30
Theatre Production A collaborative class production

Theatre Production

  • Upload
    sage

  • View
    47

  • Download
    0

Embed Size (px)

DESCRIPTION

Theatre Production. A collaborative class production. Key Concepts. Playscript/text Context Intended meaning Interpretation Production/ realisation Production stages/processes Stagecraft. Playscript/text. Refers to both a whole play and extract(s) from a play(s). Context. - PowerPoint PPT Presentation

Citation preview

Page 1: Theatre Production

Theatre ProductionA collaborative class production

Page 2: Theatre Production

Key ConceptsPlayscript/textContextIntended meaningInterpretationProduction/realisationProduction stages/processesStagecraft

Page 3: Theatre Production

Playscript/textRefers to both a whole play and extract(s) from a play(s)

Page 4: Theatre Production

ContextThe world of the play or the piece, from the immediate to ever-broadening perspectivesHistorical context: referring to periods, eras or times, such as Elizabethan England or the period of World War II

Cultural context: referring to more general social mores or conventions which determine societal behaviour, such as weddings and popular entertainmentsSocial context: referring to aspects of personal life during a particular period, era or time, such as how people tended to relate to their family and friends

Page 5: Theatre Production

Intended MeaningRefers to the intention of the playwright as well as the performance interpretation. The perceived intended meaning of the playwright may differ from the performance without the performance being considered “wrong” or to have failed. The starting point of all performances is the playwright’s intention. The end point is the intention of the director, performers and the enacted performance itself.

Page 6: Theatre Production

InterpretationThe process of making decisions about the presentation/performance of a play, piece, and/or character. An interpretation is one example of how a text may be performed. There is no definitive or perfect interpretation of a text.

Page 7: Theatre Production

Production/RealisationThe production of a play or script assumes a performance before an audience, incorporating stagecraft appropriate to the chosen style. The realisation is the actual performance, as distinct from the planning, development ad evaluation.

Page 8: Theatre Production

The Production Process- Producing a show

Page 9: Theatre Production

The Production ProcessWhen putting on a theatre show there are many stages in the production process.

Pre-production - planning and developmentProduction - the production seasonPost-production - evaluation

Page 10: Theatre Production

Pre-production - Planning and DevelopmentPlanning – the preliminary

processes of preparing for a production.

Includes research, initial design concepts and the preparation of a production schedule and booking of a venue

Development – taking the initial concepts and ideas to the next stage.

Includes rehearsals, construction and organisation of props etc.

Page 11: Theatre Production

Production - Production Season

Bump-inTech and dress rehearsalPerformancesBump-out

NOTE – there may be development between performances

Page 12: Theatre Production

Post-production - Evaluation

Evaluation of the relative success and/or failure of all components of the production and production process – considers audience response.Evaluation of the ways specific stagecraft contributed to the production and achieved the intended aims

Page 13: Theatre Production

StagecraftComponents of a show

Page 14: Theatre Production

StagecraftThe areas of production are called stagecraft elements, and each contributes to creating a theatre show

ActingDirectingChoreographyDesign – costume, make-up, sound, lighting, set, sound, propsPublicity and marketingProduction management and stage management

Page 15: Theatre Production

Production RolesThe people who make it happen

Page 16: Theatre Production

Director

Page 17: Theatre Production

The Director’s RoleHas creative control of a productionManages creative side of the production process in collaboration with production teamRuns meetings with production team and actors Works with actors, helping them develop their performancesRuns and gives notes during rehearsals, tech/dress rehearsals and performancesRuns debrief meeting and discussion with production team

Page 18: Theatre Production

DramaturgThe term dramaturgy comes from German meaning, ‘dramatic adviser’

Page 19: Theatre Production

The Dramaturg’s RoleResearch the period in which the play is set to help the designers and cast get a ‘feel’ for the era the play is set inResearch the era in which the play was written and the world of the playwright – to help the director and cast get ‘into the head’ of the playwright to work out why certain characters, events and settings were usedTo research previous productions of the play to help the director, designers and cast with their own interpretationResearch various aspects of the script that the director, cast, or designers either need more information about or are unsure about

Page 20: Theatre Production

Set Designer

Page 21: Theatre Production

The Set Designer’s RoleConducts research based on initial concepts for setAnnotates examples of the set design from initial ideas/concepts through to final designConstructs and maintains the setAttends meetings with director and other members of production teamAttends debrief meeting with director and other members of production team

Page 22: Theatre Production

Lighting Designer

Page 23: Theatre Production

The Lighting Designer’s Role

Conducts research based on initial concepts for lightingAnnotates the script from initial ideas/concepts through to final design and lighting cuesRig, focus and plot lightingAttends meetings with director and other members of production teamAttends debrief meeting with director and other members of production team

Page 24: Theatre Production

Costume Designer

Page 25: Theatre Production

The Costume Designer’s Role

Conducts research based on initial concepts of costumeAnnotates examples of the costume design/s from initial concepts through to final design/s Makes and maintains the costumes and costume breakdown listAttends meetings with director and other members of production teamAttends debrief meeting with director and other members of production team

Page 26: Theatre Production

Hair & Make-Up Designer

Page 27: Theatre Production

The Hair & Make-Up Designer’s Role

Conducts research based on initial concepts of hair and make-up Annotates examples of the hair and make-up design/s from initial concepts through to final design/s Acquires supplies and conducts hair/make-up trialsApplies hair/make-up designs and maintains suppliesAttends meetings with director and other members of production teamAttends debrief meeting with director and other members of production team

Page 28: Theatre Production

Actor

Page 29: Theatre Production

The Actor’s RoleAnnotates script and conducts research based on initial ideasLearns lines and practices character role Attends rehearsals and workshops with the director and other cast membersAttends debrief meeting with directorTo bring their character and performance to life, actors need to use:Expressive skills

Involves using the voice, body, movement, gesture and the use of space. Basically these engage the physicality of acting through interpreting the character for performance

Compositional skillsInvolves the creation of belief, and the specific intent/focus of the actor through the realisation of character. Basically these are the interpretative skills that an actor uses in the creation of a character

Page 30: Theatre Production

Which roles interest you?

Go to:http://getintotheatre.org/job-profilesResearch three roles, relevant to our class project, which interest youAnswer these questions:

What’s involved in the role?What aspects of production are they responsible for?

How might this change in a school production run by students?