eeeeZZZZËËËËššššwwww¢¢¢¢ZÁÏZf$6,zWÔ£QgŠz8gwÍḡu±»ÒgzZf~

LLLLLLLLQQQQ%%%%ZZZZƒƒƒƒYYYYyyyyZZZZŠŠŠŠZZZZ""""óóóóóóóóÅÅÅÅ}}}}ÔÔÔÔ����RRRRZZZZzzzzgggg„„„„~~~~˜̃̃̃]]]]In this research paper, the technical, cultural and intellectual aspects of "Umrao

Jan Ada" have been discussed. The narrative technique of Mirza Hadi Ruswa's

innovative, bold and trendsetting novel, written in the nineteenth century, is

analyzed to know how a sick society has impacted on its individuals. It is also

clarified that the way the novelist portrayed a whore to depict the nineteenth

century Lucknow is not a Feminist quest, and not a lapse in craft. Though this

masterpiece is being critically studied for the last one hundred and sixteen years

in different ways, but in this paper, for the very first time, the symbolic and

ironic representation is evaluated as a narrative of supposed and true realities. It

attempts to assess the way the novelist frequently satirizes the unreal concepts of

his society, human flexibilities in certain conditions and cultural dimensions to

denote its literary contribution to Urdu fiction.

%iZ&A)å O;Š~¥ÎZ"ÆQÞ,œ~{~ÆWy~‚}~�**zw‚tWñÔQy~LLZº~HóóÔLLfZ]ÑpóóÔLLpãPZŠ{óóÔLLÑpiZŠ{óóZzg**å**zwLLZ]ñgZióóQgŠz**Š+Ã454-ö XG

JGc*„~jZáÐ

ic*Š{OW,7™nXt„qwQyÆF,ZW»Ìg;ìÔTÅZq-(,~zzáh+ZŠ!u¤/ñV»%iZ™r#ÅfZCi0+Ï~ÁZëƒ**ìXQÞ,œ~Æ©àŠgZ»Zôm,¹ã»g�g`gb®i�ZLxë)egÖe+Zzgz@

(Ÿ5¾æG

G~Ðic*Š{=wåÔõxy~Ì"uIHY@*åÔeZË*.çEGO&ŠÅZ:qÆ_.~àÐQkÆ**zßVÆ0*õZF,W|ÔX~Ð&F,3%iZ&A)å O;Š~¥ÎZÅc*ŠÇg�Xgb®i»�g**zwLLgziZÊ--.ç GEó̂ó,·4581YÌZq-ô~ƒð{ÂyŹãìÔTÅZ%ZƒYyÅi0+Ïм˜t¢zgìÔ1Qk**zwÅ7¿LLZ%ZƒYyZŠZóóZ,M3®0*g}Æ£«~!*Ç©àìX%iZ™r#äÇZK̈ãŠ!*]ÆZŠgZuÆaSk®0*g}ÃZq-£g~!ZÖg»za¯c*ìÔ�ZKZÍAZá®)9981YЧb§bÆ�RÔ„~Ô}Zzg@It#»!*)̄¯ƒZìXSk**zwÅð~%iZ™r#äZK&6V»W™ZÖgHìXTÅzzÐLLQ%ZƒYyZŠZ"óó

1 QgŠz»ªLLÇ**zwóóŒÛZgŠc*Y@*ìXSk**zwÃ�!*]SkЬ‚tWäzZá**zßVÐZ¯CìÔz{¹ãÒy™äÅ2ìXT

54

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Æìw~ZŠ[~ÌQϧbúgÂV»Z¡w™D�X�ÛZú**zwóg�1™ëZÂúg]Æz�ŠÃZŠ[~�gZq-ñçqÆ**‡&ÿELèÒVŒÛZgŠî�X�1™ëZÆ4,Šq-úg]Ð%ZŠìÔTÅ?Ï:ƒnÔ�}Z˜jVZzgÃ-VЗƒX�ZV%vZ%O**zwóg|c*&Ó4-ô FMGGÂZL**zwLLâYgóó~Sk§sZág{™DƒñŒVJ-Ȉ��øg}0!*]ÅYCìÔëÐ!*]ÅYCìÔë6,!*]ÅYCìÔ1øg~{§L!*]7ÅYCXSk:©~¥ÎZ»QÞ,œ~~Zq-úg]ÃÔz{Ì�Zq-îZ̀ƒÔ**zw»%œ/~™ŠZg¯**Ô**zw»Òy»g¯**Ô**zwÃQkÐñÎx™**ZzgQ~ZLZq-ëiZŠÃáï™**‡&ÿELÒpZŠ!S¿ŠìÔ&KÆatVw¹oƒì�Zå,œ~Æ~Z%k~)4102Y(LLLJùÅ�ZNóóð];((]ZzgÄc*]ÆÄZyÐx®»g»„o_·™DƒñrÃtr7,@*ì:

LL$4è MGZq-�Z7ƒVXtìÅPZV¢zg]7ƒãecÔz(ƒDƒñÔ÷}‡gM~йÐ)6�ìw™D�(Ô$4è MGgzK¾CƒV-ãzg;ÅZq-6,zWÆîg6,Ô_°‹Jù~

+B{úGEOÆ‚BÔ:�Zq-Ò&zgÅwÐX@*ëz{|7gzu0*ðÔ¹ÐßÍVÃ=�Z

3 ìÐ÷~i0+Ï~ZñZµ6,XóóZ¤/pLLZ%ZƒYyZŠZóó»Q|c*&Ó4-ô FMGGÅ@*G™g;ìÔZ%Zƒ»iZztYó{@*C7ÔE+P~ìÔZ%ZƒT

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4 LLSk**zw~`YÃÓlÎ%Š»7)**zwL¼óŧb(.Þ�&zgîZ̀»ìXóóZq-îZ̀»`YÃÔZq-úg]»`YâzgìÔ1Qk`YÃÃ@*C„t7HYÔYV�z{WiZŠz�ŠÐøzxÔ%ŠzVÅW!Y»gƒCìX‡èZcw@»tI!*ÇOì�Zq-K̈ð•Æ!*z�ŠSk**zw»gZz~Q¹ZŠZg»qïìÔ�ZuÕäMM%ŠR‚k�X‡èZcw@Z%ZƒÆ**x$+áYäÃÌE+P~w/B�:

LL¨gÙ!Z÷yZ#Z̈ZňÔÍc*Qk»âŠ~z�ŠpŠQkÆZ(gÐòŠHXz{ËÌŠzu}âÁˆg]ŧb�Zzgyh+~Y$ËìZzgZ#{ßQk»**x$+w™Z%ZƒYygBb

ìÔÂÍc*Zq-−á‰6űÅÃQkÅ¡~&Ç_.!*CZzgf6»Ñ]Ðøzx™Šc*ŠHXtÜsZq-**xÅp~„7Ô.Þ�Zq-z�Š6,‰ºmF,¶]ÆjZáÐï

5 (ìXóó Appropriation)

64

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74

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84

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jjjjZZZZÙÙÙÙzzzzjjjjZZZZ!!!!YYYY]]]]1. Asaduddin, M. First Urdu Novel, Contesting Claims and Disclaimers.î The Annual of

Urdu Studies 16(1),2001.page:76-97

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3. Stanton,Kay , Shakespeare’s ‘Whores’ Erotics, Politics, and Poetics,California State

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