. The event takes place on January 30 and 31. A free-will

    donation of $10 per person is suggested. http://www.ridgedaleplayers.com/

    Jude Purcell appears as Professor Bhear in the Grosse Pointe Theatre’s production

    of the musical, Little Women, January 18-31. This show is based on the beloved

    1869 novel of the same name by Louisa May Alcott, and tells the story of the Marsh

    sisters.

    Marcus Laban is in rehearsal for the Tony Award Winning Musical Spring

    Awakening playing Georg on Stagecrafters 2nd Stage. The show runs February 13 through March 1, 2015.

    STAGECRAFTERS.ORG

    Randy Gilchrist takes the role of Captain Delaunay in the Comic Opera Guild’s production of Erminie. February 28-

    March 1Washtenaw Community College — Towsley Auditorium. Erminie was a huge hit in its day, eclipsing the

    initial run of Gilbert and Sullivan’s The Mikado. Tickets: http://comicoperaguild.org/PAGES/UPCOMING-

    Building Bridges Hosts Fundraising Performance at Village Players

    The mission of Building Bridges is to inspire children to believe in themselves by connecting them with caring adults. One way in which they do this is to provide scholarships to promising students.

    The non-profit organization held a fundraiser at the Village Players of Birmingham on November 28, 2014. Paul Housey, the founder of Building Bridges, performed a one-man show, This Wonderful Life, based on the classic movie, Its a Wonderful Life. Vonnie Miller directed rehearsals for the show and Amy Schell ran sound.

    Village Players’ Nicole Jones, who produced the show, reports: “This event was a very positive experience for everyone involved; the theater was full of people from the area who were eager to support Paul Housey…he did an outstanding job performing and organizing the event.” The performance also brought a lot of people into our building that live in the area, but had never been to Village Players before.

    Tim Wittlinger represented Village Players in addition to designing and running the lights for the show. Ever the numbers man, Tim reports: “There were 172 seats filled and the audience loved the show and the afterglow at The Stand. [Village Players] received rental fees of $1,732.

    The rental fees are a welcome addition to our bottom line. And the presence of new people attending the event is good news for our audience-building efforts.

    http://www.ridgedaleplayers.com/http://comicoperaguild.org/PAGES/UPCOMING-SHOWS.html

  • 7 The Prompter January 2015

    P@W Collaborates with Ridgedale Players

    Playwrights @ Work (P@W)and the Ridgedale Players are taking the idea of

    community theater to a new level. On January 30 and 31, Ridgedale presents its

    One Act Festival, featuring original works by four P@W members and one of

    Ridgedale’s own, and starring actors from Village Players, Avon Players,

    Ridgedale and St. Dunstan’s. The works are under the direction of VP and

    Ridgedale members. Playwrights @ Work is a unique group within The Village

    Players that promotes playwriting among its members. The group meets

    monthly to provide support, feedback, encouragement, and direction to fellow

    playwrights.

    The idea for the theatrical collaboration stems from the success of Ridgedale’s One Act festival last year,

    which featured plays by Stephen Sussman, Laura Bradshaw, and Arthur Tucker, and which drew a record

    crowd. P @ W’s involvement, though, can be attributed to Tucker, whose comedy, The Package, formed

    part of the Ridgedale One Act Festival in 2013. When he was invited to participate the following year, he

    asked Ridgedale producer Sandra Deering if she might like to look at plays from other members of the P@W

    group. The 2014 festival attracted so many people that Deering and her co-producer, Tony Kruzman,

    decided to invite P@W to participate this year.

    ―This is a lot of fun all around,‖ said P@W’s Laura Bradshaw. ―We get to see our works performed as

    something other than staged readings, and there’s a real sense of community – we have people from lots of

    the local theater groups involved as actors and directors, and some very talented actors who are taking a part

    for pure enjoyment.‖ Unlike the Village Player’s One Act Festival, scheduled the last weekend in July every

    year, the Ridgedale production showcases short plays – 10 to 15 minutes. ―This is sort of like [VP’s] Shorts

    and Sweets,‖ said Bradshaw, ―but with better production values, and everything memorized!‖

    The comedy-laden lineup includes a new version of Barb Schmitt’s A Slight Case of Paranoia, in which a

    wife becomes unnerved when her newly-retired husband starts behaving strangely – and unexpected

    consequences follow. A longer version of the dark comedy was presented at VP’s own One Act Festival last

    summer. VP’s Paul Gillin and Joyce McGookey reprise their roles as husband and wife; Stephen Sussman

    returns as director with Diane D’Agostino as his assistant.

    Paul Lang, who has several film and commercial credits under his belt, will appear with Rob Grodin in

    Arthur E. Tucker’s One and the Same. The play, which was first performed as a staged reading at VP

    several years ago, deals with a man’s comedic struggle to come to terms with his dominating alter ego. This

    will be the second time Lang and Grodin have shared the stage; the two met when performing in VP’s One

    Act Festival in 2011. Arthur Tucker will direct.

    P @ W’s Ann Forsaith recruited Ridgedale’s Eileen White to direct her 10-minute dramedy Busting Myths,

    in which a teenager discovers a surprise in her family history, and seeks confirmation in an unusual way.

    White, who is also a VP member, appeared in last season’s Come Back to the Five & Dime Jimmy Dean,

    Jimmy Dean, and is directing Ridgedale’s upcoming Out of Order.

    Laura Bradshaw’s comedy Zeugma, a play about word play, will feature the talents of Joy Oetjens, who lists

    the Avon Players as her home theater, and Ridgedale’s Tom Arwady. Both Arwady and Oetjens have

    performed at St. Dunstan’s recently – Arwady lent his talents with accents to multiple roles in St. Dunstan’s

    version of Spamalot in 2013, while Oetjens appeared in St. D’s Guys and Dolls and, more recently, Dial M

    for Murder. Zeugma, which was first performed at VP’s Shorts & Sweets, has also been presented as part of

    Drama West Fest in Los Angeles. Bradshaw directs the Ridgedale production of the play.

  • 8 The Prompter January 2015

    Rounding out the program are Mirror, Mirror, a new take on the story of Sleeping Beauty by writer Bruce

    Kane, and The Edge, a short play by Ridgedale actor/director Mike Jeffries. Veteran Ridgedale director and

    actor Pamela Shaw Heath helms Mirror, Mirror; Jeffries will direct his own work. Heath said all members

    of her cast are affiliated with Ridgedale, but several also work with Avon Players, St. Dunstan’s,

    Stagecrafters, and Village Players. Appearing in Mirror, Mirror are Jeannine Thompson, Greg Ruvalo,

    Sandra Deering, Kaitlin Steer, Scott Welborn, Michelle Renaud, Aaron Filipski, and Tom Arwady.

    The Ridgedale One Act Festival begins at 8:00 p.m. Friday and Saturday, January 30 and 31. Hors

    d’oeuvres will be served beginning at 7:30. Seating is general admission; a goodwill donation of $10 is

    suggested.

    Mark your calendars for 7:00 PM the evening of Saturday, February 21, 2015, at which time the Village

    Players will be hosting the second movie premiere of a play written by a member of

    Playwrights@Work. This comedy, "Matzoh Brei", is based on the one-act play by Stephen Sussman, which

    was performed on our stage in 2011. This film is once again directed and produced by Alan Canning, of A2

    Creative (who also directed "On the Line").

    The plot focuses on two adult daughters who come from out of town to

    visit their divorced college professor father and meet his latest (non-

    Jewish) girlfriend over brunch during Passover, featuring their father's

    signature holiday dish of matzoh brei. Antics ensue as the characters all

    get more than they bargained for.

    A number of talented actors who have graced the VP stage are featured

    in this film. The premiere will once again be a benefit both for Village

    Players and Playwrights@Work.

    Our last Benefit Premiere was a smashing success, and we hope you join us for this one which should prove

    to be lots and lots of fun!

    Tickets are $10 for general admission and are available on our website, www.birminghamvillageplayers.com

    or at the box office, 248-644-2075.

    MATZOH BREI - The Movie

    Director •Alan Canning • Written by Stephen Sussman Screenplay by Denver Rochon & Alan Canning

    Cast Mitch - Paul Lang Extras Talent

    Liz - Rachel Biber Kathryn Sussman

    Carey - Amy Lauter Jackie and Ron Lorfel

    Nicole - Colleen Gentry Maryanna Lauter

    Ellen - Kim Cruchon

    Doug - Jason Dilly

    Son - Caleb Biber

    Jonah (VO) - Alan Canning

    Victor - Stephen Sussman

  • 9

    Auditions Elsewhere

    Stagecrafters, Royal Oak MI

    Rumors

    Audition date: January 10, 9:00AM registration

    Performances: March 13-29

    http://www.stagecrafters.org/auditions.html#rumors

    Farmington Players, Farmington Hills MI

    How to Succeed in Business Without Really Trying

    Audition date: January 18, 11:00AM registration

    Performances: April 24-May 16

    http://www.gpt.org/auditions/

    St. Dunstan’s, Bloomfield Hills MI

    Love, Sex, and the IRS

    Audition dates: January 21-22, 6:30PM registration

    Performances: March 13-28

    http://stdunstanstheatre.com/auditions.php

    Avon Players, Rochester Hills MI

    Cat on a Hot Tin Roof

    Audition dates: January 25, 5:30PM registration; January 26, 6:30PM registration

    Performances: March 13-28

    http://www.avonplayers.org/site/current/1415/Cat/index.htm

    Grosse Pointe Players, Grosse Pointe MI

    The Producers

    Audition dates: February 6, 7:00-10:00PM; February 7, 1:00-5:00PM

    Performances: May 10-23

    http://www.gpt.org/auditions/

    The Prompter January 2015

    http://www.stagecrafters.org/auditions.html#rumorshttp://www.gpt.org/auditions/http://stdunstanstheatre.com/auditions.phphttp://www.avonplayers.org/site/current/1415/Cat/index.htmhttp://www.gpt.org/auditions/

  • 10 The Prompter January 2015

    Upcoming Events

    Prompter deadline January 20, 2014 View the VP online calendar at www.calendar.yahoo.com/vp_calendar

    January 11 Brighton Beach Memoirs Long Sunday – 1PM Board of Director’s Meeting – 7PM

    January 14 Board of Trustees Meeting – 6:30 PM

    January 15 Brighton Beach Memoirs Preview Performance – 8PM

    January 16 Brighton Beach Memoirs Opening Night and Afterglow – 8PM

    34660 Woodward Ave. Birmingham, MI 48009