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283

Index

Academic Instincts (Garber), 6Ackroyd, Peter, 174, 180n.13Adorno, Theodor: ‘culture industry,’ 94,

168, 170, 256–7nn.1, 157; ‘Reading Balzac,’ 261; See also Dialectic of Enlightenment

Adrizzone, Heidi and Earl Lewis, 4Aesthetics: 1, 5, 8, 32n.18, 112, 177,

256n.2; and cinema, 244, 247, 249, 253; and modernism, 3, 4, 16, 74, 111, 236; and New Criticism, 41, 46; avant-garde, 116, 243, 256n1; Enlightenment, 72, 84; modernist, 77, 125, 242, 243

Aestheticism: 216, 256n.2, 262After Leaving Mr. Mackenzie (Rhys), 82After the Great Divide (Huyssen), 168Agee, James and Walker Evans: Let Us

Now Praise Famous Men, 164n.3Aitken, M. C.: Scottish Song, 187Aldington, Richard, 35Algren, Nelson, 151All That Is Solid Melts into Air: The

Experience of Modernity (M. Berman), 21, 30n.5, 44

Allen, Frederick Lewis: Only Yesterday, 191

Altman, Meryl, 9Altman, Rick, 247, 257Anand, Mulk Raj: Coolie, 66–8, 261Anderson, Perry, 175, 180Anderson, Sherwood, 27Anthropology: (See also Literature: and

anthropology) 3, 4, 5, 8, 20, 151, 156, 164n.3, 199, 203, 204, 209n.3, 210, 213, 218, 219, 259, 261; cultural, 20, 210, 220n.1; modernist, 20, 211, 213; postmodern, 210, 211

Appadurai, Arjun, 7, 44; Modernity at Large: Cultural Dimensions of Globalization, 7

Appiah, Kwame Anthony, 64Apter, Emily, 69; ‘creolization,’ 64;

translation, 54, 62Aragon, Louis, 236–7, 255

Armstrong, Nancy, 199, 201Armstrong, Tim, 7Arnold, Matthew, 176, 187, 219; ‘Dover

Beach,’ 227Art deco: 130, 132, 136, 137, 140, 142,

143, 188Artaud, Antonin, 255Arts, the: 88, 89, 90n.5, 94, 129, 131–5,

143, 214, 215; and modernism, 2, 10n.1, 13, 17, 20, 27, 75, 76, 84, 87, 171, 179, 184, 209n.2, 262, 63; and modernity, 24, 27, 77; fine, 2, 134; visual, 8, 10, 84, 145n.5

Asad, Talal, 212At the Bottom of the River (Kincaid), 82Auden, W. H., 217Auerbach, Erich: Mimesis, 54, 62August Sleepwalker, The (Bei Dao), 57The Autobiography of Alice B. Toklas,

(Stein), 191Avant-garde: 21, 23, 194, 145n.9, 256n.6,

260; and architecture, 131, 137; and bohemia, 203, 204; and cinema, 235, 236, 243, 244, 245, 248, 249, 255, 261; and Eliot, 174; and modernism, 3, 10n.3, 15, 19, 110, 116, 168–9, 179, 256n.1; and modernity, 24, 110, 116, 168; and Pound, 183; and Ulysses, 185; European, 3, 249; European Network for, 3

The Avant-Garde in Interwar England: Medieval Modernism and the London Underground (Saler), 241n.4

Badaracco, Claire, 193Balzac, Honoré, 7; The Girl with the

Golden Eyes 109–11, 113–27, 262Banjo (McKay), 82Baraka, Amiri, 29Barnes, Djuna: Nightwood, 59.Barthes, Roland, 212, 248; S/Z, 246Barton, Bruce: The Man Nobody

Knows, 191Baudelaire, Charles, 1, 7, 21, 126n.15,

213; modes of represetation, 95

284 Index

Bauer, Yevgenij, 244Bayer, Patricia, 140Bazin, André, 246Beach, Sylvia, 184–5, 193Beard, Charles: An Economic

Interpretation of the Constitution of the United States, 196

Beardsely, Aubrey, 188Beck, Ulrich, Anthony Giddens and

Scott Lash, 257n.23Beckett, Samuel, 54, 60, 242Beebe, Maurice, 30n.2Behar, Ruth, 210, 215; Behar, Ruth and

Deborah Gordon: Women Writing Culture, 215

Bei Dao: The August Sleepwalker, 57; Chinese context, 56–9, 62–3, 65; local/international contexts, 69–70; Notes from the City of the Sun, 58; as political poet, 63–5; reputation as poet, 53–4

Bell, Clive, 188Bell, David, 165n.5Bellour, Raymond, 257Benedict, Ruth, 214–16, 220Benjamin, Walter: commodity

fetishism, 93, 106; cinema and cinematic effects, 222, 243, 253, 255–6n.2, 258

Benn, Gottfried, 168Benstock, Shari, 31n.14; Women of the

Left Bank: Paris, 1900–1940, 40Benton, Tim, 145Berman, Jessica, 261–2Berman, Marshall, 38, 52n.3; All That Is

Solid Melts into Air: The Experience of Modernity, 21, 30n.5, 44

Bermann, Sandra, 54Bernheimer, Charles, 54Best Russian Short Stories (Seltzer), 192Beyond Kinship (Joyce, Gillespie)

200, 202Bhabha, Homi K., 77–8Biderman, Albert and Elizabeth

Crawford, 164Bigger than Life (Ray), 247The Black Atlantic: Modernity and Double

Consciousness (Gilroy), 7The Black Jacobins (C.L.R. James), 74–6,

78, 80Blake, William, 187

Blues: 28, 72, 79, 82Boas, Franz, 214; ‘Boasian’ anthropology,

20, 151, 164, 214–15Bobos in Paradise (D. Brooks), 195Boime, Albert, 91n.18Bongie, Chris, 127n.23Boon, James, 212Bordwell, David, 257nn.7, 10, 16Bordwell, David, Janet Staiger and

Kristin Thompson, 246–50Boscagli, Maurizia: Eye on the Flesh, 174Botta, Paul-Émile, 118Bourdieu, Pierre, 190, 195; ’cultural

capital,’ 116, 147, 184; the ‘expert class,’ 172–3; ‘petit bourgeois,’ 178

Bourgeoisie: (See also Class) 19, 28, 92, 96, 109, 185–6

Boxer, David, 86–7Bradbury, Malcolm and James

McFarlane: Modernism, 1, 31n.13, 38, 56; Eurocentrism of, 262

Brand, Dionne, 83Brasillach, Robert and Maurice

Bardèche: Histoire de cinéma, 245Braudel, Fernand, 44Brecht, Bertolt, 248Breidenbach, Paul, 220n.1Brennan, Teresa, 126n.11Brint, Steven, 148, 164Brodber, Erna: Jane and Louisa Will Soon

Come Home, Louisiana, Myal, 82Brooke, Rupert, 186Brooks, Cleanth: Agrarianism, 157,

165n.9; elitist association, 149; methods of reading ‘texts,’ 218, 220; The Well-Wrought Urn, 165n.13

Brooks, David, 41; Bobos in Paradise, 195Brooks, Van Wyck, 220Buck-Morss, Susan, 73, 76, 83,Burch, Noel, 248The Burden of Time (Stewart), 165Bürger, Christa, 44Bürger, Peter: commodification of art,

256n.1; Theory of the Avant-Garde, 10, 145n.10, 168–9

Burke, Kenneth, 126n.4, 218, 220The Business of Enlightenment: A Publishing

History of the Encyclopédie, 1175–1800 (Darnton), 182

Butel, Paul, 118

Index 285

Butler, Judith, 50Byron, Lord, 187

Calinescu, Matei, 44Cameron, Deborah: Verbal Hygine,

181n.16Capital (Marx), 106n.4, 120Capitalism: 44, 105, 112, 126n11, 168,

177, 186, 204; and modernism: 187, 189–90, 192–5, 198

Cappetti, Carla, 150–1Carby, Hazel, 2Carnegie, Dale, 226Carroll, Noel, 31n.10Casanova, Pascale: reading of Faulkner,

59–62; The World Republic of Letters, 54–5, 60

Cassirer, Ernst, 218Cather, Willa, 10n.2Catlin, George, 212Caughie, Pamela L.: “Professional

Identity Politics,” 10n.7; Virginia Woolf and Postmodernism, 196n.1. See also Disciplining Modernism

Céline, Louis-Ferdinand, 168Cerf, Bennett, 190, 192–93Cesaire, Aimé, 82; Notebook of a Return

to My Native Land, 76, 78Cezanne, Paul, 239Chakrabarty, Dipesh, 251Chance (Conrad), 184Chaplin, Charlie, 245; Modern

Times, 231The Charterhouse of Parma (Stendhal), 192Cherchi Usai, Paolo, 256n.3Children’s Garland (Patmore), 187Chinitz, David, 181n.15Cinema: 20, 132, 140, 141, 144; and

modernism, 3, 233–8, 240–1, 241n1, 242–5, 248–9, 255, 261; and modernity, 222, 233–4, 253–5; and The Waste Land, 237, 240–1; classical, 234, 243, 245, 257n.9; Hollywood, 3, 233–4, 236–7, 242, 246–52, 256, 257n.19, 261; industry, 140, 252, 257n.20

Citron, Pierre, 126n.7The City of Tomorrow (Urbanisme)

(Le Corbusier), 129Civilization and its Discontents (Freud),

225, 232

Class: 117, 118, 126n.18, 142, 161, 167, 192, 201; and T. S. Eliot, 169–77, 180n.11; and modernism, 169–70, 177–9, 179n.2; lower, 126n.18, 173; middle, 11, 143–4, 173, 175–7, 179; new, 147, 148, 150, 154, 156, 163–4, 172, 174, 195; upper, 174, 175; working, 142, 164, 172, 176, 181n.17, 195

Classes in Contemporary Capitalism The Classical Hollywood Cinema: Film Style and Mode of Production to 1960 (Poulantzas), 177

Cliff, Michelle, 83, 87–8; Free Enterprise, 88

Clifford, James, 210–12, 214 Clifford, James and George Marcus: Writing Culture: The Poetics and Politics of Ethnography, 211–15

Cockerell, Hugh, 180n.13Cocteau, Jean, 188, 249Coleridge, Samuel Taylor, 7, 160;

‘clerisy,’ 180Colomina, Beatriz, 136, 141, 145,The Coming Crisis of Western Sociology

(Gouldner), 165n.6Commerce: 88, 93, 97, 105, 124, 185,

190, 199Commodification: 105, 111, 113, 114,

115, 125, 126n.11, 169, 182, 256n.1; sexual, 79

The Condition of Postmodernity: An Enquiry into the Origins of Social Change (Harvey), 21, 30–1n.7

The Conquest of Cool (Frank), 195Conrad, Joseph, 35, 42, 180n.15, 188;

Chance, 184; Heart of Darkness, 81Conscripts of Modernity: The Tragedy of

Colonial Enlightenment (D. Scott), 76The Consequences of Modernity

(Giddens), 4Constable, Liz, 262Coolie (Anand), 66–8, 261Cooper, John Xiros, 194, 203–5,

207, 209Corbin, Alain, 107n.12Corvo, Baron, 188Cosmopolitanism: 1, 55, 59, 65, 76The Countess Cathleen (Yeats), 206Coyle, Michael, 2Crane, Stephen, 188

286 Index

Crawford, Robert, 180n.15Crime and Punishment (Dostoyevsky), 217Cudjoe, Selwyn, 90n.4Cultural Capital: The Problem of Literary

Canon Formation (Guillory), 156, 163, 181n.17

Cultural criticism: 94, 157Cultural studies: 1, 3, 5, 7, 25, 30n.5,

32n.18, 48, 219, 262Culture (See also Culture industry, Mass

culture): 13, 53, 70n.2, 112, 123, 124, 126n.3, 141, 147, 163, 170–2, 194, 197; academic, 176; American, 247, 257; British, 160, 183; colonial, 53; consumer, 93, 98, 106; devotional, 97–8, 105, 106; disciplinary, 161; European, 76; French, 134, 135; local, 56, 59, 159; modern, 3, 96, 105, 171, 177, 179, 219, 248; popular, 107n.8, 144, 167, 181n.15, 229, 235, 241, 256n6, 260; urban, 19, 92, 109, 110; visual, 3, 133, 134

Culture industry: 94, 168, 170, 257n15cummings, e. e., 188, 192Curtis, William, 132, 137; Modern

Architecture since 1900, 132Cushing, Frank, 220

Dabydeen, David, 83, 87–8D’Aguiar, Fred, 88; Feeding the Ghosts,

89–90Damrosch, David, 53–9, 70Danius, Sara, 4Dante, 57Dash, J. Michael, 72–3, 76, 82, 87, 90Davidson, Donald, 165n.9Davidson, John, 182Davidson, Max, 254Death of a Discipline (Spivak), 54, 63De Chirico, Giorgio, 249The Decorative Art of Today (L’Art

Décoratif d’Aujourd’hui) (Le Corbusier), 128, 133–5, 137; building materials, 145n.4; ‘Sense of Truth’ chapter, 139

De Falla, Manuel, 249De Grazia, Victoria, 251De Jongh, James, 32n.21DeKoven, Marianne, 31n.14De la Mare, Walter, 187Deloria, Ella, 215

De Man, Paul, 23De Musset, Alfred, 126n.15De Quincey, Thomas, 117, 126n.15Derrida, Jacques, 37, 46, 50, 52, 212Descartes: Cartesian ‘I’/subject, 14, 21Des Imagistes (Pound), 186Dettmar, Kevin: Rereading the New:

A Backward Glance at Modernism, 4, Dettmar, Kevin and Stephen Watt: Marketing Modernisms, 180n.4

Dewey, John, 152Dialectic of Enlightenment (Horkheimer,

Adorno), 257n.15The Dialect of Modernism: Race, Language,

and Twentieth-Century Literature (North), 7

Diepeveen, Leonard, 170, 172Disciplinarity: (See also

Interdisciplinarity) 5, 6, 33, 49, 167, 169, 178

Discipline: (See also Disciplinarity) 1, 4, 7–9, 28, 31n.10, 43, 51, 253, 260; of anthropology, 214–15, 220n.1; of cinema studies, 3, 8, 245, 249, 257n.16; of comparative literature, 54, 64; of literature, 156, 161, 163, 176; of sociology, 148–55, 164n.2, 165n.5

Disciplining Modernism (Caughie), 259, 261–3

Dixon, Andrew, 91n.17Doane, Mary Ann, 256n.3Doing Time: Feminist Theory and

Postmodern Culture (Felski), 176Dominguez, Virginia, 210Doolittle, Hilda. See H.D.Döring, Tobias, 91n.18Dos Passos, John, 79; 1919, 191Dostoyevsky, Fyodor, 224, 241; Crime

and Punishment, 217Douglas, Aaron, 85, 87Douglas, Ann, 7‘Dover Beach’ (Arnold), 227Dovzhenko, Alexandr, 243Doyle, Laura and Laura Winkiel :

Geomodernisms, 4, 40–1Dreiser, Theodore, 151, 160, 192Drucker, Johanna, 145n.5Dubliners (Joyce), 188, 231Dufy, Raoul, 4

Index 287

Dugdale, Michael, 145–6; ‘Ornamentia Praecox,’ 138–9

DuPlessis, Rachel Blau, 31n.14, 32n.21Durkheim, Émile, 93–4, 151, 153, 211

Eagleton, Terry, 176–7; The Gatekeeper, 181n.17; Literary Theory: An Introduction, 165n.8, 176

An Economic Interpretation of the Constitution of the United States (Beard), 196

Economics: 8, 156, 158, 190, 197, 199, 228, 230, 259, 261

Economy: 77, 94, 123, 124, 131, 157, 198, 206, 207, 209, 224, 225, 230, 243; industrial, 159, 161, 189; plantation, 77, 165n.10; political, 112, 123, 199, 201; sexual 115, 255

Ehrenreich, Barbara, 164Ehrenreich, Barbara and John

Ehrenreich, 148, 172, 180n.8Einstein, Albert: Relativity, 188Eisenstadt, Shmuel N., 32n.19Eisenstein, Elizabeth, 187Eistenstein, Sergei, 222–3, 243, 245Eliot, George, 188Eliot, T. S., 41–2, 79, 187–8, 192, 242;

class, 168–79, 180nn5–6, 14, 181n.17; expatriate, 27, 180n.15; For Lancelot Andrewes, 176; influence of, 56, 58, 62; key figure of Modernism, 1, 7; lack of wartime service, 180n.13; ‘mythic method,’ 229, 234–41; Notes Towards the Definition of a Culture, 171, 180nn.7, 11; occult, 35; ritual, 211, 220. See also The Waste Land

Elliot, Michael, 220Elliott, Bridget, 261Ellmann, Richard and Charles

Feidelson: The Modern Tradition, 7, 31n.13

Emery, Mary Lou, 262; Modernism, the Visual, and Caribbean Literature, 91n.11

The Emigrants (Lamming), 78, 80, 82Engels, Friedrich, 7, 228Enlightenment: 13, 14, 19, 21, 22, 23,

24, 30n.5, 35, 49, 74, 75, 76, 83, 90, 127n.25, 223; aesthetics, 72, 84; modernity, 28, 30n.7, 73

Epstein, Jacob, 86–7, 195Etchell, Frederick, 129Evans, Brad, 220Evans-Pritchard, E. E., 212Expert Modernists, Matricide, and Modern

Culture: Woolf, Forster, Joyce (Cucullu), 180n.5

Eye on the Flesh (Boscagli), 174Eysteinsson, Astradur, 10n.3, 31n.13, 38Eysteinsson, Astradur and Vivan Liska,

5

Fabian, Johannes : Time and the Other: How Anthropology Makes its Object, 209n.3

Fallen Angel (Preminger), 247Farrell, James, 151–2Faulkner, William, 27, 42, 54, 60–4, 192Feeding the Ghosts (D’Aguiar), 89–90Feeling Modern: The Eccentricities of Public

Life (Nieland), 241n.2Felman, Shoshana: gendered

subjects, 113, 115; psychoanalytic interpretations, 18, 123

Felski, Rita, 2, 7–9, 30–2nn.1, 5, 14, 17, 137, 176–8, 181n.17; Doing Time: Feminist Theory and Postmodern Culture (Felski), 176; The Gender of Modernity, 2, 7, 30n.5

Fetishism: 31n.8, 106n.4, 115, 122, 127n.24, 127n.25

The Fetishism of Modernities: Epochal Self-Consciousness in Contemporary Social and Political Thought (Yack), 30n.5

Fichte, Johann Gottlieb, 253Fiedler, Leslie, 160Film (See Cinema)Finnegans Wake (Joyce), 42, 185Firbank, Ronald, 188Fischer, Michael, 212Fish, Stanley, 6–7Fitzgerald, F. Scott, 27; The Great

Gatsby, 192Flaubert, Gustave, 7For Lancelot Andrewes (Eliot), 176Ford, Ford Madox, 35Ford, Henry, 186Ford, John, 246Fordism: 134, 235, 249, 252, 257n.12

288 Index

Formalism: 36, 37, 156, 216, 218Forster, E. M., 188Foucault, Michel, 6, 44, 167, 212Frank, Thomas: The Conquest of Cool, 195Franklin, Miles, 188Frayling, Christopher, 146n.15Frazer, James, 214; Frazerian

anthropology, 211Free Enterprise (Cliff), 88Freud, Sigmund, 7, 23, 168, 259;

background, 177; Civilization and its Discontents, 225, 232; clinical practice, 17; dream work, 13, 237; fetishism, 121–2, 127nn.24–5; ‘pleasure principle,’ 228; properties of human consciousness, 224–5, 231–2; techniques 31n.8, 72; the ‘uncanny,’ 34–7, 39

Friedman, Jonathan, 44Friedman, Lawrence, 204Friedman, Susan Stanford: 57, 62,

69, 105, 76, 203, 228; ‘Definitional Excursions’ debate, 5, 8, 10n.3, 33–5, 37; ‘Periodizing Modernism,’ 209n.1; ‘plural Modernisms,’ 40–1, 43–7, 51–2, 52n.1, 90n.6, 91n.10; resistance to definitional conclusion, 71, 78, 109–11, 131, 149, 167–9, 179, 196–7, 222, 228

Fry, Maxwell, 130, 137Fry, Roger, 84, 194The Future of Intellectuals and the Rise of

the New Class (Gouldner), 147, 154Futurism: 10n.3, 183, 244Futurist Manifesto (Marinetti), 221

Gabo, Naum, 131Gambrell, Alice, 31–2nn.14, 21Gandhi, Mohandas, 66Garber, Marjorie: Academic Instincts, 6–7Gardin, Vladimir, 244Garrity, Jane, 188The Gatekeeper (Eagleton), 181n.17Geertz, Clifford, 210–12, 216–19Gender: 2, 4, 31n.14, 40, 89, 113, 215,

243, 248, 253, 254, 257n.22, 262; and economics, 199, 200, 202; and modernism, 168, 174–5, 178–9, 194; g. studies, 1, 219, 259

Gender in Modernism (B. Scott), 4, 40

The Gender of Modernism: A Critical Anthology (B. Scott), 4

The Gender of Modernity (Felski), 2, 7, 30n.5

The Gender of the Gift (Strathern), 200, 202

Genealogy: 120, 121, 123, 167, 179n2, 202, 242, 249

Gentleman in a Dustcoat (Young),165n.9Geomodernisms (Doyle, Winkiel), 4, 40Georgian Poetry (Marsh), 186Gidal, Peter, 248Giddens, Anthony, 27, 31nn.11–12, 44,

204; The Consequences of Modernity, 4, 25–6; Modernity and Self-Identity, 4, 7, 31n.11, 257n.23

Gide, André, 188Gikandi, Simon, 31n.14, 40–1, 71, 83,

91n.9Gilbert, Sandra, 31n.14Gilman, Richard, 111Gilman, Sander, 83Gilroy, Paul, 31–2nn.14, 21, 71, 83,

91n.18; The Black Atlantic: Modernity and Double Consciousness, 7

Ginsberg, Allen, 195The Girl with the Golden Eyes (Balzac),

110–13, 115, 117–18, 120–3Globalization: 1, 4, 26, 31n.7, 54,

113, 219Gluck, Mary, 109–10, 116, 125God without Thunder (Ransom), 157Godard, Jean-Luc, 248Godelier, Maurice, 209n.4Goethe, 60, 212Gold Diggers of 1933, 247The Golden Treasury (Palgrave), 186–7Good Morning, Midnight (Rhys), 82Gordon, Deborah, 214–15Gouldner, Alvin, 147–8, 154, 165n.6,

172, 177; The Future of Intellectuals and the Rise of the New Class, 147, 154

Graff, Gerald, 161; Professing Literature, 156

Gramsci, Antonio, 156, 252The Great Gatsby (Fitzgerald), 192Green, Christopher, 133Greenberg, Clement, 38, 41Gregory, Chris, 200–2

Index 289

Griffith, D. W., 222, 234, 240, 252Grigson, Geoffery: Poetry of the

Present, 186Gronberg, Tag, 135–7, 144Gubar, Susan, 31–2nn.14, 21Guillory, John, 148–9, 164n.2, 172, 175;

Cultural Capital: The Problem of Literary Canon Formation, 156, 163, 181n.17

Gunning, Tom, 221–2Guy, Josephine, 183, 194

Habermas, Jürgen, 14, 26, 44Halliday, Terence and Morris Janowitz,

166n.14Hansen, Miriam, 3, 8, 233–6, 256nn.1–2Hardy, Thomas, 188Harlem Renaissance: 27, 28, 71, 79, 82,

85, 87, 260Harris, Ruth, 106n.5Harris, Wilson, 75, 78–82; Palace of the

Peacock, 81Harrison, Jane, 211Harvey, David, 26, 56, 263; The

Condition of Postmodernity: An Enquiry into the Origins of Social Change, 21, 30–1n.7

Hassan, Ihab, 21Heart of Darkness (Conrad), 81Heath, Stephen, 248Hegel, G. W. F., 1, 19, 38Hegeman, Susan, 219–20Heidegger, Martin, 49Hemingway, Ernest, 189, 191–2Hennessey, Rosemary, 127n.27Hepworth, Barbara, 87H. D., 188, 198–9, 202Hillier, Bevis and Stephen Escritt,

145n.10Hinchcliffe, Tanis, 129Histoire de cinéma (Brasillach,

Bardèche), 245History: 4, 5, 8, 20, 23, 24, 26, 43, 53,

61, 72, 73, 74, 76, 77, 83, 92, 94, 137, 148, 156, 160, 166n.13, 178, 197, 201, 202, 209, 210, 211, 219, 227, 228, 237, 243, 246, 249, 250, 252, 259; art, 3, 5, 132, 136, 145; definitional, 28, 29, 71; film, 245, 249; literary, 27, 32, 59, 61, 181, 182, 203; local, 53, 56, 59; reception, 59, 110, 112, 113, 247;

religious, 25; social, 61, 191, 216; of anthropology, 212, 214–16; of cinema, 242, 248; of disciplines, 210; of modernism, 2, 27, 41, 43, 51

Hitchcock, Alfred, 249Hitchmouch, Wendy, 140–1Hobsbawm, Eric, 177Home to Harlem (McKay), 72, 74Horkheimer, Max, 94, 168, 170,

257n.15; Dialectic of Enlightenment (Horkheimer, Adorno), 257n.15

Howe, Irving, 160Huaco, George, 165n.5Hugh Selwyn Mauberley (Pound), 184Hulme, T. E., 249Hume, David, 83, 91n.9Hurston, Zora Neale, influence of,

82; ‘modernist anthropology,’ 211, 214–16; Mules and Men, 164n.3, 207–8, 215; Tell My Horse, 215

Husserl, Edmund, 49Huxley, Aldous, 186, 189Huysmans, Joris-Karl, 127n.22Huyssen, Andreas, 116, 180n.9,

256n.1, 261; After the Great Divide, 168–9, 173–4, 178–9; disciplinarity, 5, 7, 9

Ibsen, Henrik, 188I’ll Take My Stand (Ransom), 157–8, 162,

165n.10Imperialism: 19, 36, 42, 219, 251, 262Industrialization: 1, 13, 44, 94, 119, 162Interdisciplinarity: (See also

Disciplinarity) 2, 6, 20, 259, 261In the Castle of My Skin (Lamming), 82In the Seven Woods (Yeats), 201Inalienable Possessions (Weiner), 200Institutions of Modernism (Rainey),

180n.4Introduction to the Science of Sociology

(Park, Burgess), 152Irigaray, Luce, 50

Jaffe, Aaron, 186–7Jakobson, Roman, 126n.10James. C. L. R., 72–6, 82, 84, 90–1nn.4,

8; The Black Jacobins, 74–6, 78, 80; Toussaint Louverture (C.L.R. James), 73, 91n.8

290 Index

James, Henry, 55, 111–13, 180n.15, 188; The Turn of the Screw, 18

James, William, 7Jameson, Fredric, 28, 44, 64, 113, 228;

A Singular Modernity: Essay on the Ontology of the Present, 4, 38, 52n.1, 61

Jane and Louisa Will Soon Come Home (Brodber), 82

Jay, Martin, 44Jazz: 8, 27, 142, 188Jencks, Charles, 10, 145Johnson, Samuel, 187Joyce, James, 211, 220, 242; Dubliners,

188, 231; epiphany, 231; Finnegans Wake, 42, 82, 185; influences, 206–7; key figure of modernism, 1, 7, 23, 27–8, 54–5, 60, 62, 200, 204; mythical method, 237, 239; patronage, 183–5; A Portrait of the Artist as a Young Man, 66–8 ‘uncanny’ aspects, 35, 62; reception of works, 188, 192–3, 195. See also Ulysses

Jünger, Ernst, 168, 249

Kadish, Doris, 126n.12Kafka, Franz, 54, 57, 242; difficulty of

translating, 60, 64Kampf, Louis and Paul Lauter: The

Politics of Literature, 163Kant, Immanuel, 7, 19, 83Kaplan, Alice, 257n.7Kaufman, Suzanne, 179n.3, 241n.3Keats, John, 7Kenner, Hugh, 27, 38, 62; The Mechanic

Muse, 262Kermode, Frank, 126n.3Kernan, Alvin, 187Kerouac, Jack, 196Keynes, John Maynard, 190, 198Kiely, Robert, 10n.1Kincaid, Jamaica: At the Bottom of the

River, 82–3King Lear (Shakespeare), 217Kingsley, Mary, 212Kipling, Rudyard, 191Kiss Me Deadly (Aldrich), 247Kojecky, Roger: T. S. Eliot’s Social

Criticism, 180n.6Koshar, Rudy, 106–7nn.5, 15

Kracauer, Siegfried, 253–5Kristeva, Julia, 18, 212Kronfeld, Chana: On the Margins of

Modernism, 40Kuleshov, Lev, 244

La fille aux yeux d’or (Balzac). See The Girl with the Golden Eyes.

Lacan, Jacques, 50, 223–8; ‘Lacanian,’ 17, 223, 246

Lady Chatterley’s Lover (Lawrence), 185, 195

Lady Windermere’s Fan (Wilde), 183Laemmle, Carl, 252Laity, Cassandra, 37Lamming, George, 74–8, 80–3; The

Emigrants, 78, 80; In the Castle of My Skin, 82; Season of Adventure, 82

Lamphere, Louise, 214Lancaster, Osbert, 142Landes, Ruth, 215Larbaud, Valery, 60Larsen, Nella, 82Larson, Magali Sarfatti, 172Laurentin, René, 107n.18Lawrence, D. H., 35, 183–5, 188–90,

204, 211; Lady Chatterley’s Lover, 185, 195; The Rainbow, 190; Sons and Lovers, 184, 192; Women in Love, 204

Learning from Las Vegas (Venturi, Brown, Izenour), 144

Leathart, J. R., 139, 143Leavis, F. R., 41, 176–7, 181Le Corbusier, 14, 56, 128–46, 249, 261;

The City of Tomorrow (Urbanisme), 129 ; The Decorative Art of Today, 128, 133–5, 137; building materials, 145n.4; ‘Sense of Truth’ chapter, 139; Towards a New Architecture (Vers une architecture), 129

Le Gallienne, Richard, 182Leger, Fernand, 249Leonard, Garry, 259Lepenies, Wolf, 164n.2Let Us Now Praise Famous Men (Agee,

Evans), 164n.3Levi-Strauss, Claude, 202, 210 ; Tristes

Tropiques, 212Levin, Harry, 30n.2, 32n.16, 50

Index 291

Levinas, Emmanuel, 52Levine, Donald: Visions of the

Sociological Tradition, 163Levy-Bruhl, Lucien, 211Lewis, Sinclair: Main Street, 191Lewis, Wyndham, 35, 59, 168, 249Liberty (Roach, McCarey), 247Lienhardt, Godfrey, 212Lipset, Seymour Martin and Everett

Carll Ladd, Jr., 165n.5The Literary Impact of the Golden Bough

(Vickery), 211Literary studies: (See also Literature) 1, 2,

4, 6, 7, 8, 78, 148, 161, 169, 171, 182, 201; and sociology, 149, 150, 163

Literary Theory : An Introduction (Eagleton), 165n.8, 176

Literature: 1, 3, 11, 14, 20, 23, 27, 112, 126n.4, 160–1, 163, 176, 187, 188, 194, 236, 237, 239, 245, 256n.2, 262; and anthropology, 210–11, 213–16, 218, 220; and economics, 197–8, 206, 208, 228; and New Criticism, 149–50, 156–67; and sociology, 149, 150–1, 161, 163, 164, 164n.2, 165n.5; modern, 190–1, 193, 210, 211, 216; modernist, 42, 61, 62, 68–9, 184, 192, 193, 212–14, 263; world, 54–9, 61, 63, 65–7, 69, 70n.2

The Little Engine that Could (Piper), 226Lloyd, David, 83Locke, John, 19, 28, 73Longenbach, James, 35Lonesome (Fejos), 247Louisiana (Brodber), 82Lubitsch, Ernst, 245Lukács, Georg, 41Lyotard, Jean-François: The Postmodern

Condition, 30–1nn.7, 12, 226

Maase, Kaspar, 257n.21Mailer, Norman, 189–90Main Street (Lewis), 191The Making of Americans (Stein), 235Malinowski, Bronislaw, 20, 212, 214, 218The Man Nobody Knows (Barton), 191Manganaro, Marc, 8, 20; Modernist

Anthropology: From Fieldwork to Text, 20, 213–15

Manheim, Karl, 180n.15

Mann, Thomas, 190Mao, Douglas and Rebecca Walkowitz,

2, 41Marcus, George, 210–12Marcus, Laura: The Tenth Muse, 241n.1Marinetti, Filippo, 168, 183, 229;

Futurist Manifesto, 221Marketing Modernisms (Dettmar, Watt),

180n.4Marketplace: 56, 93, 94, 106, 154, 186;

and modernism, 69, 197, 198, 201, 202; literary, 184–5, 18

Marsh, Edward: Georgian Poetry, 186Marshall, Alfred, 151, 153Marson, Una, 75, 82, 84; The Moth and

the Star, 82Mass culture: 7, 21, 32n.18, 93–7,

107n.8, 251, 256, 261; American, 251, 253; and woman, 174, 178; Fordist, 250, 254; v. high culture, 167–9, 243

Martin, (John) Leslie, 129–31, 137, 142Marx, Karl, 7, 52n.3, 168; Capital,

106n.4, 120; commodification, 194, 228; economic despotism, 119–23; Marxism, 14, 205, 216; Marxist criticism, 181n.17, 182, 197–9, 218, 246, 253; opium trade, 127nn.19–20, 228

Masefield, John, 186Matisse, Henri, 188Mauss, Marcel, 199McDannell, Colleen, 93, 106n.6McDougall, Bonnie S., 65, 70,McKay, Claude, 75, 84; Banjo, 82; Home

to Harlem, 72–4; Voyage in the Dark, 79

McLeod, Mary, 140, 145n.6Mead, George Herbert, 152Mead, Margaret, 214–15The Mechanic Muse (Kenner), 262Memmi, Albert, 126n.8Mendelsohn, Erich, 130Merleau-Ponty, Maurice, 49–52Merton, Robert, 151, 165Michaels, Walter Benn, 210Miller, Arthur, 190Miller, Christopher, 73, 76Mills, C. Wright, 152, 155, 165n.5; The

Sociological Imagination (Mills), 153Milton, John, 216

292 Index

Mimesis (Auerbach), 54, 62Modern, the: 2, 8, 9, 26, 27, 30n.5, 38,

60, 71, 76, 93, 94, 106, 109, 123, 135, 209, 242, 248, 249

Modern Architecture since 1900 (Curtis), 132

Modern subject, the: 76, 77, 83, 223, 224, 225, 228

Modern Times (Chaplin), 231The Modern Tradition (Ellmann,

Feidelson), 7Modern world, the: 73, 98, 116, 231, 238Modernism, 1890–1930 (Bradbury,

McFarlane), 1–2, 31n.13, 56, 262Modernism, the Visual, and Caribbean

Literature (Emery), 91n.11Modernisms: A Literary Guide (Nicholls),

32n.23Modernist Anthropology: From Fieldwork to

Text (Manganaro), 20, 213–15Modernist studies: 1–9, 10n2, 11, 17,

18, 21, 25, 27, 33–45, 47–9, 55–6, 61, 71–2, 90, 131, 208, 221–2, 259–62; comparative, 63–6, 68–9

Modernist Studies Association: 2, 5, 10n.5, 30n.1, 32n.20, 33, 36, 260

Modernity: 11–29, 30n3, 30n.6, 30n.11, 32n.15, 32n.19, 33–4, 36, 38, 43–7, 51, 65, 71–8, 82–4, 88, 90, 92, 94–5, 105–6, 109–13, 115–16, 119, 121, 123–5, 131–2, 133, 135, 137, 139, 140, 142, 144, 145n.9, 146.n14, 149, 158, 167, 168, 179, 179n.2, 181n.17, 186–7, 198, 200–2, 209n.1, 220n.1, 221–39, 241, 242n.4, 242–5, 248–56, 257n.23, 260–3; and modernism, 1–5, 8–9, 15–19, 21, 22, 24, 25, 27–9, 30, 31n.7, 31n.14, 32n.23, 33, 36, 40, 42–4, 46–7, 51, 61, 69, 71–2, 78, 109–12, 116, 125, 197, 203, 209n.1, 221, 229, 231, 234, 242, 243, 259, 261–3; and postmodernism, 30n.7, 31n.8; black Atlantic, 73, 74, 90; Enlightment, 28, 30n.7, 73; western, 26, 28, 30, 30n.5, 43, 92

Modernity and Identity (Lash, J. Friedman), 5

Modernity and Self-Identity (Giddens), 4, 7, 31n.11, 257n.23

Modernity at Large: Cultural Dimensions of Globalization (Appadurai), 7

Modernization: 119, 159, 187, 234, 252–4

Montesquieu, Charles de Secondat, 126n.13

Moore, George, 188Moore, Henry, 87Moore, Marianne, 160Moretti, Franco, 54, 57, 61, 64, 68Morris, Adalaide, 202Morrison, Mark, 199Morrison, Toni, 25, 27Moses, Michael, 2The Moth and the Star (Marson), 82Mrs. Dalloway (Woolf), 190, 230Mules and Men (Hurston), 164n.3,

207–8, 215Mulvey, Laura, 248Münsterberg, Hugo: The Psychology of

Photoplay, 249Murphey, Richard, 145n.9Myal (Brodber), 82

Nader, Ralph, 195Naipaul, V. S., 60, 75Narayan, R. K., 60New Criticism: 41, 46, 48, 149–50, 161,

163, 165n.8, 216, 221Nicholls, Peter: Modernisms: A Literary

Guide, 32n.23Nicholson, Ben, 131Nieland, Justus: Feeling Modern: The

Eccentricities of Public Life, 241n.2Nietzsche, Friedrich, 7, 23, 46, 168, 191

1919 (Dos Passos), 191Nightwood (Barnes), 59North, Michael, 38–9, 167, 170, 179n.1;

The Dialect of Modernism: Race, Language, and Twentieth-Century Literature, 7; Reading 1922, 38, 167

Notebook of a Return to My Native Land (Césaire), 76, 78

Notes Towards the Definition of a Culture (Eliot), 171, 180nn.7, 11

NowHere: Space, Time and Modernity (Friedland, Boden), 5

O’Keefe, Georgia, 168On the Margins of Modernism

(Kronfeld), 40O’Neill, Eugene, 192Only Yesterday (Allen), 191

Index 293

‘Ornamentia Praecox’ (Dugdale), 138The Origins of Modernism (S. Smith), 179Osteen, Mark and Martha

Woodmansee, 197–8Owen, Stephen, 53–9, 62–3, 65Oxford Book of English Verse

(Quiller-Couch), 186

Palace of the Peacock (W. Harris), 81Palgrave, F. T.: The Golden Treasury,

186–7Palmer, Asynith, 60Pareto, Alfredo, 151, 153, 189Park, Robert E. and Ernest W. Burgess:

Introduction to the Science of Sociology, 152

Parsons, Elsie Clew, 215Parsons, Talcott, 1, 149, 162, 165nn.5–6;

The Social System (Parsons), 151–5Pater, Walter, 7Patmore, Coventry: Children’s

Garland, 187Perestiani, Ivan, 244Periodization: 19, 20, 27, 28, 32n.15, 43,

94, 209n.1Perkin, Harold, 172, 178Perkins, Maxwell, 185, 191Petro, Patrice, 257n.19Pevsner, Nikolaus, 130, 137Philosophy: 1, 3, 4, 5, 13, 16, 31n.10,

86, 148, 149, 245; aesthetic, 84; post-Marist, 99; Enlightenment, 223

Picabia, Francis, 232–3, 249Picasso, Pablo, 27, 188, 228, 249Pink Floyd, 229Poe, Edgar Allan, 18Poems and Essays (Ransom), 162Poetry of the Present (Grigson), 186Poiret, Paul, 1, 3–4Political Theory: 3, 20Politics: 16, 18, 25, 27, 29, 59, 67, 73,

90n.5, 92, 111, 132, 148, 160, 161, 163, 176, 199, 200, 244, 254, 256n.2; and modernism, 21, 259, 260, 263; and modernity, 21, 25; cultural, 63; identity, 10n.7, 176; of definition, 25, 28, 261; of modernization, 30n.6

The Politics of Literature (Kampf, Lauter), 163

Pollard, D. E., 58

Pondrom, Cyrena, 32n.20A Portrait of the Artist as a Young Man

(Joyce), 66Postmodernism: 12, 14, 17, 21, 30n.7,

31n.8, 111The Postmodern Condition (Lyotard),

30–1nn.7, 12, 226Postmodernism: 12, 14, 17, 21, 30n.7,

31n.8, 111Postmodernity: (See also

Postmodernism) 23, 212, 249Poulantzas, Nicos: Classes in

Contemporary Capitalism, 177The Classical Hollywood Cinema: Film

Style and Mode of Production to 1960, 176–7

Poulenc, Francis, 249Pound, Ezra, 7, 42, 62, 168, 192,

198, 204, 242; anthropology, 211; cosmopolitanism, 27, 56, 58, 180n.15; ‘counter-cultural persona,’ 200; Des Imagistes, 186; Palgrave’s Golden Treasury, 186–68; Hugh Selwyn Mauberley, 184; ‘ideogram,’ 60; ‘make it new’ dictum, 30n.2, 37, 259; 1922 earnings, 174; occult, 35; patronage, 183–4; T. S. Eliot, 169–70

Pratt, Mary Louise, 212Praz, Mario, 112–13Preminger, Otto, 249Priestly, J. B., 142Primitivism: 20, 27, 84, 85, 204, 206Professing Literature (Graff), 156Professionalization: 1, 148, 149, 155,

156, 162–4, 170, 172Proust, Marcel, 192Psychoanalysis: (See also Freud,

Lacan) 17, 34, 35, 115, 177, 188, 225, 259

The Psychology of Photoplay (Münsterberg), 249

Pudovkin, V. I., 243

Quiller-Couch, Arthur: Oxford Book of English Verse, 186

Rabinow, Paul, 4, 212Race: 4, 31n.14, 72, 110, 112–13, 165n10,

214, 251; r. studies, 260The Rainbow (Lawrence), 190

294 Index

Rainey, Lawrence, 200–1, 204; Institutions of Modernism, 168–9, 180nn.4–5, 198–201, 204, 209n.5; ‘patron-investors,’ 183–4

Ransom, John Crowe, 149–50, 156–62, 165nn.9–10; God without Thunder, 157; I’ll Take My Stand, 157–8, 162, 165.10; Poems and Essays, 162; Selected Essays, 150, 158–61, 165n.11; Selected Letters, 160; The World’s Body, 165n.10

Reading 1922 (North), 38, 167Reilly, C. H., 144Reger, Max, 249Relativity (Einstein), 188Religion: 93, 121, 127n.25, 158, 176; and

modernity, 94, 95, 106; popular, 94, 106n.5

Renoir, Jean, 245Rhys, Jean, 75, 84; After Leaving

Mr. Mackenzie, 82; Good Morning, Midnight, 82; Voyage in the Dark, 79, 82

Richards, Grant, 185, 188Richards, I. A., 165n.8Richardson, Dorothy, 188Ricks, Christopher, 187Riesman, David, 165n.5Robbe-Grillet, Alain, 242Rodowick, David, 248Rohmer, Éric, 246Rosaldo, Michelle: Woman, Culture and

Society, 214Rosaldo, Renato, 212Rose, Jonathan, 261Rosen, Philip, 250Ross, Stephen, 259–61, 263Rothstein, Eric, 30n.5, 31n.15Rousseau, Jean-Jacques, 7, 28, 73Rowntree, Joshua, 126n.18Rubin, Gayle, 214Rushdie, Salman, 60Russell, Bertrand, 189

Sabinskij, Ceslav, 244Said, Edward, 210, 212, 218–19Saler, Michael T.: The Avant-Garde in

Interwar England: Medieval Modernism and the London Underground, 241n.4

Salih, Tayeb: Season of Migration to the North, 42

Sapir, Edward, 220Sartre, Jean-Paul, 49–50, 60Saussy, Haun, 54–5, 64, 69–70nn.1, 5Savage Money (Gregory), 200Scheunemann, Dietrich, 145n.9Schiller, Friedrich, 83Schlüpmann, Heide, 256n.3Schönberg, Arnold, 242Schor, Naomi, 107Schumpeter, Joseph, 186Science: 161, 236, 238; of economics,

230; natural, 220n.1; social, 163, 213

Scott, Bonnie Kime, 31nn.13–14; Gender in Modernism, 4, 40; The Gender of Modernism: A Critical Anthology, 4

Scott, David, 76–8; Conscripts of Modernity: The Tragedy of Colonial Enlightenment, 76

Scott, James C., 263Scottish Song (Aitken), 187Scribner, Charles, 191Season of Adventure (Lamming), 82Season of Migration to the North

(Salih), 42‘The Second Coming’ (Yeats), 21, 227Sedgwick, Eve Koskfsky, 120, 127n.21Selected Essays (Ransom), 150, 158–61,

165n.11Selected Letters (Ransom), 160Selvon, Sam, 75Shakespeare, William, 60, 206, 216; King

Lear (Shakespeare), 217Shaw, Bernard, 188Shelley, Percy Bysshe, 216Shklovsky, Victor, 245Sil, Rundra and Eileen Doherty, 5Simmel, Georg, 232A Singular Modernity: Essay on the

Ontology of the Present (Jameson), 4, 38,52n.1, 61

Sitwell, Edith, 188Skinner, Joan, 140–2Slavery: 21, 72, 73, 75, 78, 88, 90,

165n.10Small, Ian, 183, 194Smith, Stan: The Origins of

Modernism,179n.2The Social System (Parsons), 151–5The Sociological Imagination (Mills), 153

Index 295

Sociology: (See also Literature: and sociology) 1, 3, 4, 5, 8, 32n.18, 165n.5, 165n.6, 165n.8, 166n.14; Chicago School, 149, 151–6; industrial, 151, 164n.4; Parson’s, 149, 152, 154, 155, 163

Sons and Lovers (Lawrence), 184, 192Spingarn, J. E., 179n.2Spivak, Gayatri, 63–4, 68 ; Death of a

Discipline, 54, 63Stagecoach (Ford), 246Stein, Gertrude, 27, 188, 195; The

Autobiography of Alice B. Toklas, 191; cinema and popular film, 235–58, 248; ‘Conversations with Gertrude Stein,’ 221, 223, 225; cosmopolitanism, 59–60; The Making of Americans, 235

Stella Dallas (King), 247Stendhal, 247 ; The Charterhouse of

Parma, 192Stetz, Margaret, 182Stevens, Wallace, 235Stevenson, Robert Louis, 187Stockhausen, Karlheinz, 242Strathern, Marilyn, 202, 207; The Gender

of the Gift, 200, 202Stravinsky, Igor, 20, 249The Structure of Social Action

(Parsons),151–3Subject: See Modern subjectSubrahmanyam, Sanjay, 26–7, 32n.19The Sun also Rises (Hemingway), 191Sun Ra, 8Surette, Leon, 35A Survey of Modernist Poetry (Riding,

Graves), 179n.2Sword, Helen, 35Symons, Arthur, 187Synge, John Millington, 206S/Z (Barthes), 246

Tagore, Rabindranath, 60Tarkington, Booth, 191Tate, Allen, 149, 157, 160Technology: 251, 254, 256n.2, 261;

industrial, 100, 243; print, 187Tell My Horse (Hurston), 215Temporality: 49, 51, 95, 243Ten Days that Shook the World

(Reed), 192

The Tenth Muse (Laura Marcus), 241Theory of the Avant-Garde (Bürger),

10n.3, 168The Theory of the Leisure Class

(Veblen), 192Thompson, Robert Farris, 90Time and the Other: How Anthropology

Makes its Object (Fabian), 209n.3Tono-Bungay (Wells), 186Tourism: 99, 258n24Toussaint Louverture (C.L.R. James), 73,

91n.8Toward an Anthropology of Women

(Reiter), 214Towards a New Architecture (Vers une

architecture) (Le Corbusier), 129Tratner, Michael, 198–9Trilling, Lionel, 160, 203Tristes Tropiques (Lévi-Strauss), 212Trouillot, Michel-Rolph, 73, 76–7Troy, Nancy, 134–5Tryphonopoulos, Demetres, 35T. S. Eliot’s Social Criticism (Kojecky),

180n.6Tsivian, Yuri, 244–55The Turn of the Screw (James), 18‘Turner’ (Dabydeen), 89–90Turner, Catherine, 190–3Turner, J. M. W., 87–9Tyler, Stephen, 212Tylor, Edward, 219

Ulysses (Joyce), 204–6, 227; importance, 42, 200, 237–8; censorship, 59; publication, 184–5, 192–3, 209n.5

Unger, Steven, 64Urbanisme See The City of Tomorrow

(Le Corbusier)Urbanization: 44, 93, 119

Verbal Hygiene (Cameron), 181n.16Vers une archictecture See Towards a New

Architecture (Le Corbusier)Vertov, Dziga, 243Vickery, John B.: The Literary Impact of

the Golden Bough, 211Virginia Woolf and Postmodernism

(Caughie), 196n.1Visions of the Sociological Tradition

(Levine), 163

296 Index

Voyage in the Dark (Rhys), 79, 82Von Moos, Stanislaus, 140, 146n.11

Walcott, Derek, 82Walker, Alice, 215Wallis, Thomas, 128–33, 137,

139–44, 261Warren, Robert Penn, 149, 157, 165n.10The Waste Land (Eliot), 187, 221;

anthropology, 211, 220; cinematic aspects 237–9, 241;class and gender anxiety 173–5; echoes in Bei Dao, 59–60; ‘greatest poem’ 42; marketing 180n.5, 200; setting 56

Waugh, Evelyn, 188The Way of All Flesh (S. Butler), 188Weaver, Harriet Shaw, 183–5Weber, Eugen, 97Weber, Max, 92, 151–3Weiner, Annette, 200–2; Inalienable

Possessions, 200The Well-Wrought Urn (Brooks),

165n.13Welles, Orson, 249Wells, H. G., 188; Tono-Bungay, 186Wexler, Joyce, 184–5; Who Paid for

Modernism?, 180n.4Who Paid for Modernism? (Wexler),

180n.4, 184Wicke, Jennifer, 35–7, 47, 51Wigley, Mark, 135, 141, 145n.5Wilde, Oscar, 127n.22, 182–3, 188, 194;

Lady Windermere’s Fan, 183Williams, Francis, 83Williams, Raymond, 10n.3, 23Williams, William Carlos, 27, 62, 168Willmott, Glenn, 261Wister, Owen, 191Witte, Karsten, 257n.19Wollen, Peter, 248

Woman, Culture and Society (Michelle Rosaldo), 214

Women in Love (Lawrence), 204Women of the Left Bank: Paris,

1900–1940 (Benstock), 40Women Writing Culture (Behar,

Gordon), 215Wood, Marcus, 91n.18Wood, Michael, 54Woolf, Virginia, 1, 35, 42, 238; cinema,

241n.1; cosmopolitanism, 55, 59–60; financial considerations, 174; Jacob’s Room, 10n.2; key figure of modernism, 82; Mrs. Dalloway, 190, 230; periodical writings, 188–90; ‘provincial/regional writer,’ 27, 62; techniques, 227, 238–9

Wordsworth, William, 187, 216, 238The World’s Body (Ransom), 165n.10Wratislaw, Theodore, 127n.22Wright, Richard, 151Writing Culture: the Poetics and Politics

of Ethnography (Clifford, G. Marcus), 211–15

Yack, Bernard, 30–2nn.5, 8, 12, 17; The Fetishism of Modernities: Epochal Self-Consciousness in Contemporary Social and Political Thought, 30n.5

Yeats, W. B., 7, 35, 42; anthropology, 211; Auden’s elegy, 217; Celtism, 206; The Countess Cathleen, 206; In the Seven Woods, 201; publishers, 188, 201–3; ‘The Second Coming,’ 21, 227

Yellow Book (Mathews, Lane), 182Young, Thomas Daniel: Gentleman in a

Dustcoat, 165n.9Yu Luoke, 58, 70

Zola, Émile, 151