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VOCAL SCORE c
Utopia Limitedor
The Flowers Of Progress
W?
W.S. o ARTHUR&GILBERT Or SULLIVAN
*chappell
Made in England
£
VOCAL SCOREo^
XUTOPIALIMITED
OR,
THE FLOWERS OF PROGRESS.
BY
W. S. GILBERTAND
A RTHUR SULLIVAN.
CHAPPELL & CO., Ltd., 50, NEW BOND ST„ LONDON, W, 1.j,
AND SYDNEY.
CHAPPELL & CO. INC. - NEW YORK
%2MMM*
UTOPIA LIMITED;OR,
THE FLOWERS OF PROGRESS.
Dramatis persona:.
King Paramount the First (King of Utopia)
£{Judges of the Utopian Supreme Court)
Phantis )
TAKARA {the Public Exploder)
CALYNX (the Utopian Vice-Chamberlain)
Imported Flowers of Progress.
LORD DraMALEIGH (a British Lord Chamberlain)
Captain Fitzbattleaxe (First Life Guards)
Captain Sir Edward Corcoran, K.C.B. (of the Royal Navy)
Mr. GOLDBURY (a Company Promoter)
(afterwards Comptroller of the Utopian Household)
Sir Bailey Barre, Q.C., M.P.
Mr. Blushington (of the County Council)
The PRINCESS ZaRA (Eldest Daughter of King Paramount)
The Princess Nekaya")> (her Younger Sisters)
The Princess Kalvba)
The Lady Sophy (their English Gouvernante)
Salata
MELENEJ-
(Utopian Maidens)
Phylla
ACT I.—A Utopian Palm Grove.
ACT II.
—
Throne Room in King Paramount's Palace.
UTOPIA LIMITED;OR, THE FLOWERS OF PROGRESS.
CONTENTS.
act hNO.
i. Chorus and Solo {Phylla)
2. Chorusa. DUET {Scaphio and Phantis) with Chorus ..
3. DUET AND DANCE {Scaphio and Phantis)
4. Chorus with Solos
a. SONG {King) with Chorus...
b. Duet {Nekaya and Kalybd)
c. Valse Song {Lady Sophy) with Chorus
5. SONG {King, with Scaphio and Phantis)
6. Duet {King and Lady Sophy)
7. CHORUS WITH SOLOS {Zara, Fitz., and Troopers)
8. Chorus with Solos {Zara and Fitz.)
9. QUARTET {Zara, Fitz., Scaphio, and Phantis) ..
10. DUET {Zara and Fitz.)
11 Finale
a. VALSE SONG {Zara) with Chorus
b. SONG {Capt. Corcoran) with Chorus ..
c. SONG {Mr. Goldbury) with Chorus
" In lazy languor"
" O make way for the Wise Men "
"In every mental lore"...
" Let all your doubts take wing"" Quaff the nectar "
" A King of autocratic power we"
"Although of native maids the cream"
" Bold-faced ranger"
" First you're born"
" Subjected to your heavenly gaze " ...
" Oh, maiden rich"
" Ah ! gallant soldier "
" It's understood, I think "
" Oh, admirable art "
" Although your Royal summons to appear"
" What these may be "
"I'm Captain Corcoran, K.C.B."
" Some seven men form an Association"
PAGE
I
4
6
nM17
21
25
30
34
3S
45
50
56
60
67
74
83
act u.12. Recit. and Song (Fits.)
13. DUET {Zara and Fitz.) ... ...
14. Song {King)
15. Entrance of Court16. Drawing Room Music
17. Unaccompanied Chorus
18. Duet {Scaphio and Phantis)
19. TRIO {King, Scaphio, and Phantis)
20. TRIO {Scaphio, Phantis, and Tarara) ...
21. SONG {Mr. Goldbury)
7.2. QUARTET {Nek., Kal., Lord D., and Mr. Gold.) ...
23. Recit. andSong
24. RECIT. (King and Lady Sophy) ...
a. Duet (King and Lady Sophy)
b. Tarantella
25. Chorus
36 Finale ... .
{Lady Sophy)
" Oh, Zara !
" and " A tenor, all singers above
" Words of love too loudly spoken "
" Society has quite forsaken "...
" Eagle high on cloudland soaring"
" With fury deep we burn"
" If you think that when banded "
"With wily brain"
" A wonderful joy our eyes to bless"
" Then I may sing and play ?"
f
" Oh, would some demon power "]
(" When but a maid "
j
" Ah, Lady Sophy "
" Oh, the rapture unrestrained"
'" Upon our sea-girt land " ...
"There's a little group of isles"
95
98
100
104
105
109
118
120
124
13"
135
142
144
146
149
«5i
«SJ
WmlTTBM IV
W. S. GILBERT.
UTOPIALIMITEDACT I.
COMPOSED BY
ARTHUR SULLIVAN.
No. 1. CHORUS (Girls only) & SOLO-(Phylla).
Andante espress.
Chorus, ist & 2nd Sopranos.
MjMU. CHAPPELL & CO., LTD., SO, NEW BOND STREET, LONDON, W.I
NEW YORK & SYDNEY
Ped.
ter - na-live, In pen i • die • ness we live, With lyre and lute And »il - ver flute, The
Ped. * Ped. Ped
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life of La ly land I In ry languor— mo • lion-less, We lie and
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| ^**—*"dream of no
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IS * P»—^-fV-
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The song of birds In i - vied towers j The rippling play Of wa • ter-way; The
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fir- ~*fci===ft
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low-ing htrds
;
The breath of Sowers
;
The languid loves Of tur • tie doves- The song of birds In
Phylla.
m$^$ S\ »jx
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1 • vied towers ; The rip - pling play Of wa - ter-way ; The lowing herds; The breath of flowprs : The languid
35 # 4±
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W*r*lF&& 1 ' J • ' J JtT=*loves Of tm . - - tie doves
—
Up - on thy shores, O La zy - land 1
PChorus.
P^pp •—»— * j .—*— r» n v4* P--BE£§ 1*=^
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These sim - pie joys are all at hand Up- on thy shores, O La • zy - land !
m fe^MS^ git—
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No. 2. CHORUS.
Allegretto pesante.
Piano
4 Ii= i J i
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j j j j'-u j jij ar ^=tsz ^ff * a *
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V=3*priie-men—Dou-ble- first in the world's u - ni - ver-si- ty!
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For tho' love - ly this is- land ( Which U
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prue-men—Dou-ble • first in the world's u - ni - ver - si • ty ! For tho' love - ly this is- land (Which is
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my land), She has no one to match them in her ci - ty. They're the pride of U • to • pia—Cor- nu
my land), She has no one to match them in her ci - ty. They're the pride of U - to - pia—Cor- nu
• co - pia Is each in his mcu - tal fer • til • i - ty.
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pia Is each in his men - tal fer - til - i - ty.
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O they nev - er make blun • der, And no
-•
—
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O they nev • er make blun - del, And no
• Fed.
(No. 2a.)
Allegro Moderate
DUET-(Scaphio & Phantis).
mSCAPHIO. Phantis. Sca.
F . 9 > >• . V .V~n f i.f y-ifeN;-F-
!. In ev • ry men lal lore —tal lore (The
m ^3£
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Phan.5CT=3^ * Jca. Phan.
(j)- JNgJliM^-r^«' i * ^=tsi#state - ment smacks of van i ty), We claim to rank be - fore —be - fore The wis - est of hu
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man - i - ty As gifts of head and heart —and heart We're was • ted on " u til i • ty, Were
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Sca. Phav Sca.
" ™.t
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cait to P'ay a part —a part Of great re - spon - si - bil • i - ty. Our ilu
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=» =*=
ty is
19.640.
Pha* Sca. Phan Sca. Phan
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;^ ; jvalj his ec - cen - tri ci - ties. If ev • er a trick he tries, he tries, That sa - vours of res -
i =*SEE JK Jy 'Ij
g~77/'^=.r,i Mr. c
• cal-i-ty, At onr de • cree he dies, he dies, With • out the least for mal • t • tf I
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^19 640
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2. We fear no rude re • buff, —re - buff, Or news pa • per pub
^ P i r . i r ;
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Phan. Sca. Phan. Sca.
| j. J'/ r jj.M ; , / n 1JijJ ;-t^
| .^ ; /i JM > is >,r j.e - lee tri ci - ty.li • ci - ty
;
Our word is quite e - nough, —e • noogh, The rest
i i 3EE5E£ ^-P—
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=T
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Phan. Sca. Phan.
$ S ri j^i sj.»^ i^ c i pi Hg g jLM /t is^^
pound of dy da - mite —a - mite Ex - plodes in his an - ri cu - lars
;
It's not a plea - sant
I r j." P^F £^ ^^^ ^SE3 lJJ r
Sca. Phan. Sca Phan. Sca.
| .Nf"J'if" | Ci^ s^e:
gjrr fs i > * i ^ ij*-xis jn^jffi^-j^
1 * *—
^
--»—
; # ^tight— sant sights— We'll spare you the par tic - u - lars. It's force all men con - fess, —con • fess, The
mm m w a—P-
J^
^ CJJ" *rJlJ I lJ J cj J £3
Phan. SCA. PHAn.
Iz^iT^^^mKing needs no ad - mon-ish-ing
—
We may say its - cess —suc-cess Is some - thing quite as
$ m ^=F m 5£5HE
Both.
|77';' r in g^ pi » i-^t -r j
s- g j-i
3^=r= 535i g I
ton- ish -ing. Our des - pot it im - bues, im • bues, With vir tues quite de - lect - a bie
:
He
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t=t: B E N W£!&s a ^ p5=K=
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fctfe *—
»
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minds his Ps and Q's, and Q's,—And keeps him-self re - spec-ta-ble. Of a tyrant po - lite He's a pa -ra-gon ^uite. He's s
f f-'-'*-- +
m *^ ^ m&E5 j1 " f 1
Phan. SCA. Phan.
| j J' J J^js J' j j EgJgffS=5^S i *
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mod est and mild In his ways as a child ; And no one e'er met With an au - to - crat, yet. So de - light- ful - ly bland To the
mf
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leas', in the land. So de • light- ful • ly bland To the least in the land, So bland,
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I
J J" J^ J i * r% * j=
prize - men— Dou- ble - first in the world'? a ni • ver • si - ty I For though love - ly . . this
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is - land (Which is my land), She has no one to match them in fur ci • ty.
V* *-?"-#- -^"V- •+*- -»- * .« » -*- -t-" -5- -p-
19,64a
I
II
No. 3. DUET—with Dance—(Scaphio & Phantis).
Allegro moderate. Scaphio.
Piano.
m «i r3s=+:* *
3"
£ 3^ 3E 3*• *.
I. Let all ycur doubts take wing
—
friend • ly aid con ferred,
Our in -flu - ence ii
I need no long - a
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T^FF
Piii
1
1
i *i i n ^ ii i ^ ii^i^ 1*1 1 1^
i
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great,
pine.
If Pa - ra • mount our King Pre - sume to he
I've but to speak the word, And lo
!
the maid
tate,
mine 1
Put
I
w-^h-^^-fn -r^^p &*^-& . . i * j
=5F=*F 1 j 1 i i i i n- m =5TEF
on
do
the screw, And cau
not choose To be
tion him That he will rue Dis -as - ter grim That must en • sue To
de • nied, Or wish to lose A love - ly bride— If to r? - fuse The
IrH jla'tfXa JJa j"*5 j-TT"iJ^ j^'^l-i jTJi
Phan. SCA. Phan.
life and limb, Should he pooh-pooh This harm - less whim, This harm • less whim, This harm - less whim, This
King de-cide, The Roy - al shoes Then woe be-tide ! (Sc. (Then woe be tide,(PH.)Then woe be • tide,(Sc.)Then
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19.6411
12
.SCA. Both.
harm lot whim, This harm - less whim. It is asj
yj
Ujsay, A harm-less whim, A harm • lea whim,
woe be-tide,(PH.) Then woe be-tjde I The Roy - al shoes Then woe be- tide, Then woe be • tide I
(Ph. 1st.) Ob- serve this dance
(Scv 2nd.) This step to use
Which 1 em- ploy
I con - de-scend
WhenWhen
r^ijj\i^hr-r.
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I, by chance,
e'er I choose
j'j J^ik 1 r j
Go mad with joy.
To serve a friend
What sen - ti - ment
What it im- plies
B
What sen - ti-ment Does this
What it im- plies Now try
press?
gue
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Su . preme con • tent And hap pi - ness ! Of course it does, Of
It ty pi - fies Un • sel - fish - ness I Of course it doe*, Of
$«: J *> J 3E
course it does— Su
course it does— It
preme con-tent And hap - pi • ness I Of course it does, Of course it does— It's
ty - pi • fies Un - sel - fish-ness ! Of course it does, Of course it does— Un
3=
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No. 4. CHORUS with SOLOS.
Allegro come Marcia. {J •= 76.
)
3 3
Puno
—=3 •-S I I
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La. la, la. la, la, la, la, la, la, la, la, la, la I Quaff the
P i 3E ffjj=t=r= =t= m
Ped.
19.640
*5
* Ped. Ped.
Ped. * Ped,
19.640 • Pad. * Ped.
i6
mp* zaz i i
day year is wilt - ing, Sing the sun
Ped.Ped.
PB
=£=£=* *
35=35= :*5=fs:• * «
=fs=js=* * « « * m m -
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Ped. Fed.
8m.
?_***£**
* 3 5 -*
19.640.
'7
(Kfo. 4a.) SONG-(King) with Chorus.King.
Pui lento e ptsante.
1. A King of au - to - era - tic pow - er
2. Stu pen-dous when we rouse our-selves to
we_ A des - pot whose ty - ran - nic will is law-
strike— Re - sist - less when our ty • rant thun - der peals—
Whose rule is par - amount o'er land and
We of - ten won- der what ob- struc-tion's
> .m i / > ; JVir u^j
sea, A Presence of un - ut - ter - a - ble awe !
like, And how a con - tra • die ted mo - narch feels I
But though the awe that I in Spire Must
But as it is our Roy • al whim Our
I I
J, t. I j i.flj,
BE l fen^*
$^g=? J nr - ^ =?=c
shri - vel with im • pe - rial fire All foes whom it may chance to touch,
Roy • al sails to set and trim To suit what • ev at wind may blow,
To judge by what I
What buf - fets con • tra
IG£ ^S«* ^o* -i= -i jt -*1 £--»-
i
1S.M0.
a^P 2*~=£— •"
£gEB=*3-iri,-:^
18
" *see and hear, It does not seem to in • ter - fere With pop - u - l»x en • joy - meat
die - tion deal*, And how a thwart - ed mon - arch feels, We prob - a- bly shall ner - or.
much,
know.
Chords, f
No,
No,
I
LHUKUS, / I
n . *ri
r f.
Pi^ <
'
j
no it does not in • ter - fere With our en - joy - ment much.
no— what thwart - ed mon - arch feels You'll ner • er, nev - er know.
± r r f is e « _y
No, no— it does not in - ter - fere With our en - joy - ment much.
No, no— what thwart - ed mon - arch feels You 11 nev - er, ner - er know.
J- :£ d=, irjij.ijll U
m
(ir=^ r ,f tr
£$,* fit tt t8 8 — —0—0 —
•
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* Ped.
IE RECIT. King.
EFF^F m • m m:V * I
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My subject* all, h is your wish em-pha-tie ThataUU-to - pia shall hence forth be modell'd
*SF=2:
zs£^ ^IHM)
Up- on that
19
a tempo Andante.
V f r r A mmglorious coun-try called Sreat Brit-ain To which some add— but o-thersdo not— Ire • land.
IE3E
Choius. F RECIT. King.
^^ i I i 1 fThat being so, as you in - sist up • on it, We have ar - ranged that our two young-i
daughters Who have been "finished "by an Eng -Uah La-dy— A grave.and good, and gra- cious Eng - lish La - dy- Shall
dai - I* ne ex • hi • bt - ted in pub • lie, That all may learn what, from the Eng - lish stand - point,
jFi-^ * * =t=t J J J j1 j J I J
r r t=t * m
3^2^2I
r r r
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masf
19*40.
20
look'd up on as mai- den - ly per • fee • tion 1 Come hith • ei, daugh- ters !
19.640.
21
dim.
(No. 4o)Allegretto moderate
H
sought I How Eng - lish and how pure Ipure
i/ 1/ 1/
How Eng • lish and how
dim. _• '
~ r- *-£
-f
* W'/ V V-
sought I How Eng - lish and how pure I How Eng - lish and how pure I
mm -£-
f* rBJHnH-^r+
r r m i i i f
Nek. & Kal.DUET-(Nekaya & Kalyba).
Al - tho' of na - tive maids the cream, We're brought up on the Eng lish scheme—The best of all For
I \ \c
i \ \ \•.
i
\ \ \ : i
• ^m 5 3"
Nel
> r- h ^ J* S1
j«
great and small Who mod - es - ty a - dore. For Eng - lish girls are good .« gold, Ei - treme - ly mod - est
W f "I J32 T
1 »{ 1Ti r L C g S
* »-H ' 1 V~
______ ^=g:
Kal.
^ ^ *=^=* *
(sc we're told), De - mure ly ooy— di - vine - ly cold—And we are that—and more
10.MU
22
I £ TV •'IJ
s
-f
1/ **rv c J5C=f
ar • gues thu»—All <^rls should mould themselves on us Be • cause we are, By fur- longs far, The best of all the
i JiJ' / J'|
fs tUl JtJ' J ."
l :. ipl§iNkk. >-
>"J» 1 1 bJ
1 ^^ " If 'pbunch. We show our-selves to loud ap-plause From ten to four with - out a pause—Which is an ewk-ward
^rfr-^±£- r v r r i / frr r Lr >y r
>P
b
P f PI f
^
.. u *=f lir
Both.
=fc^*is rs M ^-qJi'^JJT *=3* e£ fa Pi ,. F
*H>. ^ ^ ^^i» * *_
time be-cause It cots in • to our lunch. Oh, maids of high and low de - gree, Whose
\mW J i "f"^
J l_ k-
? 1 ^ 1
ai
| |jj j j
i r-e*- ^r
n^ * r » * , I gN
g* *VI = -I w »4 » « •—« »— —»-
I i i ijgg| ii ^^* *), V 'S
so - cial code is ra - ther free, Please look at us, and you will see What good young
P^p-p-^p ^H \iVi if^4
^—I— -—I—^^ Ped.
Nek.
19MO. Pad • P*d.
*3
; stand, like clockwork toys, A lee - .ur - er whom pa - pa em-ploys Pro - ceeds to nraise Our mod- est ways And
Kal. Nkl
guile - less char ac • ter- Our well-known blush—our down -out eyes—Our Cam - ous look of mUd sur - prise (Which
Kal.
com-pe • ti - tion still de - 6es)—Our ct
\* A M 4Ui± w'-iiiJ
le • brat • ed " Sir ! 1 I" Then all the crowd take down our looks In
mm.
pock - et mem - o - ran - dum books. To di - ag - nose Our mod - est pose The Ko - daks do their best
:
ilmz
£g
—*
.is is
«=M h
m m r
4 a J *\<JJKal.
24
$
Both.S_* » *
we do all the rest.
IPOh.
in 3^ -ft IVm
\ >
maids of high and low de-gree,Who*e so - cial scde is
^ zlmz *2 w^—W-^=«.-
^E -1—
I
m m # m-^1 fin i r 1*—
T
N 1 3*=i^r
Ped. * Ped.
f
* Ped. *Lady Sophy.
i *=fs S=f*=m ZtCZZM gyrrrThis morn • ing we pro- pose il - lus - trate A course of maid- en
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To the tri - umph - ant mat - n - mon ial fin
19.64G.
ish.
?5
(No. 4c.)
Iam Allegretto a la vaise. VALSE SONG—(Lady Sophy) with Chorus.
it:-flirt 5 -^-^ : £ 3tr::
1. Bold-fac'd ran- ger
2. As he ga - zes,
3. His in - ten- tions
(Pet - feet stran - get)
Hat he rai - ses,
Then he men-lions.
Meets two we!l
Kn - ters in
Some-thing de
be haved young
to con - ver •
lin ite to
zUzETzE
U - dies. He's at - trac - five, Young and ac - tive— Each a lit - tie bit a - fraid is. Youth ad •
sa - tion. Makes ex - cu • ses— This pro - du - ces In - ter - est • ing a - gi - ta - tion. He, with
go on_ Makes re - ci - tals Of his ti - ties, Hints at set - tie -ments, and so on. Smil -ing
$fc=5= 3E5 stft =1=1= CT^y i v4^^^^
van- ces,
dar - ing,
sweetly,
At his glan- ces
Un-des - pair -ing,
They.dis - creel- ly,
To their dan • ger they
Giveshis card— his rank
Ask for fur • ther e
a - wa- ken ;
dis - clo- ses
—
vi - den-ces :
They re - pel him
Lit- tie heed-ing
Thus in - vi - ted,
As they
This pro -
He de~
jfeipB fr^ft'^Tp^\>t&*-^
1m m-
36
g /• i -i J^-t-i In,"-i^^
If/ F*r«.
lee - tion. Do they quar - rel for his dross ? Not bit of it- They toss
!
Ah!
T+trttt^ttTtt ****** ******
Ped # Fed
jgD. r-am zisz * m-*—*— *
When ad • dreaa'd im - per • ti • nent • ly,
Eng lish girls of well - bred no- tions,
Please ob • serve this co • gent mor al
—
>> [Nil 'yBcc
Eng- lish la - dies an • swer gen - tly, " Go a
Shun all un - re-hears'd e • «io- tions, Eng- lish
Eng- lish la - dies nev - er quar- rel. When a
=±
£3 , -fi
iH.MO Ped * Ped. Ped
EJ-J ZJ-> ZJ^* Ted * Ped.
way,girls
doubt
^fi
young bachof high
(hey comethe
ways loss.
f Choioi.
1. Eng. lish
2. Eng. lish
3. We'll ob
1 1<^ ^ [
1. Eng- lish
2. Eng- lish
3. We'ii ob
[I ^ ^ J^ESE ^=^f
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i nz ^=9=la
girls
serve
§n
dies anof well
this co
swer gen - tly,
bred no - tions,
gent mor - al—
When ad - dress'd
Shun all unEng - Ush la
im - per
re - hears'd
dies nev
ti - nent - ly,
e - mo - tions,
er quar - rel.
"Go a
Eng - k!«h
Wheu a
-4—*tr 1 1
nent - ly,
mo - tions,
quar - rel.
-> V-la -
aS
'&k r 1 f 1
toss.
£ •1 1 r tr ,r
/ /
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rJJ Jl' I f_T_P ^rled. * Ped. * Ped.
Pn •* u
* Ted. * Ped.
Lady Sophy.
§^ SLJLJLJL e£=3=^ T"~T~7 g g -f
The lee - tare's end - ed. ten min- ute«' space Twill be re
m p* **== w p*
m *5=tR 7>m/a Is**.
iChomps. f *, J
m 35* * » * £E ^
peat • ed in the mar - ket - place ! Quaft the nee tai—
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$ Is 1 ~TT«
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Quaff the nee
^E E££
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f J^ 1 i =i5==3F:}=^i=5r s £^~r
—
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19.640r«d. Pad.
29
p^ r3-^-3^1
* *-J. J U
=fc=±
cull the ro will soon be
call the co Bash - fnl girls
Ped. * Ped. * Ped.
* Ped.
3°
No. 5.
Piano.
S0NG-(King, with Scaphio & Phantis).
Allegro
3'
It r* * ' 3s=|5: pi |S. ^ f* \ \ N IS \ p\ N N. n rs I
s—
I
s-
not too bright - ly)— Doc - tor mumbles like a dumb thing—Nurse is bu - sy mu - ing some-thing.—E» - 'ry simp- torn
la - ces tight • ly, In her form your fan - cy tra • ces All the gifts of all the gra • ces. Ri • vali none the
King. Sca., & Phan.
tends to show You're de ci - ded • ly ae trap—mai • den woo, So you take her and she takes you I
Ho ! ho 1 ho ! ho ! ho ! ho ! ho I
Ho 1 ho I ho ! ho ! ho ! ho I ho 1
Time's tee - to - turn,
Joke be - gin - ninp
I*E^E ^=^
35=5^
If you spin it, Gives its quo-tum Once a min • ute. I'll go bail You hit the nail, And if you fail The
Nev • er cea -ses. Till your in -ning Time re - leas - es ; On your way You blind - ly stray, And day by day The
** * r t *
> 1 U 1 ^3 3S 'i
fe^fe ft N1st &• 2nd times.
|
3rd' time.
SP-9 »
3. Ten years ladeuce is in it !
joke in - creas - es 1
ter—Time pro -
19.540
32
gress - cs—Sours your tem - i»-<— thins your tress - es ;Fan • cy, then, her
PZZT3 1 1 J S 3 S TT3i
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chain re - lax es ; Rates are facts and so are tax - es. Fai • ry Queen's no long • er young— Fai - ry Queen has
fE2^ -1 Si =V- I> 1 ,N ,-± ± -*—
r
j j jisr^-*
—
r^ ,\ 3i
got a tongue. Twins hare pro - ba • bly in • trn • ded—Quite un bid • den— just as you did—They're a source of
ft-? Hi t y i 1 1
* **
$ _* rs rs ^s rs r*- >. n
care and trou • ble- Just as you were— on - ly dou - ble. Comes at last the fi - nal stroke— Time has had his
3&*z^=js—*\—M-i—*—i
—
>A-m— r- i M"—^—fi-*
—
£4—=£^5=5
10.S4O
33
ffi—fc—^=-\r * 1 £ ? I? C I £^ ^^ ?^=F ^^
lit - lie joke! Ho 1 ho ! hoi bo I ao I ho! hoi Dai • ly driv - en (Wife as dro - ver) II! you've thriven—
g g E J I-^ i
x a-»-
I
/ (AlX fHtlK.)
c £/ C C I " ^^ 53* *—=—v
—
s
Ne'ei in clo - ver : last • ly, when Three-score and ten (And not till then), The joke is o • ver I Lai ly driv- en
>$--fcj— I J J i i j^-JH^#« 4*r^i -I £-y *=^r^thff* /
&^ -* w 3^^^~W~T ^^ r> i > T=a=
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;
m se g= r s= ry—U- w yt—-^—*»—*-
(Wife as dro- ver) 111 you've thnv -en— Ne'er in clo - ver: Last • ly, when Three-score and ten (And not till then). The
•i J -i
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1V.MU. Fed. * fed.
34
No. 6. DUET-(Lady Sophy & King).
Andante allegretto. King.
Fiano.
Ped.
V I'll"!"gi» ^ -•- ^ -*- Fed.
Lady Sophy.
• scire me now, No Monarch, I vow. Was ev • er so far a/ - flict • ed I'm pleased with that po
\$fc
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«
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Mr
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19,640
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35
neat - ly, Say what you will, These par • a-graphs still Re main un - con - tr» die ted. Come,
i ^pf^•i i > j=s <£=*£g"~g si^r^f S
f J ;j J i^^pf r i r £ =^=^=^= 1=*- * ; *
crush me this con - temp - ti Me worm (A for • ci ble term), If he's as - sail'd yoo
36
ll* 1
37
Yon plead Ui vain, You nev - er will gain Re spec ble Eng - lish
dyl
i
Re - spec • ta • ble Eng • lish
, If t f ?+££
38
No. 7. CHORUS-with S0L0S-(Zara, Captain Fitzbattleaxe, & Four Troopers).
Allegro con brio.
Piano.
(
^S^f^^Li^iji j\ fjrjr^fMy^^m^-^-rl^^^-^fc=^^T^f l| ..,ff H
,
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T"
Peti. * Ped.
^t" t3••c Ped.
^„-^
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tjy—cr*
U£" J>"JL.'_ -fr it ' * 4 ' *
UAlZksS
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39
^
«
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On each o( us Thy learn ing shed. On cal - cu - lus May
*'£_£.
——J: ^. .S.' *» »» »• **~ P
lg|l
1 =3=I J J-
32=
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we be fed. And teach us, please, To speak with ease All lan-guages,A-live and dead I
Un p*(0 pii UnitZa»a.
On each of us Thy learn-ing shed. Fire
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ly£=± j j. *
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Cap. Fitz. &4 Trooprrs.
A
years have flown since I took wing- Time flies, and his footstep ne er re rards- Im the eld est daughter of your king. And
Hi-s £ siEg
&W**:
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19.fi*>
40
i ttmpo 1 mo.
mg¥t^ j».iv ^ / jn
j =*=^ r\ r» rv ft ft rs Is
:—rv a b£• m m m • » -
we are the e» cort. First Life Guards I On the my al yacht, When the waves were white, In a
M*S
—
m-d-m- * J » Jzm m m m a m kzzx. 4. i »=4«=,«***
Prehel- met hot And a tu - nic tight, And our great big boots, We de -fied the storm : For we're not recruits. And his o - ni-form A
T~T4 4~T4 144 ? u
well-drill'd trooper ne'er aiscai ls-And we are her escort- First Life Guards t The First Life Guards, the First Life Guarda !
-4~^ TT4—3^:
/Si Unto. Zaka.
\9JUO4 4~4-
41
gen • tie-men I pre - sent to you. The pride and boast of their bar - rack-yards ;
At : i i i I I
They ve ta ken, O, sucb
* Fed.
+*h-i=nsP^i.--'.
1 <<$.>
Cap. Fitz. * Tioofers,
care o( me ! For we are the es-cort—First Life Guards !
va tempo I ma.
When the tempestrose.Andtheshipwentjo— Do
jlj/j-jll4-
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you sup-pose We were ill ? No, nolTho'a qualm-ish lot In a tu • nic tight,And a hel - met hot,And a breastplate bright) Which a
fte 1 ! J ^F SEES wIII 4 i=* in u
gH | js .r js : js / _n|-/ **&=£ t=fc g^i—» ,' rjnpg • »-^
well-drill'd trooper ne'er discards),We stood as the escort-First Life Guards ! The First Life Guanfs, the First Life Guards t
1 _> M
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ig g ' m m-* •
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^SSWe ?tood as the escort—First Life Guards ! Knightsbridge nursemaids—ser
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ving fair- ies—Stars ol proud Bel
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W'e stood as the escort—First Life Guards ! Knightsbridge nursemaids—ser - ving fair - ies—Stars of proud Bel
I ' I
* Ped.
0^m ^3-JV-0—w &
i^ nfir^feiU r- i
3 .^&^* * -
mmgra vian air - ies ; At stem du - ty's call you leave them,
1 la m 1
Tho' you know how that must
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gra
lisvian air - ies; At stem dn • ty's call you leave them, Tho' you know how that must
fj"] , , J J j j , __i—..JkJ JT^J" it- r> «=m
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li
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Ped.
Mi
*
H Zara.
Ped. Ped.
Cap. Fitz.
paW $>-tf-g>—>—
y
^=^Tan-tanta-ra - ra - ra - ra - ra - ra ! Trum • pet call of Princess Za - ra I And
Troopers.
mm ~ t?_
And
*AI*-N-JS-
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» • a m^-** » « » -|£Egneve them !
-0-
That'strumpcall,and they're all truinp.cards-
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gneve them !
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That'strump-call,andthey'reall trump-cards-
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43
Zara.
rT-r?- r*~i--T .' > ^ > £J=^I
Ob ' the hours are gold,And the joys un told,when your eyes be- hold Your be - lov'd Prin
Cap. Fitz.0^nuuls «r s> ,f^-H-^ se±=s=x U LJ U'/ / u*
—
*-
we are the escort— First LifeGuards !
Troopers.-m—«—«-
Oh 1 the hours are goid.Andthe joys uq - told, when my eyes be- hold My be lov'd Prin
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we are the i-s-cort— First LifeGuards ! First Life Guards, the First LifeGuards ! For we are the es- coil— First LifeGuards !
Nek. & Kal. with Sopranos.m ^^ * r^-tv m
mzThey're her es • cort— the First Life Guards I First Life Guards !
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g * \ ps I E^feE f" > n -fr-x-S^»' ? *5»• 5=££s **—<*-
cess ; And the years will seem But a brief day - dream In our hap ,pi - sess ! And the years will seem But a brief day
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First Life Guards, the First Life Guards, the First, the First Life Guards ITantanta - ra - ra !
ihk fs—
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dream In the joy ex treme Of out hap pi ness, In the joy
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the First, the First Life Guards I
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45
No. 8. CHORUS with S0L0S-(Zara & Captain Fitebattleaxe).
^J5Allegro moderate. Zara.
m »
=?=F
\mmmmmPlAMO.
.f P
Ah! gal-Iant soldier.brave and true In ten-ted field . . and tour - ney,
r -
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I
pfe^i^^^ ~p If
1/ '/
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*;- S£5*=^grieve to have oc - ca-sion'd you So ve - ry long a jour - ney. A Brit - ish sol - dier gives up all—HU
:^^^^^=^i^Uu&^sg ^
0*~r^home and U land beau • ty
—
Woes mon'd by the trum-pet - call Of Re - gi • men
Ped.
46
sing, a - jide, . . What in truth we feel.
ang,
fPed.
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>> £,', I eg
a - side, . . What in truth we feel.
Let us wbis
Let us whis
per low
home and land beau
mmi r ^
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ty— When sum * moned
Jr JT3 uri
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Of our
per low . . Of our
the
love's . . . glad . glow, Lest the truth . we show Wewould fain.
con-ceal.
love's . glad . glow, Lest the truth we show We would fain . con-ceal.
34TT-^ IStf [— jp-^j
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call you leave them, Tho' you know how that roust grieve them !
Such
IW.MU
47
es - cort du . ty, as his due, To young Life - guards iruj
^s ffe=S=fc=£a g iv 1 1
5
* f°y It—r
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plete-ly re -con-cileshim to His un - e • vent ful call • ing.
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When sol dier seeks U • to • pian glades In
SB AJ1P 3=t=r r r r :^^
chargeof Youth and Beau - ty,
@*A-t^-J-
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:*£-Efc
Ped. * Ped. Ped.
IW-MO
48
P
m
* Zaka.
m 0-
Oh ! the hours are gold. And the joys un
Cap. Fitz.
p> E ft p> f^-f-• »—»—» m »
—
=rV=S=P^ BEH
m$mAnd we are the es-cort—First Life Guards ! Oh! the hours are gold, And the joys un
Troopers. _ -0—«u -*
—
m-
1 q E—»~ g K V 1/ > '/ x f >-a^->- > qg
(Ptft J J' / h .^'
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And we are the escort—First Life Guards I First Life Guards, the First Life Guards ! The
Nek. & Kal. with Sopranos.
. ^ ^ L
S^mThat's trump-call, and we're all trump cards
—
They're her cort—The
^ <s£fy & v \> -3$%l > ?i ^m *-
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trump-call, and we're all trump card*
leco.
^m sThey're
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will seem But a brief day-dream. In our hap - pi- netstold When your eyes be - hold Your be- lov'd Prin - cess ; And the years
Puf*f>> *' k r* 2=*—^—• F—* * *—
'
» » h > > : u" gr^=EZ= *i r *
•i>> xtoldWhenmy eyes be - hold My be - lov'd Prin - cess ; And Ihe years
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-«—*- -«—*-
will seem But a brief day-dream, In our hap - pi- ness,
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we are her es - cort— First Life Guards ! First Life Guards, the First Life Guards ! The First, the First Life Guards I Tan tan - tt - ra
tllMa Ped.^jj l±
* Ted.
49
itep* n SH* *
s j* g rs *=*
*-f » E * ±t * .nji! J'j:jAnd the years will seem But a briefday- dream, In the joy extreme Of our hap - pi - ness, In the joy
sof
5
And the years will seem But a briefday- dream, In the joy ex-treme Of our hap -pi - ness, In the joy of
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r
i r, b b \ ^^mra! The First Life Guards, the First Life Guards,the First, the First, the First, the First Life Guards!
y * p, • £ «5 1 f e r a E * : f-5> p ' E ^ Egg ~* P E
ra ra ! The First Life Guards, the First Life Guards.the First, the First, the First, the First Life Guards
The First Life Guards, the First Life Guards.the First, the First, the First, the First Life Guards !
-O-
19.640. 1'ed.
^rr-?. *^ * tea.
5©
No. 9. QUARTET-(Zara, Captain Fitzbattleaxe, Scaphio, & Phantis).
Allegro moderate
Piano.
Cap. Fitz.
It's un - der - stood, I think, all round That, by the Eng lish cus - torn bound, I
J: i i J: ii'i
=?^=*= ^^kI* r
* * I C -s » I*''
->—f- • ft* ^4-> f ^ > I > ^
hold the la - dy safe and sound In trust for ei - ther ri • Tal, Un - til you clear - ly tes - ti - fy By
^ ?=?W= « *
Zaia
lB^a
5i
i V > M * =» ^^1/ f 1/ '
=F=F y *i! * * 1 U |/ 5 ^^
stand, I think, on saf • ish ground ; Our sen - ses weak it will as-tound If ei • ther gen - tie roan is found Pre
$ ^ ' • £=E3E3^ * *' BE1/ u 1/ y > V * ystand, I think, on saf • ish ground ;Our sen -ses weak it will as-tound If ei ther gen - tie - man is found Pre
$S \ l\ ft P* IV N N 5^E?==F=F m m !3^S*——«—; m—m »-
4z=t=: -v—>-
clear - ly un • der - stood, all round,That, by your Eng - lish cus - torn bound, He holds the la - dy safe and sound In
§ J" J? J^ r\ ft * i* ^ ft ^ ^S N *> =rV
I
sI
sP* I
sI in =s^
clear - ly un - der - stood, all round, That, by your Eng- lish cus - torn bound,He holds the la - dy safe and sound In
m1 mr^ t3-r^
—
3T^3T i ^ i J: i i i i 4 ~3T
$ r g fr*!*-; i g i g ip c c
£g* j* J*N frB g w *
$
pared to meet his ri • val. Their ma - chi - na - lions we de • fy ; We won't be part - ed, you and I— Of
m :*=3e=3s: zm. wz=S=£=Z» #« m m- V V * * »=g=^
pared to meet his ri val. Their ma - chi • na tions we de • fy ; We won't be part - ed, you and I— Of
i^^ m =fc=£: N ft IS =pc=t5=ts
• 0-
£ -*S *> 1-V U-* 0-
for ei - ther ri ral, Un - til we clear - ly tes - ti - fy By sword or pis - tol, by and bye, Which
i5i=s=rs=s^=ft£=!Sr=Js=S=n, k n>=e;
ft >. fN> i^ i h p- -m m*=ft=JE=fs±=st --
trust for ei - ther ri - val,
iip
Un - til we clear ly tes - ti - fy By sword or pis tol, by and bye, Which
3=
±± l
i jn*V-i^^f¥¥=^ 3EEESr—t:
&r z*zzz*z t==t=-m m-T -^
—
-1- v~
IVMU.
iv
iq—=r—i—
*
m—m—me»- *—«——5-
5*
rati. ^ at,
J? N N r fs\ \ fs , ^=!a tempo
blood-shed each is ra - ther shy—They both pre • fer so* • vi val !
rail. f^ a tempo.
Z =^* > I v v p p
-tT-T" IS *=e=
f
blood-shed each is ra • ther shy—They both pre - fer sur - vi • val I
tall. /-^ a tempo. [A
V* V V *z V—]4- ^ side to Fit
ri\
>FlTZ.)
> N * >* J * = i\ * r*
=£
gen - tie - man pre - fers to die, And which pre • fers sur - vi • val.
rail. ^ a Umpo.
If I should die and he should live, To
!^^ JS
JN1||J
S
." J" J'T^^ ^=^gen • tie - man pre • fers to die, And which pre - fers sur - vi - val.
* * *rail. a tempo.
mmm-0 # ^^ -ttt ig h—m
Ped.
Phantis.
you, with - out re • serve, I give Hec heart so young and sen - si - tive, Afld all her pre - di - lee - tions. If
m » w ^=<=^« mPed. * Ped. * Ped. * Ped. * Ped.
if; j' JihT
i t- jj ; i ; :» jbi'i j _
HJ
, ji
jyripg*=fc *—
y
he should live and I should die. I see no land of rea - son why You should not, if you wish it, try To
SEE
19,640.
i ,i t j r.u^Ped. Ped.
* * 5t ^3 hi i*
53
iZa*a & Cap. Fin.
¥==^
As both will live, and ther die, I
Sca.
If I should die and you should live, To this young of - fi - cer I give Her heart so soft and
i3*=^ ft it it ft ft - ft1 ft ft ft ft _ft |jj J^^5^^
=#* a
gain her young af - fee - tions. If I should die and you should live, To this young of - fi - cer I give Her
ikind of son why
Jyoujshould not,
T g J* | j >^-HIT}
fe i P E ^ ft J* ft-
sen - si • tire, And all her pre - di -lee - tions. If you should live and I should die, I see no kind of
I g g g j» 5 ft i g1 j* ft ft ft J ft ft ft J*s m* m
*=*heart to soft and sec - si - tive, And all her pre - di - lee - tions. you should live and I should die, I
$ =£ -M-
§wish it, try To gain
{y™}y°at* fee
feftfcftifcftft ft
As
jgp_ft ft ft ft ft ft ft=5:
5E
i
rea - son why He should not, if he choos -es, try To win her young af fee •ions.
J* ft ft J88
ft ft ft ft
If
-SP-JE
P P E gg g g lg -x=
see no kind of rea - son why He should not try To win her young af fee tions. If
19.640.
54
I should die and you should live. T> this young of - G - cer I give Her heart so soft and sen si - live. And
cause for grave re - flee - tions. As both will live and nei - ther die, I see no kind of rea - son why You
I^^^^^^Tg n g=r~r^ 1 l ^=r=*=*=*=i
iall her pre di - lee • tions. U you should live and I should die, I * see no kind si rea • son why lie
all her pre • di - lee - tions. If you should live and I should die. I see no kind of rea • son why lie
IBjMO
55
• *=H f
3E r-*—ji» »-*- smr
should not, if you wish it, if you wish it. try To gain
/=£2=
my young af
~m m3fe
.—i
?^£: 9tf
I 9 9W 1 *=*=
should not, if I wish it, if I wish it,
!N
By To
/
gain
p m m m —wfi
* -1321
your young
• *"
» » » r * » g ' =»=» *=**:
should not, if he choos - es, if he choos - «,
ii
To gain
ft—ft a—
i
r ft ft ft ^
her young
^=^d *' *
'
I %mm m zmz
should not, if he choos - es, if he choos • es. try To gain
i
her young af
m/
^^-J—iH-d
Ped.
fee
tioru 1
Hfee
19MB.
tions I
Ped. *Altikcm ,V#. X
5*
No. 10.
Vivace.
PlAJfO.
DUET—(Zara & Captain Fitzbattleaxe).
Za»a.
^V'M' .*
J*^ *_*
Ped.
I * m+-^ ^^* Ped. * Ped.
^ staccate.
¥
ad mi - ra - ble art I Oh neat - ly-planned in - ten tion I Oh hap - py in - tei - ven tion—Oh
fr''"" £M " JIJJ4 I
•' p&±-1 jHj^J 5i-s**--
1 **-*-
lg g gJ iJ
v
J_s ^ «h r*. » r^well - con - struct - ed plot ! Oh well • con- struct - ed plot I
f&?When sa - ges try to part Two
m m m m
£E£ 3 ^ Y > V
veil - con • struct • ed plot I Oh . . well - con- struct - ed plot ! When sa - ges try to part Two
K ^ II m*¥
19JHO.
¥* J.J 1
57
lov • ing hearts in fu • sion, Their wisdom's a tie- In • sion, And learn • ingservesthem not, And learn - iag
serves them not
!
^them not I Un til quite plain Is their in • tent, Theie ss - ge> twain
Bfe£*=£= 3*=^ ^ e£^=F=^=s3p =5*=
^ pre - sent. Now please in - fer That, nothing loth, You're
=T ^^m i3£ fei:Z
^ 4i- T^T-^SSE
^ g c c /B
* *» * 1 r • / =*tItE =jt
hence-forth, a. it were, En - gag'd to mar ry both- Then '.ake it that I re - pre - sent the
is -^ BEEEE E&Ef~W
*WPJI01VW
«f_cL
i rr i r
58
Zaka. rctt.
On that hy • po • the - sis, what would you do? What would I do? What would I
W&„ * 1-r- 5 i r i i
?=<r :E=fc l^1
=*f
I—S ^=^ 1IS H II 1 -L 1n T 1 r
Andantino espressivo.
r/itTt-J r'
59
Ped
msw«y
—
7.AEA.
1 • •—jj-
In such a
Some cnim-pled rose - leaf light Is al - ways in the way ! Our
Ped.
mor tal race nev - er blest
—
There's no such oase As per - feet rest
—
Per feet
fed. * ica. * Ped.
mtr-^=^?- 3±
breast, On your breast In per • feet
I? I. '' 1
rest, Per
1—,
feet rest,
-f r-
As per
t
feet
rest !
rest !
E5f- -*r—
E
WjMO.
-g ^ r! r r ;
i rJ
r *T H»—»—» •
—
-. »—»
—
m-r r i r r -u-£ :©:
2=t
I'eo.
6o
No. 11. FINALE ACT I.
Allegro moderate.
TlANO
^ r • rrr =r>-*-0 0.
I I I I =t=r££±
. *
- '
-f • ? ? p m *
I*E
r^^Chords. Sopranos 4 Contraltos.
i =*=*:^Tf^
Al • tho' your Royal summons to ap pear
Tinors & Basses. -*.
rjf- _*— , P-. P-^r-
From
**
jlj> i
vis . \ ^ ^
cour - te • sy was tin - gu lar • ly free, be-dient to that summons we are here— What would your
t £ -r Iti
£S*£&*ta '
-m- -»--» -m- -P- frx t r r r r
v -?
»HJMO.
6i
RKCIT. Km*.
V2=F £E ^^ ^^
daugh - ter Most thonghl-ful - ly has brought with hei from Eng - land The types of all the caus-es that hare
jfefrj=«zic^~>~v~£i>_ )
,^i-^:
madeThatgreatandglo-riouscountrv what it is
rtouvi.a timpj maatoio. ^ x v
H ^4-^*-r
Sca., Phan., & Taraka (aside).
=**r 1
f4*-*-k-—
»
*=*:
Oh joy un - bounded !
Men.
Why,what does this mean ?
sati?-±±=_ ^—
^BEE 5^ -*~#-
3=*—r s^rt— n a*
f
W^ EE £*B?b=*
Oh joy un - bounded !
* A A y,_mt
^m±. ' ."XT'! J3UT
's-^y=j[E^EEEEEbLJ_J g i±pt: ^*5e
B RBCIT. Zara.
What does this mean? What does this mean? What does this mean r Attend to me, U- to-p ;an po - pu-lace, Ye
|g§E *F=^E ^ SsUS
JT^Tlj . ^ii 4 41^
1».640
62
3^ S> »s N % I l. I
s.
ft—
1
i * * *l?* » \
r > U~> 1/ >^=g=
'* B
South Pa • ci - fie Is - land vi - vi - pa • ri - ans ;All, in the ab stract, types of court • ly grate,
*P fte= fHF =*ft
-Ba- ~TJ~s!§dE
_T, Z, £. |. » 1 P p* * <j T vm m W • a^^> E >I
r'/ I f; u * 1^ '^ f—E* * :
-f-—ft-
Chords.
fpfpYet, when com par'd with Britain's glorious race, But lit • tie bet- ter than half-cloth'd bai - ba - ri- arts 1 Yes, ccn -
P.m£fr-fr
m
± £ •*--s»—r-
Yes, con
^ n? ,j j j *=^, os -*—-p-
3=Sr3sfe£itacc. „Sca., Phan., & Tarara.
^ft , ft ft s ^»-ft-^g
trast -ed when With Eng-lisb-men, We're lit - tl« let -ter than half-cloth'd bar - ba - ri-ans ! Whaidoes thismean? Whatdoesthis meant
itacc.
r» > N N ""^' ^ -»-
N-
; g i r, r, i>> : ; r ^ : ;
_* * ^*
^P^-u-J^-^ *=->—k- XX ' V * p a^c
T^tr»st • ed when With Eng-lish-men, We're lit - lie bet -ter than half-cloth'd bar • ba - ri-anl
!
3
,%7i«£7^- T^r7~^^=S
r .r.r j.
T~k rarl
C Allegro marziale
d? ^-A3
** ---* _» * it=fc=c ^=3-T §£
lOlMU.
03
-ttr , ~,r-ir-»—H* r ^ t i -SIC -
64
-» m-^m ! H«-£«= >9' I
C>IO«DS.
P^ —
'
"a at—
^
i .i '>. --
st» ry scheme In all its proud per • fee • tion ! Yes, yes, yes, he re • presents a mi li -
m W=£ -* • • *^3=g=^i^Yes, yes, yes, he re presents a mi - li
dfrziE=s:_ . . v, > I IN f\ N N I f> sr~
%j -j. .j. , . ;m m- o- -»- -m- T -w1 » 1
-> St
fc£*E^-il i .
'-
3z»
Y-l> m » —£i ^«< c, ; ^sc
=^zz^U ry sclveme In all its prouj per - fee tion
m -g- -*- -0- . &0- -*- * -«- -*- 90-.t . \-^0—. H^-JC
1
r —_
*g » 0-1-
tg^fr * -ZJ^^^fr-:-
r -i"
Uh - lah li - ca ! Uh -
U - ry scheme In all its proud per- fee • tion!
=**=«-*
Uh • lah li -ca ! Uh •
^ferf^^^^^^^gM-J^JlZf^-te^J-iLaLl^gg^com-pli - ca - led pen -lie-man al • low me to present. Of all the arts and fa • cul -ties the terse em - bo - di-ment ; He's
"* IN N jN N N m m J \ IN IN JN > N i~J'
* * * * - — 0—
\
«-^? *—
i
~ - ^'
' i Z i Z-^-l-z -**-—* ' i r i rrT i r -i I *l '^ ' n 1 r
1U.64U' ' * + s >
-L i-ti nj_ ^14- i j_ i j_ ~ij_-» f- V -r Z ^ Zs * S * * *
65
ft=j ^-x-&->' -" ;V=?
-7K-1N- mgreat A - riih-me - ti- dan who can de- mon-strate with ease That two ami two are three, or five, or .- nylhimryou please
:An
fe^is^ E^EE v x I
s
• * ;> ^ > iv I * ' f:
,_» ti* T:
e - mi-nent Lo • gi- cian who can make it clear to you That black iswhite-whenlook'dat from the pro-per point of view;
£^3^
—
n-^=j
roll.
M ft-m r—* m—
»
* * * ~*l
' E I
mar-vel-lous Phi- lo - lo-gist who'll un -der-take to show That "yes" is but an-o-therand a neat - er form of "no."
=fe& S
F Sir Bailey Ba tempo
iS^^jiiJLL^^
f_g t>f—?»•
£=JEE^7^=^
sub-ject I can scout, And de-monstrat e beyond all pos - si • bi - li - ty of doubt, That whe-ther you're an hon-est man or
ViMU
66Chords.
G Women.
3=
whether you're a thief De - pends on whose so li • ci • tor has giv -en me my brief.
wy p p
~^3i
Yes, yes, yes, That
/ Men.
-£ 3=-
Yes, yes, yes, That
-»r-p-
r^i ^~t—-* tz
i Mr {
C Chr b
y * > '; 4r-ffi i
s is, rs I"* :
> tz >-^ * * -»—*-3E^E :i=5r
whether you're an hon-est man or whether you're a thief De - pends on whose so - li - ci - tor has giv - en him his brief. Uhj
y. £ "T- tr- -fr » ... - . ? t!~ ^ ^ f-
—
h, >r-. . H. > * . - . *jug > T~*=*^* » > > »<^ £= *=£s /• ^ ^=^= 1/ * =E=tc^^*=Sc / /
whe-ther you're an hon-est man or whe-ther you're a thief De - pends on whose so • li - ci - tor has giv - en him his brief. Uh
f^m£ E£= iizj h i— \
II I
^ ^^^-frw-
fe£
^-f- i?*i i 4 ^-
i^=^r- * 4-^-j^ -.
tf
fcfc 1 ^ l4- B 11 v
rrr:-frr^- q=zF ^Ei^^T
J, 'b -=c =r -=t =r^~ J 3.i
bL m • • JjTT :&/fcS Si ^^-^^^ 2T?3= tti^=^
lah li - ca 1
^Uh - lah li - ca
!
Uh - lah cal
.?'•'• *^JI=FFFs
Uh
^=^ ==3±'-»—'
li - ca ! Uh - lah li - ca ! Uh - lah U ca:
=JL
IS
FffJ~"TT~
'/
±=E= ir &m
sf
^*r 'f'TT' I *1 p=—^-
(No. 11a.)
Allegro grazioso,
67
Zara.
i. What these may be, U to • nians all, Per -
2. This Coun ty Conn cil • lor ac - claim, Great
haps you'll hard - ly guess
—
Bri tain's la test toy—
They're types oi Eng • land's phy si • cal And
On a - ny - thing you like to name Hit
P m ^ ^ m-&
m^^ mrel clean
lents hell
li - ness.
em - ploy—
This is
All streets
a Lord
and squares
High
he'U
1SLMP
68
P £He ±
Si
cleanse onr Court from mokeep mean - while a mo
ral stain, And padest eye On wick
ri - fy
ed muoui Stage,
sic balls.
-^ jm -_, , L
^=r J%wi
ii
Jr-
Spa.
iLoiD Dram. mT ~ I
r r fi ^ It
Ves, yes,
(Codnty Coon.)Yes, yes,
yes, Court re
yes, In towns
pu la
I make
tion; I re - vise. And
im - prove - ments great, Which
Fed * Fed. * Ted. * Ped.
lous
- ni
eyes,
tate,
And puAnd pu
fy . the Stage-
fy . . the Halls I
^.-^
1. Cour.2. In
Men.
r r
1. Court2. In
towns
pu • ta
he makes
u 11 r- vise And pre sen - ta lions scru - ti
T-Jrove • .£*.'£* Which 'go to we,,
nize, New plays he reads with jea
Rate— He'll dwel ling - hous - es sa
lous eyes,
ni - tate,
nize,
Rate-New plays he reads with jea
He'll dwel • ling - hous • es sa
lous eyes,
ni - late,
And puAnd pu
ri • nes
ri - fy
the Stage,
the
70
2nd time.
Sopranos & Contraltos.
Allegro vivace.Zaka.
Com - pa - ny Pro - mo - ter this, with spe • cial e • du • c» - tion Which teach - es what Con - tan - go means and
18.540
7i
MMr. Goix
ifca -r
; ? ^^ -V-f-V—£-'
fy F£" £
was when raw were com - pa - ny— but now it must be sev - en.
* *i i FYes, yes, yes, Time
m¥=*3~ ^ I I
-•- -f- -m-
*=5=-=r ^
>1
Lt * J ** > s rE 3^=!
>> K> * * * /3^^ 3SE y >" y
was when two were com -pa - ny— But now it must be sev - en. Stu - pen- dous loans to for - eign thrones I ve
fcr3.j^LLr3 pip ^A4^f±J4& J± J± .2 -i -2 -2 -2 ?*" * i ^'i ^ i -^
i^fe^J:
# 3 =t—
*
i"Sr 3EE£ 4 *
~qr
I t> ,r * fr^£
t*==^^-^z^f^ ,^r-J-t;- JV * Li^ai
mines of gold, of wealth un - told, Sue - cess - fill - ly I've float - ed, And sud den falls in ap pie- stall* Oc
19JHO.
7*
p • =?
_J 1 m m , fc : ^ , .1 —
And joon of late I al - ways call For Stock Exchange quo - ta - tion
—
Noca • sion • al • ljr quo - !' 1
:
m ^ m > m 1 d 1
~X~ zf * 4 b. -* - *
1fjfcr =F^= S r-j-rf ^ r-: r:-rnjgs2p I *
IN Chorus.
Women.rs v
fr^l51
ichemes too great, and none too email, For Com - pa - ni - fi • ca - tion !
m
sYes,
Men.
•yes, yes,
*=>.-
No
Yes, yes, yea, No
$ 9 7~schemes too great, and none too small, For Com - pa - ni - fi
-*—-— -—* ,y- t t I
ca - tion 1
£=^=^=
schemes too great, and none too small, For Com - pa • ni - fi
2«ff=m r=F
1!
1
Ped.
i ^#Zap a
=5=^ =fc=
-x^
And last pre Great Bri tain's proud - est boast,
>L =JSE=&. J ^ p«.
2*£-S_,_
\ t % % *^f—=
—
*m—•>» wJ J ryy
LU64ii
- I I*
f™>-
73
\Vhn
-it—
i
74
Ho. lib.)Allegro commodo.
^sy-^r^^ ^==^=^f^-T-\^ ' U f-^-a- ;
Cap - tain Cor-cor- an, K. C. B., I'll teach you how we rule the sea. And ter-ri- fy the am pie Ga»L And
^=5%
g^-i—*-±
(5kJ> * f 7. '/-
gggX- ^ r ' ==^—n
—
=3—
^
* i*' x
> * A—
^
^9:> m * ' a>—-
4
? .
=F=*fe^E-*^»
:?—r—
r
how the Sax - on and the Cell Their Eu- rope-shak - ing blows have dealt With Max- im gun and Nor-den - felt (Of
^EB335^will, when the oc - ca - sion calls). If sai - lor - like you'd play your cards, Un - bend your sails, and low'r your yards, Un -
%r-£fc ^f * 1 ,'
I* >. N u1 \ J 5:
^=^
W£±-*—+a* ~3r J'
I Irjr
-1*1 3=*tt -*- =t ^^ 3*=^
tt -w- U:
step your masts— You'll never want 'em more. Though we're no long - er hearts of oak, Vet we can steer and we can stoke, And.
ff^ T =n 31=£ 1 ». i- 2^=1=*=
19.640.
75
Chords.Women. Cap. Cor.
SJfe£=fcdfe£F=£J- ifLM-^-J4^—^gg^SEiilfifSEpgChords.WOMIN.
thanks to coal, and thanks to coke, We nev - er run a ship a • shore! What, nsv-er?
Men.
No, nev-er ! What,
Men.
« q@M-4^ 1 r 1 r H^^^P^What, nev - er ? What,
(ii& 3E^»>/ 1"
if
-ai *
^r 4' u J. A.=*
gJbVUj 1 J" 11 1 1 _K
1:
=3 ^r -i—I—i—i-
Ped. * Ped. H Ted.
U ft
Cap. Cor. W ™
°
RU ''
Women. > *-£/« /<W0 /Itt Z'K'tf.
jS^^zJbJ:
-B*-
KfW - fr- «-? Hard • ly ev er I Hardly ev - er run a - ship a - shore! Then give three cheers, and
Men. D
* V i t T i T ? IT £^*=e IS -I 1
-P=* *=^«> Hardly ev - er run a-ship a - shore! Then give tkree cheers,and
(Pipf-« g- p P* E * 3 ft ~i .I
s s > ^ ai
* r * i*"
H »-*=^=EE> * I*—J»-»^fc
7 ?—S?
—
9~~9~—V > / 9 ' S ?—
7 7 —>
—
9 5 9 £"
three cheers more, For the tar who nev er runs his ship a- shore; Then give three cheers.and three cheers more. For he
J^rWrrMz^=P=Sf
-V— If q-£ :
P=P»• 1/ U^—y
—
'^ L»*yi
three cheers more, For the tar who nev • er runs his ship a- shore; Then give three cheers, and 'hree cheers more, For he
3^ J5z£_i1 M=f=M=M^f
HHrB£-^-+^- 1^T| » K3» i_
=£=5= -j-O-j-^s13,640
u* Ped. * Pwi. Peri
7«>
Zb-h—f—- f »
* » 9 Vnev-er runs his ship * - shore! All hail,
10/40. P«l PeJ * ted.
77
brought vou land.
^Mmf%l±£±33z * * £ 5: 5: ^ *
Ped.
MAllegretto non troppo.
sjgi
Zara.
3s=t» * tl'
King.
=«='*-
ie r r
Ye wan - d'rers from a might - y State,
w^^m EkiXo^=^
^mYe wan - d'rers from a might • y
Lady S.
Ye wan • d'rers from a might - y
Cap. Fitz.
Ye wan • d'rers from a might - y
3*3=--$>-
19".40.
7»
State, Ob, teach us how to le - gi» - Ute Yon
%Se ZLn_n- i i r
State, Oh,teach as how to le - gis • late Oat
gj r "g r ^Ob, teach as how to le gis - late Your
3frH*j^rrri- •F7i- FT? i u ^^ < *
§eee U^ §e
I
jM i''^?word . will car • ry weight
&EE± M
Uve
light - est word will car - ry weight
light • est word will car - ry weight your
light • est word will car • ry weight In
i
tive
9BE
1H.640.
79
evi, j j»-f*f|
Oh,teach the
a *=
Oh, teach the
Chorus.Sopranos & Contraltos.m l i- S S I-= J 1 1 r =3= :
^< 1 U 1 u
sOh, teach the na
Tenors & Basses.
» f fr i r
f f r
tives of this land
-t3e
*i *i r
Oh, teach the na tives of this land
n m!•' ' H f
f'
' f c r i I
f ^T^=
IT^TT—
f
I£3=*« /i ^ r
tives of this land
PKi-j^=±
m
Ifc-&
vi "i r
• trv;s of this land
<M r TT~ M P i i r ^na - *ives of this land
-* -* , 1
f »i i r
• tives oi this land
(Who are not quick to un • der
3S ^= =^~*
£
(Who aie not quick to un - der - stand)
(Whn .ire ir>t quick to un - der - stand)
-m—W-U i y i ^s ~w—
r
3*=3=
(Who are not quick to un - der
g= g r g
(Who are not quick to un - der
8o
$Nek. & Kal. with Zara.
\ „ ._
.' t» fr*^»~*r 3E
•i *5*= -v i q«-
stand) Ye wan - d'rers from a might - y State, Oh teach us how to le - gis • late— Youi light • est
iM INa s-! N
stand) Ye wan • d'rers from a might - y State, Oh teach us how to le - gis - late— Your light - est
m l> * ^ b « fc * I m sr-b* H m h
i r- >< — V -V-
stand) \Ve wan - d'rers from a might - y State, Will teach them how to le - gis - late— Our light • est
5 » * m m ^=^^ 3^r:2=2= v~
/I
stand) Ye wan - d'rers from a might - y State,
POh leach us how to le • gis - late— Your light - est
=5= sN^Ye wan • d'rers from . a might - y State, Oh teach us
7m. jl _«_ tim. -»- -«.
fW; |» ~JL
how
Sa-
to le gis • late Your
-m—f- -—«- J»—
*
3SE=^
4«^ r ijj i^^ bJ H» * ft=£«= 5E5
9 p i «** ?=a• i
&*-
^=^^ u ZM.
^e==Bg * pi» - p y= p » r \ r \z^¥=^
Id? ^r-rfe
In
Zara only.
9^ :2==t^2=word
word
will car ry weight, will car ry weight
=»==
I
will car - ry weight, weight
^E%In^
word
swill car ry weight, will weight
E§E
InSSword
^will car ry weight, ry weight
3=
In
* • «:light est word . , , will car • - ry
, I
• V*- • ^ • V-
weight.
B«-
^
^GC
:*
151.640
8i
at ten
Allegro modtrato Cap. Fitz.
Ped.
Cap. Cor. Sir Bailey B.
Pu - ri - fy your Court 1 Get up your steam and cut yout can-vas short I To speak on both sides teach your
lt.6*f' Ped. * Ped. * Ped. * Fed. * Ped.
8?
COUNTY COUNCILLOR. TMr. Gold.
j—fJ J ^JI c-re^^i
Widen your thoro'fares, And flush your drains I U to - pia'smuchtoo big for
m-m- •+- -»- -»--»--» -»-
-> ' i
:£=£
King.
I
CHO* US.
Women.
g| \ \ : f. vl\>p rjl-ti'" K^iJV.J J I- ^3g=£jtbe? The term, I ra - ther think, is new to me.
Men.
A Com-pa - ny Lim - i ted ?
~3~
s —t^.frm i 's
What may that
»rTbr»
A Com-pa - ny Lim - i - ted ? What may that
mm &=Pi *& I \^i^~n
SCA., Phan., & Tarara. (Aside.)
#^ ^iw .*>AHi^tV;j^ rl: •b*V
bet Whatdoesheroean?Whatdoeshemean?Give us a lcind of clue I What does be mean? What does he mean t What is he going to dot
iVJOO.
(No. lie.)
Motto vtvace.
83
Fed
mp£
Mr. Goldbohy.
^FF= ^m m *
1. Some sev • en men form an As • so - ci - a tion,
2. They then pro-ceed to trade with all who'll trust 'em,
\. If you come to grief, and ere • di - tors ate crav ing
f1"{:
g1»1 l *ll|nn l Pi'jP 1*1 '
.g 1 1 .g *l 1 'f 11 J11f" i" H
3FSF
i^ S ^=^F
|lte££
(If pos - si - ble, all Peers and Bar - o • nets)
Quite ir • re - spec - tive of their ca pi • tal
(For no thing that is plann'd by mor - tal head Is cer
1 1 1 1 1 "1
J 1 1 ^ 1 1 ' tM <F=g -n-i-
-**-**- i. 3=zai
1 i j i =¥
IS £
They
(It's
tain
NM H
^—
^
1 1 M 1 ' M 1
1 3 m* * z
flEtH ± .
84
fig • ure's im - ma - te - rial— it may va • ry From eight • een
you sue - ceed, your pro - fits are stu - pen - dons— And if youmere ly file a Wind ing -Up Pe - ti _- tion, And start an
I& i
mil - lion down to eight - een
fail, pop goes your eight - een
o - ther Com - pa ny at
U : * • h^w m w^ te t^-
z ^ uis =&*m*$- 3^m ^^ —£.—*-
Will be
And youTAs a
rapence. / should put it
pence. Make the mo - ney - spin
once 1 Though a Roths - child you
ther low
;
ner spin 1
may be
The goodFor youIn your
sense
on •
own
of doly stand
ca - pa
ing so
to win,
ci - ty,m mvi g9
SB ^ -j> i i *i 1 £ *i *i / 11 i ii, £ i *i
_n=i&=* ^=^ -=F^F
¥^=^=^^ ^=^= ^F¥
733
im mXev i - dentnev • er withCom pan - y
at once to a - ny debt - or.
dis - hon - es - ty be twit • ted.
you've come to ut • ter sor row-
When it's left
For noBut the Li
to you to
bo - dy canqui - da - ton
frili i „M =gE_j^ i ;i i-
J* *i *i *i i
* H 1 * =5F='Fr ^ i *i
*i 1 1 ^ iiiIT
fiilf1>rT^=^= ^ jf=q=
\9JMU.
85
.9.640.
66
W RECIT. Kim
Well, at first sieht it strikes us as dis - hon - est, But if it's
p^^i-rr
d tempo moderato
^'Vr
' i [ ; i
'
i
1
'
I i
J
jr j^rHl' J' J -
f >.r-^+-* J' J' J'^ggooid enough for vir - tuous Eng - land— The first com-mer cial coun-ury in the world— It's good e - nough for
a tempo. jSca.., Phan., St Tarara. RECIT. Kwo.
You'd best take care— Please re • col - lect wt hare not been con • sul - ted ! And
do I un • der-stand you that Great Bri-tain Up -on this Joint-Stock prin -ci - pie is governed? We
iVivace.
IT« r c
• * == r -1r c
w mhave • n't come to that, ex
18.640.
»7
-ft 1 - -N-j ^—^ , FT-f^-
88
King.
fgr-ward,of a ve • ri - ty.With Fame ourselves we link— Well go down to Po»- te - ri - ty Of sov'reigns all the pink ! If
you've the mad te - me • ri - ty Our wish-es thus to blink, You'll go down to Pos -te - ri - ty Much ear- Her than you think I He'U go
m 7 J -j- J 7^jPfip
J , J
r r r r ^ ^Sca. & Phan Tajiara.
-*
—
w—m—*—»—*—
'
rup to Pos- te - ri - ty, If / in- flict the blow ! He'll go down to Pos- te - ri - ty, We think we ougni to know ! Hell go
Sca. & Phan.
89
Zara.
$
^^^ > lw ^= !>* T
right ! Up, up, up
Tarara.
Who love with all sin
rz
Up, up, up up I
-m m m l_(«-
lj '
'' I
ri - ty, Th«ir lives may safe - ly link ;And for our
Sca., Phan., & Tarara.
II he has the te • me - ri - ty Our wish es thus to
^.T'jTi^liJ i.i?cj P^ —&
w.
e^t^PeA
^T* Ped. * Ped.
Zara.
$
\
^m fef= mWho love
^r ^ ^ jIbJ
te • ri ty— We don't care what they think ! Who love
n S £=fefec
=£=^|>J N fs !>. S f»
;s. s. |\ rs x rs js=»
¥blink, Hell go up to Pos - te - ri - ty Much ear • lier than they think ! He'll go up to Pos - te - ri - ty Much ear • Her than they
M J ]"i"V-fiEsri>:i>» ; J ; J s J
frcJ t*
=3t1^
s> f
90
T&-f
:2*=
Who
rf&=
love.
i 1
JDC
*P=
."Mfs,
love.
Who love. love,
think I He'll go up to Pos - le - ri • ty Much ear- lier than they think! He'll go up, he'll go up, he'll go up, hell go
$*—m !& b^ rfc^M-ZEt *a
-c-
IMz Q
r <r ^
i
Who love
_Q-
with all bin
—
*
i dfc31
i
Who
Nkk. & Kal.
love with all sin
=£ It fr
i
Who love with all sin
=*^ > M 1. > hi
s > E r* * f> g
i
up, he'll go up, he'll go up.
Lady S. with 2nd Sops.
he has the te - me • ri - ty Our wish es thus to blink, He'll
,x n r» p^=fK=,s |
!> _> _h ^Ej \
» » » m *
Hence - for- ward of a ve - ri - ty, With fame ourselves »<. link. And
Sir Bailey B. with Tenors.
f | E E & i/ E £ ' £ I
m m m: m?a* > '/ / I I
King, Mr. Gold., Lord Dram.,County Coun., Cap. Cor., with Basses. Hence - for- ward of a ve - ri ty, With fame ourselves we link, And
staccato.
^^^^^^^P3§
?^=F -V. N S Vf»
> B N > IX [^-J 1 1 M
go up to Pos - te - ri - ty Much ear - lier than they think I If he has the te • me - ri - ty Our wishes thus to blink, He'll
i
* * r>fr^^^m ^^^ > h j
sr* E53
go down to Pos - te • ri - ty Of sov'reigns all the pink ! Hence for-ward of a ve • ti - ty With fame ourselves we link, He'll
^ 0Z ^ -0-0 ms |
/ u »=& *E3E ^_^__^!—l>C=tZIV ]/
Of sov'reigns all the pink I Hence - for-ward of a ve • ri - ty With fame ourselves we link,
*¥^E m
He'll
$
ty— We don't care what they think I
^ 3EEE3t—i-
t€ ty— We don't care what they think !
I
sI
sr* r* £~* m -I
sJ* J* J^
1
J T i * * .* p * .r n -pi
i g r r E r
go up to Pos - te - ri - ty Much ear- lier than they think ! He'll
> 5 > > _&g
go up to Pos - te • ri - ty Much ear-lier than they think Much
go down to Pos - te - ri - ty Of sov'reigns all the pink ! He'll go down to Pos - te - ri - ty Of sov'reigns all the pint !
-m- -0- -0- -P- -0-
godownto Pos • te - ri - ty Of sov'reigns all the pink ! He'll
00 000 , ^,. 000 -f- fL
go down to Pos-te- ri - ty Of sov'reigns all the pink 1
m ,f t r r f
19MD. led. * Ped.
9*
ES &z
Who love,
i m ^=^=»=
Who love.
$te -*2_
Who love,
i~
->—? > -g.> > year - lier than they think, Much ear - lier than they think ! rls'll go
i
up
*k
Pes
m m m f H * f f I * f-v u > > > u>
sov'reigns all the pink,
g g g >-
Of sov'reigns all the pink,
-o- -»- -W- -»-
=23=1
Of
* V
reigns
sov'reigns all the pink, Of sov'reigns all the pink, Of sov* reigns
te - ri • ty, He'll go up to Pos - te • ri - ty Much ear • lier than they think! Let's
93
Zara, Nek., ft Kal. with Sopeahos.
i4^ ^ Q
3=t 3=C1 ? ? I
seal this met - can • tile pact— The step
Cap. Fitz. with Tenors. Sca., 1'han., & Tarara with Basses.
we ne er shall
*- -*-
r r; ~iz i«: ^m / '/
\mseal this met • can - tile pact— The step
! I 4^
we ne er shall
=3= s»»—»v -»» a*
r3=t
-=r -=r- 5 3:
P§J L _s s_
p£ Jj—m—*i ES 321 ~~& f—f—*=*=!*=Ffc=t-V^-/
S
hail, as - ton - ish - ing Fact ! All hail,
-»- -»- -»- -»- -•- -»- -»- -#-
-» t m * "i 1 » T j=
In ven tion new-
JO. Q. _GL
*-•**- :* =fc2=
The Joint Stock Com - pa - ny'»
s- 5 * 5 *~e9- mv—*-
hail, as • ton • ish - ing Fact ! All hail, In - ven - tion new
—
The Joint Stock Com - pa ny's
_, 1—. .—I -^ ,— J-jflfc—g»- m^=5 3BE
33:
^ 33= 31 ' ! *
19.M0
04
Ped.
=r
. * Fed.
!^=i* Ped. * Fed.
Ped.* Ped. * Ped.
95
ACT II.
No. 12. RECIT. & SONG- (Captain Fitzbattleaxe).
Allegretto a la serenata.
r-fry '-I I
fcr^g^=*^r ggjg: r 1 =^E!*- £ * £ * * 2
Cap. Fitz. RECIT.
Iag=^—V--*——H-^i^^*=j==»=5^
loved one, bear with me ! Ah, do not laugh at my ct- tempt- ed C
!
Re - pent not, mciking maid, thy
ggfrP a ±SO8=
1>JMU.
96
Ahegretto
girl • hood's choice - The fervour of my love af • fects my voice !
1. A2
.
1 could
ten - or, all sing • ers a bove,
sing, if my fer • vour were mock,
(This does • n'l ad mit of a ques-tion), Should keep him self qui - et, At
It's ea - sy enough if you're act -ing— But when one's e - mo - lion Ii
|
#*^1 J ^^~^1jjllj» 1 J J -1 i i-1 il J 1 A \ j "
J ^=jJJ-0- -«- ^ -* -*• tr»- "•"
3 3~2 3T
^s=s=
-* r—* *"«=^
J ' J J.' ^
tend to his di - et And care - ful - ly nurse his di - ges-tion :
born of de • vo -tion Vou must - n't be ov - er • ex • act- ing.
But when he is mad - ly in love
One ought to be firm as a rock
It's
To
\m$ ^ * *
S*
* Ped.
?=** " r r
cer • tain to tell on his sing-ing-
ven - ture a shake in vi - bra- to.
You can't do chro-ina - tico With pro per em- pha - tics When anguish your bo-som is
When (er-vour's ex - pect - ed Keep cool and col -leel - ed Or nev - er attempt a - gi
10.641,
97
I^2
*z—la-=l—fcjJ L
wringing 1
/a - Co.
V j* » / i*»
I • « '
,—m—^- *=£-£->—*-p^!N >.:=^S
When dis tract- ed with war- ries in plen- ty, And his pulse is a hundred and twen- ty,
But, of course, whenhis tongueis of lea- ther. And his lips appear pas- ted to - geth- er,
And his
And his
||llllfc-P^-N- N v.1 \
~
m« * -Ts-w-
y ny y
^=«= * J =g * * yJ1_C_ =b=£: rH./.^i
flut • ter-ing bo - som the slave of mis-trust is, A ten - or can t do him - se.f justice. ) , _. ,
V [Spoken.) Now obsen - si-tive pal - ate as dry as a crust is, A ten • or can't do him - self jus- tice. )
Ah I
^±^L^^=^Phf ~, *1 S "i ity
*^r-*- <- -*-k^-
£
1st time.rr\
-fc^-i,^ i: s^t-f^Tir-^You see, 1 can't do myself justice I
t^: rs \
JF^fFT**^l*i i f^"1 i
F &-'1
i -h- N
* I *rSr-ig^ ^jt^^:^^^
/-vfia^ -
i ,-, f«-j
—
;v—^-=—s ^J-I3—s—*—»< ~ s.—•—* I
1-
-*1 i^Mryziac, 1 1 ^51
2m/ time.
$
^""N '"""
P*^ *-»,_--^w-^^mz > fe r*-
Si^ - * >
5SEgE i rr y i
|/
It's no use— I can't do my-self jus - tice I
^1^ N3 I » =Z -.. ^ \"-. ^m :sFsF N * ~-*F=^ W£MTs_- ^
2f
=1=3=*: * 1 1 ^=^ '
|
1 1";
11i>*1*1P
iy.54o
98
No. 13. DUET—(Zara & Captain Fitzbattleaxe).
Andante espresiivo.Zasa.
Piano.
I
I. Words of love too loud ly spokenRingtheirownun-time- ly
Cap. Fitz. 2. Let theconqu ror,flush'dwithgIo-ry,Bid his noi - sy clarions
^ar^ :tz=B=
Ped.
3* Ped. * Ped.
m -* L.
t IIPed.
f, * • *--H—S-
*=r * sI
knell
;
Noi • sy vows are rude- ly bro-ken,Soft the song of Phi - lo • mel. . . Whis - per sweet • ly, whis - per
bray; Lov - ers tell their art- less stor - y In a whis-per'd vi re • lay. . . False is he whose vows al
slow • ly, Hour by hourlur • ing Make the list
and day by day ; . . . Sweet and low
'ning e - choes ring ; . . . Sweet and lowas ac - cents
when all • en •
19.640.* Ped
99
low,
low.
sweet and low,
sweet and low.
Sweet and low as »c
Sweet and low when all
cents ho
en dur
and low, sweet
and low, sweet
and low, Sweet and low as ac - cents hoand low, Sweet and low when all • en - dur
ly Are the
ing, Are the
ly Are the
ing, Are the
-y-
notes of lov
songs that lov
I&*^n ?
r * r r'-J v i
notes of lov
songs that lov
\%£$=£m
er's lay,
ers sing,
Axe the notes of lov
Are the songs that lov
m ': ir?
er's lay,
ers sing,
Are the notes of lov
Are the songs that lov
3 * 3 • i1 1 * .^^ m s
^ga §^P=
ers lay 1
ers
er's lay I
^^
Ped. *
sing !
stng I
Ped.
fc?==m
^
^Sweet and low !
33=
Sweet and low ! sweet and low 1
.r-'f-rrHr*? =
tw>«u
IOO
No. 14. SONG—(King) with Chorus of Six Flowers of Progress—(Mr. Blush.,
Lord Dram., Sir B. Barre, Cap. Fitz., Mr. Gold., & Cap. Cor.).
Allegro con brio.
m ^g-U I, » # ^3= in r n
Piano. /
==
^^m w& -r^-t
IKing.
H ^
1. So
2. One
3- Our
=*=«.3-3^—^-=
^ ^ rs^ ^ !j "C^J" "E-Jitatcato.
i *g^ fc N 3s=Ld*==F=^-•
—
—*-
her wick - ed cour - ses, Which
it wil ly nil - ly
—
And
tel - lect • ual ba - sis, Which
—m—ci
ci
Peer
^1
e - ty has quite for
ty we have beau • ti
age we've re - mod - ell'd
sak en all
fied—we've done
on an in
emp
all
ties
that
tain
our po -
is • n't
ly is
mw
m Ijl 1-3 ra ^
t-j ~z3~ c-j E-J E-J t-J E-J
p_&_-V
* 1 flu
Flowers of Progress. mif j *_- P\ \
I
lice courts, and a - bol - ish • es
Bel • grave Square is Strand and Pic
rough on our he • red - i - ta
I. :
di - vor • ces.
ca - dil - ly.
ry ra - ces
—
Di - vorce is near - ly
We have - n't a ny
We are go - ing to re
ob
IOI
Eng
Eng
Eng
land,
land I
land.
No to
We have solv'd
The Brew
le - ranee we
the la - bour
ers and the
show
ques
Cot
to
tion
ton
un • ae - serv
with dis - crim
Lords no long
ing rank and
in - a • tion
er seek ad
Hi
m rT ri2*
P=:_ * l _ «
tJ ^ tJ t-> l^J Z-J z^Flowers
of Progress.
splen dour
;
pol - ish'd,
mis • sum,
For the high
So pov
And Lit
er his
er- ty
e - ra
po si • tion is, the great - er the
ob - so • • lete and hun ger is
Me • rit meets with pro • per re
of - fen - der. That's a
a - bol • ish'd
—
We are
cog - ni - tion
—
As
SSStz
fTTi n _rrr\ _n_
rrr^ ra
Z-J tlJ 'zJ z^ z^ Z^ Z-l Z^ "C—
'
r^r
mwmax • im that
go - ing to
Lit
pre - va - lent in
bol - ish it in
Me - rit does in
Eng
Eng
Eng
land,
land,
land.
King.
* ^?-
No peer • ess at our
The Cham - ber - lain our
Who knows but we may
Bi m ^ r-
; i f^—f
Draw - ing Room be - fore the Pre • sence pass - es
na - tive stage has purgM, be - yond a ques • tion,
count a - mong our in - tel - lee - tual chick - ens
Who would - n't
Of " risk y
"
Like you, an
be
sit
Earl
ac • cept - ed by the
u a - tion and in
of Thack e - ray and
19.640.
102
low er mid • die clas - ses. Each sha - «iy dame, what ev • er be her rank, is bowd out
de - li cnte sug - ges - lion ;No piece is to • le • ra .led if its cos - mm d in - jto
pVaps a Duke of Dick - ens- Lord Fil -des and Vis- count Mil - la.s (whentheycome) we 11 wel • eome
^_£_1-Jlji
Flowrrs of Progress.nc===r3!i
=tz=E= 3£
neat • ly.
creet - ly —sweet - ly
—
In short, this hap • py coun try has been An - gli • ciz'd com plete
m mP staccato.
-»
—
T-—* • *E
*f=*=r ^^ KMr. Blush. & Lord Dram./i , *z^ s-j—i e * - g jft * ft fc:
plete • ly, com - plete - 1; !It real - ly is sur - pris -ing What a
Sir B. Barre. f
real - ly is sur - pris- ingWhal a
Mr. Goldbcry. f
TkliJASHMCap. Cor.
-g 9 9 9 9 9~9 9real - ly is sur • pris- ingWhat a
-A-4 « m »—m—»—»—#
—
o-/ H * t. f » * * f.
—fr
C m, _ft=S=S^8 in £ * *—•—*-
tho-rough An- gli - ciz - ing We havebroughta-bout— U - to- pia's quite an o- ther land ; In her en -ter -pris-ing movements. She is
-r« r« «-
tho-rough An- gli - cii - ing We have brought a bout— U - to - pia's quite an - o - ther 1
F-
and ; In h
^g=g=g=^^er en • ler pris-ing movemenis.She is
tho rough An gli- ciz- ing We have broughta-bout— U - to- pia's quite an - o - ther land; In her en - ter -prising movements,She is
4—1—1—#—U=-| 4 4 ' « A ^-^=^=1
ia.Md
'03
aiI I si lime. znjlimt. King -fP
S=1
£&** S S * ft
II
ft.
?=*=m~z^* m _* * *z *^E * *
—
*-
$
Eng - land—with im - provements,Which we du - ti - ful - ly of- fer to our mo - ther
-* » m ,
land ! mo ther
-# » « m »- -» »—i
—
» » *=E
land I It
ft.
g g g~^g s g~^g= g s S=5: =g=£tf—a—S— k * ti
"
g~~8l~g~a 4 6 6 4 g~TF/
Eng - land—with im • provements,Which we du - ti - ful - ly of - fer to our mo - ther • land ! mo - ther
-*
—
m- r r r r r r r r=-*-
land ! I'
ft.
-g g g- g=-g—
s
«4— 1 1 11—
g ; g—g^ i" 1 :i
=?=r » b g *=?= £==£—^=^ y v
Eng -land—with im - provements,Which we du - ti - ful - ly of- fer to our mo • ther - land !
Tland 1 Itmo - ther
-o- -»- -*- -•- -*- -m- -m- -0-
D-JUe i?=*=$ + ± */
=? 4 4 4 4 ' 4 4 ^=3=
F*
Flowers op Progress with King.
ft—ft—*—ft i E fr JL-jfc^-^-p-y ft si# e * , a x-^-js
*i i » » fe ^^£ :*=*
real - ly rs sur - pris- ing What a tho-rough An - gli - ciz - ing We have un - der-gone—U - to-pia'squitean - o - ther land ; In her
wjjij e^i r* *1 *—*—»- gi j j j
^ j 3 J"*^r^-J c^-j t r .j ^& i i ^
,^ s k fti ^ s * i^ & i^ a Hi, &=3=*^r* P-5-^^ £ * »- ^&=s 5=£ i
en - ter pris -ing raovements,She is England— with improvements,Which we du • ti - ful- ly of- fer to our mo - ther - land I
sS§ i= m 52:J > , S
ituviu
104
No. 15. ENTRANCE OF COURT.
Allegretto maestoso.
Piano.
£—
a m m m m r 1—
i
-
m m mi ^fc=/
'
—^-
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Ped.
i-l=^:£-* -^~vj-;- ^t T
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h* *
Ped.ta.wi.
* Ped. * Ped. « Ped
io5
Ped * Ped. * Ped. * Ped.
Ped. * Ped.
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No. 16. DRAWING ROOM MUSIC.Allegretto moderato a la Gavotte
s' r \ f 1 j:*
I * I
J—'• —*L~—'*"
r ; i i^ffilH ——t-
PJAMC.
^e^ «-
19MQ.
106
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Ped. *
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Ped. Ped. * Ped.
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19.540.
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Ped. * * Ped. * Ped. * Ped. * Ped.
till ftfj=j
m*±
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ro9
HO. 17.
REC1T. King.
Piano.
RECIT.—(King) & CHORUS (Unaccompanied).
plV. J- 1J^^^L-h J-j i^JT^ :sw ^^^4
This cer • e mon-ial
\t
our wish dis- plays To copy all Great Britain's court • ly ways. Though
m ~o~-&r
m£w
s T- m
lof • ty aims cat-as - tro- phe en - tail, Well glo - rious-ly sue- ceed, or
I §ip= iftcsr 3^ T^Tg 3
|
Ea - gle high . . in cloud - land soar
Lady Sophy with 2nd Sopranos.
-^ J • J -J'
J £Ea - gle high . . in cloud - land soar - ing— Spar - row twit t'ring on a reed— Ti - ger
Cap. Fitz., Sir C. Barre, Lord Dram., & Mr. Blush, with Tenors.
nun
in the jun gle roar - ing— Frightend fawn in grass- y mead— Let the ea • gle, not the spar - row, Be tile
J -N.L j- i
t;^f+rr-^n—5 r * i ~ e_
[—, NJ . jri . I gs =C33^ .N i F j
1l ;g ii Jl
i i/
1 9
*1 I *-tt fjF^-T
-
i: :f
ri
u^\J^i-^-4$=^q.
dim
.
ob - ject of your ar • row— Fix the tiger with your eye— Pass the fawn in pi - ty
dim.
jjir '
-n|-i'^^ I V i i
=!
1 * 1 1 * •
ft»-f> i 1 1" 1
1 g ' h ^T
iojmo.
Ill
Zara, Nrk., A Kai.
Glo ry then
Lady Sophy.
will crown the day
—
Glo ry,
$f" 1 1 I 3
Cap. Fitz. & Sir B. Barre.f LAP. Till., GL OIK D. J
Glo - ry then will crown the day- Glo
^5 -i* —I—'
—
Glo - • ry, glo
Lord D. & Mr. Blush.
Glo - ry then will crown the day
—
Glo
Glo glo Glo • ry then . . . will crown the day—
Mr. Gold. & Cap. Cor.
Glo ry,
Glo • ry then will crown the day
—
Glo • ry,
Glo ry then will crown the day— . Glo
19.640
112
rfy rj t . . , |
"3
p r : 4^-^ 3eeee£
Tt » ny way i Glo ry still Crown
fe J J. J
ty, a - dt Glo ry still . will crown the day,
pi s r '
r•
i r~
g i ^^e -C 1 1 f
T. »Crown
m t
J'-
1
Jsry, «
ry. a
T. «
T. »
(Ii> r L
- r
ny way ! Glo - ry still vill crown '.he day, . Crown
"T way Glo - ry still will rro-ro the day, . Crown
* * ^=^
ny way Glo • ry still . . will crown the day, Crown
»y
Ur t> r ' r•
j . j
way ! . . Glo - ry still . . will crown the day, Crown
gEEEEiE33Sir-«4-H-»-
\^L-i if—i— i
:
_• . e_
[.111 -1r- c
i
r :- r tdIBM--
114
"5
day, crown the day, Glo Crown the day, crown the
day, crown the day, Glo then will crown the day, Crown the day, crown the
day, crown the day, Glo ry then will crown the day, Crown the day, crown the
day, crown the day, Glo day, down the day, crowc the
day, crown the day, Glo ry then will crown the day, Crown the day, crown the
iuj
n6
day !Glo then will the dsy!
M i r i r i-#
—
*
day I
3Glo rv then will
2Z
the
^day 1
m
M7
ft *•—i—-F—i—i—i-—i—
-*-"^*l -,.
fe£=SJfe=S=jE
ti^^^ .&- >-=- ri . u i -*l >*-• J)£*J
3E 53=
|b r t r £ rjj 1 ^rTT~^i i
-y
t ?1e£-»~> f -^^ ^P^TTg^
^^ ^-i J/>- Hfe
1 "IPei Veil.
gP*~* ' f~ ^=«
^=t"p-T'T-p^TT^ S3: S
ItJMO
US
No. 18. DUET-(Scaphio & Phantis).
Piano.1
1
119
SCA. Phan. PhAN.
S 2 ^ 2=3!
must pie - pare To seek at once their na - tive air— The King as here - to - fore we swear Shall
PW ' '" *
9=
t^J J Jfr> JlftJ»J J
n
^ =fc
Sca. Phan.
be be-neath our thumb— He shall— Shall be be-neath our thumb— He shall— For this mustn't be, and
^ m1*- N I
*
* *
this won't do. If youll back me, then I'll back you ; No, this won't do, no, this must- n't be, No,
g*=fc^ ii «=£E^Ei E^E^
i? L n r- p» i =py » « ^ * *£
MJ.MU
120
No. 19. TRI0-(King, Scaphlo, & Phantis).
Allegro moderatoSca.m s, n > : 3T3V v S JN ? f ff J^feEr 11 mc
*
—
*-
If /ou think that when banded in u • ni • ty, We may Ixnh lie de- tied wiih im
- ".J- * * ' » *^J- * * Jt- * d
I J I I m i i « I —I m- I I « i
J. * * J- *—* -J. d •—^-»Piano.
-^ d m .J. *—*- -^~
f
fS* >;^gz^p^gr^-^ -1
j -F^=—t-t- 1 | 1 1 -»* 1I
1 1 "1 1 t 1 H :
Phan.
^fs\^\jv i s|< > H NN
pu - ni - ty, You are sad - ly mis- led of a ve - ri - ty 1 If you va • lue re -pose and tran - quil - i - ty, You'll re
* J* J* J* J* J* N '
N ^-^>. J* J* i F* r* f» Is f" M n—• • * * * • -—• • »
—
1 * • -—* w m m a m m~
King.
^-ihh?* m m m m m m >^r* H
vert to a state of do - cil • i - ty, Or pre - pare to re • gret your te - me - ri - ty 1 It my
1 m I I FPFiffi^ *n=p?=m **=^r 4 * -* #
V- 3 5/
@tfri
*i ii
i i Ii
i ii
i i I j* -** ^ ^s ~—e:—« « ^ » m r^ «
^ n-
^
=^r
!2I
j^k ; -i jyi •' ; »•«' ; Jy
j' j'i j' j-m-s-c c s c i
>r
j-tj —*—
Yooshow it up. Though if pro - per ex • cuse you can trump a - ny, You may wind up a Li • mi- ted Com -pa • ny,
w^ J' 1 - J* »N 1 ^^ri i r -»* * i i -r i i *i r ==£^—
a
rs I
srs v =^£F3! C g r -=L I* 1 r ^ q=^
t=Fcan - not con • ve- nient • ly blow it up ! When • e'er I chance
<gy «T ", i «T i 1
1
«T i i r i £5= ^f^^r^5=
if=^ if J"j* _r* i *\ - t- ir* I h g g g r 1 r
*
* « -* L«=a:
to baf • fie you I aJ so dance
p^rm^f ' r, I sf i r t i-H < -i P fc
J / /'- ^ =fc=j5c* 1 1 : "• 1 P- ^=^
r> g *i
*i
: r i E m i m
step oi two
—
Of this now guess the hid
Siir • t# +—^ —*-
den sense-
M.
r
ri
1 r-»—
^
r
&£f--— r =£ -4 i 'r -^r^= =p-^-->H" i i
10*40
122
r• Pi/ :/ i/ >
^fc r *i
#i^^ luT i/ 1 1 1?: -f^W f rag
King.
eELJ—jLj-^t I jn p r J
I
it does— It means com-plete in • dif fer-ence
—
in dil - fer-ence— in -dif - fer - ence— in
' * Sh N
19.640
"3
Sca. * Phan
J'i t r. i •q^M-^n-l^:^^^ * « -J—^M^ence !
#^d^r* * * ^i r- i
* .J / J E^E£ ^
will con- elude. What this may mean you all may guess— It ty pi • fies re - morse • less .- ness— re
i. , r
King. Sca., Phan., & King.
* I
morse - lets • ness— re • morse - ness— It means un • ruf • fled cheer - ful - ness I Re - morse - less • ness— re -
(King.) It means un - ruf fled
lH^r e g e g f r
-E- lM*-fr-t g3 1 r 1 :
morse - less-ness— It ty - pi - fies re-morse - less - ness !
cheer - ful- ness— It means un ruf-fled cheer - ful - ness !
> , . . -r.t r_f fr'fri:
1
19.540.
124
No. 20. TRIO—(Tarara, Phantis, & Scaphio).Andante misterioso. Tarara, Phantis. A Scaphio.mm ^SJ^z^z^z^
*=* £* - TWith wi ly brain up •
3=Piano
staccato.
mm JT3 jTj , n\ J ^,
VJ 1 1 ^ -^ ~
f i t
Li- Lai Li" g M**-Sf—
r
i i U r i r
gt^JU^f^. ,%i
;., , j,
| ,% |V , >,| f , f ,* j j-ftf^Fi -
* 5 w ' ^
on the spot A pri vate plot we'll plan, The most in-ge • nious pri • vate plot Sincepri-vate plots be^ *d
^£fe 3F* i g Sir ^=^ /TVi -rf^^^r^* J3-nJg- ¥-^H-^:*-$=? r*"6l-tz
Pfjjf-^1—E=ji is f* rs T-r*1
. ft - rs ^ i 3 ft 3-^^M ^ .r ^ a~ i i „j>? "9 ' ' g • ^*— f• V P
gan. That's on der- stood. So (ar we've got. And, striking while the
5=*=%Well
*•
ron's hot,
m%
\
<g*A. J-
i t J*!-' r.- gT~p~^3I > 1 1 r
«
i r
4*1PW"f/'"J iW Allegro con brio.
5^* * d 5k=z2m ii"i *i r -f
i=i= =*=* H—j-
now de - ter • mine like a shot The de- tails of this pri - vate plot.
I
ilfr^^fI think we ought
—
[whiipers) Such
g-i i n_^47T r r r rfl -U i "i r- i i *i * r— L^P=£3=i i r
.f'f-f »f- f-t-f-ff f-jTi ii^
|
fttStt.
Ped
!25
bosh I nev • er heard I Ah ! hap- py thought '.— (whispers)
iM Tarara.
ga i=ti*=i i r sp
&S
tell you how
—
(whispers).
-$m5^T^ jgj* * I
Bg-fi*-
g--JJr j
V1 1 r* ^ |V i r ^-g-TT^^V~*HM-
,te-—&• Jem—•
—
m—m—m—m 1
1-**-:—=
—
=z—
=
ij— |j J - 1* m m m—»-
***!
PiTarara & Phan. Than.
r 1 - jin^S^—J^y-rf^^H^jftTab.At A.£r f n \
Oh, take him a- way to bed! Oh, put him tc bed! Oh. put him to
Vri^jt— Tfr ft —!•—
#
i».o-tU.
t A. n SCA.
»a6
Taiai* 4 Phan.
iSca. p =S=
1 .
S S£ ^S # *^bed 1 What! put mt to bed? Yes, cer- tain - ly put him to bed I But, ble me, don't 70a
fr^fe^ ? t^^tft t
Pram Tajlara. SCA.
Phan. Tarajla. SCA.
***** .ft f t\ T f f T M rP^ T |j,^T-iT f f l r y ?E^n
IMs jcz * m m m mzzmz^F^
>J \ / V V s s -^
i«a
You re lalk-ing ri - di - cu- lous
Phan.S N * * E N -J J
I'
IST g 1 ^^F*
y y
paYou're a va -pid and vain old muff ! You're a rain old muff ! You're f
m m m m m ~m m m> *\3zz=N NP / y ^ y ^ y
barn door owl ! V on re a dri»-el-ling barn • door owl I
1
lBbMO. P«L • Pej.
127
I ¥*» » i *5 -U yS 3EZ * «=y > .V 1/ > y
1 1 r 1
«Astuff I Ri - dic'lous, ri - dic'lous, ri • di - cu- lous »tuff!
IP
i
i* *i i* gSo
g i r *i^Z=t2^=t r i r"
va pid and vain olJ mufl, a vain old muff
!
PSo
» » *~~e ES i^i i r—*i- r 3 rl/yy^Uyiyy 1/driv-el-ling,driv- el- ling, driv- el- ling barn • door owl 1
I
R TOGETHER.
Pfj j J J J' Jl rr
JJ] J / J" J' J
| r r. J jHrry^T
far we have-n't quite «olved the plot—They're not a ve - ry in - ge nious lot— But don't be un • hap - py, It's
still on the ta -fit. Well pre - sent • ly hit on a cap - i • tal plot !
IBMO. Pod. * Fed.
138
±jlAaA i . ->--i--f-->-». -f-f-tff-f-
|%-*
-+ X i i 1 1 1' I t'll ' .__
jjla^jLa i t t \
glgg * 1 1 jEE 1*1,
* *i S E^Tarara.wThen we might . all
—
(whispers) That's
fr^s^^ fff tf£
true— we cer -tain -ly might ni tell you what—(a/Aii^rj)
Ped.
Sca.
TVd.
^jAfc^^gETarara & Phan.
l:-:—^on the spot
—
{whispers)
*^ *£± -^ ^ -^Bra
JO$ * iH^li^
jl +»w^Z^ £ « i H ''
1 hta—M M B 1 H ' -H '
1 5*—» ' 1 1 r- r~—F-
\V.\M\
I 2Q
SCA. U* -1 * * * *
_J 11 - . - . I I .
H—*.. )/ |/_=£^=}-p=£ r- f> n
PHAN.
-* mz z±zz±
That's ex - ceed- ing - ly neat and new !
^-jp-Ht*I
s* e> hv-
Ex - ceed - ing - ly new and
Tarara Phan.
neat! I fan • ev that that will do. It's cer-tain- ly ve ry com - plete. Well done, youI fan - cy that that will do
3r - „ *
«! 1
-i.
Tarara. Sca. Phan.
N=t
mfe% ^=f^ -* g *—*~
V 1/ U 1/
TTT-J V > ^=^z: _£_> .£-£=£
h i r
Bra vo ! you cunning old mole, You cunning, you cun -ning.youcuu ningol.i
-I > ]/ 1/ lx
—
I—U?^ >—I*—>—W—i*=±~*r-P-
in tel- lect - ual soul ! You in tel- lect - u - al, lect - u - al, lect - u - el
You ve - ry in • ge • niouschap, You ve - ry in- gen-ious, in - ge-nious.in- ge - nious
m JBfr-W » =*=* * * 'Z £'k, t £_£££JSLj£j£
»>-l 1!
' r— 3|
^fi*0. * Ped * Ped.
T TOl
130
gMfrr^^plan we've got ; We won't say how and we won't say what : It's safe in my nod -die-Now off we will tod -die,And
fm
^LijftV+.
:." .r-
j>i W J
1
-N j'
sly - ly de - vel - op this ca - pi - tal plot I At length a ca - pi - tal plan we've got ; We won't say how and we
Iy§(ir.ffff*i 4^ ^m
1© j-^lj rjl^=irzz^^&
J JN /
^51 + * +
* !>
Ped. Ped.
r fi i r***i* I'ed
i» * i»
^ ; _isi
_is ; ;'
;
^won't aaywhat: It's safe in my nod -die-Now off we will tod -die, And sly - ly de • vel- op this ca - pi • tal plot !
TT
PaJL ftttif .£f-rr\t^^if=f=-)f i fTf i i r ii j i -f^£
i3i
No. 21. SONG—(Mr. Goldbury).
Allegro con spirite. Mi Goluvokt.
Piano. /
Iteg^j m ^^> f- ** S S^^*T—tlJ^ J^
won der - ful joy
ten mile spin
7 «" 5 1 jr-
our eyes to bless,
she stretch - es her limbs, She
In her mag - ni - fi- cent come - li - ness, Is an
golfs, she punts, she rows, she swims
—
She
I
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IS =sr=*r 3 3«i
i i i* i s ill*3 1 i 3*^ ?
$gs& N tS « T*=f=t* II* ^"—f»Jjj tig" ^
Eng - ' tsh girl of e - lev'n stone two, And five foot ten in her dan - dug shoe 1
plays, she sings, she dan - ces too, From ten ci e -lev - en till all is blue
!
She
At
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—
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fol - lows the hounds, and on she pounds— The "field" tails off and the muffs dim - in - ish
—
ball or drum, till small hours come, (Cha - pe - ron's fan con • ceals her yawning) Shell
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Li.640.3 3 53 33
q 4-
3 3 3 zc 33 33 e!
132
" P- ^=F iciow, from find io fi - nish.
O - ver the hedj- es and brooks she bounds, Straight as a
waltz a -way like a tee - to - turn, And nev - er go home till day • light s dawning.
AtLawn
jfa^-fr-^gcrick - et, her km will lose
ten - nis may share her fa
or win— She and her maids, on grass
vours fair— Her eyes a - dance and her cheeks a - glow - ing—
^^Sags^lL^jeu—faplev - en maids out
—
e - lev • en maids in
—
Down comes her hair, but what does she care ?
And per • haps an oc - ca i -al " maid en o - ver "1
It's all her own, and it's worth the show - ing !
if *
sing with me There's no such gold.and no such pearl. As a bright and beau - ti - ful Eng • l.sh girl I.
.
10.640.
'33
girl 1 . . 3. Her soul is sweet as the cean air,
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£lS^pq^bo • dy and mind are hale and heal-thy. Her eyes they thrill with right good-will— Her
1B.440
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.
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heart u li^ht as a Boat • ing fea - ther— As pure and bright as the moun • tain rill That
\m\ J J* ir,B =£= ^p*^leaps and laughs in the High • land hea- ther ! Ah!
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135
No. 22. QUARTET—(Nekaya, Kalyba, Lord Dramaleigh, & Mr. Goldbury).
Allegro. Nekaya. Lord D. Kalyaba. Mr. Gold. Nek. Lord D. Kal.
jii-,- r i j^j^jy*jJi J^Kfttcfr ft bJ^E^fej:
Then I may sing and play ? You may ! And 1 may laugh and shout ? No doubt ! These maxims you en-dors* T Ofcoarw ! You
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Mr. Gold. Nek.fs IS J^
iK^ l W ftis N S=g=g=
~y y > * v > ^ ^ y V * V V ^ 1
I
Kal.won't exclaim "Oh fie I "Not I I Then I may sing and play, And I may laughandshout.Youwon'texclaim " Oh fie I " Ha. ha, ha, ha, ha, ha, ha,
Lord D. S n ,S \ N jN fs
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»
p. * ** y v £ Z> £ £Ha, ha, ha, ha, ha, ha, ha,
Ml Gold.
I 5 8 5=1 9 i :
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Allegro con brio.
Ped.
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ha!
N Mr. Gold.
§>l .ir ^-^^T-T 33^
na " What - ev - er you are— be that : What ev • er you say— be true : Straight
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pm^'LT H IJ^U^J Uy.j'^ lord D. F "T
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for-ward-ly act— Be hon-est—in fact Be no • bo - dy else but you Give ev • er - y an • iwer
18*40
136
fc
±-*-*- d r r rs > > -
pat
—
Vour char-ac - ter true un furl;
V 1 N 1 fS 1
And when il is ripe, /oull then be a type Of^^^^>—:
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wOh, sweet
Kal.
prise—oh, deai delight, To find it
w ~m 0' ^^r- i ; 1 m—*f
lit
Oh, sweet-U i/ ^
prise—oh, dear de-light, To find it
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-T7~n^-^Tcap - i - tal Eng - lish girl !
r Oh, »weet
Mr. Gold.
sur - prise—oh, dear de-light, To find it
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' Oh, sweet sur prise—oh.dear de-light, To find
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d d f d <_d—-£• f
r^=3un • dis - pu - ted quite, All mus - ty, fus - ty rules des - pite, That Art is wrong and Na - tur»
un - dis - pu • ted quite. All mus - ty, fus - ty rules des -pite, That Art is wrong and Na • tore
lOJUt.
137
right 1 Oh. sweet prise— h.dear de-light,
l m¥=r- •j hwi- =5=zl» * * *-*-3-b. 1
right ! Oh, sweel prise— oh,dear delight. To find
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right ! Oh, sweet prise— oh.dear de-light, To find
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right ! Oh, sweet
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prise— oh,dear de-light, To find
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un - di» - pu - ted quite. All mus • ty, fus - ty rules des-pite, That Art is wrong and
un - dU-pu - teilquite, All mus • ty, fus • ty rules des-pite, That Art is wrong and
I Nj
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un • dis • pu - ted quite,
-Zit—
:
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All mus - ty, fus - ty rules des-pite, That Art is wrong and
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fe£ if- «i r »i
Na tare right I
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Na • ture right t
£=£ 3 r i £—
g
Na - tare right !
When hap-py I, with laugh-ter glad 111 wake the e • choe»
^t-a.' Lar e-aJ"i r^ -tVa—
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Ped
P N Si i g r
-V Kal.
q=^ JV-J^pT^it
fair ly, And on ly sigh When I am sad— And that will be but rare - ly I 111
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row and fish, And gal -lop,soon— No longer be a prim one And when I wish To
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No, no I
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no, no I It need-n't be
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hymn one I
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Oh, sweet sur - prise— oh, dear delight, To find it
hymn one I
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ginOh, sweet sur - prise— oh, dear de-light, To find it
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hymn one I
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P
hymn one !
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Oh, sweet sur prise— oh, dear de-light. To find it
a tempo. « _-
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un • dis - pu - ted quite— All mas - ty, fas ty rules despite— That Art is wrong and N» - ture right !
un - dis - pu - ted quite— All mus - ty, fus ty rules des-pite— That Art is wrong and Na - ture right !
I1 >mm—•-
?1 J *ir it* ny r rzrE*33*? - 3^3 00m
1 > 11 £ -1/
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un • dis pu - ted quite— All mus - ty, fus • !y rules des-pite — That Art is wrong and Na - ture right I
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r v IT'-^=±3:000 1 r 1 r E :
* * *=tun - dis - pu • ted quite— All mus - ty, fus - ty rules des-pite— That Art is wrong and Na - ture right !
ffih-jH-^F^gr r r £^s^=s& J5=*5= 1 N-^t -M M, J 1
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—
All mus • ty, fus - ty
Oh, sweet sur prise—oh, dear delight. To find it un • dis-pu • ted quite— All mus -ty, fus- ly
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wT<- find it ua dispu ted quite— All mus -ty, fus- tyOh, sweet sur
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rule* despite— That Art is wrong lid Na ture right
rules despite— That Art is wrong and Na ture right !
rates des-pite— That Art is wrong and Na ture right !
rules des-pite— That Art is wrong anr' Na ture right !
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142
No. 23.
Allegro
RECIT. & S0NG-(Lady Sophy).
Lady S. RECIT.
- rfjJ'jN'--^'j-.Nl
Pumc
$Aj i : ;js/j-1 /• M > mE p a S* £ HB^ =»
part To qnell my o - ver con sci en - tious heart
—
Un - speak the oaths that nev - er had been spo-ken, And
s ZS3Z -rr
^mAndante moderate.
5 B J 1
±^S E3E33
I. When but a maid of fif • teen year,
3. Each morning I pur • sued my game (An
break the vow that nev • ei shall be bro - ken I
i PifEE ^=5~T3~
ffi
EE g J E* r
^
fbnn 1 a F?=^ fe=E-7T^>
Un - sought— un
ear ly
plight - ed
—
Short pet - ti - coat - ed— and, I tear, Still short - er
ri ser) ; For spot - less moo archs I be came An ad ver
$FFF r ,J ee*& W =* w<B>fT=^ * ' f
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msight • ed
—
ti - zer.
m
5fepS
I made aBut all in
vaw, one ear ly spring, That on - ly to some spot
v4m I search'd each land,- So, king - less, to my na
1less king, Whotive strand Re^ f\9
ffi w=2= V r = "F
^P ^ ^^^ 32:
S s^ * ? eproof of blame - less life could bring, I'd be
turn'd, a lit - tie old - er, and A goodu • ni - ted. For I had read, not long be - fore, Of
deal wi • ser ! I learnt that spot - less King and PrinceHare
\mm E 3^ee$ESSE
i=^=*f ^r ^cr
(Wju l? J- ^=t
f^E ^ B S^J JJ J 1 J P> > P>SE ^FF 3E
blame- less kings in fai - ry lore,
dis ap - pear'd some a - ges since
—
And thought the race still flour - ish'd here—I was a maid of fif • teen
E'en Pa - ra mount's an • re - lie grace Is but a mask on Na • tore'sSe
mm m ^w 3* p> r* *i r :
r
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BE ^ =q=?r
=P=.J HG>
9=
P Iirr time.
*&m^m^ gifyear
!
Well, well— Well, well-face ! Ah, me 1 Ah, me
!
I was a maid of fif- teen year I
Is but a
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iUJMUAttatxa No. 14
144
No. 24.
RECIT. Kino.
RECIT.-(King & Lady Sophy).
Lady Sophy.
Fiano. I
La-dy So-phy— thenyoj love me 1 For so you sing no, by the sta rs that shine a
<&j>r> *r r r i4^^ frF^P ^^m^ ZZ2Z
Fed. * Ped. * Ped. * Ped.
p Put vrvo.
fr A». ,* 35=fc=C5=fc5 ag gss e'' ^- *—r^ * . * » . » » . « » . *-
brut • ed, Re - main un-con - tra- die - ted.un • re - hi - ted, The ob - jectthou of my a -ver - sion
I
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J ^ i--3t 3t ^JS a 5s js_ > S JS ^_
W,,^ g H a i a i i"g i a i g-M-g i i^i H f^i1 3 il 1 ] i r^
Allegro non poco agitato.
King. RECI7.
Ped.
19.640.
»45
pub - litli'd be. These pa • re • graphs were writ - ten and Con • tri - bu - ted
* Ped.
LadtS. RECIT. Kjng.
-1 S' J"' qT^^S »**1 Z
By yon ? No, no
!
Yes, yes, I swear, by me
!
I, caught in Sca-phio's
King.
that is why you did not boil The author on the spot !And that is why I did not boil The author on the
m r -
mm m r -
TLady S Both.
ltt.<5*0.
146
(Ho. 24a.)
Allegro vivace.
DUET-(King & Lady Sophy).
~ADY SOPHl
m ^n- 1
- fr^:»—#—*—*3?
trao - ts • tion I For my sov - e • reign hasand ro - sal, Now the la - dy of my
rap • ture un - re • strain'd
skies are blue a - bove.
Of a can - did
And the earth is red
wMM^^Era
BE J I 1
1
3S5 >^=frdeign 'd
love
AHas
con vin - cing
ac - cept - edex
mypla - na • tion
—
pro • po sal I
And the clouds that
For that as • in
ga - ther'd o'er,
or um ponsAll
I
havehave
M I^£ ^U 3£=W^m ^ ^5t =3= ?
IKing.
1 r—u T^F r^*- is - tence !
. is • tence !
Of Kings of fai ry lore
Of pru - dish pa - ra gons
&One, at least, is
One, at least, is
r J 1 r ^in ex is - tence 1
in ex •
2. Oh, the
19441)
«47
The clouds, the clouds the clouds that gath • erM o'er,
imu - tence. rhe clouds, the clouds that gath - er'd o'er, Have
J J JJJ
Have van • iih'd, have van • iih'd, van ish'd in the dis - tance, All have van • iih'd, all nave
iih'd, have vmn - Iih'd, have van - iih'd in the dis tance, All have van - ish'<,.t
all have
,p\ Ji
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ish'd, all have van • ish'd, van ish'd, van - ish'd in the dis tance !
im j J J Ji i
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ish'd, all have van - ish'd, van • ish'd, van ish'd in the dis - tance'
10.640.
148
Graceful Dance.
it—
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149
,No. 24b.)
Vivace.
TARANTELLA.
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19JUO.
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No. 25. CHORUS.
AUtgn vhma. Tknoks ft Hum, /
Piamo,
on oar sea-girt land, At our en-fcrc'd command. Re - form has laid her hand Like some re morse less > gress— And
^ JiV J^'
ist & 2nd Sopranos.
So
made us darkly rue The deeds she dared to do— And all is ow- ing to Those ha-ted Flowers of Progress I
\9JUO
»5 2
M=-?»f ,fr:
jhj^pgEg
down with them 1 Down with them I Re - form's a ha- ted o • gress. So down with them! Down with them I
?• fe- * * £ r
Re - form's a ha - ted o • gross.
l^vt^—*~E / ^--.J^l
Down with the Ftow'rs of Pro-gress ! Down with the Flow'rs of Progress ! Down with them !
-i- -r r- r .f : ifr?
Down with the Flow'rs of Pro- grew
!
Down with theFlow'rsof Pro -gress ! Down with them I Down with them !
IS is
Ped. * Ped. * Ped * Ped.
W^-^f^^f^-a c
—
m- f ri4s
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1^^Down with them ! Down with thtm ! Down . . . with the Flow'rs of Pro- gress !
Down with them ! Duwn with them ! Down with the Flow'rs of Pro- gress I
=t=» 3EE3S m i
:sF=?z
10 MO.
"53
No 26. FINALE ACT II.
Allegro maestoso,
Piano
gfegs PS- gjj JJ 1
- Jiglit • tie group of isles beyond the wave-
may we co - py all her max - im» wise,
So
And
ti - ny.you might al - molt won - der
im - i • tate her vir - tues and hei
\i&m ^ IE iis \f* f i «T^'•J. 5 i 1 « H^ iM'j'r 'J
1
: .i ' i
1
i>» r> »-^* . d
where it is
—
char • i • ties ;
J:/.J*, y-^^^ 33=E
V U P ^ 1£
Thai
And
na - tion is the brav - est of the brave,
may we, by de-grees, ac - cli • ma - tize
And cow • ards are the
Her Par • lia- men - ta
\P' i
-1 ^hh^ r > i p> i i I
s i:£:^
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v—
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V £- 1/ ^ > £-=E=»:
The proud • est na - tions kneel at her com
By do • !ng so. we shall, in course of
g| i i i " i i i ii
:' i f i :• i jig1
'
J —^- J J i i 5 i i-^ : -< ? .
^r ^r
ttfjMU.
'54
mand ;
time,
She ter - ri - 6e» all for - eign-born rap - seal • li - oni
;
Re ge • ne -rate com-plete - ly our en - tire land—
fr'i. »; i j i iju i [,ji I *-£*-£
And
Great
b\ ;• »: a n -ppiif :JSE
>> ]i
mj i j ^ j i
i j i;^~~:
holds the peace of Eu - rope in her hand With half a
Bri - tain is that mo - nar chy sub - lime, To which some
score in -vin ci - ble hat
add (but o - triers do not)
^-=FP ^ J i
I
Chords (Principals with Chorus.)
ta lions.
Ire land.
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End of Opera.
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