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NATHAN SHIRLEY Piano Solo MARSYAS MUSIC PUBLICATIONS The Seven Modes The Seven Modes The Seven Modes The Seven Modes

The Seven Modes- Solo Piano

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This is the same as The Seven Modes for any two instruments, or for piano- however this version is written specifically for piano solo and is more difficult and complex.

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Page 1: The Seven Modes- Solo Piano

NATHAN SHIRLEY

Piano Solo

MARSYAS MUSICPUBLICATIONS

The Seven ModesThe Seven ModesThe Seven ModesThe Seven Modes

Page 2: The Seven Modes- Solo Piano

The Seven ModesThe Seven ModesThe Seven ModesThe Seven ModesI - Locrian - page 3

II - Phrygian - page 4

III - Aeolian - page 6

IV - Dorian - page 7

V - Mixolydian - page 8

VI - Ionian - page 9

VII - Lydian - page 10

About Notation-

Many of Nathan Shirley's compositions contain little or no articulation or dynamic markings. This is notbecause they should be performed dry and lifeless, instead interpretation is left largely to performers.However, in other cases dynamics and articulations will be found; bear in mind these represent only onepossible interpretation and are offered as suggestions only.

Grace notes with slashes are to be played before the beat (they will always appear as 1/16 notes).

Grace notes without slashes are to be played on the beat (they will always appear as 1/8 notes, and oftenbe found before trills, indicating the trill should begin on the upper note rather than the lower).

Terms of use-

This music may be copied, printed, downloaded, and distributed at no cost. However, without explicitpermission there are two limits of use: you may not use the music for monetary gain nor alter the musicfrom its current state.

If you wish to professionally perform this music, broadcast it, arrange/transcribe it, license it, or in anyway alter or profit from its use, write to [email protected] with a brief description of theproject. In many cases basic information about the potential project is all that is required beforeapproval is granted.

This work is protected under the Creative Commons Attribution-Noncommercial-No Derivative Works3.0 United States License.

For more music visit- www.NathanShirley.org

MARSYAS MUSICwww.MarsyasMusic.org

Page 3: The Seven Modes- Solo Piano

C 2009, by Nathan Shirley - www.NathanShirley.org

q = ca. 180

6

11

17

23

421 3 1 4

421

421

The Seven ModesThe Seven ModesThe Seven ModesThe Seven ModesNathan Shirley

LocrianLocrianLocrianLocrian

321 5

321 1 4

521

421 1

4

3

Page 4: The Seven Modes- Solo Piano

27

34

42

q = ca. 140

56

61

After Lydian, repeat

Locrian again, only faster

PhrygianPhrygianPhrygianPhrygian

3

4

Page 5: The Seven Modes- Solo Piano

66

71

76

81

85

90

94

2 1 1 4

21 1 1 4

5

Page 6: The Seven Modes- Solo Piano

q. = ca. 86

6

12

18

23

29

34

2

AeolianAeolianAeolianAeolian

41

2

3

4

3

2

5 1

4

3

2

6

Page 7: The Seven Modes- Solo Piano

40

q. = ca. 86

7

13

19

22

4

3

52

DorianDorianDorianDorian

4

31

52

4

7

Page 8: The Seven Modes- Solo Piano

q = ca. 86

30

34

39

43

47

1

MixolydianMixolydianMixolydianMixolydian

1

31

1

1

8

Page 9: The Seven Modes- Solo Piano

q = ca. 130

54

58

62

66

70

73

IonianIonianIonianIonian

2 2

2

2

2

31

31

31

3

9

Page 10: The Seven Modes- Solo Piano

77

q = ca. 160

85

89

93

97

100

3

41 5

241

52

4

LydianLydianLydianLydian

4

2

2

4 2

2 2

2

After Lydian, repeat

Locrian again, only faster

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