University of Adelaide
Elder Conservatorium of Music
Faculty of Arts
Sound and Style: a compositional exploration of
appropriated source material
Portfolio of Original Compositions and Exegesis
Paul-Antoni Bonetti(B. Mus., Grad. Dip. Ed.)
Submitted in fulfilment of the requirements for the degree of
Doctor of Philosophy
In Two Volumes
Volume One
June 2014
ii
Volume OneCONTENTS
Abstract ............................................................................................................................... vi
Declaration ........................................................................................................................ vii
Acknowledgments ........................................................................................................... viii
PART A MUSICAL SCORESA.1 Moto Fuoco, Suite for Orchestra ............................................................... 1
2,2,2,2; 4,2,3,1; timp., 3 perc., hp., strings
I. Moto Fuoco .......................................................................................... 3
II. Alla Guitarra ....................................................................................... 47
III. Fortitude Street ................................................................................ 101
IV. Notturno Con Sprito ......................................................................... 133
A.2 Requiem Lux Aeternam .......................................................................... 195
SSAATTBB chamber choir, string ensemble, percussion, electronics
I. Introit: Isaiah 60:1 (attacca) ............................................................ 197
II. Requiem Aeternam
III. Lux Aeterna ...................................................................................... 243
IV. Verse Anthem: Let All Mortal Flesh Keep Silence ........................ 263
A.3 Love, Lust, Life And Loss: Choyce Madrigals on Intimately Procured
Poetic Texts ................................................................................................ 277
SATB a cappella vocal quartet
I. When Shall The Fair ........................................................................ 279
II. The Face is Still Clear ..................................................................... 283
III. Two Worms in a Bottle .................................................................... 287
IV. Angel Lovers .................................................................................... 297
Contents continued...
iii
A.4 Five Characteristic Songs for Baritone and Guitar ........................... 301
Solo Baritone and Guitar
I. Viola Song ........................................................................................ 303
II. Winnie Blues .................................................................................... 309
III. Two Roads ....................................................................................... 317
IV. You Didnt Half Remind Me ............................................................. 325
V. Walking Up the Elevator Down ....................................................... 329
A.5 Bonetti Motets Project ............................................................................ 339
SATB a cappella chamber choir
I. Intenderunt arcum ........................................................................... 341
II. O Quam Felix Est ............................................................................ 365
iv
Volume TwoCONTENTS
PART B EXEGESISB.1 Introduction ................................................................................................... 1
1.1 Conceptual and Aesthetic Frameworks: Chasing the Lyrebird ..... 1
1.2 Historical Context .............................................................................. 4
1.3 Methodological Framework: The Interface Problem .................... 13
1.4 Creative Framework: Orchestrating the Groove ........................... 16
B.2 Moto Fuoco: The language of urban contemporary music within
conventional orchestral performance idioms ........................................ 17
B.3 Rest In Pieces: Deconstructing the traditional origins of the Requiem ... 39
B.4 Song Cycles ................................................................................................ 43
4.1 Love, Lust, Life and Loss: Choyce Madrigals on Intimately Procured
Poetic Texts ..................................................................................... 44
4.2 Five Characteristic Songs for Baritone and Guitar: Departures from
the song cycle form ......................................................................... 50
B.5 Something Old, Something New, Something Borrowed, Something
Blue[s]: The marriage of music spanning three centuries of
compositional ancestry ........................................................................... 59
B.6 Conclusion .................................................................................................. 72
List Of Sources ..................................................................................................... 78
Appendices ............................................................................................................ 88
Original transcription editions of 17th century music by Carlo Bonetti and
Giovanni Bonetti: Researched, transcribed, compiled & edited by
Paul-Antoni Bonetti
APPENDIX A Intenderunt arcum, Carlo Bonetti ......................... 89
APPENDIX B O Quam Felix Est, Giovanni Bonetti .................. 109
APPENDIX C Domine Contra Fidem, Giovanni Bonetti .......... 127
Contents continued...
v
PART C SOUND RECORDINGS (inside back cover)
CD track listing in relation to composed works*
CD.1 Moto Fuoco, Suite for Orchestra
I. Moto Fuoco*
[1] II. Alla Guitarra ............................................................................... 8:00
The Tasmanian Symphony Orchestra, conducted by Kenneth Young, 2008
III. Fortitude Street*
[2] IV. Notturno Con Sprito .................................................................. 7:40
The Tasmanian Symphony Orchestra, conducted by Kevin Field, 2012
Requiem Lux Aeternam
Brisbane Chamber Choir and the Queensland Orchestra String Quartet,
conducted by Graeme Morton, 2009
[3] I. Introit: Isaiah 60:1 (attacca)
II. Requiem Aeternam ................................................................. 12:47
[4] III. Lux Aeterna ............................................................................... 5:43
[5] IV. Verse Anthem: Let All Mortal Flesh Keep Silence .................. 6:47
CD.2 Love, Lust, Life and Loss:
Choyce Madrigals on Intimately Procured Poetic Texts
I. When Shall The Fair*
[1] II. The Face is Still Clear ............................................................... 3:25
[2] III. Two Worms in a Bottle .............................................................. 4:35
Performed, recorded and produced by Paul-Antoni Bonetti, 2010
[3] IV. Angel Lovers .............................................................................. 5:40
Adelaide Chamber Singers, conducted by Carl Crossin, 2009
Five Characteristic Songs for Baritone and Guitar
Performed, recorded and produced by Paul-Antoni Bonetti, 2010-2015
[4] I. Viola Song ................................................................................. 5:21
[5] II. Winnie Blues ............................................................................. 6:18
[6] III. Two Roads ................................................................................ 4:04
[7] IV. You Didnt Half Remind Me ...................................................... 3:49
[8] V. Walking Up the Elevator Down ................................................ 4:28
Bonetti Motets Project
Adelaide Chamber Singers, conducted by Carl Crossin, 2009
[9] I. Intenderunt arcum ..................................................................... 8:25
[10] II. O Quam Felix Est .................................................................... 13:00
* Recordings not available for these works
vi
Abstract
This submission for the degree of Doctor of Philosophy at the Elder Conservatorium of
Music, University of Adelaide, consists of a portfolio of original compositions supported by
an exegesis. The materials are presented in three parts contained in two volumes; Part A
in Volume One, and Parts B and C in Volume Two.
Part A, the portfolio, contains the following five works: Moto Fuoco, a suite of four pieces
for symphony orchestra; Requiem Lux Aeternam, four movements for chamber choir,
strings, percussion and electronics; Love, Lust, Life and Loss: Choyce Madrigals on
Intimately Procured Poetic Texts, a suite of four songs for a cappella vocal quartet; Five
Characteristic Songs for Baritone and Guitar; and the Bonetti Motets Project, for a
cappella chamber choir. Part B, the exegesis, explains the conceptual and aesthetic
framework for the compositions, followed by chapters on the compositional methods and
techniques adopted for individual works. Part C contains sound recordings of the works
presented on two CDs.
The aim of this project has been to appropriate a diverse range of styles and sounds as
source materials that form part of the compositions. These source materials have
originated from forms of contemporary popular music such as hip-hop and rap, jazz, drum
and bass, electronic dance music, and heavy metal; as well as earlier styles of art music
such as medieval plainsong, the Renaissance madrigal genre, and characteristics of
Baroque and Renaissance style. As part of this process, it was important that these
source materials were adapted to fit with stylistic conventions of the instrumental or vocal
performance medium for which the compositions were written, yet still retain aspects of
their aural and/or stylistic characteristics in this new context. This highlighted a creative
and methodological tension that has been explored and resolved through the generation
of the composition works.
vii
Declaration
I hereby certify that the material presented in this submission is my own original work and
that due credit has been given to the work of others. I have clearly stated the contribution
by others to jointly authored works that I have included in the portfolio of compositions.
This work contains no material that has been accepted for the award of any other degree
or diploma in any university or other tertiary institution and, to the best of my knowledge
and belief, contains no material previously published or written by another person, except
where due reference has been made.
I hereby give permission for these materials to be archived in the Barr Smith Library, and
the Elder Music Library. I give consent to Parts A and B of this submission to be made
available in all forms of digital media and within usual copyright restrictions but I exclude
permanently the sound recordings in Part C because of the various copyright interests
involved in the sound recordings. Preview recordings of the works may be sought directly
from the composer.
I assert copyright over the original musical works contained within the portfolio of
compositions unless otherwise stated.
________________________________________
Signed
________________________________________
Dated
viii
Acknowledgments
Sing a new song to the Lord, for he has done wonderful deeds.
Shout to the Lord, all the earth; break out in praise and sing for joy!
Sing your praise to the Lord with the harp, with the harp and melodious
song, with trumpets and the sound of the rams horn.
Make a joyful symphony before the Lord, the King!
Psalm 98:1,4-6 1
I gratefully acknowledge the support of many people whose input and generosity has
been valuable and indispensable for the completion of this project.
Thanks go to my postgraduate supervisors and mentors: Graeme Koehne, for his
inspirational encouragement, wry chats, mentorship and support; Charles Bodman Rae,
for his spirited approach to scholarly ideas, assistance with editing, and meticulous
regard for detail; and Kimi Coaldrake, for her indispensable assistance and thorough
regard for the task. I am very grateful to Richard Mills for his support and encouragement
of my music and that of so many other young composers. I am truly thankful to The
Tasmanian Symphony Orchestra, Carl Crossin and the Adelaide Chamber Singers,
Graeme Morton and Brisbane Chamber Choir, and the many other fine ensembles and
conductors that have championed my works.
I thank Megan Barnes, my girlfriend, fianc and now wife, for her resilient support and
understanding. Learning to live with the highs and lows of a composer's erratic ways I
warrant is not an easy task. Megan, I thank you for your faith and belief in me, and your
unwavering love. Thanks go to Mum and Dad, who had belief in me from the beginning,
and to my brothers, Simeon and Andr, who are the closest friends a man can have.
Thanks also go to Paul Clare, James Beavis, Simon Munro, and Andrew Wiering for their
support and friendship in so many ways; to Jeannie Davison for her beautiful words and
friendship; and to Joe Twist, for helping me to believe it was possible in the first place, for
his musical inspirations, insightful conversations, and friendship. I also thank the many
friends who have helped me in so many ways; and lastly those who have opened their
homes to me for house-sitting, short-term stays, and refuge, all of which have been so
helpful along the way in providing me with a quiet place in which to work.
Finally, I acknowledge God the creator and redeemer in my life, from whom all blessings,
talents and opportunities flow.
1 Psalm 98:1, 4-6 (New Living Translation).
1 Moto Fuoco
Suite for Orchestra
Moto FuocoSuite for Orchestra
I. Moto Fuoco (6 30) 3
II. Alla Guitarra (7 45) 47
III. Fortitude Street (3 00) 101
IV. Notturno Con Sprito (7 30) 133
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flfl jfl
fl fl
jfl jfl
J
#
-F espres.. J J. .
Jb J . .
j j . .
> . > . . .
> b . > . > . > .
> b . > . > . > .
jfl jfl J
. .
J J J
. .
# #
J# - - b
Jb J J j j j
> . > . > .
> b . > . > . > .
> b . > . > . > .
flfl jfl J
J J
Moto Fuoco - Paul-Antoni Bonetti 2008
&&
&
&
&
?
?
&&&&&??
?
&
&
B?
?
Timp.
I
II
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
52Jb P J
J J Jb JP
J J J J J J
wb >p
A2
JP J J J
j>P..
bf molto espres.
- b - b -
wbFb
f molto espres. - b - -
P b
JyMetal Guiro*shaken not stroked
*eg. LP brand "Multi Guiro"/TorpedoF J
y Jy Jy
52
wbpizz.F
Jb J Jn Jb J J J J#
-F
b - -
J J J#
F
- b - R -F
- -B
b
- - p
F
Ysizz. cymb.* (med. mallets)
p
ystroked with dreadlock scraperon the narrow serrations
Fy y y Jy Jy
>pizz. F
# >pizz.F
JF
* A harsh, scratchy tone resultant from use of very short bow strokes and a firm, "sticky" pressure on the string. No pitch is discernible. X-noteheads are used to indicate very slight variations in timbre.
Scratch tone* J
J
b
Jp J
Jp J
-f molto espres.
b . J J. .
J#p J
-f molto espres.
b . J J. . ?
j. j. . .
j. j. . .
j. j. . .
Y>
P To Marimba
>p. >
. . .
jflp
jfl J . .
J>pizz.
p J>
J J J J
J-F espres.- b
J# J
J-F espres.- b
j. j. j. j. j. j.
> . > . > J.
flfl jfl
fl
fl
J> J>
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&?
&&&&
&??
?
&
&&
&
&
B
?
?
bbbb
Timp.
I (Mar.)
II
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
Hp.
12
34
56 F
bb . Jn J#. J.
-(1)
# -F
b . J Jn. J
# .
-(1) # -
j. j. . . j. j. . . j. j. . .
> . > . . .
56
jfl jfl
J . .
j> j>
Jn
r .
J
R perky and agitated, like a rap
F #
jb . jfl j. jfl
j. jfl
> . > .
b jfl
Jfl
Jb > J>
Ritmico
Ritmico
58
J#p J
bf espres.fl . fl -
j
b .con sord. - harmon (no stem).
# .p
Marimba .
>p. >
. . .
# >D C# Bb E# F# G A
58
j>pizz.
P > j>
jb >pizz.
P >
j> j>
pizz.
P > j>
>pizz.
p >
>p
Jn J
jb #fl - n - b
n . .
> . > . > J.
##>
jb > >
j> >
j> >
b > > j>
b >
J J
#fl . fl # n
b . .
. .
> . > . . .
##>
jb > > j> j>
> j>
j> > j>
b > >
b >
J# J
. b . # Jb >
jb .
# . .
> . > . > J.
# >
j> > j> jb >
> j>
j> > j>
> > j>
>
~~~~~~~~~~ ~~~~~~
~~~~~
Moto Fuoco - Paul-Antoni Bonetti 2008
&&&?
&&&??
?
&
&&
&&B??
bbbb
Timp.
I (Mar.)
II
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
Hp.
12
34
62 J
# J
. b . # # . .
# . .
> . > . > # >
62
j> > jb>
>
j> >
> > j>
>
Jn J
b . . b . # - - # -
n . .
> . > . J.
# #>
jb> > j>
>
j> >
b> >
b>
J# J
. b . . # . b .
jb .P
# . .
> . > . J.
# >
j> > j> jb>
> j>
j> > j>> >
>
Jb
con fuocob . >
jb . j.
j.
bb .
> . j> . > .
j> > j> jb>
> j>
jb> > j>
#> j> >#> >
J# Jb
. b>
jb . j.
# . bb .
j> . . >
.
> > b> >
b> > j> J#
> J#>
~~~~~ ~~~~~ ~~~~~
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&?
?
&&&??
?
&
&
&B??
43
43
43
43
43
4343434343
43
43
43
43
43
43
434343
42
42
42
42
42
4242424242
42
42
42
42
42
42
424242
43
43
43
43
43
4343434343
43
43
43
43
43
43
434343
Timp.
I (Mar.)
II
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
67
# .con animatoF
A2 - . . -
# .con animato
Fn - # . . n -
## .con animato
F # - . . -
# .con animato
FA2 - . . -
JyMetal Guiro* & dreadlock scraper on the narrow serrations
p Ry. . Jy
67
# . Jn . # -
# . j. -
##.
Jn. #n -
# . J# . -
Ry. .
>F
##>
>Low Tom, S.D. & Tambourine (all struck with sticks)
F y . >
y.fy- y Jy
>arcof
Scratch tone*perky and agitated
> J.
pizz. >f>
pizz. >f>
> ##>
> y . >
y. y- y Jy
J
J
> >
>>
##> >
y
y. y- y
> >
>
>
Moto Fuoco - Paul-Antoni Bonetti 2008
&&&?
&&&
?
?
?
&
&
&B?
?
43434343
4343
43
43
43
43
43
43
43
43
43
43
43
43
42424242
4242
42
42
42
42
42
42
42
42
42
42
42
42
44444444
4444
44
44
44
44
44
44
44
44
44
44
44
44
43434343
4343
43
43
43
43
43
43
43
43
43
43
43
43
Timp.
I (Mar.)
II
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
72
>f espres.
# > b >
> y >
Jy Jy y- y-
72
J
J
.#pizz.
>Fj>
(pizz. gliss)# >.#pizz.>F
J>(pizz. gliss)# >
b> # > # >> y >
y- y.
J J
.# > J> # > n >
(sim.)
.# > J> # > n >(sim.)
B
#b > > >>
j
bpizz.
F slap pizz.
>pizz.
F
.n
.n
## .con animato
Pn# - # . . n -
## .con animatoP
# - . . -
.con animato
P - . . -
>Cuica(high and low pitches)
f > J. J. > >
## . j## . n -
## . J#n . # - ?
. j# . # -
J. J. > > J.
J>L.H. pizz.
Moto Fuoco - Paul-Antoni Bonetti 2008
&&&?
&&&??
?&
&&B
?
?
43434343
4343434343
4343
43
43
43
43
43
42424242
4242424242
4242
42
42
42
42
42
43434343
4343434343
4343
43
43
43
43
43
42424242
4242424242
4242
42
42
42
42
42
43434343
4343434343
4343
43
43
43
43
43
Timp.
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
77
77
>slap pizz.
>arcopesante con fuoco
> J.
>sim.
> >
>
> > R
.
>
>
> J.
>
> > J.
>
J . .
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&
?
&&&??
?
&
&
&
B?
?
43
43
43
43
43
43434343
43
43
43
43
43
43
43
42
42
42
42
42
42424242
42
42
42
42
42
42
42
44
44
44
44
44
44444444
44
44
44
44
44
44
44
43
43
43
43
43
43434343
43
43
43
43
43
43
43
Timp.
I (Mar.)
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
83
83
jfl
IV
arcopesante con fuoco
jfl >
JII
J0
>
jfl
jfl
jfl jfl
- - # - -
- - # - -
-P
b . J- J
#b . b - #n .
f>P
bb - nn - b - - bb - nn - n -
f#>P
- ## - - ## - # - bn - n# -f#>P
- ## - - #n - b - n - #n -f
p1
.Pb . n . b . . b . n . .f
pizz.f
pizz.f
pizz.f
P
j
j.p
> . . . . . >? &
>
+(L.H.) + +
# n >
# > >pizz.
Moto Fuoco - Paul-Antoni Bonetti 2008
&&&?
&&&??
?
&
&&B
?
?
43434343
4343434343
43
43
43
43
43
43
43
42424242
4242424242
42
42
42
42
42
42
42
43434343
4343434343
43
43
43
43
43
43
43
42424242
4242424242
42
42
42
42
42
42
42
43434343
4343434343
43
43
43
43
43
43
43
Timp.
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
88
flP >
88
>slap pizz.
jflslap pizz.
>pesante con fuoco
> J.
fl >
>sim.
> >
fl >
>
> > R.
fl >
>
jflsim.
>
> J.
. .
>
jfl
> > J.
jfl j.
>
jfl
J . .
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&
?
&&&??
?
&
&
&
B
?
?
43
43
43
43
4343434343
43
43
43
43
43
43
43
42
42
42
42
4242424242
42
42
42
42
42
42
42
44
44
44
44
4444444444
44
44
44
44
44
44
44
Timp.
I (Mar.)
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
94
j.
94
jfl
IV
arcopesante con fuoco
jfl >
JII
J0
>
j.
jfl
jfl
jfl jfl
- - # - -
- - # - -
-F
A2 b . J- J# . n - n .
b -Pnb - bn - n - # - # - #
- -f
# -P
b - #n - n - - - ## - nn -f-P
1 - # - - b - n - - # -f
p1
>P
. # . . > # . . .fpizz.f . J
pizz.f . J
pizz.f
. J
Jb - Jn
. # - - # - -
-F
bb - nn - b - # - - #n - -
# -F- ##
- - # - - ## - -
Change to Bass Clarinet
b -F
n - b - n - b - n - - # -
. RP
>F
b . n . . #> . # . .
Moto Fuoco - Paul-Antoni Bonetti 2008
&&&?
&&&??
?
&&
&&
&
&
B
?
?
bb
bb
Timp.
I (Mar.)
II (Crot.)
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
Hp.
12
34
99
> >Crotales p
D C Bb E# F G A
P 3>
3
99 >
>
>
>
3
>
3
>
>F >
>F >
>F >
>
3
>
3
>
>
>
>
>
3
>
3
>
> >
> >
>
>
>
3
>
3
>
>F . J
>F . J
>F
>pizz.
f >pizz.f
3
>
3
>
p
>f > >
>f > >
>f > &
>
> b>
Sul G
~~~~~~~
Gliss
ando
~~~~~~~~
Gliss
ando
~~~~~~~~
Glis
sand
o
~~~~~~~~
Glis
sand
o
~~~~~~~~
Gliss
ando
~~~~~~~~
Gliss
ando
~~~~~~~
Glis
sand
o
~~~~~~~~
Glis
sand
o
~~~~~~~~
Glis
sand
o
~~~~~~~~
Glis
sand
o
~~~~~~~~
Gliss
ando
~~~~~~~~
Glis
sand
o
Moto Fuoco - Paul-Antoni Bonetti 2008
&&
&
&
?
&&&??
?
&
&
&
&
&
&
??
bb
bb
Cl. 1
B. Cl.
Timp.
I (Mar.)
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
Hp.
12
34
105
p espres.Bass Clarinet
wp
bdolce
3
>
3
>
105 arcoleggiero dolcissimo
b
arcoleggiero dolcissimo
b
arcoleggiero dolcissimo
b
arcoleggiero dolcissimo
b
w
b
3
>
3
>
- J.P
p
dolcissimo.
b
3
>
3
>
espres.
Jb
espres.
Jb
espres.
Jb
b
3
>
3
>
J J
J J
J J
ww
b
3
>
3
>
F
- -
- -
- -
B
Fb b
F
w
wbF
-Fb - -
bbF
3
>
3
>
J. -subito poco pi animato
F b --
J. -subito poco pi animato
F b --
J.
-subito poco pi animato
Fb - - &
wbfw
wf
w>F
j. . 1 con sord.wf >P
bb Y>sizz. cymb.* (med. mallets)
P
3
>
3
>
b . JF J. b .
b . JF J. b .
b . JF J. b . B
~~~~~~~~~
Glis
sand
o
~~~~~~~~~~
Glis
sand
o
~~~~~~~~~~
Glis
sand
o
~~~~~~~~~~
Glis
sand
o
~~~~~~~~~
Gliss
ando
~~~~~~~~~~
Glis
sand
o
~~~~~~~~~~
Glis
sand
o
~~~~~~~~~~
Glis
sand
o
~~~~~~~~~~
Glis
sand
o
~~~~~~~~~~
Glis
sand
o
~~~~~~~~~~
~~~~~~
(rol
l)
~~~~~~~~~~
~~~~(r
oll)
~~~~~~~~~~
~~~~(r
oll)
~~~~~~~~~~
~~~~~(ro
ll)
~~~~~~~~~~
~(r
oll)
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&
&
&
&?
&
&&??
?
&
&&
&
&
B
?
?
bb
bb
Cl. 1
B. Cl.
Timp.
I (Mar.)
Cb.
Vc.
Vln. II
Ob. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
Hp.
12
34
112
ww
w
bb
3
>
3
>
112 JP
b b - -
JPb b - -
JPb b - -
Fcon spiritob b b n # #
>
Fcon spirito
b b . b n # . #
.F
con spirito jb n #
.bF
con spirito
F
con spirito b n
pizz.>F
con spirito b > n > B
Db C Bb Eb F G Ab
.
. . . b . . .
?
. .
.
b
b
b
> b > >
Fcon spirito - b - n -
F
con spirito
b - n - nF
con spirito b
>F
con spirito
> b - n - .>F
con spirito
>
Fcon spirito
b >
. . b . . >F
A
bF
. IIsub. R
.
F
. IIsub. R
.
Fsub.
R . b
Fp leggiero
b
>p
> b >?
wf p- b n b f p
.b
wf p- b n
b >
(solo)n
b > b > b >
F
1 con sord.
con spirito b
- b n #
A b .b
P
b b .b
b > b > b >
growl
~~~~~~~~~~
~~~(r
oll)~~~~~~
~~~(ro
ll)
~~~~~~~~~~
~~~~(ro
ll)
Moto Fuoco - Paul-Antoni Bonetti 2008
&&&&?
&&
&??
?
&
&?
&
&B?
?
bbbb
Cl. 1
B. Cl.
Timp.
I (Mar.)
II
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
Hp.
12
34
Ritmico
Ritmico
117
# .
perky and agitated, like a rap(growl tone indicated by )
.f espres.# J# m
>m>
j.1 con sord. b .
j.con sord. b .
# .P
.
Low Tom, S.D. & Tambourine (all struck with sticks)
p y
Y> sizz. cymb.* (med. mallets)P
>
117
# >pizz. P >
>pizz.P >
>pizz.P >
pizz.
>P > j>
>pizz.
F J>p
. b . J #m>
Jb . . jb . # .
n . ## .
y
n > # >
> >
> # >
b > > jb >
b > > Jb >
# - - - # . # >
j. b . j. # .
# . # .
y
# > >
> # >
> >
b > > jn >
b > > Jn >
. # . # . . jfl #
m>
Jn . . j# . # .
nb . #n# .
y
n > # >
> # >
b > n >
b > > jn > b > > Jn >
Moto Fuoco - Paul-Antoni Bonetti 2008
&&&
&?
&&&??
?
&
&&B?
?
Cl. 1
B. Cl.
Timp.
I (Mar.)
II
Cb.
Vc.
Vln. II
Ob. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
121
flpoco pi F#
m> . fl
m>
J# . . J. j# . .
j# .
## . y
121 # > # > >
b > j>
n >b > J> n >
. flF # #
# . . # . b .
### . .
y y
# > >
# > ># > >
j> j>
J> J>
# .f espres.. # # . . # .
j. b . j.
.
# . .
y
# > >
> > > >
> > j# >
> > J#>
con fuoco# > . >
J. . j. j# . .
jn .
nb . y
n > > b >
> j> >> J> >
. n > Quick change to Bb Clarinet
. . senza sordino
. b .senza sordino
# . .
y y
# > >
> >> >
j> J>
j> J>
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&
?
&&
&
?
?
?
&
&&B??
42
42
42
42
4242
42
42
42
42
42
42
42
4242424242
Timp.
I (Mar.)
II
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
126 .con animato
fA2 b - . . -
b .con animato
fbb - . . -
.con animato
f1 # - . . -
b .con animato
fb-
. .
-. - . . -
Jy
ratchet(held in a cloth to dampen)
p Ry. . Jy
126
. Jb . -
b .jb . n -
. Jb . -
b . Jb. -
B
Ry. .
## .con animato
Pn# - # . . n -
## .con animatoP
# - . . -
.con animato
P - . . -
>
Cuica(high and low pitches)
f > J. J. > >
## . j## . n -
## . J#n . # - ? B
. j# . # -
F
J. J. > > J.
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&
?
&
&
&B
?
?
&
&
&
B
?
?
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
83
83
83
83
83
83
83
83
83
83
83
83
83
83
83
83
83
Timp.
I (Glsp.)
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
130 pp
.p
. ..
.p
bb . bb
P
J .
P
b
pGlockenspiel
130
arco
b b
arco
b b
arco b b
arco
b b
arco
b b
b
bb bb
b b
b
p b b
pb b
pb b
pb b
p b b
F
b b b
F
b
F
b
A2 b b b
b
b b b
bPbF
b . b.
b b
bF
b b b
b b b
b b b
b b n
b b n
Jb
A2
Jbfl
Jfl
Jb
Jb
Jb fl
Jbb
J
jfl
jflf
Jb
jy Brake Drumfl
Jbb (div.)
Jbb (div.)
Jb (div.)
jfl
jfl
Jb
Jbb fl
Jbbfl
jnfl
Jbb
Jbb fl
Jbb
Jnb ?
jfl
Jb To Marimba
Jbb
Jbb
Jb
jflpizz.
jflpizz.
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&?
&
&
&
?
?
?&
&&
&
&
B
?
?
bb
bb
83
83
83
83
83
83
83
83
83
8383
83
83
83
83
83
83
83
83
43
43
43
43
43
43
43
43
43
4343
43
43
43
43
43
43
43
43
42
42
42
42
42
42
42
42
42
4242
42
42
42
42
42
42
42
42
44
44
44
44
44
44
44
44
44
4444
44
44
44
44
44
44
44
44
Timp.
I
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
Hp.
12
34
135 -
b .
-
b .
-
.
- . .
- . .
# -
. jfl
135
# - .
- .
# - .
# - . .
# - . .
# - .
j##fl
J Jb
f
J jbfl
f
J Jb
f
A2
jn
jb
f
jn
jb
f
Jb
jbb fl
J#
J
jfl
>f
-D C Bb Eb F Gb Ab
f
f
arco f pizz. >f
Jb
Jb
Jb
j.
j
Jfl
j
Jfl
jbfl
J#
jfl
jyBrake Drum> >
(l.v.)
Jbbdiv. 4
Jbbdiv. 4
R>
.
R>
.
139
139
>pizz.f >pizz.f
>pizz.
f
>pizz.
f
>f
gliss.
gliss.
~~~~~~~~~~~~~~
Glissando
gliss.
gliss.
gliss.
Moto Fuoco - Paul-Antoni Bonetti 2008
&&&?
&&&??
?&
&
&B?
?
Timp.
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
141
141
>pizz.
>pizz.
>pizz. >pizz.
pizz.
>
>
> >
>
Moto Fuoco - Paul-Antoni Bonetti 2008
&&&?
&&&??
?&
&
&
B
?
?
Timp.
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
145
j.F j.
145> > >
jflarco
pesante con fuocoperky and agitated, like a rap
J. J
.
Jarco
pesante con fuocoperky and agitated, like a rap
J. J.
J.
J.
j. j.
jfl(sim.) J
. J.
J(sim.)
J. J.
J. . .
J. . .
Sul GSul G/C
Sul G Sul G/D
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&?
&
&
&
?
?
?&
&
&
B
?
?
Timp.
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
149
j. j.
149
jfl
b . # . .jfl
b . # . .
b . # . . . > b . # . . . >
ww#wwwb
j. j.
jfl
b . # . .jfl
b . # . .
.. j.P
.. J.P
. j.P
b . # . . . >f b . # . . . >
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&?
&&&&??
?
&
&&B
?
?
Timp.
I (Mar.)
II
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
153
. J>
. J>
w Pcon sord.
. J>
Marimba
>Low Tom & S.D.
>>F
. .
153
jfl >f
R. .
.
J >f
R.
..
J> >f
J>
>f
w
J>
>FP
>>>F
flfl >f
fl
fl>f
>f
>f
. J>
. j#>
w Pcon sord.
. j#>
>>>F
. .
jfl >f
R. .
.
jfl >f
R.
J>
>f
j#> n>f
w
j#>
>FP
>>>F
flfl >f
fl fl>f
jfl >fJ
>f
Sul G
Sul G
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&?
&
&
&
&??
?
&
&&B
?
?
Timp.
I (Mar.)
II
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
157 . J>
. J>
w P
. J
>
>>
>F
. .
157
jfl >f
R. .
.
J >f
R
.
J> >
f
J>
>f
w
J
>
>FP
>>>F
flfl >
. .. >
jfl >. ..
>
ww Fw# F
w F
> > > > >
>
> > >
>
> > >
ww w
w
> > >
fl > > put bow down
}* (play bracketed notes if low D unavailable)
>}
>}
put bow down
Sul G
Sul G Sul D
Sul D
Moto Fuoco - Paul-Antoni Bonetti 2008
&&&
&
?
&
&&???
?
&
&&B??
B. Cl.
Timp.
I (Mar.)
II
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
Molto Ritmico
Molto Ritmico
161
fl . fl
flF . fl
jflperky and agitated
espres. jfl
jfl . .
jflA2perky and agitated
espres. jfl J
. .
j.F . . .
j.con sord.
F . . .
flcon sord. - cup mute
F fl
jfl
.F
.>
P. > .
> . .
yTambourine
P yY
sizz. cymb.* (med. mallets)F
161
fl fl
fl fl
flfl jfl
fl fl>
flfl jfl
fl fl
>
j. . j.
j. . j.
fl fl jfl
. .> . j> .
> J.
y y
fl . fl
fl . fl
jfl jfl
j#fl . .
jfl jfl
J . .
j. . . . j. . . .
fl fl jfl
. .> . > .
> . .
y y
fl fl
fl fl
fl #fljfl
fl fl >
flfl jfl
fl fl>
j. . j.
j. . j.
fl fl jfl
. .> . j> .
> J.
y y
fl . fl
fl . fl
jfl jfl
jfl . .
jfl jfl J
. .
j. . . . j. . . .
fl fl jfl
. .> . > .
> . .
y y
Moto Fuoco - Paul-Antoni Bonetti 2008
&&&
&
?
&
&
&
???
?
&
&
&
B?
?
B. Cl.
Timp.
I (Mar.)
II
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
166 fl
bfl
fl b
flfl jfl
fl fl>
flfl jfl
fl fl
>
j. . jb .
j. . j.
fl fl jfl
. bb .> . j> .
> J.
y y
166
bfl b . fl
bfl .
jfl jfl
jfl # . .
jbfl jfl
Jb n . .
jb . . b . . j. . . .
bfl fl jfl
bb . .> . > .
> . .
y y
b>pizz.
f >crescendo. . . j>
b>pizz.f
>crescendo. . .
J>
b
b
bfl#fl jfl
bfl flb>
bflfl jfl
bfl fl
b> b
jbb . . j.
senza sordino
j. . jbb .
senza sordino
bfl fl jfl
bb . .
> . j> . > J.
y y
b> j> j>
b> J> J>
bb
b
flcrescendo. . .
bfl jfl fl fl
>
bcrescendo. . .
b jfl > b
jb .con sord. - harmon (no stem)
f . j.
Jbb .con sord. - cup mute
f . J.
Jb .f . J.
bb .
f .
>f. j> .
> J.
yf yYf
jb .pizz.
crescendo. . .
. j.
jb .pizz.
crescendo. . . . j.
jb .pizz.
crescendo. . . . j.
b> j>
j>
b> J> J>
bb b
flbfl jfl
fl fl . .
b b jfl . .
jb . . . .
Jbb . . . .
Jb . . . .
bb .
.
> . j> . > . .
y y
jb . .
jb . .
jb . .
b> j>
j>
b> J> J>
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&
&
?
&&&
???
?
&
&&B?
?
43
43
43
43
43
4343
43
43
43
43
43
43
43
43
43
43
43
43
43
42
42
42
42
42
4242
42
42
42
42
42
42
42
42
42
42
42
42
42
44
44
44
44
44
4444
44
44
44
44
44
44
44
44
44
44
44
44
44
B. Cl.
Timp.
I (Mar.)
II
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
171 bb
b
flfl jfl
fl fl >
b jfl >
jb . . j.
Jbb . . J.
J. . J.
bb .
.
> . j> . > J.
y y
171 jb .
. j.
jb . . j. j.IV . j.b>
j> j>
b> J> J>
bb
b b
flfl jfl
fl fl # . .
b jfl . .
jb . . b . . Jbb . . . .
J. . n . .
bb .
b .
> . j> . > . .
y y
jb . .
jb . .
j. .
b> j>
j>
b> J> J>
Jb
Jbb
J
bfl fl
bfl fl
jbb fl jfl
Jbb J
Jn J
b .f .
Jbb .
.
>f >
Jy y
jb . j.
jb . j.
jn . j.
.b>>j>>
.b>> J
>>
Jbb
Jb
J
fl
fl
fl fl
jbb fl jfl
Jbb
J
Jn J
. .
Jbb .
.
> >
Jy y
jb . j.
jb . j. jn . j.
.>>j>>
.>>j>>
. . j.
Change to Bb Clarinet
. . j.
jbb fl
Jbb
senza sordino
Jn
. . j.
> > y
jb .
jb .
jn .
fl fl
fl fl
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&?
&&
&??
?
&
&
&
B
?
?
44
44
44
44
44
44
44
4444
44
44
44
44
44
44
44
44
44
Timp.
I (Mar.)
II
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
176
f.
fl . fl
fl1 fl
j.f . . . j.f . . . jflf
jfl
f j
.f
.>f. > .
> . .
yTambourine
f yY
sizz. cymb.* (med. mallets)f
176
> >
arcoVivace
f b
> >arco
Vivacef b
> >
arco Vivacef b
> >
j>f
>
> J
>f
fl fl
fl fl
j. . j.
j. . j.
jfl jfl
j
. .> . j> .
> J.
y y
>
f b .
.
>
f b .
.
>
fb . .
> j> j>
> J> J>
.
fl . fl
fl fl
j. . . . j.
. . .
jfl jfl
j
. .> . > .
> . .
y y
>
fb . .
>
fb . .
>
f b ..
> > j>
> > j>
fl fl
fl fl
j. . j.
j. .
j. jfl
jfl
j
. .> . j> .
> J.
y y
b . f espres.
. .
b . f espres.
. .
b . f espres.
. .
> j>
j>
> j>
j>
.
fl . fl
fl fl
j. . . . j. . . . jfl
jfl
j
. .> . > .
> . .
y y
. . F
. .
. . F
. .
. . F
. .
> > j>
> > J>
Moto Fuoco - Paul-Antoni Bonetti 2008
&&&?
&&
&??
?
&
&
&
B??
Timp.
I (Mar.)
II
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
181 b
fl bfl
fl b
j. . jb .
j. . j.
jfl jbfl
j
. bb .> . j> .
> J.
y y
181 bf
. . . .
bf
. . . .
bf
. . . .
> j> j> > J> J>
b b .
bfl b . fl
b
jb . . b . . j. . . . jbfl
jfl
b
j
bb . .> . > .
> . .
y y
bF espres.
b . b . b
bF espres.
b . b . b
bF espres.
b . b . b
b > > j>
b > > J>
bb
bb
jbb . . j.
j. .
jbb . Jb J
b j
bb . .
> . j> . > J.
y y
b b . . . b . b .
b b . . . b . b .
b b . . . b . b.
b > j> j> b > J> J>
b
b
j. . j.
jbb . . j.
Jb J
b j
bb . .
> . j> . > J.
y yYf
>
Molto Vivaceb . Jb espres.J. b .
>
Molto Vivaceb . Jb espres.J. b .
>
Molto Vivaceb . Jb espres.
J. b .
b > j>
j> b > J> J>
b
b
j. . . . jbb . . . . J
b J
b j
bb . .
> . j> . > . .
y y
J> b . b . >
J> b . b . >
J> b . b . >
b > j>
j> b > J> J>
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&?
&
&
&??
?
&
&
&
B
?
?
43
43
43
43
43
43
43
43
43
43
43
43
43
43
43
43
43
43
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
Timp.
I (Mar.)
II
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
186
b
b
j. . j.
jb . . j.
Jb J
b j
bb . .
> . j> . > J.
y y
186 > b . Jb - J. b - .
> b . Jb - J. b - .
> b . jb - j. b - .
b> j>
j>
b> J> J>
b
b
b b
j. . b . jb . . .
Jb J
b j
bb . b .
> . j> . > . .
y y
b b . b b
b b . b b
b b . b b
b> j>
j>
b> J> J>
Jbb
Jbb
J
jbb .f j.
jn .f j.
Jbf J
bf
.
J
bb .
.
>f >
Jyf y
b .Agitato
b n . b > n
b .Agitato
b n . b > n
b .Agitato
b n . b > n
.b>>fj>>
.b>>f J
>>
Jb
Jb
J
jb . j.
jn . j.
Jb J
senza sordino .
J
bb . .
> > Jy yb b . n . . J
b b . n . . J
b b . n . . J
.>>j>>
.>>j>>
>
A2 b> > B
bpizz.
bb flpizz.
nflpizz.
b
fl
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&?
&&
&
B??
?
&
&&B??
44
44
44
44
44
44
44
44
4444
44
44
44
44
44
44
44
44
44
Timp.
I (Mar.)
II
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
191
.
fl. fl
#fl . fl
A2
j.f . . . j.f . . . flf
fl>
Cantabile con fuocob . J espres.
J. . ?
flf fl
jfl
.F . j.
. .
>f. > .
> . .
yTambourine
f yY
sizz. cymb.* (med. mallets)f
191
fl fl
> > j>
>
> J>
fl fl #fl
fl
j. . j.
j. . j.
fl fl
J - - b - -
fl fl
jfl
. . j. . .> . j> .
> J.
y y
fl fl
> j> j> > J> J>
# .
#fl . fl #fl # .
j. . . . j.
. . .
#fl fl
swell
- # -
fl fl jfl
. . j.
# . .> . > .
> . .
y y
fl fl #
> > j>
> > j>
#
#fl fl #
j. . j.
j. .
j. #fl
fl.
f
fl fl jfl
. . j.
# . .> . j> .
> J.
y y
fl fl #
> j>
j>
> j>
j>
.
fl . fl #fl .
fl
j. . . . j. . . . fl
senza sordino
-f espres.
b . J- J. - .
fl fl
jfl
. . j. . .> . > .
> . .
y y
fl fl
> > j> > > J>
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&?
&
&
&
?
???
?
&
&&B??
Timp.
I (Mar.)
II
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
196 b
fl bfl #fl
b
b
j. . jb .
j. . j.
J# - - b - b - -
J# - - b - b - -
fl fl jfl
. . j. . bb .> . j> .
> J.
y y
196 b
fl bfl
> j> j> > J> J>
b b .
bfl b . fl bfl .
b
jb . . b . .
j. . . .b
F1
f- - b -
bswell
- - b -
bswell
- - b -
bfl fl jfl
b . . j. bb . .> . > .
> . .
y y
b
bfl fl
b > > j>
b > > J>
bb
b
b
b
jbb . bf
Cantabile con fuoco
b b
j. bf
Cantabile con fuoco
b b
bP
- b J.
f- b b .
f Jb .
.f Jb .
bfl fl jfl
b . . j. bb . .
> . j> . > J.
y y
b
b
b > j> j> b > J> J>
b
b
b
b - espres.
b . J- J. - .
b - espres.
b . J- J. - .
Jbf J
J.
.
J.
Jb . . J.
Jb . . J.
bfl fl jfl
b . . j.
bb . .
> . j> . > J.
Y
b
b
b > j>
j> b > J> J>
b
b
b
Jb b b
Jb b b
Jb J
J.
.
. .
Jb . . . .
Jb . . . .
bfl fl jfl
b . . j.
bb . .
> . j> . > . .
b
b
b > j>
j> b > J> J>
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&?
&
&
&????
?
&
&
&
B
?
?
43
43
43
43
43
43
43
43
43
43
43
43
43
43
43
43
43
43
43
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
Timp.
I (Mar.)
II
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
201
b
b
b
b fb
b fb
Jb J
J.
.
J.
Jb . . J.
J. . J.
bfl fl jfl
b . . j.
bb .
.
> . j> . > J.
201 b
b
b> j>
j>
b> J> J>
b
b
b b
b
b
b ## n
b ## n
Jb J
J.
.
b .
Jb . . b .
J. . .
bfl fl jfl
b . . j.
bb .
b .
> . j> . > . .
b
b
b
b> j>
j>
b> J> J>
Jbb
Jbb
Jb
Jb
fl b>A2
J
fl b>A2
J
A2 b> J
Jb . J.
Jb . J.
J. J.
bflf fl
b .f .
Jbb .
.
> >
Jb
J
Jb
.b>> j>>
.b>> J>>
Jb
Jb
J
Jb
#fl > J
#fl > J
# > J
Jb.
J.
Jb . J.
Jn . J.
fl fl
. .
Jbb .
.
> >
Jb
Jb
J
.>>j>>
.>>j>>
b
b
fl
J# >
J# >
J# >
Jb.
Jb . Jn .
jfl
j.
bb > To B.D.
>
b>
bb >
n>
b>
>
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&
?
&
&
&
?
?
?
&&
&
&
B
?
?
bbbb
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
Timp.
I
II
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
Hp.
12
34
Agitato
Agitato
206 #
> nA2 b>
##
> bn fl b>##
n> # nn fl b>
#
> >
##
n> # nn b>
##
n> # nn b>
#fl> n
b >
#
> b>
#
> >
206 arco
>
b>
#arco
>
bfl
b>#arco
>
>
f
Jb
f Jb
f Jb
A2
j.
f j
Jfl
f j
Jfl
jbfl
J#
j
Jfl
>f
jy>Brake Drum
-D C Bb Eb F Gb Ab
f>
(l.v.)
Jbb div. 4
Jbbdiv. 4
f
R>
.
arco fR>
.
pizz. >
con animato
A2 b . J
con animatobb . J
b
con animato. J
bcon animato
. J
> R
.
>r..
> R
.
. b> R
.
.
>r..
>r..
>B.D.
f
>F
S.D.
y>Chain Tree**Chain lengths susp. over Tam-Tam stand struck with metal hammer
P
b .con animato
F . j.
.con animato
F . j.
>r..
>r..
J. . J -
J. b . j# -
J. . j -
Jb. . J#
-
>
y>
jb . . . j. -j. . . j# . -
gliss.
gliss.
~~~~~~~~
Glissa
ndo
gliss.
gliss.
gliss.
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&?
&&
&??
?
&&B??
Timp.
I
II
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
210
b . J
b . J
#n . J
#
#. J
> R
. > R
.
. > R
.
. b > R
.
. >
r..
>r..
> > y>
210
. . j. # . . j.>
r..
>r..
J. . J -
J. b b . J
-
J# . b n . j# -
J#. n . J
-
> y>
j. . .
j. -j# . n . . j. -
## . J
#
# . Jn
. J
b. J
> R
. #> R
.
. #> R
.
. b> R
.
. >
r..
>r..
> > y>
. . j. b . . j.>
r..
>r..
J# . n . Jb -
J# . . j# bb -
J.
. j -
Jb.
b .
J -
> y>
j. b . . j. -jb . . . j. -
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&
?
&&
&
??
?
&&B??
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
Timp.
I
II
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
214
b . Jb
#
b . Jb
. J
. J
b > R
. b >
R.
.
b > R
.
.
b > R
.
. >
r. .
>r.
.
> >
y>
214
. . j. . . j.>
r. .
>r.
.
J. b b . Jn
-f crescendo
-
J# . bb bb . jn# -f crescendonb -
J.
. j-f crescendo-
J.
.
J-
f crescendo-
>
y> To Susp. Cymbal
j. . . j- -j. . . j- -
- - b - -# - # - n - -## - - - -n - b - # - -
-f - # - -n -f b - - -
Moto Fuoco - Paul-Antoni Bonetti 2008
&
&
&
?
&
&
&
?
?
?
&
&
B??
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
42
83
83
83
83
83
83
83
83
83
83
83
83
83
83
83
83
83
83
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
Timp.
I
II
III
Cb.
Vc.
Vln. II
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Vln. I
Vla.
Perc.
Hrn.
Tpt.
Trb.
B.Trb &
Tuba
Fl. 1 & 2
12
34
217 Jb
-f crescendo
- # > n - b - b - jb -f crescendo
- # > n - b - b - j-f crescendo
- ## > - - -
j# -f- #n > - - -
jfl .
Jb
.
jfl .
rfl . rfl .
Rysusp. cymb.
.
217
J-(sim.)
- > - b - - J
-(sim.)
b - > - bb - - J# -
(sim.)
bb - > n - bb - # - J-A2 f crescendo
- > - b - -
jb - - b > - - -jfl
.
Jb .
jfl .
rfl . rfl .
Ry .
J-
- > - bb - -
jb - bb- > n# - b - n -
J- b - # > # - - -
J-(sim.)
- > - b - -
j-A2f crescendo- > -
- - j# - - n > - - -
j#fl .
Jb .
jfl .
rfl . rfl .
Ry .
J-
f crescendo-
J-f crescendob -
J#-
f crescendon -
J-f crescendo-
J# -f crescendon -
J# -
f crescendo-
bfl-f crescendo
-
bb
n -f crescendo
b -
-
f crescendo-
Jfl
jfl
rfl rfl
Ry
jflpizz.
> - b -
# > # - n -
## > # - n -
> - b -
## > # - n -
# > - -
>- b -
> - b -
# > - - .
J > >
(Floor Tom)
>
Jb
Jbb
J