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Weather ForecastingWeather ForecastingScience and Service DeilveryScience and Service Deilvery
Gerald FlemingGerald Fleming
Met Services
Scientific training informs culture Exact use of words and phrases
• Tradition of scientific papers
• Information needs study and thought
Command of detail Emphasis on routine services
• Interchangeability of staff
• Procedures before people
Scientist Stereotypes
Introverted Serious Earnest Precise Intense Disconnected from the ordinary world Bookish
Media and Media People
Creative training and background Competing for attention – shouting loudest Concept of Editorial Responsibility Different media have different drivers;
• TV, Internet – Strength of Images
• Radio – Voice Quality
• Newspapers – Writing Quality (story telling) All are PERSONALITY driven
Media Stereotypes
Talkative Loud Emotional Partying / Drinking / etc Self-centered Self-important Shallow
Meteorology and the Media There are commonalities (especially with
weather scientists?)• Curiosity
• Value Experience
• Work in a time-bound manner
Weather Broadcasters speak to both sides• Draw suspicion from both sides!
Public Service and the Media Media are always a special case!
A “medium” to other, ultimate, users.
Will have a large say in shaping the weather services offered through them.
May impede feedback from ultimate users to NMHSs
Media are partly a client and partly a “medium”. NMHS must satisfy two different sets of
requirements.
Remembering our beginnings...
Meteorology (in the modern sense) was conceived as a response to a problem – the loss of sailing ships in stormy weather.
The development of Meteorology was greatly driven by the needs of Aviation in the middle years of the 20th century.
Since then the development has been driven primarily by science, especially through Numerical Weather Prediction and Remote Sensing technologies.
A Complex Challenge
The development of our science has brought us the capability of providing a lot of useful information to society.
Society itself has become much more complex, and there is a wide diversity of need, from the most under-developed countries to the most developed.
The problems facing society are many and multi-faceted. The connections between daily life and Meteorology are
not as obvious as they once were. We must work harder to embed our products and
services in business and in society.
Credibility
Cannot over-emphasise the importance of personal contact.
Humans invest credibility in other humans – not necessarily in systems or organisations.
The NMHS contact point to the user personifies the service.
This person carries the brand of the NMHS Careful selection and training of suitable
people is required.
The Web – a special case Has vastly increased the amount of available
weather information. Driven by ease of use and ease of access. Has weakened the importance of the
personality as presenter of weather. This will change as bandwidth increases and
compression techniques improve. A challenge to NMHSs – can we also become
good broadcasters?
WMO Guidelines on Weather Presentation
Prepared by weather forecasters / broadcasters / experts.
Published on the WMO Website URL:
www.wmo.int/pages/prog/amp/pwsp/publicationsguidelines_en.htm
Easier URL: www.iabm.org
Weather Broadcast Guidelines
Presenting the Weather – the challenge• Building a story from the “facts”
• How much can you put in?
• Filtering and funneling
• Threading the facts together
• Reiteration
• Ending with a punch
Weather Broadcast Guidelines
Visualising the weather story
• Television is a visual medium
• Different tools for different situations
• Strengths and weaknesses of graphic systems
• Visual structure of the forecast
• Composition of the charts
• Timing Does it make sense with the sound down?
Weather Broadcast Guidelines
Effective use of Language• Breaking free from the language of science
• Breaking free from cliché
• Weather is a sensory experience
• Clarity and Enthusiasm are important
• Pausing, Punching
• Breaking free from bad habits
• Don’t be afraid to be different
Weather Broadcast Guidelines The Communication of Uncertainty
• A new, and growing area
• Ensemble techniques give probability forecasts
• How best to describe and communicate these?
• Need to preserve the confidence of the viewer
• Communicate uncertainty in words or in figures? Very important for:
• Hurricane/storm forecast tracks
• Seasonal outlooks
Radio Broadcast Guidelines
Guidelines published on Weather Broadcasting for Radio
The Importance of the Voice• Clarity
• Pacing
• Pitch
• Accent
• Scripting
What is a forecast for? A forecast is an OUTPUT of our work. It acts as an INPUT to decision-making
by users. Decision-making can be simple or
sophisticated The decision is the ultimate OUTCOME. A forecast is USELESS until someone
uses it to make a decision!
Information into Knowledge
Must package and share the information Users apply knowledge to their own
problems Probabilistic products need careful
interpretation Decisions are normally deterministic
How do we experience weather?
The wind, the rain, the temperature.. Weather is a Tactile Experience The primary “organ” through which we
experience weather is our skin! We cannot measure feelings – so we
“observe” the weather with instrumentation.
One description of the process of weather forecasting…..
Feel the weather Define the elements of weather Measure the elements Collect the measurements Calculate the evolution of the elements Represent the results (words, graphs,
pictures…) Describe how it will feel
One description of the process of weather forecasting…..
Feel the weather Define the elements of weather Measure the elements Collect the measurements Calculate the evolution of the elements Represent the results (words, graphs,
pictures…) Describe how it will feel
The basics of weather forecasting
Find out what is happening now Understand the dynamics of the
atmosphere Predict where the weather systems will
be tomorrow What does that mean for the wind, the
rain, the temperatures??
Process of producing a forecast
Feel the weather as you step outside the door! Examine the situation NOW
• Observations
• Satellite imagery
• Radar Imagery
• Synoptic chart
• Upper-air chart
• Tephigram
Process of producing a forecast
Look back – history of the weather over the previous days (it helps if you were working yesterday!)
Examine the airmasses• warm / cold
• dry / moist
• stable / unstable
Process of producing a forecast
Time to look forward Examine time-series of prognostic charts
(“progs”) Range of different elements Variety of different models Variety of temporal and spatial resolution Areas of coverage
Process of producing a forecast
Model parameters• Surface pressure
• Upper-air geopotential height
• Upper-air temperatures
• 850hPa θw
• Surface precipitation
• Winds; surface, 950hPa, 500hPa, Jetstream
Process of producing a forecast
Range of models known as the “Poor Mans Ensemble”
Can demonstrate significant differences in the synoptic evolution
How do we reconcile these?
Process of producing a forecast
History – which models have been performing best in the recent past.
Prejudice, or favouritism! Consideration of model strengths,
especially vis-à-vis the synoptic situation Is there a reason for the divergence?
• Developments in observation-poor regions
• Extra-tropical transitions
Format the Forecast
Words• To be read
• To be spoken
Images• Technical, e.g. synoptic chart
• Simpler – weather icons
Numbers• e.g. temperature, Beaufort Force
• Tables for specialised users (e.g. wave height, period)
Presenting the Forecast
How much meaning comes through WHAT we say?
7% !! How much from HOW we say it? 38% ! The rest – 55% - from how we LOOK
when we are saying it. (Albert Mehrabian)
Ten Guidelines of Good Weather Broadcasting Good Knowledge Look Presentable Be Organised Take Charge of the
Studio Tell the story in a
clear, concise manner
Be Natural Good Eyeline and
Eye Contact Pitching and pausing Explain the technical
terms Funnel the
information down to the forecast message