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6 7 5 5 N e w l i n A v e .
W h i t t i e r , C A 9 0 6 0 1
5 6 2 - 9 4 5 - 3 8 7 1
The Whittier Museum
GAZETTE S e p t e m b e r 2 0 1 6 V o l u m e 4 3 N u m b e r 9
M o n t h l y N e w s l e t t e r
o f t h e W h i t t i e r
H i s t o r i c a l S o c i e t y &
M u s e u m
M u s e u m h o u r s :
F r i d a y & S a t u r d a y
1 t o 4 p . m .
w e b s i t e :
w h i t t i e r m u s e u m . o r g
E m a i l :
i n f o @
w h i t t i e r m u s e u m . o r g
Mark Your
Calendar!
Sept. 24
Scouting Heritage
merit badge in
conjunction with our
Boy Scouts of
America exhibit,
1 p.m.
Nov. 18
Night at Museum,
6:30-9:30 p.m. Come
experience great
wine, beer and
festive food while
listening to toe-
tapping music. Visit
whittiermuseum.org
for ticket information
The mission of the Whittier
Historical Society is to
collect, preserve, and
exhibit materials of
historical and cultural
significance to the history
of the greater Whittier
area.
History behind Nazi flag
On July 21 the
Whittier Museum
received considera-
ble attention when
an image of a redis-
covered Nazi flag
was posted on our Face-
book page. The flag was
discovered by former
Historical Society Presi-
dent Tracy Wittman and
myself, a current muse-
um board member, when
making renovations to
the museum’s textiles
room.
The flag had been
tucked above rows of
military uniforms in a
box plainly labeled
“Nazi Flag” that went
unnoticed for some time.
When it was unfurled
the museum staff was
stunned at the excellent
condition and gigantic
size of the flag, measur-
ing at nearly 15 feet long
and 9 feet wide with
minimal damage. Some
of the first responses on
Facebook consisted of
negative remarks rang-
ing from calling our
post: offensive, disre-
spectful, in bad taste,
insensitive, one mother
refusing to bring her
daughter to the Museum
and another assuming
Whittier would become
associated with Nazism
as a result of our post.
Despite these criticisms
the post sparked several
debates among com-
menters and Museum
staff about the im-
portance of exhibiting
Flag/Page 2
By Nicholas Edmeier
Board Member
Photo by Tim Traeger
Whittier Historical Society board member Nicholas Edmeier exam-
ines a World War II Nazi flag that was discovered in the Museum’s
textile room on July 21.
P a g e 2
T h e W h i t t i e r M u s e u m G a z e t t e
2016-2017
Board of Directors
President: Stephanie Butler
Vice Presidents: Lydia Espinoza
and Roxy White Ornelas
Treasurer: Nicholas Teel
Secretary: Erin Fletcher Singley
Lisa Abbate
Virginia (Ginny) Ball
Virginia Boles
Joseph Dmohowski
Judi Henderson
Paul Moore
Sean Thomsen
Nicholas Edmeier
Lorayne Horka
Cassidy Russell
Leslie Wilson
John Garside
Bailey House Coordinator
Tracy Wittman
Executive Director
Tim Traeger
Office Manager
Kyle Smith
Whittier Museum’s
Key Patrons 2015-2016
BCM Foundation
Ceres Foundation
The City of Whittier
Employees Community Fund
Of Boeing California
Don Knabe, LA County
Supervisor 4th District
National Charity League
Ralph M. Parsons Foundation
Southern California Edison
Robert & Virginia (Ginny) Ball
Rev. Tom & Virginia Boles
Bob & Judi Henderson
Sylvia Foltz
Dolores Gonzalez-Hayes
Barbara & Don L. Jenkins
Ralph & Jeanne Muhlestein
Erika Owens
Flag/From the front page
history’s darkest moments
and its relation to current
generations. When the
photo was posted the mu-
seum staff had no idea
where this flag came from
and regrettably had no sto-
ry to connect with the post,
leaving it open to debate.
In order to understand
the complete history of our
Nazi flag and its arrival in
the U.S., I first consulted
with an expert on Nazi his-
tory from the Simon Wie-
senthal Center and to get
an opinion about our Face-
book post. I met with Aa-
ron Breitbart, a 33-year
researcher and history
teacher with the Museum
of Tolerance who was kind
enough to meet with me
and lend his expertise for
our benefit. Together we
looked at photos of the flag
and he proceeded to tell
me everything he knew
about what kind of flag we
owned, along with other
important details. By the
end of our meeting Aaron
expressed his appreciation
for our post and became
very interested in the pro-
gress that would follow.
The Nazi flag we have
is one of two designs
called a
Reichskriegsflagge, the
German Imperial War
Flag, one that was person-
ally designed by Adolf
Hitler. The Imperial War
Flag is an official military
banner that’s been used by
the German army since the
mid-19th century that
would bear the coat of
arms and national colors;
this type of flag was used
for the last time after the
fall of the Third Reich in
1945. The Nazi war flag
was first raised in 1935
outside the Bendlerblock
Building in Berlin which
was the headquarters for
the Kriegsmarine, the Nazi
Navy. Because of this it is
often referred to as a navy
flag when it was actually
used by all divisions of the
German military, including
the Heer (army) and Luft-
waffe (air force). The
Reichskriegsflagge is also
known for being the flag
new recruits would swear
their allegiance to Hitler
and the Third Reich when
joining the Nazi Party.
The Whittier Museum’s
flag is the second version
first used in 1938; the two
designs are distinguished
by the change in the thick-
ness of white and black on
the Nordic cross around
the swastika. After the de-
feat of the Nazis it was
common for soldiers to
take home spoils of war
ranging from flags, weap-
ons, uniforms, etc.
When the flag is re-
versed you can see at the
top a label printed in faint
gray across the white trim-
ming: OZ Reichskriegsllg
3x5. It was common for
the German military to put
a seal of approval on their
products, such as the
Waffenamt Code that were
regulated by the German
Army Weapons Agency.
Aaron confirmed that
“Reichskriegsllg” was an
abbreviation for
Reichskriegsflagge. The
accompanying numbers
3x5 were revealed to be
the flag’s exact measure-
ments in meters. The
Reichskriegsflagge had to
be produced the exact
same size every time be-
cause it was always raised
at the soldiers’ barracks.
Unfortunately finding out
what OZ stands for has
been difficult, especially
since the majority of this
print has been smudged.
This is most likely an ab-
breviation for the particu-
lar company that produced
the flag.
However, the smallest
piece of evidence that can
be missed is located next
to the 3x5. Handwritten in
faint brown, almost faded
away, is the word
“Strasbourg.” Strasbourg is
one of the largest cities on
the French and German
Flag/Page 3
P a g e 3 V o l u m e 4 3 N u m b e r 9
border. This was most likely written
by the soldier who took possession of
this flag and attempted to write the
name of the place he was either cur-
rently in or specifically where the flag
came from. Aaron explained that one
of the most notorious concentration
camps was located near Strasbourg
called Natzweiler-Struthof. It was lib-
erated by French and American forces
in 1944 during which they discovered
the Nazis’ attempt to create a Jewish
skeleton display that would show the
inferiority of non-Aryan biology along
with a crematorium specifically de-
signed to heat the soldiers’ barracks.
Was our soldier present during the lib-
eration of this camp or had he simply
been present during the liberation of
Strasbourg? And if so who is he?
This has been the most puzzling mys-
tery since rediscovering our Nazi war
flag. Museum records document that
the flag was donated in 1986 by Mr. &
Mrs. Leonard Norman; regrettably no
other story was accompanied with the
donation. I attempted to find the Nor-
mans, but they had long been gone
from their home on Ahmann Avenue
and no one else has been able to sup-
ply information on them. The mys-
tery unfolded more when several
Whittier residents claimed that the
flag was originally brought to the U.S.
by Bill Baker, now deceased as of
2013. Bill Baker’s sister-in-law, Nan-
cy, and biological sister, Murad, have
both been helpful in discovering more
about Bill. Regrettably neither sister
knew about the Nazi flag but con-
firmed that Bill was in World War II
along with his brother, Lindy, who
died earlier in 2000. Both families re-
gret that the brothers shared little of
their personal experiences during the
war. If Bill, possibly even Lindy,
brought the flag to the U.S. how did it
become donated by the Normans?
This is the more tragic side of the his-
torian who encounters broken pieces
to a story they’re looking to finish and
must rely on speculation. If Bill
brought the Nazi flag to the U.S. did
he at some point give it to the Nor-
mans who would then donate it to the
Museum?
“Know and not promote.” That was
Aaron’s advice when discussing our
Facebook post, especially in regard to
a topic like intolerance. The whole
point of this research has become
based on something else Aaron point-
ed out about the “battle for memory”
in how we struggle with preserving
the memories of tragedies in today’s
world.
Some Facebookers saw the post as a
symbol of hate still felt in today’s cul-
ture, which is true, but the counter ar-
guments understood this is history, an
established fact no one should hide or
minimize.
The Whittier Museum is a historical
institution whose purpose is to pre-
serve and educate. We have never pro-
moted and never will promote any
type of fanatic group. Our duty as a
museum is to show our guests the evi-
dence of the past, explain what we
know happened and hope this infor-
mation will benefit their lives with
valuable knowledge that makes them
aware of consequences committed by
previous people. The Whittier Muse-
um is not just about the city’s history.
It is part of a global history because
our residents have gone beyond the
city streets and have become part of
the bigger world of politics, cultural
change and war.
Nicholas Edmeier is a Whittier His-
torical Society docent, board mem-
ber and student at Whittier College.
Flag/From Page 2
Historic Bailey Houses span the United States! The Jonathan Bailey House is familiar to most WHS members as the first home in
the City of Whittier. The house was built in the late 1860s and Quakers Jonathan
and Rebecca Bailey moved into the modest home on Camilla Street in 1887. The
house is listed on the National Register of Historic Places. But did you know that
there are actually two Jonathan Bailey houses listed on the National Register?
The second Bailey house was built in 1825 in Yates County, New York and is a
fine example of late-Federal/Greek Revival style architecture. The New York
Bailey is not related to the Whittier Bailey. But wait—there’s more! Gordon Joyce
(great, great grandson of Jonathan and Rebecca Bailey) reported that there is in
fact a third Bailey House on the National Register. The third Bailey House be-
longed to missionary Edward Bailey (again, no relation to the Whittier Baileys) who
built one of the first western style houses in Wailuku on the island of Maui in 1833. It is now a history and art museum
owned by the Maui Historical Society.
Bailey House Museum in Maui, Hawaii
WHITTIER HISTORICAL
SOCIETY & MUSEUM
6755 Newlin Ave.
Whittier, CA 90601
NON-PROFIT ORG.
U.S. POSTAGE PAID
WHITTIER, CA
PERMIT #202
We are overwhelmed
by the generosity of our
supporters and mem-
bers who answered the
call and donated money
to replace our old gal-
vanized plumbing with
new copper fittings.
We’ve made a great
start to reach our goal
and want to thank each
patron who contributed
to this fund. However,
we still need your help
to resolve the issue
completely. Any amount
will suffice. Your tax-
deductible contribution
is needed to carry us
the rest of the way and,
effectively, keep our
collections above water.
Thanks again for your
support.