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Compiling and Processing The Yale–Classical Archives Corpus ycac.yale.edu Christopher Wm. White University of North Carolina–Greensboro Ian Quinn Yale University 505 8,980 3,818,712 12,415,229 composers pieces/movements quarter notes of music chords What’s in it? Pitch-class and time data from MIDI files contributed by users of classicalarchives.com METADATA (per piece) Title Composer Catalogue No Date Instrumentation Genre Nationality Key Modulations MIDI filename DATA (per slice) Offset Chord Normal Form PC Normal Order Global Scale Degrees Highest Pitch Lowest Pitch MIDI Filename Composer Local Tonic Local Mode Local Scale Degrees Confidence A windowed key-profile analysis was performed with music21 using the Krumhansl-Schmuckler (KS) key-finding algorithm and the Bellman-Budge key pro- files (see Krumhansl 1990, Bellman 2005, and Cuthbert and Ariza 2011). Windows were 8 slices in length. Thus each slice was analyed in 8 windows. If a slice was analyzed in two different keys in two dif- ferent windows and the maximal KS confidence values for the two keys was 0.1 or less, no local key was re- corded. Otherwise the key producing maximal KS confi- dence was recorded as the Local Key for the slice. “Salami slicing” is our term for a cheap way of dealing with polyphonic data. A new slice is drawn whenever a note enters or leaves the texture. Music21 calls this “chordifying.” TIME PERIODS KEY FINDING WHAT’S A “SLICE”? TOP COMPOSERS TOP GENRES TOP SLICES (BY SCALE DEGREE CONTENT) 0 500 1000 1500 2000 2500 - 500,000 1,000,000 1,500,000 2,000,000 2,500,000 3,000,000 3,500,000 4,000,000 1600-1649 1650-1699 1700-1749 1750-1799 1800-1849 1850-1899 1900-1949 pieces slices 0 200 400 600 800 1000 1200 1400 - 200,000 400,000 600,000 800,000 1,000,000 1,200,000 1,400,000 1,600,000 Sonata Other Solo Etude Symphony Opera Prelude Concerto Secular Song Character Piece String Quartet Duet Chamber Son Dance Mvt. Solo Suite Prelude/Fugue Chorale Cto. Grosso Orch. Suite Accomp. Sonata Texted Sacred Fantasy Mass Trio pieces slices International Conference on Music Perception and Cognition — Seoul, Korea — August 2014 0 100 200 300 400 500 600 700 800 900 1000 - 200,000 400,000 600,000 800,000 1,000,000 1,200,000 1,400,000 1,600,000 1,800,000 Bach Beethoven Brahms Byrd Chopin Debussy Handel Haydn Liszt Mendelssohn Mozart Saint-Saens Scarlatti Schubert Schumann Tchaikovsky Telemann Vivaldi Wagner pieces slices SD n Log(f) SD n Log(f) SD n Log(f) I 374631 -1.05 Re Sol 64643 -1.81 vi 29171 -2.16 Sol 242347 -1.24 Ti 58621 -1.85 La Do 27243 -2.19 Do 174454 -1.38 Re Fa 55378 -1.88 Le 26148 -2.20 V7 156050 -1.43 Do Me 50368 -1.92 viio7 23645 -2.25 i 149263 -1.45 Fa Sol Ti 44435 -1.97 iv 23533 -2.25 V 146436 -1.46 IV 44273 -1.98 Do Fa 23448 -2.25 Do Mi 136987 -1.48 La 43199 -1.99 iii 22552 -2.27 Do Sol 109906 -1.58 Fa Sol 42267 -2.00 vi7 21067 -2.30 Mi Sol 94982 -1.64 Me Sol 41544 -2.00 bVI 19946 -2.32 Re 85732 -1.69 Me 40180 -2.02 Do Re 19853 -2.32 Mi 78252 -1.73 Ti Re 38253 -2.04 Fi 19618 -2.33 Sol Ti 73901 -1.75 vii 34391 -2.09 Do Re Sol 19307 -2.34 Fa 73578 -1.75 ii 29614 -2.15 Do Re Mi Sol 18288 -2.36 Re Fa Sol 68660 -1.78 Fa La 29276 -2.15 Do Re Fa 17980 -2.37

The Yale–Classical Archives Corpus · The Yale–Classical Archives Corpus ycac.yale.edu Christopher Wm. White University of North Carolina–Greensboro Ian Quinn Yale University

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  • Compiling and ProcessingThe Yale–Classical

    Archives Corpusycac.yale.edu

    Christopher Wm. WhiteUniversity of North Carolina–Greensboro

    Ian QuinnYale University

    5058,980

    3,818,71212,415,229

    composerspieces/movementsquarter notes of musicchords

    What’s in it?Pitch-class and time data fromMIDI files contributed by users

    of classicalarchives.com

    METADATA(per piece)

    TitleComposer

    Catalogue NoDate

    InstrumentationGenre

    NationalityKey

    ModulationsMIDI filename

    DATA(per slice)

    OffsetChord

    Normal FormPC Normal Order

    Global Scale DegreesHighest PitchLowest Pitch

    MIDI FilenameComposerLocal TonicLocal Mode

    Local Scale DegreesConfidence

    A windowed key-profile analysis was performed with music21 using the Krumhansl-Schmuckler (KS) key-finding algorithm and the Bellman-Budge key pro-files (see Krumhansl 1990, Bellman 2005, and Cuthbert and Ariza 2011).

    Windows were 8 slices in length. Thus each slice was analyed in 8 windows.

    If a slice was analyzed in two different keys in two dif-ferent windows and the maximal KS confidence values for the two keys was 0.1 or less, no local key was re-corded. Otherwise the key producing maximal KS confi-dence was recorded as the Local Key for the slice.

    “Salami slicing” is our term for a cheap way of dealing with polyphonic data. A new slice is drawn whenever a note enters or leaves the texture. Music21 calls this “chordifying.”

    TIME PERIODS

    KEY FINDING

    WHAT’S A “SLICE”?

    TOP COMPOSERS

    TOP GENRES

    TOP SLICES (BY SCALE DEGREE CONTENT)

    0

    500

    1000

    1500

    2000

    2500

    -

    500,000

    1,000,000

    1,500,000

    2,000,000

    2,500,000

    3,000,000

    3,500,000

    4,000,000

    1600-1649 1650-1699 1700-1749 1750-1799 1800-1849 1850-1899 1900-1949

    pieces

    slices

    0

    200

    400

    600

    800

    1000

    1200

    1400

    -

    200,000

    400,000

    600,000

    800,000

    1,000,000

    1,200,000

    1,400,000

    1,600,000

    Sona

    ta

    Othe

    r Solo

    Etude

    Symp

    hony

    Opera

    Prelu

    de

    Conc

    erto

    Secu

    lar So

    ng

    Chara

    cter P

    iece

    Strin

    g Qua

    rtet

    Duet

    Cham

    ber S

    on

    Danc

    e Mvt.

    Solo

    Suite

    Prelu

    de/Fu

    gue

    Chora

    le

    Cto.

    Gros

    so

    Orch

    . Suit

    e

    Acco

    mp. S

    onata

    Texte

    d Sac

    red

    Fanta

    sy

    Mas

    s Tri

    o

    pieces

    slices

    International Conference on Music Perception and Cognition — Seoul, Korea — August 2014

    0

    100

    200

    300

    400

    500

    600

    700

    800

    900

    1000

    -

    200,000

    400,000

    600,000

    800,000

    1,000,000

    1,200,000

    1,400,000

    1,600,000

    1,800,000

    Bach

    Beeth

    oven

    Brah

    ms

    Byrd

    Chop

    in

    Debu

    ssy

    Hand

    el

    Hayd

    n Lis

    zt

    Men

    delss

    ohn

    Moz

    art

    Saint

    -Sae

    ns

    Scarl

    atti

    Schu

    bert

    Schu

    mann

    Tcha

    ikovs

    ky

    Telem

    ann

    Vivald

    i

    Wag

    ner

    pieces

    slices

    SD n Log(f) SD n Log(f) SD n Log(f)I 374631 -1.05 Re Sol 64643 -1.81 vi 29171 -2.16

    Sol 242347 -1.24 Ti 58621 -1.85 La Do 27243 -2.19Do 174454 -1.38 Re Fa 55378 -1.88 Le 26148 -2.20V7 156050 -1.43 Do Me 50368 -1.92 viio7 23645 -2.25i 149263 -1.45 Fa Sol Ti 44435 -1.97 iv 23533 -2.25V 146436 -1.46 IV 44273 -1.98 Do Fa 23448 -2.25

    Do Mi 136987 -1.48 La 43199 -1.99 iii 22552 -2.27Do Sol 109906 -1.58 Fa Sol 42267 -2.00 vi7 21067 -2.30Mi Sol 94982 -1.64 Me Sol 41544 -2.00 bVI 19946 -2.32

    Re 85732 -1.69 Me 40180 -2.02 Do Re 19853 -2.32Mi 78252 -1.73 Ti Re 38253 -2.04 Fi 19618 -2.33

    Sol Ti 73901 -1.75 vii 34391 -2.09 Do Re Sol 19307 -2.34Fa 73578 -1.75 ii 29614 -2.15 Do Re Mi Sol 18288 -2.36

    Re Fa Sol 68660 -1.78 Fa La 29276 -2.15 Do Re Fa 17980 -2.37