ART NOUVEAU ARCHITECTURE Mahak Gupta14 arch 014B.arch 3 YEARA.C.A, Agra

Sheet No 1

Sign

Date20/03/17

CHURCH OF SAGRADA FAMILIA (1882-1926)•Architect : Antonio Gaudi•Location : Barcelona, Spain•Construction: Masonary System

Altar major, located under the central copula, Before the choir

Seven apsidal chapels dedicated to pains & joys of San Jose

Sacristy and dependencies for the objects of the Cult

Cloister surrounding the church

Facade of the Passion or the Death of Christ

Façade of the Birth and childhood of Jesus

Baptistery of the church Chapel of Penance and confessionals

Facade of gloryPurification by water. Jet of 20 meters of height.

Purification by fire. Triple giant torch

Plan of Sagrada FamiliaInterior

• Partly inspired by the Catalan gothic, showing traces of Cubism, and commonly associated with Art Nouveau, the Sagrada Familia fits into no single stylistic category. Like many before him, Gaudi drew upon nature and exploited local methods of workmanship.

•The church of the Sagrada Familia is a five-naved basilica.The central nave rises above the others significantly.•To each nave a door is assigned to the unfinished glory facade. •There are also two side portals that lead to the penance chapel and baptistery.• Behind the nave, in the apse, is the altar, in the light of the many windows of the apse.•The columns are inclined and branched-like trees. The weight will be routed directly over the pillars in the ground - all this without bearing facade or exterior buttresses.

Vertical and partly inclined pillars are decorated with grooves.

Gothic-style apse is surrounded by seven chapels and two side stairs

Spiral staircases from the crypt continue to facades

Upper portion of vault of the nave The ornamented interior of the Basilica Use of stained glass windows

ExteriorStructured in three large portals:1. Portal of Charity• Sculptures of: (1) the Adoration of the Magi, (2) the Adoration of the Shepherds, (3) of the Nativity, (4) the Star of Bethlehem, (5) the Annunciation (6) the coronation of Mary2. Portal of Hope• Sculptures of: (9) the Flight to Egypt, (10) the Massacre of Innocents, (11) Jesus among the Doctors, (13) the Ship of Saint Josephn(12) the Marriage of the Virgin3. Portal of Faith• Sculptures of: (15) Jesus as a Carpenter, (16) Jesus prophesizing (14) the Visitation (17) Presentation of Jesus

Ornamented exterior of church Long section through Nave

Long spire

Vaulting

Pillars

Crypt

Entrance to the church Staircase leads to the church

Design

Construction System

Firstly, a vertical integration of efforts and reduction of horizontal thrusts, so that external structural buttresses can be removed.; secondly, a double stone dome, for extending the building life. And finally, he devised inclined and branched columns that imitate the bough-trunk structure of a tree.

ART NOUVEAU ARCHITECTURE Mahak Gupta14 arch 014B.arch 3 YEARA.C.A, Agra

Sheet No 2

Sign

Date20/03/17

Hill House (1902 to 1903 )Architect : Charles Rennie Mackintosh Location : Helensburgh, Scotland  Construction System : Bearing masonry Climate : TemperateContext : Rural or suburban Style : Art Nouveau Notes : Asymmetrical romantic massing. Design

•The narrow building stretches west to east with an entrance off the road to the west, so that all major rooms face south to the view of the estuary. •At the eastern end of these major rooms a wing extends north, with rooms for the kitchen and services and the children. •Out of these simple wings volumes extend, a curving stair volume to the north, a sunny drawing room bay to the south, a curved bay for the bedroom, compositional extrusions in the simple major volumes which focus views and bring in light.•Hill House, the largest and finest of Mackintosh's domestic buildings, occupies a hillside side that looks out over the Clyde estuary, and is surrounded by grounds meticulously landscaped by Mackintosh, who went to the extent of instructing that the trees be clipped according to his manner of drawing them.• Built from local sandstone and rough-cast rendered, the house bears the image of Scottish baronial traditions.

Ground Floor Plan First Floor Plan

Interior• Mackintosh used different materials, colours, and lighting, when necessary to perform a full experiential transition from one point to another .• All in such an elegant and well planned manner, that with the absence of one the other would mar. • Delicately stenciled interior decoration using designs of roses, thistles & other plants creates the feel of an indoor garden enhanced by clever use of abundant natural light provided by the open site, overlooking the Firth of Clyde. • The stylish fittings & furniture, include Mackintosh’s famous ladder black chairs.• Beautiful decorative coloured glass & tiles are used throughtout.

Exterior• The uniform and grayish exterior treatment of the building blends with in with the cold cloud sky of Scotland. • The completely asymmetrical construction forms different roof level and shapes, and also records Mackintosh’s appreciation for A.W.N. pugin’s picturesque utility where the exterior contour evolves from the interior planning.• The minimum decoration, heavy walls, and rectangular and square windows express a strong, sober construction.• The exterior qualities of the building are nearly the opposite of the warm, exotic, carefully decorated and smooth interior.• Again, Mackintosh relates to Pugin’s theory by minimizing exterior decoration to emphasize the interior design: the transition from outside world into a safe, fantastic inside space.• Paint analysis of the harling on the exterior shows that it might have been left as an unpainted pale grey initially •The house is load bearing stone masonry. The local codes discouraged brick masonry, as it would have lowered the standard of construction in the wealthy community. Over the stone is applied a mixture of cement and crushed pebbles. This gives added protection against infiltration of the elementsSecond Floor Plan

Trademark motifs used in the Hill House

Dining room of Hill House

Bedroom of the Hill house

Front view of the grayish exterior Back view of the grayish exterior View of doorwayELEVATION OF THE HILL HOUSE

Material• Largely snecked rubble, with brick used for the gable and the upper parts of the chimneys. • The use of stone is said to have been a condition of the feu. The quarry has not so far been identified. It is a porous red sandstone.•It has not always been laid correctly, which has caused it to be weakened by water ingress. • Mackintosh chose Ballachulish slates for the roof.