21
William Hudson - 1920

William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

Embed Size (px)

Citation preview

Page 1: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

William Hudson - 1920

Page 2: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

Tridente ambíguo

Page 3: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

My Wife and my Mother in Law- W.E. Hill, 1915

Page 4: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

Ilusão Ponzo

Page 5: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

ImagemPadrão óptico

Experiência mental

Page 6: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

Fisiologia da percepção

Page 7: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

Fisiologicamente

EtnograficamenteLemos imagens

Psicologicamente

Page 8: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

Ler um filmeVer um filme ≠

Page 9: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

“We understand film not because we have an knowledge of its system; rather, we achieve anunderstanding of its system because we understandthe film”

Christian Metz, Film Language

Page 10: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

Significado Significante≠

Page 11: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

“A film is difficult to explain because it is easy to understand”

Christian Metz, Film Language

Page 12: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

“The power of language systems is that there isa very great difference between the signifier andthe signified; the power of film is that there is not”

James Monaco, How To Read A Film

Page 13: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

“The great thing about literature is that you can imagine; the great thing about film is that you can’t”

James Monaco, How To Read A Film

Page 14: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

FilmeTexto

?Palavra

Page 15: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

Denotação Conotação

Page 16: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

ParadigmáticaConotação

SintagmáticaConotação

Page 17: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

Índice

Ícone

Símbolo

Peter Wollen, Signs and Meanings in The Cinema (1969)

Signo em que o significante representa o significado pela sua semelhança.

Mede uma qualidade, não pela semelhança mas por uma relação inerente com ela.

Signo arbitrário em que o significante não tem relação directa ou indexical com o significado. Representa-o convencionalmente.

Page 18: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

Metonímia Sinédoque

Sentido conotativo

(Substituição) (A parte pelo todo)

Page 19: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

Mise-en-scène Montagem

Sintaxe

(no espaço) (no tempo)

Page 20: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

Mise-en-scène Montageme

realismoe

expressionismo

Bazin Goddardvs

Page 21: William Hudson - 1920. Tridente ambíguo My Wife and my Mother in Law - W.E. Hill, 1915

Códigos

culturais partilhados cinematográficos