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Compiling and ProcessingThe Yale–Classical
Archives Corpusycac.yale.edu
Christopher Wm. WhiteUniversity of North Carolina–Greensboro
Ian QuinnYale University
5058,980
3,818,71212,415,229
composerspieces/movementsquarter notes of musicchords
What’s in it?Pitch-class and time data fromMIDI files contributed by users
of classicalarchives.com
METADATA(per piece)
TitleComposer
Catalogue NoDate
InstrumentationGenre
NationalityKey
ModulationsMIDI filename
DATA(per slice)
OffsetChord
Normal FormPC Normal Order
Global Scale DegreesHighest PitchLowest Pitch
MIDI FilenameComposerLocal TonicLocal Mode
Local Scale DegreesConfidence
A windowed key-profile analysis was performed with music21 using the Krumhansl-Schmuckler (KS) key-finding algorithm and the Bellman-Budge key pro-files (see Krumhansl 1990, Bellman 2005, and Cuthbert and Ariza 2011).
Windows were 8 slices in length. Thus each slice was analyed in 8 windows.
If a slice was analyzed in two different keys in two dif-ferent windows and the maximal KS confidence values for the two keys was 0.1 or less, no local key was re-corded. Otherwise the key producing maximal KS confi-dence was recorded as the Local Key for the slice.
“Salami slicing” is our term for a cheap way of dealing with polyphonic data. A new slice is drawn whenever a note enters or leaves the texture. Music21 calls this “chordifying.”
TIME PERIODS
KEY FINDING
WHAT’S A “SLICE”?
TOP COMPOSERS
TOP GENRES
TOP SLICES (BY SCALE DEGREE CONTENT)
0
500
1000
1500
2000
2500
-
500,000
1,000,000
1,500,000
2,000,000
2,500,000
3,000,000
3,500,000
4,000,000
1600-1649 1650-1699 1700-1749 1750-1799 1800-1849 1850-1899 1900-1949
pieces
slices
0
200
400
600
800
1000
1200
1400
-
200,000
400,000
600,000
800,000
1,000,000
1,200,000
1,400,000
1,600,000
Sona
ta
Othe
r Solo
Etude
Symp
hony
Opera
Prelu
de
Conc
erto
Secu
lar So
ng
Chara
cter P
iece
Strin
g Qua
rtet
Duet
Cham
ber S
on
Danc
e Mvt.
Solo
Suite
Prelu
de/Fu
gue
Chora
le
Cto.
Gros
so
Orch
. Suit
e
Acco
mp. S
onata
Texte
d Sac
red
Fanta
sy
Mas
s Tri
o
pieces
slices
International Conference on Music Perception and Cognition — Seoul, Korea — August 2014
0
100
200
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400
500
600
700
800
900
1000
-
200,000
400,000
600,000
800,000
1,000,000
1,200,000
1,400,000
1,600,000
1,800,000
Bach
Beeth
oven
Brah
ms
Byrd
Chop
in
Debu
ssy
Hand
el
Hayd
n Lis
zt
Men
delss
ohn
Moz
art
Saint
-Sae
ns
Scarl
atti
Schu
bert
Schu
mann
Tcha
ikovs
ky
Telem
ann
Vivald
i
Wag
ner
pieces
slices
SD n Log(f) SD n Log(f) SD n Log(f)I 374631 -1.05 Re Sol 64643 -1.81 vi 29171 -2.16
Sol 242347 -1.24 Ti 58621 -1.85 La Do 27243 -2.19Do 174454 -1.38 Re Fa 55378 -1.88 Le 26148 -2.20V7 156050 -1.43 Do Me 50368 -1.92 viio7 23645 -2.25i 149263 -1.45 Fa Sol Ti 44435 -1.97 iv 23533 -2.25V 146436 -1.46 IV 44273 -1.98 Do Fa 23448 -2.25
Do Mi 136987 -1.48 La 43199 -1.99 iii 22552 -2.27Do Sol 109906 -1.58 Fa Sol 42267 -2.00 vi7 21067 -2.30Mi Sol 94982 -1.64 Me Sol 41544 -2.00 bVI 19946 -2.32
Re 85732 -1.69 Me 40180 -2.02 Do Re 19853 -2.32Mi 78252 -1.73 Ti Re 38253 -2.04 Fi 19618 -2.33
Sol Ti 73901 -1.75 vii 34391 -2.09 Do Re Sol 19307 -2.34Fa 73578 -1.75 ii 29614 -2.15 Do Re Mi Sol 18288 -2.36
Re Fa Sol 68660 -1.78 Fa La 29276 -2.15 Do Re Fa 17980 -2.37