TLG Unicode Proposal (draft). · TLG Unicode Proposal (draft). 1. Signs not covered by Unicode, or covered with arguable semantic differences. Beta Sign Count Definition Comment Pre-existing

TLG Unicode Proposal (draft).

1. Signs not covered by Unicode, or covered with arguable semantic differences.Beta Sign Count Definition Comment Pre-existing Unicode Name

Modern Editorial Punctuation%15 2025 instances,

27 authorsProminent in use in Pindar and a fewother texts, indicates line breaks in(papyrological) source text.

Short vertical bar; used aspunctuation. The shortvertical bar presumably haswide applicability invarious contexts, andshould be considered inother fields as well.

TOP HALF VERTICAL BAR

[14

_��_732 instances,1 author

Encloses the hymnal refrain in RomanusMelodus.

Intended to resembleU+1d106, U+1d107:musical repeat signs. If themusical signs can beintermingled with text,there may be no real needfor this as a separatecodepoint.

LEFT REFRAIN BRACKET, RIGHT

REFRAIN BRACKET

MetricalSymbols which constitute editorial reuse of established symbols elsewhere are not proposed separately. Thus, the open circle used by Maas to denote anaclasis,and by West to denote "two positions of which at least one must be long" is regarded as being a reuse of 00b0 DEGREE SIGN or 2218 RING OPERATOR;West’s "beginning or end of composition" (rendering the Ancient coronis) is a reuse of 2297 CIRCLED TIMES, and so on. Other symbols may be obtained bystraightforward combinations: long with ictus is merely 02c9 0300, contracted biceps is 02c9 0308 (a sign already used in other scholarly domains), and longsyllable in anceps position is METRICAL ANCEPS 0304 (if ANCEPS is accepted) or 00d7 0304 (if not.)%42 55 instances,

13 authorsA part of the foot which may consist ofeither a long or two shorts; Maas’(1962:25) biceps. (The two shorts aremore frequent than the long.)

METRICAL TWO SHORTS OVER LONG

%44 158 instances,20 authors

A usually short anceps (Maas 1962:28) 02d80304

METRICAL LONG OVER SHORT

[email protected]

L2/02-033

TLG Unicode Proposal (draft) 1. [email protected]; 2001-9-28.

Unicode 1-2


A usually long anceps (Maas 1962:28) 02c90306

METRICAL SHORT OVER LONG

%43 × 1642 instances,31 authors

Denotes a syllable ambiguous betweenlong and short. (Maas 1962:24)

Arguably simply a reuse of00d7. The diacriticversion’s glyph alreadyexists in Unicode as 033dCOMBINING X ABOVE.

00d7 METRICAL ANCEPS


A part of the foot which may consist ofeither a long or two shorts; Maas’(1962:25) biceps. (The long is morefrequent than the two shorts.)

METRICAL LONG OVER TWO SHORTS

%47 = 10 instances, 1author

May be regarded asU+02c9 U+0304

003d METRICAL LONG OVER LONG

%48 11 instances, 2authors

May be regarded asU+02d8 U+0306

METRICAL SHORT OVER SHORT

%49 3 instances, 1author

METRICAL TRIPLE SHORT


2261 METRICAL TRIPLE LONG


METRICAL TWO SHORTS JOINED

%144 1 instance, 1author

The final syllable of a metre, "madeprosodically long by the presence of apause after it". (Maas 1962:29)

METRICAL BREVE IN LONGO

#563 57 instances, 1author

Musical three beats (short-long) METRICAL SHORT-LONG TRISEME

0 instances Musical three beats (long-short);included in West (1982:xi). Thedistinction between the two kinds oftrisemes is West’s, and not Ancient; heexploits the fact that the two are glyphvariants in antiquity, the foregoing beingBellerman’s Anonymous (included in the

METRICAL LONG-SHORT TRISEME


Unicode 1-3

TLG corpus), while this is in theSeikilos inscription (not in the TLG.)


Four beats (long + long) METRICAL TETRASEME

Archaic Letters#711 4 instances, 3

authorsThe archaic letter; appears in discussionsof horse branding (SAMFO/RAS). In0008, 0088, rendered as lunate sigma.For discussion, see Gartdhausen (1913:II39).

Various glyph variants ofthe archaic letter san. Thisletter would also berequired by epigraphists.The letter survives as thenumeral sampi (U+03e1),but their identity is onlyhistorical, just as is thecase for digamma andstigma (U+03dd, U+03db).

GREEK LETTER SAN

*S3 C 1470 instances,50 authors

Capital lunate sigma(uppercase version of 03f2)

GREEK CAPITAL LETTER LUNATE

SIGMA,GREEK SMALL LETTER LUNATE

SIGMA

Ancient Editorial/Punctuation%11 Á 57 instances, 5

authorsAristarchean editorial sign in 0012 and0013, presumably also 0533. Sententialpunctiation (überlieftes Satzzeichen) in1804. Mathematical symbol in 5022.

2022 GREEK ARISTARCHEAN DOT

%93 1 instance, 1author

Unglossed papyrological editorialsymbol. According to McNamee(1992:18) a "ghost" of the dotted obelus(#523), which is likelier to be an acute orgrave marked with dots ([9 ]9) "todraw attention to a diacritical mark hewas adding or to expunge an erroneousone."

GREEK DOT BACKSLASH DOT

DIACRITIC


Unicode 1-4


Unglossed papyrological editorialsymbol. According to McNamee(1992:18) a "ghost" of the dotted obelus(#523), which is likelier to be an acute orgrave marked with dots ([9 ]9) "todraw attention to a diacritical mark hewas adding or to expunge an erroneousone."

GREEK DOT SLASH DOT DIACRITIC


Symbol used in papyri (with no spacingbetween words) to denote that the lettersit encompassed were all part of the sameword, and there was no word break atthat point.

Ancient word joiner; isroutinely resolved inmodern editions. see also#531

2282 GREEK PAPYROLOGICAL HYPHEN

#6 3525 instances,61 authors

Ancient editorial sign, indicating newparagraph, new stanza, or speakerchange. Du Cange: "ponitur adseparandas res a rebus quae in connexuconcurrunt, quemadmodum in catalogoloca a locis, & regiones a regionibus, inagone praemia a praemiis, certamina adiversis certaminibus separantur" (i.e.used as a comma, to separate entities.)This is not reflected in our texts.

A non-spacing underline(or overbar, the way theTLG encodes it); used as asection delimiter. see also#1516

2014? GREEK PARAGRAPHOS


In 1128.001, is somehow associatedwith quotations (perhaps a diple quaquotation mark next to a paragraphos?)In 0643.001, it delimits chapters("capitis clausula"). Seems to denotesubsections in 1429.001; the editorexplicitly calls it a paragraphos. Denotesstanza in 0033.002. All these are thefunctions of a paragraphos, and this signshould thus be taken as a variant of aparagraphos (its function does notcorrespond to that of the dipleobelismene, #452.)In some instances, this may be a modern

Like the paragraphos (#6)it is a modification of, thisglyph is sublinear. Bycontrast, #452 is a variantof the obelus (#12), andthus appears at the sameheight as normallowercase.

GREEK PARAGRAPHOS WITH DIPLE


Unicode 1-5

editorial replacement for an Ancientcoronis.

#10,#114,#512

22 instances,11 authors

Ancient editorial sign. In 1312.003, theancient equivalent of a footnote markerto a marginalium where the scribequeries a form in the text. In theAristarcheian system (Homer), indicatescorruptions (cf. %, Crux.)In Du Cange: "ponitur ad eos versusquorum ordo permutandum est, sicut &in antiquis auctoribus posituminvenitur" (placed by those verses whoseorder is to be changed, as may be foundproposed in the ancient authors).According to Anecdotum Romanum(Gardthausen 1913:II 412), TO\ DE\A)NTISI/GMA KAQ’ E(AUTO\PRO\S TOU\S E)NHLLAGME/NOUSTO/POUS KAI\ A)PA/|DONTAS.McNamee (1992:14): "The antisigmaand a handful of lunate signs possiblyintended for antisigmas were theappropriate marks for introducingtextual revisions, especially variants andtextual comments. … An antisigmabeside the text may be matched by asimilar sign beside the revision.Typically, then, the sign was a sort oflocalized reference mark, guiding thereader's eye elsewhere in the vicinity ofthe column. … As for the ancora, thework of the antisigma extended beyondthe flagging of textual variants. Itsometimes accompanies errors orcorrections or even informational notes,and at least once (in P. Oxy. 1.12) itmarks factual errors … Where it can be

Greek script version of0186, reverse lunate sigma.Distinction betweeneditorial mark,abbreviation marker,weight (hemiobolon) andmusical sign is a matter ofmarkup.

0186 GREEK ANTISIGMA


Unicode 1-6

explained, the antisigma of papyriclearly has only a tenuous relation(namely shape and an association withtextual problems) to the Aristarchanantisigma described in scholia andancient testimonia, although the sourcesare in conflict even of that sign."


Ancient editorial sign. The antisigmaperiestigmenon indicates tautologies inthe Aristarcheian system. In Du Cange,"ponitur in iis locis ubi in eodem sensuduplices versus sunt, & dubitatur quipotius eligendus sit" (placed where twoverses duplicate the same sense, and it isuncertain which is to be selected) (i.e.variant readings) According toAnecdotum Romanum (Gardthausen1913:II 412), TO\ DE\A)NTISI/GMA PERIESTIGME/NONPARATI/QETAI, O(/TANTAUTOLOGH=| KAI\ TH\NAU)TH\N DIA/NOIAN DEU/TERONLE/GH|.Abbreviation marker in the codex in0057 and 5022, appearing in print onlybecause it is unresolved in both cases.On the use of a symbol like theantisigma (or spiritus lenis) forabbreviation, cf. Avi-Yonah (1974[1940]:39)

GREEK ANTISTIGMA

PERIESTIGMENON

#12 — 524 instances,1 author

Ancient editorial sign indicatingeditorial deletion. In Origen’s Hexapla,denoted a line present in the Septuagintbut absent in the Hebrew original, whichOrigin therefore rejected. In theAristarcheian system, indicated editorialdeletions (lines regarded as spurious).

see also #704, #1514.Appears as a marginalsign, should not beconflated typographicallywith punctuation dashes.

2014 GREEK OBELUS


Unicode 1-7

Du Cange: "apponitur in rebus velsententiis superflue iteratis, sive in iislocis ubi lectio aliqua falsitate notataest, ut quasi sagitta jugulet supervacua,atque falsa confodat." (Placed by thingsor sentences redundantly repeated, or inplaces where another false reading isnoted, so that it may slay the redundantlike an arrow (O)/BELOS), and piercethrough the false." According toAnecdotum Romanum (Gardthausen1913:II 411), O( DE\ O)BELO\SPRO\S TA\ A)QETOU/MENAE)PI\ TOU= POIHTOU=,H)/GOUN NENOQEUME/NA H)\U(POBEBLHME/NA. In combinationwith the asteriskos, indicated linesAristarchus regarded as transposed.


In the Aristarcheian system (Homer),indicated corrections owed toZenodotus. Du Cange (Isidore): "Hancantiqui iis apponebant, quae ZenodotusEphesius non recte adjecerat, autdetraxerat, aut permutaverat. In iisnostri ea usi sunt." According toAnecdotum Romanum (Gardthausen1913:II 411), H( DE\PERIESTIGME/NH DIPLH= PRO\STA\S GRAFA\S TA\S*ZHNODOTEI/OUS KAI\KRA/THTOS KAI\ AU)TOU=*)ARISTA/RXOU KAI\ TA\SDIORQW/SEIS AU)TOU=.

GREEK DIPLE PERIESTIGMENE

#15,#1512

! 5203 instances,14 authors

Ancient editorial sign; also called dipleaperistiktos (undotted). In theAristarcheian system, indicated sundrypoints of interest: hapax legomena,

Is an editorial, marginalsign; while it looks justlike GREATER THAN, itis by no means a

003e GREEK DIPLE


Unicode 1-8

figures of speech, and points ofdisagreements in interpretation. ("ageneral-purpose symbol indicating that aline contained some noteworthy point—linguistic, historical, or otherwise"—usually cross-referencing to ahypomnema: McNamee 1992:8-11.)According to Anecdotum Romanum(Gardthausen 1913:II 411), H( ME\NOU)=N DIPLH= A)PERI/STIKTOSPARATI/QETAI PRO\S TOU\SGLWSSOGRA/FOUS H)\E(TERODO/CWS E)KDECAME/NOUSTA\ TOU= POIHTOU= KAI\ MH\KALW=S: H)\ PRO\S TA\SA(/PAC EI)RHME/NAS LE/CEIS,H)\ PRO\S TA\ E)NANTI/AKAI\ MAXO/MENA, KAI\E(/TERA SXH/MATA PA/MPOLLAKAI\ ZHTH/MATA. In Theologicaltexts, a quotation marker (Gardthausen1913:II 406); Du Cange: "hancScriptores nostri apponunt in librisEcclesiasticorum virorum, ad separandavel demonstranda testimoniasanctuarum Scripturarum" (this ourscribes place in book of churchmen, toseparate or point out the testimony of theHoly Scriptures.) In 2102.001, a singlediple denotes a line with a biblicalcitation, and a double diple the lemmaactually under discussion. Similarly inthe Platonic commentary in 1128.001.McNamee (1992:15) believes the diplein non-Homeric texts "were used inmuch the same way that Aristarchusused the diple, namely to indicate

mathematical operator.The distinction betweenthe diple proper and theline-filler is a matter ofmarkup; indeed, in mostmarkup the line-fillerwould not even be treatedas a textual character.


Unicode 1-9

something worthy of comment in a line."However, papyri "do provide abundantevidence for the use of the diple as apunctuator marking new sections in textsof prose as well as poetry. Presumablythe rightward point of the usual formmade it a convenient divider. It was alsothe standard symbol for markingquotations, and when so used appears atthe left of each line quoted. Once ortwice, like antisigma, it marks erroneoustext. Occasionally it introduces orconcludes a marginal note, and there itmay reflect the punctuation of thesource-commentary. In one or twopapyri finally, there is concrete evidenceto support Turner’s suggestion that itserved as a reference mark tohypomnemata." (McNamee 1992:16-17)McNamee (1992:24-25) and Wattenbach(1895:120) also notes the tendency inHerculaneum to use diplai whereEgyptian scribes used paragraphoi.Also used as a line-filler.

#18,#323

� 981 instances,6 authors

Ancient editorial sign; see #15. Namedby Hephaestion DIPLH= E)/SWNENEUKUI=A or BLE/POUSA, incontrast to #15 E)/CWNENEUKUI=A; McNamee (1992:16),however, finds the siglum is extremelyinfrequent in use, and suspects it to haveoften been written in error for the normaldiple.Also used as line-filler. In 1559 001 app.crit. notes final verse left out by scribe.The function appears to be primarily as aline filler (so Gardthausen 1913:II 406);

Is an editorial, marginalsign; while it looks justlike LESS THAN, it is byno means a mathematicaloperator.The distinction betweenthe reverse diple properand the line-filler is amatter of markup; indeed,in most markup the line-filler would not even betreated as a textualcharacter.

003c GREEK REVERSE DIPLE


Unicode 1-10

see also #15. McNamee (1992:25) listsamong the space-fillers of Herculaneumchi, the asteriscus, and the dotted diple."

#55 0 instances Papyrological: informationrequired

GREEK QUINCUNX

#70

�0 instances Information required. GREEK LOW PUNCTUS

#71 0 instances Information required. GREEK MID PUNCTUS

#72 Ú 0 instances Information required. GREEK HIGH PUNCTUS

#73

�25 instances, 7authors

As papyrological punctuation, distinctfrom Modern dicolon (%10) in ill-defined manner (see Gardthausen1913:II 400.) In 1738.003, a musical oreditorial marginal symbol.

Semantics is presumablynot that of the moderncolon. Informationrequired.

003a GREEK DIPUNCT


Information required. GREEK TRIPUNCT

#306 3 instances, 3authors

In 0232 this double paragraphos marks anew strophe, with a single paragraphosmarking a sub-division every three lines;in 1471 the fragment is too short to tell.

Distinct from #6 (so usedin Archilocus)

GREEK DOUBLE PARAGRAPHOS


Interlineal sign is a paragraphos,indicating a change of speaker. DuCange (Isidore on Origen): "interponiturad separandas in Comoediis veltragoediis periodos".

See note to #8. GREEK DIPLE OBELISMENE


Cf. #452. GREEK REVERSED DIPLE

OBELISMENE


In 5026.001 (9 instances, grouped in oneparticular section) this critical signappears to mark a quotation from theIliad. In the other texts, it perhapsfunctions as a paragraphos.

Sublinear. GREEK FORKED PARAGRAPHOS


Unicode 1-11

#455 0 instances Sublinear. Informationrequired: is this signactually used anywhere?

GREEK REVERSED FORKED

PARAGRAPHOS

#457 1 instance, 1author

A plain paragraphos is 14 lines belowthis mark in the fragment where it occursuniquely.

Sublinear. GREEK PARAGRAPHOS WITH STROKE

ABOVE


Editorial sign. "At 48 a marginal ’anchor’sign indicated an omitted verse, perhapssupplied at the foot". Du Cange(Isidore): "A)/GKURA superior ponitur,ubi aliqua res magne omnino est.A)/GKURA inferiot, ubi aliquid vilissimeaut inconvenientius denuntiatum est."McNamee (1992:11): "The ancora …was used almost exclusively to mark aplace where text had been omitted and(or) to draw attention to the necessaryrestoration in the top or bottom margin.It may appear with a diagonal penstroke,particularly to mark the two linesbetween which an omission hasoccurred. … Interestingly, although thesign may strike the eye as having theshape of an arrow, its "business end"—the directional pointer—was normallythe open part of its central shaft. Thus

typically served as a pointer upward,

down. … Nor did the conventionalrole of the symbol as a caret mark keepscribes from dragooning it for otherpurposes when they saw a parallel need.Thus ancorae ocassionally mark errorsand variant readings."

GREEK ANCORA


Unicode 1-12

#507 135 instances,1 author

Editorial sign. Du Cange (Isidore):"ponitur quoties multi versusimprobantur, nec per singulosobelantur." According to AnecdotumRomanum (Gardthausen 1913:II 412),TO\ DE\ KERAU/NION E)STI\ME\N TW=N SPANI/WSPARATIQEME/NWN, DHLOI= DE\KAI\ AU)TO\ POLLA\SZHTH/SEIS PRO\S TAI=SPROEIRHME/NAIS. Has beenmisapplied in the past for #109.

GREEK KERAUNION


Normally used as E)STI/ abbreviation.Explication of the abbreviation in7051.001. In 0738.002, #523%17 isexpanded in app. crit. to E)STINO)BOLOI\. Part of unresolvedabbreviation in 5022.001.Editorial sign in antiquity (0019.016,0383.001, 0461.004); termed byMcNamee (1992:18) a dotted obelus.Used in 5014 to indicate a scholionlinked to the text it refers to by afootnote marker or number, rather thanas a marginalium. Used in 1147.003 tonote problematic accent in papyrus:"TA\UTA Pap., den Akzent scheint#523 am Rand als fraglich bezeichnen."According to McNamee (1992:18), "itsmeaning is unclear in the majority ofcases … there are indications, notindividually persuasive but suggestive incombination, that it too served as areference mark linking commentariesand literary texts."The diacritic equivalent is %95.

Proposed here as aneditorial sign, rather thanas an abbreviation for esti(cf. #1317, #1318)

cf.musical1d10e

GREEK INCLINED DOTTED OBELUS


Unicode 1-13


Used as word separator in running text;normally resolved in modern editions.Used as such (it seems) in 0521.

GREEK PAPYROLOGICAL

HYPODIASTOLE


Papyrological punctuation; cf. #53. Information required. GREEK QUADRUPLE INTERPUNCT

Ancient NumericAcrophonic numerals are not included in this proposal, as a proposal has been made independently.


Sign for the fraction 1/2 (Gardthausen1913:II 373).

Has abundant glyphvariants: #21, #24, #25,#161, #172, #689. Thesewill not be differentiatedunless there is clearevidence that there existtexts in which they can bedifferentiated (e.g. numeralversus unit—as implied byDuCagne for #21 as ameasure.)

2220 GREEK HALF SIGN

#130 º 991 instances,3 authors

In 2032, contrast between RP = 180degrees and #130 implies this is zero.In 2033, editor explicitly has made itzero. According to Gardthausen (1913:II377), O stands for OU)DEMI/AMOI=RA.

Though arguably this ismerely an abbreviation, itis rendered somultifariously (degreesign, Arabic zero, smallcase omicron), and at suchrisk of conflation withother signs, that it shouldbe assigned its owncodepoint.

00b0 GREEK DIGIT ZERO


Glyph variants: #132, #133 GREEK TWO THIRDS SIGN

#165 198 instances,1 author

1/x; e.g. Q#165 = 1/9. GREEK FRACTION SIGN


Unicode 1-14


GREEK DIOPHANTINE MINUS SIGN


Means one half plus the numberfollowing: #171D = ½ + ¼ = ¾. Cf.Gardthausen (1913:II 373).

Not a variant of #20, sinceit acts as a premodifier

25e1 GREEK CUP-LIKE HALF SIGN


Mathematical sign indicating thevariable to be found, equivalent toWestern use of x.

Glyph looks identical to#25 in one text, but hasdistinct meaning; in theother text, it looksdifferent. (Since both textsare derived from the samecodex—text and marginalcommentary—thediscrepancy in glyph ispuzzling, and may reflecteditorial convenience inthe latter case.)

GREEK DIOPHANTINE VARIABLE

SIGN

Ancient AbbreviationsThese glyphs may not fall under the scope of Unicode.

#87 @ 1 instance, 1author

Abbreviation for 'so-and-so'. GREEK DEINA ABBREVIATION SIGN

Ancient MeasuresMany of these measures have variant glyphs, listed separately in Appendix B.

#100

¸269 instances,3 authors

See Pauly, s.v. sigla. 00f7 GREEK ARTABE SIGN

#101 < 11872instances, 19authors

Can also be Artabe (Kenyon 1899:129) Provisionally, this is keptdistinct from the Diple,which is a marginal sign.Has glyph variant #129(which the diple does not.).

003c GREEK DRACHMA SIGN


Strictly speaking a gamma-omicron ligature, in whichthe gamma can be capitalor lower-case. Has

GREEK OUNCE SIGN


Unicode 1-15

extremely frequently in theTLG corpus been ’spelledout’ as *GO, GO or G<O>.


see also #104 GREEK KOTYLE SIGN


GREEK KERATION SIGN


Gramma = Two oboli. see also #128 GREEK GRAMMA SIGN


The trublion is properlyrepresented by #115followed by an upsilon

GREEK TRUBLION SIGN

#116 ~ 3 instances, 3authors

Obolos. Also Artabe (Pauly s.v. siglap. 2306).

see also #113, #123. Hasglyph variants quite unliketilde.

007e GREEK OBOLOS SIGN


see also #103, #118, #127 GREEK LITRE SIGN


see also #105, #515, #517 GREEK SEXTARY SIGN


Two oboli. see also #119 GREEK DIOBOLON SIGN


see also #102 GREEK KYATHOS SIGN

#133 Û 6 instances, 1author

Strictly speaking chi-omicron ligature

GREEK CHOUS SIGN

#136 � 46 instances, 1author

Can also be Drachma (Kenyon1899:129)

Actual canonical shape (asopposed to typographicallyconvenient shape) shouldbe investigated.

222b GREEK STATER SIGN

#1337 < 3 instances, 2authors

Should not be conflatedwith Reverse Diple; seeDrachma.

003c GREEK HALF DRACHMA SIGN


Unicode 1-16


Three oboli. GREEK TRIOBOLON SIGN

Ancient MusicalMany of these overlap with existing letters or signs, but they form a set, so that provisionally the existing letters have been kept here. Note that only twoof the three major surviving musical theoretical tractates have been entered at the TLG; the third (Alypius) should be scrutinized before any finalproposal.The names of the symbols are taken from Alypius (although archaic letter names have been normalized, e.g. OU becomes OMICRON.) The signs asattested in the manuscripts are often confused, and inconsistent with the names; we are following the editorial normalized forms of the symbols, ratherthan what is actually attested in the individual manuscripts.In the following listing, canonical Greek letters are included for completeness, but will not be included in any final Unicode proposal; they should beconsidered unified with the normal Greek alphabetic letters.

#562 — 5 instances, 1author

2014 GREEK MUSICAL TWO BEATS


In 1127, a five-beat long marker(pentaseme).

There may be a call fordistinguishing the durationmarker from the musicalnote; however, Quintilian’sis the only instancerecorded, and the signseems to have existed as a5-beat indicator only inmusic theory.

GREEK MUSICAL EPSILON

TETRAGONON ANESTRAMMENON


GREEK MUSICAL SIGMA

ANESTRAMMENON


03dc GREEK MUSICAL DIGAMMA*


GREEK MUSICAL PI

KATHEILKUSMENON


GREEK MUSICAL LAMBDA PLAGION


Indicates "semel duplex diastole"(double rest) when preceded by #624:

03f2 GREEK MUSICAL LUNATE SIGMA*


Unicode 1-17

author 1738.#571 1 instance, 1

authorGREEK MUSICAL SHORTENED PI


GREEK MUSICAL TAU PLAGION


GREEK MUSICAL ZETA ELLEIPES


0393 GREEK MUSICAL GAMMA*


GREEK MUSICAL GAMMA

APESTRAMMENON


GREEK MUSICAL BETA ELLEIPES


03a6 GREEK MUSICAL PHI*


03a1 GREEK MUSICAL RHO*


039c GREEK MUSICAL MU*


0399 GREEK MUSICAL IOTA*


0398 GREEK MUSICAL THETA*

#582 V 18 instances, 2authors

GREEK MUSICAL LAMBDA

ANESTRAMMENON


039d GREEK MUSICAL NU*


GREEK MUSICAL OMEGA

TETRAGONON HUPTION


0396 GREEK MUSICAL ZETA*


Unicode 1-18


GREEK MUSICAL PI PLAGION


Called "tetragonon"(square) because thedefault was uncial.

0395 GREEK MUSICAL EPSILON

TETRAGONON*


GREEK MUSICAL PI

ANESTRAMMENON


GREEK MUSICAL PHI PLAGION


GREEK MUSICAL PARTIAL REVERSED

ETA


GREEK MUSICAL STRAIGHT UPSILON

INVERTED


GREEK MUSICAL INVERTED SMALL

LAMBDA


039b GREEK MUSICAL LAMBDA*


GREEK MUSICAL REVERSED

HORIZONTAL KOPPA


GREEK MUSICAL DIGIT SIX


GREEK MUSICAL DIGIT NINE


GREEK MUSICAL INVERTED GAMMA



HORIZONTAL ALPHA


GREEK MUSICAL INVERTED DELTA


Unicode 1-19


GREEK MUSICAL EPSILON

TETRAGONON APESTRAMMENON


GREEK MUSICAL HORIZONTAL

KOPPA


GREEK MUSICAL LAMBDA PLAGION

APESTRAMMENON


03a0 GREEK MUSICAL PI*


aka Eta Elleipes Huption(Alypius p. 385)

GREEK MUSICAL ETA ELLEIPES

PLAGION



SQUARE H


GREEK MUSICAL INVERTED SQUARE

H


03f5 GREEK MUSICAL UNCIAL EPSILON*


03f6 GREEK MUSICAL REVERSED UNCIAL

EPSILON*


GREEK MUSICAL IOTA WITH RIGHT

STROKE


GREEK MUSICAL IOTA WITH LEFT

STROKE



HORIZONTAL OU LIGATURE



INVERTED SMALL LAMNDA



INVERTED SQUARE H


GREEK MUSICAL HORIZONTAL OU

LIGATURE


Unicode 1-20


GREEK MUSICAL DIGAMMA

APESTRAMMENON



HORIZONTAL PSI


GREEK MUSICAL SERIFED U


GREEK MUSICAL HORIZONTAL IOTA

WITH STROKE ABOVE


GREEK MUSICAL SMALL LAMBDA


GREEK MUSICAL SLASH C


GREEK MUSICAL TAU PLAGION

APESTRAMMENON



HORIZONTAL PSI


GREEK MUSICAL SERIFED U


Indicates "semel diastole" (single rest) in1738.

Can be conflated withGreek Antisigma

GREEK MUSICAL SIGMA

APESTRAMMENON*#625 1 instance, 1

authorGREEK MUSICAL HORIZONTAL IOTA

WITH STROKE BELOW


GREEK MUSICAL INVERTED SLASH C


GREEK MUSICAL INVERTED ALPHA


039f GREEK MUSICAL OMICRON*


039e GREEK MUSICAL XI*


0394 GREEK MUSICAL DELTA*


Unicode 1-21


039a GREEK MUSICAL KAPPA*


GREEK MUSICAL KAPPA

ANESTRAMMENON


Alypius p. 385 calls itAnestrammenon

GREEK MUSICAL KAPPA

APESTRAMMENON



HORIZONTAL PI


GREEK MUSICAL REVERSED SQUARE

HORIZONTAL OMEGA


GREEK MUSICAL HEMIPHI PLAGION

APESTRAMMENON


GREEK MUSICAL SIGMA DIPLOUN

APESTRAMMENON


GREEK MUSICAL OMICRON KATO

GRAMMEN ECHON


GREEK MUSICAL MU

ANESTRAMMENON



APESTRAMMENON


03a9 GREEK MUSICAL OMEGA*


0397 GREEK MUSICAL ETA*



SQUARE OMEGA


GREEK MUSICAL HEMIPHI PLAGION






Unicode 1-22


GREEK MUSICAL INVERTED

REVERSED ROUND H


GREEK MUSICAL HEMIDELTA

KATHEILKUSMENON


GREEK MUSICAL ANTINU

#650 \ 9 instances, 1author

GREEK MUSICAL BAREIA


03a7 GREEK MUSICAL CHI*


03a4 GREEK MUSICAL TAU*


GREEK MUSICAL CHI DIEPHTHOROS


GREEK MUSICAL TAU

ANESTRAMMENON


GREEK MUSICAL CHI WITH

HORIZONTAL BAR


GREEK MUSICAL PI DIPLOUN


GREEK MUSICAL INVERTED ROUND

H


GREEK MUSICAL HEMIALPHA

ARISTERON ANO NEUON



ARISTERON KATO NEUON


0391 GREEK MUSICAL ALPHA*


0392 GREEK MUSICAL BETA*


Unicode 1-23


03a5 GREEK MUSICAL UPSILON*


03a8 GREEK MUSICAL PSI*

#664 / 4 instances, 1author

GREEK MUSICAL OXEIA


GREEK MUSICAL HEMIDELTA

HUPTION


Alypius p. 376 calls itAnestrammenon, which isused for both rotation andinversion.

GREEK MUSICAL DIGAMMA HUPTION



REVERSED INVERTED ROUND H


Alypius p.396 has aHemitheta Kato Neuon(pointing downwards)pointing up; presumablythis is a typographicalerror.

GREEK MUSICAL HEMITHETA KATO

NEUON


GREEK MUSICAL XI DIPLOUN

ANESTRAMMENON


GREEK MUSICAL RHO

ANESTRAMMENON


GREEK MUSICAL UPSILON KATO

NEUON


GREEK MUSICAL PSI KATO NEUON


Unicode 1-24


GREEK MUSICAL PI DIPLOUN

ANESTRAMMENON



ANESTRAMMENON



DEXION KATO NEUON



DEXION ANO NEUON


GREEK MUSICAL TRUNCATED SMALL

MU



UPSILON



HORIZONTAL UPSILON


GREEK MUSICAL ANGULAR S



SQUARE ALPHA



HORIZONTAL SQUARE ALPHA


GREEK MUSICAL ASTERISK


Unicode 1-25


GREEK MUSICAL GAMMA

ANESTRAMMENON



HORIZONTAL KAPPA


GREEK MUSICAL HORIZONTAL ETA


GREEK MUSICAL V PAREN

Signs outside Beta Code which may need to be assigned (further investigation required):Alypius, p. 369; same as "Greek MusicalV Paren" in Aristides Quintilian?

GREEK MUSICAL ETA AMELETIKON

KATHEILKUSMENON 1

Alypius p. 370; same as "Greek MusicalPartial Reversed Eta"?

GREEK MUSICAL ETA AMELETIKON

KATHEILKUSMENON 2

Alypius p. 372. Not the same as InvertedDelta.

GREEK MUSICAL DELTA

ANESTRAMMENON

Alypius, p. 377 (the manuscript calls itHemidelta; presumably the editordisagrees, given the symbol used.)

GREEK MUSICAL DELTA HUPTION

Alypius, p. 372; same as "Greek MusicalV Paren" or "Greek Musical InvertedRound H"?

GREEK MUSICAL HEMIMU DEXION

Alypius, p. 375; same as "Greek MusicalTruncated Small Mu", "Greek MusicalInverted Reversed Round H", "GreekMusical Slash C"?

Hemimu dexion ("righthalf mu") and Hemimuaristeron ("left half mu")should be mirror images ofeach other; that they are

GREEK MUSICAL HEMIMU

ARISTERON


Unicode 1-26

not is probably moderntypographical slovenliness.

Alypius p. 381; same as "Greek MusicalHorizontal Reversed Inverted RoundH"?

GREEK MUSICAL HEMIMU HUPTION

— Alypius p. 375; a musical note, distinctfrom "Greek Musical Two Beats", whichis a duration sign.

GREEK MUSICAL IOTA PLAGION

Alypius p. 384 Presumably the followingstroke-modified signsshould be decomposed tomusical sign plus U+0338

GREEK MUSICAL ALPHA

ANESTRAMMENON GRAMMEN ECHON

Alypius p. 384 GREEK MUSICAL DIGAMMA

ANESTRAMMENON GRAMMEN ECHON

Alypius p. 384 GREEK MUSICAL PI GRAMMEN

ECHON

Alypius p. 384 GREEK MUSICAL SIGMA

APESTRAMMENON GRAMMEN ECHON

Alypius p. 384 GREEK MUSICAL ETA GRAMMEN

ECHON

Alypius p. 384 GREEK MUSICAL LAMBDA PLAGION


Alypius p. 384 GREEK MUSICAL PI PLAGION


Alypius p. 387 GREEK MUSICAL DIGAMMA

ANESTRAMMENON

[email protected]; 2001-11-12.

Documents

TLG Unicode Proposal (draft). · TLG Unicode Proposal (draft). 1. Signs not covered by Unicode, or covered with arguable semantic differences. Beta Sign Count Definition Comment Pre-existing