Look Book 2O14Lauren Touhey
Table of Contents
ProjectsBio/CV
Columbia U. BoathouseTwist Hotel, Rio De Janeiro
Ergo-Green PavilionFluctuation - UN
Pixelized Kindergarten Library - Art as a Second Language
Lucid Transitions - Student LivingFracturing Landscape
Representation I
Büro Konzernzentrale Kita/Schule
Sole Vital - Bad LaerWohnung - Köln
LaborSparkasse - Fassade
RathhausSalzgitter Hallenbadfrizbad
Neustadt Rbg. Schwimmbad
Sustainable SchoolPace - OfficeBeach HouseKid Dwellings
Warped IslandBar San Miguel
CNC Panel
University-
PrattInstitute
German Office
New York Offices
O6-O7
O8-1112-1516-1718-2122-2324-2526-2728-293O-31
32-3334-3536-3738-3940-4142-4344-4546-474849
50-5152-5354-55565758
Lauren Touheyb. 16 Jan 199O
Nationality - American0 176 [email protected]
Bio
Work
pbr Planungsbüro Rohling AGBraunschweig
2O14
CCP ArchitectNew York
2O11-2O13
Landmark DevelopmentNew York
2009-
Pratt Institute, TANew York
2OO9-2O13
Aparat, VisualizerNew York
2O13
AB ArchitektenNew York
2OO6-2O1O
Peri Digital, RetouchingNew York
2OO9
Education
Languages
Travel Studios
Pratt Institute, Brooklyn NY2OO8-2O13
B’Arch Professional Degree
English - Mother TongueDeutsch - Anfänger
French - faible
Rio de Janeiro- Brazil Beijing, Hong Kong, Shanghai - China
Skills
Rhino, AutoCAD, Adobe Creative Suite, Microsoft Office
Maya, Vector Works, Sketchup, Maxwell, Vray
Grasshopper, ArchGIS
Nikon D5000, Nikon FM2, Aperture
bw Analogue Photo, Sewing
8
a
Sports Campus
Library and Teachers College
Columbia UniversityMain campus
9
Boathouse,Columbia U.The rowing school of Columbia University, the Boat houseIs an extension of the campus with a site at the most northern tip of Manhattan. The building’s core armature embeds into the sloping landscape, creating a green space courtyard for viewers, while the boathouse fractures towards the water, sending the sculls and sweeps to race in the Hudson River.
The form is two main armatures: the clubhouse and the boathouse. The skin of the clubhouse building is a series of offsets. The first skin is made of translucent panels, behind the translucent panels is a catwalk providing an exterior circulation along the facade. The thermal skin of the clubhouse is made from Alabaster Marble. The boathouse is clad in cedar slats with a milky plastic skin on the interior. The light is able to slip in through the slats and is diffused by the milk panels. The roof of the boathouse is tiles glass, allowing the direct sunlight from above, creating a grid of shadow upon the ground.
a | Perspectiveb | Columbia University New York Campusc | Site Pland | Glassroof Detail Photoe | Final Model in Site
c d
b
a
Spuyten Duyvil Creek
2O12
-
P
ratt
Inst
itute
-
C
ritic
: Giu
liano
Fio
renz
oli
-
In
woo
d, N
ew Y
ork
10
Pully-System Boatstorage Section, Glass-skinned FacadeInk on Mylar
Courtyard Render
11
Groundlevel
Cedar Clad BoathouseInk on Mylar
Parking
LoungeTerrace
ClassroomTerrace
2O12
-
P
ratt
Inst
itute
-
C
ritic
: Giu
liano
Fio
renz
oli
-
In
woo
d, N
ew Y
ork
1312
Twist Hotel,Rio De JaneiroThe building juts up from the earth as an iconic tower- twisting for views as it ascends to the sky. Reaching the high point the crown pixelates and terraces. The pixels shoot back into the earth rooting in the flamingo park and creating the looping continuous park termination.
The hotel is designed in 3 tiers. The lowest tier of the building is dedicated to the public. The indigenous Burle Marx pattern continues from the coast of Copacabana. Shops, cafes and green-ways offer the public and hotel patrons a place of recreation. The lobby level floats above the ground plane. Users enter the building up the legs. In the front of the hotel is the pool which cantilevers out and sits upon the ocean. Glass walls separate swimmings from the sea. In the second tier of the building the skin’s apertures are at their largest, giving greater views. This middle of the tower is programed with semi-public programs of spa, auditorium and gym. The highest level is for the hotel suites. As the building ascends the skin is offsets for the purpose of balconies and greater light achievable. The floor plate,being very narrow at this point, is divided into two suites each level, giving a 180° view to each suite.
a
b
3
2
1
d
1312
a | Morphologyb | Circulationc | Site Diagramd | Cross SectionThe section is broken into three tiers: the base (entrance), the trunk (spa, auditorium, gym), and the top (private rooms)
Waterfront Esplanade
c
2O13
-
P
ratt
Inst
itute
-
P
artn
er L
eila
Jada
-
C
ritic
Gui
llerm
o Ba
nchi
ni
-
Rio
De
Jane
iro,
Bra
zil
14
a
g
f
e
b
15
c d
a | Site Modelb | View from the Terminus Parkc | Front Poold | Hotel Suiteg | Skin Detailsh | Entrance Level Plan +4.5 m
h
Airport Entrance
Café
Terrace
Lounge
Pool
Bar
Bar
Luggage Storage
Reception
Parking Entrance
2O13
-
P
ratt
Inst
itute
-
Part
ner
Leila
Jada
-
C
ritic
Gui
llerm
o Ba
nchi
ni
-
Rio
De
Jane
iro,
Bra
zil
footing
cross beam
column
grade
16
a
b
a | Looking Upb | Oblique Cut c | Irregation Exploded Axonometricd | Stair to Upper Levele | Seating and Chasef | Mezzanine and Upper Levelg | Mezzanine and Seatingh | Modell
cross beam
irrigation tube
assembled roof
beams
17
2O1O
-
P
ratt
Inst
itute
-
P
artn
er S
eo H
ee L
ee
-
Cri
tic Jo
hn M
cNan
nie
-
C
entr
al P
ark,
New
Yor
k
d e f g
Ergo-Green PavilionThe architecture’s form is designed to reflect ergonomics as well as the typography the architecture is nestled into. When entering the structure all users are on the same level, and as the user progresses into the structure the space splits to either circulates into the structure or circulates upon the structure.
The tectonic of the architecture is based on an interlocking grid. The primary direction holds the information of the form and it’s porosity is determined on the use of program. The perpendicular direction is for structural purpose, and is deemphasized by being suppressed lower and is spaced in even increments.
The grid spaces is then filled with either the material of concrete, glass or sod. Concrete is used in areas of high circulation, glass is used for permeation of lighting, and the sod is used in areas of user accommodation, minimal circulation as well patterns of lighting.
Sod on the roof preserves the interior temperature, oxidizes the space, creates shade as well as gives an aesthetic of natural typography. The rainwater is collected and stored for irrigation purposes. When rainfall does not provide enough water for the sod, the stored water is pumped through tubes, which striate through the beams and provide water when needed.
c
d
18
a
Hunger +
Child Mortality
HungerChild Mortality
+ Disease
HungerChild Mortality
+ Gender Inequality
Gender Ineqality
Hunger
Illiteracy
Gender Inequality+ Disease
Hunger,Gender Inequality
DiseaseIlliteracy
Child Mortality
Hunger,Gender InequalityGender Inequality
Disease
CM, GI
H, IL,CM
H, D, IL
IL, GIM
H, CM, GI,A, IL
H, CM+ IL
D
CM +GI
H +D
Hunger ,Child Mortality,
Disease +Illiteracy
19
Fluctuation - UNThe UN simplifies their mission into 8 main goals: hunger, education, gender equality, child mortality, women’s health, aids/disease, environmental sustainability and global development. Some of these epidemics repeatedly pair together in countries. If the problems pairs together, why shouldn’t the solutions as well?
Currently the Secretariat is an office of small floor plates stacked with a vertical core; our proposal for a new Secretariat is a free plan with saturated spots of varying missions- creating a concentration within one’s own goal area- while maintaining a lucid seem between office spaces with the hope that the hybridization of ideas can yield a stronger ends.
The free plan inherently has a great flexibility between where things end and where things begin. The “hot spots”, or meeting rooms, act more or less as a pin - fixing points on the plan where offices can migrate towards.With adjacency to many goals, workers will have the most access for the maximum number of ideas.
An LED screen clads the walls of the meeting spaces and can play anything from UN food drops, statistics or a message of direct communication between the NY head quarters to any global mission abroad.
With the LED screen, images are scale-able. Pictures can be visible across the East River, from neighboring buildings or 1st Avenue.
a | Site Modelb | Countries with Epedemicsc | UN Embassadorsd | Coexisting Epidemics within a single Countrye | East River ElevationThe meeting room tubes migrate to the facade to create an opertunity of cross river visulizations with the LED screen.
c
b
d
e 2O12
-
P
ratt
Inst
itute
-
Par
tner
Sao
li C
hu
-
Cri
tic D
ebor
ah G
ans
-
U
N P
laza
, New
Yor
k
2120
c
d
a b
LED FrameBoltedConnection
W 18x97
LED Projector Angled Spider JointPower Source Grated Floor
Extention Arm
2120
f
e
a | 1st Ave. Facadeb | Meeting Room LED Facadec | Cross Sectiond | Second Level Floor PlanThe open floor plan allows differnt offices to swell and to shrink as time moves forward and epidemics are solved, or new issues arise.e | Hotspot Sectional Detailf | Hotspot Plan Detail
2O12
-
P
ratt
Inst
itute
-
Par
tner
Sao
li C
hu
-
Cri
tic D
ebor
ah G
ans
-
U
N P
laza
, New
Yor
k
22
Pixel KindergartenMy Kindergarten attempts to manifest part to whole.
The initial gesture of the kindergarten came from folding paper. With six folds the single pixel was formed. The pixel has the ability to change in scale, stretch and solidify. The architecture finds itself in the aggregation of these pixels.
The variations of pixels begin to accommodate the child and adult. One can circulate the solidified pixel, sit upon or inhabit the porous pixel, or a stretched and flattened pixel can become skin, shading and doors.
Using these varying pixels the sloped landscape becomes saturated, and the diagram of the kindergarten’s program becomes legible. Administrative programs buffer the north and south edges. Classrooms are kept towards the center to create a transition from the outside world and inside the kindergarten. The classrooms are designed from an oversaturation of storage, working areas and seating surfaces.
The pixel itself is essentially no more than triangles becoming cubes, but with the aggregation comes a complexity. The kindergarten is made of building blocks to form the fundamentals of a child’s development.
Gym
Class
Class
Class
Class
Pause
Admin
Nurse
Gym PlanTypical Classrooms Plan Administration Plan
Folded Paper Study Models
3’-0”
3’-0” 3’-0”
3’-0” 3’-0”3’-0”
3’-0”
3’-0” 3’-0”1’-6”
1’-6”1’-6”
1’-6”
1’-6”
1’-6”
1’-6”1’-6”1’-6”
9”9”9”
9”
2’-0”2’-0”
2’-0” 2’-0”
1’-0”1’-0”
1’-0”1’-0”
4”
STEP VRTCL CIRCULATIONPLATEAU
CLOSED PIXEL | CIRCULATION
OPEN PIXEL | STORAGE
MNPLTD. PIXEL | FURNITURE
FLATTENED PIXEL | SKIN
ACC. CUBBIE
METAL DR
MAX. DIFFUSION MAX. SCATTERING
CHNGNG CUBBIES WRK TBL ADLT SEAT CHLD SEAT
LG CUBBIE MD CUBBIE SM CUBBIE
Class
Class
Pause Nurse
Admin. Admin.Pause
3’-0”
3’-0” 3’-0”
3’-0” 3’-0”3’-0”
3’-0”
3’-0” 3’-0”1’-6”
1’-6”1’-6”
1’-6”
1’-6”
1’-6”
1’-6”1’-6”1’-6”
9”9”9”
9”
2’-0”2’-0”
2’-0” 2’-0”
1’-0”1’-0”
1’-0”1’-0”
4”
STEP VRTCL CIRCULATIONPLATEAU
CLOSED PIXEL | CIRCULATION
OPEN PIXEL | STORAGE
MNPLTD. PIXEL | FURNITURE
FLATTENED PIXEL | SKIN
ACC. CUBBIE
METAL DR
MAX. DIFFUSION MAX. SCATTERING
CHNGNG CUBBIES WRK TBL ADLT SEAT CHLD SEAT
LG CUBBIE MD CUBBIE SM CUBBIE
23
Classroom Morphology DiagramAs the moduels stretches and scales they accomidates bodies, store objects and diffusses lighting.
GymStage
Music
Courtyard
Gym
Section Through Classrooms
Section Trough Courtyard
2O11
-
Pra
tt In
stitu
te
-
Cri
tic E
van
Trib
us
-
Sta
ten
Isla
nd, N
ew Y
ork
Chelsea Galleries
New Museum of Contemporary Art
Bowery Ballroom
Bowery Ballroom
Museum of Chinese in America
Apollo Theatre
MET
Cooper-Hewitt
Juilliard
Lincoln Center
MoMA
Museum of Art and Design
Carnegie Hall
Performance Art
Museums+Galleries
FORS
YTH
ST
ELD
RID
GE
ST
DELANCEY ST
MANHATTAN BR AP
ALLE
N S
T
DIVISION ST
PIKE ST
E 1 ST
GREEN
E ST
MO
TT S
T
LAFA
YETT
E ST
E HOUSTON ST
MU
LBER
RY S
T
1 AV
BROADW
AY
AV A
PRINCE ST
ELIZ
ABET
H S
T
SPRING ST
E 2 ST
E 1 STFORS
YTH
ST
CROSB
Y ST
MER
CER
ST
ELD
RID
GE S
T
STANTON ST E HOUSTON ST
CHRY
STIE
ST
ALLE
N S
T
STANTON ST
SPRING ST
PRINCE ST E 1 ST
ORC
HAR
D S
T
E HOUSTON ST
BROADW
AY
MER
CER
ST
CLEV
ELAN
D P
L
SPRING ST
STANTON STFORS
YTH
ST
BROOME STKENMARE ST
ELIZ
ABET
H S
T
RIVINGTON ST
LUD
LOW
ST
BOW
ERY
LAFA
YETT
E ST
ALLE
N S
T
MO
TT S
T
STANTON ST
ELD
RID
GE
ST
CLEV
ELAN
D P
L
CROSB
Y ST
CHRY
STIE
ST
KENMARE ST
MU
LBER
RY S
T
RIVINGTON ST ORC
HAR
D S
T
NO
RFO
LK S
T
CENT
RE M
ARKE
T PL
DELANCEY ST
BROOME ST
ESSE
X ST
SUFF
OLK
ST
RIVINGTON STGRAND ST
HOWARD ST
DELANCEY ST
BROOME ST
LAFA
YETT
E ST
GRAND ST
FORS
YTH
ST
HESTER ST
CENTR
E ST
MO
TT S
T
BROOME ST
CANAL ST
BAXT
ER S
T
ELIZ
ABET
H ST
BOW
ERY
WILLIAMSBURG BR AP
NO
RFO
LK S
T
HESTER ST SUFF
OLK
ST
MUL
BERR
Y ST
CHRY
STIE
ST
LUD
LOW
ST
GRAND ST
CANAL ST
ALLE
N S
T
ESSE
X ST
BROOME STWHITE ST
ORC
HAR
D S
T
ELD
RID
GE
ST
MAN
HATTAN BR AP
MO
TT S
T
CANAL ST
NO
RFO
LK S
T
HESTER ST
CLIN
TON
ST
GRAND STBAYARD ST
MANHATTAN BR AP
ELIZ
ABET
H ST
FORS
YTH
ST
HESTER STBAYARD ST
ELIZ
ABET
H ST
BAXTE
R ST
ESSE
X ST
BOW
ERY
BAYARD ST
ORC
HAR
D S
T
BAXTER ST
CANAL ST LUD
LOW
ST
MU
LBERRY ST
ALLE
N S
T
PELL ST FORSYTH ST
MAN
HATTAN BR AP
MO
TT ST
ELD
RID
GE S
T
MOSCO STDIVISION ST
DOYERS ST EAST BROADWAY
BOW
ERY
CLINTO
N ST
DIVISION ST
JEFFERSON
ST
CATHERIN
E ST
EAST BROADWAY
WORTH ST
HENRY STCHATHAM SQ
EAST BROADWAY
FORSYTH ST
CHATHAM SQ
MO
NTG
OM
ERY ST
EAST BROADWAY
HENRY ST
RUTG
ERS ST
PARK ROWPARK ROW
MADISON STHENRY ST PIKE ST
HENRY ST
MA
RKET ST
MADISON ST
Museum at Eldridge St
LES Tenement Museum
Bowery Ballroom
HiChristina!
Dixon Place
White BoxEnvoy
DCKT
New Museum of Contemporary Art
Museum of Chinese in America
Chinatown Population
(84,840)Speaks English
CannotSpeaks English
Asian Population
(54,650)
Chinese Population
(53,479)
Adult
Population
(34,883)
Youth
Population
(9782)
Elder
Population
(8,880)
24
Library - Art as a Second LanguageThis library acts an translingual exchange hub.
The library is located in China Town, a district of 41,333 non-english proficient speakers. [AAFNY] Adapting to this language barrier, the library speaks through creativity.
From the exterior the library is a thick light- transmitting concrete facade of users floating upon a glass box. On the ground floor of the library is the cafe and popular art and design books. The core archive is underground, and the study spaces adorn the facade on the floors above. The study spaces are on the street adjacent edges which puncture through the facade and begin a new dialogue with the city. The carrels can be used for individual study, for group meetings or they may use the open studios for physical works.
The carrel system is based on an interwoven network. The original idea is the momentary exchange between two people in an instance. This idea is manifated as circulation adjacent to study areas, and study areas in view of one another,.
The adjacent Park lends itself to future possibilities of community wide performances or events. The users learn within the library, and can communicate their ideas out to the city through gallery exhibitions, flea markets or per- formances.
a
b
d ec
25
a | Dialogue of Worksb | Study Unit Circulation Diagramc | Lingual Ability of Chinatownwith 48% of the Chinatown population unable to speak English a new form of communication must be created.d | Arts in NYe | Arts in Chinatownf | Modelg | Cross section - Facade of Users
g
2O1O
-
P
ratt
Inst
itute
-
C
ritic
Zeh
ra K
uz
-
Chi
nato
wn,
New
Yor
k
f
26
Community LivingThe dorm is the duality of work and living; which come together and impact each other.
A typical living units is two-stories, reaching between levels- stretching out to braiding into one another. Weaving and nesting the units together solidifies a sense of joint living and creates a natural sense of surprise as the student circulates.
The units create a lattice of porosity, allowing collective programs to inhabit the void space.
Accommodating for the time restricted life style and varying interests of students the dorm provides a main gallery, studio spaces, student lounges, a theatre, a yoga studio and study spaces. The spaces are formalized as fluid curved spaces of rejuvenation.
The public spaces flood the lattice smoothing hard edges of the units and leaving impressions onto the units.
The common fluid spaces fill the interior void, while large jutting terrace occupy the exterior void space. The terrace shoot into the building creating an infinite ribbon facade of units.
b
ca
a
27
Livingroom Terrace
TerraceLivingroom Kitchen Bedroom
Bedroom Bedroom
`TerraceBedroom Dining
a | Floor Plansb | Terrace Renderc | Dining Area Renderd | Unit Sectionse | Unit Plans
e
d
8 Roommates4 Bedrooms3 Terraces2 Living rooms
1 Unit
2O11
-
P
ratt
Inst
itute
-
C
ritic
Ivan
Sch
umko
v
-
Clin
ton
Hill
, New
Yor
k
28
a
b
c
Fractured LandscapeThe landscape is based on a rule set inspired by the crashing of waves and the erosion it causes upon the earth. As Unit A penetrate into Unit B spaces open and allow for inhabitation.
The architectural intervention uses the groves of the wood profiles to anchor in. Triangular modules provide ceiling, flooring and walls .
The user entered from the northwest point of the landscape, and is lead inward by the striated walkway. It is only at the center of the landscape does the user realize they can cross over to the south side.
If the user chooses to move west he/she will enter into the areas private meditation and self- reflection. The space is a remote oasis. Deep voids give the user a feeling of lightness. The space is filled with only natural lighting and sounds.If the user chooses to go to the east he/she will enter the main chapel where theories of spirituality and nirvana are expressed., The chapel is lowered into the landscape and has a ceiling of frosted glass. The triangles allow for a tilted ground, ideal for seating to watch the stage.
The zigzagged circulation in plan and section offers the user the maximum experience of moving through the landscape..
29
a | 9 a.m. Summer Solstice East Elevationb | Chapel Physical Modelc | 9 a.m. Summer Solstice Pland | Private Physical Meditation Areae | Processional Entrance and the Physical Meditation Roomf | Chapel Foyer Looking Towards Stageg | 9 a.m. Summer Solstice South Elevationh | Processional and Meditation Areai | Processional and Chapel Entrancej | Chapel
d
e
f
g
h
h
i
i
j
j
2OO
9
-
Pra
tt In
stitu
te -
Cri
tic G
isel
la V
idal
le
-
Site
less
30
Passage over Time
31
2OO
8
-
Pra
tt In
stitu
te -
Cri
tic M
iche
le G
orm
an
Representation I
Passage over TimeConductor’s Composition
32
Büro KonzernzentraleDer Neubau folgt als fünfgeschossiger Baublock den Vorgaben des B- Plans und bildet mit dem gegenüberliegenden Hochhaus des Victoria- Turms die östliche Raumkante des Lindenhofplatzes. Im Südosten erhebt sich darüber ein 12- geschossiges rechteckiges Hochhaus, das die Orthogonalität der östlich anschließenden Bebauung aufnimmt und dem Victoria- Turm eine Dominante gegenüberstellt. Durch einen umlaufenden Rückschnitt im Erdgeschoss fließt der Platz in das Gebäude hinein und setzt sich mit dem Atrium innerhalb des Neubaus fort. Das Atrium entwickelt sich über fünf Ebenen in die Höhe und stellt die zentrale Mitte des Hauses als Bewegungs- und Kommunikationsraum für Mitarbeiter und Besucher dar.
Die neue Konzernzentrale wird aus allen Richtungen als „Landmark“ wahrgenommen, prägt mit seinen Raumkanten die weitere Ausbildung des Glückstein- Quartiers und bereichert diesen Stadtraum als Pendent zu dem Victoria- Turm.
a
b
c
2O14
-
p
br E
ustr
up A
rchi
tekt
en
-
Kim
Ros
ebro
ck u
nd E
vely
n W
endt
-Sal
mho
fer
-
W
ettb
ewer
b
33
a | Piktos b | Regelgeschossc | Erdgeschossd | Eingang Perspektive e | Innenhof Pikto
d
e
34
MultifunktionsraumTreffpunktSchulhof
a
b
35
Kita / Schule Das städtebauliche Umfeld des Standortes ist geprägt durch eine heterogene, weitgehend geschlossene Bebauung, die zeilenartige Strukturen erkennen lässt. Die umliegenden Gebäude sind in der Regel drei- bis viergeschossig.
Der Entwurf greift diese „Körnung“ auf, orientiert sich in seiner Erscheinung und in seiner Dimensionierung an der Nachbarbebauung und integriert den erhaltenswerten Baumbestand weitgehend. Ziel des vorliegenden Entwurfs ist somit zum einen die Wiederherstellung von Raumkanten und damit die Wahrnehmung der vorgesehenen Bebauung als Quartier bzw. Ensemble innerhalb bereits bestehender Strukturen.
Zum anderen wird durch die umgreifende kompakte bauliche Schließung der Quartierränder eine interne Lage der Freiflächen der Schule realisiert, die sowohl einen Schutz der Nachbarbebauung vor akustischen Emissionen des Pausenhofes darstellt als auch die Einsehbarkeit von außen minimiert. Gleichzeitig wird so eine Anmutung von Geborgenheit und Sicherheit für die Schüler vermittelt, die insbesondere bei Grundschulen von Bedeutung ist.
Eingang
Schulhof
d
c
e
2O14
-
p
br E
ustr
up A
rchi
tekt
en
-
Mic
hael
Bra
cke
und
Evel
yn W
endt
-Sal
mho
fer
-
G
elad
ener
Wet
tbew
erb
a | Erdgeschoss b | kleine Perspektivenc | Holtz-Modelld | Ansicht Haupteingang e | Schnitt Schulhof und Klassen
36
Sole Vital.Die Sole Vital Spa versucht, eine beruhigende glatte Form von Kurven und Filets zu erreichen, indem die Benutzer als ein Gefühl der Leichtigkeit. Das gesamte Gebäude ist in weiß und blauen Steinen und Fliesen materialisiert. Man betritt das Spa in der Lobby, wo der Boden ist eine weiß und blau Gleßkunstartz mit einem Aqua-Textur-Overlay. Der Benutzer kann somit vorwärts zu gehen in die Wellness-und Therapiebereich oder an den Pools und Ruheräume. Der Kreis Pool accomidate tiefer Schwimmen an 3,70 m tief, während die rechteckige Pool ist ein Hubboden in Schritten zwischen .50m 1.80m. Der zentrale Raum zwischen hat Liegestühle, Hot-Stone-Sitz und eine Soleregen Dusche. Die Fassade ist eine weiße Alucobond, die um die Fassade geht, größer und tigher, wie es seinen Weg rund um macht.
a
b
Bewegungsbecken
Eingang
Salz
grot
te
Um
klei
d
Foye
r
Turn
halle
Erlebnisraum
Physiotherapie
Therapiebecken
MTT/KGG
37
c
2O14
-
p
br E
ustr
up A
rchi
tekt
en
-
Ev
elyn
Wen
dt-S
alm
hofe
r
-
LP2
a | Ostansicht - Eingang b | Schnittc | Erdgeschoss
38
Wohnungsbau - KölnDas Erzbistum Köln beabsichtigt, eine Zentralmensa für die Domsingschule und die Liebfrauenschule, Schul- und Übungs räume sowie 18 Wohnungen zu bauen. Der Entwurf sieht ein Sockelbauwerk mit zwei aufgesetzten Gebäudekuben vor. Der Sockel nimmt das Foyer, die teilbare Mensa und große Übungs räume auf. Die Musik-schule und die Wohneinheiten sind in den Ober ge schossen angeordnet. Das Ensemble fügt sich in das stadträumliche Umfeld aus viergeschossigen Woh nungsbauten, starker Durchgrünung, den beiden Schulen und der Kirche “Christi Auferstehung” ein. Zwischen Neubau und Kirche entsteht ein großzügiger verbindender Platz zum Aufent halt und zur Erschließung des neuen Gebäudes. Eine differenzierte Fassadengestaltung macht die unter schied lichen Nutzungen des Hauses ablesbar.
a
b
39
c
d
e 2O14
-
p
br E
ustr
up A
rchi
tekt
en
-
H
einz
Eus
trup
, Eve
lyn
Wen
dt-S
alm
hofe
r, K
im R
oseb
rock
-
2
. Pre
is
a | Lageplan b | Perspektivec | Nordansichtd | Schnitte | Grundrisse
40
a
b
41
LaborFür das IRIS Institut in Berlin sollen ein Campus und Forschungseinrichtungen gebaut werden.Auf dem Grundstück befinden sich zwei identische ehemalige Militärkasernen, welche in den Entwurf mit einbezogen werden sollen.In den Raum zwischen den Bestand wird ein neuer Baukörper gesetzt. Der neue Zwischenraum wird teilweise mit Glas überdacht und schafft so Platz für Studenten und die Öffentlichkeit. Im Bestand finden die Labore ihren Platz.
d
c
e
2O14
-
p
br E
ustr
up A
rchi
tekt
en
-
H
ilke
Eust
rup,
Kim
Ros
ebro
ck
-
Gel
aden
er W
ettb
ewer
b
a | Erdgeschoss b | Eingang Ansichtc | Schnittansicht Bestandsgebäuded | Schnittansicht Neues Gebäudee | Querschnitt
42
SparkasseBasierend auf diesen Vorgaben und unter Berücksichtigung des heterogenen, bedingt kleinmaßstäblichen Umfeldes ist das neue Fassadenkonzept unter dem Leitbild – Maßstäblichkeit - entwickelt worden. So ist innerhalb der großen Kubatur ein zweiter Maßstab ablesbar, der eines gereihten Hauses, das durch die verschiedenen Farbnuancierungen in Reihung entsteht. Die unterschiedlich farbigen Paneele kennzeichnen die dezentralen Lüftungsgeräte sowie die Konstruktionsanschlüsse. Diese Reihe wird wiederum durch ein durchgehend horizontales Band zusammengehalten, das den Deckenrand kenntlich macht .
a
b
a | Piktob | Detailc | Eingang Ansichtd | Innenhof Schnitt
43
d
c
2O14
-
p
br E
ustr
up A
rchi
tekt
en
-
Kim
Ros
ebro
ck
-
Gel
aden
er W
ettb
ewer
b
44
RathausDas städtebauliche Umfeld des Standortes ist durch eine heterogene, offene Bebauung gekennzeichnet, die kaum geplante Strukturen erkennen lassen. Die umliegenden Gebäude sind in der Regel ein - bzw. zweigeschossig. Eine straßenbegleitende bzw. wegebezogene Bebauung ist nicht nachvollziehbar. Dennoch ist eine gewisse Ausrichtung der Einzelgebäude untereinander lesbar und ergibt im Gesamtbild eine ländlich geprägte städtebauliche Körnung.
Der Entwurf nimmt diese Körnung auf orientiert sich in seiner Erscheinung in der Form und Dimension an der Nachbarbebauung und intergriert sich so harmonisch in das städtbauliche Gefüge.
Der Entwurf übernimmt die traditionelle Typologie der Nachbarbauung und interpretiert sie im Detail mit einer zeitgemäßen Formsprache. Die drei Gebäude vollziehen so die offene Bebauung der Umgebung nach und nehmen deren Dimensionen auf. Mit ihrer differenzierten Ausrichtung orientieren sich sich an der Konstellation der Nachbargebäude.
Ein transparenter und kristalliner Verbindungsbau im Kern der Anlage unterstricht diesen Entwurfsansatz.
Sowohl die klassischen Lochfassaden mit Putzoberflächen wie auch die geneigten Dächer mit ortsüblicher Ziegeldeckung korrespondieren mit dem Habitus des historischen Rathauses.
b
a
c
a | Lageplanb | Büro Schnittc | Eingang Ansichtd | Platz Perspektivee | Südansicht
45
d
e 2O14
-
p
br E
ustr
up A
rchi
tekt
en
-
M
icha
el B
rack
e un
d A
lexa
nder
Reß
lube
r
-
Ane
rken
nung
für
Entw
urf
Schnitt C-C
Nord Ansicht
46
Salzgitter HallenbadfrizbadDas im Jahr 1968 erbaute Hallenbad in Salzgitter- Lebenstedt sowie das noch ältere Freibad gehen in weiten Teilen dem Ende der Nutzungszeit entgegen. Zur Attraktivitätssteigerung und besseren Vereinbarkeit der Bedürfnisse der verschiedenen Nutzergruppen wurde 2013 der Umbau und die Erweiterung des Hallenfreibades unter Berücksichtigung energetischer und umwelt-klimaschutzrelevanter Gesichtspunkte beschlossen. Verschiedene Teile des Bestandes sind abgängig, so zum Beispiel die Freibadumkleiden, die Sauna und die ehemalige Gastronomie. Einige Gebäudeteile sind von Grund auf saniert, wie das Sportbecken mit der Hallen- und Dachkonstruktion sowie die Badewasseraufbereitung. Ziel der Generalmodernisierung soll es nun sein ,unter Berücksichtigung des vorgegeben Budgets die gewünschten Maßnahmen des Raumprogramms bestmöglich umzusetzen. Die neuen Südfassade imitiert die Schrägwand des bestehenden Gebäudes mit einem Metallrahmen und Raster-System von einem verticle Glas-Fassade gesichert.
a
b
c
d2O14
-
p
br E
ustr
up A
rchi
tekt
en
-
Eve
lyn
Wen
dt-S
alm
hofe
r
-
Gel
aden
er W
ettb
ewer
b a | Bestand/Neubau Piktob | Perspektivec | Schwimmhalle Schnittd | Eingang Ansicht
47
Neustadt Rbg. SchwimmbadDer Neubau des Hallenbades in Neustadt am Rübenberge soll auf dem ca. 50.000 m² großen Grundstück südlich des Schulzentrums errichtet werden. Es ist an drei Seiten von Straßen und einem begleitenden dichten Baumstreifen umgeben. Das Grundstück soll durch die Schwimmbadnutzungen nur zu dem dafür erforderlichen Teil belegt werden. Die übrige Fläche soll für ergänzende Nutzungen, wie einen Fitness- Club oder eine Stellplatzanlage für Wohnmobile freigehalten werden. Die Erschließung des Bades ist für Fußgänger und Radfahrer von dem Großen Weg im Westen gewünscht, die PKW-Erschließung kann sowohl von Westen als auch von Osten erfolgen.
a
b
c
2O14
-
p
br E
ustr
up A
rchi
tekt
en
-
Hilk
e Eu
stru
p
-
Gel
aden
er W
ettb
ewer
b
-
Auf
trag
a | Lageplan Piktob | Perspektiveeingangc | Perspektiveschwimmhalled | Erdgeschoss
48
Sustainable SchoolThe school’s linear configuration and east-west orientation is a response to its equatorial situation. Late morning and afternoon sunlight is harnessed by photovoltaic panels on the roof. These panels adjust manually to respond to the summer and winter paths of the sun. They also act as air foils, drawing hot air out of continuous vents located above the slatted ceilings.
The classrooms are anchored at each end by larger volumes containing administrative and common functions. The courtyard between the two classrooms consists of an entry/gathering area to the east, progresses through varied landscapes, and culminates in an amphitheater at the west. The school is constructed of indigenous heavy timber framing and clay masonry infill.
c
d
b
a
a | Entrance Situationb | Outside Circulationc | Water Collection and Photovoltatic Roofd | One-room school housee | Large-school Courtyardf | Transverse Sectiong | Plan
49
e
f g 2OO
9
-
AB
Arc
hite
kten
-
M
bita
, Ken
ya
50
Office BuildingThe existing facilities of a plumbing corporation are remodeled and vertically enlarged with two stories of office space. The existing ground story is clad in black slate, contrasting with the lighter colored fiber cement board of the addition. Transition from the stone-clad base to the addition is articulated with a continuous steel channel.
Perforated aluminum awnings on the south-facing street façade are utilized to control light and heat gain during warm months. North-facing spaces open onto a large terrace with views of the Manhattan skyline. The addition was constructed without interrupting facility operations on the existing ground floor. This project received a 2009 Building Brooklyn Award.
a
b
c
d
a | Elevation b | Built Elevationc | Perforated Metal Louvresd | Louvre Detaile | Parking Garagef | Typical Floor Plang | Entrance View
51
e
g
f
2O1O
-
A
B A
rchi
tekt
en
- G
reen
poin
t
a | Site Planb | Morphologyc | Entrance Situationd | Section at Entrancee | Section at Mainroomf | Section through Entrance and Kitcheng | East Elevationh | Floor Plans
c
Beach HouseThe beach house is located in Montauk, NY out at the farthest tip of Long Island. The house is designed for a family of five- the parents on the upper level with better views and provacy, while the children are all together on the first level with sliding foors in each room so for an easy escape to the garden or the ocean.
Considering the travel costs of bringing materials and workings so far out on the island the clients insisted on a more sustainable approach using prefabricated design as to reduce on site labor.
The morphology of the house began with four boxes sized to a truck bed. The stacked boxes are penetrated with a diagonal form, giving an entrance hall at the front of the house which opens up to the great room in the rear. The diagonal roof breaks the regularity of the boxes, as well as frames the unobscured view directly to the ocean.
a
bFloor Plate Diagonal Circulation Diagonal Plane Pivot Diagonal Cutting Plane Decks
View towards Atlantic Ocean
52
fd
g
h
e
53
2O13
-
C
CP
Arc
hite
ctur
e
-
Mon
tauk
, New
Yor
k
a | Elevationb | Room Sectionc | Room Elevationsd | Room Interior
54
Kid DwellingsInspired by mountain dwellings this design was created for three children. The owner had just purchased a new lofted apartment in Dumbo so there was a very large and empty space to fill. The different rooms puzzle piece together in plan and in section to create small houses for each child.
a
b
c d
2O13
-
C
CP
Arc
hite
ctur
e
-
DU
MBO
, New
Yor
k
a | Parlor Photosb | Study Model
55
Warped IslandDefying the typical Brownstone typology, the entire Parlor Level was gutted to create an open loft space. The 16’ [4m] Brownstone becomes opened up, giving views from the stair and a built in seating nook at the street front. Under the stair custom closets are put in, giving immense storage so all the clutter of life can be hidden away.
The Island is the main attraction in the Parlor Level. The client is a profession private chef, so her kitchen is her office. All the appliances are industrial grade products, and small details of a built in cutting board and diagonal oil cabinet are integrated into the form. The form of the island is derived from the perspectives of using the space. As the wood takes on the diagonal it takes on a thinner appearance. The base cabinets are floated with a 10” kick as to disappear from certain views. The Marble stone cantilevers off the wood, and having no additional under structure, becomes translucent.
The back wall is a clean form of two L ‘spaces’ opposite each other, giving storage but not taking attention. The top L is clad in the same wood as the island, while the bottom L is clad in stainless steel creating a seamlessness between sink, counter, and cabinets.
b
2O1O
-
C
CP
Arc
hite
ct
-
Cob
ble
Hill
a | Barb | Built in Seatingc | Facaded | Floor Plan
56
Bar San Miguel The space was previously an Italian restaurant, with table int he front, bar in the back and rear seating. The space was fragmented into too small eating space, not enough seats at the bar and rear seating that was hard to get to.
The first move we made in the space was pulling the bar towards the front. This allowed for some tables at the front windows, a thin bar in the center of the space and strip of tables with a shared booth on the back wall- almost doubling the amount of interior seating. The circulation to the rear yard is opened up by removing the bar from the year which was bottle necking the space. The front facade was entirely replaced with almost 60% glass, giving much more light while still keeping an intimate atmosphere.
Inspired by San Miguel Mexico, where the client has a second home, all materials are heavy wood, rustic glass and iron and traditional mosaic tiles. All tiles at the bar and bathroom, as well as the front floor and lighting figures were imported from San Miguel to keep an authenticity.
a
b
c
d
2O14
-
C
CP
Arc
hite
ctur
e
-
Cob
ble
Hill
, New
Yor
k
a | Elevation - Wallpaperb | Elevation - CNC Panelc | Wallpaperd | CNC Panel
57
CNC IslandThe Kitchen island became the hearth of the kitchen. The client wanted a back wall to hide what she may be making from the dining area. With the need for such a massive wall we wanted to pattern the panel with texture to create shadow and depth onto the surface. The pattern was created by a local company Flavor Paper. The back wall was adorned with the wall paper, and the facing panel had the same pattern CNC’ed and mirrored across.
a
b
d
c
2O11
-
C
CP
Arc
hite
ctur
e
-
Cob
ble
Hill
, New
Yor
k
Vielen Dank
Recommended