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The Importance of Being Earnest by Oscar Wilde
By: Ben Le, Danh Nguyen, Katelynn Tran, Elaine Tran (Group 7)
THEA 1331: Jon EggingTA: Park Fetch
Choose the script
Be involved in casting
Determine the “spine” of the play
Shape the “spine” and implement the theme of
the play
Determine the style that compliments the spine
Develop a directorial concept for the play
Objectives of the Director
John Worthing: Hugh Laurie
Laurie is known for his roles in many British comedy’s and sketches, most notably his role in “A Bit of Fry and Laurie.” His comedic timing and dry wit can bring out the satire in “The Importance of Being Earnest.”
Algernon Moncrieff: Sacha Baron Cohen Cohen has made a living on satirizing
different leaders and peoples around the world e.g. “Borat” and “Ali G.” His wit will also serve to enahance Oscar Wilde’s satire and compliment Laurie’s main role.
The Cast
Gwendolen Fairfax: Anne
Hathaway An Academy-Award winning actress with a
background in theatre.
Cecily Cardew: Amanda Seyfried Seyfried is a popular actress who has
played similar characters in “Les Miserables” and “Sweeney Todd”
Mr. Chasuble: Ian McKellen Another character with a background in
theatre who can provide a character who contrast to the rest.
The Cast (cont.)
Lady Bracknell: Meryl Streep
Miss Prism: Maggie Smith
Merriman: Alan Rickman
Lane: Michael Caine
The Cast (cont.)
The “spine” is the main action that
motivates the play. The director must decide on the spine to revolve the play around.
The overwhelming satire of upper class reputation and the constant deception in the play dictates that the spine must be the maintaining of one’s status or reputation. Most actions taken by the play’s characters
are motivated by maintaining their reputation whether it be talking about trivialities or lying to keep up appearances.
The “Spine” of the Play
A play’s style is “the manner in which the spine is
to be articulated.” The style must be appropriate and consistent. The style is a way for the director to leave his/her
imprint on the production. The style of expressionism fits Oscar Wilde’s “The
Importance of Being Earnest” best. Through the conversations in the play, Wilde gives outward
expression to inner feelings; this is the exact definition of an expressionistic style.
This style, in which Wilde’s opinions and satire are effectively brought out, will articulate the play’s spine most effectively.
The Style of the Play
The time period in which the play may take place can
range from Elizabethan to modern times. The idea of the upper class and their behaviors stand true for most time periods.
A centralizing image of the play may be a handbag. Handbags are common to the upper class and it is also where the play’s protagonist is found as an infant.
The concept should stay as true to Wilde’s original script and idea as possible. It satirizes the upper class effectively and is still relevant today with the exception of some of the trivialities that characters ramble on about.
Directorial Concept
Goals Create a setting on stage for performers Be able to show the mood of the play through the set
For relaxed mood we would use easy and simple sets and uplifting music
For rigid and proper mood we would use complex sets and slow classical music
Help differentiate between realistic and non realistic location of the set
Have an open mindset, design concept in your mind to collaborate with the products and directors.
Be able to establish the setting and time period of the play Also be able to provide a visual metaphor of the set
An example from this play with the cigarette case
Set Designer
The setting is in the afternoon at
Algernon’s flat in Half-Moon St. in London. The year is 1895.
The set would fill his apartment with elegant things and designer furniture to fit the time period and Algernon’s class.
You would have a large chandelier hanging in the middle of the room to show how rich he is.
Visual metaphor – is the Cigarette case. It has the words “dear Uncle Jack” written on it. To tie to the theme about being Earnest.
Act 1
The setting was still at
Algernon’s apartment, but this time it was in a different room. As Lady Bracknell and Gwendolen arrive to his house, they went to the living room.
There would be fancy sofas, and a fancy corner for when “Ernest” and Gwendolen sit and talk about their love.
Act 1 (cont.)
The setting is Jack’s manor house.
A house with a magnificent garden, with a background like a Victorian style, very elegant
Lots of roses and plants to show how big the garden is
The Act would start with Miss Prism trying to teach Cecily German while she is watering the roses in the garden.
Act 2
The second set would still
be outside in the garden but this time it is near the front door.
Jack and Algernon are caught lying, when Jack says Earnest has died and that the cigarette case would be visible on stage
The set would then move to inside the house as they walk into the house while arguing.
Act 2(Cont.)
The setting is still Jack’s Manor
House As Jack and Algernon are sitting
and talking in the garden. They were confronted by Cecily and Gwendolen
The two has to try and make up excuses to explain why they lied about their names
The Cigarette case is represented as Jack.
After trying to come up with the excuses the men decided to just rename themselves
Act 3
The set is still Jack’s Manor House
garden. Now Dr. Chasuble and Miss Prism
enter the set Then it turns out that Miss Prism was
the one to leave Jack in a handbag as an infant.
Everyone then realized what the situation is, now everyone is happy for Jack to marry Gwendolen and Algernon to marry Cecily.
Act 3 (cont.)
Purposes:
• Highlight the stage’s composition
• Aids in creation of mood
• Manipulate the focal point of the audience’s
view
• Create the rhythm of movement
Light Design
The lighting in throughout the play will be bright and
colorful to accentuate the upper class wealth
common to many characters in the play. The lighting
will rarely ever be very dark or menacing.
This will also help to create a much lighter mood
especially in comparison to darker plays e.g.
Hamlet. This is because “The Importance of Being Earnest” is a satire that
incorporates comedy to project its message.
Rhythm
Floodlights will shine throughout the stage
to present to the audience that the time is
afternoon.
Spotlight will focus on Jack as it is revealed
that he lied about his identity to Algernon.
Intensify the mood of love and excitement
as Jack proposes to Gwendolen by shining
two pink spotlights on them both.
Act I
I will keep the floodlight intensity at a
medium, but not focus it on the characters. This way the audience can tell that it is still afternoon.
Black spotlight shines on Algernon and slowly dims to hint a little foreshadowing as the curtains drop and Act ends.
Act I (cont.)
I will use a high intensity of floodlights
throughout this act since the setting is
outside Jack’s Manor House garden
and enhance the vivid roses.
To create a sense of love mood, I will
again use two pink spotlights or a pink
backdrop on Algernon and Cecily as
he proposes to her.
Act II
When Jack and Algernon get
caught lying to Cecily and
Gwendolen about being Ernest
Worthing I will shine two red
spotlights on the men.
Slowly dim lights as the act ends
with Jack raging at Algernon
finishing up his muffin and tea.
Act II (cont.)
Create bright floodlights as the scene
starts up.
I will increase the intensity of the
spotlights on Jack and Algernon as they
get interrogated by Cecily and Gwendolen.
When Lady Bracknell enters, spotlight will
shine on her and gradually turn red when
she calls out Miss Prism.
Act III
Shift the spotlight towards Miss Prism as she is
being interrogated by Jack and Lady Bracknell. I will then take the spotlight off Lady Prism and
lighten up the stage with yellow floodlights to create a happy mood.
As the Act finishes up with everybody embracing one another, I will slowly die the lights down and shut them off for the final curtain call.
Act III (cont.)
Help establish the style of the play
Indicate time and setting of the play.
Indicate the characters’ roles, class, and personalities.
Show relationships among characters
Incorporate, through symbolism, the themes of the play
Meet the needs of individual performers in terms of
freedom of movement and costume changes.
Be consistent with the productions a whole, especially
other visual elements.
Costume Designer Goals
Characters will be seen with Victorian period clothing
as the play takes place in the 1890s Upper class men wore tailored suits with cravats
(modern tailored neckties) Top hats and gloves were normally worn when
outdoors Upper class women wore ballroom dresses with the
skirts being the widest during this time period Some women also wore tailored suits High collars were popular as well Hats were enormous with feather or flower details
Costume Design
John Worthing, J.P. (also known as Jack)
Dressed casual with a bit of formality for his intended proposal to his lover, Gwendolen
Algernon Moncrieff Dressed presentable and fashionable way as he’s
expecting company in his home (Act I) Gwendolen Fairfax
Young in age, comes with Lady Bracknell for tea so will be dressed fancy and resembling youth, remains this way throughout the play
Costume DesignMajor Roles
Cecily Cardew
Not as wealthy as Gwendolen, but younger and should be dressed a little more casual but still trying to achieve elegance when she is presented watering the plants outside the Manor House
Lady Bracknell Asked by Algernon to come by for afternoon tea, should be
dressed elegantly because of the way she speaks highly of herself and continues to dress that way throughout the play
Miss Prism Not wealthy like Lady Bracknell, is an educator and is not as
proper or formal as the upper class women. She is seen wearing more casual Victorian clothing without the immense details that Lady Bracknell may have on her attire.
Costume DesignMajor Roles
Rev. Canon Chausable
He is a reverend and is described as “typical” and not hold a high status. He is seen dressed in a black gown and a bible by his side.
Merriman (Butler) Butlers held a higher status during the Victorian
period and were seen with a more open blazer revealing that he only works inside
Lane (Manservant) Lane is seen wearing a closed blazer that is less
elegant than that of Merriman’s to show that his job requires going outside and more work is required
Costume DesignMinor Roles