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UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

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Page 1: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

UNIT 4, PART IVGENDER AND NEW MEDIA

The Medieval and the Modern: Issues of Gender

Page 2: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

For Today. . .

Review terms from Abrams: “Hyperbole and Understatement” and “Science Fiction and Fantasy”

Pass out presentation sign-up sheetDiscussion of:

Donna Haraway, “Manifesto for Cyborgs” Laura Miller, “Women and Children First”

Page 3: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

One more time. . .

Web Authoring Projects Online revision of your 8-10 page papers Grade based on:

Quality of the student’s revision Overall creativity of design Oral presentation of projects in class, March 11th and 13th

Julia Panko, the Transcriptions Studio RA, will be available to help you with your web authoring projects. Her drop-in hours for the winter quarter are: Tuesday, 11:00-5:00 Wednesday, 9:30-12:00 Thursday, 2:00-5:00 Friday, 10:00-12:30

Page 4: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Additional Workshops at the Transcriptions Studio...

Transcriptions will be holding Dreamweaver web-authoring tutorials at the following times: Tuesday, March 4th, 12:00 - 1:00 Wednesday, March 5th, 11:00 - 12:00

The Dreamweaver tutorials are designed specifically to aid students who have web-authoring assignments due at the end of the quarter; however, everyone is welcome.

The tutorial will cover basic skills including: defining the site, connecting to UWeb through FTP, making simple pages, making links, adding images, using tables, and uploading pages. It will also provide resources for intermediate skills (like using templates, layers, and graphics).

Page 5: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Abrams: “Hyperbole and Understatement”

Hyperbole “Bold overstatement” or “extravagant exaggeration” Can be used seriously and ironically to create

emphasis Examples:

"He has a brain the size of a pea." "I'm so hungry I could eat a horse."

In the American West, “tall talk” or the “tall tale” is a form of comic hyperbole

Page 6: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Abrams: “Understatement,” continued. . .

Understatement Opposite of hyperbole where someone deliberately

“represents something as very much less in magnitude or importance than it really is, or is ordinarily considered to be.”

Used for ironic effect Example:

Mark Twain: “The reports of my death are greatly exaggerated.”

Monty Python. . . Litotes: A form of understatement where one asserts the

affirmative by “negating its contrary” Example:

In Beowulf, when Hrothgar is describing Grendel’s dwelling place, he states: “That is not a pleasant place.”

Page 7: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Abrams: “Science Fiction and Fantasy”

Science Fiction Novels and short stories that “represent an imagined

reality that is radically different in its nature and functioning from the world of our ordinary experience.” Settings:

Other planets Future earth Parallel universe

Fictional world is made plausible by illustrating technological advances, scientific principles, or changes to the organization of society that could possibly happen. . . Examples: Star Trek (TNG, my personal favorite), Isaac

Asimov, H.G. Wells

Page 8: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Abrams: “Science Fiction,” continued. . .

Cyberpunk “postmodern form of science fiction in which the

events take place partially or entirely within the ‘virtual reality’ formed by computers or computer networks.”

Characters can be both human and artificial intelligence Example:

William Gibson’s Neuromancer

Page 9: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Abrams: “Fantasy,” continued. . .

Fantasy From The American Heritage Dictionary of the

English Language, Fourth Edition: “Fiction characterized by highly fanciful or supernatural elements.” Example:

J. R. R. Tolkien: The Hobbit, Lord of the Rings

Page 10: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Miller, “Women and Children First”

Miller considers the way gender is perceived online and the problems this might pose in terms of the regulation of the internet

She refutes articles published in in periodicals such as Newsweek that characterize the Net as hostile to women.

Fantasy versus Reality Are the conversations that we have online via forums,

chats, or instant messaging true representations of our core beliefs? What do you think?

Page 11: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Miller, “Women and Children First,” continued. . .

Internet is not for just for the “small elite of academics, scientists, and hobbyists” (215)

Everyone with a computer and internet access can participate

Page 12: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Miller, “Women and Children First,” continued. . .

Things to think about: With so much freedom, how has the internet been

regulated? And how will it be regulated in the future? How will the gender debate contribute to the

regulation of the internet? How do traditional gender roles limit men and

women?

Page 13: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

The Net has traditionally been seen as self-regulated Example:

Forum moderators

The Net has also been perceived as a kind of “frontier”

But unlike the Old West, this frontier Has no physical space Was created by its pioneers Is not empty, but filled with fellow users

Miller, “Women and Children First,” continued. . .

Page 14: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

But why call the internet “cyberspace” or “frontier”? Our need to conceptualize something abstract Problem: “these analogies bring with them a heavy

load of baggage” (216)

What do we typically associate with a frontier? American West

Lawless society A place where “physical strength, courage, and personal

charisma supplant institutional authority and violent conflict is the means of settling disputes” (216)

Miller, “Women and Children First,” continued. . .

Page 15: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

In the “Western mythos,” women and children must be protected, which therefore necessitates the introduction of civilization and regulation into society Women and Children First. . .

Miller, “Women and Children First,” continued. . .

Page 16: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

How does this apply to the internet? Fears of children being victimized by sexual predators Reports of women being intimidated or sexually

harassed online

Miller, “Women and Children First,” continued. . .

Page 17: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Miller questions the perception of women as victims of Internet abuse In the article by Newsweek, women are presented as:

Vulnerable Weak

But what do these perceptions indicate about women in general?

Though Miller clearly notes that physical crimes against women’s bodies be “rigorously prosecuted,” she questions “special protections (chivalry, by another name) with suspicion” (217)

Miller, “Women and Children First,” continued. . .

Page 18: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Are we who we say we are online?Are our physical bodies always represented

online?How does this complicate our understanding

of gender online, especially when it comes to our opinions of online harassment? Though there have been reports of unwanted sexual

advances online, Miller cites from her own experience that though these reports might be true, they might also be overstated, be misinterpretations of the truth, or broad generalizations

Miller, “Women and Children First,” continued. . .

Page 19: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Miller then discusses the connection between sexual harassment and the “underlying threat of rape or physical violence” (218) But in cyberspace, where we have no bodies, is rape

or physical violence possible? What about the emotional repercussions of online

sexual harassment? Are women more susceptible than men? And if so, are we

again playing into traditional feminine gender roles by thinking of women’s minds as more “vulnerable to invasion, degradation, and abuse” (218)?

Miller, “Women and Children First,” continued. . .

Page 20: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Miller argues that the Net levels the playing field in online discussions

Regulating the internet in order to “protect” one gender over another therefore becomes troubling

Miller refers to her own experience online to illustrate the way in which many women “hold their own” in online discussions

Miller, “Women and Children First,” continued. . .

Page 21: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

And what about those who present themselves online as the opposite gender? This illustrates the way in which gender is socially

constructed World of Warcraft

Miller, “Women and Children First,” continued. . .

Page 22: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Haraway: “Manifesto for Cyborgs”

Written in response to feminists of the 70s and 80s who wanted to determine the essence of what it means to be a woman

Definition of manifesto: From The American Heritage Dictionary of the

English Language, Fourth Edition: “a public declaration of intentions, opinions, objectives, or motives, as one issued by a government, sovereign, or organization.”

Page 23: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Argues that we are all cyborgs, both organisms and machines MySpace Facebook

Haraway argues for “pleasure in the confusion of boundaries” and for people taking responsibility for the construction of these boundaries (29)

Her argument presents a way of thinking of a world without gender

Haraway: “Manifesto for Cyborgs”

Page 24: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Essay presents a total rethinking of what it means to be human or a machine outside of traditional and perhaps outdated theories

Three boundary breakdowns: Human/animal

Humans versus chimps Animal-human/machine

Sentience and “the ghost in the machine” Non-physical/physical

Real space versus cyberspace

Haraway: “Manifesto for Cyborgs”

Page 25: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Problems with traditional feminism: To attribute a title to one group is to exclude other groups

or individuals Does being “female” or “male” mean that all females and

all males are completely alike? There cannot be one single idea of what it means to be a

man or a woman, because this idea will inevitably not include everyone

Haraway argues that gender, race, class consciousness, etc. differentiate us But who made these categories in the first place? Haraway argues that these divisions came about as a result

of patriarchy, colonialism, and capitalism

Haraway: “Manifesto for Cyborgs”

Page 26: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Solution: A Cyborg identity “a network ideological image, suggesting the

profusion of spaces and identities and the permeability of boundaries in the personal body and in the body politic” (32)

Haraway references Audre Lorde’s title Sister Outsider to discuss the way in which “women of color” can be understood as a cyborg identity, in which perceptions of otherness and difference can be seen as a unifying force

Haraway: “Manifesto for Cyborgs”

Page 27: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

Writing as a crucial means of communicating and as a response to patriarchy (“a family, community, or society based on this system or governed by men”) Example:

Cherrie Moraga, Loving in the War Years Retells the story of Malinche Uses a “chimera of English and Spanish” (34)

Writing in the boundaries, not on either side of them Constantly fluid and shifting

Haraway: “Manifesto for Cyborgs”

Page 28: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

“Writing is pre-eminently the technology of cyborgs, etched surfaces of the late twentieth century” (35) Finding a new “code” with which to speak Reconceptualizing traditional binaries by writing in

the space between them

Haraway: “Manifesto for Cyborgs”

Page 29: UNIT 4, PART IV GENDER AND NEW MEDIA The Medieval and the Modern: Issues of Gender

For Tuesday. . .

Read excerpt from Marx, available through E-RES

New Moodle assignment, due this SundayConsider the way in which the medieval

period has been commodified in popular culture, such as in movies, video games, or public gatherings. Write a paragraph or two discussing your thoughts on

the issue Due date: Tuesday, March 4th