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Transform Your Images And Create Bolder, Better Colors With
Photoshops LAB Mode
By James George
7th May 2012Color
imagery, Tutorial
5
Photoshop is obviously a great tool for editing images, but
Photoshops extensive color capabilities are oftenunderutilized.
Depending on your purposes, certain color modes in Photoshop can
transform your work from properlyedited to dazzling, vibrant,
highly colorful images. It doesnt matter if you are a graphic
designer, a web designer, or aphotographer; you have to be able to
manipulate and correct your colors.
Some people choose to work strictly in CMYK mode, which is
limiting, because many Photoshop filters dont work inCMYK mode.
Others choose to work in RGB mode and then switch to CMYK mode
after they are done. That is fine, butthere can be drastic changes
to colors when switching modes.
About Lab Color Mode
Lab color mode is a rarely-used (but extremely useful) color
correction tool within Photoshop. Lab mode is made up ofthree
channels: the lightness or luminance channel, and the A and B
channels. The A channel is for the colorsranging from red to green,
and the B channel is for the color ranges of blue to yellow. Lab
works differently than CMYKand RGB. CMYK is for print, and RGB is
for devices such as monitors, but neither color mode is consistent
whenviewed on different monitors. When working on your projects,
you will find that your images will look one way on onemonitor, and
completely different on another screen. Lab mode is different,
because it is consistent regardless of whichscreen (or how many
screens) you are working on.
Lab mode makes altering colors on your images surprisingly
easily, and you can achieve effects that you wouldnt
normally be able to produce in CMYK or RGB. You can invert and
change colors, emphasize lights and shadows, andhighlight
reflections. In the example below, we are going to change the
sunset to a nighttime image in just a few steps.Download the sample
image of the sunset, found here.
The image offers a nice sunset with a lot of orange and
contrasting clouds. If you need to change a sunset to a
moonlitimage, the best sunset image to use is one where the sun is
nice and round (as opposed to one that emanates rays ofsunshine).
This is because you dont normally see rays of light coming from the
moon.
First we need to convert the color mode to lab. To do this, go
to Image > Mode > Lab Color.
We are going to turn this sunset to a moonlit photo simply by
inverting the colors in the image. If we were in RGB orCMYK color
mode, and we hit Command/Ctrl + I to invert the colors, it would
also invert black to white and white toblack. That is not what we
want at all, and fortunately, lab mode offers much better control
over our colors.
To invert the colors of your images in lab mode, simply add a
Curves Adjustment Layer. In our options, we are going to
leave the lightness/luminance alone for now.
Instead, our main focus is going to be on the A and B channels.
Select the a channel, and you will see that the curveadjustment is
a diagonal line. Simply drag the low side (at the leftmost point)
upwards and drag the upper point (therightmost point) downward to
invert the red and green tones.
Then, select the B channel and do the same thing, inverting the
yellow and blue tones of your image.
Now is the time to go back to the luminance channel of your
image and tweak it to give you the best results. I didntactually
alter the curve segment itself, but I grabbed the black slider and
moved it slightly to the right. This darkens theareas that are
supposed to be black in our moonlight transformation.
Lab mode works very well for this purpose. While RGB and CMYK
store light colors, dark colors, highlights, andshadows together,
lab mode keeps colors and luminance in separate channels, which
means that you can alter colorswithout altering highlights and
shadows, and vice versa.
Making Colors More Vibrant
Lab mode isnt just for drastic night-to-day (or, in our example,
day-to-night) transformations; you can also perform moresubtle
color improvements that carefully enhance existing colors. Lets
take this image of a flower and make its colorseven more bold and
vibrant. You can start by downloading the sample image from
here.
This image is already beautiful, but I am going to show you how
the make the colors of the flowers even better, just so
you can see how much of a difference a few careful tweaks can
make.
Open your image in Photoshop and switch the color mode to lab.
Then, click on the New Adjustment Layer icon andchoose Curves.
We are going to leave the luminance channel alone again, and we
are going to focus instead on the A and Bchannels. Select the A
channel, and instead of reversing the position of the points, bring
them inward equally. You cantell how far inward you have brought
them by looking at the input value to the right of the Adjustments
Layer Panelunder the curves chart itself. The more you bring each
side inward toward the center, the more vibrant the colors will
be.Observe below how I moved the points inward toward the
center.
Repeat the same process for the B channel, bringing both sides
inward equally until you are happy with the results.
With this technique, you can get some really vibrant and amazing
colors. The reason that you must bring the points inequally is so
that your colors dont breach each other, resulting in strange
colors or odd halos in your images. But, ifyoure looking for
unusual colors or exotic halo effects, distorting the lab modes
color channels can create some reallyfantastic effects.
Have you tried lab color mode? Do you work primarily in CMYK or
RGB mode? Do you have any preferred techniquesforenhancing
colors?
Related posts:
1. Using Your Images to Create Color Palettes in Photoshop2.
Create A Retro Effect In Photoshop3. Create Your Own Custom Brushes
in Photoshop4. Create an Awesome Portfolio Layout in Photoshop5.
Create a Reusable CSS Menu with Photoshop
James George
James George is a professional web and graphic designer. James
is an expert in print design, and a professional webdesigner, with
a special interest in Wordpress. Founder ofG Squared Studios, James
has been a professional designer
since 2005. Eager to share information with fellow designers, he
is also creator ofCreative Beacon, a design blogfeaturing articles
about the design Industry, and tutorials about design software.
http://www.creativebeacon.comTwitterFacebook
Twelve Terrific Typographic Logos
10 Highly Interactive, Beautifully Illustrated Web Designs
5 Comments
1. Michael E. Stern07 May 12 | 10:35 am
James,
Your writing style is easy to follow and unlike other writers on
this topic, you leave the reader feeling like theyknow something
new without feeling dumb for not knowing it beforehand.
Cheers!
Reply
2. Web Design West Midlands08 May 12 | 12:08 am
Dont forget that youll need to convert it back to RGB for web or
CMYK for printing (unless your printer
specifically accepts LAB i.e. for Hexachrome printing), and in
doing so will reduce the colour gamut, probablylosing the rich
colours again.
Reply
3. Jay09 May 12 | 10:37 am
Excellent article. Really easy to understand. I would love to
see an article about color correcting by the numbersin LAB mode. I
have heard that it is more accurate and better than color
correcting in RGB.
Reply
FrederickYocum 10 May 12 | 6:31 am
You would think LAB would be a good colour space to correct
images in but because LAB has such a largecolor space it is hard to
do the comparatively small moves that happen in typical colour
correction.
When working in PhotoShop, I keep one of the eyedroppers in the
Info Palette in LAB and the other in theactual colour space of the
file. This allows me to quickly see what is happening to the colour
(separatedfrom luminosity) but lets me to do the corrections in a
space that allows for finer control.
Reply
4. Ole Stauning09 May 12 | 1:28 pm
Which color mode are you watching in the examples on this page,
Web Design West Midlands?
Reply
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