EDITING DIGITAL VS PRINT

WORKFLOW • USING PRESETS • PRINT IT OR POST IT

WORKFLOW FROM SHOOT TO PRINT

CHOOSE YOUR SUBJECT

SHOOT IT

DUMP YOUR CARD

ORGANIZE YOUR FILES

CHOOSE YOUR SELECTS

EDIT

EXPORT YOUR SELECTS

POST OR PRINT

WORKFLOW CHOOSE YOUR SUBJECT

WHAT DO YOU WANT TO SHOOT?

WORKFLOW SHOOT IT

WORKFLOW DUMP YOUR CARD

WORKFLOW ORGANIZE YOUR FILES

WORKFLOW CHOOSE YOUR SELECTS

WORKFLOW EDIT

WORKFLOW EXPORT YOUR SELECTS

WORKFLOW POST OR PRINT

GOOD FOR PRINTHIGH RESOLUTION 300 DPI

CMYKORIENTATION*MAGAZINES INSTAGRAM

BLOGMISC SOCIAL MEDIA

BOOKSFRAMINGPROMO

ORIENTATION*RGB

LOW RESOLUTION 72 DPI

GOOD FOR POSTING

(PH)OCABULARY

RESOLUTION

SOURCE: 30-SECOND PHOTOGRAPHY BY BRIAN DILG

THE DEGREE OF DETAIL AN IMAGING SYSTEM IS CAPABLE OF CAPTURING. IN THE CASE OF DIGITAL PHOTOGRAPHY, THIS IS A FUNCTION OF HOW MANY PIXELS AND IMAGE SENSOR RECORDS, OR THE NUMBER AND DENSITY OF PIXELS WITHIN A PHYSICAL PRINT. THE PHYSICAL SIZE OF A SENSOR PLACES LIMITATIONS ON HOW MANY DISCRETE PIXELS CAN BE FIT ONTO IT. WITH RESPECT TO A PRINT, RESOLUTION IS MORE FLEXIBLE, AS THE LARGER THE PRINT, THE FARTHER AWAY VIEWERS TYPICALLY STAND. BILLBOARDS, FOR INSTANCE, TYPICALLY HAVE 10-15 PIXELS PER INCH. PRINTS INTENDED TO BE VIEWED AT ARM’S LENGTH IN A PUBLICATION ARE COMMONLY PRINTED AROUND 300 PIXELS PER INCH.

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