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Vertical Exaggeration andPerceptual Models
ROBERT SINGLETON, Consultant, Pennington, N. J.
ABSTRACT: By computing the vertical exaggeration in the geometric stereoscopic model, it is shown that the geometric model and the perceptual modelexperienced by the observer are radically different. It is concluded that anexperimental study to determine the metric of the perceptual model isrequired before accurate knowledge can be had as to subjective estimates ofthe model's characteristics.
T HE properties of the stereoscopicmodel have almost always been ex
amined in photogrammetry by a geometrictreatment. This has been satisfactory solong as we dealt with properties subject tophysical measurement in the model, aswith floating mark and scales. When subjective properties are to be treated, requiring measurement or characterizationof the model by estimation, such as occurin interpretive applications, the geometricmodel is quite the wrong thing to use.Instead, a model termed here the perceptualmodel must be used. This is the model asperceived by the operator, and is quitedifferent from the geometric model.
This has been illustrated by the volumeof papers in the last few years dealing withvertical exaggeration. It so happens thatthe concept of vertical exaggeration is anideal tool for demonstrating that there is adifference. Hence the balance of this paperis concerned with vertical exaggeration.The point, that there is a difference between the geometric and perceptualmodels, having been made, however, it isapparent that the difference will extendto many properties other than verticalexaggeration. The perceptual model is notcharacterized in this paper; unfortunately,not enough is known about it yet. Anexperimental investigation of the perceptual model is called for, and this shouldprove to be an interesting and fruitfulfield.
In photogrammetric practice there areseveral useful concepts of vertical exaggeration. Three which come to mind immediately are:
1. Gross vertical exaggeration. Ratio of
vertical to horizontal scale for largeobjects (e.g., mountains) or for largedistances in the space as a whole.
2. Local vertical exaggeration. Ratio ofvertical to horizontal scale for smallobjects (e.g., buildings), or differentialscales.
3. Slope exaggeration. Ratio of verticalangles, or of their tangents, or otherfunctions.
Undoubtedly there are more concepts.Each of these concepts is useful and practical in some phase of photogrammetricpractice. Under some conditions two ormore concepts may be the same. For example, if the Jacobean (or the indicatrix)of the transformation from space to modelis a constant, then gross and local verticalexaggeration are the same by any reasonable measure. But slope exaggeration maybe different, and it may not be possible tofind any suitable measure which wouldmake it the same as the other two.
Because photogrammetry includes alarge number of different applications anda variety of taking and viewing conditionswhich seldom result in a simple space-tomodel transformation, we must expect nosingle formula for the general concept ofvertical exaggeration, but instead a different formula for each specific concept. This,of course, should cause no difficulty, and isjust what one might expect.
The trouble comes when one starts to bespecific and to define measures for thedistances, angles, etc., that enter into thegeneral concept. There is just one case thatpresents no difficulty. This occurs whenphysical measurements in both the space(survey methods) and the model (floating
175
176 PHOTOGRAMMETRIC ENGINEERING
mark with scales) are valid for the application. Most ordinary mapping applications,such as flight .planning to get the desiredscale and contouring interval, lie in thiscategory. Here a straight-forward geometric computation may be made to comparethe actual motion of the floating mark inthe model with its corresponding fictionalmotion in real space, and the result will bevalid for the purpose intended regardlessof the appearance of the model to theoperator.
Trouble arises when one or both of thespaces is not subject to physical measurement-that is, when one of the entitiesbeing considered is neither real space nor ageometric model of real space, but insteadis a subjective space formed by the perception of an operator. Two examples of sucha pplications are:
a) vertical exaggeration of culture orterrain in a stereoscopic model as comparedwith the actual view of an unaided observer at the same altitude as the pictures,such as may occur in certain navigation orintelligence problems,
b) estimation of slopes in a stereoscopicmodel, to compare with true ground slopes,such as may occur in geological studies.
In each case at least one of the spaces isperceptual, and the measurement made issubjective.
As of now the metric for perceptualspaces is unknown. We do know the following things about them:
1. The distance at which an objectseems to lie in stereoscopic viewing isnot given by the intersection of theprincipal rays from the eyes. This issimply common experience-witnessthe ability to fuse a model even underdivergence.
More elegantly, it is known that convergence is only a rough clue to distance, iseasily over-ridden by other clues, and isaccepted to the exclusion of stronger forcesonly if extreme enough to be difficult. Itdoes contribute to and sharpen other nonconflicting clues.
2. vVhen a strange scene is presentedvisually, other sensory clues beingexcluded and closer examination (asby motion of the observer through theobject space) prevented-all of whichapply to photogrammetric viewingthe operator's perception is deter-
mined by his experience, and he tendsto give the scene the most familiarinterpretation, even though this maysometimes result in some intellectual(but not visual) absurdities.
Since no one has ever seen the earth from20,000 feet with eyes 12,000 feet apart, it isquestionable just what the perception maybe. Probably it is different for differentobservers, but there may be enough common characteristics to derive, eventually,a "standard observer's" perceptual space.
3. Whatever the metric of a perceptualspace may be-and there have beenattempts to metrize such spaces-itis almost surely different from theEuclidean metric of the geometricmodel, especially if head motion isprevented, as in photogrammetry.
Witness the frontal plane horopters andsimilar phenomena. Items 2 and 3 abovemake it extremely unlikely that anytheoretical studies will be able to characterize the subjective appearance of themodel to the observer at present, for vertical exaggeration or f~r many other usefulproperties of models. What we need rightnow is carefully collected, controlled experimental data. We can then begin tolearn the metric of perceptual space. Thisseems to be a proper and necessary activity for a field so depenaent on the proper··ties of vision. .. h ..
4. Although we do not know the actualsubjective metric, it appears fromexperiment that the perception isapproximately invariant underchanges of scene which cause allparallax angles to change by anadditive constant, and leave polarangles unchanged.
The normal variables in photogrammetricviewing practice are viewing distance,photo separation and lateral position.Changes in the last two change parallaxangles by an additive constant, approximately. Viewing distance does not.Changes in lateral position of photos whichdo not change the centering of the pairleave polar angles unchanged. Hence weshould expect the perceptual model to besensitive only to viewing distance andcentering-but not, perhaps, completelyindifferent to large changes of the othervariables.
VERTICAL EXAGGERATION AND PERCEPTUAL MODELS 177
in a space coordinate system. The imagepoints, in the usual coordinate systems ofphotographs, of a space point (x, y, z) are:
Left: _f_ (x + ~, Y)Il-z 2
Right: _f_ (x _~, Y)Ii - z 2
Let these photographs be arranged inthe u-v plane of a coordinate system forthe viewing space, with their centers at
In order to show the marked differencebetween geometric and perceptual modelsthe transformation between real spaceand the geometric model is needed. Obviously, according to what has been said,this model will not provide any informationas to the subjective model exaggeration.The transformation is given for verticalphotos only. It may be made general byinserting the tilt transformation but thisis not necessary now. Details of derivationare omitted since this is not new, and thework can easily be checked by the reader.
Let two vertical photos with principaldistances f be taken from stations
( ~ , 0, h) and (- +, 0, h)
and viewed with the eyes at
(+, 0, k) and (- ~ , ~, k) .J'he point of intersection of rays from theeyes through the photo images is
f:~+(~)(It-z)11 = e
fli - (c - d - e) (It - z)
fyl'=e (1)
fli - (c - d - e)(h - z)
fb - (c - d)(h - z)1(1 = k .
fli - (c - d - e) (It - ~)
Of course, if the photos are presented tothe eyes with a change of scale, the quantityf used in (1) must be the principal distancefor the projection.
Equations (1) represent the geometricmodel. If a, physical model were to beconstructed using the transformation (1)and viewed from the specified eye-points,the visual coordinates of all points wouldbe the same as in the binocularly viewedphotographic images. This does not mean
Left: (d, 0, 0) Right: (c, 0, 0)
that (1) is a valid representation of theperceptual model. But we proceed to derive the scale properties of this model asif it were.
The horizontal scale for two points at thesame elevation is
lbl - II, 112 - v, eH=--=--=-
~:2-.r, y2-y, bD
where
(c - d - e) (11 - z)D=I- .
bf
The vertical scale for two poi nts atelevations z" Z2 is
W2 - WI ek]1=---=---,
Z2 - z, bfDID2
D, and D2 being the expression D at Zl andZ2 respectively.
The gross vertical exaggeration is anexpression of the general form V/H. SinceH is a function of z unless c-d-e=O(which means the principal points of thephotos are separated by the i. d. of theoperator-a condition seldom used) thequestion arises as to what H to use. Suppose we use some mean scale
e D, + A(D2 - D,)H* = All, + (1 - A)H. = - ----:::-::::---
b D,D.
Then the gross vertical exaggeration is
V k 1E=-=- .
H* f D, + A(D2 - D1)
Evaluating the denominator we find that if
bfIi = (AZ2 + (I - A)Z,) = d (2)
c- -e
then the denominator is zero and E is infinite.
But c-d-e is the photo-base corresponding to stereoscopic viewing with zeroconvergence. In much usual photogrammetric practice (except multiplex and Kelch,for example) equation (2) is nearly satisfied, and it requires only a very slight adjustment of the print separation c-d tocause it to be satisfied. Thus, (2) says
whatever mean horizontal scale is used toto define vertical exaggeration, adjustmentof the print separation for zero convergence, at a corresponding mean altitude,causes vertical exaggeration, as defined inthe geometric model, to become infinite.
Since it is a m'ati:er J~f experience that
178 PHOTOGRAMMETRIC ENGINEERING
small adjustments of the photo separationdo not cause large changes in apparentvertical exaggeration, and infinite verticalexaggeration is never observed, this is aproof that
the geometric model does not represent theperceptual model.
If for local vertical exaggeration E isdefined as
oW oWoz oZ
---= ---ott ovax oy
the proof goes through exactly the same.A similar proof for slope exaggeration requires more manipulation but comes tothe same result.
To show the point made in item 4 above,
for models which are viewed with nearzero convergence, a very good approximation to the parallax angle is
_e_= ~(~-c+d+e).k-w k h-z
Thus changes in c, d and e change all parallax angles by the same amount. Changes ink cause proportional changes in parallaxangles, under which the perceived model isnot invariant.
The tangents of the polar angles are
k~W= T(h~ z + d~ C)
_y_ = ~ -.l!_ .k-w k h-z
Hence the perceived model should be relatively insensitive to changes in e, and tochanges in c and d which keep d+c fixed.
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