TWELFTH NIGHT, or What You Will By William …highlygiftedmagnet.com/site/wp-content/uploads/2010/12/Twelfth...FESTE, clown to Countess Olivia. A great comic. ANTONIO, a pirate who

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THE• WILL• GEER

TWELFTH NIGHT, or What You Will

By William Shakespeare

Students Act the Classics Version – Prepped for San Jose HGES 2010/2011- Rm 21 – 5g/17b Edited by Susan Angelo, Ed. Dir. & Elizabeth Tobias, School Program Dir.

Research packet written & compiled by Susan Angelo & Elizabeth Tobias, School Programs Director

The Will Geer Theatricum Botanicum Elizabeth Tobias, School Programs Director

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Voice Mail 310-455-2322 x300 * [email protected] www.theatricum.com



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WHAT YOU NEED FOR COSTUMES:

The costumes for Twelfth Night will be kept very simple, and are intended to suggest the Elizabethan Age. Please use the following guidelines to create your costume:

ALL – SHOES SHOULD NOT BE TENNIS SHOES. Wear ballet, jazz or tai chi shoes, dress shoes, boots or slippers – depending on character.

CHARACTERS:

Olivia You are in mourning and, as such, should be in black. A full-length skirt/dress. You are wealthy and upper class and may have jewelry. Maria & Ladies-in-waiting: Perhaps a leotard and tights or leggings for under dresses. Bright colors, long skirts. Viola (Cesario): As she is rescued from the sinking ship, she should wear a cape or large blanket/wrap in the first scene. She then disguises herself as a boy, so under the cape, wear dark tights, knee britches (sweats rolled to the knee work great!), white or off-white shirt, preferably oversized belted at the waist. Perhaps a cap. MALE CHARATERS You base is knee pants (sweats rolled to the knee work great!), large white/off-white shirt then add to it as suggested below. Sebastian:Viola’s twin so see if you can match each other’s pants, shirt and cap in general color and style. Valentine, Curio, Duke’s Attendant: Some nice vests (you serve the Duke!). Perhaps caps. Officers: Perhaps you can coordinate and match the colors of your vests or sashes so that you look like you serve in the same regiment. Belts. WE WILL PROVIDE DOWELS FOR SWORDS. Orsino: Something to indicate your status – perhaps a fancy cloak, sash, jewelry, etc. Antonio, Sea Captain: Lower class men – so vests can be leather, or none at all. Belts. WE WILL PROVIDE DOWELS FOR SWORDS Sir Andrew Aguecheek: He is VERY fancy – vest, big hat, etc. have fun with feathers, colors, etc.! Belt. WE WILL PROVIDE DOWEL FOR SWORD. Sir Toby Belch: He is a fallen knight – messy, slovenly. Belt. WE WILL PROVIDE DOWEL FOR SWORD Fabian: Basic men’s costume. Perhaps a fun hat! Malvolio: He may dress differently – probably all in black. Perhaps a long black choir robe. Feste: Have fun with lots of colors – think of a court jester. Priest:A black or brown long robe. Can wear a cross, sandals.



WHAT YOU NEED FOR PROPS: Note – if you are double cast, work out which actor is responsible for which prop based on when

it is used in the play WE WILL SUPPLY DOWELS FOR ALL NECESSARY SWORDS and WEAPONS VALENTINE: Poem or flower.

ORSINO: Scroll. Large jeweled ring.

VIOLA bag of money or gold necklace to give to sea captain

IR TOBYS


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: Boda bag, branch, bandage for head, bag of money

MARIA: Sheer black Veil, Letter (coordinate with Malvolio); branch

SIR ANDREW: Coin purse, branch; letter; gloves; bandage for head.

OLIVIA: Veil. Purse. Ring.

FESTE: Tamborine or tabor or drum; branch, Veil

FABIAN: drum or other instrument; branch

MALVOLIO: A cane or stick. Yellow stockings, cross gartered,

letter (coordinate with Maria)

ANTONIO: Coin pouch.

LADIES/ATTENDANTS to OLIVIA: Black veils.

MUSICAL INSTRUMENTS

a grThere is eat deal of music in this play. We would LOVE to have YOU play it – please let us ustic instrument (violin, viola, guitar, flute, piano, etc.) so that wknow if you play an aco e ca

incorporate this into the show. BEFORE you decide to participate in this way

n

, please be certain it is ok with your parents for

you to bring your instrument to rehearsal each week and be certain you feel comfortable learning show. new songs for the




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Some images to help you wi esearch too to come up

th your costumes – but do your own rwith ideas!




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TWELFTH NIGHT, or WHAT YOU WILL : CHARACTERS

VALENTINE, CURIO & DUKE’s ATTENDANT, servants to Duke Orsino, jealous of the new servant “Cesario”

OFFICERS, in service to/protect the Duke.

ORSINO, Duke of Illyria, in love with Olivia.

VIOLA, twin sister of Sebastian, disguises herself as a boy named Cesario, and falls in love with Duke Orsino. A truthful, loyal, positive young lady who woos Olivia on behalf of Orsino. Thinks her twin bother has drowned at sea.

SEBASTIAN, twin brother to Viola. Thinks she died in the storm at sea. When he makes his way to Ilyria, he falls in love with Olivia.

SEA CAPTAIN, saves Viola from drowning at sea.

PRIEST, marries Olivia and Sebastian

MARIA, servant to Countess Olivia, fun loving! She is in love with Sir Toby.

SIR TOBY BELCH, Uncle to Countess Olivia, a fallen knight. Used to be important, now he drinks and stays up late at night. Loves Maria.

SIR ANDREW AGUECHEEK, a friend to Sir Toby. He is very silly, scared, and impish. He is also rich, and so Sir Toby wants him to marry Olivia.

OLIVIA, the Countess. She is in mourning for 7 years for her brother and father. She does not love Orsino and is tired of him sending servants to woo her. She falls in love with the new servant, Cesario!

MALVOLIO, servant to Countess Olivia. Prim, proper, strict. Has no sense of humor.

FESTE, clown to Countess Olivia. A great comic.

ANTONIO, a pirate who saves Sebastian, and becomes his friend.

FABIAN, another clown to Countess Olivia.

LADIES-IN-WAITING and ATTENDANTS to OLIVIA, serve Olivia.




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, are in a ship wreck and tossed out at sea. Viola is rescued is drowned. She

th the Duke. Orsino sends Viola to woo Olivia on his behalf,

s household his friend, Sir Andrew Aguecheek, in

ing that she is he behave in a certain manner, and wear yellow

nds his new behavior and has gone mad, and so with delight, the schemers

the sea by p foot in Ilyria, for fear he

might be arrested by Orsino's officers. Nevertheless, he does so to look after his new friend, Sebastian, who is sad that his twin sister was drowned. Sir Andrew challenges Cesario to a duel for the love of Olivia (which Cesario does not want!). And when Sebastian makes his way into town, Sir Andrew begins the fight. He is surprised that "Cesario" is so strong! Olivia breaks up the fight to protect her Cesario and finds that for the first time, he does not push away her love. She takes this opportunity to marry him right away. Sebastian is most confused by all this strange behavior, but most delighted by Olivia! Orsino comes to woo Olivia one last time, with Cesario by his side. When Olivia calls him her husband, Orsino and Viola are both surprised, until Sebastian enters, and all witness that they are twins! It is revealed to all that Cesario is actually Viola, and since she has loved Orsino for so long, Orsino plans to make her his wife! Malvolio is let out of the dungeon when it is revealed what a nasty trick was played upon him, and he vows to seek revenge on "the whole pack of them!"

Viola and her twin brother, Sebastianby the Sea Captain and taken to the coast of Ilyria. She fears her brother disguises herself as a boy named Cesario and gains employment as a servant to the Duke Orsino, who is in love with the Countess Olivia. Olivia is in mourning for the death of her brother and father and wants nothing to do wiand Olivia falls in love with Cesario, who has herself now fallen in love with Orsino! Olivia's cousin, Sir Toby Belch, has brought to Olivia'hopes to woo Olivia. Sir Andrew is not too bright, but he's rich, and so Sir Toby wants him around. Malvolio, the Puritan serving man to Olivia, frowns upon the jollity and drinking of Sir Toby and Andrew and Maria, Olivia's serving maid, and so together with the clowns, Fabian and Feste, they plot a dirty joke against Malvolio. Maria forges a letter from Olivia statsecretly in love with Malvolio, and requests thatstockings (which they know Olivia really abhors.) Malvolio finds the letter, and undertakes to win the love of Olivia, by doing as the letter requests. Olivia fiwardrobe appalling, and is convinced that helock Malvolio in the dungeon. Meanwhile, Sebastian has also been rescued fromAntonio, a sailor who fought against Orsino. Antonio is afraid to ste




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ASTING SHEET –(5 girls/17

hese roles are double cast – 1

C boys)

st ndT actor Prologue-Scene 8; 2 actor Scene 9-end of play 1-2 Orsino (plays Duke’s attendant when not Orsino) ______________ __________________

3-4 Viola(“Cesario”) – plays lady when not Viola_________________ __________________

5-6 Olivia (plays lady when not Olivia) _____________________ ______________________

7-8 Malvolio (plays Officer when not Malvolio) _____________________ ________________

9-10 Feste (plays attenda _____________

11. Valentine _____________________________________________________________ _

12. Maria __________________________________________________________________

nt to Olivia when not Feste) _____________________

13. Curio _________________________________________________________________

14. Duke’s Attendant ________________________________________________________

15. Officer #1 ______________________________________________________________

16. Sea Captain/Officer #3 (at end of play) _______________________________________

17. Officer #2/Priest _________________________________________________________

18. Sir Toby Belch __________________________________________________________

19. Sir Andrew Aguecheek ___________________________________________________

20. Fabian _________________________________________________________________

21. Sebastian ______________________________________________________________

22. Antonio ________________________________________________________________




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ourning on d guard.

The LADIES com LADIES: No longer mourn for me when I am dead The hand that writ it; for I love you so,

That I, in your sweet thoughts would be forgot, Do not so much as my poor name rehearse,

--------Scene 1 [VALE ] VALE CURIO For the Duke is sad, nay, heartsick! He is in love DUKE CURIO: Over and over and over again, VALENTINE: But the fair lady, she will none of him. OFFICER #1: She stays in mourning for her brother's death, And for her father’s death she also weeps, OFFICER #2: Forswearing love even for the noble Duke!

[Greensleeves is sung and played as Valentine takes a poem/flower to Olivia from the Duke. She rejects it.]

Prologue [Student plays Greensleeves (instrumental only). LADIES, MARIA & OLIVIA in mone part of the stage. On the other, ORSINO sighs, his OFFICERS and Attendants stan

fort OLIVIA:]

Than you shall hear the surley sullen bell Give warning to the world that I am fled From this vile world, with vilest worms to dwell: Nay, if you read this line, remember not

If thinking on me then should make you woe. O, if, I say, you look upon this verse, When I perhaps compounded am with clay,

But let your love even with my life decay; Lest the wise world should look into your moan,

And mock you with me after I am gone. --------------------------------------------------------------------------------------

NTINE, CURIO, DUKE’s ATTENDANT and OFFICERS COME FORWARD

NTINE: Welcome, gentles, now to fair Illyria. This is the palace of the Duke Orsino.

: We are his servants, but our job is hard!

With the beautiful Countess Olivia.

’s ATTENDANT:He sends us on his behalf to woo her well…




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KE OF ILLYRIA

ie.- hat strain again!- it had a dying fall:

o'er

is not o swe

ill yo go hu

hat, Curio?

The hart.

I do, the noblest that I have.

ethought she purg’d the air of pestilence.

nd my desire like f e re-enters.] ’er since pursue me. How now, what news from her?

o plea my lord, I mill seven years hence, she will veiled walk,

ith eye-offending brine: all this to season 's dead love.

, she that hath a heart of that fine frame

to swove-thoughts lie rich when canopied with bowers.

Scene 2 [SOUND OF WIN VIOLA. What country, friend, is this?

DUIf music be the food of love, play on; Give me excess of it, that, surfeiting, The appetite may sicken, and so dTO, it came my ear like the sweet sound, That breathes upon a bank of violets, Stealing and giving odour!- Enough; no more; 'T s et now as it was before. CURIO. W u nt, my lord? DUKE OF ILLYRIA. W CURIO.

DUKE OF ILLYRIA. Why, soO, when mine eyes did see Olivia first, MThat instant was I turned into a hart, A s, ell and cruel hounds [ValentinE VALENTINE. S se ight not be admitted; TAnd water once a day her chamber round WA brother DUKE OF ILLYRIA. OTo pay this debt of love but to a brother, Away before me eet beds of flowers: L

D AND WAVES. ENTER VIOLA, CAPTAIN]



CAPTAIN. This is Illyria, lady. VIOLA.


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aptain?

hen you, and those poor number saved with you,

t, I saw your brother,

there's gold. Know'st thou this country?

, well; for I was bred and born ot three hours' travel from this very place.

VIOLA. ng

CAPTAIN. e you ute I'll be:

not see. [THEY EXIT]

noisy. MARIA enters quickly]

y my troth, Sir Toby, you must come in earlier o' nights: That drinking will undo you: I heard day; and of a foolish knight that you brought in one night here to be her

And what should I do in Illyria? My brother he is drown'd:- what think you, c CAPTAIN Assure yourself, after our ship did split,WHung on our driving boaBind himself to a strong mast that lived upon the sea; VIOLA. For saying so, CAPTAIN. Ay, madamN VIOLA. Who governs here? CAPTAIN. Duke Orsino. I'll serve this duke; for I can siAnd speak to him in many sorts of music That will allow me very worth his service. What else may hap, to time I will commit; Only shape thou thy silence to my wit. B his servant, and your mWhen my tongue blabs, then let mine eyes Scene 3 [OLIVIA'S HOUSE]

ENTER SIR TOBY BELCH, MARIA. Bmy lady talk of it yesterwooer.




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. uecheek?

SIR TOBY BELCH. in Illyria.

SIR TOBY BELCH and ducats a year.

MARIA.

ie, that you'll say so! he plays o' th'viol-de-gamboys, and speaks three or four languages word and hath all the good gifts of nature.

MARIA e's drunk nightly in your company.

[ENTER SIR ANDREW]

GUECHEEK.

SIR ANDREW.

nd you too, sir.

SIR TOBY BEccost, Sir Andrew, accost.

SIR TOBY BELCHWho, Sir Andrew Ag MARIA. Ay, he.

He's as tall a man as any's MARIA What's that to th'purpose? Why, he has three thous Ay, but he's a very fool. SIR TOBY BELCH Ffor word without book, They that add, moreover, h

SIR ANDREW ASir Toby Belch! SIR TOBY BELCH. Sweet Sir Andrew!

Bless you, fair shrew. MARIA. A

LCH. A SIR ANDREW AGUECHEEK. What's that?




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GUECHEEK. istress Accost, I desire better acquaintance.

gentlemen. [She exits.]

CH. of canary: when did I see thee so put down?

ECHEEK. does harm to my wit.

H.

ECHEEK. ll

CH. in't an.

SIR ANDREW AGUECHEEK.

ll stay 'strangest mind i' th'world; I delight in masks and altogether.

hese kickshawses, knight?

GUECHEEK.

aper. nd I think I have the backtrick simply as strong as any man in Illyria.

herefore are these things hid? Let me see thee caper [SIR ANDREW dances]: ha! higher: ha, [Exeunt.]

SIR TOBY BELCH. My niece's chambermaid. SIR ANDREW AGood M

MARIA. My name is Mary, sir. Fare you well, SIR TOBY BELO knight, thou lack'st a cup SIR ANDREW AGUI am a great eater of beef, and I believe that SIR TOBY BELCNo question. SIR ANDREW AGUI'll ride home to-morrow, Sir Toby. Your niece will not be seen; or if she be, it's four to one she'none of me: Count Orsino hard by woos her. SIR TOBY BELShe'll none o' th'count: I have heard her swear't. Tut, there's life , m

I' a month longer. I am a fellow o' threvels sometimes SIR TOBY BELCH. Art though good at t

SIR ANDREW AAs any man in Illyria.

SIR ANDREW. Faith, I can cut a cA SIR TOBY BELCH. Wha! excellent!




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'S HOUSE] RIO, DUKE’s ATTENDANT, VIOLA (as “Cesario”), &

FFICERS.]

the duke continue these favours towards you, Cesario, you are like to be much advanced.

e hath known you but three days, and already you are no stranger.

oft, here comes the Duke. [ORSINO ENTERS]

y noble lord.

OF ILLYRIA. ho saw Cesario, ho?

o thee the book even of my secret soul: herefo o Olivia,

foot shall grow ill thou have audience.

ay I do speak with her, my lord, what then?

RIA. , then unfold the passion of my love,

She will attend it better in thy youth ve aspect.

hat say thou art a man: thy small pipe l and sound;

Scene 4 [ORSINO[ENTER VALENTINE, CUO VALENTINE. If DUKE’S ATTENDANT H OFFICER #1 S OFFICER #2. (bowing) M DUKEW VIOLA. On your attendance, my lord; here. DUKE OF ILLYRIA.Cesario,thou know'st all; I have unclasp'd TT re, good youth, address thy gait tBe not denied access, stand at her doors, And tell them, there thy fixedT VIOLA. S DUKE OF ILLYO

Than Valentines more graFor they shall yet belie thy happy years, TIs as the maiden's organ, shrilAnd all is semblative a woman's part.



VIOLA.


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dy:- [aside] yet, a barful strife! hoe'er I woo, myself would be his wife. [Exit Viola, Duke.]

hat skinny little tripe has won the heart of our master.

like it not.

e's usurped my duty as chief messenger!

R #1 ere’s such a coil!

DANT erhaps you should make his job more difficult.

ow?

UNT]

S, ATTENDANT TO OLIVIA, FABIAN, FESTE]

od bless thee, lady!

ake the fool away.

refore, I say again, take her away.

ady, give me leave to prove you a fool.

OLIVIA an you do it?

I'll do my best To woo your laW

CURIO: T

OFFICER #2 I

VALENTINE H

OFFICEH DUKE’s ATTENP VALENTINE H

DUKE’s ATTENDANT Fear not- I have a plan! [EXE Scene 5 [ENTER OLIVIA, LADIE FESTE. G OLIVIA. T FESTE The lady bade take away the fool; the OLIVIA. Sir, I bade them take away you. FESTE. L C



FESTE Dexteriously, good madonna.


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ake your proof.

ood madonna, why mourn'st thou?

IA. ood fool, for my brother's death.

think his soul is in hell, madonna.

know his soul is in heaven, fool.

he more fool, madonna, to mourn for your brother's soul being in heaven.- Take away the fool! [All Laugh as “CESARIO”, CURIO, VALENTINE, & OFFICERS

BANG AT DOOR SCREAMING. Enter MARIA]

ch desires to speak with you.

rom the Count Orsino, is it? [Enter MALVOLIO]

adam, yond young fellow swears he will speak with you. I told him you were sick; he takes on ch, and therefore comes to speak with you: I told him you were asleep;

reknowledge of that too, What is to be said to him, lady? he's fortified gainst any denial.

hat kind o' man is he?

ot yet old enough for a man, nor young enough for a boy; He is very well favour'd, and he one would think his mother's milk were scarce out of him.

OLIVIA. me my veil: come, throw it o'er my face. We'll once more hear Orsino's

[Enter “CESARIO”, VALENTINE, CURIO, OFFICERS.] [OLIVIA, MARIA, LADIES, FESTE & FABIAN ALL PUT VEILS OVER THEIR FACES.]

OLIVIA. M

FESTE. G

OLIVG

FESTE. I

OLIVIA. I FESTE. T

MARIA.

Madam, there is at the gate a young gentleman mu OLIVIA. F MALVOLIO. Mhim to understand so muhe seems to have a foa OLIVIA. W MALVOLIO. Nspeaks very shrewishly; Let him approach: Give embassy.




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se, which is she?

voice) l answer for her. Your will?

) ble beauty, (ALL LAUGH) I pray you, tell me if this be

e lady of the house, for I never saw her.

hence came you, sir?

can say little more than I have studied, and that question's out of my part.

re you a comedian?

No, my profound heart: and yyou the lady of the house?

u do u urp yo rs to bestow, is not yours to serve. But this is from my commission: I will on with my speech in your praise, and then show

VIOLA o study it, and 'tis poetical.

OLIVIA d: I heard you were saucy at my gates; and allow'd your approach

'tis

[Maria steps forward and tries to push Cesario out.]

VIOLA. The honourable lady of the hou FESTE (in a girl Speak to me; I shal VIOLA. (to herMost radiant, exquisite, and unmatchath LADY #1. W VIOLA. I FABIAN. A VIOLA

et, by the very fangs of malice I swear, I am not that I play. Are

OLIVIA If I do not usurp myself, I am. VIOLA Most certain, if you are she, yo s urself; for what is youreyou the heart of my message. OLIVIA Come to what is important in't: I forgive you the praise. Alas, I took great pains t It is the more like to be feign'rather to wonder at you than to hear you. If you be mad, be gone; if you have reason, be brief:not that time of moon with me to make one in so skipping a dialogue. MARIA. Will you hoist sail, sir? here lies your way.




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r!

FABIAN us matter to deliver, when the courtesy of it is so fearful. Speak your

y ords are as full of peace as matter.

et you began rudely. What are you? What would you?

ar'd in me have I learn'd from my entertainment. What I am, and what I would are as secret as maidenhead: to your ears, divinity; to any other’s profanation.

ive us the place alone. We will hear this divinity [ALL EXIT BUT VIOLA AND OLIVIA.] ext?

o answer by the method, in the first of his heart.

, I have read it: it is heresy. Have you no more to say?

VIOLA. No, good swabber; I am to hull here a little longe OLIVIA. Tell me your mind. VIOLA. I am a messenger! Sure you have some hideooffice. VIOLA It alone concerns my lady’s ear. I bring no overture of war; I hold the olive in my hand: mw LADY #2 Y VIOLA. The rudeness that hath appe

OLIVIA. GNow, sir, what is your t VIOLA. Most sweet lady,- OLIVIA. A comfortable doctrine, and much may be said of it. Where lies your text? VIOLA. In Orsino's bosom. OLIVIA. In his bosom! In what chapter of his bosom? VIOLA T OLIVIA O



VIOLA. Good madam, let me see your face.


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ission from your lord to negotiate with my face? You are now out of your t: but we will draw the curtain, and show you the picture. Look you, sir, is't not well done?

[She removes her veil.]

VIOLA. did all.

ill lead these graces to the grave, nd leave the world no copy.

will give out divers schedules of my beauty: it shall be ventoried, and labell'd - as, item, two lips, indifferent red; item, two gray eyes, with lids to

chin, and so forth. Were you sent hither to 'praise me?

VIOLA. you are too proud;

OLIVIA he love me?

ith adorations, with fertile tears, r love, with sighs of fire.

OLIVIA. mind; I cannot love him:

y master's flame, your denial I would find no sense;

.

OLIVIA. what would you?

VIOLA. at your gate,

rite loyal cantons of contemned love,

OLIVIA. Have you any commtex Excellently done, if GodLady, you are the cruell'st she alive, If you wA OLIVIA O, sir, I will not be so hard-hearted; Iinthem; item, one neck, one I see you what you are, My lord and master loves you! How does VIOLA WWith groans that thunde Your lord does know myHe might have took his answer long ago. VIOLA. If I did love you in mInI would not understand it Why, Make me a willow cabinAnd call upon my soul within the house; W




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of night; alloo your name to the reverberate hills,

ossip of the air

r parentage?

te is well:’ am a gentleman.

perchance, you come to me again, it. Fare you well:

e.

VIOLA. keep your purse:

ove m ke his heart of flint, that you shall love; nd let your fervour, like my master's, be

ewell, fair cruelty. [Exit.]

hat is your parentage?" my state is well:

nd spirit, o give thee fivefold blazon:- not too fast;-

ue? s

e stealth o creep in at mine eyes. Well, let it be.-

MALVOLIO. m, at your service.

VIOLA. (cont.) And sing them loud even in the deadHAnd make the babbling gCry out, "Olivia!" O, you should not rest Between the elements of air and earth, But you should pity me! OLIVIA. You might do much. What is you VIOLA Above my fortunes, yet my staI

OLIVIA Get you to your lord; I cannot love him: let him send no more; Unless,To tell me how he takesI thank you for your pains: spend this for m I am no fee'd post, lady;L aAPlaced in contempt! Far OLIVIA. "W"Above my fortunes, yetI am a gentleman." I'll be sworn thou art; Thy tongue, thy face, thy limbs, actions, aDSoft, soft!- How now! Even so quickly may one catch the plagMethinks I feel this youth's perfectionWith an invisible and subtlTWhat, ho, Malvolio! Here, mada



OLIVIA. Run after that same peevish messenger, He left this ring tell him I'll none of it.


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lio.

adam, I will. [Exit.]

do I know not what! rselves we do not owe;

[Exit.]

cene 6 [ENTER SEBASTIAN, FOLLOWED BY ANTONIO]

that I go with you?

und.

e is Sebastian. My father was Sebastian of essaline. He left behind him myself and a sister, both born in an hour: if the heavens had been

ended! but you, sir, alter'd that: for some hour before you took me as my sister drown'd.

fair. She is drown'd already, sir, with salt water, e again with more.

ad entertainment. If you will not murder me for my love, let me be your rvant.

you will not undo what you have done, that is, kill him whom you have recovered, desire it ot. Fare ye well I am bound to the Count Orsino's court. [EXIT]

If that the youth will come this way to-morrow, I'll give him reasons for't. Hie thee, Malvo MALVOLIO. M OLIVIA. I Fate, show thy force: ouWhat is decreed must be,- and be this so! S

ANTONIO Will you stay no longer? Nor will you not SEBASTIAN By your patience no. ANTONIO Let me yet know of you whither you are bo SEBASTIAN You must know of me, then, Antonio, my namMpleased, would we had sofrom the breach of the sea w ANTONIO. Alas the day! SEBASTIAN. She bore a mind that envy could not but callthough I seem to drown her remembranc ANTONIO Pardon me, sir, your bse SEBASTIAN Ifn




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e!

hat danger shall seem sport, and I will go. [EXIT.]

TER “CESARIO”]

with the Countess Olivia?

ven now, sir.

ALV LIO. , sir: you might have saved me my pains, to have taken it away

e will none of him: and one thing it so.

[Drops it on the ground and exits.]

t means this lady?

es had lost her tongue,

this, not I; untie! [Exit.]

ECHEEK.

ANTONIO. The gentleness of all the gods go with theI have many enemies in Orsino's court, Else would I very shortly see thee there: But, come what may, I do adore thee so, T

Scene 7 [MALVOLIO FOLLOWS AF MALVOLIO. Were not you even now VIOLA. E

M OShe returns this ring to youyourself. She adds, moreover, that you should tell your lord sh

ore, that you report to her your lord's taking of this. Receive m

VIOLA.

I left no ring with her: whaFortune forbid, my outside have not charm'd her!

he made good view of me; indeed, so much, SThat, sure, methought, her eyFor she did speak in starts distractedly. She loves me, sure; What will become of this? As I am man, My state is desperate for my master's love; As I am woman,- now, alas the day!-

hat thriftless sighs shall poor Olivia breathe! WO Time, thou must untangle

knot for me t'It is too hard a Scene 8

[Enter SIR TOBY, SIR ANDREW, FABIAN] SIR TOBY BELCH

arian, I say! a stoup of wine! M

FABAIN. How now, my hearts! did you never see the picture of We Three? [The 3 pose and laugh.] SIR ANDREW AGUHere comes the fool, i' faith. [Enter FESTE]




23

SIR TOBY BELCH.

love song.

mellifluous voice, as I am a true knight.

make the welkin dance indeed? Shall

BIA . et our eace”.

e, begin. .[

maIs there no respect of place, persons

r time in you?

SIR ANDREW. By my troth, the fool has an excellent voice. FABIAN. Now a song!

Come on; there is sixpence for you: let's have a song. FESTE. Would you have a love song, or a song of good life? ALL. A love song. A SIR ANDREW Aye, I care not for the good life. [He sings O, Mistress Mine. All join in]

SIR ANDREW A SIR TOBY BELCH. A contagious breath. FABIAN. Very sweet and contagious, I’faith. SIR TOBY BELCH.

tagion. But shall weTo hear by the nose, it is dulcet in conwe rouse the night-owl in a catch? SIR ANDREW.

et’s do it! I am a dog at a catch. L FA NL catch be “Hold Thy P

BY BELCH. SIR TOGood, I’faith. Com

[They sing Hold Thy Peace and dance getting louder. Enter Malvolio MALVOLIO. (entering)

t,Masters, are you mad? Have you no wi nners, nor honesty but to gabble like tinkers at this ime of night? Do ye make an ale-house of my lady’s house! t

o




24

p!

st be round with you. My lady bade me tell you, that, though she harbours you as er kinsman, she's nothing allied to your disorders. If you can separate yourself and your isdem ome to the house; if not, she's very willing to bid you farewell.

alvolio storms out.]

, Maria!

for to-night; For Monsieur Malvolio, let me alone with him: if I do ot gull him into a nayword, and make him a common recreation, do not think I have wit enough

I know I can do it.

SIR TOBY BELCH omething of him.

MARIA kind of Puritan.

SIR ANDREW AGUECHEEK at him like a dog!

MARIA he De , the best persuaded of himself, so cramm'd (as he thinks) with

use to work. [FESTE SLOWLY EXITS DURING THIS…after hearing ‘revenge’]

hat wilt thou do?

will drop in his way some obscure epistles of love; I can write very like my lady, your niece; on dly make distinction of our hands.

FABIAN xcellent! I smell a device.

SIR TOBY BELCH. We did keep time, sir, in our catches. Sneck-u MALVOLIO. Sir Toby, I muhm eanours, you are welc [M SIR TOBY Go, sir, rub your chain with crumbs.- A stoup of wine MARIA. Sweet Sir Toby, be patient nto lie straight in my bed:

Possess us, possess us; tell us s Marry, sir, sometimes he is a O, if I thought that, I'd be T vil a Puritan that he isexcellencies, that it is his grounds of faith that all that look on him love him: and on that vice in him will my revenge find notable ca SIR TOBY BELCH. W MARIA. I a forgotten matter we can har

E SIR ANDREW AGUECHEEK. I have't in my nose too.




25

hat they come from my niece Olivia, and that

e's in love with him.

.

SIR TOBY BELCH. nd one that adores me: what o'that?

SIR ANDREW AGUECHEEK.

money. Come, come; We'll go drink some sack; 'tis o late to go to bed now: come, come. [Exeunt singing.]

[ENTER DUKE, VIOLA, CURIO, VALENTINE, FESTE, ATTENDANT, RS]

DUKE OF ILLYRIA. ive m usician plays Come Away Death.]

the sweet pangs of it remember me; tune?

here ove is

Once more, Cesario,

et thee to yond same sovereign cruelty.

IA.

SIR TOBY BELCH.He shall think, by the letters that thou wilt drop, tsh MARIA. I know my trap will work on him. For this night, to bed, and dream on the event. Farewell [Maria exits.] She's a beagle, true-bred, a I was adored once too. SIR TOBY BELCH. Let's to bed.- Thou hadst need send for moreto Scene 9 [The Duke’s Palace.]

OFFICE G e some music:- [Student MCome hither, boy: if ever thou shalt love, InHow dost thou like this VIOLA It gives a very echo to the seat W L throned. DUKE OF ILLYRIA. G VIOLA But if she cannot love you, sir? DUKE OF ILLYRI cannot be so answer'd.



VIOLA


26

perhaps, there is- ath for your love as great a pang of heart

you cannot love her;

DUKE OF ILLYRIA.

s love doth give my heart. Make no compare e

DUKE OF ILLYRIA.

VIOLA

y father had a daughter loved a man, s it m a woman,

history?

d her love, a worm i' th'bud,

eed on her damask cheek: she pined in thought; ument,

DUKE OF ILLYRIA. r love, my boy?

VIOLA am al ther's house,

and yet I know not.- ir, shall I to this lady?

Sooth, but you must. Say that some lady- as, HAs you have for Olivia: You tell her so; must she not, then, be answer'd? There is no woman's sides Can bide the beating of so strong a passion ABetween that love a woman can bear mAnd that I owe Olivia. VIOLA Ay, but I know,- What dost thou know?

MA ight be, perhaps, were II should your lordship. DUKE OF ILLYRIA. And what's her VIOLA A blank, my lord. She never tolBut let concealment, likeFAnd sat like Patience on a monSmiling at grief. Was not this love indeed? But died thy sister of he I l the daughters of my faAnd all the brothers too;-S




27

RIA.

[Exeunt.]

[Enter SIR TOBY, SIR ANDREW, FESTE, FABIAN, MARIA]

ng down this walk. He has been yonder i' the sun f-hour. Observe him, for the love of mockery; for

. Lie thou there. [She throws down a letter. All hide. Enter MALVOLIO.]

[Taking up the letter.]

ear the gin.

BY BELCH

y my life, this is my lady's hand: these be her very C's, her U's, and her T's; and thus makes she nknown beloved, this, and my good wishes:" her very phrases!-

"I may command where I adore; my life."

FABIAN.

MALVOLIO. may command where I adore. Why, she may command me: I serve her; she is my lady. Softly!- , O, A, I,- Malvolio;- why, that begins my name.

DUKE OF ILLY Ay, that's the theme.To her in haste; give her this jewel; say, My love can give no place, bide no denay. Scene 10 [Olivia's garden.]

MARIA. Get ye all into the box-tree: Malvolio's comipractising behaviour to his own shadow this halI know this letter will make an idiot of him

MALVOLIO. What employment have we here? FABIAN. Now is the woodcock n SIR TOO, peace! MALVOLIO. Bher great P's. [reads] "To the uTo whom should this be for? FABIAN. This wins him, liver and all. MALVOLIO [reads]. "Jove knows I love:” But who? M, O, A, I, doth sway A fustian riddle! SIR TOBY BELCH Excellent wench, say I. I M




28

oes.] Be not afraid of greatness: some are born great, eatness thrust upon 'em. Remember who commended

e arter'd: I say remember. If not let me e thee a steward still. Farewell.

not more: this is open. My lady loves me. I thank my stars, I am happy. I will be str

iftness of putting on. Jove and my stars be praised!- Here is yet a postscript.

u wilt have me. [Exit.]

SIR TOBY BELCH this device,-

SIR ANDREW.

MARIA you w of the sport, mark his first approach before my lady: he will come

llow stockings, and 'tis a colour she abhors, and cross-garter'd, a fashion she detests; nd he will smile upon her, which will now be so unsuitable to her disposition, being addicted to

cannot but turn him into a notable contempt.

ave you, gentleman!

nd you, sir.

house? my niece is desirous you should enter.

will answer you with gait and entrance:- but we are prevented. [Enter OLIVIA w/attendants] h'd lady, the heavens rain odours on you!

SIR ANDREW AGUECHEEK [aside]. Rain odours:"- well.

OLIVIA nd leave me to my hearing.

MALVOLIO. (cont.) If this fall into thy hand, revolve. [He dsome achieve greatness, and some have grthy yellow stockings, and wish'd to see thee ver cross-gseDaylight and champain discovers

ange, stout, in yellow stockings, and cross-garter'd, even with the sw "Thou canst not choose but know who I am. If thou entertain'st my love, let it appear in thy smiling: thy smiles become thee well; Jove, I thank thee.- I will smile; I will do every thing that tho

I could marry this wench for

So could I too. If ill then see the fruitsto her in yeaa melancholy as she is, that it [ENTER VIOLA as “CEASARIO”] SIR TOBY BELCH S VIOLA A SIR TOBY BELCH Will you encounter the VIOLA I Most excellent accomplis That youth's a rare courtier: " Let the garden-door be shut, a

[EXEUNT. Sir Andrew, FABIAN and Toby hide] Give me your hand, sir.



VIOLA My duty, madam, and most humble service. OLIVIA What is your name? VIOLA Cesario is your servant's name, fair princess. OLIVIA Y'are servant to the Count Orsino, youth.


29

VIOLA

am.

eseech you. I did send,

ring in chase of you: so did I abuse , I fear me, you:

to love.

, for ‘tis a vulgar proof hat very oft we pity enemies.

hy, then, methinks 'tis time to smile again. or are to be proud!

VIOLA

[Starts to exit, returns] ou'll nothing, madam, to my lord by me?

Stay: ou think'st of me.

And he is yours, and his must needs be yours: Your servant's servant is your servant, mad

OLIVIA Give me leave, bAMyself, my servant, andEnough is shown: a cypress, not a bosom, Hides my poor heart. So, let me hear you speak. VIOLA I pity you. OLIVIA That's a degree VIOLA No, not a griseT OLIVIA WO world, how apt the poThere lies your way, due west. Then westward-ho!- Grace and good disposition attend your ladyship! Y OLIVIA

I prithee, tell me what th



VIOLA That you do think you are not what you are.


30

e same of you.

love thee so-

have one heart, one bosom, and one truth, ; save I alone.

.

ABIAN, and TOBY come out of hiding.]

your niece do more favours to the count's serving-man than ever she bestow'd upon e. Will either of you bear me a challenge to him?

o, write it in a martial hand! Be curst and brief! Go, about it!

CH.

[Exit SIR ANDREW. Enter MARIA.]

you will laugh yourselves into stitches, follow me. Yond gull Malvolio is turn'd heathen, he's

[Exeunt.]

OLIVIA If I think so, I think th VIOLA Then think you right: I am not what I am. OLIVIA Cesario, by the roses of the spring, I VIOLA -By innocence I swear, I And that no woman hasAnd so adieu, good madam: never more Will I my master’s tears to you deplore OLIVIA Yet come again! [Exeunt SIR ANDREW, F SIR ANDREW AGUECHEEK. Marry, I sawm SIR TOBY BELCH G SIR ANDREW. Where shall I meet you?

SIR TOBY BELWe’ll call thee at thy `cubiculo': Go!

MARIA. Ifin yellow stockings! SIR TOBY BELCH Come, bring us, bring us where he is.




31

ebastian and Antonio]

SEBASTIAN ave troubled you,

our pains I will no further chide you.

nswer make but thanks, nd thanks, and ever thanks; What’s to do?

cs of this town?

ging.

am not weary, and ‘tis long to night.

do not without danger walk these streets.

upon some toy ou have desire to purchase.

I’ll be your purse-bearer, and leave you for a

XEU T.]

Scene 11 [Enter S I would not by my will hBut since you make your pleasure of y ANTONIO I could not stay behind you. SEBASTIAN My kind Antoniio I can no other aAShall we go see the reli ANTONIO Tomorrow sir – best first go see your lod SEBASTIAN I ANTONIO I Hold sir, here’s my purse. In south suburbs, at the Elephant, Is best to lodge. SEBASTIAN Why I your purse? ANTONIO. Haply your eye shall lightY

SEBASTIAN. n hour.

ANTONIO To the’ Elephant. SEBASTIAN I do remember. [E N




32

nters with Maria, Ladies, Attendants]

speak too loud.- ad and civil,

ith my fortunes:- here is Malvolio?

manner. He is, sure, possessed, madam.

hy, what's the matter? does he rave?

o, madam, he does nothing but smile: for, sure, the man is tainted in's wits. OLIO followed by TOBY, FABIAN, FESTE]

OLIVIA

[Shows off his yellow stockings]

OLIVIA hat is the matter with thee?

LADY #1 idiculous boldness before my lady?

emember who commended thy yellow stockings,-

hy yellow stockings!

O. nd wish'd to see thee cross-garter'd.

ross-garter'd!

Scene 12 [Olivia e OLIVIA I have sent after Cesario: he says he'll come;- How shall I feast him? what bestow of him? I Where is Malvolio?- he is sAnd suits well for a servant wW MARIA He's coming, madam, but in very strange OLIVIA W MARIA N [Enter MALV How now, Malvolio! MALVOLIO. Sweet lady, ho, ho. Why, how dost thou, man? w

Why appear you with this r MALVOLIO. R OLIVIA T MALVOLIA LADY #1. C




33

LV LIO. o to, thou art made, if thou desirest to be so;-

ervant still.

idsummer madness. Good Maria, let this fellow be look'd to. ADIES, ATTENDANTS.

, MARIA come forward.]

FABIAN ow is't with you, man?

MALVOLIO t me enjoy my private: go off.

FESTE d speaks within him; did not I tell you?-

ir Toby, my lady prays you to have a care of him.

h ha! does she so?

, go to; peace, peace; we must deal gently with him. Let me alone. How do you, Malvolio? t, man, defy the devil! Consider, he's an enemy to mankind.

MALVOLIO Do you know what you say?

MARIA the devil, how he takes it at heart! Pray God, he be not bewitch'd!

MALVOLIO you are idle shallow things: I am not of your element: you shall know

[EXIT Malvolio]

aughing)

g) 'd upon a stage now, I could condemn it as an improbable fiction.

MARIA I’ll follow him lest this device take air and taint. [SHE EXITS.]

MA OGIf not, let me see thee a s OLIVIA Why, this is very m [EXIT OLIVIA, L

FABIAN, FESTE, TOBY How is't with you, sir? H Go off; I discard you: le Lo, how hollow the fien MARIA S MALVOLIO A SIR TOBY BELCH Go toHow is't with you? Wha

Look you, an you speak ill of Go, hang yourselves all!more hereafter. SIR TOBY BELCH (lIs't possible? FABIAN. (laughinIf this were play




34

see, but see.

FABIAN. orning. [Enter SIR ANDREW carrying letter.]

Here's the challenge, r

H f the orchard and so soon as ever thou seest

im, draw; and as thou draw’st, swear horrible! Away! [ANDREW moves off. Enter VIOLA.]

ke thee to't: thy enemy, full of despite, loody as the hunter, attends

.

VIOLA is courteous office, as to know of the knight what my offence to him is.

FABIAN. ilful, bloody, and fatal opposite that you could possibly have found

FIGHT. Enter ANTONIO.]

ut up your sword. If this young gentleman e the fault on me! [Antonio & Toby Fight. Officers enter.]

FABIAN. come the officers. [Toby backs off. FIGHT with

OFFICER #1 ntoni t Orsino.

favour well sir. hough now you have no sea-cap on your head.-

ake him away: he knows we know him well.

SIR TOBY BELCH. We'll have him in a dark room and bound. But, More matter for a May m SIR ANDREW AGUECHEEK.

ead it: I warrant there's vinegar and pepper in't. SIR TOBY BELCGo, Sir Andrew; scout me for him at the corner oh

Gentleman, God save thee! That defence thou hast, betabthee at the orchard-end I beseech you, do me th He is, indeed, sir, the most skin any part of Illyria. VIOLA [aside]. Pray God defend me! A little thing would make me tell them how much I lack of a man.

[THEY COVER THEIR EYES AND TRY TO

ANTONIO. PHave done offence, I tak O good Sir Toby, hold! here OFFICERS & ANTONIO] A o, I arrest thee at the suit of CounWe know yourT OFFICER #3 T



ANTONIO.


35

must entreat of you some money.

ll lend you something: my having is not much.

ill you deny me now?

ANTONIO. is youth that you see here

hou hast, Sebastian, done good feature shame. [EXIT ANTONIO and OFFICERS]

my brother know et living in my glass; even such, and so,

; O, if it prove,

Scene 13 [ENTER SEBASTIAN AND FESTE]

for you?

EBASTIAN. olish fellow:

.]

SIR ANDREW AGUECHEEK. in? there's for you. [Hits Sebastian on cheek with glove.]

g the hit] the people mad?

e.

I must obey. [to VIOLA] This comes with seeking you: I VIOLA I' ANTONIO W VIOLA I know you not.

OFFICER #3 Come, sir, I pray you, go. Let me speak a little. ThI snatch'd one half out of the jaws of death, T VIOLA He named Sebastian: IYIn favour was my brotherTempests are kind, and salt waves fresh in love! [Exit.]

FESTE. Will you make me believe that I am not sent SGo to, go to, thou art a foLet me be clear of thee. [ENTER SIR ANDREW, SIR TOBY, FABIAN Now, sir, have I met you aga SEBASTIAN. [ReturninWhy, there's for thee, and there, and there! Are all SIR TOBY Hold, sir, or I'll throw your dagger o'er the hous



SEBASTIAN.


36

thy sword. [Draws.]

CH wo of this malapert blood from you.

[They Fight. Enter OLIVIA and PRIEST.]

old, Toby; on thy life, I charge thee, hold!

adam!

ill it be ever thus? Rudesby, be gone! [Exeunt SIR TOBY, SIR ANDREW, and FABIAN.] with me.

r I am mad, or else this is a dream:

you mean well,

r will be true!

OLIVIA hen le ens so shine,

A, CURIO, VALENTINE, DUKE’s ATTENDANT]

VIOLA at did rescue me. [Enter OFFICERS#1 & #3, w/ANTONIO.]

DUKE of ILLYRIA his face of his I do remember well;

I will be free from thee. What wouldst thou now? If thou darest tempt me further, draw SIR TOBY BELWhat, what? Nay, then I must have an ounce or t

OLIVIA H SIR TOBY BELCH M OLIVIA WI prithee, gentle friend, Go SEBASTIAN. What relish is in this? how runs the stream? O OLIVIA Blame not this haste of mine. PRIEST. IfNow go with us into the church nearby: OLIVIA What do you say? SEBASTIAN. I'll follow, and, having sworn truth, eve T ad the way, good father; and heavThat they may fairly note this act of mine! [Exeunt.] Scene 14 [Enter DUKE, VIOL Here comes the man, sir, th T



VIOLA He did me kindness, sir; drew on my side;


37

OFFICER #1

OFFICER #3 Thou salt-water thief!

hat foolish boldness brought thee to this town?

TONIO. hat most ingrateful boy there by your side,

ed and foamy mouth

[enter Olivia w/Priest.]

DUKE OF ILLYRIA. : now heaven walks on earth.-

OLIVIA promise with me.

adam!

LLYRIA. racious Olivia,-

hat do you say, Cesario? Good my lord,-

it be aught to the old tune, my lord,

o mine ear

.

Notable pirate!

DUKE OF ILLYRIA. W ANTFrom the rude sea's enragDid I redeem; a wreck past hope he was: His life I gave him. VIOLA How can this be? Here comes the countess Cesario, you do not keep VIOLA M DUKE OF IG OLIVIA W VIOLA My lord would speak; my duty hushes me. OLIVIA IfIt is as fat and fulsome tAs howling after music. DUKE OF ILLYRIA Still so cruel?



OLIVIA Still so constant, lord.


38

. Come, boy, with me; [Starts to exit. “Ceasario” follows him]

OLIVIA Where goes Ce

ore than I love these eyes, more than my life,

. [Grabs Cesario’s hand.]

DUKE OF ILLYRIA. [Grabs Cesario’s other hand.]

OLIVIA n he that deny? [Tugs Cesario towards her.]

DUKE OF ILLYRIA. [Tugs Cesario towards him.]

VIOLA rd, not I! [Breaks away from both. Enter SIR ANDREW, FABIAN, FESTE.]

CHEEK. , a surgeon! send one presently to Sir Toby. [Toby enters w/Maria.]

GUECHEEK. ir Toby a bloody coxcomb too!

GUECHEEK. he count's gentleman, one Cesario.

DUKE OF ILLYRIA

sario? VIOLA After him I love MMore, by all mores, than e'er I shall love wife. OLIVIA Whither, my lord?- Cesario, husband, stay Husband! Ay, husband: ca Her husband, sirrah! No, my lo

SIR ANDREW AGUEFor the love of God OLIVIA What's the matter? SIR ANDREW A'Has broke my head across, and has given S OLIVIA Who has done this, Sir Andrew? SIR ANDREW AT




39

RIA.

hy do you speak to me? I nou drew your sword upon me without cause; [Enter SEBASTIAN.]

am sorry, madam, I have hurt your kinsman; even for the vows

e ago.

ne face, one voice, one habit, and two persons,

ntonio, O my dear Antonio! tortured me,

A

hich is Sebastian?

ost wonderful!

Do I stand there? I nevehad a sister, whom the blind waves have devour'd.- o VIO to me?

stian was my father; uch a Sebastian was my brother too:

SEBASTIAN. he rest goes even,

r cheek, nd say, "Thrice-welcome, drowned Viola!" [Viola & Sebastian embrace]

o comes it, lady, you have been mistook: ou would have been contracted to a maid;

DUKE OF ILLYMy gentleman Cesario? VIOLA W ever hurt you: Y SEBASTIAN. I Pardon me, sweet one, We made each other but so lat DUKE OF ILLYRIA. O SEBASTIAN. AHow have the hours pain'd andSince I have lost thee! NTONIO. How have you made division of yourself? W OLIVIA M SEBASTIAN.

r had a brother; I [t LA] Of charity, what kin are youWhat countryman? what name? what parentage? VIOLA Of Messaline: SebaSSo went he suited to his watery tomb. Were you a woman, as tI should my tears let fall upon youA FESTE (to Olivia) SY




40

a thousand times hou never shouldst love woman like to me.

mistress.

OLIVIA [Enter MALVOLIO.]

PRIEST. e made me;

s you are seen, rsino's mistress and his fancy's queen.

s as All sing When that I was a Little Tiny Boy.]

DUKE OF ILLYRIA. Boy, thou hast said to meT VIOLA And all those sayings will I over-swear; DUKE OF ILLYRIA. Hear is my hand, your master quits you. From this time forth you'll be your masters A sister, you are she! A solemn combination shall bOf your dear souls. Cesario, coFor so you shall be, while you are a man; But when in other habitO

[FESTE Lead


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TWELFTH NIGHT, or What You Will By William …highlygiftedmagnet.com/site/wp-content/uploads/2010/12/Twelfth...FESTE, clown to Countess Olivia. A great comic. ANTONIO, a pirate who