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Miss Catherine’s Class January 26-29

January 26 29

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Page 1: January 26 29

Miss Catherine’s Class

January 26-29

Page 2: January 26 29

Reading Workshop

• Before we begin…

…make sure that you have your red

notebooks on your desks.

Page 3: January 26 29

Great Readers…

• …recognize that stories address particular themes.

• As readers of fiction, we pay attention to what is happening

in each story and to how the story fits into larger themes in

literature.

• A theme is a dominant idea that the author wants to share.

• There are many themes in literature, and many texts

address the same themes.

• Part of our thinking as readers is to uncover themes and

determine what this particular text is saying about that

theme.

Page 4: January 26 29

Great Readers…

• When identifying a

theme, we often

express this idea in

a single word, such

as friendship,

family, equality or

discrimination

• Let’s take a look at

some common

themes in

literature…

Page 5: January 26 29

Great Readers…• Today, we are going to

read a beautiful

realistic fiction story

called The Can Man by

Laura E. Williams

• Yet while this story is

fictional, it does

address issues and

themes common not

only in literature but

also in the real world.

Page 6: January 26 29

Great Readers…

• As we read, let’s

identify possible

themes and consider

what this story has to

say about those

themes.

• Begin a new page in

your reading notebooks

for this story…

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Great Readers…• Read through “…been down on his luck.”

• How does Tim seem to feel about what has happened

to the Can Man? Does it seem to influence his feelings

about him?

– Turn & Talk to your partner and make sure to write down a note

in your notebooks about your thinking.

• Now consider possible themes that are already

emerging and write them down too.

• Continue reading until Jamal agrees to give Time the

cans he usually saves for the Can Man.

Page 8: January 26 29

Great Readers…• What do you think about Tim’s decision to collect

cans?

– Write down your thoughts.

• It seems as though Tim doesn’t seem to

understand how he might be taking cans and

money from someone who needs them more than

he does.

• Continue reading until after Tim and The Can Man

meet on the rainy walk…

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Great Readers…

• What are you thinking at this point?

–Write down your thoughts.

• Read through the next page…

• What do you think about the Can

Man’s reaction to Tim collecting cans?

– Turn & Talk to your partners…

Page 10: January 26 29

Great Readers…• Write about your

thinking regarding

the end of the

story…

• Take a few minutes to

read over your notes

and add to your initial

list of possible themes

in this story.

• Now think and write

about the theme of

this story.

Page 11: January 26 29

Great Readers…• Now let’s move into a

conversation to discuss

possible themes of this

story and how The Can

Man addresses theose

themes.

• Remember, there is not

one right idea but many

right ideas.

• The challenge is to be able

to use evidence from the

text to defend an idea.

Page 12: January 26 29

Great Readers…• Let’s really push ourselves

to refer back to the text

and support our thinking

with evidence from the

text. Who would like to

start off our conversation?

• The idea of theme, and

the author’s message

about the theme, is one

we will continue to

explore as readers in this

unit and this year.

Page 13: January 26 29

5-Minute Break

Page 14: January 26 29

Writing Workshop

• Before we begin…

…please make sure that you have your

white binders on your desks!

Page 15: January 26 29

Great Writers…• …close their stories by resolving the

characters’ conflicts in the end of the

story.

• Imagine any of the following examples

were part of the conflicts you chose for

your fiction stories…

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Great Writers…Death of a

Loved One…

Divorce…

Argument with a sibling…

Page 17: January 26 29

Great Writers…• Let’s begin by imagining an example…

• We discussed a character the other day named Shorty who

was a trumpet player while he lived with the Silent Tribe.

• Can anyone suggest how his belief system might help him

resolve his conflict of living in his problematic circumstances?

• Do you think that while he loves playing the trumpet, his

belief of “making noise” may change into “making music” so

that his silent neighbors won’t view him as a noise maker

anymore…

• Turn & Talk to your partner to discuss whether this is a good

plan.

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Great Writers…• Now let’s remember what conflict you decided your

character was having…then imagine how through

his/her own personal religion or belief system, they

solved their conflict…how they may have found

spiritual health.

• Turn & Talk to your partners about how you might be

able to resolve your conflicts peacefully but with a

great concluding statement to allow the readers to feel

as though all of the questions they had while reading

your story, were answered.

• Let’s imagine that may be a great way to end our

stories…a great way to conclude the conflict our

stories have been discussing so far!

Page 19: January 26 29

Great Writers…• A great way to end a fiction story is with the resolution

of the conflict your readers have been reading about.

• Your readers have begun to care for the characters

who have been experiencing these conflicts and so

they want to see that the characters resolve their

issues in a way that may also teach them a lesson.

• For this reason, make sure that your concluding

sentence restates the moral lesson of your fiction

story…something for your readers to take away with

them.

Page 20: January 26 29

5-Minute Break

Page 21: January 26 29

Writing Workshop

• Before we begin…

…please make sure that you have your

white binders on your desks!

Page 22: January 26 29

Great Writers…

• …revise their stories by returning to

their story maps to make sure

they’ve included all the details.

Page 23: January 26 29

Great Writers…

• Can we all turn

back to the pre-

editing section of

our white binders

to where we have

our Story Maps?

Page 24: January 26 29

Great Writers…• Imagine you re-read your story…from beginning

to end…and you realize that you forgot to base

your conflict on the belief system of your main

character…as you had planned to do on your

story map!

• What can you do?

• It’s simple…just take a fresh sheet of paper and

make sure that the conflict is written in a way to

really show your readers what it is based on!

Page 25: January 26 29

Great Writers…• Imagine your original notes about your character or your

setting did not transfer clearly enough to your first draft.

• What can you?

• Take out a fresh sheet of paper and re-write that section

of your story. Make sure that you are as clear as

possible.

• Also, when creating your second draft (your revision),

make sure that you do not lose your first draft.

– I base part of your grade on the improvements I see from one

draft to the next…

Page 26: January 26 29

Great Writers…• Let’s also consider typing our papers at this point…if

this is something that would interest you, I can email

you a template document where you can just start

typing…I will create the settings for you…font type,

size, spacing, margins, etc.

– make sure that you save it onto your computer at home!

• This will allow you to sit at your computers at home…

save the attached document from my email and just

start typing. Make sure you print it before coming to

school Wednesday morning!

Page 27: January 26 29

5-Minute Break

Page 28: January 26 29

Writing Workshop

• Before we begin…

…please make sure that you have your

white binders on your desks!

Page 29: January 26 29

Great Writers…

• …revise their writing by including vibrant verbs

and adjectives.

• Great writers need to help their readers visualize

their stories by including vivid details.

• Let’s read a passage from Gary Paulsen’s novel

Hatchet, and identify which details Paulsen used

to create these images...

Page 30: January 26 29

Great Writers…“BRIAN ROBESON stared

out the window of the small

plane at the endless green

northern wilderness below.

It was a small plane, a

Cessna 406—a bush-plane

—and the engine was so

loud, so roaring and

consuming and loud, that it

ruined any chance for

conversation.”

Page 31: January 26 29

Great Writers…• Who can tell me what we just

read about?

• Do you think the author used

sufficient adjectives and verbs

to really paint a picture for his

readers about the setting for

the first scene of his book?

• When he wrote about this

setting, how many senses do

you think he used when

describing his first setting?

Page 32: January 26 29

Great Writers…"Get in the copilot's seat." Which Brian had done. They had taken

off and that was the last of the conversation. There had been the

initial excitement, of course. He had never flown in a single-

engine plane before and to be sitting in the copilot's seat with all

the controls right there in front of him, all the instruments in his

face as the plane clawed for altitude, jerking and sliding on the

wind currents as the pilot took off, had been interesting and

exciting. But in five minutes they had leveled off at six thousand

feet and headed northwest and from then on the pilot had been

silent, staring out the front, and the drone of the engine had

been all that was left. The drone and the sea of green trees that

lay before the plane's nose and flowed to the horizon, spread with

lakes, swamps, and wandering streams and rivers.

Page 33: January 26 29

Great Writers…• What else do we know about the setting now?

• Was there a bit of a climax included in this scene?

• Did the author use verbs vibrant enough to keep

your attention throughout?

• Now turn to your own draft and see what vibrant

and exciting verbs you might be able to include

when describing your setting as well as the

conflict that occurs.

• Make sure that the adjectives really paint a picture

for your readers!

Page 34: January 26 29

5-Minute Break

Page 35: January 26 29

Reading Workshop

• Before we begin…

…make sure that you have your red

notebooks on your desks.

Page 36: January 26 29

Readers…• …construct understanding at the beginning of the

story by paying attention to story elements.

• Works of fiction pose particular challenges at the

beginning of the story.

• Readers are faced with a lot of information and need

to sort through and understand that information.

• By identifying what we know and what we are

questioning, or wondering about, we are able to

construct our understanding of the story.

Page 37: January 26 29

Readers…• As readers of fiction, we use the framework of the

elements of a story to build this understanding.

• Today, we are going to read a short story called

“Seeking a Hidden Hive.”

• As we read, we are going to write into our Red

Notebooks our noticings about the characters,

setting and conflict in the beginning of the story.

• Then we will consider what we still wonder or don’t

know yet.

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Readers…• Copy this chart

into your notebooks to help you…

• Read aloud through the

line…”but I don’t have enough

money.”• So far I know that

Guyo is a young boy who really wants to help his father.

• I wonder exactly what Guyo wants to help his father do.

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Readers…• I also know that

Guyo’s grandfather has suggested that he help by getting honey for his mother.

• Why does he need honey?

• And why doesn’t he have enough money to get honey?

• After marking ?’s on board, continue reading through …”he whistled again.”

Page 40: January 26 29

Readers…• Now I know that

Guyo is a member of the Borano Tribe.

• I wonder where this tribe lives.

• What exactly is this tribe?

Page 41: January 26 29

Readers…• I have also learned

a cool new word: fuulido.

• I know that this is a shell with a hole in it used to call for Honey Catchers.

• I wonder what a honey catcher is.

• Will it actually work?

• Will it help Guyo and his grandfather find honey?

Page 42: January 26 29

Readers…• Now as I finish the

story, I want you guys to follow this pattern and continue to write down things you know as well as things you wonder about.

• Then we can share…

Page 43: January 26 29

Readers…• When we carefully

construct meaning at the

beginning of a story, we

can use every element of

the story and ask questions

as we read.

• Wondering early on in the

story allows us to look for

answers and build a deeper

understanding of our

stories, which ultimately

leads to more enjoyment.