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Portfolio I submitted for MArch programs
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PORTFOLIO
Michael Royer
List of Works
1 Split - Downtown Lexington Pavillion Spring 2010 Instructor- Mike McKay - Formal Design - Material System Design
2 Manhattan Townhouse Fall 2009 Instructor- Clyde Carpenter - Project Design
3 Lexington Centrepointe Project Fall 2010 Instructor- Angie Co - Site Analysis - Material Studies - Design Proposal
4 Algae Bio Reactor Project Spring 2011 Instructor- Anne Filson - Bio Reactor Design - Site Design - Lab & Confrenece Center Design
5 Barcelona Topotype Studio Collaboration w/ Geoffrey Sorrell Summer 2011 Instructor- Angie Co w/ Eduardo Cadaval & Clara Sol-Morales
- Topotype research - Umbracle Transformation - Montpillier Courtyard Charette - Exiample Coutyard Transformation
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2
3
4
5
List of Works
1 Split - Downtown Lexington Pavillion Spring 2010 Instructor- Mike McKay - Formal Design - Material System Design
2 Manhattan Townhouse Fall 2009 Instructor- Clyde Carpenter - Project Design
3 Lexington Centrepointe Project Fall 2010 Instructor- Angie Co - Site Analysis - Material Studies - Design Proposal
4 Algae Bio Reactor Project Spring 2011 Instructor- Anne Filson - Bio Reactor Design - Site Design - Lab & Confrenece Center Design
5 Barcelona Topotype Studio Collaboration w/ Geoffrey Sorrell Summer 2011 Instructor- Angie Co w/ Eduardo Cadaval & Clara Sol-Morales
- Topotype research - Umbracle Transformation - Montpillier Courtyard Charette - Exiample Coutyard Transformation
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2
3
4
5
SPLIT- digital media pavillion projectinstructor- Mike McKay spring 2010
process diagram
massing renderings
material & structural system
SPLIT- digital media pavillion projectinstructor- Mike McKay spring 2010
process diagram
massing renderings
material & structural system
Manhattan Townhouse Projectinstructor- Clyde Carpenter fall 2009
Manhattan Townhouse Projectinstructor- Clyde Carpenter fall 2009
Lexington Centrepointe Projectinstructor- Angie Co fall 2010
Edge to Center
Center to Shape Points
Edge to Shape Points
Shape Points to Shape Points
Shape Edges to Shape Edges
Shape Points to Corners
Material Study
HERD OF ART CULTURECONES DIRECTING INFRASTRUCTURE
INFORMATION TRANSMITTERS
PRAGMATIC LANGUAGE
GARBAGE CAN MODEL WASTE IN THE PUBLIC REALM
SIGNS CONES HORSES TRASH CANS PORTABLE TOILET NEWSPAPER DESPENSERS
CULTURAL INFRASTRUCTURE INFORMATIONAL DISPOSAL
Lexington Centrepointe Projectinstructor- Angie Co fall 2010
Edge to Center
Center to Shape Points
Edge to Shape Points
Shape Points to Shape Points
Shape Edges to Shape Edges
Shape Points to Corners
Material Study
HERD OF ART CULTURECONES DIRECTING INFRASTRUCTURE
INFORMATION TRANSMITTERS
PRAGMATIC LANGUAGE
GARBAGE CAN MODEL WASTE IN THE PUBLIC REALM
SIGNS CONES HORSES TRASH CANS PORTABLE TOILET NEWSPAPER DESPENSERS
CULTURAL INFRASTRUCTURE INFORMATIONAL DISPOSAL
Lexington Centrepointe Projectinstructor- Angie Co fall 2010
PERFORMANCE EXCHANGE
Temporal Program Diagram 1st Floor 2nd Floor
Acoustical Diagram
Moir pattern
level 1 level 2
level 3 level 4
Lexington Centrepointe Projectinstructor- Angie Co fall 2010
PERFORMANCE EXCHANGE
Temporal Program Diagram 1st Floor 2nd Floor
Acoustical Diagram
Moir pattern
level 1 level 2
level 3 level 4
Algae Bio Reactor Projectinstructor- Anne Filson spring 2011
Base Connection- allows for basic adapation along site grade Base Expansion- allows for specic adaptation along site grade
upper roof planelower roof plane
building roof plane
building oor plane
ground plane
damped surface
amplied surface
Auditoriu
mConfe
rence Room
sOutdoor Lab Exhibition Space
Indoor Lab
Algae Bio Reactor Projectinstructor- Anne Filson spring 2011
Base Connection- allows for basic adapation along site grade Base Expansion- allows for specic adaptation along site grade
upper roof planelower roof plane
building roof plane
building oor plane
ground plane
damped surface
amplied surface
Auditoriu
mConfe
rence Room
sOutdoor Lab Exhibition Space
Indoor Lab
Algae Bio Reactor Project
Algae Bio Reactor Project
Barcelona Topotype Studioinstructor- Angie Co spring 2010collaboration w/ Geoffrey Sorrell
UMBRICLE/SUPERUMBRICLE
DIAGRAMS
programaticvariation
sectionalshift
cross circulation
POWERS
1. Temporal extention
2. Doubling
Temporal Shifts
02412
8.30 20.308 20
mon-sattue-fri
mon,sat 8 15
Doubling
twin
variation
N
Layers
Passages
Public
Private
Montpiller Courtyard Workshop
Barcelona Topotype Studioinstructor- Angie Co spring 2010collaboration w/ Geoffrey Sorrell
UMBRICLE/SUPERUMBRICLE
DIAGRAMS
programaticvariation
sectionalshift
cross circulation
POWERS
1. Temporal extention
2. Doubling
Temporal Shifts
02412
8.30 20.308 20
mon-sattue-fri
mon,sat 8 15
Doubling
twin
variation
N
Layers
Passages
Public
Private
Montpiller Courtyard Workshop
Barcelona Topotype Studiow/ Geoffrey Sorrell
Layering Spaces Offset Layers Passages
Offest Layers
Barcelona Topotype Studiow/ Geoffrey Sorrell
Layering Spaces Offset Layers Passages
Offest Layers
Barcelona Topotype Studiocollaboration w/ Geoffrey Sorrell
This studio was set up around the idea of a topotype. All work from this section is a collaboration with Geoffrey Sorrell. The professor of this studio Angie Co describes a topotype as, In architecture, the topotype lies at the intersection of topology, typology and topography. It can be constructed through single, seminal spaces (Architecture), or from reoccurring spatial conditions in the city (architectures) topotypes are organizations constituted from fragments of buildings, infrastructures, and environments, and are understood through their specic powers and effects. This topotype context was applied to our Barcelona Studio to produce topotypes that are unique to a Barcelona and Mediterranean context. The rst part of this studio was to located pre-existing topotypes in Barcelona. The topotype we established and studied was called the Super/Sub Market. This market condition is found in several places throughout the city and com-bines a fresh market at ground level with a supermarket below grade. The Conception Market in the Exiample was specically studied to nd its powers and effects. The next part of the studio was to study the powers and effects that came from the previous studies in the studio and apply them on an existing structure known as the Umbricle, located in Parc de la Ciutadella. This transformation of the Umbricle resulted in temporal extension and sectional shifting. The next part of the studio took place in Montpellier, France and again used powers and effects to redesign an existing courtyard space. The powers used for this phase of the project were the passage and layered surfaces. This phase of the studio also involved adding program to the space. In our case we added a small library and reading space for the residents who lived around the courtyard. The nal phase of this studio was a design problem given to us by Eduardo Cadaval & Clara Sol-Morales. This problem consisted of redesigning and repopulating an existing courtyard in the Exiample part of the city. The program consisted of space for a library and low rent housing for young people. A playground was also added to the project because it was pre-existing on our site. Our project spread the library into small sections across the site to help repopulate the site. The housing part of the project was placed along one edge of the site where buildings had been torn down. This helped add a contiguity to the site that was previously lacking. This project once again used the idea of the topotype and used the powers of layered surfaces and the passage.
Barcelona Topotype Studiocollaboration w/ Geoffrey Sorrell
This studio was set up around the idea of a topotype. All work from this section is a collaboration with Geoffrey Sorrell. The professor of this studio Angie Co describes a topotype as, In architecture, the topotype lies at the intersection of topology, typology and topography. It can be constructed through single, seminal spaces (Architecture), or from reoccurring spatial conditions in the city (architectures) topotypes are organizations constituted from fragments of buildings, infrastructures, and environments, and are understood through their specic powers and effects. This topotype context was applied to our Barcelona Studio to produce topotypes that are unique to a Barcelona and Mediterranean context. The rst part of this studio was to located pre-existing topotypes in Barcelona. The topotype we established and studied was called the Super/Sub Market. This market condition is found in several places throughout the city and com-bines a fresh market at ground level with a supermarket below grade. The Conception Market in the Exiample was specically studied to nd its powers and effects. The next part of the studio was to study the powers and effects that came from the previous studies in the studio and apply them on an existing structure known as the Umbricle, located in Parc de la Ciutadella. This transformation of the Umbricle resulted in temporal extension and sectional shifting. The next part of the studio took place in Montpellier, France and again used powers and effects to redesign an existing courtyard space. The powers used for this phase of the project were the passage and layered surfaces. This phase of the studio also involved adding program to the space. In our case we added a small library and reading space for the residents who lived around the courtyard. The nal phase of this studio was a design problem given to us by Eduardo Cadaval & Clara Sol-Morales. This problem consisted of redesigning and repopulating an existing courtyard in the Exiample part of the city. The program consisted of space for a library and low rent housing for young people. A playground was also added to the project because it was pre-existing on our site. Our project spread the library into small sections across the site to help repopulate the site. The housing part of the project was placed along one edge of the site where buildings had been torn down. This helped add a contiguity to the site that was previously lacking. This project once again used the idea of the topotype and used the powers of layered surfaces and the passage.