94

Off the Wall

Embed Size (px)

DESCRIPTION

Presentation on Post-Modernism, Installation and Performance Art

Citation preview

Page 1: Off the Wall
Page 2: Off the Wall

Off the WallPerformance and Installation Art

Page 3: Off the Wall
Page 4: Off the Wall
Page 5: Off the Wall
Page 6: Off the Wall

ClassicalIdeals based on Humanism

MedievalSuperstition

RenaissanceReturn to Humanism

Age of Enlightenmentand the belief that we can

understand the world through reason

RomanticismWorld cannot be known solely through reason

RealismReality dominates over Ideals

ModernismLoss of faith in tradition

New forms neededOriginal and individual

Post-ModernismApparent realities only social

constructsNo absolute truth

Perception of world subjective

Page 7: Off the Wall

What the heck is modernism?

Pre – Modern eraSociety

Agrarian – wealth and labor derived from agriculture and trading. Population centered in rural areas.

Page 8: Off the Wall

What the heck is modernism?Modern era

SocietyIndustrial – wealth and labor derived from manufacturing. Population centered in cities.

Page 9: Off the Wall

What the heck is post-modernism?Post - Modern era

SocietyInformation – Information and service industries overtake manufacturing. Global citizens.

Page 10: Off the Wall

What the heck is modernism?Pre-Modern Era

PoliticsMonarchies and Empires – People ruled by royal families and empires extend beyond ethnic borders.

Page 11: Off the Wall

What the heck is modernism?Modern era

PoliticsRevolution – people displace royals with democratic or socialist forms of governments.

Page 12: Off the Wall

What the heck is post-modernism?Post - Modern era

PoliticsGlobalization – nation-states lose sovereignty due to trading and internet. Free flow of information and goods.

Page 13: Off the Wall

What the heck is modernism?Pre-Modern Era

ScienceNewton’s Laws – Physical laws are fixed and immutable

Page 14: Off the Wall

What the heck is modernism?Modern era

ScienceEinstein’s Relativity – Not all objects in universe follow

Newton’s laws.

Page 15: Off the Wall

What the heck is post-modernism?Post - Modern era

ScienceCybernetics – Non-linear systems and interconnectivity of life.

Page 16: Off the Wall

What the heck is modernism?Pre-Modern Era

PsychologyAssociative - Sensory Input + Repetition = Ideas

Page 17: Off the Wall

What the heck is modernism?Modern era

PsychologyExamination of the make-up of personality – Conscious + Unconscious = Self

Page 18: Off the Wall

What the heck is post-modernism?Post - Modern era

PsychologyRelativism – I’m OK, You’re OK. - People made up of many “selves”.

Page 19: Off the Wall

What the heck is modernism?Pre-Modern Era

ArtRepresentational Approach – art’s value rests in how closely it mirrors nature

Page 20: Off the Wall

What the heck is modernism?Modern era

ArtExpressive Approach – art’s value rests in how it allows for

individual expression and originality

Page 21: Off the Wall

What the heck is post-modernism?Post - Modern era

ArtProcess Approach – no originality in end product – process is the important element

Page 22: Off the Wall

Major Thinkers who epitomized the Pre-Modern Ideal

In 1687 Sir Issac Newton developed the theory of gravitation and the three laws of motion which dominated scientific theory for the next three centuries. His ideas help lead to the conclusion that the world could be know n through reason and that the universe operated by a set of natural laws which could be known and were consistent.

Immanuel Kant, famous for the quote “I think therefore I am” believed that all knowledge comes through experience. His ideas bolstered the Scientific Revolution by asserting that reason and experience should be the basis for conclusions.

Leonardo Da Vinci was a artist, scientist, scholar, inventor and poet. He epitomized what became known as the Renaissance Man – someone who was expert in many fields.

Page 23: Off the Wall

Major Thinkers who epitomized the Modernist Ideal

In physics, Albert Einstein puts forth the idea that electromagnetic waves do not conform to the laws of motion put forth by Isaac Newton. This is part of his Theory of Relativity.

In psychology Sigmund Freud postulates a theory that personality is made up of subjective, interacting layers. Psychoanalysis is the technique Freud developed to treat patients by bringing thoughts buried in the subconscious back into conscious awareness.

Pablo Picasso develops a form of abstract painting that tries to paint all aspects of something simultaneously. This style of painting comes to be known as Cubism because of its shattered, geometric look. Picasso, and others, were trying to represent things as they are not how they look.

Page 24: Off the Wall

Major Thinkers who epitomized the Post-Modernist Ideal

Norbert Wiener develops the concept of Cybernetics. It is the study of communication and control, typically involving regulatory feedback in living organisms, machines and organizations, as well as their combinations. This idea will affect all the sciences, especially mathematics, biology and ecology.

In literary criticism, Jacques Derrida develops a method known as Deconstruction which states that no writing can be independent of the cultural bias implicit in language. What’s not written is just as important as what is.

Marcel Duchamp, along with the other Dada artists started the notion that art was bankrupt and hence dead. He took art from the sensory (visual) to the conceptual (idea). Subsequent artists, in trying to revive art, focused on the process rather than the final product as the important element in art.

Page 25: Off the Wall

So what does this mean for art?

Modern Art Post Modern Art

Formal - art for art’s sake Art must relate to social conditions

Images are unique productions of individual artists

Art is a reworking, recycling and transforming of ideas from many sources

Art is apolitical and reflects a “universal truth”

Art is contextual and reflects the cultural norms of the maker

High art shows that culture in progressing forward

Acceptance of cultural conflict – Good/bad dichotomy reflect bias from the group in control

The meaning of the art is absolute Many meanings possible

Page 26: Off the Wall

Formal - art for art’s sakeArt must relate to social conditions

Modern

Post- Modern

Page 27: Off the Wall

Images are unique productions of individual artists

Art is a reworking, recycling and transforming of ideas from many sources

Modern

Post- Modern

Page 28: Off the Wall

Art is apolitical and reflects a “universal truth”

Art is contextual and reflects the cultural norms of the maker

Modern

Post- Modern

Page 29: Off the Wall

High art shows that culture in progressing forward

Acceptance of cultural conflict – Good/bad dichotomy reflect bias from the group in control

Modern

Post- Modern

Page 30: Off the Wall

The meaning of the art is absolute

Many meanings possible

Modern

Post- Modern

Page 31: Off the Wall

Michelangelo, David, 1504

Robert Delauney, title unknown, 1915

Page 32: Off the Wall

Marcel Duchamp, Fountain, 1917

Page 33: Off the Wall

Man Ray, Marcel Duchamp as Rrose Selavy, 1921

Page 34: Off the Wall

Kurt Scwhitters, Merzbau, 1925

Page 35: Off the Wall

Yves Klein, Anthropometric, 1960(?)

Page 36: Off the Wall

Yves Klein, A Leap Into the Void, 1960

Page 37: Off the Wall

Allan Kaprow, A Happening, 1962

Page 38: Off the Wall

Allan Kaprow, The Courtyard, New York City, 1962

Page 39: Off the Wall

Allan Kaprow, Yard, 1961

Page 40: Off the Wall

Claus Oldenburg, The Store, 1959

Page 41: Off the Wall

Claus Oldenburg, The Store, 1959

Page 42: Off the Wall

Joseph Beuys, How To Explain Pictures to a Dead Hare, 1965

Page 43: Off the Wall

Joseph Beuys, Infiltration homogen für Konzertflügel (Homogeneous Infiltration for Piano), 1966

Page 44: Off the Wall

Joseph Beuys, The Pack, 1969

Page 45: Off the Wall

Ed Kienholtz, The Birthday, 1964

Page 46: Off the Wall

Ed Keinholz, Back Seat Dodge ’38, 1964

Page 47: Off the Wall

Chris Burden, 110, 1971

Page 48: Off the Wall

Chris Burden, Shoot, 1972

Page 49: Off the Wall

Chris Burden, Transfixed, 1974

Page 50: Off the Wall

Chris Burden, All the Submarines of the United States, 1987

Page 51: Off the Wall

Marina Abramovic, Rhythm 10, 1973

Page 52: Off the Wall

Marina Abramovic, Rest Energy, 1980

Page 53: Off the Wall

Marina Abramovic, Relation in Time, 1997 17 hrs

Page 54: Off the Wall

Marina Abramovic, The Artist is Present, 2011

Page 55: Off the Wall

Yoko Ono, Ceiling Painting (Yes Painting),

Page 56: Off the Wall

Yoko Ono, Cut Piece, 1964

Page 57: Off the Wall

Yoko Ono, Take a Piece of the Sky

Page 58: Off the Wall

Yoko Ono, Wish Tree, 2009

Page 59: Off the Wall

Eva Hesse, Repitition Nineteen, 1968

Page 60: Off the Wall

Eva Hesse, Untitled (Rope Piece), 1970

Page 61: Off the Wall

Barbara Kruger, Exhibition, 1991

Page 62: Off the Wall

Barbara Kruger, Pleasure, Desire, Disgust, 1997

Page 63: Off the Wall

Paul McCarthy, Painter, 1995

Page 64: Off the Wall

Paul McCarthy, Pirate Party, 2005

Page 65: Off the Wall

Christian Boltansky, Das ungeordnete Leben von Maxim Vallentin, 2005.

Page 66: Off the Wall

Christian Boltansky

Page 67: Off the Wall

Christian Boltansky

Page 68: Off the Wall

Marcel Broodthaers, Papa, 1961

Page 69: Off the Wall

Marcel Broodthaers, White Cabinet, 1965

Page 70: Off the Wall

Marcel Broodthaers, La Salle blanche, 1975

Page 71: Off the Wall

Yolanda Lopez, title unknown, 1985

Page 72: Off the Wall

Christo, Running Fence, 1972-76

Page 73: Off the Wall

Christo, Wrapped Reichstag, Munich, 1995

Page 74: Off the Wall

Christo, Wrapped Trees, 1997-98

Page 75: Off the Wall

Christo, Gates, Central Park, 2006

Page 76: Off the Wall

< Sol LeWitt, Wall Drawing #146, September 1972.

Page 77: Off the Wall

Sol LeWitt, Wall Drawing No. 681 C, 1993

Page 78: Off the Wall

Sol Lewitt, Wall Drawing # 1042 (Isometric Form), 2002

Page 79: Off the Wall

Sol Lewitt, Wall Drawing #1183, 2005

Page 80: Off the Wall

Tony Cragg, Aeroplane, 1995

Page 81: Off the Wall

Brett Peterson, 2005

Page 82: Off the Wall

Deborah Warner, Spellbound, 2004

Page 83: Off the Wall

Gabriela Tzebinski, Matutu Project

Page 84: Off the Wall

Ian Baxter, Animal Preserve

Page 85: Off the Wall

Ilya Kabakov, The Man Who Flew Into Space From His Apartment, 1968-1996

Page 86: Off the Wall

Ilya Kabakov, The Man Who Flew Into Space From His Apartment, 1968-1996

Page 87: Off the Wall

Ilya Kabakov

Page 88: Off the Wall

Burton McKenzie

Page 89: Off the Wall

Jason Roderick, Remind Me, 2005

Page 90: Off the Wall

Jurgen Staake, Missing Pictures…Left Behind,

Page 91: Off the Wall
Page 92: Off the Wall

Adina Bar-On, Disposition Chinese , 2001

Page 93: Off the Wall

Leung Mee-ping , Memorize the Future, 1998 - 2006

Page 94: Off the Wall