17
www W Wo Arrange Based on th The PraiseCharts Worship Band Series is a uniq These arrangements are geared towards a cont medium-sized orchestra. The core parts (rhyth Parts included Lead Sheet (SAT) – for worship leader and vocal Rhythm – a more detailed chart for keyboard, gu Core Worship Band instrumental parts (wriTrumpet 1-2 Alto Sax Trumpet 3 (double Trombone 1-2 Tenor Sax 1-2 (dou Additional Orchestral parts (these en Bass TromboneBari Sax (doubl Horn 1-2 (Frenc Flute/Oboe 1-3 Clarinet (doublIndividual string String ReductioRhythm section: The Rhythm part is for the section plaor drummer) with all the specific rhythms and chords nece arrangement. The Lead Sheet is a combination rhythm and the vocalists, worship leader, or rhythm player needing mPiano, Vocal part includes a full piano part in “songbook fo comfortable with playing from a chord chart. When playin band the pianist would be advised to simplify this part in o the way". Vocals: We include both an SAT Lead Sheet and a SATB V When using the SAT part (soprano/alto/tenor), the bariton the melody (soprano) down an octave – any exceptions arWhen the part is written in unison, the men should sing it may be done as a solo. This method provides a contempor to-learn fashion. Written with core brass Written as a section Written as a section To contact us: Email feedback@ praisecharts.com or call (800) 695-6293 w.praisecharts.com Winter Snow ords & music by Audrey Assad ed and orchestrated by Dan Galbraith he popular recording from the Chris Tomlin album “Glory In The Highest” que and growing series of arrangements by some of todatemporary “R&B horns” praise band sound, but at the sam, vocals, and brass) may be enhanced with the other pd in the PraiseCharts Worship Band Serie team Piano/Vocal (SATB) – includes written-out itars, and drums. Ac. Guitar – modified Rhythm part in apprtten as a section): s Alto Sax) ubles Trombone) hance the arrangement, but the Worship Band parts ma /Tuba Percussion 1,2 (Timp es Bass Trombone) ch Horn) es 3 rd Flute) g parts - Violin, Viola, Cello-Bass (note, all multi-note parts are n – string parts condensed for keyboard synth yer (pianist, guitarist, essary for the d vocal chart meant for ore vocal cues. The ormat” for those not ng with a complete order to "stay out of Vocal/Piano score. ne/basses should sing e listed on the score. down one octave or it rary sound in an easy- Alternate keys: There is at least one accommodate either a keyboard-based the orchestra a more playable key, or to accessible if necessary. Other notes: Rehearsal numbers are “3”, providing the easy use of finger sig want to make impromptu changes duriverse of the song, “2” is the chorus, and there are exceptions. When a section iarrangement, it is labeled “1a” or “2a”, clearly notated to facilitate these impro instrumental part includes Lyric Cues to place. A note on brass stylings: For most titlinterpreted with jazz articulations and infbeen notated very carefully to aid the play’s top new arrangers. me time are scalable up to a arts in any combination. es piano part and SATB vocals opriate capo keys ay also stand alone): pani, Bells, Sus. Cym., etc) divisi) alternate key included to band or a guitar-based band, to give o make the vocal range more given in the form of “1”, “2”, and nals by the worship leader who may ng worship. Normally, “1” is the d “3” is a bridge or other section, but s repeated in its entirety later in the etc. All endings and repeats are omptu changes. Finally, each o aid the player in keeping their es, the brass parts should be ections in mind. They have yer in this interpretation.

Winter Snow (PREVIEW ONLY) · The Lead Sheet is a combination rhythm and the vocalists, worship leader, or rhythm player ... the way". Vocals: We include both an SAT Lead Sheet and

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www

W

WoArrange

Based on th

The PraiseCharts Worship Band Series is a uniqThese arrangements are geared towards a contmedium-sized orchestra. The core parts (rhyth

Parts included

Lead Sheet (SAT) – for worship leader and vocal tRhythm – a more detailed chart for keyboard, gu Core Worship Band instrumental parts (writTrumpet 1-2 Alto Sax Trumpet 3 (doubleTrombone 1-2 Tenor Sax 1-2 (dou

Additional Orchestral parts (these en

Bass Trombone/Bari Sax (doublHorn 1-2 (FrencFlute/Oboe 1-3 Clarinet (doubleIndividual stringString Reduction

Rhythm section: The Rhythm part is for the section playor drummer) with all the specific rhythms and chords necearrangement. The Lead Sheet is a combination rhythm andthe vocalists, worship leader, or rhythm player needing moPiano, Vocal part includes a full piano part in “songbook focomfortable with playing from a chord chart. When playinband the pianist would be advised to simplify this part in othe way".

Vocals: We include both an SAT Lead Sheet and a SATB VWhen using the SAT part (soprano/alto/tenor), the baritonthe melody (soprano) down an octave – any exceptions areWhen the part is written in unison, the men should sing it may be done as a solo. This method provides a contemporto-learn fashion.

Written with core brass

Written as a section

Written as a section

To contact us:

Email feedback@

praisecharts.com or call

(800) 695-6293

w.praisecharts.com

Winter Snow

ords & music by Audrey Assad ed and orchestrated by Dan Galbraith

he popular recording from the Chris Tomlin album “Glory In The Highest”

que and growing series of arrangements by some of todaytemporary “R&B horns” praise band sound, but at the samm, vocals, and brass) may be enhanced with the other pa

d in the PraiseCharts Worship Band Serie

team Piano/Vocal (SATB) – includes written-out itars, and drums. Ac. Guitar – modified Rhythm part in appro

tten as a section):

s Alto Sax) ubles Trombone)

hance the arrangement, but the Worship Band parts ma

/Tuba Percussion 1,2 (Timpes Bass Trombone)

ch Horn)

es 3rd Flute) g parts - Violin, Viola, Cello-Bass (note, all multi-note parts are n – string parts condensed for keyboard synth

yer (pianist, guitarist, essary for the d vocal chart meant for ore vocal cues. The ormat” for those not ng with a complete order to "stay out of

Vocal/Piano score. ne/basses should sing e listed on the score. down one octave or it

rary sound in an easy-

Alternate keys: There is at least one accommodate either a keyboard-based the orchestra a more playable key, or toaccessible if necessary.

Other notes: Rehearsal numbers are “3”, providing the easy use of finger sigwant to make impromptu changes durinverse of the song, “2” is the chorus, andthere are exceptions. When a section isarrangement, it is labeled “1a” or “2a”, clearly notated to facilitate these improinstrumental part includes Lyric Cues toplace.

A note on brass stylings: For most titleinterpreted with jazz articulations and inflbeen notated very carefully to aid the play

y’s top new arrangers. me time are scalable up to a arts in any combination.

es

piano part and SATB vocals opriate capo keys

ay also stand alone):

pani, Bells, Sus. Cym., etc)

divisi)

alternate key included to band or a guitar-based band, to give

o make the vocal range more

given in the form of “1”, “2”, and nals by the worship leader who may ng worship. Normally, “1” is the d “3” is a bridge or other section, but s repeated in its entirety later in the etc. All endings and repeats are

omptu changes. Finally, each o aid the player in keeping their

es, the brass parts should be ections in mind. They have yer in this interpretation.

& ## 44 œ œPiano only

P.œ jœ .œ œ œ œ˙ ˙

Em9 D2

F#Freely, swing 16ths q = 72

.œ œ œ œ .œ œ œwwG2 .œ jœ .œ œ œ œ.œ œ œ ˙

Em9 D2

F#

& ##4

.œ œ œ œ ˙wwG2

≈ œ œ œ œ œ œ œ œ œ .œ1. You could have come like a might - y

W.L. only

Em7 A7sus1 Verse

’ ’ ’œ .œstorm,

Dma7

& ##7

≈ œ œ œ œ œ œ œ œ œ œ œ œwith all the strength of a hur - ri - cane.

Em7 A7sus ’ ’.œ œ œDma7

& ##9

≈ œ œ œ œ œ œ œ œ œ .œYou could have come like a for - est

Em7 A jœ .œ Œ ≈ œ œ œfire, with the pow -

Bm9

& ##11

œ .œ ‰ œ œ œ œ œ ‰ œ œer of heav - en in Your

Em9 Em7(4) jœ .œ Œ ≈ œ œ œflame. But You came

A7sus A7

& ##13

œ œ œ œ œ œ œ œ œ œlike a win - ter snow

Em9 DF#2 Chorus

’ ’ ’œGma7

œ œ œ ≈ œ .œ jœqui - et, and soft, and

Em9 DF#

& ##16

’ ’jœ .œslow;

Gma7

œ œ œ œ œ ≈ œ œ œ3

fall - ing from the sky in the night

Em9 DF# œ ‰ œ œ ‰ jœ œ œ œ

to the earth be- low.

Gma7 A7sus F

& ##19

’ ’.– – – –œ Œ ÓBand in lite

D G2

’ ’.Û Û Û ÛD G2 DF#

Lead Sheet(SAT) Key: DWinter Snow

(based on the recording from the Chris Tomlin album "Glory In The Highest")www.praisecharts.com/9278 Audrey Assad

Arr. by Dan Galbraith

© 2009 River Oaks Music Publishing (BMI) (adm. by EMI CMG Publishing)All rights reserved. Used by permission. CCLI #5492031

Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright.

& ##21

≈ œ œ œ œ œ œ œ œ œ œ .œ2. You could have swept in like a tid - al

Opt. ALL

Em7(4) A7sus1a Verse

œ œ œ œ ‰ jœ œ œ œ œwave, or in an o -

Dma7 Bm7

& ##23

œ œ œ œ œ œ œ œ œ ‰ . rœcean to rav - ish our

Em7(4) A7sus

œ .œ Œ ‰ jœ œ œ œ œhearts. You could have come

Dma7

& ##25

jœ œ jœ œ œ œ œ œ .œthrough like a roar - ing

G2 A F#7

A# ‰ jœ ˙ ≈ œ œflood to wipe

Bm7

& ##27

œ œ œ œ œ œ œ œ œ œ œa - way the things we've

Em9 A7sus jœ .œ œ œ œ œ œœ œœ œœ3

scarred. Oh, oh, but You came+DUET

D F#7F

& ##29

œœ œœ ‰ œœ œœ œœ œœ œœ œœlike a win - ter snow.

Em9 D2

F#2a Chorus

’ ’œœ ≈ œœ œœ œœYou were qui -

Gma9

& ##31

œœ ..œœ ≈ œœ œœ œœ ..œœ jœœet, You were soft and

Em9 D2

F# ’ ’jœœ ..œœslow,

Gma9

œœ œœ œœ œœ œœ œœ œœ ≈ œœ œœ œœfall - ing from the sky in the night

Em9 D2

F#

& ##34

œœ ‰ œœ œœ œœ œœ œœto the earth be - low.

Gma9 A7sus ’ ’.Û Û Û ÛD G2

’ ’ .œ jœOoh,

no,

œœ# œœ# œœ# œœALL

D F#7 f

& ##37

œœœ œœœ œœœ ≈ œœœ œœœ œœœ ≈ œœœ œœœ œœœYour voice was - n't in

Bm7 F#m73 Bridge

œœœ ‰ œœœ œœœ œœœ œœœ œœœ œœœa bush burn - ing;

Gma9 AF#7

A#

Winter Snow - page 2 of 3Lead Sheet(SAT) Key: D

&?

####4444œ œ

(Piano only)

‰P

.œ jœ .œ œ œ œ˙ ˙˙̇̇ ˙˙˙

Em9 D2

F#Freely, swing 16ths q = 72

.œ œ œ œ .œ œ œwwww

G2 .œ jœ .œ œ œ œ.œ œ œ ˙˙̇̇ ˙˙˙

Em9 D2

F#

&

&?

##

####

.œ œ œ œ .œ jœww

4

ww

G2

≈ œ œ œ œ œ œ œ œ œ .œ1. You could have come like a might - y

˙̇̇ ˙˙˙˙ œ .œ œ

Em7 A7sus

1 Verse

œ .œ Œ Óstorm,

....˙˙̇̇ œœ˙ .œ œ .œ œ

Dma7

&

&?

##

####

≈ œ œ œ œ œ œ œ œ œ œ œ œwith all the strength of a hur - ri - cane.

˙̇̇ œœœ œœœ7

˙̇ .œ œ œœ .œ œ

Em7 A7sus

.œ œ œ Ó

˙˙̇̇ œœœœ œ œ œ œ œ œ.˙ .œ œ

Dma7

Piano-Vocal(SATB) Key: DWinter Snow

(based on the recording from the Chris Tomlin album "Glory In The Highest")www.praisecharts.com/9278 Audrey Assad

Arr. by Dan Galbraith

© 2009 River Oaks Music Publishing (BMI) (adm. by EMI CMG Publishing)All rights reserved. Used by permission. CCLI #5492031

Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright.

&

&?

##

####

≈ œ œ œ œ œ œ œ œ œ .œYou could have come like a for - est

˙̇̇ ˙˙̇

9˙ ˙

Em7 A

jœ .œ Œ ≈ œ œ œfire, with the pow -

....˙˙˙̇ œœw

Bm9

&

&?

##

####

œ .œ ‰ œ œ œ œ œ ‰ œ œer of heav - en in Your

....˙̇̇̇ œœœ11

w

Em9 Em7(4)

jœ .œ Œ ≈ œ œ œflame. But You came

...˙˙˙ œœw

A7sus A7

&

&?

##

####

œ œ œ œ œ œ œ œ œ œlike a win - ter snow

˙̇̇̇ ˙̇

13

˙̇ ˙̇

Em9 DF#

2 Chorus

œ Œ Ó

wwwwww

Gma7

œ œ œ ≈ œ .œ jœqui - et, and soft, and

˙̇̇̇ ˙œ œ˙̇ ˙̇

Em9 DF#

Winter Snow - page 2 of 8Piano-Vocal(SATB) Key: D

&

&?

##

####

jœ .œ Óslow;

....˙̇˙˙ œœœœ ..œœ16

..˙̇ ..œœ œ

Gma7

œ œ œ œ œ ≈ œ œ œ3

fall - ing from the sky in the night

˙̇̇̇ ˙̇˙̇ ˙̇

Em9 DF#

œ ‰ œ œ ‰ jœ œ œ œto the earth be-low.

˙̇˙˙ œœœ œœœ˙̇ ˙̇

Gma7 A7sus

&

&?

##

####

œ Œ Ó

...œœœ œœ œœ jœ œœ œœ œœ œ œœ œ œ19

..œœjœœ œœ œœ

(band in)

D G2

F

..œœ œ œ .œ œœœ œœœ˙̇ œœ œœ

D G2 DF#

&?

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########

≈ œ œ œ œ œ œ œ œ œ œ .œ2. You could have swept in like a tid - al

Opt. ALL

≈ œ œ œ œ œ œ œ œ œ œ .œ

...œœœ œ œœœ ...œœœ œ ...œœœ œ21

œ .œ œ œ œ

Em7(4) A7sus

1a Verse

œ œ œ œ ‰ jœ œ œ œ œwave, or in an o -

œ œ œ œ ‰ Jœ œ œ œ œ

œœœœ œœœœ œœœœ œœœœ.œ œ œ# ˙

Dma7 Bm7

Winter Snow - page 3 of 8Piano-Vocal(SATB) Key: D

& ## 44 œ œPiano onlyP

.œ jœ .œ œ œ œ˙ ˙Em9 D2

F#Freely, swing 16ths q = 72

.œ œ œ œ .œ œ œwwG2 .œ jœ .œ œ œ œ.œ œ œ ˙

Em9 D2

F#

& ##4

.œ œ œ œ .œjœww

G2

’ ’˙̇˙˙Em7 A7sus

1 Verse

1."You could have come..."

’ ’ ’ ’Dma7

’ ’ ’ ’Em7 A7sus

& ##8

’ ’ ’ ’Dma7

’ ’ ’ ’Em7 A ’ ’ ’ ’Bm9

’ ’ ’ ’Em9 Em7(4)

& ##12

’ ’ ’ ’A7sus A7

’ ’ ’ ’Em9 DF#

2 Chorus

"But you came..."

’ ’ ’ ’Gma7

’ ’ ’ ’Em9 DF#

& ##16

’ ’ ’ ’Gma7

’ ’ ’ ’Em9 DF# ’ ’ ’ ’Gma7 A7sus ’ ’.Û Û Û Û

Band in lite

D G2

F& ##

20

’ ’.Û Û Û ÛD G2 DF# ’ ’ ’ ’Em7(4) A7sus

1a Verse

2."You could have swept..."

’ ’ ’ ’Dma7 Bm7

’ ’ ’ ’Em7(4) A7sus

& ##24

’ ’ ’ ’Dma7

’ ’ ’ ’G2 A F#7

A# ’ ’ ’ ’Bm7

’ ’ ’ ’Em9 A7sus

& ##28

’ ’ ’ ’D F#7

’ ’ ’ ’Em9 D2F#2a Chorus

F "But you came..."

’ ’ ’ ’Gma9

’ ’ ’ ’Em9 D2F#

Rhythm Key: DWinter Snow(based on the recording from the Chris Tomlin album "Glory In The Highest")

www.praisecharts.com/9278 Audrey AssadArr. by Dan Galbraith

© 2009 River Oaks Music Publishing (BMI) (adm. by EMI CMG Publishing)All rights reserved. Used by permission. CCLI #5492031

Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright.

& #### 44 ‰ l4Freely, swing 16ths q = 72 l8

1 Verse

1."You could have come..."

l82 Chorus

"But you came..."

& ####21-23

l31a Verse

2."You could have swept..."

Ó Œ œ œ œFlugels throughout

P.œ œ œ œ ˙ ∑ Œ œ. œ œ ˙

& ####28

Œ ‰ œ œ œ œœ# ..œœ- œœ. Œ Ó2a Chorus

"But you came..."

Œ œ. œ œ œ œ œ œ œ

& ####31

w wœ œ .˙ œœ œ œ œ œ œ œ œ œ œ œ œ ˙Í& ####

35

Ó ≈ œ œ œ œ œ œ œ œ œ œ ˙̇# ..œœ- œœ^ Œ Œ œ œ3 Bridge

"Oh no, You're voice..."F .œ œ œ œ œ

& ####39

Œ œ- œ. ≈ œ ˙ ..œœ- œœ̂ Œ œœ œœ ˙ ÓP

l3 l62b Chorus

"You came..."

& ####51

wœ œ .˙Tag

"Falling..."P˙̇ œœ œœ ˙̇ Ó ∑

Rit.

∑U

Trumpet 1-2 Key: DWinter Snow(based on the recording from the Chris Tomlin album "Glory In The Highest")

www.praisecharts.com/9278 Audrey AssadArr. by Dan Galbraith

© 2009 River Oaks Music Publishing (BMI) (adm. by EMI CMG Publishing)All rights reserved. Used by permission. CCLI #5492031

Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright.

&?

####4444‰‰

l4l4

Freely, swing 16ths q = 72l8l8

1 Verse

1."You could have come..."

˙ ˙Cello solo

2 Chorus

"But you came..."

P&?

####

14.˙ œ

˙ ˙

w

˙ ˙

˙ ˙

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####...œœœ jœœœ ˙˙˙

19 .œ jœ ˙sectionP ˙̇̇ œœœ œœœ

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2."You could have swept..."

Œ œ œ œ œ œ œ

˙ ˙

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23˙ ˙

˙ œ œ

w˙ œ œ œ˙ œ œ#

œ œ œ œ œ œ œ.˙ œ

w

˙ œ œ

String Reduction Key: DWinter Snow(based on the recording from the Chris Tomlin album "Glory In The Highest")

www.praisecharts.com/9278 Audrey AssadArr. by Dan Galbraith

© 2009 River Oaks Music Publishing (BMI) (adm. by EMI CMG Publishing)All rights reserved. Used by permission. CCLI #5492031

Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright.

&?

####œ œ œ# œ œ œ œ# œ

28 ˙ œ œ

.˙ œ

˙ ˙

2a Chorus

"But you came..."F˙ œ œ

.œ jœ œ œ

.˙ œ

˙ œ œ&?

####

˙ œ œ œ œ

32.œ jœ œ œ

w

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####œ œ œ# œ œ œ œ œ# œ# œ˙

36 .œ jœ ˙

˙ ˙

.œ jœ ˙

3 Bridge

"Oh no, You're voice..."f.˙ œ

.œ jœ œ œ#

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####

˙ ˙

39

.œ jœ ˙

œ ˙ œ

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∑∑

...˙̇̇æææææææææææææææææææææ Œ∑Fp

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####

44

∑∑

˙ ˙Cello solo

2b Chorus

"You came..."

P

∑.˙ œ

˙ ˙

w

Winter Snow - page 2 of 3String ReductionKey: D

& bbb 44 œ œPiano only

P.œ jœ .œ œ œ œ˙ ˙

Fm9 Eb2G

Freely, swing 16ths q = 72

.œ œ œ œ .œ œ œwwAb2 .œ jœ .œ œ œ œ.œ œ œ ˙

Fm9 Eb2G

& bbb4

.œ œ œ œ ˙wwAb2

≈ œ œ œ œ œ œ œ œ œ .œ1. You could have come like a might - y

W.L. only

Fm7 Bb7sus1 Verse

’ ’ ’œ .œstorm,

Ebma7

& bbb7

≈ œ œ œ œ œ œ œ œ œ œ œ œwith all the strength of a hur - ri - cane.

Fm7 Bb7sus ’ ’.œ œ œEbma7

& bbb9

≈ œ œ œ œ œ œ œ œ œ .œYou could have come like a for - est

Fm7 Bb jœ .œ Œ ≈ œ œ œfire, with the pow -

Cm9

& bbb11

œ .œ ‰ œ œ œ œ œ ‰ œ œer of heav - en in Your

Fm9 Fm7(4) jœ .œ Œ ≈ œ œ œflame. But You came

Bb7sus Bb7

& bbb13

œ œ œ œ œ œ œ œ œ œlike a win - ter snow

Fm9 EbG

2 Chorus

’ ’ ’œAbma7

œ œ œ ≈ œ .œ jœqui - et, and soft, and

Fm9 EbG

& bbb16

’ ’jœ .œslow;

Abma7

œ œ œ œ œ ≈ œ œ œ3

fall - ing from the sky in the night

Fm9 EbG œ ‰ œ œ ‰ jœ œ œ œ

to the earth be- low.

Abma7 Bb7sus F

& bbb19

’ ’.– – – –œ Œ ÓBand in lite

Eb Ab2’ ’.Û Û Û ÛEb Ab2 Eb

G

Lead Sheet(SAT) Key: E bWinter Snow

(based on the recording from the Chris Tomlin album "Glory In The Highest")www.praisecharts.com/9278 Audrey Assad

Arr. by Dan Galbraith

© 2009 River Oaks Music Publishing (BMI) (adm. by EMI CMG Publishing)All rights reserved. Used by permission. CCLI #5492031

Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright.

&?

&?

&

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&

&B?

##########

#############

#####

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4444444444

4444444444444444444444

SA

TB

Rhythm

Trumpet 1-2

Alto Sax(Trumpet 3)

Trombone 1-2(Tenor Sax 1-2)

Trombone 3, Tuba(Bari Sax)

1

2

Horn 1-2

Flute (Oboe) 1-3(Clarinet)

Violin 1-2

Viola

Cello-Bass

Piano

Percussion

SATB

‰‰œ œ

(Piano only)

‰œ œ

Piano only

‰‰‰‰‰‰‰

‰‰‰

P

P

∑∑

.œ jœ .œ œ œ œ˙ ˙˙̇̇ ˙˙˙.œ jœ .œ œ œ œ˙ ˙

∑∑∑∑∑∑∑

∑∑∑

Em9 D2

F #

Em9 D2

F #

Freely, swing 16ths q = 72 ∑∑

.œ œ œ œ .œ œ œwwww

2

.œ œ œ œ .œ œ œww

∑∑∑∑

Ó ˝Triangle

∑∑

∑∑∑

G2

G2

p

∑∑

.œ jœ .œ œ œ œ.œ œ œ ˙˙̇̇ ˙˙˙

3

.œ jœ .œ œ œ œ.œ œ œ ˙

∑∑∑∑∑∑∑

.œ Jœ œ œOboe solo(Opt. other WW)

∑∑∑

Em9 D2

F #

Em9 D2

F #

P

∑∑

.œ œ œ œ .œjœww

ww

4

.œ œ œ œ .œjœww

∑∑∑∑∑

Ó ˙̇Bells - rubber mallets

w∑∑∑

G2

G2

P

Conductor's ScoreKey: DWinter Snow

(based on the recording from the Chris Tomlin album "Glory In The Highest")www.praisecharts.com/9278 Audrey Assad

Arr. by Dan Galbraith

© 2009 River Oaks Music Publishing (BMI) (adm. by EMI CMG Publishing)All rights reserved. Used by permission. CCLI #5492031

Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright.

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SA

TB

Rhythm

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Horn 1-2

Fl. (Ob.) 1-3(Clar.)

Vln. 1-2

Vla.

Cello-Bass

Piano

Perc.

SATB

≈ œ œ œ œ œ œ œ œ œ .œ1. You could have come like a might - y

˙̇̇ ˙˙˙˙ œ .œ œ

5

’ ’˙̇˙˙∑∑∑∑∑∑∑

∑∑∑

Em7 A7sus

Em7 A7sus

1 Verse

œ .œ Œ Óstorm,

....˙˙̇̇ œœ˙ .œ œ .œ œ

6

’ ’ ’ ’

∑∑∑∑∑∑∑

∑∑∑

Dma7

Dma7

≈ œ œ œ œ œ œ œ œ œ œ œ œwith all the strength of a hur - ri-cane.

˙̇̇ œœœ œœœ˙̇ .œ œ œœ .œ œ

7

’ ’ ’ ’

∑∑∑∑∑∑∑

∑∑∑

Em7 A7sus

Em7 A7sus

Winter Snow - page 2 of 17Conductor's Score Key: D

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TB

Rhythm

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Horn 1-2

Fl. (Ob.) 1-3(Clar.)

Vln. 1-2

Vla.

Cello-Bass

Piano

Perc.

SATB

.œ œ œ Ó

˙˙̇̇ œœœœ œ œ œ œ œ œ.˙ .œ œ

8

’ ’ ’ ’

∑∑∑∑∑∑∑

∑∑∑

Dma7

Dma7

≈ œ œ œ œ œ œ œ œ œ .œYou could have come like a for - est

˙̇̇ ˙˙̇˙ ˙

9

’ ’ ’ ’

∑∑∑∑∑∑∑

∑∑∑

Em7 A

Em7 A

jœ .œ Œ ≈ œ œ œfire, with the pow -

....˙˙˙̇ œœw

10

’ ’ ’ ’

∑∑∑∑∑∑∑

∑∑∑

Bm9

Bm9

Winter Snow - page 3 of 17Conductor's Score Key: D

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SA

TB

Rhythm

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Horn 1-2

Fl. (Ob.) 1-3(Clar.)

Vln. 1-2

Vla.

Cello-Bass

Piano

Perc.

SATB

œ .œ ‰ œ œ œ œ œ ‰ œ œer of heav - en in Your

....˙̇̇̇ œœœw

11

’ ’ ’ ’

∑∑∑∑∑∑∑

∑∑∑

Em9 Em7(4)

Em9 Em7(4)

jœ .œ Œ ≈ œ œ œflame. But You came

...˙˙˙ œœw

12

’ ’ ’ ’

∑∑∑∑

æ̋Sus. Cym.

∑∑

∑∑∑

A7sus A7

A7sus A7

p

œ œ œ œ œ œ œ œ œ œlike a win - ter snow

˙̇̇̇ ˙̇˙̇ ˙̇

13

’ ’ ’ ’

∑∑∑∑

˝

w∑

∑∑

˙ ˙Cello solo

Em9 DF#

Em9 DF#

2 Chorus

P

p

P

Winter Snow - page 4 of 17Conductor's Score Key: D

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TB

Rhythm

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Horn 1-2

Fl. (Ob.) 1-3(Clar.)

Vln. 1-2

Vla.

Cello-Bass

Piano

Perc.

SATB

~~~~~~~~~~~~~~

œ Œ Ó

wwwwww

14

’ ’ ’ ’

∑∑∑∑∑∑

w.œ œ œ œ .œ œ œ

(Solo cont.)

∑∑

.˙ œ

Gma7

Gma7

P

œ œ œ ≈ œ .œ jœqui - et, and soft, and

˙̇̇̇ œ̇ œ˙̇ ˙̇

15

’ ’ ’ ’

∑∑∑∑∑∑∑

w

∑∑

˙ ˙

Em9 DF#

Em9 DF#

jœ .œ Óslow;

....˙̇˙˙ œœœœ ..œœ..˙̇ ..œœ œ

16

’ ’ ’ ’

∑∑∑∑∑∑∑

Œ œ œ œ œ œ œ

∑∑

w

Gma7

Gma7

œ œ œ œ œ ≈ œ œ œ3

fall - ing from the sky in the night

˙̇̇̇ ˙̇˙̇ ˙̇

17

’ ’ ’ ’

∑∑∑∑

˝Wind chimes

∑∑

.˙ œ œ

∑∑

˙ ˙

Em9 DF#

Em9 DF#

Winter Snow - page 5 of 17Conductor's Score Key: D

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TB

Rhythm

Tpt. 1-2

Alto Sax(Tpt. 3)

Trb. 1-2(T. Sax 1-2)

Trb. 3, Tba.(Bari Sax)

Horn 1-2

Fl. (Ob.) 1-3(Clar.)

Vln. 1-2

Vla.

Cello-Bass

Piano

Perc.

SATB

œ ‰ œ œ ‰ jœ œ œ œto the earth be - low.

˙̇˙˙ œœœ œœœ˙̇ ˙̇

18

’ ’ ’ ’

∑∑∑∑∑∑∑

w

∑∑

˙ ˙

Gma7 A7sus

Gma7 A7sus

œ Œ Ó

...œœœ œœ œœ jœ œœ œœ œœ œ œœ œ œ

..œœjœœ œœ œœ

(band in)

19

’ ’.Û Û Û ÛBand in lite

∑∑∑∑∑∑∑

..œœ jœœ ˙̇

.œ jœ ˙

.œ jœ ˙section

D G2

D G2

F

F

PPP

..œœ œ œ .œ œœœ œœœ˙̇ œœ œœ

20

’ ’.Û Û Û Û

∑∑∑∑∑∑∑

˙̇ œœ œœ˙ œ œ

˙ œ œ

D G2 DF#

D G2 DF#

Winter Snow - page 6 of 17Conductor's Score Key: D