Unit 2. Middle English Texts

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    UNIT 2. MIDDLE ENGLISH TEXTS

    THE OWL AND THE NIGHTLINGALE

    Please summarize the main information about the poem, mainly date, plot,

    characters and the tradition of the debate poetry.

    The Owl and the Nightingale is a 12th- or 13th-centuryMiddle English poem detailing a debate

    between anowland anightingaleabout whether it is better to be mirthful or sorrowful, as overheard by

    the poem's narrator. It is the earliest example in Middle English of a literary form known as debate

    poetry(or verse contest).

    Plot:The narrator overhears a debate between a serious owl and a gay nightingale during a summer

    night. The debate follows the rules of the scholastic disputations, as they were held in the law schools

    and universities. Both contestants use every device of medieval rhetoric to prove that they are of the

    highest use to mankind. During the debate they touch upon nearly every topic of contemporary interest:

    hygienic habits, looks, prognostication, the proper modes of worship, music, confession, papal missions,

    ethics and morals, happy marriage and adultery, and so on. The nightingale stands for the joyous

    aspects of life, the owl for the somber; there is no clear winner. In the end, when the owl is about to

    lose her temper and physically threatens her opponent, they decide to go off to state their cases to oneNicholas of Guildford living in Portesham, Dorset, whom some modern critics believe to be the author of

    the poem.

    The tradition of debate poetry is reflected throughout the poem as it depicts a dialogue between

    two natural opposites (e.g. sun vs. moon, winter vs. summer).Although the particulars can vary

    considerably, this can function as a general definition of the literary form. The debates are necessarily

    emotionally charged, highlighting the contrasting values and personalities of the participants, and

    exposing their essentially opposite natures.

    Debate poems were common inMesopotamianSumerian-language literature (first half of the 3rd

    millennium BC) and were part of the tradition ofArsacidandSassanid Persianliterature (third century BC

    - seventh century AD),continued in later medievalIslamic Persian literature.

    The European debate poem first appeared as a literary form in the eighth and ninth centuries,

    during theCarolingian Renaissance.

    http://en.wikipedia.org/wiki/Middle_English_poemhttp://en.wikipedia.org/wiki/Middle_English_poemhttp://en.wikipedia.org/wiki/Middle_English_poemhttp://en.wikipedia.org/wiki/Owlhttp://en.wikipedia.org/wiki/Owlhttp://en.wikipedia.org/wiki/Owlhttp://en.wikipedia.org/wiki/Nightingalehttp://en.wikipedia.org/wiki/Nightingalehttp://en.wikipedia.org/wiki/Nightingalehttp://en.wikipedia.org/wiki/Medieval_debate_poetryhttp://en.wikipedia.org/wiki/Medieval_debate_poetryhttp://en.wikipedia.org/wiki/Medieval_debate_poetryhttp://en.wikipedia.org/wiki/Medieval_debate_poetryhttp://en.wikipedia.org/wiki/Babylonian_literaturehttp://en.wikipedia.org/wiki/Babylonian_literaturehttp://en.wikipedia.org/wiki/Sumerian_languagehttp://en.wikipedia.org/wiki/Sumerian_languagehttp://en.wikipedia.org/wiki/Arsacidhttp://en.wikipedia.org/wiki/Arsacidhttp://en.wikipedia.org/wiki/Sassanidhttp://en.wikipedia.org/wiki/Sassanidhttp://en.wikipedia.org/wiki/Sassanidhttp://en.wikipedia.org/wiki/Persian_literaturehttp://en.wikipedia.org/wiki/Persian_literaturehttp://en.wikipedia.org/wiki/Persian_literaturehttp://en.wikipedia.org/wiki/Carolingian_Renaissancehttp://en.wikipedia.org/wiki/Carolingian_Renaissancehttp://en.wikipedia.org/wiki/Carolingian_Renaissancehttp://en.wikipedia.org/wiki/Carolingian_Renaissancehttp://en.wikipedia.org/wiki/Persian_literaturehttp://en.wikipedia.org/wiki/Sassanidhttp://en.wikipedia.org/wiki/Arsacidhttp://en.wikipedia.org/wiki/Sumerian_languagehttp://en.wikipedia.org/wiki/Babylonian_literaturehttp://en.wikipedia.org/wiki/Medieval_debate_poetryhttp://en.wikipedia.org/wiki/Medieval_debate_poetryhttp://en.wikipedia.org/wiki/Medieval_debate_poetryhttp://en.wikipedia.org/wiki/Nightingalehttp://en.wikipedia.org/wiki/Owlhttp://en.wikipedia.org/wiki/Middle_English_poem
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    UNIT 2. MIDDLE ENGLISH TEXTS

    SIR GAWAIN AND THE GREEN KNIGHT

    1. Can you explain what happens in the court of King Arthur on the NewYear Celebration?

    During the NY celebrations at King Arthurs court, a Green Knight rides in, carrying a battle axe, and

    challenges any knight to strike him a blow with the axe, provided that he can give a return blow a year

    and a day later. Gawain takes up the challenge.

    2. Explain briefly the formal features of the poem and link it with the socalled alliterative revival?

    First of all, the poem, which contains written in 101, was written like OE and ME verse, that is, it

    was written to be read aloud. Stanzas we find the spelling is irregular and inconsistent in the

    relationship between letters and sounds. The manuscript of Sir Gawain provides a good example of the

    use of a single letter to represent several different sounds. The letter () was used in writing this poem

    to represent several sounds as it had developed from two different sources, firstly from the OE letter ()

    and secondly as a form of letter (z). it was therefore used for all the following sounds:

    We find other important letters in the poem such as [j], [], [x], [w], [s], [z]

    Another feature which is important to take into account is the varying number of unrhymed

    alliterative lines followed by five short rhymed lines in the stanzas of the poem. The literary structure of

    the poem is a clear example of alliterative revival, that is, the resurgence of poetry using thealliterative

    verseform - the traditional versification ofOld Englishpoetry - inMiddle English.The oral traditions of

    OE alliterative verse were unbroken. We find that each line divides into two with a short break or cesura

    in the middle. There are usually four stresses in a line, two in the first half and two in the second, three

    of which alliterate together but this could vary.

    Each stanza ends with a group of rhyming lines. The first short line was called the bob, which

    rhymed with two alternate lines of the following four, called the wheel- ababa.

    http://en.wikipedia.org/wiki/Alliterative_versehttp://en.wikipedia.org/wiki/Alliterative_versehttp://en.wikipedia.org/wiki/Alliterative_versehttp://en.wikipedia.org/wiki/Alliterative_versehttp://en.wikipedia.org/wiki/Old_Englishhttp://en.wikipedia.org/wiki/Old_Englishhttp://en.wikipedia.org/wiki/Old_Englishhttp://en.wikipedia.org/wiki/Middle_Englishhttp://en.wikipedia.org/wiki/Middle_Englishhttp://en.wikipedia.org/wiki/Middle_Englishhttp://en.wikipedia.org/wiki/Middle_Englishhttp://en.wikipedia.org/wiki/Old_Englishhttp://en.wikipedia.org/wiki/Alliterative_versehttp://en.wikipedia.org/wiki/Alliterative_versehttp://en.wikipedia.org/wiki/Alliterative_verse
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    UNIT 2. MIDDLE ENGLISH TEXTS

    THE 15TH

    CENTURY STANDARD

    1.

    Explain briefly the origin of what we call Chancery Standard, or 15

    th

    century standard?

    In the 15th

    century, the city of Westminster, two miles distant and separate from London, had been

    the centre of government administration since the second half of the 12th

    century. The Chancery was

    the court of the Lord Chancellor, and the written English that developed there in the 15th century was

    to become a standard, both in its style of handwriting and in its vocabulary and grammar, because the

    use of English in administrative documents, rather than French, was re-established after about 1430.

    2. Who was Margery Kempe? Can you explain about her Boke?

    Margery Kempe was a woman from Kings Lynn in Norfolk, who gave up marriedlife as a result of

    her mystical experiences to devote herself to religion. She made pilgrimages during her lifetime, and

    afterwards she wrote a book describing her temptations on journeys. As the book was written down

    from Margery Kempes own dictation, this is probably as close as we can get to ordinary speech of the

    early 15th

    century. The dialect is East Midlands, but we cannot tell how accurate was the scribes

    reproduction of Margerys speech, or that of the only surviving manuscript which was copied in the mid-

    15th

    century.

    We find in the Boke different topics such as her marriage. Throughout the book she refers herself

    as this creature or her first mystical vision.

    There are facsimiles of the Boke.