OperaGems
Founded in 1972 by David Knox (1943-1991)
Musical Director Christopher Barr
Glasgow Symphony OrchestraConducted by
Tommy Fowler
Saturday 15th June 2013St Mary’s Episcopal Cathedral
Glasgow
Strathaven Choral Society is a Registered Scottish Charity No. SC006127
Founded in 1972 by David Knox (1943-1991)Registered Scottish Charity No. SC006127
- piano
Overture to Die Meistersingers Richard Wagner (1813-83)
Anvil Chorus (Il Trovatore) Giuseppe Verdi (1813-1901)
Humming Chorus (Madama Butterfly) Giacomo Puccini (1858-1924)
Chorus of the Scottish Refugees (Macbeth) Verdi
Cachuca (from The Gondoliers) W S Gilbert (1836–1911)
(Choir & piano) & Sir Arthur Sullivan (1842–1900)
Symphony in D Minor (Final Movement) César Franck (1822-90)
Pilgrims Chorus (Tannhauser) Wagner
Chorus of the Hebrew Slaves (Nabucco) Verdi
Polovtsian Dances (Prince Igor) Alexander Borodin (1833-1887)
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Dear Friends
A very warm welcome to Opera Gems, greatest hits from some of opera’s finestmoments. Love and loss, passion, rivalry, redemption – enjoy the drama ofopera without the plots in a nostalgic mix of hauntingly beautiful and familiarovertures and choruses.We are delighted to be joined by Glasgow Symphony Orchestra for thisevening’s performance, which is part of the West End Festival, under the batonof their conductor Dr. Tommy Fowler. The concert recognises the bicentenariesof Wagner's and Verdi's births, and accordingly will open with Wagner’sOverture to Die Meistersinger. Verdi is represented by several of his best-knownchoruses. After the interval the orchestra opens with the final movement of theSymphony in D Minor by César Franck, his only symphony and the only worktonight which is not from an opera.
Once again we are most grateful for the dedication of our musical directorChristopher Barr and accompanist Razvan Luculescu who have prepared us fortonight’s concert with their usual patience and good humour. Both are singingwith us tonight and Razvan will accompany the choir on piano for Cachuchafrom The Gondoliers by Gilbert and Sullivan.
Do have a look at our website www.strathavenchoral.com for informationabout forthcoming concerts and events.
We thank the businesses who have sponsored tonight’s concert programme.Please give them your support.
Enjoy your evening – I hope we have included your favourite.
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Compared to some Wagner opera preludes which set the scene forthe action and move right into it, the music which begins this opera isan overture of the old-fashioned style. A number of different tunesfrom the opera are organised into a formal scheme with an assertiveconclusion. The opening is taken from the processional music of themastersingers’ guild. The opera tells the story of how Walther gets thegirl after winning the song competition; especially after his rival,Beckmesser, is exposed as a cheat.When the first tune is over the musicmoves to more fleeting themes amongthem a motive derived from thecrowd’s mockery of Beckmesser whichis recognisable if you fit the words ofthe English translation to it - “Surelyshe’ll refuse him”. A return to C majorand a single triangle stroke heralds animposing contrapuntal web whenseveral of the themes are woundtogether.
It is probably the best known part of the opera. The setting is a gypsy camp in themountains of Biscay, where the men beat out the rhythm of the chorus on their anvils.
(1813-1901)
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Vedi! le fosche notturne spogliede' cieli sveste l'immensa vôlta:sembra una vedova che alfin si togliei bruni panni ond'era involta.
All'opra, all'opra! Dagli. Martella.Chi del gitano i giorni abbella?Chi del gitano i giorni abbella,chi? chi i giorni abbella?Chi del gitano i giorni abbella?
La zingarella!
Versami un tratto; lena e coraggioil corpo e l'anima traggon dal bere.
Oh guarda, guarda del sole un raggiobrilla più vivido nel tuo bicchiere!
All'opra, all'opra..Chi del gitano i giorni abbella?Chi del gitano i giorni abbella,chi? chi i giorni abbella?
La zingarella, la zingarella, la zingarella!
See how the clouds melt away from theface of the sky when the sun shines, itsbrightness beaming; just as a widow,discarding her black robes, shows all herbeauty in brilliance gleaming.
To work! Lift up your hammers!Who turns the Gypsy's day from gloom tobrightest sunshine?Who turns ...Who? Who from gloom to brightestsunshine?His lovely Gypsy maid!
Fill up the goblets! New strength andcourage flow from lusty wine to soul andbody.See how the rays of the sun play andsparkle and give to our wine gay newsplendour.So, to work now!Who turns the Gypsy's day from gloom tobrightest sunshine?Who? Who from gloom to brightestsunshine?His lovely Gypsy maid!
The “Humming Chorus” ends the second act ofPuccini’s opera; it serves as a lullaby for Suzuki,the servant of the geisha Cio-Cio-San (“Butterfly”),and for Butterfly’s toddler, as the three waitthrough the night for the return of the AmericanLieutenant Pinkerton.
(1858-1924)
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At the beginning of Act 4, the refugees stand near the border, with Birnam Wood in thedistance. Macduff, determined to avenge the deaths of his wife and children, is joinedby Malcolm, son of king Duncan, and the English army, as they prepare to liberateScotland from the tyrant Macbeth.
Patria oppressa! il dolce nomeNo, di madre aver non puoi,Or che tutta a figli tuoiSei conversa in un avel.D'orfanelli e di piangentiChi lo sposo e chi la proleAl venir del nuovo SoleS'alza un grido e fere il Ciel.A quel grido il Ciel rispondeQuasi voglia impietositoPropagar per l'infinito,Patria oppressa, il tuo dolor.Suona a morto ognor la squilla,Ma nessuno audace è tantoChe pur doni un vano piantoA chi soffre ed a chi muor.
Oppressed land of ours! You cannot havethe sweet name of mother,Now that you have become a tomb foryour sons.From orphans, from those who mourn,Some for husbands, some for children,At each new dawn a cry goes upto outrage heaven.To that cry heaven repliesas if moved to pity,Oppressed land, it wouldproclaim your grief forever.The bell tolls constantly for deathBut no-one is so boldAs to shed a vain tearFor the suffering and dying.
In Act 2, Marco and Giuseppe, the two gondoliers, whilst enjoying their life in Barataria,are missing their wives. But when Tessa and Gianetta arrive with the other ladies after along sea voyage from Venice, the reunited couples have a magnificent banquet and adance (a cachucha). The finale is a reprise of the cachuca, here added after a short pianolink.
Dance a cachuca, fandango, bolero,Xeres we'll drink, manzanilla, Montero;Wine when it runs in abundance, enhances the reckless delight of that wildest ofdances!To the pretty pitter, pitter, patter,And the clitter, clitter, clitter, clatterClitter, clitter, clatter, Pitter, pitter, patter,Clitter, clitter, clatter, Clitter, clitter, clatter, pitter, pitter, pitter, patter, patter, patter,patter, we'll dance,Old Xeres we'll drink, manzanilla, Montero;For Wine when it runs in abundance, enhances the reckless delight of that wildest ofdances,that wildest of dances, The reckless delight!Dance a cachuca, fandango, bolero, (cont.)
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INTERVAL
Dance a cachuca, fandango, bolero,Xeres we'll drink, manzanilla, Montero;Wine when it runs in abundance, enhances thereckless delight of that wildest of dances!To the pretty pitter, pitter, patter,And the clitter, clitter, clitter, clatterClitter, clitter, clatter, Pitter, pitter, patter,Clitter, clitter, clatter, Clitter, clitter, clatter,pitter, pitter, pitter, patter, patter, patter, patter,we'll dance,Old Xeres we'll drink, manzanilla, Montero;
The themes of Franck's only symphony presentstrong outlines, vivid orchestral colour andexultant climaxes. It has a highly individualconstruction one of the features being that thefinale quotes from the other movements. Thefinale has a sweeping onward drive with a march-like, syncopated main theme. Later the cor anglais theme from the second movementre-appears and there is also a recapitulation of the "motive of faith" and the openingtheme from the first movement. Nevertheless it is the march-like theme from themovement's opening which returns in triumph at the end.
Tannhäuser has sinned, having dallied with the Venus in Venusberg, and goes with agroup of Pilgrims to Rome to beg pardon from the Pope. His love, Elisabeth, awaits hisreturn with his friend Wolfram. This chorus is sung as the Pilgrims return from Rome,and opens in a beautifully atmospheric , gradually reaching its climactic ,before dying away into the distance.
Beglückt darf nun dich, o Heimat, ichschauenund grüssen froh deine lieblichen Auen;nun lass' ich ruh'n den Wanderstab,weil Gott getreu ich gepilgert hab'.
With joy, my home, I now behold thee,
and gladly greet thy smiling meadows;now I lay down my pilgrim's staff,for, submissive to God, I have made mypilgrimage.
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Beglückt darf nun dich, o Heimat, ichschauenund grüssen froh deine lieblichen Auen;nun lass' ich ruh'n den Wanderstab,weil Gott getreu ich gepilgert hab'.
Durch Sühn' und Buss' hab' ich versöhntden Herren, dem mein Herze fröhnt,der meine Reu' mit Segen krönt,den Herren, dem mein Lied ertönt!
Der Gnade Heil ist dem Büsser beschieden,
With joy, my home, I now behold thee,
and gladly greet thy smiling meadows;now I lay down my pilgrim's staff,for, submissive to God, I have made mypilgrimage.By atonement and repentance I havemade my peace with the Lord, to whommy heart bows down, who has crownedmy remorse with blessing, the Lord towhom I raise my song.The grace of salvation is granted to the
This is arguably Verdi‘s most famousmelody and was reputedly adapted bythe Italians as a song of patriotism shortlyafter its premier at La Scala opera housein Milan. The words are a paraphrase ofPsalm 137 when the Israelites lament theloss of their homeland as part of the storyof the Jews living in Babylonian exile,enslaved to King Nebuchadnezzar.
Va, pensiero, sull'ali dorate;va, ti posa sui clivi, sui colli,ove olezzano tepide e mollil'aure dolci del suolo natal!
Del Giordano le rive saluta,di Sionne le torri atterrate...O, mia patria, sì bella e perduta!O, membranza, sì cara e fatal!
Arpa d'or dei fatidici vati,perché muta dal salice pendi?Le memorie nel petto raccendi,ci favella del tempo che fu!O simile di Sòlima ai fatitraggi un suono di crudo lamento,o t'ispiri il Signore un concentoche ne infonda al patire virtù.
Fly, thought, on wings of gold;go settle upon the slopes and the hills,where the sweet airs of ournative soil smell soft and mild!
Greet the banks of the Jordanand Zion's tumbled towers...Oh, my country, so beautiful and lost!Oh, remembrance, so dear and so fated!
Golden harp of the prophetic seers,why hang so silently from the willows?Rekindle our bosom's memories,and speak to us of times gone by!Remembering the fate of Jerusalem,give forth a sound of raw lamentation,or else be inspired by the Lordto fortify us to endure our suffering!
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Fly away on gentle breezes; fly swiftly, songs of love, to greet our homeland whereonce we lived in hope and knew no sorrow, where once we sang, rejoicing in ourfreedom.There beneath the burning sky languid breezes cooled us, there the cloud-cappedmountains dream above the silver sea;There our days were long and carefree amid the sunlit hills and shady meadows, andthere the scent of roses in the valleys once filled the sultry air with sweetest perfume,and fertile vineyards yield sweet wine.There skylarks sing. Fly away, our songs of freedom.
Glory, honour, praises to our Khan! Fearless, mighty, ruthless warrior, hail!Sing his praise, great Konchak, praise him! Fiercer than the scorching midday sun!None can equal him in splendour, none! Slaves and captives all acclaim him -
"Look at those slaves of mine, aren't they beautiful? Captives I took from the tribes ofthe Caspian. They can make you forget all your loneliness, choose any one whoattracts you, and she shall be yours."Glory, honour, praises to our Khan! Braver far than all before you!Great Khan Konchak! Praise our Khan, Khan Konchak!
Fly away on gentle breezes ...Braver far than all before you ... Praise our Khan, Khan Konchak!Dance and sing for Konchak's pleasure,Let all people praise him singing! Let all people praise him dancing!Offer songs of homage to our glorious Khan Konchak!
Prince Igor, which was incomplete on Borodin‘s death and wascompleted by Rimsky Korsakov and Glazunov, is rarelyperformed outside Russia. The action of the opera relates to anincident in 1185 during a conflict between Russia and the Tartars.Prince Igor is defeated and captured by Khan Konchak of thePolovtsi but eventually manages to escape.The Polovtsian dances were completed by Borodin before hisdeath. They are much better known than the opera itself and arefrequently performed in the choral version we sing tonight. In theopera the dances are performed by the slave dancers of the Khanto entertain the captive Prince Igor.
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John Dunn (Leader)Anne Morgan
Angela CampbellDavid Gaffney
Daniela GiovanazziCharles Hunter
Douglas MacIntyreRebecca Milne
Elizabeth RodgersCatherine Schenk
Jan SpyKirsty Spy
Barbara Williamson
Chris JohnstonJim Spy
John ClarkAmy Denley
Fiona MacGregorDavid PhillipsSuzanne StuartSharon Whyte
Fiona HamiltonCharles MillicanFergus Duncan
Sheila DunnBetty Sharpe
Alison DownieCarolyn Brown
Michael AndrewsKeith BeardLily Geddes
Martin GilliesIain McGlashan
Gillian SpyJennifer Spy
Catriona Biggart
Ewen DeansMike MacMahonMegan O’CarrollGwenllian Tawy
Barclay DuffMichele Newall
Liz Thomson
Robert NeilAnnette McKirdy
Allan Glen
Carol BiggartNeil Eckford
Morven MacKinnon
Phillipa CheronDavid DickMark Logan
Mike KingAllan McPheeDavid McPhee
Gavin Templeton
Marion BrackpoolJohn Fishwick
Angus MacIntyre
Mark Davis
Helen Thomson
Dorothy Gunnee
Stephanie CoyleSarahanne Doherty
Amy DoyleLynsey McCabe
Glasgow Symphony Orchestra was founded in 1975 by Dorothy Gunnee andTom Kent. The orchestra has only ever had two conductors, Tom Kent andTommy Fowler who took over when Tom retired. The orchestra prides itself inbeing truly a community organisation with no formal audition process and opento anyone who feels they can keep up! It meets every Tuesday evening in termtime at Notre Dame High School and sometimes at Glasgow Gaelic School. Itgives three concerts a year on the first Wednesdays of December, March andJune all of which are in Adelaide’s on Bath Street. The orchestra is delighted tohave been asked to accompany Strathaven Choral Society for they rarely get theopportunity to perform this operatic repertoire.
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If you would like to try toFrazzle Your Brain
with ourMusical Polygon
just turn back to page 14(without sneaking a look
at the words!)
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Date for your diaries - our next concert
‘Wherever You Are’ (the Military Wive’s song) by Paul MealorHoward Goodall’s ‘Love Divine’
andJohn Rutter’s Requiem
7.30pm in the Rankin Church HallLethame Road, Strathaven
- keep an eye on our website for more news
Sunday 17th November 2013
http://www.strathavencomputers.
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Tommy Fowler is a composer based in Glasgow. Hismusic, for orchestras, choirs, ensembles and soloists, hasbeen performed widely in Scotland as well as abroad.He is a graduate of the University of Glasgow where hegained a Ph.D in composition.He has conducted the GSO since 1998. Under his batonin 2003 the GSO gave the first public performance inmodern times of Edvard Grieg’s only symphony and in 2005 gave the firstperformance of a suite taken from the music of the neglected Scottish composerMildred Marion Bowes-Lyon (a great-aunt of the late Queen Elizabeth the QueenMother) who, in 1894, was the first female composer ever to have a success withan opera.Tommy is currently working on a project with the Paragon Ensemble making acollection of children’s songs from around the world.
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The Strathaven Singershave a wide and ever-expanding repertoire of music which can be tailored to suit any
occasionLet us entertain you!
Bookings are now being accepted for the new season, and our modest fees aredonated to Strathaven Choral Society funds
For further information / available dates, contact Linda Young 0141 952 6979
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Razvan was born in Bucharest, Romania. He studiedpiano and double bass at the Dinu Lipatti Music HighSchool before moving on to the UniversitateaNationala de Muzica in Bucharest where hespecialised in orchestral and choral conducting. Onleaving university he became Assistant Chorus Masterat the National Operetta Theatre Ion Dacian inBucharest, where he was involved in coaching thechoir and organising premieres.He gained conducting experience, over a period of 11 years, from varioussources including (in Bucharest) The George Enescu Philharmonic, The NationalTheatre, The Oleg Danovschi National Theatre for Opera and Ballet Constanta,The Philharmonic Society Campina, The Pitesti Philarmonic, and (in Austria) TheSinfonietta Baden.Razvan moved to Scotland in 2010 in order to further his musical career. As wellas being Strathaven Choral’s accompanist and member of the Strathaven Singers,he is also Organist and Musical Director at Busby Parish Church, and is presentlyalso Musical Director of Milngavie Choir, Accompanist for Glasgow StudioBallet and Music Director at Hyndland Community Choir.
www.razvanluculescu.com
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Christopher Barr (BMus.Ed Hons) studied at the University of Aberdeen, studying voicewith Gillian Jack. He is currently a member of The National Youth Choir of Scotland andthe Edinburgh Festival Chorus.Christopher’s conducting studies began in 2003 where he was invited to attend andobserve BBC Scottish Symphony Orchestra Rehearsals. In 2005 he was invited, as a guest,to participate in the Royal Conservatoire of Scotland (RCS), formally the RSAMD junior
“Youthworks” conducting master classes with Dr Alistair Mitchell. In 2008 and 2009Christopher studied under the guidance of Mark Heron, Russell Cowieson and TimReynish at the RNCM conductor training weekend.In August 2010 Christopher received the 2010/11 ABCD (Association of British ChoralDirectors) apprenticeship which enabled him to study conducting with Alan Tavener andGerard Doherty. During this apprenticeship Christopher worked with the University ofStrathclyde Chamber Choir, Chorus and Symphony Orchestra. As part of theapprenticeship Christopher was invited to participate in a BBC Singers conducting masterclass with Paul Brough. In 2012 Christopher received the National Youth Choir ofScotland Student Conductor Bursary which allowed him to become the assistantconductor of the National Boys Choir of Scotland working under the guidance ofChristopher Bell. During 2012, Christopher also featured in the Creative Scotland film
“Keep Her Lit” as the musical director of the South Lanarkshire Olympic CulturalOlympiad Choir parade choir.During 2007 Christopher successfully founded the 16 voice “Legato Voices Choir” andco-founded the Aberdeen Student Sinfonia. He was appointed Musical Director of theRGU Singers in 2009 and is currently the Musical Director of Strathaven Choral Society,the Bridge of Weir Choral Society, East Kilbride Gilbert and Sullivan Society and theamaSing Festival Community Chorus.Christopher has participated in choral conducting master classes with Christopher Bell,Alan Tavener, Derek Clark, Stephen Layton, Paul Brough, Roger Williams MBE and RalphAlwood.
www.christopherbarrmusic.co.ukTwitter: @barrchristopher
STRATHAVENCHORAL SOCIETY
founded in 1972 by David Knox (1943-1991)Honorary PresidentMusical Director
Elizabeth BattyEleanor BrownMilly ClarkRosi EngelkeMaria Franchetti
Sarah HampsonAnne HendersonAmanda KennettChristine LeitchAnne Little
Frances NaismithLiz O’NeillChristine PatersonLeonie ShanklandBarbara Smith
Nic BroadbridgeMarie CampbellJim Keeney
Howard KennettAlan MathewBob Towers
Sinclair Couper*Christopher Barrµ
John CampbellMichael CunninghamArthur Lang
Iain SinclairAlastair ValentineAlan Williams
Razvan Luculescuµ
* denotes Guest singersµ joining in the choruses
Kathryn CainChloe Findlay*Janice HackettSusan Holmes*June LawIrene Little
Hannah Mairi Miller*Roxana Nite*Sarah O’ReillyAnne PollockBrianna Robertson*Nan Robertson*
Christine SmillieAnne WeirAnn WilliamsBrenda Young
It is an offence (punishable by fine and/or imprisonment) against the provision of the Dramatic andMusical Performers’ Acts 1958 and 1972 to make any recording of a musical performance withoutobtaining the prior written permission of the performers and the promoter. It is also an infringementof the Copyright Act 1956 to record performances of copyright musical works without obtainingpermission from the copyright owner, normally the publisher.
x
Razvan Luculescu˘
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From the BavarianHighlands
King Olaf
Ave VerumCantique deJean RacinePavaneRequiem
Jubilate
Eternal Light: A Requiem
Totus Tuus
Irish Tune from CountyDerry
Messiah
Samson
CreationMaria Theresa MassNelson MassPaukenmesseThe Seasons
These Things Shall Be
I Landed with seven men
The Armed Man Mass
Te Deum
The Rio Grande
O Magnum Mysterium
The Kestrel Road
ElijahHear My PrayerPsalm 95 (Venite)
1993/2002
1996
2002
2002/2003/20111990
1975/1979/1988/1998/2001/2004/2006
1996
2010
2011
2006
1978/1986/1994(Pt1)1997/2000/2009
1989
1976/1985/19911973/1992
199919892001
2005
2012
2012
1987
2004
2011
2004
1980/200319971992
Cantata No 11Cantata No 59Cantata No 140Magnificat in DMass in B MinorSt John Passion
Mass in C
Missa Solemnis
Brazilian Psalm
Chichester Psalms
Liebeslieder WalzerNoeniaRequiem
Hymn to St CeciliaSt Nicolas
Ye Shall Have a Song
MotetsTe Deum
Te Deum
BeThou My VisionRequiem
A Fascicle of Songs
Requiem
Te DeumStabat MaterUkolebavka (Lullaby)
As Torrents in SummerCoronation OdeDream of Gerontius
19991994
1975/20051983/2010
19852000
1974/1984/1992/20041981
2004
1994
1994/20041990
1979/1988/2011
2004/20052005
2006
19961974
1994
20112011
2006
1999
198620052006
20061992
1988/1998
Full works by
Ave VerumMass in C MinorMass in CRequiemSancta MariaVespers
Three Motets
Celebrating Music(SCS 25th AnniversaryCommission)
Carmina Burana
Blest Pair of SirensSongs of Farewell
Magnificat
Stabat Mater
Messa di Gloria
Ode for St Cecilia's DayWelcome To All The
Pleasures
Stabat Mater
Magnificat
Christmas Oratorio
Mass in G Major
MotetsThe Blue BirdWhen Mary To The Garden
Went
A Sea SymphonyFive English Folk SongsFive Mystical Songs
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1982/1987/19951990/19991996
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Songs and settings by
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2007/82008/2012
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2006/82008 2006 200620082008
Four Sacred PiecesRequiem
Gloria
Son of God Mass
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1973/1985/1999
2010
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STRATHAVEN CHORAL SOCIETYRegistered Scottish Charity No. SC006127
We hope to see you at our Autumn concert on Sunday 17th Novemberin Strathaven for a programme to include
‘Wherever You Are’ by Paul Mealor‘Love Divine’ by Howard Goodall
and John Rutter’s Requiemand of course for our Christmas Concert
on Sunday 15th December, at the Rankin Church in Strathaven!
Visit www.strathavenchoral.comKeep up to date with our news, and find out about forthcoming concerts.
Send us your questions or comments - about this concert perhaps - [email protected]
Follow us on Twitter - @thescsAnd look for Strathaven-Choral-Society on Facebook
STRATHAVEN CHORAL SOCIETY was founded in 1972 by the late David Knox anddraws its membership from across Lanarkshire and beyond. It is affiliated to MakingMusic - the National Federation of Music Societies - and strives for a varied repertoireand high standard of performance. It remains committed to the promotion of music.
Over the years the choir has performed over a hundred choral works, large and small,by a wide range of composers, from Handel to Vaughan Williams. The repertoire alsoincludes opera, part songs and commissioned pieces. The Society has sung on BBC radioand television and has performed in a variety of venues, mainly in the West of Scotland.
In recent years we have hosted visits by choirs from Denmark and Sweden. In each casewe were able to make return visits as their guests, to everyone’s musical and socialenjoyment. Future exchanges are being considered.
Strathaven Choral Society is particularly interested in involving young people in musicmaking and in musical appreciation and has in the past received national recognition forits work with school children and in the community with three consecutive BT/NFMSInnovation Awards.
The choir greatly appreciates the dedication and enthusiasm of Musical Director,Christopher Barr and Rehearsal Accompanist, Razvan Luculescu.
We rehearse on Mondays at 7.30pm in the EVANGELICAL CHURCH, Lethame Road,Strathaven, just up Lethame Road from the traffic lights. Anyone interested in joining theChoral Society would be made most welcome.
Please contact Ann Williams (General Secretary) - email
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www.lafargetarmac.com
28
Unit 4, Colliers Court (off Ayr Rd),Douglas ML11 0RX
Junction 11, M74, SouthboundJunction 12, M74, Northbound
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PROGRAMME DESIGNED BY
Le Jambon FutéPRINTED BY
Voice Printers, Hamilton