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UNIVERSITY OFILLINOIS LIBRARY
ATURBANA-CHAMPAIGNMUSIC
UNIVERSITY LIBRARYUNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN
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The NewMusical Comedy
UNIV£flS/Ty OF^LUMOia
P.G.Wodehou^eandGuuBoliort <
M«^ic In,JEROME KERNT B. HARMJ
ANDFRANCIJ. DAY & HUNTER-
NEW YORK
LtBRARl
Henry W. Savage Offers
The New Musical Comedy
HAVE A HEART
Book and Lyrics by
GUY BOLTON and P. G.WODEHOUSE
Music by
JEROME KERN
staged by
Edward Royce .^ \^
VOCAL SCORE TWO DOLLARS
NEW YORKPublished by T.B. Harms & Francis, Day & Hunter
62 West 45^^ Street.
Cop)/ right MCMXVII hy T. B.Harvis & Francis, Day & Hunter,
All Rights Reserved. International Copyright Secured.
Performing rights exclusive property of H.W. Savage.
'-0,
CHARACTERS
(In the order of their appearance)
HENRY, the elevator boy at Schoonmaker's Billy B.Van
TED SHELDON Donald Macdonald
LIZZIE O'BRIEN Marie Hollywell
DETECTIVE BAKER, of the Blueport Police ; . Eugene Keith
RUTHERFORD 9CH00NMAKER, proprietor of the Schoonmaker Department Store . Thurston Hall
CAPTAIN CHARLES OWEN Roy Gordon
PEGGY SCHOONMAKER ... Margaret RomaineMRS. PYNE, Peggy's aunt Flavia Arcaro
MATTH-EW PYNE James Bradbury
DOLLY BRABAZON •" Louise Dresser
YUSSUF, the entertainer Josepn del Puente
MAITRE D'HOTEL Eugene Revere
Shoppers Misses Rosalie Mellette, Helyn Eby, Charmion Furlong, Dazie Burton, AnueSands, Grace Du Bois, Annette Besuden, Margaret Fritts.
Salesgirls —Misses Doris Predo, Martha Parsons, Alice Maurice, Mabel Guilford, Marie
Hollywell, Helen Lane, Belle Bowman, Helen Donohue.
Men — Messrs. William Deacon, Will Smith, Paul Mountaney, Bert Pullaney, Roy Wells,
Will Cobb, Earl Jordon, Walter Burke, Jules Rigoni, Arthur Eley.
SYNOPSIS OF SCENES
ACT I.
Lingerie Room at Schoonmakers.
ACT II.
SCENE 1 -Lounge T)f the Ocean View Hotel. Night.
Curtain will remain down half a minute to djenote lapse of time.
SCENE 2 -The Same. Next morning.
Place -Blueport, R.I. Time —The Present.
Musical Numbers
Conductor, Gustave Salzer
Page
Overture 2
ACT I.
1 Entrance —"Shop" Salesgirls 12
2 Duet — "I'm So Busy" Lizzie and Ted 16
3 Musical Scene —"Have a Heart" Ruddy 20
4 Song —"Look In His Eyes" Pegg-y and Ensemble 25
,s
5 Duo —"I Am All Alone" Ruddy and Peggy 32 ^ o-)^-t_-
6 Song —"I'm Here, Little Girls, I'm Here" Ted and Girls 35
7 Dance Duet —"Bright Lights" Dolly and Henry 40
8 Musical Scene —"The Road That Lies Before" .... Ruddy and Peggy 44 /9 Finale Ensemble 51 C^\-^3
ACT II.
1 (a) — Opening Chorus Guests 64 C'i^_a-
(b) —"Samarkand" Yussuf and Ensemble 7^^^ tr"-/_^
2 Song —"Honeymoon Inn" Peggy and Ensemble 76
3 Song —"Its a Sure, Sure Sign" Dolly 80
4 Duet —"My Wife My Man" Peggy and Ruddy 84/6^ '«^'
5 Duo —"You Said Something" Ted, Lizzie and Ensemble 88
6 Song —"Daisy" Peggy 91
7 "Reminiscences" Orchestra 94
8 Song —"Napoleon". Henrj', Flunkeys and Girls 95
Have A Heart.Selection.*
Allegro brillante.
JEROME KERN.arr. by Chas.Miller.
Piano/
yf?t»/»
mw-d—0-
poco a poco cresc.
t* • d
/
nn^
m ^ ^1 ^s^
s i^ 7 j7 Sii TJ
T2Z
Ii
i ^ -^T* ^ z: S i *=^ ± ^Sf >-
-*-
tt^
"m m s Sl^ ^ 'rail.
^
"The Bright Lights'.'^m i ^^ p^ mfrJ^^ ^^r
S7
accel.
7-& 7
a tempo.
7re?;
7 j 7 7 J•/
' *<!=± <^
if ^ ^ *s I * l=^=p7 :?: 7 *
^rt tempo.
7 1 7
ClS
# p-
^ ^^ NOTE: This Selection is identical with the one published for orchestra and both may be played together.
5480-10 Cojiyright MCMXVII by T. B. Harms & Francis, Day & Huntfr; N.Y.
All Bights Reserved. International CopyrightSecured.
3
I4
7 f- 7 »
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^
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7 7r7avcel.-
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>-#
i
^3a^d^f^#—#-
i ^^ ^ pWf^5Ei^^e;
tif
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ModerateSlow, con seniimenio. "And I Am All Alone!'
I ^ i im Wxf-
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f
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5480.10 Have A Heart. Sel.
(icith exprcssioti,
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n cresc.
i S t¥^ 5^=-^^ ? ff
Valse resolute. r'2
'I'm So Busy.''
^m i ^^ s^s R=g ^ P «?f W &ff Tf Tf
g^ tTff^^^^^IP ^^^^ tfe i^ ^^ ^S
54S0-10 Have A Heart. Sel.
^=^ m5 ms^ ^ ^ i#i
?n^rr trpp 17 i ni Wf v \ i ( ^fi
U^^ ** p^fe Hij» >^ *^ ^ imp
^ i 5^ ^^ ^ ^S^ 5^ rftP^ r t^tfr^^ EJf^ liJ
i ^ gEEt^ ^
w nr
i imW M w-«-^ **-
Tf T»if^
^r /
*j: "f fPf ^ l£ *i gmrmt?^ ^ r
Allegretto. Grazioso. "The Road That Lies."
Z£E M i231
4^11i ^«:$
i»^
t V.'>
g') * a \ F a
Si SS P PS ^^^ m^A i
P # ^1=^S ^1t^-^
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^^ i^ ^i *«-•
fl
s^ ^rff ^t fff
g^f^s 1^ ^ ^m%
5480-lu Have A Heart. b>l.
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i&
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e:z: * ?zz:
^poco meno a
m it^t
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tempo.
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broader
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ES ;;2
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zzi9
H^^ *^It=* s
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ii2E^s:
"Have A Heart';
5480.10 Have A Heart. Sel.
mI
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i53
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3
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^ .a ^ U'lis li ^^ ^ ^S
ff rr^
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^molto rit. /^/^ v^
^=T
# ^^ ^^ .^7^
irs
Ffc
p ^^p ^^ ^ HE?5^Allegro.
^^ ^^ ^3 t!=& i ^ a
1 *ilZS.
5480-10 Have A Heart. Sel.
8
S1ow"You Said Something"
S W^=r -•—©-=^ W ^^ Ptfid
p-f2'I'^ time a little/aster
^H ^ ^ if m f
i ^^ ^ ^:^ Tfrr^ ^ f *??
^ ^fe H^^* f It^ ^tf '^.
§^ P^=4Si< ltcr-^ » =w fmr *I5rail.
W '5
^^ t^
<^-« ^-B-«- ^^i??=S^*-n-*
*a tempo.
S-5 p -5^ ^
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^m s i ^1 1 jf i 1
^i i 1^ 3^ »E*«t "^3? w~»
—
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to!-.!'4| *—gp^^ i i^ S^^ m o:
5480- 10 Have A Heart Sel.
'2 Moderate
*^m^^ ^^ m *?
Allegro moderato"Honeymoon Inn!'
i ^ ^ m=fe
^ ^rail.
M. ^ mf cresc. T«:; JiJ J^ ^^^
f
t*iir r r
*J. :^J_^ W J
^ 1 5fe=» tf i/# #
r T^ f^fi- n r^ : n n ^3-f^ >j J)
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5480 - 10 Have A Heart Sel.
10
IModerato pompOSO' Napoleon
331 m m J J^ L^^s^p ft=# *=F« 1t# *^=* 1t#
^=##=g^=^^ #-l» ^eS^s§ s
f^ #^^ i ii^ p^ ifUI 1-W 1 '-9
m u w m m -w^^ PNot fast
j=i=< ^^ ±^ mm s ^ ^* i # # *^
w.j/"-if
*)• pc cc pij» ^ ^ ^^ ^ ^^cr
^g ! ilii JIJSn ^^a^^ f I'-'f
^ ^g p 'p ..^ accent the bass
^m ^^ ^
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^ -ff 1 ^^ *— ^#!i»
^ ^ ^^ ? tnarcato
I f < iI
>,mm ^ ^^^ i i*
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m m^ P^?—
f
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5480 - 10 Have A Heart Sel.
*Grandioso''And I Am ah Alone"'
m m ^t OE"P ^^
4»*11
mm^ppgpf ?
^ «- «^. i ipl^ ^»— ^t^
» ^ * < Kl^ ^t::ikiic\% J j
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IS i WliKfii fm^ 2==#K
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,
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5j iiT-^mis i -r &
raff. molio
bS^lE^^^ ^^ 2 i. .O.^ ii1^
#-ti^ -^^z:
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5480- 10 Have A Heart Sel.
12
Words by
P. G. WODEHOUSE.
Shop.(Entrance of Salesg-irls.)
JEROME KERN.
Moderate.
Piano.<
^ 1^ i % r=¥=*
^ f*1= f^j 1^
^% 1^ >f f-s ^1 I ^ i ^ i t t '. t
ZJJJ
\
dim.
^^..^ ^ itte^S ^5
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t
^ ^^ fei j_ij>
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^57: tSE :?
^i^
^^a ^P
SALESGIRLS.
^^^==t=F=^ ^ ''
J^ i) ^^^ » a g I » I g^^
Its time that we were firm and lodged a strong com-
Copyright MCMXVII by T.B. Harms & Francis, Day & Hunter, N.Y.
5483-4 All Rights Reserved. International Copyright Secured.
13
UNIS.
plaint,
^^ h I h ^This sort of
A
thing would
A
^try the
y \t 1 3?I^s^?
^ fe^'' i^ J^ J^
P If ^^r i
tern - per of 3. saint. We snatch a
feEii^^J' J^ I J^ Jl ^t^
1^ I ^
min - ute off, to ease the cru - el strain.
^^t>1/ 7 f
^'•
1 ' ^ Ju J^ ii^MJ-i J^J^ n P i
J' ^^^^^ m ^And some -one comes a - long", And makes us work a - gain. Yes
j,i'i 'ij. ^ ^^ *-T5
9s^^=3 I4-
^^^ f^
548.9-4 Shop.
14
Refrain.
3^ ^ h l J^ J^ \ })
Its al-ways the same.
SThats the way
!
E^ rj
k-l^ ^ ^ ..r^^ri s :t^fcte
C-f ^^p r^
s -•^
CJ 'CJ cJ '^ cJ '^^^ "mm^
)ur lit -tie
iPOur lit -tie chats, we
^
day, Its al-ways the same.
^ U ^"P
ll ^ ^^^^^ s^^ t ^ m—
*
m^"^ CJ iJ ^ ^
^ i^ ig=fc ^have to stop. "When we hear some - one shout- ing^^ ^=^on^ c>rC^ •, s- y a-
1,* ;jt
ir L^
i ^^^^^^^g=lr
'^ShopP' WeVe op-pressed, its sim-ply not right,
r J k-f cj 'J J loJcJ5483 - 4 Shop.
15
-Mr ^jiij. p i
p p^Tf rp iGet no rest from morn-ing till night. Its a - bore, this
^^ ^m Ar -^^|J,j _ |
J- .hI' J'H^J^] S^ ^^ ^^^
g ^''
1 , cJ JIJ J^^ f—
f
i1.,^
i fe5^ N ^^-j^M-ri—!'<— f _ '
'* ^^ ^^ r^^serv-ing in a store.
ADont think we can stand it much more
S i i ±^^ ^ P?^f—
r
5F^1' 1»^ 1
.V bh. r pi r^f
F^^¥i
16
"Words bySCHUYLER GREENE
andP. G. WODEHOUSE.
Im So Busy.Music by
JEROME KERN.
Piano.
I
I^5Z^Fj' •? 3 •? g 5
^—
h
nlJJ^ h^ ^^ ^
"^f-P^ P 7 P 7
1^^ i
* i ^^ ^wed must
lieved that
be
myone -who "would
taste for hard
workla
all
bor
the
is
5462-4 Cojtyright MCMXFI h,!/ T.B.Harvfis & Frwncis,l}ay & Hunter, Jf. Y,
All Rights EeseTved, Int«riiatioHal Copyright Secured.
17
i J J JI
J i^^One with amSti - fie the
If ^ ^ *bi - tion, Who'dlurk - ing- I "
? i=I*
') , 'I'f
^ P
P ^ ^9
mis
shirk
make
dea
it
that
mhis
rmsion,
ing-,
to
I
win
nev
a
er
po -
stop
?r r r
rf r55-
i P
5^^ ^^^
si - tion sub - lime,
work - ing at all.
Im NyrVi'
OneI
i^^ ^r
S i *—J:
r^i£
ff3^n
p
5 ^^
whose chief plea - sure would be
may have loafed in the past,
makeBut
mgI
a
am.^ i is
ff:^
^TTn T^ ^ff^* Vts-^f f
€-^s>-=-
5462.4 I'm So Bussy.
18
^^ TSTi-
for - tune for me;
bus - y at last,
One
Iv'e
T rI V
^who would toil all the
found em - ploy-ment and
^ i fe^ i^p* *
I\.f f
^^t-v f—9—
l?.p.' t^i ¥
^ i^^ ^day, Down in the mar - ket and say-
I m work - ing a - way all the time.
^=^=^ #^=# tJ^ ^ AAAm If *=* ^
5¥P=^P
/, A A A A A A
#=F
P 1Refrain.
iP^ r r !
['
Liz - zie, Liz - zie ImLiz - zie, Liz - zie I'm
so
so
bus
bus
4y, Dont know what to
y. Bus - y lov - ing
m2:
g E m?r Srr
1
I
do.
3'ou
- I A AI A A A A -
GoodThat's
A
by dear, I'm off to the
the job that suits me the
w^^ ^ff M t»—
#
r^g
r i;
i^^ ^ feEiJ r r I
-
5462-4 I'm So Bussy.ttst
J
—
°''—street,
best,
^ 19
^Can't
Thoughstop nowI nev
I'm
er
cor - ner - ing wheat,
get an - y rest.^ ^ ^m ^^• *T r-^lUJ
m ^^J ^
\ UTJ i iiEE^ ^ i^
? ^I
I
shall
shall
keep
keep
on
on
till
till
fmI'm
diz
diz
i
zy
zy
till
But
the
I
A j- ii^ ^^^TTJ^ f ^ f ^
m ^ #if ^
$ ^P «<-^
i
deal
shan't
goes
get
i
through,
through.
Liz
Liz
zie
zie
rmfm
3
so
so
Sf i^T^? r I TT T7
m 1^19-
i
^^yy
busbus
*
iSL*
Im mak -ing a pile for you.So wont you get bus - y too-
^s
l>^
^ m f ^^^
5462-4 Tm So Bussy.
20Have A Heart.
Words by
P.G.WODEHOUSE.
Music by
JEROME KERN.
Piano .<
=*
Allegro,j^ j ^ }jj^ ^J ^
g i
m^ms^
ffr
*= XT
FFI^
P It - ^ i^ ?^
A girl in a de - part-ment store has quite a wretch-ed
Each girl in my em - ploy-ment on ar - riv - ing in the
*f 1m 3E i^^ p^ i-m ' ^ EI
r=fditn.
P
mrr'rt^ J J i J J J i J ^J t J
^r r r »^ I ^ *
time of it. I should - nt care to
morn - ing is Pro - vid - ed with re -
have her job my-fresh ments on a
* ^m ^ * %w w
fcV '
i r r r4>Wtir.^
-r -r
*f ^i-L^^^ # I
self,
tray.
It seems to me a fool - ish way To
It costs but lit - tie to sup - ply Dill
^mi p=^ 1 ¥^'WTW-o-
vt Ipf I'f
If- h }\^i J J t J t-l^r-^1 i \l^ s
Copyright MCMXVI by T.B. Harms & Francis, Day & Hunter, N.Y.
5468 - 5 All Rights Reserved. International Copyright Secured.
21
#
*F
*
i-have to spend the
pick - las and Mar
^^whole damn day, Stuck up be - hind Atini' - s dry, Which put her in A
1 *^ ,\ iS^^;
^ f i f
'.y-h J J t ^ P P P32
* ^ N IT r r rJ ^
fecoun-ter haul-ing what-no^s off the shelf. I
mood to face the la . bors of the day. If
hate your strict em -
la - ter she should
^ i?
^^Ii fn "f
d9-^
^^ 4^ ^^^^ "r r r r I^m d
ploy-ers who are
be fa-tig-ued, she
nut - ty a - bout
tot - ters to the
dis - ci - pline, Whoread - ing room Or
P SHe 1 n^fi?
^ ^ ^i
*i 3Sr r r r DDC
run a store with pun - ish-ment and fine._
stag-gers to a mov - ing pic - ture show,.
WhyOr^ P^n
'•y-k • ^ m^1 Si*
5468-5 Have A Heart.
22
1 $ *iS p *
ipick on some poor lit - tie thing-Whos been out all night tan-go - ing, Be -
in the Rest Room she may get a so - da and a cig - a-rettejThese
^^ iE± i #4i mWTT .
9 9-
*f M f
m. #4^s
^P^ ^ * *
cause she gets to work at one o - 'clock in - stead of nine,
sim -pie acts of kind-ness mean a lot to her you know.
*|| J J-J J J Uiir^p^PFTt r ' r r tt=t ^=sz
#^
s i# ^» s^
Refrain.
^ ^s tgt
Have a heart!
Have a heart!
Have a heart!
Have a heart!
ReRe - col
^S n ^-0—w «=*
W^S ^ ^^^ ^^^:
i ^ ir r
1^ r~rr-
mem-ber she is hu - man just like 3'OU._
lect a sales-girl is - nt a ma - chine.
Would - nt
Ev - 'ry
f^it iM M i ^^p^^ ^ffr^^
r
ri^'^-r
5468-5 Have A Heart.
23
^t^. ^^^ r r r N' ^ ^you re - gard
day with muchwith loath - ing, Hats and coats and un - der
com - plete - ness, I am scat - tring- light and
* J J J1 I_^ -r^j-^
cloth - ing-, If
sweet- ness, SoA
you had - nt got to bed till half - past
she gets a chance to rest her ach - ing^^ ^^f T f r
,-£1 I
- ^^ i ^
m 1 I J-* M l~rr-
^
*
two?_bean.—
A
A shop - girl in the ci - ty is de
Im lead - er of the move-ment for ef
J-J lliJ J J J| l,J-^ t^-t fL ^*-y
frr*r I ? r H rT^
± ^331
TT
P 1 ^r r r r ^ ^serv - ing of your pi - ty, Offeet - ing an im - prove -ment, The
pleas - ure life for
bat - tie flag- of
5468-5 Have A Heart.
24
^^ ^ ^ ^^ ?her is not a whirl,
free - dom I un - furl.
% J^J J J
So Im mak - ing- it myShe grows wea - ry show- ing'
iI J It*f ¥ *T -5-
s ^ s sf^ p
X3
pr r i
-
5 r r r r ?mis - sion To im - prove her sad con - di
cor - sets, If she nev - er lies down or
tion, And like
sits, So like
(
Prit. rail. a tempo.
^ i-3j- S3=«HeavHeav
- en,
- en.
I pro
I pro
tect_ the_tect_ the_
work
work
%^^^^ing girl,
ing- g-irl.
t w f^ns s ir=r
rit
!4?=
rail.
3a tempo.W-o-
r
*
ii CT^i»
5468-5 Have A Heart.-B.S.
Look In His EyesWords by
HERBERT REYNOLDS.
Allegro moderate.
25
Music by
JEROME KERN.
Piano.
ii^—'—m
EMf ^m5
5=5
4 ^ ^ t j) j)I
r p Q ^'I
P7 J' J
-7^
In the game of love,_ the points that count are
i: S P5
r* *—
*
^ -^
m -J. 41=^ feEEEEE5i=if-—
r
T- r
1^ ^1 J iir^ > ^ I J J' pp^5
sub- tie - ty and fi - nesse. Not crude dis- plays of your
s ^t^T
« f 1 f
J U Ut;s ^
I E g^P r > I J. J' Ml
men - tal craze that ad - ver-tize dis - tress!
M 5 ¥^^^m fw i
rt=t
tt- .^s i^y-—
-J
^ ^ fci-
Copyright MCMXIII by T. B. Harms & Francis, Day & Hunter, N.Y.7 All Rights Reserved. International Copyright Secured.
26
}) -y ^) }) ?:^M=3E
- I
-.
I J J^ J"]I P P P P P p
rip - pling laugh and a fund of chaff, with nev - er the sound of
J. W^ J-—ni ^^imf" =T-
*f=s 4i s^ ^^ ^=1^
^/CN /^
£f P^ P^^-P ''
P P ^^win at love, Al-wayssighs'. And all else a - bove, if you'd
r\J. rr} p s*^
/?\
:i i#: » f^
i^g E I 7 •?
Valse lente.
^^ ^5 i^
look— in your part - ners eyes!
S$ ^ i
f*=^ IE ^ w-fc|s^:
ra//.^ Z2I 2z: J' •? J
gr r
Refrain.Valse lente con espressione.^ ^ m
Ifv
i 1 :;^ ^Look in his eyes, Look in his eyes,
s
BTake my ad
iSF=«; rf ^^
m #p
-s>-.
Look In H*s Eyes.
7
<!' ^r r
27
^vice and be wise.
mHints that you need, in your^ 5t
ffe^ ^ i «=^r ^ ^^rr
r-s s ^tV L77
p ^
5 ^ :e^ * ?^-6>-^
plans to sue - ceed! Plain-er than print you'll be a-ble to
^ m^I H iHwrV- ^ * r*
P P/r\^3 ^ ^*read. Look in his eyes,
:i fe
Look in his eyes, If
V
t^^
< £1^^ ^^i"-^ r
s
-p r
3Stw *
i ^
a-.
r r 1
^ r r
?2=
love an - y - where in them lies! With-
Look In His Eyes?.
7
28
^[Bouche fermee.)^ ^\ ^^^
out an- y doubt, it is bound to peep out. Umm, Umm, Umm,.
^mw^ 3 ^ (*^
^ i=^I f I
fe# ^^ « SJ:
fr 'Ff rValse. Brillante.
3i['• ~i ^
?;;iJ^'bpi|b''i,'' ['
1 1' p 5^In the
tThrough his eyes! dance, there's your
* ^ ^ vi\.rci fefeigg^f ^^^ r
g—
I
rail.a tempo.
7?,f^ * *I^
:i ir^l-^ I? *
* J r- J'S P# £ #122
chance. then the stage is all set for the play!
W ^ *a ? # H^niyU^f ^^ i s=f p
d*=i ^ iKr \ \P
* ^With his arm 'round your waist, you are
^m 3#^^ d M.^ ^^f
sp§ j.^ i-«^ * 0- ^ 1^^^P=* f rLook In His Eyes.
7
23
te ^pro-per-ly placed for sur - vey! Your ro - mance,
PI f T P
^may ad-
kt ^ ± ^^=^a ::'^= — "^
^^t ^^^^*^^
iffP#^ fey
r*y :t-^^
s p^ f^i
T
* i ^To the thought of the trous-seauyoull buy!vance,
i m ^ AeS* ^
ryj 1^
^^j*^-rJ 5-
^^ ^m m
I ^*j'i' I f f p i J J. JM-U-4^fAnd you're plan-ning the house. To a .rhythm by
£S > • m 2:
f^:* "fi^
g *=» i4= ' » ^f^
iva 8va f
^32
Strauss!— As you watch the love - light in his
M im i-g iNf 1 1 ^m mM-i ^ w W3
^>'J rr
molto espresspressando. poco
t ? ^i
Look In His Eyes-7
4 -^^
eyes._
-e-^ ^^ ^^
I?^
:S±
^^s^
poco.i^ rail.
«-^
feiiEi
Look in his eyes,
^fT
—
#
f r r is^St-
T.nnV in hi«£ ^
Look in his eyes, Take my ad - vice and be wise.
^ 4^"^^ '•
y^
J ^ SOP.
s
-«-«-
i^=f ^^rr i
• m
^ m
SI
O
SOP.
^
'
, I , I K 1 I I J I I
=1
^Hints that you need in your plans to sue- ceed. Plain - er thanTEN. -0- Sh- A -•- A
RASS.Hints
W^ 23 SPthat you need to sue - ceed. Plain^ f
E*
r fTT f^^: Iffs
-6*-^ ^^
print you'll be a - ble to%
.<?f-
jf i
if
read. his eyes,
-^^ r ' r r r i-K..^f-
^ er than print you can read.L-
^ cresc. >B^
Look in his eves
+* —
lis eve
SOLO.
-<5M- P
1
f Jc/
rr
Look In His Eyes.'?
T.
J
m ^J^^^ 4 -i-31
25=
Look in hisk eyes And if love an - y - where in them lies
d^isk eyes
^ .^^ J, J J ^
h- m ^s a;^^5 ? SHarp
') K,-^ jp?m 72~
HS-^5".
SOLO.
^*E^ ^^With - out an - y doubt it is bound to peep
>
32=
«|5=
^ i 4^ A ^^ 3
^ J V
^^r i t
m iTT
\Bouche fermee.)r
^^^ =f
'
out, Umm, Umm, Umm, through his eyes.
^f^ r\sw^^ -s*^
through his eyes.
^ M^ --t ,^s^^3 F ^*N
his eyes
^ 10/^
-77^ mi »^ Mn»^ ni f*
•/>
J?
4i i ra//.
Fine.
^moren do.
«'P^ r^=rr
Look In His Eves.
7
32 Words by-, t a a ii a i
JEROME KERN and And 1 Am All Alonc.p. G.WODEHOUSE. Music by
Allegretto. JEROME D. KERN
VOICE.
Piano.(
P^'H g J' rr
"
I T r' i
iJiJ'J'j.
Morn-ing and night
^^
^^^^w
I find no rest from the pain
r T^*—i
m f= .f3i ^ m
?^ £pThat comes be - cause I cant for - get you
^m i i^ =^5 t=^"TfT
^ ^T-TlT JT :r: {r J-r
^
^ J J Ih JW'
P F^'
p r^ r^ ^ I J- J' ^juAll of the time j'ou come to haunt me a - gain.
J^ ii » -A ^ 3 ^^^r^ T^ T
m ^^^^ ^ f .fi? ^
i *:
f ^^ ^^_ Just as you were when first I met you, I see you
^m t*m fff-o- ^^rr w^^
FT W^^ f ? ^^/>;»
5461-3 Copyright MCMXVI by T. B. Harms & Francis, Day & Hunter, N. Y.
All Rights Reserved. International Copyright Secured.
Refrain.33
M i * 1there Just as you used to be
Aso sweet and
Yf^SI fa =031 ^f^ufW ^p-^
I•^^^''T T J T ^^ f
^j=^=^^ > J I
*=cr r r V I r
* Pfair,
iYou stand and gaze at me. . Your form is
i^^^
^ lU f ^^f
^« « &4I i^f T r
i^ J i^i^^^^ ^ ^:E ^^^^^
i^ ^^^ P ?= ^moth - er"'s smile of ten - der - ness. I hear your
M i isf ffF? rwf
3Z
r
^^ ?^
5461_3 And I Am All Alone.
34
i^=^
laugh,r r rv— it''s like an
S^pril morn I see you
^ ^ ^ ^^^ir=P=P nf ifyiTtf
m. t
,
J J,
J
r r "r "rf
# i ? ^ w *
weep a ti - nj pearl is born I breathe your
ITTfW< f Wv^ d *
fk]-5- V -J-
M i»t
•^^vr^ J ^ ^ ^ ^
b J. V J
1 5—
I
r Y i r^^^^^name, And find the vis - ion has flown.
1 51
I^^ IN ^
.
i pp12 S?
^ 'Vf ^"p ^^ i J.
fZSSl
*^ ^^331
And I am all lone. n\
R.H.\ 3:
^^ p~o~
rf Ji^r i.iV.
ijj 3^ ^S P f F TT"
*546i_3 And I Am AH Alone.
I'm Here Little Girls Im Here 35
Words by
P.G.WODEHOUSE
Piano.
.45^^^mp
LLa
Music by
JEROME D. KERN
S^
^'n
^ j-^ifr 7
5^T
i
^^i
f
s ^ nA4 ,
J
tt T ff 1FP^ S ^ # i i i
^??l^ i^ ^f^^
rfMf rf
H i i I nGIRLS Ah there! 1 it-tie boy, Ah there!
s wmM- #-
m=? f* ^
•>^*i i fp.^^y^[>\ V ii i^ ^^Tf
P ^ Pr^Fine
^Pti:
3~T£jr^^^
is ^^ #
*
iCiirls) Thats true.
.
{Ted) No play?.
\ b j> J^ jaXJ-ii< h JHI
g ^m^reri) La- dies, Im here just to be good to you,
tetr>is)Life, for us, is quite the re-verse of gaySo will you
With all our
'!^"i i -t^tH^-.m^t=ii
m E3 HE
Copyright MCMXVII by T.B.Harins & Francis, Day & Hunter, NY.5487-.^ All Rights Reserved. International Copyright Secured
36
i
A
I
J' , J^ J'' J; Ii' i' ii > J'
(G 7 rls) There s one thing we 11 call your at-ten-tion{Ted) I must own it does seem a tri - f le
It K J^ J^ J> l > iij'i h j^l
I
1(Ted) Say if there is an - y - thing I can do.
(Gt'Ws) Jacks and Freds and Bil -lies so far a - way.
:i « ^ ^ ^i
S r^Ta- -a- -w^
^"* -^
* ?;P r
Tpto.
gray.
ffftVis) Oh you
(Ted) I say,
*1^ J' J'l I
J^ i' PW^ ^^*Ei5 ^—9—clue,
day!
(Ted) V\\ cor-rect it, if you will give the
(6irls)'iiio a- muse-ment, think of it, all the
(Ted) Ke - ly on(Ted) If that is
!'"ji j^ =^ £ ^ s
f
s &Er r::
i^^^ ^i((?rr/,s) We''Girfe) We'll
needi as
find you
*ll J^J^ ff J' ^J^ n^' p
^'1
ppa ^JMi
me. A friend and help - er, 1 want to be.
so, it seems to me that Im not de - trop.
II ^jIm ^^i *
^ '^ -p «f 7 7^7
fI
P^ ^^
tt
5487 - 5 I m Here Little Girls I'm Here
37
h B flfttorT^ ^lu will, no doubt, a- ffree A lot of cheer-ful ;
^a^
^
you will, no doubt, a- gree A lot of cheer-ful so-ci - e - ty.
such a re -lief, 5'ou know,^\Tienthingshave start- ed to get too slow.
± ^5(Ted) I
(Ted) Oh
t m ^ ^m £r^ T^r^T7 #»^
^ ri r'i=r^ r"^ ^=#^r^T^
^ * ^ ii jii
*ff iiJ'iOi !, j^j^ j'i' j^ i
J^ hmm(Girls) Yes, our(Girls) You re the
quite un-der.stand, Leave that to me; 111 justmaike a note,you see.
yes, we'll have lots of fun, al-though Most care -ful how far we go.
life is rath-er flat,
nic - est man in townf(?tWs) Will you(Girls) If we
ii i 7 kh-^^^f.
(Ted) Let me make a note of
(Ted) Let me get that jot - ted
that,
down.
^ w^ $•? •? * n^
i ^t-^^^m k k i:
Lj! i^^5487-5 Im Here Little Girls I'm Here
38
P-^ .P p P ^ ^ ^}\ JHi' i, Ji ^^^help ii you can?gave you a kiss,
f^efl') When you want a co - sy chat,
^I'e</) Why, I should-nt e - ven frown.
^ais J^ J tI^^
1^ ^(Te(f) Lad-ies, Im your man.
(ffirls) Would it be a miss?m ^ B(rerfj I'll
(Ted) I
^ y—
P
I«i 1 P ^#
foirZ») Do! Do!(ffirU) Do! Do!
^^^ g^^drop in and com - fort that..
want to be good to you.-When ev - er you're feel - ingWhen ev - er you want me
iw=fs ^ p p i
mi S^*ft
^mm it. m fe^ ^5
**S ^
^ i J I
f ^ioirls) Some - times, we feel so lone - ly.
(Oirls) Some - times we feel de - sert - ed.
:*
If
But
ii' J' p
I
r~~a—
blue,
to.
(Ted) As I can see.
(Ted) That we 11 may be
.
^^^ T^n^p mf f fm^ ^ m ^
T r r5487-5 Im Here Little Girls ImHere.
39
M d * P ^^you would on - ly.
if we flirt - ed
p pi r r
(Ted) I want to be good to
(Ted) I want to be good to
^^ J^ J'
p Ir > :i
(Ted) Leave that to me.
(Ted) Leave that to me.
P ^EES W P^mffWI fa
M- M.
t==^t ^i^m i
^^ J r I
J S ^^ ^ ^you.Trust me! In
you. Trust me! In
fu - ture,_
fu - ture,_111 be near So pleasedont get dowTi111 be near If you re -quire flir-
¥
*fP i t
ip):|t|| l| .^ E^j te-
i^f3 * fe^^^^^^T*?f»
ii J hjJ^n l r r-^^ ^I sheart- ed. Bearthis m mind: Im here, lit-tle girls, I'm here,
ta - tion, Just make a note: Im here, lit- tie girls, Im here.
m 1 ^ ^^m 3f
* J ^ W ^ P^ -#
Sit^=r
f^f
% m ^m ^ fm If,
D.C
5=tf^F=ff f»^
5487-5 Im Here Little Girlslm Here.
40
Bright LightsWords by
P. G. WODEHOUSEAllegretto
Piano
Music by
JEROME KERN
rrm /T\ DOLLY^^=^i How I
We will
I*i ^ ^ i ^ /^
rtt. **:p
-^^mr=i
>r^ n\a tempo.
^|(g,^^ J' il Jl ;i j^ /1 ^sS'
love to g"o out to some live spot,
drink the cham-pagne that is fiz - zy,
Where there's
Then, some
^wii I S
*ll J' il ^ J' j^ j^
HENRY
W^^ligrht, and an or - ches - tra
danc - ing-, of course, I'd aplays,
do re.
Where j'ou
All the
P^^^ i
^m i ^ 3f ^^Cofyri/^ht MCMXVII by T.B. Harms & Francis, Day & Hunter, N. Y.
5486-4 ^]i Rig-hts Reserved. International Copyrig^ht Secured
41
%^P^ i sind the head wait - er a five -spot, C
N^hand the headpeo - pie will whis - per,"Who is he?'
'TJn.^mOr you dont get a ta - ble for
Whenthey see me come out on the
DOLLY
}l }\ IJ' }\ > Ji
J^ }M}\ J JiJl
da3's.
floor.
Where the g-owns are all up to the min - ute, AndwhereDo j'ou think j'oucouldg-et throug-hsome one steps, Or at
V^\ ^' }\ > i^ h iHENRY
Un fi}\^^m p.^'
p p»^^pwev - 'rj'- things love - ly and gay,
danc-ing-, are you quite a dunce?And the nights gone be- fore you beIt is true that Ive nev - er yet
JyJ ^'p I P ,;^ j^ J) j\ >ugin it; So j-ou fin - ish things up throughthe day.
done steps, But, ah gee! Ill try an - y - thing- once!
i^^ ijj m uf
5486-4 Bright Lights
42Refrain
BOTH
^IF'/' ttJ)J.J .J' J^ > j] W
Come with me
A A A
where there are brig-ht lights,
i ff iti'r^n^n i'^ ^? ^ 5e
za
iWhere the white '. ligrhtsg-Ieam and glowAAA r——
I
f ^ ~-^J I f^ ^ ^^^^m -5^ t=JE^5 ^ i?^ f^
^'" p p r Tp pp- p I r r'^ ^^
Where the fes tive u - ka - le - le Tin - grles
pm ^ ^m ^==j ^T^^^1 ^ j:T ^ f ^ f
mf^ i^ Si i
^^ i ii'.>iJ^g:ai - ly, let us go.
*^We will sup.
\ \ \^•y Z. -7 ^^^ f -0-^ S^S^ ^54H6-4 Bright Lights
43
tt ^5 ^ i ^p
"^r
Till the merAAAwith one an - oth er
riLj I
^f
l=S«=iLT T
s w^^^^ P^ 1^
^^^ *=F^^ £ry mom - ing- chime.
lh--[} cj
Say g'ood - bye.
m ^m E ^^^ ^=fcgj£ a^
ff=* M P P'
•^—
»
m-:
^to home and moth
tKfp J,
er, We 11 be g-one a
_; _,^
^ e;¥^Tl: i
A
^
nr m^* s
long:, long- time. time.
^m A A A A A A
a ^ ^5i^
»=^11 l^V-^ ^1.
11?
^^/A^ A A A A
fe*5:f^
tt* 1-^ ^
5486-4 Bright Lights
44
The Road That Lies Before.Wo r d s by
P. G. WODEHOUSE.Moderate. ^
Duet: Ruddy & Peggy.
JEROME KERN.
Piano.
%=^:3ti*&= i 0— 4=*
ll*
—
W
:i^ en m±
RUDDY.
I) > > ji I J^ J' J I ;^ j^ J'p
I
p^
If there's noth - ing more to say; If things can't be mend - ed;
t^mw ^^ 5^-^ r -P
J^r ^ J^ r ?
« ii
y» 1 J ==^ i^ ^=^ Et^rr r r
*PEGGY.
J'P P
i ^s*
Well, the chap - ters end - ed, Lets say good - bye.
I I -I = '—™»5
t^ S-*
S i h^ ^*J- ^ ill
J Jy S ±Eif f f r
i *:RUDDY.
^ ^ ±P P ^ P IP P ^ IP P P
^\ait, though, I've some things of yours, I had best re - turn them..
* ^ ^S mfTp^FT ^r^oco /)«« tnosso.
7 r T
^^ ^' r j^s£w ^^ ^
Copyright MCMXVII by T. B. Harms & Francis, Day & Hunter, N.Y.5484-7 All Rights Reserved. International Copyright Secured.
^1
PEGGY.
^RUDDY.
k ^^W P^ "^^W
What! 3'ou did - nt burn them? Burn them? not I. These
-i J—
]
^ :i i
rr zj fr fjf~-f r
stJR:! ^1 ^ • St. #f5^
r V '
P- ^'^=y TTT
T
^-^-^-^r-^t:^! J- ;^ I
Ji Ji^^^^^I J ;> Ji
sou - ve - nirs of you, Were once a lov - er's to - ken, And
^
^¥=ig # GIS
I"*J' J> Ji J' I J J) J) I J) j^ J^^^finow our vows are brok - en, There's on - ly this to
1i =5
f^ 1i
(Slowly)
^.^5484-7 The Road That etc.
46
(^^ J d^ ^ ^ w ^^
which once, you used to wear, I . now give back to you.
^» S i^-^*
fwYf T^h^ st Kit
3 ^ tI
I ^^ ^ ?^
PEGGY. (Spoken) RUDDY.^ ^You used this once to bind youriTo, keep it!
$¥^ i ^=tf
* M rr".^>'
b r ^ J
"
^ t J i ^
I
—
-}—
I
5^ ^^PEGGY. (Spoken.)
^-0 #
hair, 111 give it back to you.. No, keep it!
i' s.
'
g M i\£^ i I, J i ^?^ fei^ tr rpyr—rf. -f
f
^^ s ^ # P^
RUDDY.
^r If r r rTrr r ^r
i r
i
—
I—
I
The love that once you gave me, I now give back to you.^ i ^ ^» M*^^^pr I l;y 4>0;)
^3ri?^—*—
^
n^
s* s^
5484-7 The Road That etc.
47
PEGGY. (SpoA:en.) RUDDY.^ ^ 4 -&- i
S^No, keep that ^oo. Then our first kiss,. 111 now give
S eqfe
^ ^ffW ^
y tr r 'r
"
r # ^^^^^
W 9 « i
^ 1back to you.
#(They kiss.)
^
^6VJ^i tenerezza
^e estasi.
s:
#^zi:
¥ ^^
^^ 1 m^rs—19 ^j-r-l
PEGGY.^r I f r I
(' ^A
J-
Once more, loves path, well
^» t^ ^^ i ^i i ±• yt=t=f fT ^rr
//A ^
rrrmf
g ^^^5484-7 The Road That etc.
48
^^ f r I f r I rtry. To - geth - er, you and I.
'^=*=jmThe
i W \-
^ff^=£=&^^ F F F ^^=^ ^ dim.
^
s ^ 1 i'' r- if i)road that lies
#^ ^
be -fore,.
o
Is dark, and
P P PF^ P
g^ 3 i s ^ ^#sw- ^
^^^ s^ I^ ^ # phard to see^ What -e'er fate holds in store.
P^ i r .^^ /Tf^ IP P P^P
*r- k J(ji; J .^ g
# #-
^•—
^
tt ^tr J J i
r iP jif j i
Try it with me, try it with me!
i.
What though we
S » -e-5-- S:S i^ |)^ p
^~
^ ^^=^1 IJii #- #-
g ^ ^ 35484-7 The Road That etc.
19^ ^ J'lr J) If Wmissed
^it once, We did not un
^d<'r.
P ? ^ P
^^^^ § ^^^ 1^ =yi^^ ^ ^i^
d^ ,1i -i^^^ i
ii|- n^ ri
r
stand. Bet-ter to - day, we know the way,
^ 1 ^So let us
::^ ^l«~r*
154^¥^ ^ Jte ^ ^ HMi^q:e
ll ^ r ^ r I r ^ ^ ^1p
P=:l52
set out hand in hand
,
#p^; ^Love for our path, a light will
A
3f !>> > >-SM.
rrf u—^cresc.
^-H^ ;2_
}2ie:
s«-^
I M' J^ l
^- 1 i'^ H.
make, Shin-ing to guide the steps we take..
s# ^ a 1^ ^^ ?3:
^^ ^ g ^ »
^ ^^f=r
f r^5484-7 The Road That etc.
50
Dialogue.^ con estasi.
P P21
P'9^— »
^i>
4V • :
Ijg ^ it •
r
fc-z3 * J/ Eee»
i i E^l^^:
i^— »
1
—0-— ^^j^
delicato.
\rf JL^ J l i'
JBEt EC ^?
1^
^ii^ ^ M iljgp^
"i t3 J /TP jTp' i>J'-~rJ Pfzz
s yi ^f: i» I^p ^
fc^ :^ ^i ^ P^^r f^ ^zrr^^^ iO^
'J!^ i
mt ^± ^* au
i /O
^^ P^^^ ^Zr2a[»
\
dim.rxf
-*/• % «^^ ^* te± ^r ^WW5484 - 7 The Road That etc.
«uat_
Finale Act I.
Words by
P. G. WODEHOUSE.Vivace.
Music by
JEROME KERN.
iPiano.
W
W=^
^f^e
^^^
% m—f-mte!^l t
E
J^T^
i
i $ i
JSOP. & ALTO.
J i^ i' J IJ J J I
J J J I J. I J J J
r p p rJust think of it
TEN. & BASS.
r r r r r r r- r^^Woo - zy has real - ly e - loped, Poor dear old
S\ ^ ^ S^ Wf^ ^
i i im
i'^^
^
/
F—I*-—1»'
(p. ' ^^rrr TRud-dy has fled He's tak - ing a deuce of a chance,
unis. -^
S f r r if ^ DiEi\
*i^t|4^
iS^# r .!,i-J^ J. i.
^ ^ ^^mi:
<9-r-
PTJ-i-
5482- 13 Copyright MCMXFII by T. B.Harvis & Francis, Day & Hunter, N. Y.
All Rights Reserved. International Copyright Secured.
52
/ t\ unis.
% ^^^^r P
^' ^ If 3^^ !> -^^
Think of the dance she's going to lead the man af - ter theyVe wed..
4 ^ J ^ -^J ,^ J J J^i^??::
p »#
g_c^z= ±^
#^ f ^r r>
They used to be spliced to each oth - er be - fore,
S f "pp f I r i ^
i
i ^ ^ X^ ^^ ^
m t i
t
JJE^
^r-p-TMar-vel-ous nerve, the chap shows.
±Now will they be
§r r r I
f r r=^ p\
^^^^ jJ^Jij ^^ p ^
^y.i. ^ife>g 1^ -i^^^
P ^f
5482-13 Finale Act I.
J ^H'r r r I
wed-ded once more, Or will their life be-come Cou-leur de - Rose?-
53
^^r r
f'itf rW
s
iA.
F==* ^ ^^ ^ fI?
*1FX *: U id ^» P^ fr
r-
J
,1 t i „J.I
,
J- IJ:—nJ^ N s
f' tt p'-
i
i j^" 1
1
°
Good ness knows..
A-
m ^s^-r-
(^^^[^:—Lfr\
i if
mn ^: 1 a:if *" "5^
^^ ^ i^ ssy *1 UNCLE & AUNT.
r
^ sf
I r ^
r
^ fi r t ' r r 'r '
r
Liz - zie, Liz- zie, Quick, get bus - y, Tell us what to do.
m1
—ra •- i;S—
«
^ a ^^ 31FFw —_ —^ I ZTtf\r
§^ ff=^ 8g^ A w^P5482-13 Finale Act I..
54OVfEH. (spoken.) LIZZIE.
rTpTTrf
iini
I can't think what youVe a-bout Oh, cut it out!
a
^^ ^ ^? ^ P ^ fm f
mtt* a
m m i s &IZZ r ^ if i
y ^ ,CHORUS.
PJ
|
J JiJ. J |
J
^
AUNT-
S ^^r 'r r'r ^r 'r ^^=f=^
^Liz - zie, Liz - zie, say where is he? What's the good of you? His
,1j
,
^ -j, ^ ^ ^^ J,;,; ,ij-j^^ i ^ fe& fV
^—qt
-^ ^^ if»-
-A-
g - E «^/
^: -g- ^ i *Br^
ff^
y ^ ,
MATTHEW & OWEN
r VI r 'i^
:^> P I
^J
Ig e#
game, we must be balk - ing, Dont lets stand here talk - ing.
m m\
Poco press.^ ii i^^^ i gfrrr
JJJ JJJte; 1S^ trzz:
^ P ^ # ?^ S^
5482.13 Finale Act I.
CHORUS.poco piu e cresc.
55
ffH^ j=j=j ^mf
s
Phone up ev -Vy-where, Do some-thing, some -bo - dy! Lets be quiet and
J J .
^-J JMt\
i J > J1
56
>Gee! you girls are al ways pick ing on a man^m P p p Jm JW'^ ^53^?Dont you see I'm do - ing ev-'ry-thing I can If you'll
g\
^m m W ^r^^—f-
U-^ -& -f
*u
s m ^ 3EEt
tP(To Aunt.)
j^ J' j' Jm ft J' i J'I ,.j) J^ J' ; U I J' >J p f
Can thatkind -ly keep your dis-tance, I might be of some as - sis-tance.
j^^^^-^^ y^^
m
^^ gj .Hi 1r^ *=*Iff r r
755?* y
r r fCHORUS.
4M' JW' I J) J-^ ;,
;j J li^if^^f"Clar - a Kim-ball Young'^stuff be a man!
see Tm do - ing ev -'ry-thing I can? _Have a heart!
S i ^^\
j j; J j] ^ El SIZQl0—0-
r f /tjt^
^^ ?i*^- ^
5482-13 Finale Act I.
J ^ i 7i II ^^ ^ 57
h^Mp^*=3
Have a heart'.
v-kS. tp p i p7^^
You must go and make in - quir - ies in tl^e
p p p p'
p p
k ^ rS i^ i ^^ ^^^s^— »-
J=«i p >—I* ^^ ^ ^ta-*
>
ll, J' hj H' J I f JJ^^ ^^s »i4
Stown.
1You wont find out where your niece is, if you pull the boy to
•—. « ik It tr t ik t tr iN^iH^ ^ ^ ^-^Httiyp-F
i 9 ^=^ A^ ^PF^ 1"T—
r
(
^tJ
v-i,h,'^3 i
TS « #
r
Vfe^^faTho' they
g5 n^1= rp^ s
Spiec - es; So get in the lift, and let him take you down.
J-They will
• fnTin^n J.^ i^F^5^^^ ^^ i i ^
rr Iicr r^r r ^iSEE^
5482-13 Finale Act I.
58
fan - cy just as
fk ^^you did, that pur - suit they have e - lud - ed
L^ KW=i' ^^ t^i i k^^ ? ^? * *^—
#
prob - a - bly have tar-ried at the par -sons to be mar -ried, There are
'H\J p H If p p p in ^f-\f-^f-fK \,n n ^^s ^ n,n^ 3 p^ y g ^
s :i^r-j i si
Jnf
ki=^
f
V
f
hI
h kji
T^ s^^lips, though, and the cup.
* r * #
slips be-tween the
'>--^K M M Ifi
p ^ p
Some-things
i
j'l. n n n^ n ^ ^^r=^^
^)-lI', J a ^ ^ rrr/
^'1' ; ji .h }i a E ^4^fTTTrr^
hap-pened to the el - e - va - tor! Gol - ly has it stuck? And all the
m Hfh^' IS;\
* * ^ »S
*—^—
#
—
#
^^ fe f- fi# f>
5482-13 Finale Act I.
59
)
^^^^^^^^SP P ' P t
1 ?fe:
i
stime its ijet-tuiK lat - er! What a rot -ten piece of luck. You can
^4 ^^^^^^ ^^^m ^^i i
k tP p
I I ^''ii
k=S ^m> m
S*
^^ Ik
^^s
cresc. e rit.
"t^ i ^ ^ 5 ^ >i ii h ^5 if*—*—^
—
4 ^t ^—4
fix it if you try boy; Cant you start the thing on high, boyPWas there
f- - A t^ -»- -^
S^ ? 5^?^3S^=P=f^J^ P P P /
n nI
n p I
n nI
n J^^^ r=TT—
r
T f^
HENRY (Sjjnkeii)
ev- er such an in -ef - f ic- ient pup? Go-ing up! e:o-ing up!
n^ ^ ^ ^+t##^ t
^m ^ k m ^E^S p^f ^^^ ^
sr r
^:^ i^—
^
« «.
£ ^ ^ i5482-13 Finale Act I.
60
^CHORUSUnisono
^^^ W* g*
We see them there.
Unisono^ ~rv-
Just as they
41:1 4^
^
in 1 mw 'ff^fmfTp
\ l»l»PO: 4 -^ r r J r
^3 ZSSl
rrry i r Yt^used to be A hap-py pair,
'n u ^
they go con - tent - ed - ly
ji« .r—
k
rfrVi
r ^r^^^I
^m?
^
f'gfP PF^ i^ptQ.-n fU^^^ i*
^^^gg;^^ ^ ^^m
^^^^^ff*= id j. U^ i M 3«> ^
The mo -tor hums a mer - ry bri - dal tune As thev be
H^i % "^—fi
—
^4 V. PS % %
% % % ^i*
^ i ^ ll'rfF?^ff^^ T^#=F
i ^r ff=
^
5482-13 Finale Act I
61
^ !S m ~3I
f !>
I'-^f ^ f t
mgin their sec- ond hon - ey- moon with-out a
. 2. -g- .p. i2. f~f' m -^^ _ ,-S-
I I
Jm care
» 3
p p ^Hi ^^'
r l^ ^f^fi 35:
fr Tu J
I
J^^ f
^'^-rf T^T i
'f ''f
^
$i
pr^r r'T r'^"- * *
«i?^
for what may lie be -fore. Re-solved to dare. What fate may
^ ^ ^ ^ ^n<; ;^^ ^^-i^
« fe i i^-»iW t Itp yt>* :
?T rn Si=^^» ]R•n rr J r
*_ I m. mm ^^^L J J I -l I i) J l lj J J
J i j J J J I J J J ^have in store.
•n T f pjpnj
But wheth-er it he good or ill, How
i
ev-er it may
T t ti:=E >—
g
HJedw i^ g g- -J J-J
SiSfisc i= =
^ &as fm5482-13 Finale Act I.
62
V- k I ^
J=P=iiyi* s =^==^ i
chance, The sun will shine up - on them still, The sun- shine of ro
A 9 g ^^^^ i^ ^=g =^ f
^t
i m^ ^^mance. What
i. i
'>^i- 1- r r I r P
ev - er fate may bring, Its blows can hold no
J J iJ .
J i .^ ^ ^ ^[- ..(',..
i
.r ^^What fate may bring, There 11 be no
i^^ ^^ i ^^=1 t^ ^Ef^g ^ iIS
-^
i ^Pt9-
=zt fcJtJS9—
s
*^ft^sting. As in the days when he would sing. I see you
2 A i J i J i im
r>^ £4;P[.- [ I [' [' ' r ^sting. As when he used to sing.
h > i-^ ^^ ^^ r^fctR p
\ Af f
^^ g^^^^fH r^r 3St;B =5: *S3
5482-13 Finale Act I
-^ -^
63
^ ^^ P ^there
,
Just as you used to be. so sweet and
mmp
^^ ^iy jtti 7 ff^f^ fr^rr^>t* f
V'f/ r M ^ f i J ^ Sf^g^
:tf:¥ 331 *r
i r^^ r »rir»^fair,. You stand and gaze at me. I breatheyour name, and
IMmio> ' _ ,1=;
^ ^^^
^ ^^ ^ft
51^:lF=-^ff^F^^m ^
i^ p^^ ^*ft
.^
n- - u ^^^i5—5-i&
ifind the vis -ion has flown . Violin And I am all a
ft: # ff $-»-^^az;iL
sr4A^ 3t;i
/«lf- ^^ ~o~
5482-13 Finale Act I
64Opening Chorus Act II. And Song-.
Words byP. G. WODEHOUSE.
Piano.
teModerate.
\
fliJ==S^ m3^
^ i
i
Music by
JEROME KERN.
# -i Im) ^ ^ i ):*
^a^S g
I
^I
£1 ff4JJJ^ Curtain.
i feEscresc
nil.** t \i «^^» r ^ > i '>'
^
S m^
/•«#.
B^
^AAA A A A \
E* 4
Not fast.
J ^ GIRLS.
=^=?=i^ * ^ ps ^fp ?
The wea - ry sun has fled, and the day is o'er.
MEN.K h K
^ j) I > ji. j' J' ^J-
i P P P P P ^^=^\ day
?
i i :i=r±:
IS
f ' f ?:? -'^^t
* P P5485-12 Copyright MCMXVII by T. B. Harms & Francis, Day & Hunter, N. Y.
All Riphts Reserved. International Copyright Secured.
65
^ ^ fc ^^
The moon reigns in his stead o - ver sea and shore.
^1 w 'pp p 1}
\rr
T\o"er sea and
^ ^ ^ " i J m Ef^
7 f f^ 4^ ^PZ3Z
W 1 >t ^h h ^ i to :^
¥ ^^ 3i==i
^a a m m
-1
m mThe sooth - ing shad-ows fall like a cool oa - ress
f f ^ if ! i-^ -^ -^ -^ ^^^^^
Si
\ shore. oool
^ca
7 1^'
=feg ^!fc
T ^f ;
^ S
/hap - pi - ness
p f-J
s
And dark -ness cov-ers all, bring- inghaphap - pi, - ness
t tt ilH'"e nap - pi - nes
-V
r- p^=i\ ress
(*^ S
hap - - pi -
, i-^*=«
r r=is
A«F
9-
5485-12 Opening ctiorus Act II and Song.
66
mness.
V-^—Who knows what woes may come to
P
^^m^^^mimor
^ness.
i?P n
^ 3:
I ^ ^=fe^ Pf /
^
row?
:2L
Sad to mor - row may be.
I21
2=
^^ ^ r^* # ^^^
^ J ^=u Arr 7
^ ^;
fe^^^tiglass - es high, and bid
^ ^ ^ ^ ^
?r=^But fill yourAM care good - bye.
ip p M g It f r-
8ya-
* fe5 ^ i, i--
*7 ^ f ?^ TTTT-
5485-12 Opening Chorus Act II and Song.
J
^^f~1
f
X^
To - mor - row is a long way
J. ^^ ^ ^off,
•
67
f 5^?To - mor
t
rows a long way off,
,
•? J. J '
rnf=^
f
^^ p ^
*:
fTyou see.
v>. -«. A
ife
^?
^^;;
accel.
m 3^^ P S
iModerato pomposo.
TURK.
i' ^ i) i. iifes^ ^^
Cig - ar - ettes,.
m , fii^Cig-ars and cof - fee! Of the
aiTSZ ^^
»/Jl> y^-;
//.
^ !1
iZ.A^.
i=31
0485-12 Opening Chorus Act II and Song.
68
^ ?ver-y fin -est, these! Cig - ar - ettes,
^J^ J'. J^
PJ^ ^^ni^Cig-ars and
i*
/ L.H.
Z.A^.^ ^ ^^
^ppf^GIRLS.
fe^t ^^ PI
V^ r frnt
cof - fee! At your ser-vice, if you please! So
#fe5 ^ i t* Sj H !
:2=«1 ,1,1 fei
fc^*JF wyf ^S
^''lU J j i jfe^ i
* 1 J I j< ^ I * —
»
let's be gay, Let soft mu - sic play Be - neath the
tes^ ^ ^^ ±EE5i ^EEP^4 ^ f f^ ?^
# —P-ry,nf
'> ^'k '^'I'V'
ri
•?
^^ fy i^ ^ i» # w I ^^g E* *
ray of moon -light so bright. Though trou - bles may me^^ 1WI
tei=^ ^^ i-^ ^=A 1Re
F^ P^ ^^ ^HT^ 7P
t> p c-^ P 122
548.5.12 Opening Chorus Act II and Song.
69
J ^ GIRLS. ^m 4
^^h
Be hap - py
ito night.
TURK.
The^sa ^wturn with the day,^ i i ^ ^i Of1 F
T1 ^W 1
^& ^^ -\ Ar-^ ^Ff r^p=>
tb*ffiP
* « •-
?-err # '—' ' ' i er^
moon that shines up there, Shines on my na-tive land. My
^^ P :^fe^"UT
^S -O-^3 ho- TT' he-
1)^ 1,5
|b''lHJ J J ^ J J J J
heart is far a - way in Sam - er kand.
\
i*^ za~vrsk:"C -&
"ST \ Z.'^
-^ ^^^1.^
P b t>o
tfrf
1.^
GIRLS. MEN. ^GIRLS. Slowly.
^^Si 1 ^p
Ee-ah!
te=^AhT Ee-ah!
\M^ig -«- W^F=^ Sfiftdim.
a^ f^^^ ^^ f^^5485-12 Opening Chorus Act II and Song.
70
«Jt
Andante moderato.TURK. ^^^ i m^m m -
4 "— ' 4-
Long a - go in Sam- ar -kand,such nights Tve known
^^ n ntt* 5 -*
"# ^ "# f r T r^^^ ^^ i^ j^ ' J ^ j^ '
M:7
Ih i,
h j>I
J' J' J^ J'Ih 1^-=- -•L^ #
*ftC^fe^
In that gar -den when I stand and wait a - lone
^CT^
Pf^M^
^ ^ ^ *^ p P P EJ I P t J I
P P ^-^^'
In the moon-light wan and pale, Sing - ing with the
l«fc^ m J 3 <=i^^j^g
?i^
Sg
feft:
> j^ ftJ^ i' I
^' J' J' ^I^^^^^^P
1st
night - in - gale Su - 11 - ma, your lov - er stands be -
li^^ t^^
^m i r^ rnr
5485-12 Opening Chorus Act II ..nd Song.
71
^ TURK.
li^ ^ /. i' i^Ci
J MGIRLS.
'n.' KJi J' ^^ ist
Show your face and
P P"'
P P fOh, that scent- ed gar -den, long a
BOYSgo.
^"J> ^ K^^ i' ^j'h
i^^ J'' J' J' J-^^let it dim the jeal - ous moon. With 3'our beau - ty,
\
^ ^53t^^-y-pr^r-^-trturn the night to flam - ing noon See how bright - ly
U485-12 Opening Chorus Act II and Song.
72
tfJ'' J'^j\ t^'
i'tipp uJ'' J\j
I iiJ' J' "p p
yon-der star Glit - ters down from heav - en's bar; Your bright eyes will
fe jj~J ^' m ^^^ nTr »»i 1"^W
-* Ts * ia:
tt-tt^
^ ^? r^gleam more bright - ly far,
My Su - li - ma!
^ 3em #—
#
* *» . s s s
5
^
S^?
Molto cantabile.
it^ ^ "TT
_ jsThe night - in gale, Took up the tale.
i J J JIJP
0-
^
i
-We sang to - geth - er there To Su - li - ma, the fair.
^^^^^^3^^ 5=a==«:
SF*TfS-
9s^^ ^ ^ Si: ^;
-^-^ '
—
—•' ~~-^I ^^^^JfJ 1^^^rr-^5485-13 Opening Chorus Act II and Song.
73
^ f ^^ ^ "CT-
Soft breez - es fanned
J'iij J-J ^ ^ *
The list-ning land.
if^?^ ^sp^ «»
i^^ ^ ^
igs^p^^f * - ' ^
*-^ t^Tr "r r r ir
"
Pi^
While the night - in - gale and I
fe^^^TS j iin ^ i ^'s $i
It
>>. J rfjr*r?w/jt>
^ ^§ 33:*
I IJ J Ji
P r pp-p p-p^
Sang out our love be-neath a sil - ver sky, When the moon shone
5^P¥ im |iE3 ^slower.
a tempo.
a ^# :3=^ 5=^=^=^^"'^
#^^ GIRLS.^^The night - in
MEN.I
~o~
down on Sam - ar - kand.
5485-12 Opening Chorus Act II and Song.
74
gale,
3rr %o
Took up the
Stale.
i r r rWe sang to
^ It-o-
\ »•?ii 7 !|3f
mf
-V°t ££-ii)?z=ir 0*
n^^r^ ^-^
"
>>^I. u rj J a ^ A ^
r I ^ ' 1—^J
i i
To Su - li - ma, the fair.
f ^i r ^ e 1 1 < g
=rTTSoft breez- es
r-fgeth - er there
> V. g «»:=*
\
^^ i=:«^W ^: s:5#-
F
:im:
^S*^p ijgg ^{tJlf & 4^^
i^
S-i^ id?i
The list-'ningfanned
_o
land.
^^(
:^ • • i«#
>>t
^ ^ri ^ ^ A
f^-^5485-12 Opening Chorus Act II and Song.
J ^rr"
«-
While
1(
the night
J
- in
/-J J
gale and I
J J
75
g^^^ =^^^^ f^^^fe^\
^P ^W s
s ijfjglj
I^J ^I
^fi ^ip^
/I
^ M. i ^- i :^ib V tt*^= 4^ 3mm- mm.m m
^^Sang out our love be-neath the sil-ver sky,
i
P^'
Pg'"
P^
P'^ ^
* b V It s 3-
slower. VP
^ ..hJ-^i ^
fe ^ ^^j:> I jg w r r
4M>
fWhen the moon shone down on Sam- ar
J J J U J ^ J
kand.
^
5485-12 Opening Chorus Act II and Song
76
Words by
P. G.WODEHOUSE
Honeymoon Inn.
Music by
JEROME KEKN.
VOICE. $
Piano.
Moderate.
P^ ^"jiI i'TH>-^
but be - yond the
Hap - py lov - ers
far hor - i - zon,
there are a - ble
*u ^
/•///>
f/T\
9^1^
SJ:
B^^*i
^fe^^^^ ^55 ^K'Jni^HJ'' > J^ Ji
It''' l
l*!
'
tt
There's a place Ive
To hold hands be
not set eyes on. Where a hap - pyneath the ta - ble, If they're caught em
h h }i !i s s rrr=^-m-^ #
hav- en wed - ded lov -ers may win.
brac-ing there is no one to grin.
Cov-ered deep in
No one pays the
*J) J J^ ^
f if *T
^m ti^ up 5^it
^=^3=^
Copyright MCMXVIhy T.B. Harms & Francis, Day & Hunter, N.Y.
5466-4 All Rights Reserved. International Copyright Secured.
77
*P I'P "P p
1^' ^^ ^^ ^ ^hon - ey suck - les. Near a stream that
least at - ten - tion; Kiss - ing is a
laughs and chuck- les.
great in - ven - tion
I* i> j> J> J^
I
J^ Ji J^ j^I
Ji
Bathed in gold - en sun-shine. Stands the Hon - ey
Ev - 'ry bod - y does it At the Hon - ey
moon Inn.
moon Inn.
* s ^ k ^mIw '
•tJ^I
T
^ mp p ^^
Refrain.
W ^f f f g—
•
Life's al - ways
fe z^l
May there. For
A
^2C
sweet - hearts who
\
ix*^^ ^v;
r
ssm^r
^' J > J' J i'
r
^*r r r
5466-4 Honeymoon Inn.
78
^1* ^j p j. I J' p ^9 f^m*
stray there,
A
way from the bus tie and
m w ^B mY
"yi tt'^ J ii
^r ^ c^
p j^ I t #:z2
din. All days are
A^gay there And
A
mrzt. W^rtf—^^
)
f
•HI- r^ fJ ^ ^^^
—
^
T
5^
fT 7
J p ji l^^p JH i' P ^P P I P^pno days are gray there When you're at the Hon
A .^ A
ey- moon
i;^ ^~g
—
'.'-m s
T f
V:tt ,tii^ J ^ ^=^f cJ ^ P
*f>
J^ , IJ^ ^. J'^ ^ f f
Inn. You live on bread and cheese and
* mSJP *
f>V
^>:it ri f] f^^ ^=P :=^5466-4 Honeymoon Inn.
79
^kiss - es
^ (k^^ . |J
^ ^You know that this is
^Ji J> 4the thing to
P nP^ P^ ft ^ e
>M n ^ r ' ff
9-»
1P > ' #^ P
Sdo.
^Id
\
?
go and stay there, I'd
-A^ Z2
'Li ' ! Ifr f
m ^ J ji > J ji-*^-.
—
1
=; *r r
^^^^^p5466-4 Honeymoon Inn.
80It's A Sure, vSure Sign
Allegretto
Piano
!' VL.H.
mf
^3
i-^k^^'r^-TJM
R.P.WESTONand
JEROME KEKN
w ¥^
(ff.)
p Langsam
>^ J'I
^- i'l
p p F P I
J' J^Ive got a book
This lit - tie verse
Girls, if the beau
I would- nt lose for an - y - thing. I
is in the cause of tern - per - ance, For
who wants to make a fuss of you Should
I H J J': J^ ^P^ h h h ^might let you look,
drink is a curse,
boast of his dough,''
but I should hold it tight.
that's why we put it down.
his yachts and mo - tor cars,
ir^ m £
It's
Per
To
^5^3f n.7 £ 1 £
S ^CopyHg'ht MCMXVIJ by T.B. Harms ,«• Francis, Day & Hunter, N.Y.
5488-4 All Rights Reserved. International Copyright Secured
81
'i' /) ji ;^ ;^ I j^ ^ jr~j^ UJ' > J-' ^called "Ad -vice to La - dies,' it is
haps you dont know when youve had e
find out what he real - ly is, is
full of wis - dom's
nough, and want someea - sy if you re
i^^ H~^~T'
t *w_—
•
*
stacc.^^ ^ r-^ r--1 r-1 r-l
*r p i
p p p ^i
^\^^' ^'^^fe i^
pearls;
more,-
fly;
For
Well,
For
in -stance, if youre itch - ing in the palm, dear girls,
if you're jug-gling hard boiled eggs at half - past four,
in-stance, if for good-night, he just says "Bye - bye!"
k3^ .i ' g m-
pin rr r=if
S m^^ ^^?^
:«
Refrain p-fg^^ ^"o
—
sure,
sure,
sure,
It's a
Its a
Its a
sure
sure
sure
:*^m i
sign,
sign,
sign.
^
That you're
That your
He's a
^^^^f
^r/
tlfi^Lf na- ?"
54RS-4 It's A Sure, Sure Si?n
82
iom - ing m - to
^ J^ h I h ^ ^mc6m - ing m - tc
brain is in abut - Cher, and he'll
rich - e§, If your hand, it is thatmud - die, When you lie down in a
grip you, With his thumb and fin - ger
"i t t^ J' \^ S
,- -&
itch -es, Its a sure,
pud - die, Sing - ing "Auldnip you, Say- ing "Lamb,
sure
Langplump,
sign!—Syne'^fine! 11.^ ^^ i ^
• *
s kt^u ZM^
3.
^S $ P >'.. P P I P^ ^^If your ribs should make you wrig - gle, Then you're
Ab - so - lute - ly di - a - bol - ic - 'ly. AndThen a - round you, he will fum - ble-, "One and
i^ ma 1' •. nP
m ^ 3 ^
fi-oinff to have a '"tig - gle." If your ears are itch - inggoing to have a '"tig - gle." If yourbreath -ing al " co - hoi - ic - 'ly. At
two. a pound" he'll mum-ble. If in
ears are itch - ing
last you clam - ber
stead of say - ing
f^ ^^ ^^ w^^H
^''h [[ ^^ ^a 5T
5488-4 It's A Sure, Sure Sign
83
^J^Ji i'ltJ'
some -one talks a -
up in - to your
'"Sweetheart"' he says
r f i rJ' ill h
bout
bedyou,
room -
"Sweet - bread"
But-AndOh!-
if your li
^5
iS m #=^ i
ips are
then just as the
won't you take this
F 1,^11
f» ^
^f^^ u- T~t 7 f T^f
^ ^ *
'" i\ ;^ J^ -i' Sf' JM Ji ^ J' 1
itch - ingi oh, its
sun be - gins to
ten- der heart of
fine! .
shine,
mine?-
By a man with scrub-byIf you wake in nine e -
If when you an - swer
I h ;, J^ J:J^ I
j> > J' J> Ij' J'^
whis-kers,youll be
lev - en when youryes, he goes to
kissed up - on your birth -day. Its a
room is six o sev - en, Its awrap it up in pa - per. It's a
sure?
sure,sure,
Ii^rr ^^i ^^
suresuresure
sign!
.
sign!-sign!.
Its aIt's aIts a
signl.
sign!.s ign !
.
i ^ ^53^ * ^ ^2''^ ' m
S ife:
f.
^i
5488-4 Its A Sure, Sure Sign
84
The Road That Lies BeforeWords by u^ Wife My Man" ^"""^^ ^^
P.S.WODEHOUSE JEROME KERN
Andantino
VOICE
Piano
^r r If r r r i^Is this just a dreamonce more?
^^ ^-p^
mf
^i?
gf
311 XSI-O-
£
^ Allegretto grazioso
P^^^I P^
Just the dream I dreamt be - fore Ruddy-. Oh7 the
^ ^''1'
jfJ J-
J
=^^ igc i^S-^«=Jwr <F. "»•»"
^
s fe^- J J s s 5^3-O- T
Ek^ ^S^ .P J P P P^ f ^
sad time Ive had, Peg-g-y dear, a - way from J'ou, Peggy. Oh,
dear, do you fear That per - haps you may re - gret? Ruddy. Not
^' C^ '
5*''^''* Copyright MCMXVT by T.B. Harms & Fra?icis,Day & Hunter, N.Y.
All Rights Reserved. International Copyright Secured.
85
^^r bfe - lieve you were grlad Of thfe hoi - i - day, Its3'es,
I! Do youlieve J bu we're grlad Of thfe hoi - i - day, It's
wish, nowyoi/re here, You were miles a - way?/>irMy
P P I P P P ^S P =#2
true,
pet!
Con - fessl Huddy.Why it drove me half mad I could
Id^, ^die! Buddy. Can you trust to me, dear, To be
P *» » » S F y y^
A
s^S¥ ^"1' UJ cJ
k'l,p p p p 1^^ j^ }]
I
j^ ii i Jee^find, I swear. No plan Of life, r/i>^^:)Was it real- ly so bad? Did youal-waj's true Through life? Pe^A'-y:! can; All my doubts dis-ap-pear As I
rfeSem 1
^
(^ -^) w #
3 ^ ^'^Valse
s J' i' y ^^S ^treal- ly care? Mycling- to you,i?MrfrfyMy
manwife!.
. (Ruddy^My
.(Peffg-y:)My
wife!
manThe res
The^ m i m i :*
fff If rff if^ s^^ fi ^^ f
m5469-4 The Read That Lies Before.
#world,
hardyouto
^see-
see.
For I
what eVr
-7^
was madefate holds
for
in
JZ^2 ^
^ ^ tt ;t^E ^^=^
i 7g"i~ m^p—jy
you
store.
You dear, for me'-
Try it with me!You dear for me
'
Try it with me!
^ \>^I
I
I
us
it
OrWe
And life may bring
What through we missed
joy. -
once.
IE! ^ ^
gV
=s:^546.9-4 The Road That Lies Before.
m w ^ w -©^^ ^87
rly
r
Life
did
may bringrif't un
us painder - stand.
Cru - el or
Bet - ter to
j-^r^v J
kindday
£1
wewe
1? b^ »? ^ ^
^ lAl aift s la:T^^
1^rzznS
P ^shall
knownot
the
mindway,
Now weVeSo let
to - geth
us set
er
out
once
handa -
in
:?- -.^^
m ^t t^ i>»=^«w^ I ^
^gp^rI: ^ It. t^-^ /
fe& ^r
l Y r #gain,
hand.
Glad-ness and grief a
Love for our path a
like we''ll share
light weUl make
W=^i
^:^J-
Grief will be
shin - ing to
S z_
P iW^^ ^» 9m
#=* idWf^^ 23:
ft ira:* q * iz
»:^:^r^2:
51: 1=^^ is SpI? fj
i 1-^ ^ ^joy if youguide the steps
aLte
wethere,
take.
EB^ P(2_
?^w
(Peggy) Rud - dy take
m ^ nrm~i
# , # a-s>- ^ 14 ^1^i^^ -£: a J).S.
dim.
^^m51= S& ti^^ ±e5469-4 The Road That Lies Before. ^. *
88
Words by
JEROME KEKNand
P. G. WODEHOUSE.
You Said Something.Music by
JEROME KERN.
Allegro.\
Piano.<
^^
^S
^^ ^JTI]
^^
an9-€»-
^
^E^
3^ i^3
1f^
«^ ^^ -O- Tt~
:ZV(/.A11 the grirls I see
Ztzzie.All the men I knowMake a
Fas - ci
hit with me,
nate me so,
f^'^^
PiN^i^t=t
/> fl,il 3
**. •npT
^^ ^^ i ^g^
Se ^gl & *Where-er I wan - der, I love bru-nettes or some-thing- blon - der
Oh! what ro - man-ces Ive built a -round them in my fan-cies
I ms4jLi^i i
gFTi;s 1 t= 5^fck 9^
* ^^ -^ ^ tTSZ
Zizzie.l dont care aTed.\ am not a
bit
wareWhere your heart may flit
5
Why you think I care;
k=^ ^mfcfe a=* Wnrr-f
^p ^^ ^^^^ ^Copyright MCMXVl by T.B. Harms & Francis, Day & Hunter, N.Y.
5467-3 All Rights Reserved. International Copyright Secured.
89
s - J tl^J ^lj I tjj tl
^J ^Ted. Why sure - ly
Lizzie .Why sure - ly
k
you knew, dear,
you knew, dear,
I was teas - ing, I love you dear.
I was teas - ing^, I love you dear.
A A A A
^^tti^^ y^^-^^ i^^ te^mvr-^
^^rail.AAA
r=t j\ '
^ if (- w ^#
Refrain. Meno mosso.
^rffi i ^ ^* I t »
^o^A. You said some-thing when you said you love me, Oh, but I
i i FH5 ^ t t i t ^ 3
V -sL ||.
S^ E ^^ ^ ^ ^ ^P
^ ^ i"^I
r r"^-^ -o-
r r I !~r^^won-der for how long it will be. If you find some-day,youve
1^'''' jJJj ' iJ ^^ ^«:rrrr
^^^M ^ *^ i?=
^r r rI" ' rt r i^'Pr r It Y^
al-tered your mind Id be for-giv-ing, but sim-ply could not
A, , A
* W4 §^ is a^^^ *—
a
^?T?-#• -«s»-
Iv- j'l. r ^ J ^*^—
^
546 7- 3 You Said etc.
90
I' T V r i>
'
i J J J ^—#
go on liv - inglZigeie.Girls much pret - tier you will meet by
. \ Ted. Men much hand-som - er you 11 meet by
the
the
^ ^ ^^^irr iscore. Will you re - gret you nev - er met them be -
i i ^ "jfcfe ium -M a :
» aP>
^ 1 1 1 :3
sf f y i=s^ p ^ «t-^
fore? You said some-thing when you said you love me, But
^ -5- ha- -S-
zz:
ia=5> ^^ a«-#-#
S E * s ^fe s:=ff ^ :*:
J P JI f ^
'^ r-
& ^^ L lJ)^-il^^-^
say it a whole lot more. more.
m i i~T m i^
IS ^m m \j \>J» : ^^ 5 ^.^.
Bi ^1^ 3i^
5467-3 You Said etc.
Words by
P. G. WODEHOUSE.
Daisy.
Poco Allegretto.
91
Music by
JEROME KERN.
Piano.<
jrrJ J J'
Back in the
ssk
mf n.^ LiJ, r: i J.
.
Fl frf ^ i"Mt I
?
* ^ h JM P J^days of child - hood,. When Life was a joy - ful
^ P 5EEi ^song. When skies were blue, and the world was all
^ i ^m i I7 tip-
^^
^wff 1 J J^7 J .ji
&r- Tr rs^ pf
new, And when noth - ing at all went wrong.
^ ^ i^ ^rf ^^—»; r^
^ ^ [jTHfir p*^
Copyrig-ht MCMXVII by T. B. Harms & Francis, Day & Hunter, N.Y.
5494 - 3 All Rights Reserved. International Copyright Secured.
92
-^J ^J) Jm r r I
f ^As through the fields, I wan - dered.
P ^^ i
J^^H ^g
Weav - ing my
^^ r=5 rj "TTp
^ ttni
^ -IIJ J J^ J^
r P P^dais - y chain,. Grave - ly I'd pause, While I
# 5kEE^ a tt ^^ #^=j7 I V g ^ i^H ^ ^
ff ^^?f^4V . p
* JQ I r ^ ]>fe=yr i r i r
^' ^'i
r^' ^' ir i r
pon - dered Croon-ing a nur - s'ry re - frain.
^h^ i i i i ir? fPi TTT «—
^
IZfS i^^ P ^^
Refrain.
^ zc^1Dais Dais - y. Tell me all you know.
dE i ^ ^E^S |y ^ ^
FT e TP-mf ^ ^ ^TT ^P « ^ il
^^ 5 i f? i^ T5494 - 3 Daisy.
#^ '.i\'h' ,'iJ'-
93
^ ^*:
Ev - 'ry time I pluck a pet-al, Se-crets you can
i^ .U- LA ^=A U idE ^^^
m^m^^
^^f^
i-1
f 7 'y 7
Pfcz
^ ^ ^-^ J- ^1:j: 3J. ^Ig? ' p p p ^
Does the one I love, love me?. me;
# Ii -A
^m m i4 ^ ^iI ps
5 494-3 Daisy.
94
Reminiscences.
JEEOME KERN.
^gPB ISi^ ff^ibt zif «*f f^^ 1-1
p V (mmolto esp,
y \> «.^
f r 1 1^ ^ W^^ ^s^m ^
* i ^j'Lrf* '*
r mP^^ ff^ ^ #—•(
^^ ^^ r i^ ii ^^^
IiS2^ WfWfs r?=rf1.?^
^^ ^ i ^ ^
^^
^SiE^StSs^ rT^f:^^m—
•
\^ . ^f
SWfWfTf ffW
3 n Wi(• > * ^—
•
fb ,j M=^^
rr
'
ip^ ^^ ? ? ? 2^^i?.^.
«* fei1 m
^i^
'
mm ^i ms^
•pi^5=^
3" tp-^ ^ contenerezza.
tip idim. i
M ^^ ^ ^ rJ- =gF^ ^
•Si). »r
fCopyright MCMXVII by T. B. Harms & Francis, Day & Hunter, N.Y.
5495-1 ^]i Rights Reserved. International Copyright Secured.
Napoleon.
Words by
P.G.WODEHOUSE.
95
Music by
JEROME KERN.
Moderate pomposo
VOICE
Pi ano;
%J' J^ J^ I > ir~^ ^^f f
po - leon was a2.po - leon w-as a
3.po - leon was the
lit - tie ^-viy, They used to call himhome - ly gink, He had - n't time to
la - dies pet, He liked to have them
4 ^ r~i i -n ni=*
^ A^ ^ ^ m ^i' ^ ji
I h j^ i' J'i ^shor
doll
han
ty,
up,
dy-
He on - ly stood aBut though he looked like
He used to blow in
bout so high. His
thir - ty cents. Hehalf his pay. On
f Pt=tit) *
A
>j: r _yi ^ m m m-
Cojpyright MCMXVI by T.B. Harms & Francis, Day & Hunter, N.Y.
5465-4 All Rights Reserved. International Copyright Secured.
96
fchest
packed
VI
an
¥=£
un - der
aw - ful
lets and
l^
for
T«^l
can
ty.
lop.
dy.
h I .. ^^ J^ J'
But
AndHe
i W«tien they start - ed
all the kings in
knew the game from
^ J' i' i' 1^' ^ SP P P
I
P
#
josh - ing him, His
Eu - rope, when they
soup to nuts And
A
pride, it
came to
worked it
did - nt
know his
on a
in - jure.
hab - its,
sys - tem!
A
HedPulled
He'd
£i J
^^
Iv sav"Ah, fade a -way' He knew that he had gin-ger.
ii
sim-ply say "Ah, fade a -way! He knew that he had gin-ger. Na -
up their socks,And ran for blocks,Hed got 'em scared like rab-bits. Na -
meet a Queen at five fif - teen. By six o' - clock shed kiss him. Na -
i=j ? ]i ^ J,i
1~^:
:^m m5465 - 4 Napoleon.
97
Refrain.
^p- .p p p IP' P P—P-^^^ ^po
po
po
A
f^
le
le
le
- on.
- on.
Na
Na
Na
po - le - on, They
po - le - on, \\bnt
po - le - on, The
thought him quite a
out and got a
la - dies thought him
P fi n1 1
1
^ w^ ^
r P ipp ^^ p
^' [r~[rlit - tie pill!" Was the
climb - ing trees, Though he
hard, they did. When he
joke,
"rep;'
great,
Hey!
HeThey
take a
had a
fell for
slant at the
lot of 'em
him good and
kJ ~ *= *
1 i :=i 3
a ^^^
pi' J) i' ji
Ji I ii > j, Ji^H-J'^^p-^line of chat - ter that they used to spill . But they could - n t hold Na
weighed a hun-dred in his B. V. Ds. It was eas - y for Na
came and hand-ed them the "Oh, you Kid" Theywere wild a - bout Na
^^ i ^ t"PT » * s
g W ^5465-4 Napoleon.
98
I' p p•' J) JM J' ji J^
J,I
J y^ ^
po - leon, When he start - ed in - to scrap,
po - leon, And he -wiped them off the map.
po - leon, Fbr his Mxirk was full of snap.
He was
He was
He was
I\>^m f^
P p p p p ^M> p J) Jm J' j^p
i'
five feet high, But he was one tough guy, And I take af - ter
not so tall, But he could lick them all. And I take af - ter
sawn off short,But he was one good sport. And I take af - ter
fr ^1 i P f ^
5465-4 Napoleon.
29 2 03 ^c48480 '^