Upload
glynn
View
42
Download
0
Tags:
Embed Size (px)
DESCRIPTION
Utagawa Hiroshigue. Juan José Chavarro Naranjo May 2013. Index. Biography Style Main works Influence Visual language elements Technique Concept Connections Images of his work References. BIOGRAphy. B orn in Tokyo Japan, probably 1767 and died at the age of 62 in 1858 of cholera - PowerPoint PPT Presentation
Citation preview
UTAGAWA HIROSHIGUE
Juan José Chavarro Naranjo
May 2013
INDEX
Biography
Style
Main works
Influence
Visual language elements
Technique
Concept
Connections
Images of his work
References
BIOGRAPHY
Born in Tokyo Japan, probably 1767 and died at the age of 62 in 1858 of cholera
His father was inspector of fire, died in 1809, like her mother.
He was also called Tokubei y Jūemon.
He married twice in 1821 and 1837 had two children a boy in the first marriage and
the second a girl.
In 1811 came into the Studio of Utagawa Toyohiro where he did a good job.
In 1812 was the artistic name of Hiroshige.
Career began formally in 1832.
In 1856 became a Buddhist monk.
STYLE
STYLE
Held within the style ukiyo - "pictures of the floating world" representation of
types and popular scenes.
Hiroshige was formed in the characteristic style of the Utagawa school,
focusing on the representation of beautiful women (bijin-ga) and Japanese
popular theatre kabuki actors .
In 1832-1834 he went to landscaping.
MAIN WORKS
Its first series was: fifty-three stages of the Tōkaidō route (Tōkaidō
Gojūsantsugi, in 1832-1834 in these works he began his characteristic style,
marked by the composition of planes and the inclusion of objects or anecdotal
character, often with one certain humorous.
Another series of great relevance was one hundred famous views of Edo
(Meisho Edo hyakkei))(, 1856-1858) It has a total of 119 prints of landscapes
and landmarks of Edo
OTHER WORKS
“Famous views of the Eastern capital works (Tōto Meisho jukkei, 1831)..
Fifty-three stages of the route of Tōkaidō (Tōkaidō Gojūsantsugi, 1832-1834).
Famous views of our country (Honcho meisho, 1832-1837).
Famous views of Kyoto (Kyōto meisho, 1834-1835).
Famous views of Ōsaka (Ōsaka meisho, 1834-1835).
Eight views of the province of Ōmi (Ōmi hakkei, 1834-1835).
Six rivers Tama in the different provinces (Shokoku mutamagawa, 1834-1835).
Sixty-nine stations of the Kisokaidō (Kisokaidō Rokujūkyūtsugi no uchi, 1835-1842), in cooperation with
Keisai Eisen.
Restaurants and teahouses of first in Edo (Edo kōmei kaitei zukushi, 1835-1842).
Fifty-three stages of the Tōkaidō route with poems midarezaki (Kyōka Tōkaidō, 1839-1840).
Improvised silhouettes (Sokkyō kageboshi zukushi, 1840)” wikipedia.org
OTHER WORKS
“Fifty-three stages of the Tōkaidō route with poems midarezaki (Kyōka Tōkaidō, 1839-1840).
Improvised silhouettes (Sokkyō kageboshi zukushi, 1840).
Fifty-three stages of the route of Tōkaidō edit Gyōsho (Gyōsho Tōkaidō, 1841-1842).
Fifty-three stages of the route of the Tōkaidō, Edition Reisho (Reisho Tōkaidō, 1848-1852).
Fifty-three stages of the Tōkaidō route with figures (Jinbutsu Tōkaidō, 1848-1852).
Famous views of Edo (Edo meisho, 1853).
Famous views of the more than 60 provinces (Rokujū yoshū meisho zue, 1853-1858).
Famous views of the 53 stations (Gojūsantsugi meisho zue, 1855).
One hundred famous views of Edo (Meisho Edo hyakkei, 1856-1858). Snow, Moon and flowers (Yuki,
tsuki, hana, 1857).
Thirty-six views of Mount Fuji (Fuji Sanjū-Rokkei, 1858-1859), completed by Hiroshige II.”
INFLUENCE OF OTHER ARTISTS
Vincent van Gogh: was the most influenced by the Japanese painting European painter. Proof
of this are some portraits (Agostina Segatori in the Café de Tambourin or portraits of the Tanguy
father, Italian, although accommodated Western fashion), a fan of prints, collected hundreds of
which twelve were of Hiroshige.
Claude Monet reproduced prints of the courtesan and Plum Garden in Kameido bridge at Atake
Ōhashi in a sudden rain: one of the most obvious evidence is the portrait of his first wife, Camille
Doncieux dressed Japanese fashion, but in general took from Japanese artists certain games of
color, songs, movement.
T H E L A N G U A G E V I S U A L E L E M E N T S
The language visual elements: is the language we
developed in the brain related to the way how we interpret
what we perceive through the eyes.("visually") Is that used
images and signs graphics. • aims to transmit messages
through the image.
These are: shape, Color, texture, lighting
VISUAL LANGUAJE ELEMENTS Shape: Asymmetric provisions, not just completed the work,
portrait format
Color scene: Colors are flat and shiny, with the Green and blue
Texture domain: Engraving on wood engraving (xylography)
Lighting: present in all his works with bright colors and the
domain of colours
TECHNIC
Used the technique of engraving mainly WOODCUT (technique of printing with wooden
plank)-, it was a secular and plebeian, eminently urban hairstyle that inspired by
anecdotal themes and scenes of genere
Used the technical nishiki-e, a type of cromoxilografía introduced in the century XVIIII
towards 1765 allowing color engraving.
karazuri, technical printing on paper an iron without ink, to make the relief printed
atenashi-bokashi, technique that combines a liquid with the ink and spreads over the
entire surface, the kimekomi, technique by which pressing an iron on paperfor lines and
contours; and kirakake print brilliant, accomplished with two plates, one color and one of
tail bones, on which is placed the paper, which is then sprayed with mica powder
CONCEPT
Highlighted stations landscapes and moments of daily life,
where the human being is always present.
His landscapes present a colorful that reproduces the
atmosphere of nature at different times of the day and during
the seasons of the year, with rain, snow and wind, in the dark
of the night or in the evening twilight. It is also delicate sheets
of flowers and birds.
CONNECTIONS
This artist has really big connections with the work of my personal project the reasons are that his content area is also the far east. Also he uses the visual language elements such as the colors and line emphasis. In my project I am going to draw a landscape four times, as he used to draw landscapes.
IMAGES OF HIS WORK
REFERENCES
Dorling Kindersley (2008), Arte la guía Visual definitiva 1800-1900
Trede, Melanie; Bichler, Lorenz (2010). Cien famosas vistas de Edo. Taschen, Colonia. ISBN 978-3-8365-
2148-2
Fahr-Becker, Gabriele (2007). Grabados japoneses. Taschen, Colonia, ISBN 978-3-8228-3480-0
Honour, Hugh; Fleming, John (2002). Historia mundial del arte. ISBN 84-460-2092-0
Satō, Tomoko (2009). Arte japonés. Lisma, Madrid. ISBN 978-84-92447-25-1
Schlombs, Adele (2010). Hiroshige. Taschen, Colonia ISBN 978-3-8365-2357-8
Stanley-Baker, Joan (2000). Arte japonés. Destino, Madrid. ISBN 84-233-3239-X
van Gogh, Vincent (1992). Cartas a Théo. Barcelona: Labor. ISBN 84-335-3505-6