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Memory, Myth and Ritual by Eunice Geustyn. To be seen at The South African Print Gallery Until 30 September Sanctuary, 1995. Lithograph and Screenprint. 70 x 100 cm

The SA Print Gallery presents Eunice Geustyn

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Page 1: The SA Print Gallery presents Eunice Geustyn

Memory, Myth and Ritual by Eunice Geustyn.

To be seen at The South African Print Gallery Until 30 September

Sanctuary, 1995. Lithograph and Screenprint. 70 x 100 cm

Page 2: The SA Print Gallery presents Eunice Geustyn

Memory, Myth & Ritual

By Eunice Geustyn

The major impetus of the body of work is an exploration of a personal ecofeminist ideology that proposes a new anthropology which recognizes that humankind should co-exist with nature, a relationship marked by co-operation and mutual care, not domination and exploitation. My prints are an exploration of philosophical and aesthetic metaphors which seek the residual quality of spiritual moments that link humankind and nature in indisputable ways by the recognition of spaces, objects, forms, and events that describe sacred places- repositories of religion, nature and culture. Certain elements of the iconography are derived through the visual reclamation of modes of ritual and myth from ancient societies. While modelled on the archetypal, the work is the result of a contemporary consciousness of a historical past and a highly personal response to the events of the present. One of the major recurring themes in the body of work is that of spinning and weaving. The motifs of weaving, spinning wheels, spindle whorls, spiders and maze patterns function as symbols of the creative, formative power of nature and the ideology that all life, including humankind, either is bound or linked or woven together. Thus the underlying metaphor is that humankind is only a component of the rich diversity of life. The thread that runs throughout the entire series is the evocation of the 'tainted sublime'. Each of the prints reveal an aspect of current environmental damage -skies suggest the effects of greenhouse gases and airborne industrial pollution and depictions of the ground are invariably barren and devoid of verdant growth or organic material is depicted as decaying or desiccated.

The South African Print Gallery Dealers in South African masters and contemporary fine art prints

107 Sir Lowry Road, Woodstock, Cape Town Tel (021) 462 6851 | [email protected]

www.printgallery.co.za

Page 3: The SA Print Gallery presents Eunice Geustyn

Reliquae, 1995. Lithograph and Screenprint. 70 x 100 cm

Page 4: The SA Print Gallery presents Eunice Geustyn

Ceremony, 1995. Lithograph and Screenprint. 70 x 100 cm

Page 5: The SA Print Gallery presents Eunice Geustyn

All that Remains, 1999. Lithograph and Screenprint. 70 x 100 cm

Page 6: The SA Print Gallery presents Eunice Geustyn

Epiphany, 1995. Lithograph and Screenprint. 70 x 100 cm

Page 7: The SA Print Gallery presents Eunice Geustyn

Dystopia, 1995. Lithograph and Screenprint. 70 x 100 cm

Page 8: The SA Print Gallery presents Eunice Geustyn

Westward, 1996. Lithograph and Screenprint. 100 x 140 cm

Page 9: The SA Print Gallery presents Eunice Geustyn

Aftermath, 1996. Lithograph and Screenprint. 100 x 140 cm

Page 10: The SA Print Gallery presents Eunice Geustyn

The Ties that Bind, 1996. Lithograph and Screenprint. 100 x 140 cm

Page 11: The SA Print Gallery presents Eunice Geustyn

Prayers for the Dead, 1996. Lithograph and Screenprint. 100 x 140 cm

Page 12: The SA Print Gallery presents Eunice Geustyn

Babylon 1999. Lithograph and Screenprint. 70 x 100 cm

Page 13: The SA Print Gallery presents Eunice Geustyn

Bloodline, 1999. Lithograph and Screenprint. 70 x 100 cm

Page 14: The SA Print Gallery presents Eunice Geustyn

Requiem, 1995. Lithograph and Screenprint. 70 x 100 cm

Page 15: The SA Print Gallery presents Eunice Geustyn

Passage, 1997. Lithograph and Screenprint. 70 x 100 cm

Page 16: The SA Print Gallery presents Eunice Geustyn

Dancing at the Edge of the Wasteland, 1995. Lithograph and Screenprint. 70 x 100 cm

Page 17: The SA Print Gallery presents Eunice Geustyn

Guardian, 1995. Lithograph and Screenprint. 70 x 100 cm