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8/11/2019 Viennese Bass Method - Lesson 10 Thumb Position Arpeggios on Harmonics - Letter Format
1/8
3
3
III II I II III
1o
1o
2o
2o
1o
1o
II III II III II
1o
1o
2o
3o
3o
2o
1o
III II I II III
2
2o
2o
2
III II III II III
()
1o
2o
3o
3o
2o
1o
1o
III II I II III
2o
1o
2o
2o
1o
2o
II III II III II
3
3
III II I II III
w
1
1
1
3o
3o
1
1
1
III II I II III
1
1
3
3
1
1
II I II
1
3
3o
3o
2o
1o
I II III IV
(
)
1o
2o
3o
3o
3o
3o
2o
1o
III II I II III
2o
3o
2o
2o
1o
II I II
1o
2o
2o
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I
54Viennese Bass Method
Lesson 10. Thumb Position: Arpeggios on Harmonicswww.viennesetuning.com
Exercise 69. Thumb Position, D major Arpeggios.
Exercise 70. Thumb Position range, A major Arpeggios.
Copyright 2009 by Igor Pecevski
This lesson presents the arpeggio-harmonic style technique that is peculiar to the Viennese bass and not
transferable to the modern instrument. It is based on the unique instrument's convenience to produce an
extended spectrum of harmonics and the Viennese triadic tuning benefit. When combined, these two offer
an extraordinary palette of pitches from which a variety of scale and arpeggio figurations can be formed.
The initial arpeggio exercises will gradually introduce harmonics that reach in to the highest registers on
the common keys of A, D major and F sharp minor. These exercises are designed to cover all pitch
options - including some that may not have been used in the period but are presented for didactic purpose
to demonstrate a variety of options and accustom student to the period way of thinking.
All the harmonics in this lesson are notated with small circles, yet these markings are completely absent
in the period literature. Thus, when facing the original literature one should be able to recognize
harmonics among the unmarked notes and use them when available. You are advised to take as much
time as you need in order to get familiar with harmonic on all strings because this skill is essential
prerequisite for approaching the period music. All the notes, treble clef and Ottava markings are
presented here exactly as they appear in the extant manuscripts.
8/11/2019 Viennese Bass Method - Lesson 10 Thumb Position Arpeggios on Harmonics - Letter Format
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(
)
1o
2o
3o
3o
2o
1o
I
1o
2o
3o
3o
2o
1o
2o
3o
3o
2o
II I II
3o
3o
3o
2o
1o
III II I II III
Loco
1
o
2
o
3
o
3
o
2
o
3
o
1
IV III II I II I
1
1
3
3
1
1
II I II
1
1
1
3
o
3
o
1
1
1
III II I II III
w
1
2
o
2o
2o
2
o
II I II I II
2
o
2o
3o
3o
2o
2
o
I II I II I
2
o
2o
3o
3o
3o
3o
2o
II I II
2o
3o
3o
2o
I II I II
(
)
2o
3o
3o
3o
3o
2o
2o
II I II
2o
2o
3o
3o
2o
2o
I II I II I
2o
2o
2o
2o
II I II I II
w
L
L
1
2
1
2
4
III II III II III II I
1
2
3
III II I III II I
1o
1o
2o
1o
2o
1o
II III II III II III
(
)
1o
2o
1o
2o
3o
III II III II III II
1
2
3
3o
3o
2o
1o
III II I II III
2o
1o
1o
2o
1o
II III II III II III
(
)
3o
2o
1o
2o
1o
I II III IV II III II
3Loco
2
1
I II III IV I II III
4
2
1
2
1
L
L
I II III II III II III
w
L
5
Exercise 71. Thumb Position, F# minor Arpeggios.
Exercise 72 Entire range, D major Arpeggios.
8/11/2019 Viennese Bass Method - Lesson 10 Thumb Position Arpeggios on Harmonics - Letter Format
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L
4
1
2
4
1
2
4
IV III II IV III II I
1
2
1
1
1
1
1
3o
III II I III II I
1
1
3
II I IV III II I
()
3o
3o
3
III II I II I
1o
2o
1o
2o
3o
2o
3o
1o
2o
3o
(
)
3o
2o
1
o
3o
3
o
1
o
I
3
o
3
o
2
o
3
o
2
o
3
o
II I II I
3
o
3
o
3
o
3
o
2
o
1
o
II I II III
(
)
3o
2o
1o
2o
3o
1
1
I II III IV II I II
3o
1
1
1
1
1
2
1
I II III I II III
4
2
1
4
2
1
4
L
I II III IV II III IV
w
L
L
1
1
4
1
1
4
3o
II III II I III II I
1
4
3
2o
2o
II I II I II
2o
2o
3o
2o
3
3o
I II I II I
2o
2o
2o
2o
II I II I II
(
)
2o
3o
2o
2o
II I II I II I
2o
2o
3
1
II I II I II
3o
2o
1
1
4
1
1
L
I II III I II III II
w
L
56Exercise 73 Entire range, A major Arpeggios.
Exercise 74 Entire range, F# minor Arpeggios.
8/11/2019 Viennese Bass Method - Lesson 10 Thumb Position Arpeggios on Harmonics - Letter Format
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2
3
2
1
3
1
II I II III II I II
2
3
2
1
3
1
I II III II I II
3
II III II I II I
3
3
2o
1o
2o
3o
2o
3o
II III II I II I
3
3o
1
3o
II
3o
I
4
3
II I II I
1
1
1
II I II I II I
3
II I II I
1
1
1
II I II I II I
(
)
1
1
1
II III II I II I
1
1
2
1
2.
3o
r
3
1
3
1
3
1-3
C
3o
I
3o
2o
2o
2o
3o
II I
3o
2o
II
()
3o
I
2o
2o
2o
3o
II I
r
3
1
5Exercise 75. Hoffmeister, Solo Quartet no. 2, 1st Movement
Exercise 76. Hoffmeister, Solo Quartet no. 4, 2nd Movement, Trio
Exercise 77. Sperger, Concerto No. 11, 1st Movement
8/11/2019 Viennese Bass Method - Lesson 10 Thumb Position Arpeggios on Harmonics - Letter Format
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4
J
I
.
3
J
III I
.
2o
J
1o
II III
.
3o
J
2o
I II
J
3o
J
I
2o
3o
r
3
1
3
1
II I
3
1-3
3o
3
(
)
3
o
I III II I
3
o
3
3
o
3
3
o
3
(
)
1o
I
2o
Loco
o
1
3o
2o
IV I II I
1
1-3
J
4
3
r
1o
1o
2o
2o
3o
III
III II III II I
3o
2o
3o
2o
3o
II I II I
1
1-3
IV III
L
r
1o
1o
2o
2o
3o
IIIII
III II III II I
3o
2o
3o
2o
3o
II I II I
3o
2o
3o
2o
3o
I II I II I
58
Exercise 77. Sperger, Concerto No. 11, 1st Movement
Exercise 78. Sperger, Concerto No. 11, 2nd Movement
8/11/2019 Viennese Bass Method - Lesson 10 Thumb Position Arpeggios on Harmonics - Letter Format
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4
I
1o
2o
1o
1o
2o
1o
2o
1o
()
2o
I
2o
2o
2o
2o
1o
2o
1o
1o
(
)
2o
1o
I
2o
1
II I
2o
2o
2o
2o
2o
2o
2o
1
II I
(
)
2o
2o
I
1o
1o
2o
2o
1o
1o
1o
1o
2o
2o
1o
1o
II III
IV
c
.
R
2o
II
2o
.
r
1o
2o
.
R
2o
2o
.
R
1o
2o
3o
U
C
L
3
III II I
1
2
II III II
2
III IV III
j
1
2
3
1
II III I
3o
3
2
I
2
.
1
II
3o
1o
2o
3o
3o
3o
1
II III II I II
2o
III
5Exercise 79. Sperger, Concerto No. 11, 3rd Movement
Exercise 80. Sperger, Concerto No. 18, 1st Movement
Exercise 81. Sperger, Concerto No. 13, 1st Movement
8/11/2019 Viennese Bass Method - Lesson 10 Thumb Position Arpeggios on Harmonics - Letter Format
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4
L
2
L
1
1
4
1
2
1
4
1
2
1
4
1
3o
III II III II I
2
1
1
2
3
2
2
3
1
3
3
1o
III II I
()
B E
2o
3o
3o
3o
3o
2o
3
1
1
II I II I II I II I II I II I
2
1o
2o
3o
J
3o
1
4
1
1
4
1
2
III II I I II III
L
2
L
1
1
4
1
2
1
4
1
2
1
4
1
3o
III II III II I
2
1
1
2
3
2
2
3
1
3
3
1o
III II I
.
(
)
2o
3o
3o
3o
3o
3o
2o
1o
L
Loco
o
o
2
1
I II II III IV IIIII
L
3
3
J
III I II III I II III
C
2o
3o
3o
1
3o
3o
2o
3o
3o
1
3o
3o
II I II I
2o
1o
2o
3o
1o
2o
II III II I
(
)
2
o
3
o
3
o
3
o
1
3
o
3
o
3
o
2
o
3
o
3
o
3
o
1
3
o
3
o
3
o
II I II I
2
o
1
o
2
o
3
o
1
o
2
o
3o
II III II I
3o
II
(
)
3o
II III
3o
II
2
.
2
J
2
III I
1
1
2
1
2o
3o
1
II III II
60Exercise 82. Sperger, Concerto No. 18, 2nd Movement
Exercise 83. Sperger, Concerto No. 13, 1st Movement
8/11/2019 Viennese Bass Method - Lesson 10 Thumb Position Arpeggios on Harmonics - Letter Format
8/8
.
L
Loco
j
3o
3o
IV III II I
.
L
Loco
j
1
2o
3o
3o
IV II II I
3o
3o
2o
3o
3o
3o
3o
2o
3o
3o
II I II I
(
)
1
o
2
o
2
o
2
o
2
o
2
o
I
2 .
1
1
1-3
2o
4
3
3
II I II I
3
II I III II I II
1
2
1
1
2
1
III II I II III II I II
1
2
1
1
2
2
III II I II III II I
1
2
I II III
1
1-3
III
2
1
1
2
II I
3
2
2
3
1o
3
1
3o
2o
1o
2o
3o
2o
1o
2o
II III II I II III II
()
3o
2o
1o
2o
3o
2o
1o
2o
I II III II I II II II
3o
(
1
II
2o
3o
)
II III
?
LocoL
IV
1
3-1
III
C
.
(
)
6
Exercise 84. Vanhal, Concerto, 3rd Movement
Exercise 85. Sperger, Concerto No. 11, 1st Movement - Sight-reading: Fill in your fingerings