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WILFERD OWEN. The dead-beat
One of the earliest of Owen's "war" poems. It describes one particular incident in dramatic
form.
A soldier whose mind and spirit have been broken as the result of war is suspected (and
condemned) of malingering. Although not physically wounded, he dies the victim of malicious
and sinister forces.
Set in a front-line trench, the action is contained within four irregularly rhymed stanzas.
Metrically the basic iambic pentameter is broken rhythmically by the use, first of multi-
syllables, and second the caesura.
".his brave young wife, getting her fun (12). We might think, for the men who fought were
not the only ones who suffered; wives, girlfriends, mothers in countless numbers had cause to
weep.
"That scum you sent last night soon died. Hooray! (19) Mind gone we can understand. But
body too. Without being wounded (16). The poem provides no certain answer.
"We sent him down.." (15). It is a deliberate sharing of the guilt. There is no attempt to
dissociate himself from the savage treatment that is being handed out.
They find it amusing. These are supposedly the life-savers, men engaged in acts of mercy. The
dreadful irony is that he who is dead beat through no fault of his own should be in conflict, not
with the enemy he's been sent to fight, but with those who belong on his own side.
Anthem for Doomed-Youth
The reader sees the horrors of war and how unfortunate it is to die in war. Discusses death in
war and shows how those who die in war do not receive the normal ceremonies that are used
to honor the dead. Owen was able to express how he felt about those who passed away while
fighting in war.
This poem is a variation of the Elizabethan sonnet. Owen introduces a touch of irony, because
the conventional function of the sonnet is love, and this poem is sort of anti-love. The first line
of the poem, that shows how awful war is. The sonnet a powerful, negative connotation from
the very beginning.
in the first octet Owen makes a catalogue of the sound of war, the weapons of destructions
such as guns (line 2), rifles (line 3) and shells, linked to religious imagery such as
orisons (line 4), bells (line 5), prayers . In the second stanza the poem talks about the
other side of war: the families of those who die in the war.
He describes how those who die in war do not receive proper funerals. Tone shows strong
anger, because he is an anti-war poet and repetition is used in the poem to make it seem
monotonous.
AUDEN. Spain.
The poem speaks of three times: yesterday, today, and tomorrow. It begins with Spains past. These lines mark the multifaceted growth of Spanish civilization as intellectual, religious, and artistic values were constructed and celebrated. Now people are filled with fear, and moments of tenderness and love and friendship are carried out during war. The poem then turns to the future, presented as a hopeful time, filled with research, enlarging of consciousness, romance and love, music and art and theater, poetry, bicycle races, peaceful walks. The poem imagines a future without bombs but with poets. The image of a pleasant future is quickly swallowed back up into the fierce present of today. Today death and murder are realities, and there are very few things that make life worth living. The poem ends on a very bleak note; the glorious tomorrow has never seemed farther away. Spain is in crisis; it had a pleasant past; it may or may not have a pleasant future.