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The Transitional Period The Pre-Romantics William Collins William Blake Robert Burns Course Title: Poetry Course Code & NO.: LANE 447 Course Credit Hrs.: 3 weekly Level: 7 th Level Students Instructor: Dr. Noora Al-Malki Credits of images and online content are to their original owners.

Unit 4

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Page 1: Unit 4

The Transitional PeriodThe Pre-Romantics

William Collins William BlakeRobert Burns

Course Title: Poetry Course Code & NO.: LANE 447Course Credit Hrs.: 3 weekly Level: 7th Level Students

Instructor: Dr. Noora Al-MalkiCredits of images and online content are to their original owners.

Page 2: Unit 4

Pre-RomanticismThe Transitional Era

The term Pre-romantic “defines the sensibilities and spiritual states, trends, ideas and forms that developed at the end of the Neoclassical Period.”

The Pre romantics did not constitute a school of thought. They were a group of writers that were influenced by the new trends, feelings, of the end of the century.

2Dr. Noora Al-Malki 2012 [email protected]

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William Collins1721-59

William Collins was a pre-Romantic English poet whose lyrical odes adhered to Neoclassical forms but were Romantic in theme and feeling. Though his literary career was brief and his output slender, he is considered one of the finest English lyric poets of the 18th century.

3Dr. Noora Al-Malki 2012 [email protected]

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Robert Burns1759-96

4Dr. Noora Al-Malki 2012 [email protected]

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William Blake1757-1827

5Dr. Noora Al-Malki 2012 [email protected]

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William Blake1757-1827

6Dr. Noora Al-Malki 2012 [email protected]

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Robert Burns 1759-1796William Blake 1757-1827

7Dr. Noora Al-Malki 2012 [email protected]

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Robert Burns 1759-1796 ScotWilliam Blake 1757-1827

Mad Poets

•Childhood visions (seeing God & Angeles)•14 poet + painter •Songs of Innocence, in 1789 •Songs of Experience in 1794•Rejected 18th neo-classical vision•Imagination is better than reason •Poetry should be understood by common people•Poverty

•Farm life (hard life)•Masonic •Loose life •Lyrics – Ballads of love- folk songs•spontaneity, directness and sincerity•Scottish life, poverty, and drinking•Manic depression "blue devilism". •Influenced the romantics, American writers, Russian authors (stamp)•Burns’ National Day

Pre-Romantics

8Dr. Noora Al-Malki 2012 [email protected]

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"Love seeketh not itself to please,Nor for itself hath any care,But for another gives its ease,And builds a heaven in hell's despair."

So sung a little Clod of Clay,Trodden with the cattle's feet,But a Pebble of the brookWarbled out these metres meet:

"Love seeketh only Self to please,To bind another to its delight,Joys in another's loss of ease,And builds a hell in heaven's despite."

O my Luve's like a red, red rose, That's newly sprung in June: O my Luve's like the melodie, That's sweetly play'd in tune.

As fair art thou, my bonie lass, So deep in luve am I; And I will luve thee still, my dear, Till a' the seas gang dry.

Till a' the seas gang dry, my dear, And the rocks melt wi' the sun; And I will luve thee still, my dear, While the sands o' life shall run.

And fare-thee-weel, my only Luve! And fare-thee-weel, a while! And I will come again, my Luve, Tho' 'twere ten thousand mile!

A Red, Red Rose Robert Burns 1794The Clod And the Pebble William Blake 1794

hyperbole

repetition

hyperbole

hyperbole

Dialect poem - Ballad Songs of Experience

Concrete to present abstract

9Dr. Noora Al-Malki 2012 [email protected]