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 WILFERD OWEN. The dead-beat One of the earliest of Owen's "war" poems. It describes one particular incident in dramatic form. A soldier whose mind and spirit have been broken as the result of war is suspected (and condemned) of malingering. Although not physically wounded, he dies the victim of malicious and sinister forces. Set in a front-line trench, the action is contained within four irregularly rhymed stanzas. Metrically the basic iambic pentameter is broken rhythmically by the use, first of multi- syllables, and second the caesura. "…….his brave young wife, getting her fun (12). We might think, for the men who fought were not the only ones who suffered; wives, girlfriends, mothers in countless numbers had cause to weep. "That scum you sent last night soon died. Hooray! (19) Mind gone we can understand. But body too. Without being wounded (16). The poem provides no certain answer. "We sent him down….." (15). It is a deliberate sharing of the guilt. There is no attempt to dissociate himself from the savage treatment that is being handed out. They find it amusing. These are supposedly the life-savers, men engaged in acts of mercy. The dreadful irony is that he who is dead beat through no fault of his own should be in conflict, not with the enemy he's been sent to fight, but with those who belong on his own side. Anthem for Doomed-Youth The reader sees the horrors of war and how unfortunate it is to die in war. Discusses death in war and shows how those who die in war do not receive the normal ceremonies that are used to honor the dead. Owen was able to express how he felt about those who passed away while fighting in war. This poem is a variation of the Elizabethan sonnet. Owen introduces a touch of irony, because the conventional function of the sonnet is love, and this poem is sort of anti-love. The first line  of the poem, that shows how awful war is. The sonnet a powerful, negative connotation from the very beginning. in the first octet Owen makes a catalogue of the sound of war, the weapons of destructions such as “guns” (line 2), “rifles” (line 3) and “shells” , linked to religious imagery such as “orisons” (line 4), “bells” (line 5), “prayers” . In the second stanza the poem talks about the other side of war: the families of those who die in the war. He describes how those who die in war do not receive proper funerals. Tone shows strong anger, because he is an anti-war poet and repetition is used in the poem to make it seem monotonous.

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  • WILFERD OWEN. The dead-beat

    One of the earliest of Owen's "war" poems. It describes one particular incident in dramatic

    form.

    A soldier whose mind and spirit have been broken as the result of war is suspected (and

    condemned) of malingering. Although not physically wounded, he dies the victim of malicious

    and sinister forces.

    Set in a front-line trench, the action is contained within four irregularly rhymed stanzas.

    Metrically the basic iambic pentameter is broken rhythmically by the use, first of multi-

    syllables, and second the caesura.

    ".his brave young wife, getting her fun (12). We might think, for the men who fought were

    not the only ones who suffered; wives, girlfriends, mothers in countless numbers had cause to

    weep.

    "That scum you sent last night soon died. Hooray! (19) Mind gone we can understand. But

    body too. Without being wounded (16). The poem provides no certain answer.

    "We sent him down.." (15). It is a deliberate sharing of the guilt. There is no attempt to

    dissociate himself from the savage treatment that is being handed out.

    They find it amusing. These are supposedly the life-savers, men engaged in acts of mercy. The

    dreadful irony is that he who is dead beat through no fault of his own should be in conflict, not

    with the enemy he's been sent to fight, but with those who belong on his own side.

    Anthem for Doomed-Youth

    The reader sees the horrors of war and how unfortunate it is to die in war. Discusses death in

    war and shows how those who die in war do not receive the normal ceremonies that are used

    to honor the dead. Owen was able to express how he felt about those who passed away while

    fighting in war.

    This poem is a variation of the Elizabethan sonnet. Owen introduces a touch of irony, because

    the conventional function of the sonnet is love, and this poem is sort of anti-love. The first line

    of the poem, that shows how awful war is. The sonnet a powerful, negative connotation from

    the very beginning.

    in the first octet Owen makes a catalogue of the sound of war, the weapons of destructions

    such as guns (line 2), rifles (line 3) and shells, linked to religious imagery such as

    orisons (line 4), bells (line 5), prayers . In the second stanza the poem talks about the

    other side of war: the families of those who die in the war.

    He describes how those who die in war do not receive proper funerals. Tone shows strong

    anger, because he is an anti-war poet and repetition is used in the poem to make it seem

    monotonous.

  • AUDEN. Spain.

    The poem speaks of three times: yesterday, today, and tomorrow. It begins with Spains past. These lines mark the multifaceted growth of Spanish civilization as intellectual, religious, and artistic values were constructed and celebrated. Now people are filled with fear, and moments of tenderness and love and friendship are carried out during war. The poem then turns to the future, presented as a hopeful time, filled with research, enlarging of consciousness, romance and love, music and art and theater, poetry, bicycle races, peaceful walks. The poem imagines a future without bombs but with poets. The image of a pleasant future is quickly swallowed back up into the fierce present of today. Today death and murder are realities, and there are very few things that make life worth living. The poem ends on a very bleak note; the glorious tomorrow has never seemed farther away. Spain is in crisis; it had a pleasant past; it may or may not have a pleasant future.