WOOLLEY & WaLLisSALISBURY SALEROOMS

www.woolleyandwallis.co.uk

PaintingsWednesday 23rd september 2015

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Tribal arT, anTiquiTies

2nd SeptemberWill Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk english & european CeramiCs & glass

15th September – Fine Porcelain & Pottery24th NovemberClare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk painTings

9th December – Part I – Fine Old Masters & 19th Century PaintingsPart II – 20th Century & Contemporary ArtVictor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.ukJo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk arms & armour

7th OctoberWill Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk FurniTure, Works oF arT & CloCks

7th OctoberMark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk 20Th CenTury Design

21st October – 20th Century Design25th November – British Art PotteryMichael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk silver

28th October – Fine Silver & Objects of VertuRupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.ukLucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JeWellery

29th OctoberJonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.ukMarielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk asian arT

17th & 18th NovemberJohn Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.ukSophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk

Auction Calendar

• Entries can usually be accepted up to six weeks prior to the auction• Illustrated catalogues are available about ten days before the sale• Viewing is normally two days prior to the auction and on Saturday mornings• Catalogue subscriptions are available for all sales• Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SUTel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

Specialist DepartmentsPlease dial +44 (0)1722 followed by the number listed below

20Th CenTury Design

Michael Jeffery 424505 asian arT

John Axford MRICS ASFAV 424506Sophie Lister 424591Alex Aguilar Doméracki 424583Freya Yuan 424589 english & european CeramiCs & glass

Clare Durham 424507 FurniTure, Works oF arT & CloCks

Mark Richards 411854Jim Gale 339161 JeWellery

Jonathan Edwards FGAA 424504Marielle Whiting FGA 424595 painTings

Victor Fauvelle 424503Jo Butler 424592 silver

Rupert Slingsby 424501Lucy Chalmers 424594 Tribal arT & anTiquiTies

arms & armour

Will Hobbs 339752Ellie Osmond 339752

valuaTions For insuranCe & probaTe

Paul Viney ASFAV 424509 Clive Stewart-Lockhart FRICS FRSA 424598

markeTing

Tamzin Corbett 424590

aCCounTs

Janice Clift (Office Manager) 424500

general oFFiCe

Pauline West 424500 Sharon Ringwood Nicola Young Amanda Lawrence

saleroom manager

David Jordan 424500

boarD oF DireCTors

Paul Viney ASFAV Chairman

John Axford MRICS ASFAV Deputy Chairman

Clive Stewart-Lockhart FRICS FRSA Managing Director

Company seCreTary Jim Macarthur CA 424599

assoCiaTe DireCTors Janice Clift Clare Durham Jonathan Edwards FGAA Will HobbsMichael JefferyMark Richards Rupert Slingsby

Victor Fauvelle Tel: 01722 424503

victorfauvelle@woolleyandwallis.co.uk

Jo Butler Tel: 01722 424592

jobutler@woolleyandwallis.co.uk

EnquiriEs

Front cover: Lot 423 Back cover: Lot 268

This page: Lot 192Overleaf: Lot 187

Viewing TimesSaturday 19th September 10.00am – 1.00pmMonday 21st September 10.00am – 5.00pm

Tuesday 22nd September 10.00am – 4.00pmWednesday 23rd September 9.00am – 9.45am

Miniatures, Prints, Watercolours & Oil Paintings

PLEASE NOTE THIS SALE STARTS AT 10AM

Wednesday 23rd September 2015 at 10.00am

COLLECTION OF LOTSALL lots will be moved from the saleroom back to Salt Lane on 24th and 25th September - collection of lots on these days and Saturday 26th MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable.

From 28th September collection will be from the Picture department at Carter House, 6-10 Salt Lane, Salisbury SP1 1EE. Payment is still made at Castle Street.

COLLECTION OF SOLD AND UNSOLD LOTS MUST BE WITHIN 21 DAYS OF THE SALE -FAILURE TO COLLECT WITHIN THIS TIME MAY RESULT IN STORAGE FEES

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Live Internet bidding via

Extra images, a catalogue word search facility and condition reports are available at

www.woolleyandwallis.co.uk

Catalogue: £12.00 (£15.00 by post)

inDEXMiniatures

Prints

Miscellanea

Watercolours

Oil Paintings

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29-66

67-72

73-341

342-604

ARTIST’S RESALE RIGHT / DROIT DE SUITE‡ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details

CITES

λ This symbol indicates that Cites regulations may apply. Please see the auction information page

GLOSSARY OF TERMSPlease refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings

Member of The Society of Fine Art Auctioneers

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1. λ English School late 18th Century A lady, thought to be Miss Banks Oval in a gilt frame 28 x 23mm £200-300

2. λ English School late 18th Century A lady, head and shoulders Oval in a gilt frame with seed pearls surround 53 x 38mm £400-600

3. λ English School c.1800 Portrait of Charlotte St. John half length, facing left, in a landscape Oval in a red leather case 75 x 59mm Charlotte was the daughter of George St John, 3rd Viscount Bolingbroke and his fist wife Charlotte Collins. St John later left his wife and had a relationship with his younger half-sister. As a result of the scandal they moved to France. £120-180

4. λ English School 18th Century A boy, head and shoulders; A girl, half length Two, both in ebonized frames 40 x 32mm; 36 x 30mm (2) £80-120

5. λ English School 19th century A miniature of a lady, in profile facing left in a white bonnet Oval in a gilt frame, with hair back 30 x 23mm with another of a child, oval, hair back 26 x 23mm (2) £200-300

6. λ English School early 19th century A gentleman in a blue coat, facing left Oval, gilt frame 53 x 45mm with another of a gentleman, continental, 60 x 42mm (2) £150-250

7. λ English School c.1800 A lady wearing a white frilled dress Oval, in a rectangular gilt wood frame 80 x 65mm £150-200

MiniATurEs

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8. λ R.H. (19/20th Century) Miniature of Sir Douglas Strutt Galton K.C.B. (1823-1899) Signed with initials and dated 1899 Oval, in a gold frame, the reverse with blue glass over guilloche ground 77 x 60mm £100-150

9. λ English School 19th Century General Sir William Lockhart GCB; KCSI (1841-1900) Commander-in-Chief, India Oval, in an ebonized frame 63 x 50mm With 6 other miniatures mainly in ebonized frames (7) £100-150

10. λ English School 19th Century A gentleman, in a black and a blue waistcoat Oval 48 x 38mm With another of a young lady (2) £100-150

11. λ Italian School 18/19th Century A priest praying at an alter Oval, in a gilt frame 72 x 54mm £120-180

12. λ English School c.1840 Mrs Elizabeth Barchard, 2nd wife of Charles Fassett Burnett, d. 1869 Oval, in a gold frame with serpent motif 45 x 33mm With a portrait of Charles Fassett Burnett (1779-1853) and one of his first wife Harriet Barons m. 1806 and d. 1830. £200-300

13. λ English School late 18th Century Robert, eldest son of Sir Robert Burnett 1763-1815 Head and shoulders wearing green Oval, in a gilt frame 40 x 32mm With a lady c.1840 in a gold locket frame 38 x 31mm and a lady c.1900, oval 60 x 43mm £200-300

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14. λ English School late 18th Century A lady, head and shoulders, with a blue bow and roses in her hair Oval in a brooch frame 35 x 29mm £100-150

15. λ English School c.1900 A lady, head and shoulders Oval 65 x 50mm £150-200

16. λ Henry Collen (1798- c.1872) Miniature of a girl, head and shoulders, facing left Signed and dated 1827 Oval in a gilt frame, with a hair back containing the initials KMJ 39 x 33mm £600-800

17. λ English School c.1900 A lady, head and shoulders in pink, facing left Oval, gilt frame 60 x 43mm With a lady, oval, 85 x 72mm (2) £120-180

18. λ Continental School late 19th Century A lady, head and shoulders Oval in an ebonized frame 60 x 43mm With 5 other miniatures in similar frames (6) £100-150

19. λ English School 19th Century Mrs Robert Scott Moncrieff née Susan Pringle of Fossoway, Scotland Oval in a gilt metal frame 55 x 45mm With a photograph of a similar portrait, two further miniature portraits and a photograph of another (5) £100-150

20. λ English School 19th/20th Century A lady, bust length 60 x 43mm With 7 other miniatures, some over prints (8) £100-150

21. λ Manner of Richard Cosway A lady, head and shoulders in white Bears signature Oval, gilt frame 82 x 64mm With another of a lady, oval 82 x 63mm (2) £100-150

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22. λ Rosa Carter (c.1900) A Wild Rose; Little Sunlocks Two, both signed, titled and inscribed verso 83 x 55mm and 75 x 60mm (2) £300-400

23. λ English School 19th Century A gentleman, in brown robes Later inscribed verso Oliver Goldsmith by Dart Oval in an ebonized frame 76 x 63mm With two others of a lady and a gentleman in ebonized frames (3) £120-180

24. λ Dutch School 18th/19th Century A rustic in a beret Oil on copper, in a gilt frame 85 x 65mm £150-200

25. English School 19th Century A silhouette of gentleman, facing left Oval 85 x 65mm Provenance: William Bullock Collection £70-100

26. λ Continental School 19th Century Susanna and the Elders in a gilt frame 45 x 75mm £400-600

27. λ After Louis Marie Sicard The Marriage of Napoleon and Josephine Rectangular in an ebonised frame 72 x 57mm £100-200

28. λ Continental School 19th Century Putti playing on a seesaw Oval in a gilt frame 54 x 75mm £150-250

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29. Giovanni Battista Piranesi (Italian 1720-1778) Veduta della fonte e delle Spelonche d’Egeria … Etching from Vedute di Roma 40.5 x 68.5cm; 16 x 27in £200-300

30. Giovanni Battista Piranesi (Italian 1720-1778) Veduta del Tempio della Fortuna Virile, 1758 Etching 38 x 58.5cm; 15 x 23in £300-500

31. Giovanni Battista Piranesi (Italian 1720-1778) The Lion Bas-Relief from the Carceri series, second edition Etching 56 x 41cm; 22 x 16¼in £400-600

32. Lucas van Leyden (Dutch 1494-1533) Venus la Tresbelle Deesse D’amours With initial L and date 1528 in the print and stamp lower left, also inscribed indistinctly by unknown hand Engraving 16 x 11.25cm; 6¼ x 4½in £1,000-1,500

33. After Pierre Mignard Portrait of Edouard Colbert Engraving by Gerard Edelinck 48.5 x 35.5cm; 19 x 14in £50-80

34. After Rembrandt Harmensz Van Rijn Man with a high cap Etching 11 x 9cm; 4¼ x 3½in £200-300

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35. Thomas Vivares (c.1785-1810), Daniel Lerpiniere (1745-1785) and James Mason (1710-1785) after George Robertson View in the Island of Jamaica No.s 1-6: Part of the River Cobre near Spanish Town; The Roaring River Estate belonging to William Beckford Esq near Savannah la Marr; Fort William Estate, with part of Roaring River belonging to William Beckford Esq near Savannah la Marr; The Bridge crossing the Cabaritta River on the Estate of William Beckford Esq.; The Spring-head of Roaring River on the Estate of William Beckford Esq.; The Bridge Crossing the River Cobre near Spanish Town Six, all engravings, published by J. Boydell, London, 1778, all unframed 40.5 x 55cm; 17¾ x 21¾in (6) £2,000-3,000

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36. Christian Gottfried Morasch (1749-1813) and Friedrich August von Lawrence (1761-1810) Views of Dresden: Scholss Pillnitz an der Elbe; Vue de la ville de Dresde, prise du côte de la galerie au jardin de Brühl; Dresden; Three, all hand-coloured etchings, unframed 34.5 x 43.5cm; 13 x 17in and similar (3) £400-600

37. François Morelli (c.1768-c.1840) View of Italian ruins Set of four etchings with later hand colouring Each 31 x 44cm; 12 x 17¼in (4) £200-300

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38. After W. I. Pringle The review of the Queens own regiment of Yeomanry Cavalry Aquatint engraved by Henry H. Paprill (c.1816-1903) 39 x 61.5cm; 16¼ x 24¼in £100-150

39. Francesco Panini (1745-1813) Santa Maria Maggiore, Rome Bodycolour over the engraving by Francesco Barbazzo (1765-1790) 42 x 67cm; 16½ x 26¼in £300-500

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40. After John Frederick Herring Reveller; Barefoot A pair, both hand-coloured aquatints, engraved by Thomas Sutherland with Minerva blind-stamp Each 31 x 41cm; 12¼ x 16in (2) £200-300

41. Samuel and Nathaniel Buck (17/18th Century) Panoramic view of London Set of five, all hand coloured engravings published Sept. 11th 1749 Each 28 x 80cm; 11 x 31½in (5) £700-1,000

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42. After Hyacinthe Rigaud Portraits of Cardinals Three, all engravings, one engraved by Francois Chereau Each 50 x 36.5cm; 29¾ x 14½in With a further similar of a gentleman and a mezzotint after Sir Joshua Reynolds (5) £100-150

43. After William Blake Illustrations to the Book of Job Engravings, later restrikes with hand colouring, unframed Each 21.5 x 16cm; 8½x 6¼in (plate size) (2) £150-250

44. Jean Ignace Isidore Grandville (French 1803-1847) A travelling mouse Signed Hand coloured etching 17.5 x 13cm; 7 x 5in £400-600

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45. ‡ Malcolm Osborne R.A. (1880-1963) Cheyne Walk, Chelsea; Sloane Square; On the run at Sloane Square Three, all signed and titled All etchings 25 x 41cm; 10 x 16in and similar (3) £200-300

46. ‡ Malcolm Osborne R.A. (1880-1963) Old Stirling Bridge; Chartres Cathedral; Stirling Church of Holyrood; Norton Bavant; A continental town; A portrait Six, all signed All etchings 31 x 19cm;12 x 7½in and smaller With an etching by Alfred Bentley of a covered market (7) £150-250

47. ‡ Malcolm Osborne R.A. (1880-1963) Winter at Ambleside; The veil of Spring - Windermere Two, both signed and titled, one inscribed To Biddy with all best wishes Both etchings 20.5 x 39.5cm; 8 x 15½in and smaller (2) £150-250

48. Frederick Landseer Griggs (1876-1938) Palace Farm Signed, inscribed: Palace Farm 4th Etching, mounted unframed 12.5 x 18cm; 5 x 7in £300-500

49. After Charles Johnson Payne, (Snaffles) Tally-Ho Back; That far, far-away Echo Two, both with signatures, blind-stamped and with remarques to backing paper Both reproductions 23.5 x 37cm; 9¼ x 14½in and similar (2) £200-300

50. Francis Sydney Unwin (1885-1925) The Farm; The Stable Two, the first signed Both etchings 18 x 23.5cm; 7 x 9¼in and similar (2) £100-150

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51. Malcolm Osborne R.A. (1880-1963) Maggie; Marjorie; Fur Cloak; Mrs Siddons Four, all signed, two dated 1906 and 05 All etchings 17.5 x 12.5cm; 7 x 5in and smaller (4) £200-300

52. ‡ Elizabeth Keith (1887-1956) St. Isabella Tower, Manila Signed Woodcut 39 x 27cm; 15½ x 10½in £200-300

53. Stephen Gooden R.A. (1892-1955) Tobias and the Angel Signed Etching, mounted, unframed 18 x 12.5cm; 7 x 5in £100-150

54. William Strang R.A. (1859-1921) The Prodigal Son; The Supper at Emmaus Two, both signed Both etchings, mounted, unframed Each 18 x 20cm; 7 x 8in (2) £100-150

55. Charles Sims R.A. (1873-1928) Iris Etching with aquatint, artist’s proof 28 x 35cm; 11 x 15in (plate size) £100-150

56. ‡ Sir Frank Brangwyn R.A. (1867-1956) Two folios of works - L’Art de Frank Brangwyn; Brangwyn L’Unique Etchings and lithographs published in 1927 by E. F. D’Alignan and Paul Turpin, the first with a preface by Steinlen, the second with prefaces by Emile Verhaeren and Jean Richepin The first missing plates 11 and 29 and the second missing plates 57, 77, 79 and 100 66 x 47cm; 26 x 18½in (folio size) (2 folios) £700-1,000

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57. ‡ John Piper (1903-1992) Fotheringhay, Northamptonshire Signed and numbered 51/70 Lithograph 48 x 68.5cm; 19 x 27in £500-700

58. ‡ John Piper (1903-1992) Welsh quarry Reproduction 54 x 69cm; 21¼ x 27in Provenance: British Council Fine Arts Dept. £200-300

59. ‡ John Piper (1903-1992) Besse, Dordogne, 1968 Numbered 4/70 Screenprint 81 x 61cm; 32 x 24in Provenance: Century Galleries, Sonning, John Piper Exhibition, No. 23 £400-600

60. ‡ Edna Whyte (20th Century) The Clachan; Highland Village; Peat Cutting; The Ceilidh Four, all signed and titled All linocuts Each 38 x 49cm; 15 x 19¼in (4) £200-300

61. After George Franklin Arbuckle (Canadian 1909-2001) Lake Louise, Canadian Rockies Serigraph published by Canadian Pacific 60 x 75cm; 23¾ x 29½in £50-100

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62. ‡ Patrick Caulfield R.A. (1936-2005) Fern pot Signed and numbered 12/65 Screenprint in colours 83 x 59cm; 32¾ x 23¼in £400-600

63. ‡ Patrick Caulfield R.A. (1936-2005) Plant pot Signed and numbered 12/100 Screenprint in colours 84 x 60cm; 33 x 23¾in £400-600

64. ‡ Henry Moore O.M., R.A. (1898-1986) Six stones Signed and numbered 85/200 Lithograph 33.5 x 24cm; 13¼ x 9½in £250-350

65. Attributed to Marie Laurencin (French 1883-1956) Animal studies and children with animals A group, all etchings, unframed Each 25 x 16cm; 9¾ x 6¼in (sheet size) (c.18) Commissioned by Madame D’aulignac, possibly for an unfinished publication £100-150

66. ‡ Kate Dineen (20th Century) Buffalo composition Etching 38.5 x 54.5cm; 15 x 21¼in £150-200

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67. Napoleon at St Helena A contemporary hand-written inventory of the ‘Schedule of the Allowance of Wines, Provisions, etc. forwarded to the Establishment at Longwood in the Island of St Helena together with the Names of the persons comprising the Establishment’, signed Denzil Ibbetson ACG and dated 13th October 1820. This fascinating document gives a detailed insight into the quality and quantity of wine, spirits and food that were enjoyed by Napoleon and his retinue during his exile on St Helena. Their daily allowance included over 50 bottles of wine as well as cyder (sic), malt liquor, champagne and other drinks. The daily food allowance was equally remarkable and included 50lbs of beef and veal, 68lbs of bread, 50lbs of mutton and pork, 1 roasting pig, 2 turkeys, 2 geese, 4 ducks, 9 fowls, 12 pigeon, 42 eggs, 15 bottles of milk and much else. The list of personnel includes General Buonaparte, 7 members of the Bertrand family, and numerous staff including ‘32 Chinese’. Denzil Ibbetson was commissary in St Helena from 1815-23. A talented artist he drew numerous sketches of Napoleon including on his death bed. Provenance: Richard Booth, purser at St Helena and thence by family descent. £300-500

68. Wellesley, First Duke of Wellington Letter to Frederick da Goia Esq. from Wellington with regrets that he cannot attend a day at Winchester College, with envelope with seal stamped 18 June 1844 £100-150

MisCELLAnEA

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69. Churchill (Winston S.) and Baldwin (Stanley) A large photograph of Winston Churchill and Stanley Baldwin, signed by both of them and dated (in another hand?) April 1929. The photo 273 x 365mm, the mount 400 x 475mm. Sold with two glass inkwells which by family tradition are the same ones that feature in the photograph on the Cabinet table. This photograph was taken in the Cabinet Room at Downing Street when Baldwin was Prime Minister and Churchill the Chancellor of the Exchequer. A month later the Conservatives lost the General Election and Churchill began his years in the wilderness. £4,000-6,000

69A. Churchill (Winston S.) Letter to Sir Frank Moulden congratulating him on his Knighthood, written on Colonial office notepaper and dated Dec. 24th (1921); Together with a typed letter signed by Godfrey Thomas (Private Secretary to the Prince of Wales, later Edward VIII) offering similar congratulations, dated Hyderabad January 25th 1922 (2) Sir Frank Beaumont Moulden (1876-1932) spent his life involved in South Australian politics and was Mayor of Adelaide 1919-21. £100-150

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70. Autograph Album A remarkable autograph album, dating from the late 19th century containing over 260 signatures and 20 envelopes. Most of the signatures are either cut from letters or fragments and nearly all are stuck down. They include: Royalty: Charles II, George III, George IV, William IV, Victoria Politicians: Addington, Canning, Disraeli, Fox, Grey, Herbert, Lansdowne, Liverpool, Palmerston, Peel, Pitt, Wilberforce Dukes: Beaufort, Bedford, Buckingham, Leinster, Marlborough, Richmond, Sutherland, Wellington Artists: Eastlake, Etty, Frith, Holman Hunt, Landseer, Ruskin Bishops of Salisbury: Six from 1782-1885 Writers: Victor Hugo, Samuel Taylor Coleridge, and numerous others Others: Viscount Chelmsford, Garibaldi, David Livingstone £300-500

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71. Lilford (Thomas L. Powys, 4th Baron) Coloured Figures of the Birds of the British Isles, London 1885-97, 7 vols., 8vo, contemporary half morocco, with photogravure portrait and 421 plates, bookplate of Robert Hargreaves, some foxing but plates generally in excellent condition and numbered in pencil, minor scuffing to the spines, plate 62 in vol. VI (Bulmers Petrel) is absent with a repeat of Sooty Shearwater in its place; and Notes on the Birds of Northamptonshire, London 1895, 2 vols., 8vo, contemporary half morocco, folding map and 37 (of 67) plates, bookplate of Robert Hargreaves, some foxing but plates generally in excellent condition and numbered in pencil, minor scuffing to the spines (9) £1,000-1,500

72. After George Chinnery (1774-1852) Scenes of life in China in the early 19th century Portfolio of six prints after drawings in the collection of Sir John Keswick KCMG and Matheson and Co. Ltd., London, with title plate and folio box Published by the Curwen press 1960 50 x 36cm; 19½ x 14in (folio size) £120-180

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73. French School late 18th Century A young lady holding a bouquet Pastel 41 x 31cm; 16 x 12in £200-300

74. Richard Corbould (1757-1831) The eunuch dropping the billet at the feet of Don Raphael; Booth returning the letter to Col. Bath Two, both titled, one inscribed page 129 Both pencil and watercolour 13 x 7.5cm; 5 x 3in and 12 x 8cm; 4¾ x 3¼in (2) Provenance: Abbott & Holder £150-250

75. Follower of Francesco Bartolozzi Two Putti Red chalk 19 x 12cm; 7½ x 4¾in With a further drawing of a Mother and two children (2) £150-250

76. Continental School 19th Century Study of a man kneeling Red chalk 36.5 x 26cm; 14¼ x 10¼in £300-500

77. Thomas Allom (1804-1872) Figures by a waterfall Sepia pen, ink and wash 14.5 x 9.5cm; 5¾ x 3¾in £150-250

78. English School early 19th Century Classical scene Pen ink and grisaille washes 22 x 16cm; 8½ x 6½in £200-300

wATErCoLours

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79. Isaac Cruikshank (Scottish 1756-1811) Boots and shoes Signed Pen, ink and watercolour 17 x 24.5cm; 6¾ x 9½in £200-300

80. George Romney (1734-1802) The Effects of Pride and Jealousy Pencil 13.5 x 22cm; 5¼ x 8¾in Provenance: The Leger Galleries December 1986 £500-800

81. George Morland (1763-1804) A family in a horse and cart by a village church Signed and dated 1794 Pencil heightened with red chalk 34 x 43cm; 13½ x 17in £400-600

82. Thomas Barclay Hennell (1903-1945) Gipsy Boy Asleep Signed with initials, also titled in pencil Pen and ink 20 x 32.5cm; 8 x 12¾in Provenance: Ernest Ohly, Berkeley Galleries, London. £120-180

83. John Scarlett Davis (1804-1845) Bolton Castle; Helmsley Castle A pair, both mounted, unframed Both sepia washes over pencil 12 x 17.5cm; 4¾ x 7in (2) £300-500

84. William Payne (c.1760-c.1830) On the River Wye Said to be titled on original mount Aquatint with some hand-colouring 14 x 20.5cm; 5½ x 8in £100-150

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85. Manner of Francesco Guardi The Grand Canal, Venice Pen, ink and wash 19 x 26cm; 7½ x 10¼in £150-250

86. Nicholas Pocock (1740-1821) River Conway, 1794 Signed Grisaille washes, mounted, unframed 15 x 28.5cm; 6 x 11¼in With unframed watercolours by John Varley and W. F. Varley (3) £300-500

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87. Thomas Rowlandson (1756-1827) The Captain’s Request Thought to be inscribed verso Rowlandson 1796 Pen, grey ink and watercolour 14 x 9.25cm; 5½ x 3½in Provenance: Private collection, Scotland £800-1,200

88. Attributed to George Dawe R.A. (1781-1829) Princess Charlotte Augusta of Wales and Prince Leopold of Saxe Cobourg Gotha in their box at Covent Garden Watercolour 44.5 x 35cm; 17½ x 13¾in Thought to be a preliminary drawing for the engraving by W. T. Fry £1,000-1,500

89. Attributed to Elisabeth Sophie Cheron (French 1648-1711) A Classical sacrifice Watercolour and chalk after an engraving 24 x 19cm; 9½ x 7½in £500-700

90. Giuseppe Valeriani (Italian 1708-1762) A design for a ceiling decoration Grisaille watercolour 22.5 x 24cm; 9 x 9½in £500-700

91. Robert Hills (1769-1844) The Watering Place Watercolour 16.5 x 14cm; 6½ x 5½in Provenance: Thomas Agnew & Sons, No. 36978 £200-300

92. Myles Birket Foster R.W.S (1825-1899) Figures by country cottages A pair, both signed with a monogram Both pencil heightened with white on buff paper Each 12 x 11cm; 4¾ x 4¼in (2) £200-300

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95. David Charles Read (1790-1851) A collection of drawings of mainly romantic landscapes and etchings, including views of Salisbury, Stonhenge and and an etched self portrait Some signed and inscribed to his dear friends Mrs Mack and Miss Riseborough and dated from the 1830s Pencil, a few with pen and ink, prints in drypoint etching Various sizes (drawings c.23, prints c.46) £200-300

96. James Bourne (1773-1854) Chislehurst Churchyard; Bromley from the meadows Two, both inscribed verso Grisaille and blue washes 30 x 42.5cm; 11¾ x 16¾in and similar (2) Painted c.1820 Provenance: No. 7 & 8 from Volumes ‘Drawings from Nature in the vicinity of Beckenham, Kent’ Exhibited: Abbott & Holder, James Bourne Exhibition, May/June 1988 £200-300

97. Henry Edridge A.R.A. (1768-1821) Babbacombe Bay, Devon Inscribed Babbicombe Bay and dated Sep 16 1818 Pencil, mounted, unframed 25 x 41cm; 10 x 16in With a grisaille of a well by Edridge and 2 charcoal sketches by Dr Thomas Munro, mounted, unframed (4) £250-350

98. English School 19th Century Figures in a lake landscape, a town beyond Watercolour 43 x 61cm; 17 x 24in £200-300

99. English School early 19th Century The morning gun Watercolour 30 x 50cm; 12 x 20in £150-2509998

9796

9594

93

93. Walter John Trower, Bishop (c.1805-1877) Continental and Scottish landscapes Nine, some inscribed and dated Most pen, ink and wash Various sizes 13 x 35.5cm; 5 x 14in and similar and two small (9) £400-600

94. Paul Sandby R.A. (1730-1809) Hastings Castle Inscribed Pencil, mounted, unframed 19 x 28cm; 7½ x 11in With 3 more unframed sketches by Sandby, Temple of Apollo, Naples; View near Norwich and Entrance into Easton Park (4) £500-800

23

100. William Payne (c.1760-c.1830) View of Meavy, Devon with Sheepstor in the distance Watercolour 21 x 27.5cm; 8¼ x 10¾in £600-800

101. William Payne (c.1760-c.1830) Delivering a barrel Signed Watercolour 20 x 25cm; 8 x 10in £300-500

102. William Payne (c.1760-c.1830) A man with a dog by a lake Signed Watercolour 20 x 25cm; 8 x 10in £300-500

103. William Payne (c.1760-c.1830) A cart and horse by a lake Signed Watercolour 20 x 25cm; 8 x 10in £300-500

104. No lot

103

101

102

100

24

105. French School 18th Century A design for a column in a square; Design for a Palladian villa Two, both pen, ink, pencil and watercolour 35 x 63cm; 13 x 24¾in and smaller With a further design for a fortified palazzo, possibly Italian (3) £1,000-1,500

106. Giuseppe Bernardino Bison (Italian 1762-1844) Design for the wall of a chamber Watercolour over pencil 37 x 13cm; 14½ x 5in £250-350

107. Sambrooke Freeman (19th Century) Aviary at Lord Rockinghams; A Stable block Two, both inscribed (one indistinctly) Both pen and ink, one with pencil 13.5 x 8cm; 5½ x 3¼in Provenance: Christie’s 30th November 1983 With a pen and ink sketch of ladies by Ozias Humphry (1742-1810) (3) £150-250

108. After Annibale Carracci and Domenichino Perseus and Andromeda Red chalk 34 x 67cm; 13½ x 26¼in Previously thought to be by Hugh Douglas Hamilton (Irish c.1739-1808) £300-400

109. Carlo Labruzzi (Italian 1748-1817) Ruin near Capua Signed and titled on attached sheet Watercolour over pencil, mounted, unframed 18 x 27cm; 7 x 10½in £300-500

105

109108

107106

25

110. Charles George Nicholls (fl. 1792-1818) Bridge at Saumpoor near Dacca; Guptar Ghaut near Fyzabad on the Goggra; Burrumdeo near where the Gaggra issues; View of an ancient gateway at Dacca; View of Peer Pointy; A mosque on the north bank of the Gagra near Debowly Six, two signed All watercolour with scratching out Each 16.5 x 22.5cm; 6½ x 9in (6) £1,500-2,500

111. Anglo-Chinese School mid 19th Century The Hong Kong Embassy following the first Opium War with Commissioner Keying/Qiying, Major General D’Aguilar, Sir John Davis and Dr. Gutzlaff the Interpreter Inscribed with participants names Watercolour, unframed 35.5 x 53cm; 14 x 21in £600-800

112. William James Muller (1812-1845) Spaniards and Mexicans in discussion Watercolour on buff paper 28 x 45cm; 11 x 17¾in Provenance: F. R. Meatyard, London £300-500

112111

110

26

114. Edward Lear (1812-1888) Mount Sinai Inscribed and dated twice 29th January 1849 Pen and ink on grey paper, mounted, unframed 18 x 26cm; 7 x 10¼in With a small sheet of studies by the same hand (2) £400-600

115. Anglo-Indian School mid 19th Century Indian sketch books Five albums, two books signed M. A. Scott Moncrieff, one J. Ballard Mixed media - mainly watercolour or pencil 28 x 38cm; 11 x 15in and smaller (5) £700-1,000

113. Edward Lear (1812-1888) Mount Sinai Inscribed and dated twice 26th Jany. 1849 Pen and ink with pencil inscriptions, mounted, unframed 21 x 32cm; 8¼ x 12½in £700-1,000

113

114

115

27

116. Cornelius Pearson (1805-1891) On the Conway; Lowes Water, Westmorland; A river landscape; A castle by a river A set of four, all signed and dated 1952 All watercolour, circular Each, 42cm diameter (4) £750-1,000

117. David Cox O.W.S. (1783-1859) Figures on a Bridge, North Wales Inscribed verso: Mr Rainbow from David Cox 1835 Watercolour over pencil heightened with bodycolour and stopping out 15.5 x 23cm; 6¼ x 9in Provenance: Michael Bryan, June 1998 Private Collection, UK £2,000-3,000

118. George Pyne (1800-1884) Christ Church College Oxford; A college courtyard A pair, both signed and dated 1848 Both watercolour 17 x 24.5cm; 6¾ x 9½in and similar (2) £400-600

119. Samuel Jackson (1794-1869) View of the Avon from Durdham Down with Cooks Folly to the left, Clifton beyond Possibly signed below mount Watercolour with scratching out 29 x 40.5cm; 11½ x 16in Provenance: Sotheby’s 31.3.99, Lot 130 £500-700

116 117

119118

28

120. Henry Birtles (1838-1907) Sheep in Springtime Signed and dated 1906 Watercolour 20.5 x 30.5cm; 8 x 12in Provenance: The Keyser Gallery, Cirencester, K1146 £200-300

121. John Fullylove (1845-1908) Interior scene with figures by a fire Signed Watercolour 18 x 26cm; 7 x 10¼in £250-350

122. K. Jackman (20th Century) Dursley Market Hall, Gloucestershire Signed Watercolour 26 x 36.5cm; 10¼ x 14½in £120-180

123. Albert Pollitt (1856-1926) Near Cullingworth, Yorkshire Signed and dated 1896 Watercolour 40 x 56.5cm; 15¾ x 22¼in £200-300

124. Thomas Charles Leeson Rowbotham (1823-1875) Near Penshurst, Kent Titled Watercolour 18.5 x 25cm; 7¼ x 10in £200-300

125. Cecil Jack Keats (19/20th Century) Barge by a lock Signed Watercolour 31 x 48.5cm; 12¼ x 19in £150-200

126. John Syer R.I. (1815-1885) Crossing the Bar Signed and dated 1878 Watercolour 24 x 35cm; 9½ x 13¾in Provenance: The St Helier Galleries Ltd £150-250

127. D’Esposito (19/20th Century) Harbour view, possibly the Grand Harbour, Malta Signed Watercolour, unframed 18 x 28cm; 7 x 11in £200-300

127126

125124

123122

121120

29

128. Albert Goodwin R.W.S. (1845-1932) Castor Signed, titled and dated 1872 Watercolour with scratching out 20 x 34.5cm; 7¾ x 13½in £600-800

129. Harry Sutton Palmer (1854-1933) Leith Hill from Oakley Watercolour 35 x 53cm; 14 x 20¾in Provenance: Christie Manson and Woods, Remaining Works of the Late H. Sutton Palmer, December 11th 1933, part of lot 77, purchased by Charles H.P. Betenson £750-1,000

130. John Edmund Buckley (1824-1876) Elegant figures outside Exeter Cathedral Bears signature and date Watercolour 36.5 x 56.5cm; 14½ x 22¼in £400-600

131. Joseph Michael Gandy A.R.A. (1771-1843) Near Chamonix Signed and titled Watercolour 30 x 44cm; 11¾ x 17¼in £500-800

131

129

130

128

30

132. Edward Duncan R.W.S. (1803-1882) View from Oaks Weald, Nr. Sevenoaks Signed and dated 1849 Watercolour 23 x 33cm; 9 x 13in £250-350

133. ‡ Charles Edward Brittan (1870-1949) Among the Tors, near Princetown Gouache 35.5 x 53cm; 14 x 21in £100-150

134. Edward H. Thompson (1879-1949) October’s ever varying hues, the junction of the Wye and Severn Signed and dated 1916 Watercolour 58.5 x 88cm; 23 x 34½in £300-500

135. Charles Edmund Rowbotham (1826-1921) Figures and goats by a lake Signed and dated 1909 Watercolour with bodycolour 13 x 18.5cm; 5 x 7¼in £300-400

136. David Bates (1840-1921) Near Colwall Signed, titled and dated 1904 Watercolour 35.5 x 51.5cm; 14 x 20in £300-500

137. ‡ William H. Bradley (1868-1962) Swans on the river Signed and dated 1882 Watercolour 45 x 67cm; 17¾ x 26¼in £200-300

138. ‡ Frederick John Widgery (1861-1942) Near Perranporth, Cornwall Signed Gouache on cream paper 27 x 44.5cm; 10½ x 17½in £200-300

139. ‡ Charles Edward Brittan (1870-1949) Sunset over a moorland homestead Signed Watercolour 47 x 73cm; 18½ x 28½in £300-500

139138

137136

135134

133132

31

140. Thomas Sidney Cooper R.A. (1803-1902) Sheep resting on a moor Signed and dated 1872 Watercolour 19.5 x 30cm; 7¾ x 11¾in £1,200-1,500

141. Thomas Sidney Cooper R.A. (1803-1902) Three sheep by a gate Signed and dated 1871 Pencil 19.5 x 14cm; 7¾ x 5½in With another sketch of a hut by a river verso (2) £200-300

142. Sidney Baker (19/20th Century) Church Street, Cromer, Afternoon Signed Watercolour 44.5 x 30.5cm; 17½ x 12in £100-150

143. ‡ Denys George Wells (1881-1973) St. Bride’s Church Passage Signed Watercolour 55 x 37.5cm; 21½ x 14¾in £200-300

144. French School 19th Century French Village scene with the Hotel de la Poste Watercolour 50 x 36cm; 19½ x 14in £200-300

144143142

141140

32

148. N. Gianni (Italian 19/20th Century) Amalfi near Salerno; Capri from Sorrento A pair, both signed Both watercolour with bodycolour Each 30.5 x 46cm; 12 x 18in (2) £250-350

149. Alfred Robert Quinton (1853-1934) Trinity Church, Stratford on Avon Signed Watercolour 34 x 52cm; 12½ x 20½in £100-150

150. ‡ Samuel John Lamorna Birch R.A. (1869-1955) Ashbourne Village Signed, titled Ashbourne and dated 1901 Watercolour 34.5 x 49cm; 13½ x 19¼in £300-500

151. ‡ Charles Sim Mottram (1852-1919) Boats in a harbour Signed and dated 1901 Watercolour 21.5 x 65cm; 8½ x 25½in £300-500

152. Thomas Charles Leeson Rowbotham (1823-1875) A highland track Signed and dated 1873 Watercolour 8 x 24cm; 3¼ x 9¼in £150-200

152151

150149

148147

146145

145. Alfred East R.A. (1849-1913) View over a continental city Signed Watercolour 24.5 x 35.75cm; 9¾ x 14in £400-600

146. Augustus J. Cuthbert Hare (1834-1903) Taormina, from my window; Temple of Concord, Girgenti One signed with initials verso and each dated 1879 and 1880 Both watercolour 35.5 x 25.5cm; 14 x 10in and 27 x 40.5cm; 10½ x 16in (2) Provenance: Albany Gallery, London £300-500

147. Neapolitan School late 19th Century View off the coast of Naples Signed with initials PA Pastel 46 x 71cm; 18 x 28in £300-500

33

153. Agnes Gardner King (fl. 1880-1902) Mud pies Signed Watercolour 56 x 78cm; 22 x 30¾in £1,000-1,500

154. John Dawson Watson (1832-1892) A little girl seated on a wall Signed and dated 1860 Watercolour 20 x 13.5cm; 8 x 5¼in £600-800

155. William Jabez Muckley (1837-1905) Portrait of a lady holding pearls at a window Signed and dated 1876 Watercolour with bodycolour 38.5 x 26cm; 15¼ x 10¼in £300-500

156. English School 19th Century La Vallière, portrait of a lady by a window, thought to be Helen Douglas Inscribed Helen and dated 1848, also inscribed verso This Picture of ‘La Valliere’ belongs to Mrs. Arch.d Douglas, 13 Royal Circus, Edinburgh, July 1882 Watercolour, in a pierced scrolling frame 21 x 16cm; 8¼ x 6¼in Thought to be in the style Sir William Fettes Douglas (1822-1891) £300-500

157. Continental School 19th Century A mother and child Pastel 81 x 46cm; 24 x 18in £200-300

155 157

154

156

153

34

158. James Walter Gozzard (1880-1950) Westminster Bridge Signed, also later inscribed by a different hand verso Earth has not anything to show more fair Watercolour 28 x 40cm; 11 x 15¾in £100-150

159. Walter Stocks (19th Century) Geese by a farm pond Signed and dated 1861 Watercolour over pencil 25.5 x 42.5cm; 10 x 16¾in £200-300

160. H. Dolland Hulke (20th Century) Views in the Lake District A pair, both signed Both watercolour Each 34.5 x 50cm; 13½ x 19¾in £150-200

161. Theodore Fort (French 1810-1896) White mare and foal at dusk Signed Watercolour 19 x 33cm; 7½ x 13in £150-250

162. Richard Caton Woodville (1825-1857) Chinese soldiers entering the Principal gate of Peking Signed with initials 30.5 x 23cm; 12 x 9in With another framed watercolour and two unframed by the same hand and 5 unframed watercolours by Adolphe Forestier and two mezzotints (11) £200-300

163. Cyril Walduck Edwards (b.1902-?) Shipbuilding Signed Watercolour on buff paper 32.5 x 46cm; 12¾ x 18¼in £100-150

164. Italian School 19th Century Sirmione, Lake Garda Titled Watercolour 16 x 34cm; 6¼ x 13½in £100-150

165. Martin Snape (fl. 1874-1905) H.M.S. Victory in Portsmouth Harbour Signed (below mount) Watercolour 26.5 x 43cm; 10½ x 17in £300-400

165164

163162

161160

159158

35

166. Thomas Colman Dibdin (1810-1893) Figures by church doors Two, one signed and indistinctly dated Both watercolour Each 33 x 23cm; 13 x 9in (2) £200-300

167. Thomas Colman Dibdin (1810-1893) Continental street scene Signed and dated 1864 Watercolour with bodycolour 37 x 26cm; 14½ x 10¼in £200-300

168. Thomas Colman Dibdin (1810-1893) Beauvais Cathedral, France Signed and dated 1880 Pen, ink and watercolour 75 x 53cm; 29½ x 21in £300-500

169. Thomas Colman Dibdin (1810-1893) Unloading at the Wharf Signed and dated 1880 Pen, ink and watercolour 54 x 37cm; 21¼ x 14½in £300-500

170. Thomas Colman Dibdin (1810-1893) Fountain in the Market place, Dieppe Signed and dated 1881 Pen, ink and watercolour 37 x 26cm; 14½ x 10¼in £300-500

171. Thomas Colman Dibdin (1810-1893) A busy continental market town Signed and dated 1881 Pen, ink and watercolour 37 x 54.5cm; 14½ x 21½in £300-500

172171

172. Thomas Colman Dibdin (1810-1893) Continental market before a Cathedral Signed and dated 1881 Pen, ink and watercolour 37 x 54.5cm; 14½ x 21½in £300-500

166

170169

168167

36

173. Henry John Kinnaird (fl. 1880-1920) View of Salisbury Signed and titled Watercolour 27 x 18.5cm; 10½ x 7¼in £300-500

174. ‡ Henry John Sylvester Stannard (1870-1951) Granny’s house at Hilwick Signed Watercolour 35 x 25cm; 14 x 10in £700-900

175. Benjamin Williams Leader R.A. Near Betws-y-Coed, North Wales Signed Watercolour 23 x 34cm; 9 x 13½in £200-300

176. Harold Waite (fl. 1892-1939) On the cliffs Signed Watercolour 33 x 49.5cm; 13 x 19½in £70-100

177. Harold Waite (1870-1939) Brockham January 1989 Inscribed and dated verso Watercolour 11 x 19cm; 4¼ x 7½in Together with two further works by the same hand, 2 larger watercolours by Edward Waite (1824-1910) and two by Arthur Waite (1871-1900), and a pencil sketch signed G. Waite all mounted, unframed (8) £100-150

178. Edward Wilkins Waite (1854-1924) River scene with a bridge Watercolour 17.5 x 28cm; 7 x 11in With a drawing and a pen and ink sketch by the same hand (3) Provenance: Gainsborough’s House, Sudbury E.W. Waite 16th July - 4th Sept 1983 nos. 60, 33 and 34 £80-120

178177

176175

174173

37

180. Amos Green (1735-1807) Fishermen and cattle in a lakeland landscape Pen, ink and wash 19 x 25cm; 7½ x 9¾in Provenance: Peter Stiles, Guildford £150-250

181. David Cox O.W.S. (1783-1859) Hyde Park; Pack Horses; A cart horse Inscribed, 3 sheets of sketches, mounted, unframed 18 x 24cm; 7 x 9½in (sheet size) (3) £200-300

179. Follower of Giuseppe Gustavo Scoppa Neapolitan views: Napoli da Posilipo; Molo Piccolo; Isola di Capri; Riviera di Chiaja Set of four, all titled All gouache, unframed Each 42 x 65cm; 16½ x 25½in (excluding border) (4) Provenance: Sotheby’s, 8 May 1962, lots 223, 224, 225, 227 £2,000-3,000

181

179

180

38

183. Robert George Talbot Kelly R.I. (1861-1934) Cloud Wreaths, Lugano Signed indistinctly and titled on an old label attached verso Watercolour 33 x 50cm; 13 x 19½in £300-500

184. Reginald Vicat Cole (1870-1940) Summer’s Noon Signed and dated 1896 Watercolour and bodycolour 38 x 48cm; 15 x 19in Provenance: Miss M. Vicat Cole, 9 Camden Hill Square, Kensington Christopher Wood Gallery 18th May 1987 Exhibited: Institute of Painters in Watercolour, 1896 £200-400

185. John Atkinson (1863-1924) The Beach at Whitley Bay Signed Watercolour and bodycolour 29.5 x 45cm; 11½ x 17¾in Provenance: Christopher Wood Gallery, London 10th March 1983 £300-500

186. Woodbine K. Hinchliff ARE (fl. 1895-1913) Wild rose and Bracken Signed and dated 06 Watercolour 29 x 39.5cm; 11½ x 15½in Provenance: Christopher Wood Gallery 21st November 2002 £200-400

182. Alfred Downing Fripp (1822-1895) The Mill Pool, Swanage Signed, also signed and titled on a label verso Watercolour 45.5 x 73cm; 18 x 28¾in Provenance: Christie’s, May 09(?), lot 104 £800-1,200

186185

184183

182

39

187. Barbara Bodichon, née Miss Barbara Leigh Smith (1827-1891) Ventnor, Isle of Wight Signed inscribed and dated: Barbara Leigh Smith Ventnor I W 1856 Watercolour and bodycolour with scratching out, arched top, in the original leaf and berry frame 71 x 108cm; 28 x 42½in In 1856 the artist stayed with Anna Mary Howitt on the Isle of Wight and painted this work, amongst others, during the stay. The picture was well received, the critic W.M. Rosetti described it as a ‘capital coast scene, full of real pre-Raphaelitism’. Bodichon, seeking more wild coastal landscapes as subjects, went on to visit North Africa and the landscapes she painted from the villa which the Bodichons purchased near the coast in Algeria formed the basis of many of her future exhibitions. Provenance: Christopher Wood, London Exhibited: Royal Academy, London 1956, no. 913 Manchester City Art Gallery, November 1997 Pre-Raphaelite Women Artists Literature: Jan Marsh/Pamela Gerrish Nunn Pre-Raphaelite Women Artists, 1997, catalogue no. 3, illustrated pg. 23 £1,000-1,500

188

187

188. Simeon Solomon R.A. (1840-1905) Amor Militans, Spes, Invida Signed with initials and dated 1886 Pencil 32.5 x 49.5cm; 12¾ x 19½in Provenance: The Piccadilly Gallery, May 2007 Christopher Wood Gallery, London £1,500-2,500

40

190. William Lionel Wyllie R.A. (1851-1931) SS Magnetic of the White Star Line, launched 1891 Inscribed ‘’Magnetic’’ and Charlie(?) Watercolour, unframed 11.5 x 9cm; 4½ x 3½in Together with a group of 10 unframed etched greetings cards and invitations from W.L.Wyllie, Fred Slocombe, Mr and Mrs Stanhope Forbes, R.M. McBeth and others £100-150

191. French School 19th Century Costume du Haut Ton Four, all hand-coloured lithographs Each 26 x 20.5cm; 10¼ x 8in With a further costume print from the Caucasus (5) £150-250

192. Frederick Tully Lott (act.1857-1879) A view from the cliffs Signed Watercolour 46.5 x 30cm; 18½ x 11¾in £200-300

193. ‡ Richard Jack R.A. (1866-1952) Illustrations of soldiers and militia 7, all signed and dated ‘92 All grisaille washes, mounted, unframed 24 x 20cm; 9½ x 8in (7) £100-150

193192191

189. ‡ Charles Murray Padday (1868-1954) Auction on the beach Signed and dated 97 Watercolour 49 x 90cm; 19¼ x 35½in Provenance: Christie’s, 19 Sep 2002, lot 168 £400-600

190

189

41

194. Paul Jacob Naftel (1817-1891) View over lobster pots with Vale Church, Guernsey beyond Signed with a monogram and dated 1867 Watercolour with bodycolour 24 x 49cm; 9½ x 19¼in £1,500-2,500

195. Roberto Angelo Kittermaster Marshall (1849-1926) Between Stockbridge and Longstock, Hampshire Signed and dated 4/21 Watercolour 44 x 79cm; 17¼ x 31in £800-1,200

194

195

42

196. Jules Achille Noel (1810-1881) River at low tide in a French town Watercolour 24 x 32cm; 9¼ x 12½in £300-500

197. Thomas Bush Hardy R.B.A. (1842-1897) On the beach at Katwyk, Guernsey Signed and dated 1885, also titled on a label verso, possibly by another hand Watercolour 25 x 39cm; 10 x 15½in £300-500

198. Frederick Edward Joseph Goff (1855-1931) The Pool; Sonning A pair Both signed and titled Watercolour Each 11.5 x 15.25cm; 4½ x 6in (2) £300-500

199. Hugh L. Norris (c.1863-1942) A meadow with willow trees Signed Watercolour 26 x 36cm; 10¼ x 14¼in £200-300

200. George Lowthian Hall (Scottish 1825-1888) Brodick Bay, Isle of Arran, Scotland; Fisherman by a river Two, both signed and dated 1873, the first titled verso Watercolour 39 x 68.5cm; 15 x 27in and smaller (2) £200-300

201. Malcolm Crosse (19th/20th Century) Westpoint, Clewe Bay; Downing Bay, Sheephaven, Ireland A pair, both signed and titled Both watercolour Each 19.5 x 39cm; 7¾ x 15½in (2) £200-300

202. Sir David Young Cameron R.S.A. (Scottish 1865-1945) Church on the coast Signed Watercolour with chalk 35.5 x 45.5cm; 14 x 18in £300-500

203. George Oyston (1861-1937) Moonrise on the Ouse at St. Ives, Hampshire; Sunset on a country lane Two, both signed and dated 1918 Both watercolour 35 x 52cm and similar (2) £300-500

203202

201200

199198

197196

43

204. ‡ Paul Hagemans (Belgian 1884-1959) The birch tree Signed and dated ‘08 Gouache 42 x 26cm; 16½ x 10¼in £100-150

205. ‡ Frank O. Salisbury (1874-1962) Portrait of Tom P. Salisbury Woods Signed and dated Oct. 14 1940 Chalks 56 x 35.5cm; 22 x 14in £200-300

206. Indian School 19th Century Figures with a bird of prey by a stream Gouache in a decorative border 34 x 16.5cm; 13½ x 6½in £200-300

207. Takashi Nakayama (Japanese 1893-1978) Studies of rustic figures Five, all signed All watercolour, one unframed 33 x 16.5cm; 13 x 6½in With a further watercolour signed K.H (6) £200-300

208. ‡ Edward Loxton Knight (1905-1933) View through an arch in the Alps Signed Gouache 66 x 41cm; 26 x 16in £200-300

209. Persian School 20th Century Study of a scholar Inscribed 25 x 15.5cm; 9¾ x 6¼in £80-120

210. William Huggins (1820-1884) Study of a cat Signed Coloured chalk on grey paper 23.5 x 20cm; 9¼ x 8in Exhibited: Lowndes Lodge Gallery, Nov. 1966, No. 47 £200-300

210209

206

208

205 207204

44

211. William Wilde (1826-1901) Harvest landscapes A pair, both signed and dated 67 Both watercolour heightened with white Each 21.5 x 36cm; 8½ x 14in (2) £500-700

212. ‡ Raymond Sheppard (1913-1958) Polar Bears on the ice Signed Pastel on buff paper 44 x 59.5cm; 17¼ x 23½in £300-500

213. Leyton Forbes (19/20th Century) A cottage path Signed Watercolour 16.5 x 24cm; 6½ x 9½in £100-150

214. William Henry Hunt (1789-1864) Primroses, violets, an orchid and a bird’s nest on a mossy bank Signed Watercolour 27 x 37cm; 10½ x 14½in £500-700

215. ‡ Andrew Archer Gamley R.S.W. (1869-1949) Mending the nets, Pittenweem Signed Watercolour 17.5 x 21cm; 7 x 8¼in Provenance: St. Andrews Fine Art, Scotland £200-400

216. George Quartus Pine Talbot (1853-1888) A house and terraced garden; A lake view A pair, both signed, one dated 87 Both watercolour Each 22 x 32cm; 8¾ x 12½in £150-250

216

211

213

212

214

215

45

217. ‡ Sir Frank Brangwyn R.A. (1867-1956) Interior of the Church of St. Hilaire, Poitiers Signed with a monogram (very faint) Watercolour with bodycolour 71 x 54.5cm; 28 x 21½in Exhibited: Exhibition of Paintings, Drawings and Etchings by Frank Brangwyn R.A., Barbizon House, London, 1924 (111) £1,000-1,500

218. ‡ Sir William Russell Flint P.R.W.S., R.A. (1880-1969) The Departing of the Knights from Le Mort d’Arthur Signed and dated MCMXI Watercolour heightened with bodycolour on buff paper 21.5 x 27.5cm Literature: Le Mort d’Arthur, Book VIII, chapter VIII £1,500-2,500

219. ‡ Paul Emile Pissarro (French 1884-1972) Barge on the Seine at Vétheuil Signed Pen, ink and watercolour 20.5 x 30cm; 8 x 11¾in Provenance: Authenticated by David Stern, Stern Pissarro Gallery £600-800

217

218 219

46

220. Hercules Brabazon Brabazon (1821-1906) View of a lake Signed with initials Mixed media on blue paper, unframed 15.5 x 19cm; 6 x 7½in £250-350

221. Hercules Brabazon Brabazon (1821-1906) Venice after Turner Signed with initials, titled on the mount Pastel over pencil, unframed 12 x 18cm; 4¾ x 6in £300-500

222. Hercules Brabazon Brabazon (1821-1906) Florence Signed with initials and titled Pencil heightened with red and yellow pastel, unframed 14.5 x 20.5cm; 5¾ x 8in £250-350

223. Hercules Brabazon Brabazon (1821-1906) Sailing barge Pencil, inscribed on another sheet, attached, with a quotation from Ruskin, unframed 24.5 x 15.5cm; 9¾ x 6in £200-300

224. Hercules Brabazon Brabazon (1821-1906) Mountain scene Signed with initials Watercolour, unframed 13 x 14.5cm; 5 x 5¾in £250-350

220 221

222

223 224

47

226. Hercules Brabazon Brabazon (1821-1906) A town square, possibly North Africa Signed with initials Pastel over pencil, unframed 17 x 20cm; 6¾ x 8in £700-900

225. Hercules Brabazon Brabazon (1821-1906) Venice after Turner Signed with initials, inscribed on a label Watercolour and bodycolour over pencil on light blue paper, mounted, unframed 17.5 x 24.5cm; 7 x 9½in £750-850

225

226

48

227. Hercules Brabazon Brabazon (1821-1906) Landscape after Constable Signed with initials, also titled After Constable on backing paper Watercolour with bodycolour, unframed 18.75 x 22.25cm; 7½ x 8¾in £600-800

228. Hercules Brabazon Brabazon (1821-1906) View of an archway Signed with initials Watercolour and bodycolour over pencil on brown paper, unframed 22 x 15cm; 8½ x 6in £400-450

229. Hercules Brabazon Brabazon (1821-1906) Landscape after Turner Signed with initials Watercolour over pencil, unframed 13 x 17.5cm; 5 x 7in £300-400

230. Hercules Brabazon Brabazon (1821-1906) View of a lake, possibly Lake Geneva Signed with initials, inscribed indistinctly Watercolour over pencil, unframed 17.5 x 21.5cm; 7 x 8½in £300-400

227 228

229 230

49

231. Hercules Brabazon Brabazon (1821-1906) Alassio Signed with initials twice, also titled on mount Pastels on card, unframed 13.25 x 19cm; 5¼ x 7½in £400-500

232. Hercules Brabazon Brabazon (1821-1906) Monte Carlo Signed with initials, titled on mount and inscribed with a quotation Pastel on blue paper, unframed 12 x 18.5cm; 4¾ x 7¼in £400-500

233. Hercules Brabazon Brabazon (1821-1906) After Tintoretto Signed with initials, also titled on the mount Watercolour and bodycolour, unframed 21 x 17cm; 8¼ x 6¾in £250-350

234. Hercules Brabazon Brabazon (1821-1906) Naples Signed with initials and titled Pencil and watercolour, unframed 15 x 26.75cm; 6 x 10½in £400-500

234233

231

232

50

235. Hercules Brabazon Brabazon (1821-1906) Righi Signed with initials twice and titled Pastel and watercolour, unframed 22.5 x 29.5cm; 9 x 11¾in £250-350

236. Hercules Brabazon Brabazon (1821-1906) Venice, After Guardi Signed with initials, titled After Guardi on backing paper Pencil and chalks on buff paper, unframed 16 x 20cm; 6¼ x 8in £350-450

237. Hercules Brabazon Brabazon (1821-1906) Study of a North African figure Watercolour over pencil, unframed 36 x 25.5cm; 14 x 10in £250-350

238. Hercules Brabazon Brabazon (1821-1906) Figures in a classical setting Watercolour over chalk on light blue paper, unframed 15 x 22.5cm; 6 x 8¾in £300-500

239. Hercules Brabazon Brabazon (1821-1906) Villa Arson Signed with initials and titled Pastel on blue paper, unframed 7.75 x 24.5cm; 7 x 9½in £250-350

235

239238

236

237

51

240. Hercules Brabazon Brabazon (1821-1906) Annunciation Titled and inscribed after Botticelli, Ufizzi, Florence on backing paper Watercolour over pencil, unframed 16.5 x 21.5cm; 6½ x 8½in £250-350

241. Hercules Brabazon Brabazon (1821-1906) Venetian sunset Signed with initials Pastel, unframed 12 x 15cm; 4¾ x 6in £200-300

242. Hercules Brabazon Brabazon (1821-1906) A Rose Signed with initials, also titled on mount Watercolour with bodycolour, unframed 24 x 17.5cm; 9½ x 7in £350-450

243. Hercules Brabazon Brabazon (1821-1906) Lucerne Signed with initials Pastel on buff paper, unframed 18 x 22cm; 7 x 8½in £250-350

244. Hercules Brabazon Brabazon (1821-1906) Beaulau Signed with initials and titled indistinctly Pastel and watercolour, unframed 15 x 23cm; 6 x 9in £250-350

241

244243

240

242

52

245. Hercules Brabazon Brabazon (1821-1906) Ships in a storm after Turner Signed with initials indistinctly, also inscribed After Turner verso Watercolour and bodycolour with pencil, unframed 15.5 x 23cm; 6¼ x 9in £700-900

246. Hercules Brabazon Brabazon (1821-1906) Coronation of the Virgin, after the original by Velazquez Signed twice with initials Watercolour with bodycolour 30 x 23cm; 11¾ x 9in Provenance: P. & D. Colnaghi & Co, London £300-500

247. Walter Bayes (1869-1956) Dusty Road, Provence; At the Theatre; Café Trellis Three, all signed with initials and dated 29, 30 and 31 All pen, sepia ink and wash 26 x 19cm; 10¼ x 7½in and similar (3) £250-350

248. Walter Bayes (1869-1956) Deck Chairs; Looking Seaward Two both signed with initials Both pen, sepia ink and wash, one on buff paper 22 x 25cm; 8½ x 10in and smaller (2) £150-250

249. Alexander Bayes (20th Century) S. Frediano in Cestello, Florence; St. Valery-s-Somme, Looking across to Le Crotoy Two, the first signed and dated 1972 Both pen, ink and watercolour Each 20.5 x 29.5cm; 8 x 11½in (2) £100-150

249

248

245 246

247

53

250. Harry Bright (1846-1895) Guarding the nest Signed and dated 1888 Watercolour 29 x 23.5cm; 11½ x 9¼in Provenance: Christie’s, 28 Sep 2005, Lot 305 £350-450

251. Harry Bright (1846-1895) A peregrine falcon Signed and dated 1876 Watercolour with bodycolour on buff paper 29.5 x 20.5cm; 11½ x 8in £300-500

252. Harry Bright (1846-1895) Long tailed tits Signed and dated 1884 Watercolour, oval 28 x 22.5cm; 11 x 9in £250-350

253. Harry Bright (1846-1895) Cockatiels by a river Signed and dated 1875 Watercolour 41 x 28cm; 16 x 11in £300-500

254. Harry Bright (1846-1895) Magpie and bird’s nest in a landscape Signed and dated 1877 Watercolour 43 x 29cm; 17 x 11½in £200-300

255. Harry Bright (1846-1895) Music in the day Signed and dated 1886 Watercolour 23 x 27cm; 9 x 10½in £300-500

252 253

254 255

250 251

54

256. Johannes Gerardus Keulemans (Dutch 1842-1912) Nutcracker Signed with initials Watercolour 19 x 15cm; 7½ x 6in £250-350

257. Johannes Gerardus Keulemans (Dutch 1842-1912) Tawny pipit Signed with initials Watercolour 19 x 15cm; 7½ x 6in £250-350

258. Johannes Gerardus Keulemans (Dutch 1842-1912) A coal titmouse Signed with initials Watercolour 20 x 15cm; 8 x 6in £300-400

259. Johannes Gerardus Keulemans (Dutch 1842-1912) Pair of Wallcreepers Signed with initials Watercolour 22.5 x 15cm; 9 x 6in Provenance: Christie’s, 14 May 96, Lot 43 £300-500

260. Johannes Gerardus Keulemans (Dutch 1842-1912) A male woodcock and dragonfly, 1907 Signed Watercolour 32 x 48.5cm; 12½ x 19in £300-500

256

258

257

259

260

55

262. ‡ Philip Rickman (1891-1982) Partridge covey in flight Signed Watercolour 33 x 47cm; 13 x 18½in £500-700

263. ‡ A. J. Simpson (19th Century) Birds building a nest by the pond; Birds on a thorny branch A pair, both signed and dated 1878 Both watercolour Each 33 x 48cm; 13 x 19in (2) £250-350

261

262

263

261. ‡ George Edward Lodge (1860-1954) Bridled tern, Bonaparte’s gull, Ross’s gull; Grey phalarope - winter and summer Two, both signed Both watercolour 23 x 29cm; 9 x 11¼in and 28 x 21.5cm; 11 x 8½in (2) £400-600

56

264. ‡ Charles Frederick Tunnicliffe R.A. (1901-1979) A pair of pintails in shallow water Signed Watercolour 41.5 x 53cm; 16¼ x 21in Provenance: Given by the artist to the vendor’s Grandmother following a holiday in Anglesey with her sister Jose Christopherson, who was a friend of the artist £1,500-2,500

265. ‡ Terence Lambert (b.1951) Black winged stilt Signed Watercolour with bodycolour on blue paper 39 x 30cm; 15¼ x 11¾in £150-250

266. ‡ Andrew Stock (b.1960) Pintails Signed and dated 89 Watercolour 35 x 53.5cm; 13¾ x 21in See lot 335 by the same hand £500-700

267. ‡ Peter Partington (b.1941) Stockholm Oystercatchers Signed Watercolour 18 x 27cm; 7 x 10½in £80-120

267

264 265

266

57

268. Archibald Thorburn (1860-1935) House martins on a ledge Signed and dated 1932 Watercolour with bodycolour 26.5 x 18cm; 10½ x 7in Provenance: Gift to C. R. Peacock from Mrs Thorburn after the artist’s death £4,000-6,000

268

58

269. Attributed to James Abbott McNeill Whistler (American 1834-1903) Fishing Village 4; Landscape Nocturne 23 Two, both inscribed with a device Pastel 12 x 18cm; 4¾ x 7in and smaller (2) Provenance: Nordness Madison Gallery, New York £150-250

270. Attributed to James Abbott McNeill Whistler (American 1834-1903) Landscape Nocturne 24, Landscape Nocturne 28, Fishing village 16 Three, two inscribed with a device Two pastel on buff paper, one sepia ink, pastel and wash 11 x 18cm; 4¼ x 7in and smaller (3) Provenance: Nordness Madison Gallery, New York £200-300

271. Attributed to Henri Fantin-Latour (French 1836-1904) Reclining nude Signed on the mount Red chalk on buff paper 45 x 63cm; 17¾ x 24¾in £800-1,200

272. Follower of Simeon Solomon R.A. Portraits of young ladies Two, both red chalk on buff paper, one with some black chalk, framed as a pair 28 x 20.5cm; 11 x 8¼in (2) £400-600

273. ‡ Sir William Orpen R.A., R.H.A. (Irish 1878-1931) Self portrait, Poor old Orps - He’s done in Titled and inscribed To Kathleen in memory of my young days in Ireland Pencil 21 x 16cm; 8¼ x 6¼in Provenance: Kathleen Fairbanks (b.1903) £200-300

274. ‡ Sir Jacob Epstein (1880-1959) Isadora Duncan dancing, 1920 Pencil on buff paper 42 x 31.5cm; 16½ x 12in Provenance: Brook Street Gallery Lady Epstein private collection £400-600

274

272

269 270

271

273

59

275. ‡ Wilfred Gabriel de Glehn R.A. (1870-1951) View over Florence Signed and dated 1909 Watercolour 31 x 39cm; 12¼ x 15¼in Provenance: David Messum, Studio Collection, 616 £600-800

276. ‡ George Denholm Armour (1864-1949) American anxiously addressing powerful jumper … Pen and ink with blue crayon 22 x 17.5cm; 8¾ x 7in Provenance: The Moorland Gallery, 17482 £200-300

277. ‡ Frank Algernon Stewart (1877-1945) The Craven Hunt crossing a road Signed Watercolour over pencil 21 x 33cm; 8¼ x 13in £400-600

278. Hubert John Williams (1905-1989) The homeward path Pastel on buff paper 29 x 27.5cm; 11½ x 10¾in Provenance: Campbell Wilson, Aberdeenshire, from the artist’s studio £150-250

279. ‡ Bernard Philip Batchelor (b.1924) ‘Caerphilly Castle’, retired to South Kensington Signed Pencil and wash on buff paper 27 x 21cm; 10¾ x 8¾in £200-300

280. ‡ William E. Powell (1878-1955) Cornflowers; Delphiniums Two, both signed and dated 27 Watercolour 32.5 x 21cm; 12¾ x 8¼in and 42 x 24cm; 16½ x 9½in (2) £300-500

281. Manner of Walter Langley A boy practising the violin Watercolour on buff paper 23 x 15.25cm; 9 x 6in £100-150

275 276

277

279 280 281

278

60

282. ‡ Samuel John Lamorna Birch R.A. (1869-1955) Luss Glen, Loch Lomond Signed, titled and dated 1941 Watercolour with scratching out 24.5 x 34.5cm; 9½ x 13½in Provenance: The Fine Art Society, 1945 £300-500

283. ‡ Samuel John Lamorna Birch R.A. (1869-1955) Cornish Landscape Signed Watercolour 23 x 33cm; 9 x 13in £300-500

284. ‡ Samuel John Lamorna Birch R.A. (1869-1955) Cottages at Sennen Signed Watercolour over pencil 18.5 x 23.5cm; 7¼ x 9¼in £200-300

285. English School early 20th Century Billingsgate Fish Market looking towards the Fishmongers Hall Watercolour 31.5 x 47cm; 12½ x 18½in £300-500

286. James Aitken (act.1880-1935) Shipping at sea; A punt on a river; A shepherd on a coastal path Three, all signed All watercolour Each 34 x 49cm; 13½ x 19½in Provenance: Lord Charles Spencer-Churchill £100-150

287. Continental School 19th/20th Century Hazy day on the lakes Signed indistinctly, possibly J. Masters Pastel 54 x 73cm; 21¼ x 28in £150-250

288. ‡ Harrington Bird (1846-1936) A Cheetah pursuing an Antelope Signed Watercolour 30 x 68.5cm; 12 x 27in £200-300

282 283

284 285

286 287

288

61

290. Attributed to Victor Pasmore R.A. (1908-1989) At the Opera Signed and titled Pen ink and watercolour 24 x 22cm; 9½ x 8½in £300-400

291. ‡ Henry Sanders né Helmut Saloman (1918-1982) An album of sketches mostly of animals Most signed and dated 50 Black chalk, some with coloured chalk and watercolour 23 x 30cm; 9 x 12in With 5 loose signed illustrations to Fables in watercolour with chalk and an exhibition catalogue for Metropolitan Borough of Stoke Newington, 1955 £500-700

292. Cecil Charles Windsor Aldin (1870-1935) A mounted huntsman Signed Pencil 13 x 18cm; 5 x 7in £400-600

293. ‡ Josef Herman R.A. (1911-2000) Workers Pen and ink, watercolour and oil pastel on buff paper 21.5 x 31cm; 8½ x 12¼in £300-500

289. ‡ Ernest Howard Shepard (1879-1976) Sketch for the verse - ‘’Vespers’’ Pencil 13 x 11cm; 5 x 4¼in Provenance: Chris Beetles Gallery, The Illustrators, The British Art of Illustration 1780-1980 No. 216 £800-1,200

291

289

290

292

293

62

294. ‡ E. B. Watts (b.1940) Blue and white teapot with flowers Signed and dated 93 Watercolour 47 x 63cm; 18½ x 25in Provenance: The Gallery, Manchester £100-150

295. ‡ David Remfry R.A. (b.1942) Still life with Easter eggs Signed and dated 1987 Watercolour 62 x 103cm; 24½ x 40in £400-600

296. ‡ Robert van Cleef (b.1914) Sleeping woman Signed Pastel 33 x 48cm; 13 x 19in £200-300

297. ‡ Terry McKivragan (b.1929) The Foursome, Golf Signed Gouache 32 x 50cm; 12½ x 19¾in £100-150

298. ‡ Kenneth Draper R.A. (b.1944) Deep Cave Signed, also titled and dated 97 on backing board verso Pastel 56 x 66cm; 22 x 26in Provenance: Hart Gallery London Exhitibed: R.A. Summer Exhibition, 2003, No. 4 £120-180

299. ‡ Libby January (b.1947) Goldfish Signed with a monogram Pastel 34 x 39cm; 13½ x 15½in £300-400

294 295

296 297

298 299

300 301

300. ‡ Watson Charlton (c.1930) 28 interior designs Most signed Watercolour, 27 unframed 35 x 38cm; 13¾ x 15in (and similar) With 12 further designs for accessories (c.40) £200-300

301. A. Viegelmann (Continental 20th Century) Summer flowers in a vase Signed and dated 1919 Gouache 45 x 55.5cm; 17¾ x 22in £100-150

63

302. ‡ Gladys Mccabe R.O.I. (Irish b.1918) Irish market Signed Watercolour on grey paper 36 x 48cm; 14 x 19in £600-800

303. ‡ Anthony Eyton R.A. (b.1923) The Art Class Signed and dated 98 Pastel on grey paper 47 x 63cm; 18½ x 25in £200-300

304. ‡ James Cowie R.S.A. (Scottish 1886-1956) Mists in the Valley Signed Watercolour 14 x 18cm; 5½ x 7in Provenance: Arts Council, Scottish Committee, Memorial Exhibition, 1957, No. 94 £300-400

305. ‡ Roger McPhail (b.1953) Grayling Signed Grisaille watercolour 16.5 x 24.5cm; 6½ x 9¾in (paper size) £150-250

306. ‡ Roland Batchelor R.W.S. (1889-1990) Richmond riverside Signed with initials Pen, ink and watercolour 17 x 24cm; 6¾ x 9¼in £300-500

302

303 304

305 306

64

307. ‡ Polly Rockberger (b.1950) The Lord Chief Justice’s Corridor Signed and dated 90 Pen, ink and watercolour 48 x 35cm; 19 x 13¾in £100-150

308. ‡ Phyllis Ginger R.W.S. (1907-2005) A colourful interior Signed and dated 93 Watercolour 46.5 x 33cm; 18¼ x 13in £150-250

309. ‡ Bernard Fleetwood-Walker R.A. (1892-1965) Study of a girl in green, seated full length; Head of a girl in blue Two, both signed, the second dated 1945 Both watercolour with some pen and ink and pencil 47 x 36cm; 18½ x 14in and 28 x 21cm; 11 x 8¼in (2) £300-500

310. English School 20th Century View of Salisbury Cathedral Signed indistinctly Watercolour 43 x 31.5cm; 17 x 12½in £100-200

311. ‡ Kathy McNally (b.1950) Nude Signed and dated ‘84 Charcoal 58 x 76cm; 23 x 30in £250-350

312. ‡ Roy Petley (b.1950) A female nude, half length; Female nude, seated Two both signed and dated 93 and 88 Both red chalk 39 x 25cm; 15¼ x 9¾in and 37 x 27cm; 14½ x 10½in (2) £100-150

313. ‡ Lawson Wood (1878-1957) Spooky beasties Signed Pen, ink and wash 10 x 30.5cm; 4 x 12in £200-300

307 308

310 311

309

312

313

65

314. ‡ Lin Jammet (b.1958) Horse and Rider Signed and dated ‘92 Gouache 41 x 21cm; 16 x 11in £100-150

315. ‡ Leo McDowell (1936-2011) Etruscan fresco with flowers Signed Mixed media 29.5 x 34.5cm; 19¼ x 13½in Provenance: The Richmond Hill Gallery, Richmond Surrey £250-350

316. ‡ Brian Fielding (1933-1987) Red abstract Signed and dated 64 Crayon 27.5 x 38cm; 10¾ x 15in £150-250

317. ‡ David McClure R.S.A. (Scottish 1926-1998) Still life Signed Gouache over pencil on brown paper 11 x 17cm; 4¼ x 6½in £150-250

318. ‡ Leonore Fini (Argentine/French 1908-1996) Le Masque Signed Watercolour 31.5 x 23cm; 12 x 9in £800-1,200

319. ‡ Eric J. Mellon (1925-2014) Sennan c.1982 Signed Watercolour 19 x 27cm; 7½ x 19½in £80-120

315 316314

317

318

319

66

320. ‡ Rodolphe Strebelle (Belgian 1880-1959) Le Faubourg de Collioure Signed, dated 1926 and inscribed Collioure, also signed and titled verso Gouache 42 x 53.5cm; 16½ x 21in Exhibited: Exposition d’art Belge a Venise Provenance: Sotheby’s, 17 Sept. 2002, Lot 253 £150-250

321. ‡ Ralston Gudgeon R.S.W. (1910-1984) Cockfight Set of three, all signed All watercolour on grey paper Each 24.5 x 37cm; 9½ x 14½in (3) Provenance: W. B. Simpson, Glasgow £300-400

322. ‡ Derek George Montague Gardner (1917-2007) H.M.S. Durban off Singapore in 1941 Signed Pen, ink and watercolour 21.5 x 28cm; 8½ x 11in £200-300

323. ‡ John Humphrey Spender (1910-2005) Cottages in Lavenham Signed and dated 1947 Pastel on buff paper 29 x 37cm; 11½ x 14½in £300-500

324. ‡ Rowland Hilder O.B.E. (1905-1993) Lymington Pen, ink and watercolour on buff paper 25 x 35cm; 10 x 13¾in £200-300

325. ‡ Rowland Hilder O.B.E. (1905-1993) El Medano, Tenerife Signed Pen, ink and watercolour over pencil 24 x 33cm; 9½ x 13in £300-400

326. ‡ Raymond Allen Jackson (JAK) (1927-1997) Cadaqués Signed, titled and dated 1980 Green pen and watercolour 29 x 41.5cm; 11½ x 16¼in £150-250

320 321

322 323

324 325

326

67

327. Percy French (1854-1920) Peat stacks on the moor Signed Watercolour 15.5 x 24cm; 6 x 9½in £1,000-1,500

328. Percy French (1854-1920) Sunlit moorland river Signed Watercolour 15.5 x 24cm; 6 x 9½in £1,000-1,500

329. ‡ Phillip Rickman (1891-1982) Highland landscapes Two, both signed and dated 1934 and 39 Both watercolour 25 x 34cm; 10 x 13¼in (2) £400-600

330. ‡ Sir Robin Philipson R.A. P.R.S.A. R.S.W. (1916-1992) Landscape with a distant town Signed, also with inscribed dedication on a label verso Mixed media 29 x 46cm; 11½ x 18in £400-600

327

328

329 330

68

331. ‡ Rowland Hilder O.B.E. (1905-1993) A Glory Class Carrier, Patrol Boats and Hawker Sea Hawks off Gibraltar Watercolour and gouache on buff paper 49 x 34cm; 19¼ x 13¼in £400-600

332. ‡ R. Matthieu (20th Century) Sunflowers and bees Signed Gouache 31.5 x 22.5cm; 12½ x 9in £100-150

331 332

335333 336

333. ‡ Léon Haffner (1881-1972) Racing yacht Signed and numbered 307 Gouache 43 x 32cm; 17 x 12½in £100-150

334. No lot

335. ‡ Andrew Stock (b.1960) Great spotted woodpecker Signed and dated ‘98 Watercolour 35.5 x 25cm; 14 x 10in also see lot 266 by the same hand £300-500

336. ‡ Robert Sawyers (1923-2002) Tangerines and dried flowers; Victoria Plums Two, both signed with initials Both watercolour 27.5 x 17.5cm; 10¾ x 6¾in and 18 x 13cm; 7 x 5in (2) £150-250

69

337. ‡ Keith Vaughan (1912-1977) Man with army; Idol II, 1940 A pair, both signed with initials Both pen, ink and watercolour 12.5 x 17cm; 5 x 6¾in (2) Provenance: Christie’s, 12 Dec 2013, Lot 21 £1,000-1,500

338. ‡ Keith Vaughan (1912-1977) Persiphae, 1976 Signed with studio stamp Pencil 17 x 15cm; 6¾ x 7in Provenance: Redfern Gallery, 1998 Abbott & Holder, London £700-1,000

339. ‡ Keith Vaughan (1912-1977) Figure in Iowa, 1959 Pencil 17 x 15cm; 6¾ x 7in £600-800

340. ‡ Roger Hilton (1911-1975) Man running a race Signed with initials and titled Pen and ink 14 x 16cm; 5½ x 6¼in Provenance: Dan Klein London £200-300

341. ‡ Raoul Millais (1901-1999) On the Bull Farm; Rejoneador; Toro Three, all signed One pen and ink, one watercolour and one charcoal, the first on buff paper 20 x 27.5cm; 8 x 10¾in and similar (3) Provenance: The Tryon Gallery, London £400-600

337

338 339

340 341

70

342. Circle of Sir Joshua Reynolds P.R.A. Portrait of a girl Oil on canvas 56.5 x 47.5cm; 22¼ x 18¾in Provenance: James Frederick Nigel Rutter, Lincolnshire Passed to his son, James Rutter Private English collection £400-600

343. English School 19th Century Portrait of a gentleman Oil on canvas 62.5 x 54cm; 24½ x 21in £80-120

344. Circle of Sir Thomas Lawrence P.R.A. Portrait of a gentleman in a brown coat, seated Oil on canvas 78.5 x 64cm; 31 x 25in £200-300

345. English School 19th Century Portrait of John Adcock Inscribed on a label verso Died June 26th 1879, Aged 75 years, Buried in St. Lawrence’s Church, London, also Sir Hugh Evelyn Oil on canvas 61 x 48cm; 24 x 19in £500-800

346. Circle of Arthur Devis Portrait of a lady, half length wearing a blue dress Oil on canvas 36 x 24cm; 14 x 9½in £400-600

347. After Agostino Carracci Self Portrait Oil on canvas 38 x 29cm; 15 x 11½in A copy of the original in the Uffizzi £500-700

342

345

343

346

344

347

Oil Paintings

71

348. Circle of Allan Ramsay Portrait of a Gentleman, possibly John Coutts (1699-1751), Lord Provost of Edinburgh Oil on canvas in a carved Carlo Maratta frame 82 x 66cm; 32¼ x 26in Provenance: Private New York collection Private English collection £2,000-3,000

349. Follower of Enoch Seeman Portrait of Richard Lamb (1685-1746) Oil on canvas 126 x 101cm; 49½ x 40in £2,000-3,000

350. George Henry Harlow (1789-1819) Portrait of Johann Baptist Cramer (1771-1858) Oil on panel 53.5 x 41cm; 21 x 16in Provenance: T. McLeans Gallery, London Christie’s, 12th Jan 1901, Lot 67 S. A. Taylor By descent in the Wellesley family Private English collection £2,000-3,000

351. Sir George Hayter (1792-1871) Portrait study of Sir Edmund Hayes, M. P. for Donegal Signed and inscribed on a label verso Study for my great picture of the House of Commons in 1833 Oil on panel 34.5 x 27cm; 13½ x 10¾in £800-1,200

348

350

349

351

72

352. H. Bigee (19th Century) Still life of flowers in an urn Signed Oil on canvas 53.5 x 38cm; 21 x 15in £400-600

353. Dutch School 18/19th Century Still life of roses and summer flowers in an urn Oil on canvas 73.5 x 60cm; 29 x 23¾in £200-300

354. Byzantine School 19th Century The Resurrection Oil on panel 36 x 27cm; 14 x 10½in £200-300

355. Italian School 18th/19th Century Madonna and child with angels Oil on copper 16.5 x 13cm; 6½ x 5¼in With a leaf from the Book of Hours printed for Gilles Hardouyn in Paris 1516 (2) £300-500

356. Follower of Jan van Kessel Still life of flowers in an urn Oil on panel 23.5 x 17.5cm; 9¼ x 7in £100-150

357. Follower of Bartolomé Esteban Murillo Madonna and putti Oil on canvas, laid on panel 22.5 x 18cm; 9 x 7½in £200-300

357356

355354

352 353

73

358. After Peter Paul Rubens and Frans Snyders Christ, St. John, an angel and a little girl Signed indistinctly and dated 185* Oil on canvas 39.5 x 50.5cm; 15½ x 20in A copy of the original in Wilton House, Wiltshire £800-1,200

359. Follower of David Teniers A tavern scene Oil on canvas 40.5 x 54cm; 16 x 21¼in £800-1,200

360. Follower of David Teniers A village scene with figures gathered by a house Oil on canvas 35.5 x 45.5cm; 14 x 18in £200-300

361. Fong Qua (Chinese 19th Century) A junk off the coast Artist’s label verso Oil on canvas 15.5 x 23cm; 6¼ x 9in £400-600

362. Flemish School 17th Century Lot being guided by an angel Oil on panel 19 x 27cm; 7½ x 10½in Provenance: Leonard Koetser Ltd., London, 1966 £300-400

363. Dutch School 18th Century Figures and cattle by a stream Oil on panel 33 x 38cm; 13 x 15in £300-400

358 359

360 361

362 363

74

364. After Raphael Sanzio Madonna della sedia Oil on canvas 76 x 76cm; 30 x 30in £400-600

365. Circle of William Etty R.A. Study of two girls seated in a landscape Oil on board, circular 48.5cm; 19in diameter £500-700

366. English School 19th Century Portrait of Anna Maria Draycott, later Lady Shuckburgh Oil on panel 25.5 x 20cm; 10 x 8in £150-250

364 365

367. Follower of Francisco Bayeau y Subias Portrait of a lady wearing blue Oil on canvas 48 x 38cm; 19 x 15in £300-500

368. After Sir Thomas Lawrence P.R.A. The Red Boy Oil on canvas 84 x 63cm; 33 x 25in A copy of the original £300-400

370. English School c.1800 Portrait of a girl in a red fur-trimmed wrap in a painted garland Oil on canvas 70 x 56cm; 27½ x 22in £100-150

371. English School 18/19th Century Portrait of Charles I with armorial bearings of his adherents Oil on canvas 64 x 67cm; 25 x 26¼in £300-500

369. Sir Edwin Henry Landseer R.A. (1802-1873) Head study of a woman, possibly Lady Louisa Russell (1812-1905) Oil on board, oval 19.5 x 16.5cm; 7¾ x 6½in Provenance: Sotheby’s Belgravia, 30 March 1982, lot 200 (as a study for Harvest in the Highlands) Christie’s, 22 February 1985, Lot 61 Bonhams Knightsbridge, 20 March 1997, Lot 1 Peter Johnson, 2000 Sotheby’s 29th October 2008, Lot 508

We would like to thank Richard Ormond for his assistance in cataloguing this lot. £800-1,200

371370369

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75

372. Dutch School 19th Century Rustic with sheep and cattle watering Oil on board, circular 12.5cm; 5in diameter £200-300

373. After Sir Anthony Van Dyck Portrait of the Earl of Stratford Oil on canvas, oval 53.5 x 41cm; 21 x 16in £600-800

374. English School 18th Century Portraits believed to be William Seton of Mounie (1750-1781) and his sister A pair, both oil on copper, oval Each 16 x 12.5cm; 6¼ x 5in (2) £200-300

375. English School c.1800 Portraits of two girls, both head and shoulders Both oil on canvas, ovals Each 32 x 26cm; 12½ x 10¼in (2) £100-150

375

372 373

374

76

376. Follower of Adriaen Brouwer A rustic drinking from a flask Oil on panel 18 x 13cm; 7 x 5¼in £400-600

377. Flemish School 18th Century Elegant figures in an interior Oil on panel 29.5 x 24cm; 11½ x 9½in £300-500

378. Attributed to Jan Miense Molenaer (Dutch 1610-1668) A scholar at work Oil on panel 16 x 12.5cm; 6¼ x 5in £400-600

379. English School (19th Century) Study of a boy, head and shoulders Oil on canvas 61 x 51cm; 24 x 20in £100-200

380. Manner of Antonio Allegri Correggio Ecco Homo Oil on canvas in a decorative frame 44 x 35.5cm; 17¼ x 13in £200-300

381. French School 18th Century The Hunter’s refreshment Oil on canvas 49 x 62cm; 19¼ x 24½in £1,500-2,500

376 377 378

379 380

381

77

382. Edward Charles Williams (1807-1881) Rustic figures on wooded tracks A pair, both said to be signed and dated 1857 verso Both oil on canvas Each 46 x 37cm; 18 x 14½in (2) £1,000-1,500

383. Benjamin Blake (1757-1830) Still life of game on a table Signed and dated 1875 Oil on panel 24 x 21.5cm; 9½ x 8½in Provenance: Woolley & Wallis, 17th October 1994, Lot 14 £400-600

384. Norwich School 19th Century A windmill by a river Oil on panel 19.5 x 15cm; 7½ x 6in £250-350

385. Follower of Nicolaes Berchem Rustics herding sheep and cattle in a Continental landscape Oil on canvas laid on panel with wax seal verso 33 x 41cm; 13 x 16in £500-800

382

383 384 385

78

386. William Alfred Ingpen (Continental 19th Century) A falconry scene Signed and dated Jun 1874 Oil on board 30 x 38cm; 11¾ x 15in £400-600

387. G. P. André (19th Century) Figures on the coast before a cottage Signed and dated 1844 Oil on canvas 30.5 x 40.5cm; 12 x 16in £200-300

388. English School 19th Century Figures in a landscape with boats on a lake Oil on canvas 46 x 61cm; 18 x 24in £200-300

389. Sydney Amos Driver (1865-1934) after Meindart Hobbema The Avenue at Middelharnis Signed and titled verso Oil on canvas 76 x 101.5cm; 30 x 40in A copy of the original in the National Gallery With a print of geese on the marshes after Peter Scott (2) £300-500

390. English School 19th Century Ships in a swell Oil on panel 30 x 42cm; 12 x 16½in £100-150

391. Circle of William Simpson A horseman in a Middle Eastern landscape Oil on board 26.5 x 33cm; 10½ x 13in £100-150

392. Italian School 19th Century Figures in Italianate landscapes Two, both oil on canvas, one laid on board, framed alike 38 x 48cm; 15 x 19in (2) £250-350

386 387

388 389

390 391

392

79

393. Richard Whitford (c.1821-1890) In-calf Hereford cow, Bell Inscribed on the stretcher verso: In-calf Hereford cow ‘’Bell’’ bred by the late F. William Haile 15 or 16 years old and the property of Messrs. G. and …….. of Ford Gloucestershire / Painted by Richard Whitford of Evesham Animal painter to the Queen 1869 Oil on canvas 46 x 61cm; 18 x 24in Literature: Andrew J.A. Sheldon Richard Whitford paintings: a catalogue Part 2 no. 6905 £800-1,200

394. Edward Williams (1782-1855) Figures on a track by a working mill Inscribed indistinctly on a label verso Oil on panel 58 x 79cm; 23 x 31in £1,500-2,500

395. E.R. Lautter (18/19th Century) Still life of copper pans, moulds and vegetables on a ledge Signed Oil on panel 22 x 33cm; 8½ x 13in £800-1,200

396. Italian School 18th Century The sleep of Venus Later inscribed on a label verso Ani Bad Orello Ivtor Del. 1695 Oil on canvas 35.5 x 98cm; 14 x 38½in £500-700

393 394

395

396

80

397. English School 19th Century Portrait of Arthur Wellesley, 1st Duke of Wellington, full length standing, wearing the Order of the Garter and Waterloo medal issued 1815-16 Oil on canvas 64 x 42cm; 25¼ x 16½in This is a portrait of Wellington in the mid to late 1840s when his political career was coming to an end and is unusual in that he is not wearing his Spanish Order of the Golden Fleece £1,000-1,500

398. Follower of Sir Thomas Lawrence P.R.A. Portrait of Humble Lamb (1774-1844) Oil on canvas 129 x 102cm; 51 x 40in £800-1,200

399. English School late 17th Century Portrait of Sir Thomas Powell, 1st Bt. of Broadway, Laugharne, Carmarthenshire and Coldbrook Park, Monmouthshire (c.1665-1720) Oil on canvas, oval 69 x 56cm; 27 x 22in £500-800

400. Charles Edward Hallé (1846-1914) Mother and her daughter having tea Signed and dated 1862 Oil on canvas 105 x 78cm; 41½ x 30½in £800-1,200

401. English School 19th Century Portrait of George, Earl of Pomfret Oil on canvas 97 x 80cm; 38½ x 31½in Old canvas loosely attached to back implies the sitter is either George William Denys (1788-1857), 1st Baronet Denys or George, Earl of Pomfret 1820 and painted by Arthur Perigal £500-700

402. Dutch School 17/18th Century Portrait of a boy holding a basket of fruit Oil on canvas 65 x 51cm; 25½ x 20in £1,000-1,500

401

397

399

398

400

402

81

403. Sebastian Pether (1790-1844) Fishermen on the Loch with Inveraray Castle beyond Oil on canvas 55 x 81cm; 21½ x 32in £1,000-1,500

404. Follower of John Ferneley Extensive landscape with huntsmen and hounds Oil on canvas 76 x 107cm; 30 x 42in Provenance: Lord Charles Spencer-Churchill £600-800

405. Follower of John Frederick Herring A horse and pet spaniel Oil on panel 39.5 x 50.5cm; 15½ x 20in £300-500

406. Apelles (19th Century) Reprieve, a hunter Signed and inscribed Reprieve Oil on canvas 40.5 x 51cm; 16 x 20in £400-600

407. Continental School 18th Century Elegant company inspecting a piebald Oil on canvas 66 x 81cm; 26 x 32in £800-1,200

408. Dutch School c.1800 Cattle in a landscape, a tower beyond Oil on canvas 40.5 x 57cm; 16 x 22½in £400-600

403 404

405 406

407 408

82

409. Manner of John Wilson Carmichael Fishing boats and figures on the shore Oil on panel 36 x 54cm; 14 x 21¼in Provenance: Woolley & Wallis, 25th March 2009, Lot 298 £600-900

410. J. Colinson (19th Century) Fishing boats on the coast with St. Michael’s Mount A pair, both signed Both oil on panel Each 22.5 x 30.5cm; 9 x 12in (2) £400-600

411. English School 19th Century Ships on stormy seas A pair, both oil on canvas 23 x 30.5cm; 9 x 12in (2) £400-600

412. Dutch School late 18th Century Ships in a stormy sea Oil on canvas 36 x 45cm; 14 x 17¾in £400-600

413. John Wilson Carmichael (1800-1868) Traders off the coast Oil on canvas 27.5 x 43cm; 10¾ x 17in £200-300

409 410

411

413412

83

414. Mark Anson (19th Century) View of Scarborough Signed and dated 85 Oil on canvas 85 x 132cm; 33½ x 52in £800-1,200

415. ‡ H. Crane (20th Century) SS Roscommon Signed Oil on board 15 x 31cm; 6 x 12¼in SS Roscommon, built by Workman, Clark & Co. Ltd., Belfast in 1902 for Union Steamship Co. of New Zealand, Ltd., London, was a British steamer of 8238 tons. On August 21st, 1917, Roscommon, en route from Manchester to Australia, was torpedoed by the U-53 (Hans Rose) £100-150

416415

417 418

414

416. ‡ Marie-Edouard Adam (French 1847-1929) The SS Mount Evans off the coast Signed and dated 1920 Oil on canvas 60 x 92cm; 23½ x 36in SS Mount Evans of 5,598 GRT was built in 1919 for the Pacific Coast Steamship Company. She was part of Convoy ON113 from UK to USA

417. Chinese School c.1900 H.M.S. Blenheim near Hong Kong Oil on linen 45 x 59.5cm; 17¾ x 23½in Provenance: Hampshire Gallery 3/3/08 £200-300

418. Chinese School c.1895 The battleship H.M.S. Centurion at sea Oil on linen 47 x 60cm; 18½ x 23¾in Provenance: Hampshire Gallery 10/9/97 £250-350

in mid-1942; of Convoy SC100 from Halifax to UK in Sept 1942, and of Convoy HX297 from USA to UK in mid-1944. The last record of the Mount Evans is in Rio de Janiero in 1961 when she was operated by the Mount Evans Steamship Company. £400-600

84

420419

421 422

85

419. Augustus Henry Fox (c.1822-1895) Three children in an interior Signed indistinctly and dated 1856 Oil on canvas 91 x 71cm; 36 x 28in £700-1,000

420. English School 19th Century The letter Oil on canvas 77.5 x 55cm; 30½ x 21½in £1,000-1,500

421. Pierre Edouard Frère (French 1819-1886) The Connoiseur Signed and dated 79 Oil on panel 25.5 x 2.5cm; 11 x 8in £800-1,200

422. Follower of William Powell Frith R.A. Intercepted Letter Bears signature and date, also titled verso Oil on canvas 46 x 35.5cm; 18 x 14in £400-600

423. Thomas Sewell Robbins (1810-1880) Fishermen off the coast Signed and dated 1851 Oil on canvas 25.5 x 35.5cm; 10 x 14in £1,500-2,500

424. Frederick Richard Lee R.A. (1798-1879) Highgate from the hill Signed Oil on panel 23 x 30.5cm; 9 x 12in Provenance: E. Stacy-Marks, Eastbourne, 16-4-81, No. L. 324 £200-300

425. English School 19th Century Figures in a landscape Oil on panel 15 x 17.5cm; 6 x 7in £150-250

426. English School c.1900 Study of an oak tree Oil on paper, mounted, unframed 17.5 x 25cm; 7 x 9¾in With 4 mounted, unframed watercolours by different hands (5) £80-120

427. English School 19th Century Figures on a track by a country cottage Oil on canvas 28 x 37cm; 11 x 14½in £100-150

423

424 425

426 427

86

428. English School early 20th Century Figure with a horse and cart in a landscape Oil on panel 30.5 x 40.5cm; 12 x 16in £200-300

429. ‡ Tony Sheath (b.1946) Home at last Signed Oil on canvas 50.5 x 76cm; 20 x 30in Provenance: E. Stacey Marks, 5.11.83., S-943 £200-300

430. R. Nightingale (late 19th Century) Still life of fruit on a shelf with a kitten and butterfly Signed and dated 1886 Oil on canvas 45.5 x 61cm; 18 x 24in £300-500

431. Georg Schlugg (German 19/20th Century) Traveller in a wooded mountain landscape Signed Oil on canvas 56 x 68.5cm; 22 x 27in £150-250

432. Neapolitan School 19th Century View of the Bay of Naples Oil on paper 13.5 x 20.5cm; 5¼ x 8in £150-250

433. West Indies School c.1890 West Indian landscape Signed indistinctly and dated Sep 1890 Oil on canvas 51 x 91.5cm; 20 x 36in £300-500

434. Jack Orr (1890-1961) The Veterans Signed, titled on a label verso Oil on board 46 x 61cm; 18 x 24in £300-500

435. Robert Bell (1806-1872) Bell’s Life in London Oil on canvas 52 x 62cm; 20½ x 20¼in With a still life of apples by David Smith (2) £200-400

435434

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436. Jules Émile Saintin (French 1829-1894) Portrait of a lady seated in an interior Signed and dated 1872 Oil on panel 27 x 21cm; 10¾ x 8¼in £800-1,200

436

437. T. Greenwood Hunt (fl. 1873-1878) A tempting treat Signed and dated 1874 Oil on canvas 40.5 x 30.5cm; 16 x 12in £350-450

438. Neapolitan School 19th Century A country girl Signed indistinctly and dated 1886 Oil on canvas 55 x 44cm; 21½ x 17¼in £500-800

439. Maurice Greiffenhagen R.A. (1862-1931) Portrait of a young lady with long brown hair Signed Oil on canvas 30.5 x 25cm £500-700

440. James Butler Brenan R.H.A. (Irish 1825-1889) Portraits of Mr. & Mrs. Pitts of Hardingham Hall, Hingham, Norfolk A pair, both signed and dated 1872 Both oil on canvas Each 35 x 30.5cm; 14 x 12in (2) £300-500

438437

440439

88

441. Oliver Clare (1853-1927) Peaches, plums and raspberries on a mossy bank; Grapes, apples and raspberries by a path A pair, both signed Both oil on canvas Each 25.5 x 30.5cm; 10 x 14in (2) £500-800

442. James Poulton (fl. 1844-1859) Woodland still life with an apple, pear and grapes Signed Oil on board 16 x 24cm; 6¼ x 9½in £100-150

443. George Hardy (1822-1909) The pink doll Oil on canvas 24 x 33cm; 9½ x 13in £400-600

444. William Henry Mander (1850-1922) Welsh views: Nr. Dinas, Mawdwy; Scene Nr. Arthog A pair, both signed, also both signed and titled verso Both oil on canvas, unframed Each 46 x 35.5cm; 18 x 14in (2) £600-800

441

443442

444

89

445. Thomas Sidney Cooper R.A. (1803-1902) Sheep on a chalk down with cliffs beyond, 1861 Signed Oil on panel 25.5 x 40.5cm; 10 x 16in Provenance: Christie’s, March 1st 1929 £3,000-5,000

446. Follower of John Frederick Herring Pigs in a farmyard; Horse and donkey in a farmyard A pair, both oil on canvas, circular in rectangular frames Each 48cm; 19in diameter (2) £800-1,200

447. S. Bird (19th Century) A pack horse by a stable Signed and dated 1870 Oil on canvas 25.5 x 30.5cm; 10 x 12in £400-600

448. Franz Van Severdonck (Belgian 1809-1889) A rooster, hens and chicks feeding Signed and dated 1859 Oil on panel 17 x 22.5cm; 6¾ x 9in £600-800

445

446

448447

90

449. Herbert H. St John Jones (1870-1939) The Great Dane Highfield Lady K.C.S.B. with her litter of 10 puppies, in a landscape Signed, titled and dated 1902 also signed and titled verso and also with original inscription verso: Highfield Lady The Property of George Ray of Highfield, Nantwich Oil on canvas 71 x 101cm; 28 x 40in £1,000-1,500

450. George Armfield (1808-1893) Terriers at a burrow Signed Oil on canvas 43 x 53.5cm; 17 x 21in Provenance: Printed on frame Presented by Captain W.C. Wingfield, Late Kings Dragoon Guards 1889 Christie’s, 15 October 1976, lot 150 £400-600

451. F. Williams (19/20th Century) Study of a terrier Signed and dated 1900 Oil on canvasboard 23 x 25.5cm; 9 x 10in £300-500

452. French School 19th Century A stand-off Signed and inscribed indistinctly verso Oil on panel 21.5 x 26cm; 8½ x 10¼in £300-500

453. G. R. Jackson and A. P. Norton (19th Century) Two hounds in a landscape Signed and dated 1860 Oil on canvas 28 x 43cm; 11 x 17in £300-500453452

451450

449

91

454. Henry Charles Bryant (1812-1890) Cattle in the water meadows, Salisbury Cathedral beyond Signed and inscribed on a label verso Oil on board 51 x 63cm; 20 x 25in £700-1,000

455. Continental School 19th Century Interior scene with figures and a monk playing dice Signed indistinctly Oil on canvas 64 x 79cm; 25 x 31in £600-800

456. Edwin Longsden Long R.A. (1829-1891) Caravan by the water Signed and dated 1886 Oil on canvas 33 x 41cm; 13 x 16in £600-800

457. Francis Sydney Muschamp (1851-1929) The clumsy suitor Signed Oil on canvas laid on board 50 x 75cm; 19 x 29in Provenance: Woolley & Wallis, 17th October 2007, Lot 472 £500-800

458. Manner of Canaletto View of the Grand Canal Oil on canvas 90 x 120cm; 35½ x 47in £800-1,200

459. Robert Fleury (French 1797-1890) The presentation in the temple Signed with initials Oil on canvas 42 x 57cm; 16½ x 22½in £400-600

456 457

458 459

455454

92

460. R. Benedict (19th Century) Cattle watering; Sheep resting A pair, both signed, one dated 81 Both oil on canvas Each 15 x 20cm; 6 x 8in (2) £300-400

461. R. Allan (19th Century) A view of Bisham on Thames Signed Oil on canvas 41 x 61cm; 16 x 24in £400-600

462. Wilfred Jenkins (1857-1936) Moonlit village scene Signed Oil on canvas 32 x 46cm; 12½ x 18in £200-300

463. Frank Hider (1861-1939) The Chills of Autumn Gild the Verdant Scene Signed, titled verso 31 x 51cm; 12 x 20in £150-250

464. Attributed to James Baker Pyne (1800-1870) Sunset over a river landscape Signed with initials Oil on panel 14 x 25.5cm; 5½ x 10in £200-300

465. Joseph Horlor (1809-1887) Near Coombe Martin, Devon Signed and dated 60, also signed and titled verso Oil on board 17.75 x 35.5cm; 7 x 14in Provenance: Bonhams, 27 Feb 2007, Lot 109 £200-300

466. English School 19th Century A break from the hunt Oil on canvas 53 x 66cm; 21 x 26in £150-250

467. Joseph Van Dieghem (Belgian 1843-1885) Sheep and lambs by a sawn tree Signed and dated 77 Oil on panel 17 x 25cm; 6¾ x 9¾in £300-500

467466

465464

463462

461460

93

468. Circle of John-Laurents Jensen Still life of roses, iris, narcissi and convolvulus Oil on canvas 28 x 37cm; 11 x 14½in £700-1,000

469. William Harding Smith (1848-1922) Still life of grapes and plums on a mossy bank Signed and dated 1870 Oil on canvas 25 x 30.5cm; 10 x 12in £750-1,000

470. Maud Earl (1864-1943) A cockerel on a branch in a wooded landscape Signed Oil on board 155 x 68cm; 61 x 27in £1,000-1,500

471. A. Friedmann (20th Century) Still life of flowers in a vase on a marble ledge Signed Oil on panel 40 x 30cm; 16 x 12in £300-500

472. Follower of George Lance Still life of fruit by a column Oil on board 23 x 27cm; 9 x 10½in £150-250

469468

472471 470

94

473. H. M. (19/20th Century) View near Frome, Somersetshire Signed with a monogram and dated 96, also titled on stretcher verso Oil on canvas 91.5 x 71cm; 36 x 28in £200-300

474. Ernest Parton R.I. (1845-1933) The Silence of the Woods Signed Oil on canvas 92 x 62cm; 36¼ x 24½in Exhibited: Royal Academy, London £700-1,000

475. H. Sherbourne (Late 19th Century) Sheep on a track by a windmill Signed and dated ‘59 Oil on canvas 46 x 61cm; 18 x 24in £350-450

476. Charles Nicholl Woolnoth (1815-1906) Moffat Well Burn in spate Signed, also signed and titled on a label verso Watercolour 44 x 64cm; 17¼ x 25in £150-250

477. Walter Boodle (1862-1914) Pastoral river landscapes A pair, both signed Both oil on board Each 24 x 31cm; 9½ x 12¼in (2) £150-250

477

476475

474473

95

479. Benjamin Williams Leader R.A. (1831-1923) A view of Sutton Church Signed and dated 1902 Oil on canvas 41 x 61cm; 16 x 24in £2,000-3,000

478. Stanislas Lépine (French 1835-1892) Cattle on the water meadows Signed Oil on canvas 43 x 55cm; 17 x 21½in £2,000-3,000

479

478

96

480. Rudolph Stone (19/20th Century) Hunting Scenes A pair, both signed Oil on panel 15.5 x 31.5cm; 6 x 12¼in (2) £400-600

481. English School c.1900 Studies of farm horses and calves 5, all oil on panel, unframed Each 12.5 x 21.5cm; 5 x 8½in (5) £100-150

482. Circle of John Frederick Herring Three members of The Temperance Society Bears signature and date 1832 Oil on canvas laid on board 47 x 62cm; 18½ x 24¼in £200-300

485

484483

482481

480

483. Charles H. Branscombe (fl. 1891-1922) Hunters with setters in a landscape Signed and dated 1893 Oil on canvas 30.5 x 45.5cm; 12 x 18in £150-250

484. ‡ Vincent Haddelsey (1929-2010) The Brocklesby Hunt Signed with initials Oil on canvas 61 x 91cm; 24 x 36in Provenance: Tooth Paintings, London, No. C0305 £500-800

485. Thomas Whittle (act.1856-1897) Summer evening; Autumn evening A pair, both signed and dated 1869 Both oil on canvas Each 25.5 x 35.5cm; 10 x 14in (2) Provenance: Christopher Cole Fine Paintings £200-300

97

486. Julius Olsson R.A. (1864-1942) The coast in the moonlight Signed Oil on canvas 45.5 x 61cm; 18 x 24in Provenance: The Annesley family of Northern Ireland and by descent £2,000-3,000

487. Daniel Sherrin (1868-1940) Surrey Pines Signed, also titled verso on overlap Oil on canvas 77 x 130cm; 30 x 51in In original giltwood frame- see website for image £2,000-3,000

487

486

98

488. Circle of Grandma Moses Farm buildings with a windmill Oil possibly on paper laid on canvas 45.5 x 59.5cm; 18 x 23½in £400-600

489. Frank Reynolds (1876-1953) Carriages in a city square Signed and dated 1942 Oil on canvas 46 x 61cm; 18 x 24in £200-300

490. Joslin (19th Century) The Thames with figures near Richmond Bridge Signed Oil on canvas 38 x 50.5cm; 15 x 20in £200-300

491. After Jan Van Beers Boarding a rowing boat Oil on panel over a printed base 11.75 x 19cm; 5 x 7½in £100-150

492. Frank E. Jamieson (1834-1899) Scottish landscapes: Loch Goil, Ayrshire; Loch Fyne A pair, both signed, also both titled verso Both oil on canvas Each 45.5 x 61cm; 18 x 24in (2) £200-300

493. English School 19th Century Children at a counter Oil on board 27 x 21.5cm; 10½ x 8½in £100-150

494. Attributed to Thomas Benjamin Kennington (1856-1916) Spring holding flowers Signed and dated 1900 Oil on canvas 57 x 44cm; 22½ x 17¼in £300-500

494493

492

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488 489

99

495. Georgina Lara (act.1840-1880) Busy village scenes A pair, one signed Both oil on canvas Each 20.5 x 38cm; 8 x 15in (2) £1,500-2,500

496. William Archibald Wall (1828-1875) Fishing boats and figures on the shore Three, all signed All oil on canvas Each 20.5 x 40.5cm; 8 x 16in (3) £800-1,200

495

496

100

497. William Kay Blacklock (1872-1924) Loading the hay carts Signed Oil on panel 21 x 28.5cm; 8½ x 11¼in £800-1,200

498. English School c.1930 Boats in the shade by the river Inscribed indistinctly on stretcher verso Oil on canvas 48.5 x 61cm; 19 x 24in £500-800

499. Alfred Walter Williams (1824-1905) Cattle and a traveller on a misty heath Signed with initials and dated 1870 Oil on canvas 26 x 40cm; 10¼ x 16in £400-600

500. Henri Joseph Harpignes (French 1819-1916) Stormy landscape Signed with initials Oil on canvas laid on panel 9.5 x 15.5cm; 3¾ x 6in £500-800

501. H. Hutchinson (19th Century) Yorkshire cottage views A pair, both signed Both oil on board Each 23 x 33cm; 9 x 13in (2) £100-150

502. Henry Harold Vickers (Canadian 1851-1919) Cows on the Avon, a Warwickshire pasture; On the Severn, Shropshire A pair, both signed and dated 1909, also signed titled and dated verso Both oil on board Each 18 x 25.5cm; 7 x 10in £300-500

502501

500499

498497

101

503. After Joseph Mallord William Turner R.A. The Dogana, San Giorgio, Citella from the steps of the Europa Oil on canvas 61 x 91cm; 24 x 36in A copy of the original in the Tate £700-1,000

504. James Webb (c.1825-1895) Shades of evening (with windmill); Wimbledon A pair, both signed and titled verso Both oil on board Each 15 x 30cm; 6 x 5in (2) Provenance: Duffield Gallery, Guildford £500-700

505. William Raymond Dommersen (1850-1927) On the Rhine Signed with initials and dated 82 Oil on panel 20 x 30.5cm; 8 x 12in £400-600

506. Charles I’Anson (1924-1983) Broken weather on the Solway, looking towards England; Scotch side of the Solway Firth Both signed Both oil on canvas 63.5 x 102cm; 25 x 40in and 35.5 x 54cm; 14 x 21in Exhibited: Royal Academy, 1907, No. 11 The Modern Galleries, 1908, No. 45 (2) £500-800

506

503

505

504

102

507. ‡ Antoine Bouvard (French 1870-1955) Gondola on a side Canal, Venice Signed Oil on canvas 50 x 65cm; 19½ x 25½in Provenance: Sotheby’s, 3rd Dec 2002, Lot 308 £6,000-10,000

507

103

508. ‡ Antoine Bouvard (French 1870-1955) Santa Maria della Salute from the Grand Canal, Venice Signed Oil on canvas 50 x 65cm; 19½ x 25½in Provenance: Sotheby’s, 3rd Dec 2002, Lot 304 £6,000-10,000

508

104

509. ‡ Stanhope Alexander Forbes R.A. (1857-1947) Man in a sou’wester Oil on canvas 76 x 60cm; 30 x 23½in Provenance: Newlyn Orion Galleries Ltd; Stanhope and Elizabeth Forbes Exhibition 20th June - 21st July 1981 no. 45 £3,000-5,000

509

105

510. ‡ Harry Robert Mileham (1873-1957) Tristram’s Deathbed Signed with monogram and dated 1902 Oil on canvas 78 x 90cm; 30½ x 35½in Together with a sketch for the head of Isolde, oil on paper, her profile with pin pricks for transfer, 21 x 26cm and a sketch for Tristram’s death, oil on brown paper 26 x 38cm (3) The influence of Frederic Lord Leighton’s work Elisha raising the son of the Shunamite of 1881, now at Leighton House, on the composition and the treatment of the fabrics in Tristram’s Deathbed is clear. Mileham would have been familiar with the picture as he visited the artist’s house. Provenance: Sotheby’s, London 13th December 1989, lot 181 (as attributed to Marianne Stokes) Christopher Wood Gallery, 9th January 1990 Literature: Paintings of 1902; Whitford and Hughes Catalogue Peintres de l’Ame, London, 1984, no 10 (as attributed to Marianne Stokes); Roger Simpson, Arthurian Legend in fine and Applied Art, of 19th and early 20th Centuries in Ed Richard Barber, Arthurian Literature X1, 1992, p. 89; Edited by Patrick Mileham, Harry Mileham, A Catalogue, 1995, pg. 31 and 51, ill. plate 23 £4,000-6,000 510

510

106

511. Thomas Cooper Gotch (1854-1931) Study for The Awakening Green oil on canvas 131 x 182cm; 51½ x 71½in This is a full size sketch for the original which is in the Bristol Museums and Art Gallery Literature: Pamela Lomax, The Golden Dream, A Biography of Thomas Cooper Gotch 2004, 2 other studies and the original illustrated p.112/3 £800-1,200

512. Walter Richard Sickert A.R.A. (1860-1942) George Moore reading a newspaper Signed Oil on canvas, unframed 35.5 x 25.5cm; 14 x 10in Including a copy of the Christie’s catalogue of sale Provenance: Christie’s, 26th Oct. 1995, Lot 5 (2) £1,000-1,500

512

511

107

513. Marie Méloé Marsaud (act.1835-1857) The Evening Signed and dated 1854 Oil on canvas 61 x 99cm; 24 x 39in A copy of The Evening or Lost Illusions by Charles Gleyre (1806-1874) in the Louvre, Paris £2,000-3,000

514. Hans Nicolaj Hansen (Danish 1853-1923) Hading and Harthgrepa visit the underworld Signed with a monogram and dated 93, also inscribed in Latin: Hadingus in ea loca vivus adducitur quae morienti petenda fuerant Saxo Oil on canvas 105 x 145cm; 41½ x 57in The subject is from Saxo’s History of the Danes £800-1,200

514

513

108

515. ‡ William Lee-Hankey (1869-1952) Pinks Signed Oil on canvas 41 x 51cm; 16 x 20in Provenance: Atkinson Art Gallery, Southport £700-1,000

516. ‡ Sheila MacLeod Robertson (b.1927) Loch Carron, Ross-shire Signed Oil on board 30 x 40.5cm; 12 x 16in £200-300

517. ‡ Campbell Archibald Mellon (1876-1955) The Breakwater Gorleston Signed, also titled and dated Nov. 1936 1pm verso Oil on board, unframed 23 x 30cm; 9 x 12in £200-300

518. Victor Visser (South African 1907-1995) Drakensberg Mountains Signed, also inscribed indistinctly on stretcher verso Oil on canvas 33 x 48cm; 13 x 19in £150-250

519. ‡ Stuart Scott Somerville (1908-1983) Still life of fruit with a bowl Signed Oil on board 35 x 51cm; 13¾ x 20in £500-700

519518

517516

515

109

520. ‡ Stephen Spurrier R.A. (1878-1961) Figures resting in a landscape Signed Oil on canvas 51 x 38cm; 20 x 15in £200-300

521. English School 20th Century A corner of the garden Oil on canvas 61 x 51cm; 24 x 20in £200-300

522. ‡ James Sinton Sleator (1885-1950) Still life of peonies in a green vase Signed Oil on canvas 61 x 50.5cm; 24 x 20in £400-600

523. ‡ Mary Godwin (1887-1960) Still life of marigolds Signed Oil on canvas 39 x 33cm; 15½ x 13in Provenance: J. Leger & Son, London, 6.2.36 £300-500

524. After Samuel John Peploe R.S.A. Flowers in a green vase Signed Willy and dated 19** Oil on canvas laid on board 90 x 60cm; 35½ x 23½in £200-300

525. John Henderson (Scottish 1860-1924) Still life of yellow daisies in a blue vase Signed Oil on canvas 60 x 46cm; 23½ x 18in £150-250

525524523

522521520

110

526. Manner of Paul Cezanne Summer bathers Oil on canvas, unframed 68.5 x 78.5cm; 26 x 31in £700-1,000

527. Gilbert Holiday (1879-1937) The Cavalry Charge Signed with initials Oil on board 21.5 x 20.5cm; 8½ x 8in £300-400

528. ‡ Francis Ernest Jackson A.R.A. (1872-1945) Portrait of the climber Jack St Clair Lindsay Inscribed, titled and dated c.1924 verso Oil on panel 47 x 38cm; 18½ x 15in Provenance: Commissioned by W.M. Hornby 1924/5 Bequested to Anna Hornby in 1955 £500-700

529. Alfred Bentley (1879-1923) Continental square in summer and winter A pair, one signed and dated 1909 Both oil on canvasboard Each 23 x 27cm; 9 x 10½in (2) £400-600

529

528

527

526

111

530. Edmond Marie Petitjean (French 1844-1925) Boulevard des Patignoles Signed with initials Oil on board 16 x 24cm; 6¼ x 9½in £1,500-2,500

531. ‡ Bernard Dunstan R.A. (b.1920) Dressing III Signed, also dated 2.73 and inscribed Dressing in front of door - (Holding Bra) III verso Oil on board 34 x 26.5cm; 13½ x 10½in Provenance: Thomas Agnew & Sons, No. 36129 £1,000-1,500

532. Paul Maitland (1863-1909) On the Thames near Wargrave Signed verso Oil on canvas laid on board 30 x 25cm; 12 x 9¾in £600-800

533. ‡ Charles James McCall (1907-1989) Nude Signed and dated 63 Oil on canvas 30.5 x 46cm; 12 x 18in £600-800

533532

531530

112

534. ‡ Arthur Spooner (1873-1962) Autumn woodland Signed Oil on canvas laid on board 35 x 40.5cm; 13¾ x 16in Exhibited: Robert Sielle, London, No. 6189 £700-900

535. William Wade (early 20th Century) The plough-team at work Signed and dated 1937 Oil on canvas laid on board 35 x 38cm; 13¾ x 15in £200-300

536. ‡ Mervyn Goode (b.1948) Two elms in winter Signed and dated 75 Oil on canvas 30.5 x 30.5cm; 12 x 12in £250-350

537. ‡ Pierre Lelong (French 1908-1984) Rue Mouffetard Signed Oil on canvas 46 x 55cm; 18 x 21½in Exhibited: Leicester Square Galleries, New Year Exhibition, January 51 £300-500

538. ‡ Attributed to Elizabeth Keith (1887-1956) Figure and goats on a bridge Oil on canvas 45.5 x 35cm; 18 x 17in £300-500

539. Cyril Chitty (19/20th Century) Beaucaire Signed and dated 82, also signed and titled with artist’s address verso Oil on panel 35.5 x 25.5cm; 14 x 10in With an oil of women and a cottage by a river (2) £100-150

540. English School 19th Century Shanklin Chine, Isle of Wight Bears signature and date 1890 Oil on canvas 61 x 46cm; 24 x 18in £200-300

540539538

537536

535534

113

541. ‡ Peter Biegel (1913-1987) Huick Holler! Signed, also titled and inscribed B.V. Cucklington verso Oil on canvas 51 x 61cm; 20 x 24in Provenance: Tryon Gallery £2,000-3,000

545543

542

541

542. ‡ Arthur Spooner (1873-1962) A mare and foal in springtime Signed Oil on canvas laid on board 35 x 43cm; 13¾ x 17in £600-800

543. ‡ Rosemary Sarah Welch (b.1946) The plough team Signed Oil on canvas 46 x 61cm; 18 x 24in £800-1,200

544. No lot

545. ‡ Rosemary Sarah Welch (b.1946) Evening falls in the Forest Signed Oil on canvas 76 x 61cm; 30 x 20in Provenance: Bonhams Oxford, 6-7 July 2010, Lot 21 £300-500

114

546. French School 20th Century Maison a campagne Titled and possibly signed indistinctly verso Oil on panel 21 x 29cm; 8¼ x 11¼in £200-300

547. ‡ Eva Walbourne (1878-1954) Pulborough Hill, Sussex Signed Oil on board 26 x 46cm; 10¼ x 18in £200-300

548. ‡ Beatrice Parsons (1870-1955) Flower borders and fountain Signed with initials Oil on canvas 70 x 100cm; 27½ 39¼in £400-600

549. Italian School early 20th Century View over Sorrento Oil on canvas, unframed 91 x 127cm; 36 x 50in £200-300

550. K.W. c.1927 Still life of flowers and a book on a table Signed with initials and dated 27 Oil on canvas 73.5 x 89.5cm; 29 x 35¼in £100-200

551. Edmond De Maertelaere (Belgian 1876-1938) Still life of Chrysanthemums Signed Oil on canvas 90 x 116cm; 35½ x 45½in Provenance: The Nick Rocke collection £500-700

552. ‡ Clemence Dane (1885-1965) Still life of tulips in a vase Oil on canvas 76 x 102cm; 30 x 40in £200-300

553. John Shirley-Fox (c.1860-1939) The White Tablecloth Signed Oil on canvas 46 x 61cm; 18 x 24in With a small oil sketch of a landscape by the same hand 10 x 17cm; 4 x 6½in (2) £300-500

553552

551550

549548

547546

115

554. ‡ Ken Moroney (b.1949) Snow goose Oil on canvas 56 x 76cm; 22 x 30in Commissioned from the artist by the present owner £300-500

555. ‡ Michael Heseltine (b.1961) The Rialto Bridge and gondolas, Venice Signed Oil on canvas 71 x 102cm; 28 x 40in £500-700

556. ‡ Pierre de Clausade (1910-1976) River landscape in Bergerac Signed, also titled Bergerac verso Oil on canvas, unframed 73 x 100cm; 28¾ x 39½in £500-800

557. ‡ Charles Jamieson (b.1952) On the Punta Signed Oil on canvas 46 x 51cm; 18 x 20in Provenance: Duncan R. Miller Fine Arts, London, 2003 £300-500

558. ‡ Ian Houston (20th Century) Canada geese in summer, Gloucester Signed, titled verso Oil on board 40.5 x 50.5cm; 16 x 20in This is not by Ian Houston (b.1934) Provenance: Given to the present owner by his father in the late 1960s £150-250

559. Geoffrey Campbell-Black (20th Century) Canada geese in flight Signed Oil on canvas 56 x 71cm; 22 x 28in £150-200

559558

557556

555554

116

560. ‡ Julian Barrow (b.1939) Dubai Creek from Deira Bank looking towards the Majus Signed and dated 82 Oil on canvas 25.5 x 45.5cm; 14 x 18in £700-1,000

561. ‡ Julian Barrow (b.1939) Wadi scene in the Hatta Mountains Signed Oil on canvas 25.5 x 45.5cm; 14 x 18in £600-800

565564

563562

561560

117

562. ‡ Juan Soler (Spanish b.1951) A Paris street scene Signed Oil on canvas 33 x 41cm; 13 x 16in £400-600

567

566

563. ‡ Louis Sola (French 1928-2011) Mas en Provenance Signed Oil on canvas 50 x 70cm; 19¾ x 27½in £400-600

564. ‡ Louis Sola (French 1928-2011) Pêcheures Signed Oil on canvas 37 x 44.5cm; 14½ x 17½in £250-350

565. ‡ Louis Sola (French 1928-2011) Vue de Garavan Signed Oil on canvas 40 x 50cm; 15½ x 19½in £250-350

566. ‡ Marcel Dyf (French 1899-1985) Falaises de Dieppe Signed Oil on board 38 x 45.5cm; 15 x 18in Provenance: Number 3693 in the Catalogue Raisonné, painted 1983 £3,000-5,000

567. ‡ Marcel Dyf (French 1899-1985) Fleurs des champs Signed Oil on canvas 55.5 x 46cm; 22 x 18in Provenance: Number 4764 in the Catalogue Raisonné, painted 1940 £2,500-3,500

118

568. ‡ Ronald Ossory Dunlop R.A. (1894-1973) Anemones in a vase Signed Oil on board 45.5 x 56cm; 18 x 22in £800-1,200

569. ‡ George Kennerley (1908-2009) White Roses Signed Oil on canvas 40.5 x 51cm; 16 x 20in £300-500

570. ‡ Diana Maxwell Armfield R.A. (b.1920) Marigolds with other flowers Signed with initials Oil on board 30.5 x 23cm; 12 x 9in Provenance: Sotheby’s 16.2.05, Lot 182 £800-1,200

571. ‡ Sir Norman Reid (1915-2007) Geraniums and Rokeby Venus Dated May 15, 83 and inscribed indistinctly verso Oil on board 46 x 56cm; 18 x 22in £400-600

572. ‡ Sir Matthew Smith (1879-1959) Fruit and flowers Oil on canvas 18 x 76cm; 7 x 30in Provenance: Given by the artist to his model Sotheby’s, London, 8.3.1995, Lot 19 £300-500

573. Scottish School 20th Century Shoppers at night Oil on canvas 17.5 x 43cm; 7 x 17in £150-250

573

572

571570

569568

119

574. ‡ William Thomson (1928-1988) Seated nude Signed, also signed and inscribed with artist’s address verso Oil on canvas 25.5 x 20cm; 10 x 8in £400-600

575. ‡ John Emanuel (b.1930) Standing Nude Signed and dated 1980 Oil on paper 76 x 57cm; 30 x 22½in Provenance: Newelyn Orion Gallery Montpellier Studios £500-800

576. ‡ David Michie R.S.A. (b.1928) Skunk Cabbage at Arduaine Gardens Signed, also signed and titled on a label verso Oil on canvas 38 x 38cm; 15 x 15in £500-700

577. Christopher Sanders R.A. (1905-1991) Lilium Auratum - Lilies Signed Oil on canvas 71 x 61cm; 28 x 24in £800-1,200

577576

575574

120

578. ‡ Roy Ray (b.1936) Peninsula Fragments III Signed, titled and dated 1985 verso Mixed media on board 30 x 25.5cm; 12 x 10in £300-400

579. ‡ Trevor Stubley (1932-2010) The Prince of the Eastern World Acrylic on board 40.5 x 46cm; 16 x 18in Provenance: Artist’s label verso, Cat. No. 02T5574E £200-300

580. ‡ Stanley Bird (20th Century) Still life Signed Oil on board 68 x 52cm; 26¾ x 20½in £400-600

581. ‡ Arthur Hayward (1889-1971) Still life of roses in a glass vase Signed Oil on canvas 46 x 36cm; 18 x 14in £400-600

582. ‡ Eugène Begarat (French b.1943) Kimono dans les Gorges du Cians Signed Oil on canvas 65 x 50cm; 25.5 x 19¾in £100-150

583. ‡ James Noble (1919-1989) Yellow and flame roses Signed Oil on canvas 25 x 20in Provenance: E. Stacy-Marks Ltd, 1970 No. 398 £200-300

584

583582581

580579578

121

584. ‡ Yona Shiryan Caffrey (Irish 20/21st Century) Abstract Signed Oil on canvas 30 x 25cm; 12 x 10in £80-120

585. ‡ Richard Eurich R.A. (1903-1992) Sunset Signed and dated ‘66 Oil on canvas laid on board 31.5 x 51.5cm; 12 x 20in £1,500-2,500

586. Victor H. Voysey (fl. 1929-1933) Sunset from Portsbridge Signed and dated Sept ‘29, also signed and titled verso Oil on canvas 76 x 97cm; 30 x 38in £150-250

587. ‡ Thomas Edwin Mostyn R.O.I. (1864-1930) Moonlight on the terrace Oil on canvasboard 29 x 38cm; 11½ x 15in Provenance: Vincent Kosman Fine Art Christie’s 12.6.98, lot 145 £500-700

588. ‡ Lawrence James Isherwood (1917-1988) Tower Bridge Signed Oil on board, unframed 29 x 51cm; 11½ x 20in £150-250

589. ‡ Gerald Wilde (1905-1986) Fata Morgana (Bird in a landscape), 1949 Oil on paper laid on board 66 x 56cm; 26 x 22in Exhibited: The Millinery Works Gallery, In Situ, Joc13 Cheltenham Art Gallery & Museum Provenance: Sotheby’s, 4/10/95, Lot 234 £500-700

590. ‡ Gerald Wilde (1905-1986) Fata Morgana, 1949 Oil on canvas laid on board 74 x 35cm; 29 x 13¾in Exhibited: The October Gallery, Gerald Wilde Retrospective, Spring 1988 The Millinery Works Gallery, In Situ, Joc14 Cheltenham Art Gallery & Museum Provenance: Abbott & Holder £500-700

591. ‡ Irene Lesley Main (b.1959) Flowers in the Studio Signed and dated 1989 Mixed media on board 35.5 x 25.5cm; 10 x 14in £300-500

591590589

588587

586585

122

592. ‡ Duncan McGregor Whyte (Scottish 1866-1953) Evening reflections Bailephuil Tiree A pair, both signed, one titled verso, the other with a further painting verso Both oil on canvasboard Each 30.5 x 38cm; 12 x 15in (2) £1,500-2,500

593. ‡ David Tindle R.A. (b.1932) View from the artist’s garden, Lucca, Italy Oil on canvas 48 x 58.5cm; 19 x 23in Provenance: Bonham’s, 29 May 2012, Lot 48 £600-800

594. ‡ Gladys Mccabe R.O.I. (Irish b.1918) Race day Signed Oil on board 42 x 55cm; 16¾ x 21½in £600-800

595. ‡ Juliett Pannett (1911-2005) Cabbage Fields, Ireland Signed Oil on canvas 41 x 51cm; 16 x 20in £150-250

596. ‡ John Miller (1931-2002) Moorland - summer evening Signed, also signed and titled verso Oil on canvas 71 x 101.5cm; 28 x 40in Provenance: David Messum, Ref. 28/1982 £400-600

592

596595

594593

123

597. ‡ Michael J. Praed (b.1941) Cornish Farm Signed, also signed and titled verso Oil on board 28 x 43cm; 11 x 17in £150-250

598. ‡ John Hubbard (b.1931) Water and rocks Signed and dated 1994/5 Oil on paper 50.5 x 78.5cm; 20 x 31in £200-300

599. ‡ M. Kaplan (20th Century) Sand dunes and sea Signed, also signed and dated 81 verso Oil on canvas 127 x 152.5cm; 50 x 60in £200-300

600. ‡ William Rawson Lawson (Scottish 20th Century) View of a Mediterranean village Signed and dated 1930 Oil on canvas 77 x 102cm; 30¼ x 40¼in Lawson exhibited 14 pictures at the Royal Scottish Academy between 1919 and 1935. £400-600

601. ‡ Edward Callam (1904-1980) The Barbican, Sandwich, Kent Signed, also signed verso Oil on board 61 x 76cm; 24 x 30in £200-300

602. ‡ Oliver Warman (b.1932) Salisbury, Harnham Bridge Signed Oil on board 39.5 x 49.5cm; 15½ x 19½in £200-300

603. ‡ Sven Berlin (1911-1999) Dawn on Beaulieu Moor Signed and titled verso Oil on board 30 x 40.5cm; 11¾ x 16in £300-400

604. Ndjeng Rigo (African 20th Century) Hope of Africa Signed and dated 92 Oil on canvas 74 x 100cm; 29 x 39½in £100-150

604603

602601

600599

598597

124

INDEX OF ARTISTSAAdam, Marie-Edouard 416Aitken, James 286Aldin, Cecil 292Allan, R. 461Allom, Thomas 77Andre, G. P. 387Anglo-Chinese School 111Anglo-Indian School 115Anson, Mark 414Apelles 406Arbuckle, After Geo. F. 61Armfield, Diana M. 570Armfield, George 450Armour, George D. 276Arthur Wellesley interest 68Atkinson, John 185Autograph album 70BBaker, Sydney 142Barrow, Julian 560, 561Bartolozzi, Foll. Of F. 75Batchelor, Bernard Philip 279Batchelor, Roland 306Bates, David 136Bayeau y Subias, Foll. Of F. 367Bayes, Alexander 249Bayes, Walter 247, 248Beers, After Jan Van 491Begarat, Eugene 582Bell, Robert 435Benedict, R. 460Bentley, Alfred 529Berchem, Foll. Of Nicolaes 385Berlin, Sven 603Biegel, Peter 541Bigee, H. 352Birch, Samuel John L. 150, 282, 283, 284Bird, Harrington 288Bird, S. 447Bird, Stanley 580Birtles, Henry 120Bishop, Walter John T. 93Bison, Giuseppe B. 106Blacklock, William Kay 497Blake, After William 43Blake, Benjamin 383Bodichon, Barbara 187Boodle, Walter 477Bourne, James 96Bouvard, Antoine 507, 508Brabazon, Hercules B. 220, 221, 222, 223, 224,

225, 226, 228, 229, 230, 231, 232, 233, 234, 235, 236, 237, 238, 239, 240,

241, 242, 243, 244, 245, 246Bradley, William H. 137Brangwyn, Sir Frank 56, 217Branscombe, Charles H. 483Brenan, James Butler 440Bright, Harry 250, 251, 252, 253, 254, 255Brittan, Charles Edward 132, 139Brouwer, Foll. Of Adriaen 376Bryant, Henry Charles 454Buck, Samuel & Nathaniel 41Buckley, John Edmund 130Byzantine School 354CCaffrey, Yona Shiryan 584Callam, Edward 601Cameron, David Young 202Campbell-Black, Geoffrey 559Canaletto, Manner of 458Carmichael, John Wilson 413Carmichael, Manner of J. W. 409Carracci, After Agostino 347Carraci, After Annibale 108Carter, Rosa 22Caulfield, Patrick 62, 63Cezanne, Manner of Paul 526Charlton, Watson 300Cheron, Attrib. to Elisabeth 89

Chinese School 417, 418Chinnery, After George 72Chitty, Cyril 539Churchill interest 69, 69AClare, Oliver 441Clausade, Pierre de 556Cleef, Robert van 296Cole, Reginald Vicat 184Colinson, J. 410Collen, Henry 16Continental School 18, 26, 28, 76, 157,

287, 407, 455Cooper, Thomas Sidney 140, 141, 445Corbould, Richard 74Correggio, Manner of A. A. 380Cosway, Manner of R. 21Cowie, James 304Cox, David 117, 181Crane, H. 415Crosse, Malcolm 201Cruickshank, Isaac 79DDane, Clemence 552Davis, John Scarlett 83Dawe, Attrib. to Geo. 88D’Esposito 127Devis, Circle of Arthur 346Dibden, Thomas Colman 166, 167, 168,

169, 170, 171, 172Dieghem, Joseph van 467Dineen, Kate 66Dommersen, William R. 505Draper, Kenneth 298Driver, Sydney Amos 389Dunlop, Ronald Ossory 568Dunstan, Bernard 531Dutch School 24, 353, 363, 372, 402, 408, 412Dyf, Marcel 566, 567EEarl, Maud 470East, Alfred 145Edridge, Henry 97Edwards, Cyril Walduck 163Emanuel, John 575English School 1, 2, 3, 4, 5, 6, 7, 9, 10, 12, 13, 14, 15, 17, 19, 20, 23, 25, 78, 98, 99, 156, 285, 310, 343, 345, 366, 370, 371, 374, 375, 379, 388, 390, 397, 399, 401, 411, 420, 425, 426, 427,

428, 466, 481, 498, 521, 540.Epstein, Sir Jacob 274Etty, Circle of William 365Eurich, Richard 585Eyton, Anthony 303FFantin-Latour, Attrib. to H. 271Ferneley, Foll. Of John 404Fielding, Brian 316Fini, Leonore 318Fleetwood-Walker, Bernard 309Flemish School 362, 377Fleury, Robert 459Flint, Sir William Russell 218Fong Qua 361Forbes, Leyton 213Forbes, Stanhope A. 509Fort, Theodore 161Foster, Myles Birket 92Fox, Augustus Henry 419Freeman, Sambrooke 107French School 73, 105, 191, 381, 452, 546French, Percy 327, 328Frere, Pierre Edouard 421Friedmann, A. 471Fripp, Alfred Downing 182Frith, Foll. Of Wm. P. 422Fullylove, John 121GGamley, Andrew Archer 215Gandy, John Michael 131Gardner, Derek George M. 322

Gianni, N. 148Ginger, Phyllis 308Glehn, Wilfred G. de 275Godwin, Mary 523Goff, Frederick E. J. 198Goode, Mervyn 536Gooden, Stephen 53Goodwin, Albert 128Gotch, Thomas Cooper 511Gozzard, James Walter 158Grandville, Jean I. I. 44Green, Amos 180Green, John Kenneth 496Greiffenhagen, Maurice 439Griggs, Frederick L. 48Guardi, Manner of F. 85Gudgeon, Ralston 321HH. M. 473Haddlesey, Vincent 484Haffner, Leon 333Hagemans, Paul 204Hall, Goerge Lowthian 200Halle, Charles Edward 400Hansen, Hans Nicolaj 514Hardy, George 443Hardy, Thomas Bush 197Hare, Augustus J. C. 146Harlow, George Henry 350Harpignes, Henri J. 500Hayter, Sir George 351Hayward, Arthur 581Henderson, John 525Hennell, Thomas Barclay 82Herman, Josef 293Herring, After John F. 40Herring, Circle of J. F. 482Herring, Foll. Of John F. 446Herring, Style of John F. 405Heseltine, Michael 555Hider, Frank 463Hilder, Rowland 324, 325, 331Hilton, Roger 340Hinchliff, Woodbine K. 186Hobbema, After M 389Holiday, Gilbert 527Horlor, Joseph 465Houston, Ian 558Hubbard, John 598Huggins, William 210Hulke, H. Dolland 160Hunt, T. Greenwood 437Hunt, William Henry 214Hutchinson, H. 501II’Anson, Charles 506Indian School 206Ingpen, William Alfred 386Isherwood, Lawrence James 588Italian School 11, 355Italian School 164, 392, 396, 549JJack, Richard 193Jackman, K. 122Jackson, Francis Ernest 528Jackson, G. R. 453Jackson, Raymond A. 326Jackson, Samuel 119Jamieson, Charles 557Jamieson, Frank E. 492Jammet, Lin 314January, Libby 299Jenkins, Wilfred 462Jensen, Circle of J-L. 468Jones, Herbert H. St. J. 449Joslin 490KK. W. 550Kaplan, M. 599Keats, Cecil Jack 125

125

Keith, Attrib. to Elizabeth 538Keith, Elizabeth 52Kelly, Robert George T. 183Kennerley, George 569Kennington, Attrib. to Th. B. 294Kessel, Foll. Of Jan van 356Keulemans, Johannes G. 256, 257, 258,

259, 260King, Agnes Gardner 153Kinnaird, Henry John 173Knight, Edward Loxton 208LLabruzzi, Carlo 109Lambert, Terence 265Landce, Foll. Of George 472Landseer, Sir Edwin H. 369Langley, Manner of W. 281Lara, Georgina 495Laurencin, Attrib. to Marie 65Lautter, E. R. 395Lawrence, After Sir T. 368Lawrence, Circle of Sir T. L. 344Lawrence, Foll. Of T. 398Lawrence, Friedrich A. von 36Lawson, William R. 600Leader, Benjamin W. 175, 479Lear, Edward 113, 114Lee, Frederick R. 424Lee-Hankey, William 515Lelong, Pierre 537Lepine, Stanislas 478Lerpiniere, Daniel 35Leyden, Lucas van 32Lilford, Thomas 71Lodge, George 261Long, Edwin Longsden 456Lott, Frederick Tully 192MMaertelaere, Edmond de 551Main, Irene Lesley 591Maitland, Paul 532Mander, William Henry 444Marsaud, Marie Meloe 513Marshall, Roberto A. K. 195Mason, James 35Matthieu, R. 332Mccabe, Gladys 302, 594McCall, Charles James 533McClure, David 317McDowell, Leo 315McKivragan, Terry 297McNally, Kathy 311McPhail, Roger 305Mellon, Campbell Archibald 517Mellon, Eric J. 319Michie, David 576Mignard, After Pierre 33Mileham, Harry Robert 510Millais, Raoul 341Miller, John 596Molenaer, Attrib. to Jan M. 378Moore, Henry 64Morasch, Christian Gottfried 36Morelli, Francois 37Morland, George 81Moroney, Ken 554Moses, Circle of Grandma 488Mostyn, Thomas Edwin 587Mottram, Charles Sim 151Muckley, William Jabez 155Muller Wiliam James 112Murillo, Foll. Of Bartolome E. 357Muschamp, Francis Sydney 457NNaftel, Paul Jacob 194Nakayama, Takashi 207Napoleon interest 67Neapolitan School 147, 432, 438Nicholls, Charles George 110Nightingale, R. 430Noble, James 583

Noel, Jules Achille 196Norris, Hugh L. 199Norwich School 384OOlsson, Julius 486Orpen, Sir William 273Orr, Jack 434Osborne, Malcolm 45, 46, 47, 51Oyston, George 203PPadday, Charles Murray 189Palmer, Harry Sutton 129Panini, Francesco 39Pannett, Juliett 595Parson, Beatrice 548Partington, Peter 267Parton, Ernest 474Pasmore, Attrib. to V. 290Payne, After Charles J. 49Payne, William 84, 100, 101, 102, 103Pearson, Cornelius 116Peploe, After S. J. 524Persian School 209Pether, Sebastian 403Petitjean, Edmond Marie 530Petley, Roy 312Philipson, Robin 330Piper, John 57, 58, 59Piranesi, After Giovanni B. 31Pissaro, Paul Emile 219Pocock, Nicholas 86Pollitt, Albert 123Poulton, James 442Powell, William E. 280Praed, Michael 597Pringle, After W. I. 38Pyne, Attrib. to J. B. 464Pyne, George 118QQuinton, Alfred Robert 149RR. H. 8Ramsay, Circle of Allan 348Ray, Roy 578Read, David Charles 95Reid, Sir Norman 571Rembrandt H. Van Rijn, After 34Remfry, David 295Reynolds, Circle of Sir Joshua 342Reynolds, Frank 489Rickman, Philip 262, 329Rigaud, After Hyacinthe 42Rigo, Ndjeng 604Robbins, Thomas Sewell 423Robert Hills 91Robertson, Sheila MacLeod 516Rockberger, Polly 307Romney, George 80Rowbotham, Charles E. 135Rowbotham, Thomas C. L. 124, 152Rowlandson, Thomas 87Rubens, After Peter Paul 358SSaintin, Jules Emile 436Salisbury, Frank O. 205Saloman/Sanders, Henry 291Sandby, Paul 94Sanders, Christopher 577Sanzio, After Raphael 364Sawyers, Robert 336Schlugg, Georg 431Scoppa, Foll. Of Giuseppe G. 179Scottish School 573Seeman, Foll. Of Enoch 349Severdonck, Franz van 448Sheath, Tony 429Shepard, Ernest H. 289Sheppard, Raymond 212Sherbourne, H. 475Sherrin, Daniel 487

Shirley-Fox, John 553Sicard, After Louis M. 27Sickert, Walter Richard 512Simpson, A. J. 263Simpson, Circle of William 391Sims, Charles 55Sleator, James Sinton 522Smith, Sir Matthew 572Smith, William Harding 469Sola, Louis 563, 564, 565Soler, Juan 562Solomon, Attirb. To Simeon 272Solomon, Simeon 188Somerville, Stuart Scott 519Spender, John Humphrey 323Spooner, Arthur 534, 542Spurrier, Stephen 520Stannard, Henry J. S. 174Stewart, Frank Algernon 277Stock, Andrew 266, 335Stocks, Walter 159Stone, Rudolph 480Strang, William 54Strebelle, Rodolphe 320Stubley, Trevor 579Syer, John 126TTalbot, George Quartus P. 216Teniers, Foll. Of David 359, 360Thompson, Edward 134Thomson, William 574Thorburn, Archibald 268Tindle, David 593Tunnicliffe, Charles F. 264Turner, After Joseph M. W. 503UUnwin, Francis Sydney 50VValeriani, Giuseppe 90Van Dyck, After Sir Anthony 373Vaughan, Keith 337, 338, 339Vickers, Henry Harold 502Viegelmann, A. 301Visser, Victor 518Vivares, Thomas 35Voysey, Victor H. 586WWade, William 535Waite, Edward W. 178Waite, Harold 176, 177Walbourne, Eva 547Wall, Willaim Archibald 496Warman, Oliver 602Watson, John Dawson 154Watts, E. B. 294Webb, James 504Welch, Rosemary Sarah 543, 545Wells, Denys George 143West Indies School 433Whistler, Attrib. to James A. 269, 270Whitford, Richard 393Whittle, Thomas 485Whyte, Duncan McGregor 592Whyte, Edna 60Widgery, Frederick John 138Wilde, Gerald 589, 590Wilde, William 211Williams, Alfred Walter 499Williams, Edward 394Williams, Edward Charles 382Williams, F. 451Williams, Hubert John 278Wood, Lawson 313Woodville, Richard Caton 162Woolnoth, Charles N. 476Wyllie, William Lionel 190

INDEX OF ARTISTS

ENQUIRIES Victor Fauvelle +44 (0) 1722 424503 victorfauvelle@woolleyandwallis.co.uk

Jo Butler +44 (0) 1722 424592 jobutler@woolleyandwallis.co.uk

Fine Old Masters & 19th Century PaintingsWednesday 9th December 2015 Closing date for entries Friday 23rd October

John Emms (1843-1912)Waiting for master

Signed, oil on canvas, 61 x 92cm

£6,000-8,000

ENQUIRIES Victor Fauvelle +44 (0) 1722 424503 victorfauvelle@woolleyandwallis.co.uk

Jo Butler +44 (0) 1722 424592 jobutler@woolleyandwallis.co.uk

20th Century & Contemporary ArtWednesday 9th December 2015 Closing date for entries Friday 23rd October

Wilfred Gabriel de Glehn R.A. (1870-1951)The Palladian Bridge, Wilton Park

Oil on canvas, 67 x 76cm£2,000-3,000

Furniture, Works of Art & ClocksWednesday 7th October 2015

ENQUIRIES Mark Richards +44 (0) 1722 411854 markrichards@woolleyandwallis.co.uk

A Regency calamander centre table, 134.5cm diameter

Provenance: Hilborough Hall, Norfolk.Estimate: £3,000-4,000

20th Century DesignWednesday 21st October 2015

ENQUIRIES Michael Jeffery +44 (0) 1722 424505 michaeljeffery@woolleyandwallis.co.uk

Sujet Poisson a Madoura jug by Pablo Picasso

Estimate: £3,000-4,000

Auction Information

OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIddING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk. You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIddING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TElEPHONE BIddING It is usually possible to bid on the telephone by prior arrangement with the office.

lIVE ONlINE BIddING live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% plus VAT charge for this service.

In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you:

1. authorise Woolley and Wallis Salisbury Salerooms ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and

2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

CONdITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SAlE RESUlTS These will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENT ANd ClEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: lloyds Bank plc, 38 Blue Boar Row, Salisbury SP1 1dB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20lOYd30974100957707 BIC code lOYdGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: delta, Switch, Connect

Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT lots marked with an asterisk (*) are subject to VAT on the hammer price. lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGUlATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.ukcites.gov.uk

ARTIST’S RESAlE RIGHT / dROIT dE SUITE ‡ droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

PACkING ANd SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS 0800 118 5868 sales@apservices.info

07736 544 362 www.apservices.info

Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

ValuationsValuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VAlUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley and Wallis valuations are accepted by all leading insurance companies.

PROBATE VAlUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family division, Capital Gains Tax, and Private Treaty Sales.

Contact Christine Johnson 01722 424509

FREE AUCTION VAlUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

SALISBURY

MILL ROAD

NEW STREET

FISHERTON ST

WYNDHAM ROAD

SCOTS LN BEDWIN ST

WINCHESTER ST

CHIPPER LN SALT LN

ASHLEY ROAD

ST ANN ST

SOUTH WEST RD

HULSE RD C

AS

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NEW CANAL

CATHEDRAL

A360 DEVISES RD A36(T) CHURCHIL

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A36 CHURCHILL WAY NORTH

CA

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COO

MB

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A36(T) CHURCHILL W

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A36

(T) C

HU

RC

HIL

L W

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A36(T) SOUTHAMPTON ROAD

HARNHAM ROAD A3094 NEW HARNHAM

DOWNTON ROAD A338

WILTON RD A36CENTRALCAR PARK

AMESBURY &MARLBOROUGH

LONDON, ANDOVER& WINCHESTER

WILTON &WARMINSTER

A338 BOURNMOUTH& RINGWOODA354 DORCHESTER

WEYMOUTH & BLANDFORD

SOUTHAMPTON

WOOLLEY & WALLIS

SALEROOMS

Woolley & Wallis Salisbury Salerooms ltd.51-61 Castle Street, Salisbury,Wiltshire SP1 3SU

Registered in England No.2998482 VAT No: 631 9832 29

Furniture, Works of Art, Clocks & Tribal Art.2 danebury Court, Old Sarum Park, Salisbury, Wilts SP4 6EB

The Portway

dIRECTIONS TO Old SARUM

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CASTLE STREET

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ENDLESS STREET

ROLLESTONE STREET

PAY AND

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CAR PARK

PEDESTRIAN ROUTE

DRIVING ROUTE TO SALT LANE

Woolley & WallisSalisbury Salerooms51 – 61 Castle StreetSP1 3SU

Woolley & Wallis Carter House6 – 10 Salt LaneSP1 1EE

Qudos

DRIVING ROUTE TO CASTLE ST.

WOOLLEY & WALLIS Salt Lane

WOOLLEY & WALLIS Salisbury Salerooms

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE

Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street.

dIRECTIONS FROM WOOllEY & WAllIS CASTlE STREET TO SAlT lANE

Due to the one-way system of Salisbury, please follow the red route when driving from Salt lane to Castle Street

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Woolley & WallisSalerooms

Woolley & Wallis2 Danebury Court

Woolley & WallisSalisbury Salerooms

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Woolley & WallisAbsentee Bid FormMiniatures, Prints, Watercolours & Oil Paintings

Wednesday 23rd September 2015

PW230915Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in this Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SUTel: 01722 424500 Fax: 01722 424508

PLEASE PRINT CLEARLY IN BLOCK LETTERS

lot Number in numerical

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There is no surcharge for debit card payments, but for credit cards there will be a 2% + VAT surcharge. Id is required for all first time bidders.

INFORMATION FOR BUYERS

1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the dealers Margin Scheme or because VAT is due at 20% on importation into the Uk. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and

only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

SOCIETY OF FINE ART AUCTIONEERS ANd VAlUERS and the ROYAl INSTITUTION OF CHARTEREd SURVEYORS

CONDITIONS OF BUSINESS

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms ltd or its

authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of

deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the

amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling(b) Any payments by you to us may be applied by us towards any sums

owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense COllECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF lATER) after which you shall be responsible for any COllECTION, storage and insurance charges.

(c) No purchase MAY be COllECTEd ANd WE SHAll NOT RElEASE ANY lOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be

responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to

impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other lots due or in future becoming

due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion

the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our

opinion the signature and/or date and/or inscription have been added by another hand.

(j) dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Tribal arT, anTiquiTies

2nd SeptemberWill Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk english & european CeramiCs & glass

15th September – Fine Porcelain & Pottery24th NovemberClare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk painTings

9th December – Part I – Fine Old Masters & 19th Century PaintingsPart II – 20th Century & Contemporary ArtVictor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.ukJo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk arms & armour

7th OctoberWill Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk FurniTure, Works oF arT & CloCks

7th OctoberMark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk 20Th CenTury Design

21st October – 20th Century Design25th November – British Art PotteryMichael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk silver

28th October – Fine Silver & Objects of VertuRupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.ukLucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JeWellery

29th OctoberJonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.ukMarielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk asian arT

17th & 18th NovemberJohn Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.ukSophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk

Auction Calendar

• Entries can usually be accepted up to six weeks prior to the auction• Illustrated catalogues are available about ten days before the sale• Viewing is normally two days prior to the auction and on Saturday mornings• Catalogue subscriptions are available for all sales• Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SUTel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

Specialist DepartmentsPlease dial +44 (0)1722 followed by the number listed below

20Th CenTury Design

Michael Jeffery 424505 asian arT

John Axford MRICS ASFAV 424506Sophie Lister 424591Alex Aguilar Doméracki 424583Freya Yuan 424589 english & european CeramiCs & glass

Clare Durham 424507 FurniTure, Works oF arT & CloCks

Mark Richards 411854Jim Gale 339161 JeWellery

Jonathan Edwards FGAA 424504Marielle Whiting FGA 424595 painTings

Victor Fauvelle 424503Jo Butler 424592 silver

Rupert Slingsby 424501Lucy Chalmers 424594 Tribal arT & anTiquiTies

arms & armour

Will Hobbs 339752Ellie Osmond 339752

valuaTions For insuranCe & probaTe

Paul Viney ASFAV 424509 Clive Stewart-Lockhart FRICS FRSA 424598

markeTing

Tamzin Corbett 424590

aCCounTs

Janice Clift (Office Manager) 424500

general oFFiCe

Pauline West 424500 Sharon Ringwood Nicola Young Amanda Lawrence

saleroom manager

David Jordan 424500

boarD oF DireCTors

Paul Viney ASFAV Chairman

John Axford MRICS ASFAV Deputy Chairman

Clive Stewart-Lockhart FRICS FRSA Managing Director

Company seCreTary Jim Macarthur CA 424599

assoCiaTe DireCTors Janice Clift Clare Durham Jonathan Edwards FGAA Will HobbsMichael JefferyMark Richards Rupert Slingsby

WOOLLEY & WaLLisSALISBURY SALEROOMS

www.woolleyandwallis.co.uk

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