MTRACY HELMUS II INTERIOR DESIGNER II [email protected]
Growing up as a child, I would love to look at old, run down buildings, and then imagine what they could look like if someone cared enough to put some time and hard work into transforming the broken into something beautiful. As I have pursued a degree in interior design, I realized that I could be that someone to put the time and hard work into not only restoring beauty, but also creating innovative designs that can alter the way we see the world around us.
My objective with interior design is to use the abilities God has given me to design spaces that allow people to experience exactly what they need. Whether it is performing at the maximum level in the workplace, bringing comfort and peace to the healthcare patient, or stimulating success in the classroom, interior design has the ability to create an atmosphere that accommodates more than the client thought possible.
I would characterize myself as a hard worker with a desire to learn as much as I can about the people and places around me so I can contribute in a way that will make a difference to the world of design. I want to collaborate with fellow designers in the pursuit of excellence by being challenged and pushed to new limits. The art of interior design has the potential to make the world a more beautiful and innovative place, and I look forward to the part I will play in contributing to creative design solutions.
“RECOGNIZING THE NEED IS THE PRIMARY CONDITION FOR DESIGN” -CHARLES EAMES
JAPANESE RESIDENCE 8
Introduction of project and areas of focus;Conceptual images for inspiration
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Floor plan; site plan; solutions for universal and bariatric design
Rendered elevations and perspectives of different spaces; material selections
RCP with lighting plan and lighting selections
HIGH END RETAIL 4
Introduction of project and areas of focus;Conceptual images for inspiration
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Programming and schematic phases; floor plan
Exterior elevation and window display; materials and finishes
Rendered perspectives; branding strategy
HEALTHCARE FACILITY 12
Introduction of project and areas of focus;Conceptual images for inspiration
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Demolition plan; conceptual sketching
Rendered perspectives of spaces; concept exploration
Rendered Floorplan; rendered perspective; Alzheimer considerations
TABLE OF CONTENTS
MTRACY HELMUS II INTERIOR DESIGNER II [email protected]
TABLE OF CONTENTS
BANK HEADQUARTERS 20
Introduction of project and areas of focus;Conceptual images for inspiration
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Floor plan with legend; perspective renderings
Rendered elevations and perspectives
Board arrangement; material selections; finish schedule; product specification sheet
24Branding and graphic work
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Fine art pieces; drawings, renderings, photography
Resume- education, past experience, qualifications, honors and activities, organizations, contact information
COMMUNITY CENTER 16
Introduction of project and areas of focus;Conceptual images for inspiration
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Rendered floor plan; board arrangement; furniture selections
Lighting selections; Board arrangements; acoustic treatments
Rendered perspectives and floor plans
MISCELLANEOUS W
ORK
“RECOGNIZING THE NEED IS THE PRIMARY CONDITION FOR DESIGN” -CHARLES EAMES
CONCEPTUAL GOALS:
Luxury: The opulent and lavish ambiance of sleek design will elevate each customer to a higher level of sophistication than found in other retail stores
Radiance: The lighting used throughout the store will illuminate the products in a way that showcases the irreplaceable attribute of each accessory, encouraging the customer to purchase them
Imagination: Conceptual three-dimensional artwork will be exhibited among the different displays representing the products to add a unique feature to the store that creates the atmosphere of an art gallery that focuses on the products
Relief: The welcoming aura will encourage consumers to develop relationships with the employees while finding an oasis within the store that invites them to relax and properly satisfy their shopping needs
HIGH END RETAILTORONTO, CANADA
NOTES:-Collaborated with fellow designer Chelsea Crawford, with my specific contrubutions focused on the first floor
-Target market and industry analysis performed to develop a branding strategy
-Special considerations include accomodating high-end client needs, product promotion, luxurious materials
PROGRAMS/TECHNIQUES USED:-AutoCAD, 2012-Google SketchUp-Adobe Photoshop, CS5.1-Adobe InDesign, CS5.1
AREAS OF FOCUS:-Programming and Schematic phases-Space Planning-Finished Renderings-Exterior Facade and Window
Bisha Hotel, Toronto Bisha Hotel, Toronto
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MTRACY HELMUS II INTERIOR DESIGNER II [email protected]
FIRST LEVEL FLOOR PLANSPACE ALLOCATIONCUSTOMER JOURNEY
BUBBLE DIAGRAM
CONCEPTUAL IMAGERY
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“RECOGNIZING THE NEED IS THE PRIMARY CONDITION FOR DESIGN” -CHARLES EAMES
L EMovable panels that hang from the
ceiling; changed Based on product
featured in window
Men’s Cigar Lounge
Textured wall pattern made on stone
Store name “LUXE ELEVEE” engraved in stone
Custom Window Panes
L E
MATERIALS AND FINISHES
EXTERIOR ELEVATION
DETAILED EXTERIOR ELEVATION
ENTRANCE PERSPECTIVE
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MTRACY HELMUS II INTERIOR DESIGNER II [email protected]
BRANDING STRATEGY:From the French language, Luxe Elevee is translated into “elevated luxury,” an atmo-sphere that the high-end store will strive to provide for the customers through elegant design and a layout conducive for shoppers to easily access the assistance of employ-ees. Our concept surrounds the idea that the customer’s experience and relationship with the brand is an essential part of the retail world, and Luxe Elevee will develop
into a name that consumers can trust and become loyal to.
The name of the retail store will be engraved on the ground so it is the first and the last thing a consumer sees when visiting the store, allowing Luxe Elevee to leave a lasting impression on the customer. Branding will be in certain areas of the store by using signage with the Luxe Elevee name on it, but it will focus more on the name itself than on imagery. The ambition behind this is to solidify who Luxe Elevee is as a brand, but allow the customer to create his or her own imagery of the store based on their experience with Luxe Elevee.
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“RECOGNIZING THE NEED IS THE PRIMARY CONDITION FOR DESIGN” -CHARLES EAMES
PROBLEM STATEMENT:The design for the Taro family home should encompass both the American design elements of the Miller House, while also incorporating the tradition and simplistic, nature-inspired aesthetic of the Japanese culture. To achieve the desired affect of the home, certain Japanese elements need to be added such as shoji panels and tatami mats, while also providing freedom of movement to maneuver comfortably throughout the home.
CONCEPT STATEMENT:The Taro family’s home will capture the spirit of Shibui design by drawing inspiration from nature and reflecting it into the home, creating a feeling of harmony and poise within the space. The synthesis between sleek elegance of Japanese tradition and contemporary designs inspired by Alexander Girard form a dichotomy of aesthetics that will merge together to form one unified design. Visitors will feel a sense of welcome and intimacy when gathered together as the home will embrace the importance of a Centralized community. The open layout will allow freedom of movement for the family without surrendering the sense of a close-knit atmosphere.m
JAPANESE RESIDENCEKYOTO, JAPAN
NOTES:-Exterior shell taken from the Eero Saarinen Miller House in Columbus, Indiana
-Floor plan was determined us-ing the Ken system native to Japanese design with the use of Tatami mats
-Special considerations include bariatric and universal design solutions, cultural accomodations
PROGRAMS/TECHNIQUES USED:-Hand Drafting-Hand Rendering, Chartpak Markers-Adobe Photoshop, CS5.1-Adobe InDesign, CS5.1
AREAS OF FOCUS:-Universal design solutions-RCP and Lighting selections-Kitchen and Living Room renderings
Miller House, Columbus, IN
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MTRACY HELMUS II INTERIOR DESIGNER II [email protected]
[1] All walkways and doorways are a minimum of 5’-0”
[2] No Upper cabinets in kitchen for easy access
[3] Kitchen Sink ADA approved
[4] Visible fire extinguisher in kitchen 48”AFF
[5] Bench Sitting Throughout House for user to determine space requirements
[6] Grab bar located in bathrooms 36” AFF
UNIVERSAL DESIGN SOLUTIONS
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FLOOR PLAN SITE PLAN
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“RECOGNIZING THE NEED IS THE PRIMARY CONDITION FOR DESIGN” -CHARLES EAMES
MATERIALS AND FINISHES
KITCHEN ELEVATIONS LIVING ROOM ELEVATION
GARDEN WALL ELEVATION
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KITCHEN PERSPECTIVE
MTRACY HELMUS II INTERIOR DESIGNER II [email protected]
REFLECTIVE CEILING PLAN
LIGHTING SELECTIONS
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“RECOGNIZING THE NEED IS THE PRIMARY CONDITION FOR DESIGN” -CHARLES EAMES
HEALTHCARE FACILITYPERU, IN
NOTES:-Project produced in Spring 2013 for employer TLC Management
-All furniture and fabric selections were chosen from Direct Supply
-Special considerations include Alzheimer needs, location of facility, material selections
PROGRAMS/TECHNIQUES USED:-Google SketchUp-Adobe Photoshop, CS5.1-Microsoft Excel
AREAS OF FOCUS:-Demolition Plan-Conceptual Development-Finished Renderings
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CLIENT REQUESTS FOR THE PROJECT:
-Design will satisfy the needs of the current residents, attract new residents to Caring Hands, and encourage family members to visit
-Material selections should adequately address Alzheimer needs
-The entrance to each resident room should feel like an apartment doorway
-Nurses’ Station should be centralized in the space
-Areas to be designed include lounge, dining room, activity room, nurses’ station
MTRACY HELMUS II INTERIOR DESIGNER II [email protected]
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DEMOLITION PLAN
WALLS/OBJECTS TO BE REMOVED
EXISTING WALLS/OBJECTS TO REMAIN
LEGEND
CONCEPTUAL SKETCHING
“RECOGNIZING THE NEED IS THE PRIMARY CONDITION FOR DESIGN” -CHARLES EAMES
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VIEW OF FIREPLACE READING ROOM VIEW OF LOUNGE FROM NURSES STATION
VIEW OF HALLWAYCONCEPTUAL EXPLORATION FOR DOORWAYS
MTRACY HELMUS II INTERIOR DESIGNER II [email protected]
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VIEW OF LOUNGE AND DINING ROOM
RENDERED FLOORPLAN
ALZHEIMER CONSIDERATIONS
-Large contrast between floor and walls
-Shadow boxes at the entrance to each resident room
-Room for reading, listening to music, or other activities that stimulate the memory
-Brighter colored activity room to energize the residents and encourage activity
“RECOGNIZING THE NEED IS THE PRIMARY CONDITION FOR DESIGN” -CHARLES EAMES
COMMUNITY CENTER
Problem Statement: The design for the Community School of the Arts should address the inadequate space for studios and classrooms and the dilapidated condition of the project space. The disconnect between the site’s exterior and interior hinders the commemoration of the historical attributes of the CSA and the city of Marion. To encourage and maintain the capacity of increased enrollment, the design needs to be a functional learning environment that fosters an inviting and creative atmosphere.
Concept Statement:The Community School of the Arts will capture the essence of creativity and innovation by using local success stories to inspire students to write their own success stories. The design will reflect a modern take of the Art Deco period while maintaining functionality and cohesiveness in the space. The goal of embracing the rich history of Marion in a creative yet professional manner will be achieved by a sophisticated yet welcoming ambience of nostalgic warmth.
MARION, IN
NOTES:-Collaborated with fellow designers Chelsea Crawford, Emily Smith, Jonica Klein, and Holly Taylor
-My specific design contributions include the intermission space, music hallway, and art gallery
-Special considerations include acoustical treatments for music areas, cohesion with existing structure, creating opportunities for investors to become involved in the project
PROGRAMS/TECHNIQUES USED:-AutoCAD, 2012-Google SketchUp-Adobe Photoshop, CS5.1-Adobe InDesign, CS5.1
AREAS OF FOCUS:-AutoCAD Floor plans-Presentation Board Layouts-Finished Renderings
CSA, Marion, IN
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MTRACY HELMUS II INTERIOR DESIGNER II [email protected]
FURNITURE SELECTIONfor gallery and lobby cafe
PRESENTATION BOARD LAYOUT
FIRST LEVEL FLOOR PLAN
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“RECOGNIZING THE NEED IS THE PRIMARY CONDITION FOR DESIGN” -CHARLES EAMES
THIRD LEVEL FLOOR PLANMUSIC HALLWAY PLAN VIEW AND ELEVATION ON SECOND FLOOR
INTERMISSION SPACE PERSPECTIVES
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MTRACY HELMUS II INTERIOR DESIGNER II [email protected]
PRESENTATION BOARD LAYOUTS
LIGHTING SELECTIONS ACOUSTIC TREATMENTS
Sound-absorbing ceiling tilesPaintable and printable acoustical wall panelsCarpet in music roomsSound-absorbing ceiling clouuds by Armstrong
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“RECOGNIZING THE NEED IS THE PRIMARY CONDITION FOR DESIGN” -CHARLES EAMES
BANK HEADQUARTERS
CONCEPT STATEMENT:
The regional headquarters of IBT located in Abu Dhabi, UAE will provide an engaging work environment that maximizes work performance and promotes the international company brand while embracing the diverse culture of the local people and traditions of that region. The design will synthesize the modern upbringing of Abu Dhabi with the rich heritage of the United Arab Emirates by creating a modern, sleek interior with an incorporation of Middle Eastern and Islamic references. A variety of collaborative workspaces will contribute to the flexibility of the bank headquarters to accommodate all the needs of both the permanent and temporary workers.
NOTES:-Submitted for Indiana ASID Design Competition, 2013
-All furniture and textile specifications chosen from KNOLL, INC.
-Special considerations include cultural accomodations, flexible work environment, relationship of public and private spaces
PROGRAMS/TECHNIQUES USED:-REVIT, 2012-Adobe Photoshop, CS5.1-Adobe InDesign, CS5.1-Mircosoft Excel
AREAS OF FOCUS:-Space Planning-Finished Renderings-Furniture and Finishes selections
ABU DHABI, UAE
City of Abu Dhabi
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MTRACY HELMUS II INTERIOR DESIGNER II [email protected]
TENTH LEVEL FLOOR PLAN
1000
1001
1002
1003
1004
1005
1006
1007
1008 1009
1010
1011
1012
1013
1014
1014
1014
1015
1016 1017
1014
ENTRANCE PERSPECTIVELOUNGE SEATING DETAIL
FLOOR PLAN LEGEND:
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
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1014
1015
1016
1017
RECEPTION
CONFERENCE ROOM
CONFERENCE ROOM
CONFERENCE ROOM
VIDEO CONFERENCE ROOM
COLLABORATON ROOM
MANAGER OFFICE
MANAGER OFFICE
MANAGER OFFICE
MANAGER OFFICE
MANAGER OFFICE
MANAGER OFFICE
STORAGE ROOM
COPY ROOM
OPEN OFFICE SPACE
CAFE
PRAYER ROOM
PRAYER ROOM
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“RECOGNIZING THE NEED IS THE PRIMARY CONDITION FOR DESIGN” -CHARLES EAMES
ENTRANCE TO MANAGER OFFICE AND CONFERENCE ROOM CUSTOM SEATING PERSPECTIVE WITH ACOUSTIC TREATMENTS
CAFE PERSPECTIVELEFT:WORK AREA SEATING WITH COLUMN DESIGNS
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MTRACY HELMUS II INTERIOR DESIGNER II [email protected]
KNOLL TEXTILE UPHOLSTERIES
SPECIFICATION SHEET
FINISHES SCHEDULE
PRESENTATION BOARD LAYOUT
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“RECOGNIZING THE NEED IS THE PRIMARY CONDITION FOR DESIGN” -CHARLES EAMES
MTRACY HELMUSINTERIOR DESIGNER
5235 W. 141st St. Crestwood, IL [email protected]
www.linkedin.com/in/tracyhelmus708.217.4668
ASID, IIDA
BRANDING/GRAPHICS
POSTCARD MAILER FOR COMPANY- FRONT RECEPTION INVITATION
BUSINESS CARD
WEDDING INVITATION
PROJECT LOGOS
BACK
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MTRACY HELMUS II INTERIOR DESIGNER II [email protected]
OTHER ARTWORK
ABC PHOTOGRAPHY
WATERCOLOR RENDERINGSMARKER RENDERINGS
CERAMICSPENCIL DRAWING
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TRACY HELMUSOBJECTIVE My objective is to obtain a full-time position with an architectural or interior
design firm that specializes in commercial projects. My primary goal in my first year of work is to be challenged with new projects while collaborating with other designers in order to contribute to an enhanced creative work experience resulting in innovative design.
INDIANA WESLEYAN UNIVERSITY Expected graduation April 2013 BS., Interior Design, CIDA accreditation pending BS., Business Administration GPA- 3.93/4.0
EDUCATION
WORK EXPERIENCE TLC MANAGEMENT, October 2012-present Marion, IN Design ConsultantConcept development and material selection for healthcare facility renovations; furniture and finishes schedules; interaction with client and suppliers; SketchUp renderings
INDIANA WESLEYAN UNIVERSITY, September 2012-present Marion, IN Interior Design/Mac Lab assistantAutoCAD, Revit, or the Adobe Creative Suite instruction; authored the IWU interior design manual; administered CIDA accreditation tasks for the site visit
BANK FINANCIAL, May-August 2012 Burr Ridge, IL Intern/Design ConsultantConcept development and material selection for bank lobby renovations; meetings with bank branch managers; AutoCAD floor plans, SketchUp renderings, and material boards; shadowed facility manager
QUALIFICATIONS COMPUTER SKILLSAutoCADRevitGoogle SketchUpAdobe Photoshop, InDesign, and IllustratorMicrosoft Word, Excel, PowerPoint
DESIGN SKILLSHand drafting and renderingSpace planningPresentation boards3D model buildingConstruction documents
Finalist for Student Leadership Award hosted by the Student Alumni Association, 2013One of the top 3 designs for entrance into the Indiana ASID Design competition, 2013 Received honorable mention for best utilization of international/global researchDean’s List, 2009-2013NeoCon- Merchandise Mart, Chicago, IL, 2013Healthcare Facilities Symposium and Expo- Navy Pier, Chicago, IL, 2012Design Interaction Day- Ball State University, Muncie, IN, 2012 and 2013IWU Reach Week volunteer- Marion, IN, 2010IDEC conference volunteer- Indianapolis, IN, 2013Pass It On Thrift Center volunteer- Crestwood, IL, various times
HONORS/ACTIVITIES
REFERENCES Available upon request
American Society of Interior Designers Student Member ID #1935454, 2011-present Student Chapter Treasurer, 2011-present
ORGANIZATIONS
Students in Free Enterprise (now called Enactus) Student Member, 2010-2011
International Interior Design Association Student Member ID #1027137, 2013-present
CONTACT Home Address5235 W. 141st ST.Crestwood, IL 60445
School AddressIWU 1277 Student CenterMarion, IN 46953
Personalc: 708.217.4668e: [email protected]: www.linkedin.com/in/tracyhelmus
INTERIOR DESIGNER
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