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Writing Module Two Problem Statements, Introductions, and Issues of Audience An Introduction to The Craft of Argument, by Joseph M. Williams and Gregory Colomb The Cain Project in Engineering and Professional Communication SPRING 2008 WORKSHOP SERIES

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Writing Module Two Problem Statements, Introductions, and Issues of Audience. An Introduction to The Craft of Argument, by Joseph M. Williams and Gregory Colomb The Cain Project in Engineering and Professional Communication SPRING 2008 WORKSHOP SERIES. Module Two Objectives. - PowerPoint PPT Presentation

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Page 1: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Writing Module TwoProblem Statements, Introductions, and Issues of Audience

An Introduction to The Craft of Argument,

by Joseph M. Williams and Gregory Colomb

The Cain Project in Engineering and Professional Communication

SPRING 2008 WORKSHOP SERIES

Page 2: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Module Two Objectives

• Introduce Problem Statements

• Learn the Five Parts of the Problem

Statement

• Apply tips to Introductions, Issues, and

Audience

Page 3: Writing Module Two Problem Statements, Introductions, and Issues of Audience

What Is A Problem Statement?

Problem Statements lead the reader from a SHARED CONTEXT• to the perception of a PROBLEM• to a proposed SOLUTION

Page 4: Writing Module Two Problem Statements, Introductions, and Issues of Audience

A Quick Example

The following are NOT PROBLEM STATEMENTS:

“The confinement of water molecules in sub-nanometre channels”

“Insufficient evidence”

“Difficulty in explaining”

Page 5: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Problem Statement

This next example IS:“The properties of water at the nanoscale are crucial in

many areas of biology, but the confinement of water molecules in sub-nanometre channels in biological systems has received relatively little attention. Advances in nanotechnology make it possible to explore the role played by water molecules in living systems, potentially leading to the development of ultrasensitive biosensors.”

(Mertens, J., et al. )

Page 6: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Recognizing Many Parts

“The properties of water at the nanoscale are crucial in many areas of biology [Status Quo]but the confinement of water molecules in sub-nanometre channels in biological systems has received relatively little attention… [Destabilizing Moment]Advances in nanotechnology make it possible to explore the role played by water molecules in living systems, potentially leading to the development of ultrasensitive biosensors.” [Solution]

Page 7: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Problem Statements Are Not:

• A topic or “subject,” i.e. “DNA” or “Clean Energy”

• A summary of what is already known• A statement of fact or opinion• An explanation, definition, invention, or

solution alone

Page 8: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Problem Statements Frame Solutions• Don’t forget, if you are introducing an ARGUMENT,

you are MAKING A CASE for something• We make arguments to solve problems• Problems can be either conceptual or pragmatic, but

always ask us to THINK or ACT DIFFERENTLY• A concise problem statement motivates the reader

and sets the stakes for the argument to follow

Page 9: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Argument And Problem Statements

As Williams and Colomb explain, problems have a familiar structure:

Problem = Destabilizing Condition + Cost [Negative Effect] or

Consequence

Page 10: Writing Module Two Problem Statements, Introductions, and Issues of Audience

In Other Words…

• Before we can understand a solution, we need to accept and understand a problem

• The Destabilizing Moment or Destabilizing Condition is the place where you show the difference between

• What IS -- and -- what should or can be

Page 11: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Destabilizing Conditions

In short:

A good Problem Statement introduces a QUESTION and makes us aware of the COSTS that might result from it.

PROBLEM =

Question + Costs or Benefits

Page 12: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Recognizing Costs• Costs are negative effects that impact or

influence your intended audience. • Costs can be monetary, but they can also be

abstract, emotional, social or logistical. • We call it a cost when bad things happen as

a result of a certain course of action.• Arguments should also consider as potential

costs those missed opportunities that can result when decision makers fail to pursue new options and ideas.

Page 13: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Acknowledging A Problem

• Requires that we understand costs and benefits

• Requires that we are motivated and influenced by those costs-we accept the problem as something relevant to our lives and concerns

• Requires that we want, need, and are able to imagine a solution

Page 14: Writing Module Two Problem Statements, Introductions, and Issues of Audience

So What?

Problem Statements should ALWAYS give us an easy answer to the question

So what?Because without an explicit statement

of why we should care, we cannot move on to the issue of what we should DO.

Page 15: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Two Types Of Problems

PRAGMATIC

PROBLEMS• Often topics of

professional proposals, business dealings, or engineering and design solutions

CONCEPTUAL

PROBLEMS• Often topics of

academic research, theoretical discussion, philosophical analysis

Page 16: Writing Module Two Problem Statements, Introductions, and Issues of Audience

What Is A Pragmatic Argument?• Recommends a

course of action or change in behavior

• Gives evidence to support a certain view of the problem

• Defines shared priorities and common ground between writer and audience

• Provides calculations, and examples

• Asks: What should we do?

• Defines a problem• Shows what the

problem is, does, or means

• Emphasizes the costs or benefits of action

• Proposes a solution

Page 17: Writing Module Two Problem Statements, Introductions, and Issues of Audience

What Is A Conceptual Argument?• Shows: Costs or

benefits of changing our point of view

• Evidence often demonstrates how a different point of view changes our perception of the problem

• “We think that climate change is bad, but global warming could lower heating costs.”

• Asks: What should we think?

• Needs to demonstrate that something is missing from our understanding

• Needs to show that there are negative effects if we fail to change --or benefits to changing-- our ideas

Page 18: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Revealing Costs (Pragmatic)

• The cost answers the question So What? The answer always points to some form of unhappiness, pain, negative effect, missed opportunity, loss or imperfection.

• Readers are motivated by costs when the benefits of change/action outweigh the problems or difficulties of the status quo.

Page 19: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Example: Pragmatic Costs

• An economic cost• An intellectual, moral or spiritual cost• A cost of time or resources• A loss of power, prestige, or potency• A disadvantage (real or perceived) that

affects an individual, group, corporation, or population

Page 20: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Revealing Costs (Conceptual)

• The consequence for a Conceptual Problem also answers the question

So What? • In contrast to a pragmatic solution,

however, the answer might simply be that not knowing, understanding, etc., is unacceptable

Page 21: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Example: Conceptual Costs

• “We will fall behind in the space race.”• “We will never know what happened to

the dinosaurs.”• Notice that in each of these cases, a

conceptual problem could easily become a pragmatic problem if:• We link a lack of knowledge (of the universe,

of the dinosaurs) to a practical consequence (compromised missile defense, gaps in understanding of prehistoric times, etc.).

Page 22: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Structuring Your Problem• You know what you want to write about:

DNA, Clean Energy, Climate Change…• Now you need to transform your topic into a

PROBLEM STATEMENT.• Focus the problem by asking yourself the

questions to which your audience needs answers.

• The following slides walk through Williams’ and Colomb’s formula for developing a good problem statement.

Page 23: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Begin With A Pragmatic Topic

1. I am working on the issue of _______.• DNA• Clean Energy• Climate Change

Page 24: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Why This Topic?

2. In order to find out how to change ______.• The diagnosis and treatment of disease• High levels of damaging emissions• The rate at which average temperatures are

rising

But we still need to know, SO WHAT?

Page 25: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Make The Cost/Benefit Clear

3. So that you/they/someone can avoid the cost/gain the benefit of _________.• a disease-free life• environmental deterioration• dwindling natural habitats

Page 26: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Begin With A Conceptual Topic

1. I am working on the issue of _______.• Nanoparticles• The jet stream• Primate Behavior

Page 27: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Why This (Conceptual) Topic?

2. in order to find out about (why/how/when/what) ______.

• The basic structure and properties of materials• Determining factors in weather• The social patterns of apes

Here too, we still need to know, SO WHAT?i.e. WHY PURSUE THESE PROBLEMS?

Page 28: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Conceptual Cost/Benefit Is Abstract Vs. Concrete

• Pragmatic Problems have tangible, “real” costs that we can see and touch

• Conceptual Problems require another step in motivating audiences.

• We need to answer the question “So what?” with an appeal to the reader’s knowledge or understanding.

Page 29: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Sample Pragmatic Problem• I am working on the issue of global climate change.

• in order to find out whether the earth is getting warmer

(So What?)• So that I/you/someone can avoid the costs of

rapidly rising temperatures and the potential threat they pose to agriculture, wildlife habitats, and human communities.

Page 30: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Sample Conceptual Problem

1. I am working on the issue of – Primate behavior

2. in order to find out more about – the social patterns of apes…

(So What?)

3. So that I/we can better understand– family resemblances between humans and our

evolutionary predecessors.

Page 31: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Costs Of Conceptual Problems

• Notice that the “So What?” still requires that you find an audience that cares about:

• Knowing more• Understanding better• Thinking more deeply about a problem, etc.

• Depending on your audience, further support/persuasion may be necessary.

• This is why we turn to the FIVE PARTS OF THE PROBLEM STATEMENT

Page 32: Writing Module Two Problem Statements, Introductions, and Issues of Audience

More On Method

LRS encourages thinking about the parts of argument in order to produce logic that is:

• easy to understand, and• easy to acknowledge or accept

Page 33: Writing Module Two Problem Statements, Introductions, and Issues of Audience

What Two Types Of Academic Argument DO

• Pragmatic Argument – Outlines and encourages ACTION

• Conceptual Argument – Introduces or interprets an ISSUE or IDEA

Page 34: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Your Turn

Take a moment to construct a problem statement using the Craft

of Argument formula.

Page 35: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Simple Problem Statement

• I am working on the issue of:

• in order to find out:

(So What?)• So that you/they/someone can avoid the

cost/gain the benefit of…

Page 36: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Module Two Objectives

• Introduce Problem Statements

• Learn the Five Parts of the Problem

Statement

• Apply tips to Introductions, Issues, and

Audience

Page 37: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Problem Statements: Structure

• The parts of a good problem statement are linked by logical connections

• Williams and Colomb break these down into Status Quo, Destabilizing moment, Question, Consequences, and Solution or Claim

• Each part of the Problem Statement fulfills expectations of the audience you hope to persuade

Page 38: Writing Module Two Problem Statements, Introductions, and Issues of Audience

The Five Parts of a Problem Statement

Five Parts of Problem Statement

StatusQuo

DestabilizingMoment

Question Cost/Benefit Solution

Page 39: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Changing The Status Quo

• To persuade people to change their minds or their actions, you must first convince them to reexamine the Status Quo

• Status Quo refers in general to

THINGS AS THEY ARE

Page 40: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Stating The Status Quo

• Creates common ground between the writer and the reader

• Assures that readers share certain information, experiences or assumptions

• Places your argument in context

Page 41: Writing Module Two Problem Statements, Introductions, and Issues of Audience

The Destabilizing Moment

For… Tangible

Problems And for…

Conceptual Problems

• Expresses a Predicament

• Expresses a Question

Page 42: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Destabilizing Moment Motivates Action

• By outlining costs• By demonstrating a need• By revealing inadequacies• By assessing difficulties• By projecting benefits

Page 43: Writing Module Two Problem Statements, Introductions, and Issues of Audience

For A Pragmatic Problem

• The destabilizing condition introduces a cost.

• Examples include unforeseen events, changing conditions, or new situations– You can often find the destabilizing condition

introduced by words like “but,” “however,” “actually,” “in fact,” “alternatively,” etc…

Page 44: Writing Module Two Problem Statements, Introductions, and Issues of Audience

For A Conceptual Problem

• The destabilizing condition is something you don’t know or would like to understand better

• For readers to care about a conceptual problem, they have to perceive some cost for not thinking/understanding differently– Because conceptual costs are abstract as

opposed to tangible, Williams and Colomb call them “consequences”

Page 45: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Relevant Problem Statements

Imagine facing a TOPIC or ISSUE like the one below:

“Light absorbers available at present provide far from optimal black-body performance.” (Teperik, T.V. et al.)

You might respond:• So what? I’m not particularly concerned with

“optimal black-body performance.” • Why is that my problem?

Page 46: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Guided By Questions…

The writer responds:“The need for more efficient absorbers is particularly acute on the microscale, where they can play a significant role in preventing crosstalk between optical interconnects, and also as thermal light-emitting sources.” (Teperik, T.V. et al.)

To which you reply:• So what? I’m not motivated by those needs,

and the problem of “crosstalk” doesn’t affect me personally. I’m still not convinced this is important.

Page 47: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Leading To More Questions…The writer responds:

“Several efforts have been made in this context to achieve near-total but directionally dependent absorption using periodic grating … However, the ability to absorb light completely for any incident direction of light remains a challenge.” (Teperik, T.V. et al.)

To which you reply:• So what? And so on, ad infinitum…

UNLESS YOU COME TO A SET OF STAKES THAT SATISFY THE READER REGARDING THE IMPORTANCE OF YOUR PROBLEM.

Page 48: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Until Appropriate Costs And Benefits Are Established“Here we show that total omnidirectional absorption of light can be achieved in nanostructured metal surfaces that sustain localized optical excitations. . . . We suggest that surfaces displaying omnidirectional absorption will play a key role in devising efficient photovoltaic cells in which the absorbed light leads to electron–hole pair production.”

(Teperik, T.V. et al.)

We have given a convincing answer to the question, “So what?” when we identify the kinds of costs and consequences that will convince our readers.

Page 49: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Costs And Benefits• We evaluate the potential costs and benefits of

our choices and actions every day.• For an argument to sway audiences with costs

and benefits, readers need to recognize their own priorities and concerns in the costs and consequences (or the benefits) you present to them.

• Readers recognize as persuasive consequences those effects that would cause them either to benefit or to suffer in some way.

Page 50: Writing Module Two Problem Statements, Introductions, and Issues of Audience

What Is The Solution?• A Response to the problem. It can be a resolution or a

proposed resolution of the issues introduced by the problem statement.

• Especially in business, professional, and technical situations, if you have stated the consequences in terms of costs, the solution should present the benefits of your proposed course of action. You need to answer the question, “How does this solution eliminate the perceived problem?” or “How will I benefit from this course of action or change in thinking?”

Page 51: Writing Module Two Problem Statements, Introductions, and Issues of Audience

ThinkWhat does your audience need to

know to appreciate the solution you propose?

What makes it easy or difficult to accept?

Page 52: Writing Module Two Problem Statements, Introductions, and Issues of Audience

RememberLRS helps you to know what

readers need by asking you to QUESTION your own argument!

Page 53: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Module Two Objectives

• Introduce Problem Statements

• Learn the Five Parts of the Problem Statement

• Apply tips to Introductions, Issues, and

Audience

Page 54: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Where Problem Statements Lead

• As we have seen, good problem statements

– Provide background or context for your argument

– Supply necessary old information and prepare

readers for new revelations

– Produce audience agreement or “buy-in”

– Establish criteria upon which audience will be asked

to accept proposed solutions

Page 55: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Problem Statements And Revision• Even though arguments begin with Problem

Statements, we don’t always start with a clear idea of how to express the problem.

• Problem statements often benefit from a process of revision

• Take your topic and gradually refine exactly what you want to argue

Page 56: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Problem Statements And Introductions

• The five parts of the problem statement also supply many of the requirements of a good introduction-- mapping out the issues and solutions that will guide your evidence and discussion

• What serves as the Status Quo in a Problem Statement resembles the Common Ground for your argument-- the information orienting your audience to the context of your claim.

» (More on these correspondences in Module Three)

Page 57: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Audience• Fundamental to any problem statement is an

awareness of what the audience needs to know to follow along with your argument

• As you build effective, convincing problem statements out of your topics, you are asking yourself the same questions that your reader will need answered. What? Why? So What?

• These elements will later guide your choice of evidence, and your ability to show why you advocate what you’re arguing

Page 58: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Good Problem Statements Motivate Good Arguments

• By establishing common ground• By placing issues in context• By conditioning audience response• By establishing specific criteria for

agreement• By making the costs and

consequences of your argument clear

In Summary

Page 59: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Examples Taken Or Adapted From:

• Mertens, J., et al. “Label-free Detection of DNA Hybridization based on Hydration-Induced Tension in Nucleic Acid Films.” Nature Nanotechnology 3 (2008): 301-307. Web of Science. University of Virginia, Charlottesville, VA. 6 May 2008 http://www.isiwebofknowledge.com.

• Teperik, T.V., et al. “Omnidirectional Absorption in Nanostructured Metal Surfaces.”Nature Photonics 2 (2008): 299 - 301. Web of Science. University of Virginia, Charlottesville, VA. 6 May 2008 http://www.isiwebofknowledge.com.

• Williams, J. (2005). Style: Ten Lessons in Clarity and Grace. (8th ed.). New York: Pearson.

• Williams, J., Colomb, G. (2003). The Craft of Argument. (Concise ed.). New York: Addison Wesley Longman, Inc.

Page 60: Writing Module Two Problem Statements, Introductions, and Issues of Audience

More resources are available for you

• under “Engineering Communication” at Connexions at http://cnx.org

• at the Cain Project site at http://www.owlnet.rice.edu/~cainproj

• in your course Communication Folder in OWLSPACE.

Lead through Excellence In Engineering Communication

Page 61: Writing Module Two Problem Statements, Introductions, and Issues of Audience

Comprehensive instruction in the LRS approach is available in the many editions of the following texts:

The Craft of Argument, by Joseph M. Williams and Gregory Colomb

Style: Ten Lessons in Clarity and Grace, by Joseph M. Williams

The Craft of Research by Wayne Booth, Gregory G. Colomb, and Joseph M. Williams

Little Red Schoolhouse:Further Reading