18
PATRICIA ÁLVAREZ SÁNCHEZ University of Málaga Urban Landscapes in India: From Political Uncertainty in Rushdie’s Midnight’s Children to Globalization in Adiga’s The White Tiger

Eaclals Conference

Embed Size (px)

Citation preview

Page 1: Eaclals Conference

PATRICIA ÁLVAREZ SÁNCHEZ

University of Málaga

Urban Landscapes in India:From Political Uncertainty in Rushdie’s Midnight’s Children

to Globalization in Adiga’s The White Tiger

Page 2: Eaclals Conference

Salman Rushdie’s Midnight’s Children (1981)

Page 3: Eaclals Conference

Srinagar (Kashmir)

In those days there was no army camp at the lakeside, no endless snakes […] no soldiers hid behind the crests of the mountains... In those days travellers were notshot as spies if they took photographs of bridges, and apart from the Eng-lishmen's houseboats on the lake, the valley had hardly changed since the Mughal Empire…(Midnight’s Children 5)

Page 4: Eaclals Conference

Agra

Page 5: Eaclals Conference

The Jallianwala Bagh Massacre (1919) in Amritsar

Page 6: Eaclals Conference

Bombay/Mumbai

Page 7: Eaclals Conference

Karachi

Page 8: Eaclals Conference

Aravind Adiga’s The White Tiger (2008)

Page 9: Eaclals Conference

Laxmangarth

Page 10: Eaclals Conference

Dhanbad

Page 11: Eaclals Conference

Delhi

We were like two separate cities—inside and outside the dark egg” (White Tiger 116)

Page 12: Eaclals Conference

Delhi

The rich live in “big housing colonies” (White Tiger 98) and the poor “live on the sides of the road in Delhi” (White Tiger 99).

Page 13: Eaclals Conference

Gurgaon (Delhi)

Page 14: Eaclals Conference

To escape the “Darkness”, the rural hinterland where he comes from, he undermines the values that he has been forced to follow all his life.

- First of all, he goes to the Dehli Zoo. In the observation of the tiger, he realizes he has been trapped in a cage all his life.

-In the second place, Balram starts to be illuminated by poetry: “You were looking for the keys for years, but the door was always open” (216) and "The moment you recognise what is beautiful in this world, you stop being a slave" (236).

- The final change comes when the city starts to speak to him in the language of the war: My heart was bitter that night. The city knew this—and under the dim orange glow cast everywhere by the weal streetlamps, she was bitter.Speak to me of civil war, I told Delhi.I will, she said (White Tiger 188)

Balram undergoes three changes

Page 15: Eaclals Conference

Bangalore (Silicon Valley)

Page 16: Eaclals Conference

Conclusion

Saleem’s family’s migration in Midnight’s Children mirrors the political and social uncertainty of the history of modern India:

- The Jallianwala Bagh massacre- The Quit India movement launched by Gandhi- The partition of India- The post-independence riots - The rise and success of Bollywood- The war with Pakistan - Indira Gandhi’s State of Emergency 

Midnight’s Children

Page 17: Eaclals Conference

Conclusion

The White Tiger depicts the city of New Delhi as a centre where complex economic changeshave given way to the rise of new industries such as technology, trade and outsourcing for the USA.

The protagonist becomes an ambitious choreo-grapher of the urban inventorie in New Delhi and Ban-galore, cities with extraordinary energetic creativity and opportunities, of worldliness and ambition, the enactment of globalization.

The White Tiger

Page 18: Eaclals Conference

PATRICIA ÁLVAREZ SÁNCHEZ

[email protected]

THANK YOU