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The thing around your neck.

The Thing Around Your Neck study notes

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Page 1: The Thing Around Your Neck study notes

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The thing around

your neck.

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About me.

Annabel Aldous

Taught Year 12 English and EAL 25 years- Monterey S!

South "akleigh S! #ohn Monash Science School.

$ublished %ith &nsight! Edited 'ea( Encountering

on)lict *uide! 'elson English Manual.

15 years +AA English Assessor.

$resenter at +ATE Student ,eision ays! +ATE English

and EAL days.

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The thing around your neck- some

adice and actiities )or students.

Getting into the text.

himamanda 'go/i Adichie %as born in 'igeria in 10 to Igbo 

(arents %ho both %orked at the niersity o) 'igeria! her

)ather as e(uty +ice hancellor! and her mother as ,egistrar.At the age o) nineteen! she gained a scholarshi( to study

communication at re3el niersity in $hiladel(hia )or t%o

years! and she %ent on to com(lete a masters o) reatie

4riting at #ohns o(kins niersity. She has %ritten t%o

a%ard %inning noels and this collection o) stories.

Students- Search )or her biogra(hy on her %ebsite! and makenotes in your reading 6ournal o) the 6ourney she took to

become a %riter. Also! re)lect on some areas o) ins(iration

she may hae deelo(ed! liing so much o) her li)e bet%een

America and 'igeria.

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'igeria.

'igeria is the most (o(ulous country in A)rica! and has a aried history o)

colonialism! (olitical con)lict and ethnic tension.

Students- hoose t%o o) the )ollo%ing categories! and (ut together an

in)ormatie (aragra(h on each based on research! to be shared %ith your

small grou( o) eight. You %ill (resent your )indings to the grou(! and eachstudent %ill take their o%n notes o) each other7s %ork.

Colonialism in 'igeria

Military ,ule

&nde(endence

Coup d’état

,eligion

,esources

Chinua Achebe

Biafran War 

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How authors construct meaning.

Getting into the text.

As you read the collection! kee( a reading 6ournal! either in an

e3ercise book or digitally! using any other a(( or (rogram thatallo%s you to continually u(date ideas! images! links! audio )iles and

ideo cli(s. 8or each story! make sure you include the )ollo%ing

in)ormation9 it %ill be ery use)ul in discussing metalanguage-

haracter names and descri(tions

:ey issues and ideas o) the author

4hat narrative point of view is being used; <8irst (erson! second(erson! third (erson narration=

Setting

4hat does it hae in common %ith other stories;

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o% should you (re(are )or

the e3am;A"S 1- *et eerything in one (lace- notes! >uotes! analysis.

A"S 2- ecide on ?-@ models and cra)t them until they are (er)ect.

A"S ?- o (ractice e3am(les and get )eedback. Aim )or detail! then

s(eed.

&nsight! 'ea(! te3t books.

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T e)ore you attem(t

(ractice essays- A"S 1.

You must consolidate your notes and ensure that you hae a

thorough kno%ledge o) the te3t. $re(are the te3t your are

most enthusiastic about! the one you understand best.

arderBMore (o(ular;

se notes books <&nsight! 'ea(! class notes! discussions

%ith teacher and reliable )riends. Look at (ast e3am to(ics

reak your notes into themes and characters.

&nclude obserations o) metalanguage techni>ue- )ilm and

te3t. 1B(aragra(h.

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&nclude >uotes in your notes.

*o through the te3t one last time.

est case scenario-

nder haracters and Themes! %rite do%n eerything thatcould be use)ul. &nclude main and minor characters.

A)ter this )inal reie%! you %ill not need to return to the

te3t. se class notes! &nsightB'ea( to add detail. o

mind ma(s.

4orst case scenario-

4hat i) & don7t kno% ery much to begin %ith and my

notes are ho(eless;

Summarise notes! learn >uotes. S(ecialise in C- short

stories. ra% links to other stories! dra% a mind ma(.

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E3am Essay To(ics A"S 1

haracter

Theme

Metalanguage.

$re(are under each heading so you can easily organi/e

your kno%ledge.

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Taking 'otes.

4hen you %rite a SA or e3am ans%er! you %ill hae the

o((ortunity to select )rom the stories you hae studied.

+ery o)ten you %ill include )our or )ie in detail! and so

%ill need to grou( them in your mind in terms o) %hatthey hae in common. You could make this task easier

by using key %ords in your %riting 6ournal to describe

each story as you )inish it- such as Dcon)lict7!

Drelationshi(s7! D)amily7! Dhusbands7! Dloneliness7!

Disolation7! D%riting7! Dracism7! Dsimilarities7. A short

descri(tion o) the story %ould also hel(! making iteasier to remind yoursel) o) %hat ha((ened in each

(iece.

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uestions to ans%er about

each (iece. 4hat ha((ened in that story;

&s there anything & don7t understand or that & can7t make sense o);

4hat issueBs is the author (resenting;

4hat is the author7s o(inion on the issue! ho% does she )eel about

the characters and their behaiour;

an & link the story to other stories & hae read in this collection;

Are there similar themes! characters and (roblems being (resented

in di))erent %ays;

an & relate the characters and issues to my o%n e3(erience or the

e3(erience o) (eo(le & kno% in Australia;

Are the (roblems Adichie is identi)ying and e3(loring international!

or limited to a (articular time and (lace in history;

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&n each story! look )or and

highlight the )ollo%ingF

structures! )eatures! conentions chosen by the author- )lashbacks! a

circular narratie! time shi)ts! Dstory %ithin a story7.

te3tual elements such as language and images- the language characters use

re)lects their state o) mind and (ersonality. e on the lookout )or ho%

language has been selected to reeal the status or (osition an indiidualhas in relation to other characters.

the %ays in %hich authors e3(ress or im(ly a (oint o) ie%- Adichie

e3(resses some key concerns through her short stories. ,e)lect on ho% shes(eaks through her characters and their res(onses to each other.

use o) metalanguage-consider ad6ectie choices! conersations bet%een

characters! internal dialogue! >uestions! relationshi(s bet%een characters.

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Themes. &solation

Tradition

8amilies

"utside De3(erts7

8amily relationshi(s.

 ciil %ar and its long- and short-term im(acts

 gender and (o%er dynamics

 (ostcolonial identity

%ealth and (oerty

regret and lost o((ortunities

 immigrant e3(erience and negotiating multi(le cultures

 agency and )ate.

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ell "ne.

GCell OneG9 An over indulged brother is sent to prison and has

experiences that change his life.

 

This story describes the troubles %ithin the )amily! %ith the%ay%ard son 'namabia stealing his mother7s 6e%ellery! through

to the more menacing descri(tion o) his incarceration and test

o) his character in an isolated! a((arently la%less (rison. 

Group discussionF Adichie is interested in the e))ect an

undisci(lined and oer indulged generation o) young (eo(le has

on a nation. iscuss ho% she communicates this %ith thereader. o you think she is 6usti)ied in being concerned )or the

)uture;

ThemeF +iolence! siblings and )amily dynamics.

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A rivate !xperience" p. ##$%&.

"  A Private Experience"; two women with different

backgrounds hide together during a riot between

Christians and Muslims.

 

Group discussionF 4hat is the im(act on the reader o)

6u3ta(osing the su((ort the t%o indiiduals gie each

other! in the midst o) horri)ying threat and )ear;

,eligion! con)lict! identity.

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Ghosts' A retired professor reflects on

his life.

 

Group discussionF &) the (resent is too (ain)ul to co(e

%ith! is there any harm in liing %ith an alternate

reality; Must all our realities be the same! i) %e are totruly understand each other;

ThemesF 'ostalgia! the (ast! identity.

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" On (onda) of *ast +ee,"

Kamara, a igerian woman , has finall! oined her

husband in America but struggles with her new life, she

works as a nann! to a !oung bo! and develops a crush

on his artist mother. Group discussion' iscuss the role )riendshi( and

su((ort )rom others can (lay in hel(ing an indiidual

deal %ith loneliness and isolation.

Marriage! identity! (arenting.

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G-umping (on,e) HillGF

#t is the venue for the African $riters% $orkshop in Cape

&own, where !oung writers from different African ations

write and have their work criti'ued b! (dward, an )expert%

on African *iterature. Group discussion' The Dreal A)rica7 is a((ro(riated by a

range o) characters in Adichie7s stories. iscuss ho%

you %ould )eel about your %riting being criticised )or

not being re(resentatie o) the culture you identi)y

%ith by someone your (erceie to be an outsider.

A)rican %riters! identity.

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GThe Thing Around our

/ec,GF  After winning an American visa, Akunna leaves her

)uncles% house after he sexuall! assaults her. +uffering

 from crushing loneliness, she forms a relationship with

a man at the restaurant where she works, but finds heis unable to reall! understand her.

Group 0iscussion' Loneliness and isolation are key

themes in Adichie7s stories. o% do her characters

struggle to )ind their (lace in a ne% enironment;

ThemesF identity! cultural di))erence.

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GThe American !mbass)GF

 A woman seeks an American visa, da!s after soldiers killed

her son, looking for her ournalist husband in their home.

 Group 0iscussion' Adichie creates characters %ith strong

conictions and standards o) moral behaiour. 4hat aluesare a((arent in this story! %hy doesn7t the mother make

the best o) her situation;

ThemesF +iolence! immigration.

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GThe ShiveringG

 A woman and man support each other on the da! of a

 plane disaster in igeria; she worries that her ex

bo!friend ma! have been killed. &he! reveal some of their

true selves to each other. Group 0iscussion' ,eligion o))ers solace to those liing

a%ay )rom home! but Adichie em(hasi/es the

di))erences bet%een 'igerian and American

atholicism. oes )aith make it easier or more di))icult

)or Adichie7s characters;

&mmigrants e3(erience.

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GThe Arrangers of (arriageG

#t describes the difficulties a igerian woman faces

when starting a new life in America with her husband

who reects all reminders of home.

Group 0iscussion' Marrying a doctor and liing inAmerica is seen by those back home as the (assage to a

(ros(erous li)e. 4hat do you think Adichie is suggesting

about the sacri)ices necessary to achiee this goal;

ThemesF &dentity! marriage! cultural di))erence.

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GTomorrow 1s Too 2arGF 

 A stor! about a secret kept from a famil! about a precious

son%s death.

 Group 0iscussion' Adichie e3(lores the sibling 6ealousy

that emerges )rom )amilies %here (arents )aour sonsoer daughters. 4hat is your understanding o) this; &s

the narrator to be condemned;

8amily! gender! the(ast.

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GThe Headstrong HistorianG

#t tells a famil!%s stor!, from grandmother through to

 granddaughter, of women who fight to gain respect and

their due in a world of domineering men.

Group 0iscussion' o% do you think Adichie )eels aboutcharacters like '%amgba; 4hy do you think she has

created a story %ith a circular theme! the (ast leading

to the (resent; onsider ho% this re(resents her ie%s

on the deelo(ment o) 'igeria and her (eo(le.

ThemesF religion! identity.

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$re(are introductions in adance. Aim

)or ? sentences! general to(ic-te3t.

Memorise (arts o) an introduction-&n her 2II0 collection o) short

stories! The thing around your

neck! himamanda 'go/i Adichie

e3(lores the >uestionBissue o)J.

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How texts can be

interpreted. 1nfluences on interpretation.

himamanda 'go/i Adichie is a 'igerian %oman born in

10! )rom a middle class )amily as the )i)th o) si3

siblings! %ho gre% u( in a house %here the )amousA)rican %riter hinua Achebe used to lie. er mother

and )ather %orked at the niersity o) 'igeria! and she

studied medicine be)ore she le)t to study creatie

%riting in the .S.

onsider those )acts )or a minute. an you guess ho%each may hae had an im(act on her attitudes and

alues; All o) our e3(eriences! (ositie and negatie!

contribute to the (erson %e become and the lens

through %hich %e see the %orld.

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Essay to(ics.

3. Adichie4s stories show that isolation and loneliness are

often the result of mismatched expectations.

2. Adichie7s characters con)ront a range o) obstacles in

(ursuing ha((iness and )ul)ilment.

-. elationships give us the strength us to overcome

hardships. /iscuss.

@. DAdichie7s stories suggest that there is al%ays more than

one (oint o) ie%.7 iscuss.

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5. Dislocation and e3ile )orce the characters in &he

&hing Around 0our eck to con)ront truths about

themseles.7 o you agree;

 C. D'one o) the characters in this collection eer really)ind ha((iness.7 iscuss %ith close re)erence to three o)

the stories.

. DAdichie7s stories e3(ose the %ay that %omen are

de(ried o) (o%er in society.7 iscuss.

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K. DAll o) the characters in &he &hing Around 0our eck!

een the children! are motiated by the desire )or (o%er.7

o you agree;

0. DAdichie7s stories are highly critical o) 4estern society.7

o you agree;

1I. DThe characters in Adichie7s stories are directionless

and disconnected )rom the society in %hich they lie.7

iscuss.

11. D'one o) the characters in &he &hing Around 0our eck

esca(e the harm)ul e))ects o) stereoty(ing.7 o you agree;