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Keeping the Performance Alive Dynamic Performing Arts Archives that Include the Audience

Portfolio Presentation Final

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Page 1: Portfolio Presentation Final

Keeping the Performance Alive

Dynamic Performing Arts Archives that Include the Audience

Page 2: Portfolio Presentation Final

Nature of Performing Arts

DYNAMIC AUDIENCE LIVE

Evolving Unique

Unique Interaction Continuing

dialogue

Momentary

Page 3: Portfolio Presentation Final

To archive or not to archive?

NO Authoritative

accounts The archive is frozen Best kept in our

memories An imposition of

power

YES Their cultural and

historical significance Archive does not have

to be a substitute or a perfect representation

Page 4: Portfolio Presentation Final

Solution: Honor the Performing Arts in the Archive

REUSE

By public By practitioners By scholars/researchers and

students

PROGRAMMING

Exhibitions Workshops Lectures Screenings Readings Performances

AUDIENCE

Interviews Videos of audience Online forums for discussion Databases of user

contributions

WEB 2.0

Digitized collections Multimedia Interaction Relationships

Page 5: Portfolio Presentation Final

The Ideal IngredientsFor creating a dynamic, living performing arts archive

Page 6: Portfolio Presentation Final

Promotion

“If its existence is not known…it is a dead archive.”

o Publisho Research Initiativeso News Articleso Go to practitioners

and tell them about your services

o Make sure that you, your website, and your facilities are welcoming and usable

Page 7: Portfolio Presentation Final

Programming

“…if it does not coexist with the city, the people, the scholars …It is a dead archive.”

o Workshopso Lectureso Exhibitionso Performanceso Readingso Screenings

Page 8: Portfolio Presentation Final

Be Proactive

“. . . A concerted effort needs to be made, while the performance is created and executed, to document as much as possible of it and to preserve the materials that the performance generates . . . it is a primary concern of repositories to actively promote or contribute to the documentation of performance.”

“Information professionals cannot be passive, because, in theater, sources need to be actively created and sought, otherwise they easily disappear or they do not even come into existence.”

-Francesca Marini

o Actively collect materials

o Interview audience members

o Interview/perform oral histories with practitioners

Page 9: Portfolio Presentation Final

Website

Transcend the confines of archive on the Web.

InterfaceUsability

Featureso Digitized collections

o Multimediao Show relationshipso Interactivity/ allow

comments

Page 10: Portfolio Presentation Final

Website

Transcend the confines of archive on the Web.

InterfaceUsability

Featureso Digitized collections

o Multimediao Show relationshipso Interactivity/ allow

comments

Each name is linked to a list of other productions that person was associated with.

Movies include multiple performances and rehearsals

Page 11: Portfolio Presentation Final

Website

Features, continued

o User inputo Ask for audience

interpretations, reactions, opinions, emotions

o Materials – photos, programs (that the archive doesn’t have)

o Videos, blog, entries, etc. could be embedded or added to link lists

Page 12: Portfolio Presentation Final

Website

Features, continued

o User inputo Ask for audience

interpretations, reactions, opinions, emotions

o Materials – photos, programs (that the archive doesn’t have)

Page 13: Portfolio Presentation Final

Website

Features, continueso Interactivity

o Comments

Page 15: Portfolio Presentation Final

“The archive only has a legacy by living

on.”-Jones, Abbott, and

Ross