• Long shot of lead singer sat on a bench from the back. This can relate to Dyers paradox of being simultaneously present and absent as the singer can be seen but his face cannot and he is therefore more distant and not breaking the 4th wall

• Album title written in serif font across the top of the bench. The serif font should reflect the folk genre more as it holds more traditional and older connotations and appears more vintage

• Band name in their typical logo font at the bottom as this was the position we had seen it in on the other albums when carrying out our research

• Lead singer sat on the bench from the front view. This will give the digipak a continuous aesthetic throughout as the front and back panels relate to each other. This also causes the singer to appear as present by using first person mode of address whereas he is more absent on the front panel.

• The track listing will be positioned across the top, this is slightly unconventional of many track lists as this one reads left to right rather than numbers straight down in a typical list format. We have decided to lay it out this way as we came across this when researching the other Mumford and Sons digipaks and thought this was effective.

• The inside panels will be the whole band and their instruments by a tree

• This location should add to the folk atmosphere we are trying the create as it is very rural

• They will be wearing vintage clothes such as blazers, flannel shirts and brogues

• This will be positioned as a split in half image which will sit on either side of the panel which holds the disc

• The disc will sit in the middle panel and will be a simple aesthetic due to our previous research

• The block colour of the disc will be white as the album is called ‘sigh no more’ and this connotes a fresh start

• The font will be the same as that on the front panel to maintain continuity