Gustafson Porter
Diana Memorial, Hyde Park, London
Martha Schwartz
Exchange Square, Manchester
E. Miralles, Avenida de Icaria, Barcelona
Enric Miralles, Parco dei Colori
Aspect Studios, Sydney
STAY ON
LOOK ONSHOW YOURSEL
RESTREAD
BOGOTA’, COLOMBIA
Martha Schwartz, Yorkville Park, Toronto
PARIS, Pére Lachaise
SAN FRANCISCO, California
HAFENCITY, HAMBURG, DEUTSCHLAND
Helsinky, Senaatintori
PARIS, Montmartre
PARIS
La Defense
TACOMA
Gareth Hoskins Architects,
A Gathering Space,
11. Biennale di Venezia, 2008
NEW YORK, Times Square
In Situ - F.H. Jourda
Berges Rive Gauche, Lyon
Madrid, Atocha Station
Berlin, Schloss Area
Gustafson Porter, Toward Paradise, 11. Biennale di Venezia, 2008
Studio stARTT, “Whatami”,
YAP MAXXI, 2011
Herzog & DE MEURON
Plaza de España,
Santa Cruz de Tenerife
Peter Zumthor
Serpentine Gallery Pavilion, 2011
The hortus conlusus that I dream of is enclosed all around and open to the sky.
Every time I imagine a garden in an architectural setting, it turns into magical place.
I think of gardens that I have seen, that I believe I have seen, that I long to see,
surrounded by simple walls, columns, arcades or the façade of buildings
- sheltered places of great intimacy where I want to stay for a long time.
Francesco Venezia
Secret Garden, Gibellina
Diller Scofidio + Renfro
High Line New York
Carme Pinòs, Seaside walk, Alicante
Manuel De Solà-Morales,
Oceanside walk, Porto
ACT
PERFORM
SYMBOLIZE
DEMONSTRATESHARE
Berlin, Am Lustgarten
Prato della Valle, Padova
Piazza Ducale, Vigevano
ROMA, Piazza del Popolo
Paris, Place de la Bastille
BEJING, Tiananmen Square
ROMA
PARIS
1968
PARIS, Champs Elysees
SIENA, Piazza del Campo
PAMPLONA, Encierro, Festa di San Firmino
GUBBIO, ITALY
VALENCIA, Fallas
PARIS, 14 july Parade
Roma, PIAZZA SAN GIOVANNI, 1st May Concert
NEW YORK, End of the Year
New York, Metropolitan Museum
Barcelona, Spain
San Francisco, California
NEW YORK, Times Square
“To plan a city, everything begins with human behaviour, but
architects and city planners have lost the ability to handle scale.
We now approach the design process in plan, as though
everyone experiences the world from the top of a high-rise
building. But at eye-level, everything is terrible. This type of
planning is a waste of time”
Jan Ghel